#this ones a long one folks

[poorly-drawn-mdzs]

Expertise can't help you here.

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag club full of queens and trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[royalarchivist]

Bad: I don’t think people understand the effect QSMP had on some of the streamers in terms of like… The real raw mental impact, so I’m gonna set the stage for you. [...] Imagine that you were given a friend to play Minecraft with — like your best friend — BUT if this person dies, if they die in the game, you never get to talk to them again. Can you imagine what that’s like?

Bad: If you did not live through the QSMP, if you did not live through that, it almost sounds like, crazy. But I don’t think people realize how much of a joyous experience the Eggs were. They were SO awesome! They were literally so awesome to just hang out with and spend time with.

Bad: I’m not saying I regret it. To this day, I loved the experience. I’d do it all over again in a heartbeat. Even knowing how everything went, I would still do it all over again. [...] I would still do it all over again, because — even knowing like, all the trauma and suffering and stuff like that — because it was just… It was just that fun, it was just that fun.

Earlier today during his stream, Bad shared his experience and thoughts about the Eggs and the significant emotional (and traumatic) impact they had on him and his fellow QSMP members.

This clip a very edited-down version since his commentary was ~13 minutes long, so I highly recommend checking out Bad's VOD if you have the time. (Timestamp: 47:36 - 1:00:14)

[ Full Transcript ↓ ]

———

Bad: To be fair Chat, I really think the QSMP... I don't think anyone really can relate to it, Chat. It's something that's so... I've told people this before, like– but it's hard to understand. Right? Like...

Where was I? Sorry Chat, I'm losing my train of thought. Look, let me explain Chat– here's the dealio, ok? Here's the dealio, and this is what I mean when I say like, it's important to keep this in mind, Chat. Ok? It's important to keep this in mind:

I don’t think people understand the effect that the QSMP had on like, some of the streamers, in terms of like… The real raw mental impact, so I’m gonna set the stage for you. This is the analogy I’ve given to every person who I’ve like, shared this with. Imagine you meet somebody– [He hears a strange noise] What the fudge was that? Did you hear that?

Anyway– Chip! The story I was just relaying to Chat, Chip, was this: I was sharing this story with them, I said–  I was giving them an analogy. 

Imagine Chat, for example, imagine that you were… playing Minecraft, with like– you were given a friend to play Minecraft with, Chat, like your best friend, and [unintelligible] were like, “Hey, you get to play Minecraft with this person, right? BUT if this person dies – they’re currently your best friend, Chip – but if they die in the game, you never get to talk to them again. Ever again.” Can you imagine what that’s like, Chip?

I don’t think a lot of people understand like, what that does, right? I’m not gonna say that like, it creates this situation, Chip, that like, messes with your head, but it– Chip – but it totally, totally does, Chip. It messes with your head! It literally puts you in a position where you’re second-guessing and thinking about everything, Chip! You’re thinking about EVERYTHING Chip! Ok? And that’s the problem, Chip– is you turn into a paranoid monster because of it, Chip! Like, you don’t understand Chip– I was- I was so afraid of every dirt block, I used to carry a shovel with me Chip, and I would specifically right-click dirt blocks that looked suspicious because mines, Chip– mines could not be shoveled! Like, I was crazy, Chip! But here’s the problem, Chip: that craziness is still there. I’m genuinely like–

I remember thinking Chip, that I would one day– I was like, “I’m going to move past–” here, let’s go up here, Chip. I remember thinking one day Chip, I was like, “I’m gonna move past the underground base, one of these days. You know, one of these days, I feel like I’ll be able to grow and achieve the desire to build a base that doesn’t have to be underground.” But I don’t think it’s possible now Chip, because I think… I just don’t know. I feel like the paranoia– there’s still like, residual leftover trauma from that situation, Chip.

