#this only changed recently

[notfknapplicable]

6627

The meeting with the realtor went...okay???? I mean I have nothing saved up so that's definitely where I need to start, but the amount she mentioned for closing costs is definitely within my means to be able to save before I start looking in earnest. I'm pretty set on using some kind of down payment assistance and luckily there's plenty of programs out there that I qualify for. She also signed me up for automated emails of houses in a certain price range, and I've already seen a couple of houses and a condo that I absolutely adore and would buy if at all possible! Monthly mortgages seem to be averaging about $1400/mo in this lady's mind tho even though every other first-time home buyer program I found advertised mortgages at like $700 and $800. I guess that's the difference between using a regular-degular-schmegular realtor and using a housing program. I have a NACA workshop for first-time home buyers next month, and one of my colleagues purchased her house through that program in 2008. The realtor did shit-talk capitalism for a minute, but also...she'd never heard of NACA, which struck me odd for some reason. I imagine she doesn't want to lose sales to subsidizing programs, but still.

Aaaaaaanyway. I've been emailing the director of the archival studies masters' program I'm interested in and it turns out that they are waiving the application fee for fall applicants, and I can still wait until fall 2024 to start classes. I still haven't heard back from the other program but the deadline for scholarship apps isn't until Nov 1, so I doubt I'll hear anything until January or so.

I'm making a lot of moves right now and it's hard to believe that any of it will work out in my favor, but I'm so used to hearing no. I'm so used to things going terribly. Whatever happens happens. If it all goes to shit then no surprise, huh?

[choccy-milky]

ty to @icedmatchawoatmilk13 for sending this to me! i may have gone a bit overboard but this was so much fun to fill out/think about BAHAHA💖 ill still never get over how perfect the song sarah smiles is for them...the lyrics AND the fact that its an alliteration...im gonna do an animatic about seb and clora to that song one day i swear 😩 ((blank template by oakwolves!))

[mamawasatesttube]

you know the plotline in funeral for a friend where lois breaks into cadmus after finding out they stole clark's body, and she's pissed and grieving and so angry that they'd desecrate him in death?

i keep thinking idly about like. some au where in that process, she not only found clark's body strapped onto a lab table and hooked up to computers for all sorts of analysis, but also... she found the results of that research.

like. she's not thinking about secret identities or how to explain her sudden acquisition of a little guy. she just saw a little guy with clark's face in a tube, after being furious beyond measure about the theft and desecration of clark's body. she wasn't thinking about next steps. she just lost her shit and acted. only stopped to think about it later...

... i.e., lois phoning up ma and pa like haha. remember how we were just talking about how ill never get to marry clark and you'll never have grandkids and all that? um. well. there may have been. a development. WHAT? no!!! im not pregnant!! it's. uhhhhh it's. a lot more complicated than that?

ma on the phone: what do you mean? can you start at the beginning, dear?

lois, panicking: What Do You Do With A Child. Teenager. Person. Guy.

anyway here's how conner lane can still win,

[uncanny-tranny]

Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.

[poorly-drawn-mdzs]

I want it back / I drag its dead weight forward.

[logicpng]

personal experiences. sharing things for the sake of sharing at this point

the game doesn't have a whole lot of words to translate but russian translation hits different somehow

[ibblescribbles]

redesigned some old oc’s… I luv them

[licorishh]

so uhhh happy valentine's day i suppose !!

shoves this in your face and runs away

so. uh. yyyyyeah. when i said i liked all interpretations of their dynamic equally i uh. i lied. and to be totally and completely and 100% honest with you it speaks volumes to the state of the internet that i have been legitimately afraid to say that like i've genuinely been debating and turning it over in my head and arguing with myself about it for days because i don't want people frickin' YELLING at me and telling me to off myself because i like a dadgum fictional ship but it's valentine's and my friend has been hyping up the crap outta me so i'm past the point of having a reasonable excuse to chicken out (and i know myself and if i don't do it today then i likely won't do it at all)

anyway words actually cannot express how obsessed i am with post-o66 aus in which they stay together (largely because i so completely refuse to believe they'd be willing to split up after THAT, ESPECIALLY that soon) so yeah shoutout to the softest fluffiest gut-punch-iest pair in the galaxy to whom everything bad has happened but who stay silly despite the horrors

[spearxwind]

Happy 10th birthday to Cercerion!

