#this scene is literal perfection

[livelovecaliforniadreams]

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[twicearoundthebend]

Everyone who’s complaining about Hera being the mc of war of the Rohirrim- genuinely who do you think should be the mc instead??

Because I reread the story in the appendices, and I understand that she doesn’t even get a name in the book, but she’s literally the only character that’s there for all the action and doesn’t die partway through.

Her brothers? Dead. Helm Hammerhand? Dead. Her cousin? Gone for most of the battles. And it makes way more sense to focus on Helm’s daughter- someone with deep emotional ties to all this loss, and an emotional tie to the villain- as opposed to focusing on some random soldier or general

Just say you hate women and leave it at that, don’t try to justify it with ‘I just want it to be accurate to the books!’

[evie-doesnt-write]

I don’t know how to say this exactly but like… fandom and show are kinda weird about Mel and Ekko and it is very much rooted in racism

[lauraneedstochill]

Aemond Targaryen + tumblr posts that are definitely about him part 2 (and one bonus gif about him and Aegon!) original posts: x, x, x, x, x, x, x + inspo / part 1

Aegon II Targaryen + tumblr posts that are definitely about him part 1 / part 2

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[dreamsy990]

hmmm something about this feels familiar. im sure its nothing

bonus: version without blur and uncolored

[maggiecheungs]

"What did you hope to gain by pursuing the power to grant miracles...?"

REVOLUTIONARY GIRL UTENA 🌹 EP 29: AZURE PALER THAN THE SKY

[buttercupshands]

Had another one of "YOU HAVE TO DRAW NOW" moments

I actually did the scene above on my second try of the battle, lv 90 doesn't exactly make it easy to lose

Also I think it's time to show those sketches too

The Siffrin practice once more, but this time a bit earlier

Also first try on figuring Loop's full body ref too

Also this little thing, not as polished as digital would've been

Imagine my reaction when I accidentally gave Loop a flower after trying already and they accepted it. I adored that 'yeah we won't speak of this, but I accept your stupid flower' scene more than anything and it was pure text after little scene

[bloodfreak-boyking]

he's such a bitch i love him so much

[thewinchestah]

and that’s a wrap guys!! I’m not okay!! But at the same time I’ve never been better!!

[unplanned-parenthood]

everyone and their mother goes thru the monthly occurrence of grabbing pics of young rsl and going 'oh my god new orleans wilson' but like. rsl in Married To It (1991) is literally how i imagine him at that time...the boring suit. the ring. the almost-but-not-quite middle part. the fact that its very much the 90's. if he was a little more dishevelled and fucked up it would be quite literally Him that night

[oceanwithouthermoon]

yk when i think about it, especially when im watching the anime with people who havent read the manga, the reason a lot of people who only watch the anime and didnt read the manga misinterpreted saikis character so badly is definitely in part because of how damn fast paced the anime is 😭

like that little smile and eye shine frame is there for not even half a second in the anime, so its easier to miss it and assume that he really did only finish those workbooks to get coffee jelly ☠️ its much more clear if you get a good look at how he reacts here that hes just a silly little tsundere and a fucking liar

[livelovecaliforniadreams]

Favorite Buddie Moments Per Episode: 7x5 You Don't Know Me (Part 3)

[sunfortune]

CHERYL DUNYE WORKED ON BRIDGERTON??????? this is crazy. kanthony has the lesbian gaze fr <— hasn’t watched bridgerton

worked on it? she directed the gazebo sex episodes. we literally have FINGERS IN HIS MOUTH bc of HER!! i owe her everything !!!

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.