OUGHHH UR RIGHT CERCIE IS 10 YEARS OLD NOW !!!!!!

HAPPY BIRTHDAY BABY BOY BELOVEDEST DID NOTHING WRONG EVER IN HIS WHOLE LIFE !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[spagheddiesquash]

jawfizz doodles… actually maybe ill work on that ship name idk if i like the name i said.. anyway i mentioned before that my plan was to ship fizz with jawbone and so thats what i did!! never drawn anything like this before but im really liking how it turned out :^DDD

liked this? maybe u want to see more?? i dunno. but anyway if you liked it feel free to reblog!!

tracked time + kinda crappy bonus doodle under the cut

tracked time:

(do keep in mind this is elapsed. it really took me the past 3 days, on and off)

bonus doodle:

(i used up all my good art juices coloring the doodle sheet so unfortunately this one is noticeably not as good of quality. i at least got the idea down tho!!)

[tennessoui]

alrightalrightalright what about an au where newly knighted obi-wan kenobi is working as a jedi on a hugely top secret project in the middle of nowhere, outer rim, with a very small amount of help from the jedi order and strict instructions to not let anyone know what he's doing - and one night he gets involved in something he has no business getting involved in but this is obi-wan, after all, he never can leave well enough alone. he's trying to bust and rescue a slave ring he uncovers (again, completely on accident, he just took a night off for a drink)

and he decides to go undercover himself to get back to where the (pleasure) slaves are being held so he can set about freeing them, but before he's done, smuggler anakin skywalker bursts in and rushes all of them onto his ship to get them away, taking well-meaning but solidly jedi obi-wan with him

but obi-wan IS under strict orders to not disclose anything about himself or why he was on the planet because this is a super secret jedi project....and anakin thinks he just rescued him from slavery, so it's not like he can just politely ask to be dropped back off roughly around the location he was picked up

and the longer they fly about the galaxy, the more obi-wan is hesitant to return at all. not that he has issues with the order or anything. not that he doesn't feel extremely uncomfortable lying to anakin about his past when anakin is being very kind and understanding and opening up about his own past as a slave....

but despite his duty to the order to return to that planet, despite the guilt he feels when he cannot be as honest with anakin as the smuggler is with him....he sorta...he sorta really likes the other man. he likes the type of freedom he's showing him. he likes the miniature missions they send themselves on. he especially likes the way he catches anakin looking at him sometimes from the pilot's seat, as if he's the biggest, most precious, most unexpected gift he has ever received

[poorly-drawn-mdzs]

Advanced Hall Monitor Technique: Go To Detention

[First] Prev <–-> Next

[project-sekai-facts]

How are we feeling about ensekai’s emu3 translation!!! (I’m mad)

(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)

i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.

for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange

If you look for them, any fan TL of this scene will be something similar to this:

Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...

EN's official translation is this:

So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.

while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).

Here's some examples:

Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)

HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)

Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)

Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)

What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.

Yeah. I love all my friends - and they mean the world to me.

It's a better localisation than the official EN team one.

Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.

In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.

"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.

Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:

Oh, and! And! She said that playing games with Nene-chan is also super fun!

And here's Rin's line from the official EN translation:

That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).

It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.

oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.

read fan translations. they're better than what EN gives us and people put a lot of effort into them.

[wishchip106]

its the fact i cannot think of anything else other than cherik what the hell

these guys have just made a home in my brain

i am not normal about them

while i was watching wicked a small part of me was just going “omg fem cherik”

(i was also just appreciating the movie cause wowie)

hurrrghxhsish this is driving me insane 😭😭

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[signed-sapphire]

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crawls on hands and knees and holds this up to you. you stare at my gift. tis but a crumb of my story. yet you accept the nourishment nonetheless.