But here’s the problem Chip: I don’t think I don’t think– I don’t think people understand it. Like, I just really don’t. But I also don’t blame them Chip, ‘cuz I don’t think it’s possible to fully understand it if you haven’t lived through it. Like, if you did not live through the QSMP… I’m talking about the QSMP, I don’t- I don’t know if that was obvious– if you did not live through that, it almost sounds like, crazy. But I don’t think people realize how much of a joyous experience like, the Eggs were. Right? I don’t think people realize it. Like, they were SO awesome! They were literally so awesome to just hang out with and spend time with, Chip. So, it’s just one of those things that–

[He’s interrupted by a loud rumble of thunder above them]

Did lightning just strike here? Is it thunderstorming out…? But anyway, Chip. That’s the food for thought.

But that’s the problem– Like, every time it rains in Minecraft, I have to like, look at the sky, and I get this weird, like, second--hand vibe because of the trauma. The trauma, Chip! The trauma is real! But that’s the point– I’m not saying I regret it. I, to this day Chip, I loved the experience. I’d do it all over again in a heartbeat. Even knowing how everything went, I would still do it all over again. 

[He falls down] Dangit, don’t come over here Chip, ‘cuz I’m coming back up! Ok.

I would still do it all over again, because — even knowing like, all the trauma and suffering  and stuff like that — because it was just… It was just that fun, Chip, it was just that fun. I really wi– I don’t think it’s ever gonna be possible, Chip, to give people that same energy, like that same experience. You know what I mean, Chip? I don’t think it’s ever gonna be possible again. Like, EVER.

Because… because like, one: I will say on one level Chip, I will say on one level, like– it’s sort of emotionally like… It’s emotionally devastating, and I think to actually go through that– and this is where like, if I ever do end up going to a– see a therapist, if I ever do end up going to see a therapist at any point, I’ll talk it over with them and be like, “Hey, what do you think about this?” Because I genuinely think on one level, like– it’s created this fear of forming attachments because of like, how things can go. You know what I mean? Like, the fear of getting attached to something and then potentially losing it. Like, it’s- it’s a genuine thing. I think people forget about that.

Like, at the end of the day, everything was RP, right? On the server. You know what I mean? Like, everything was RP, Chip. BUT at the same point, even though it was RP Chip, it was still like– there the reality of you were still playing like, with another person, and you were still getting that experience, and it felt like you were genuinely attached to someone and you didn’t want anything bad to happen to them. It was GENUINELY stressful, Chip.

But at the same point, I don’t regret it, and I don’t think it was a bad experience. I’m– 

Sometimes in life Chip, you go through stuff, and maybe you have a certain amount of like, things that like, can happen, that you’re like, “You know what, maybe this wasn’t a good thing that this happened,” but at the same point, you still aren’t necessarily upset about it, because… it’s like growing as a person, right? Here’s the thing Chip; even bad situations, Chip, can lead to an overall good outcome. Like–

Even if you’re going through something bad Chip, just because a bad thing happens doesn’t mean that only bad things have to come from that. That’s one of the things I tell people all the time, Chip, is that if you go through a bad situation, you can learn from it, and you can use your experience to help others. And you can be that– you can be, at the worst-case scenario, you can be someone for other people who are going through that same experience to lean on when they go through that.I think there’s a certain amount of comfort that comes from that; from knowing no matter how bad your situation is, you’re not the only person who’s experienced it. You know what I mean?

[ofbatsandballads]

i love you, i’m sorry

jason todd x fem!reader

word count: 4.2k

warnings: injured character, explicit descriptions of wounds, brief mention of reader having a panic attack, emotional angst, bad dad Bruce implied

a/n: i just feel like jason showing up half dead at your door would be a massive turning point in your relationship, y’know? can be read as a successor to this or as a standalone.

divider credit: saradika

When Red Hood comes to you, he’s almost always hurt. You’ve learned to keep a first aid kit that would make any hospital jealous and with no formal training you’ve picked up skills that rival that of an army medic. Over the last year, you’ve seen gashes, bruises, concussions, even a dislocated shoulder.

You have never seen anything like this.

You spot him the second you walk through your front door. He’s slumped against the wall just below your window. His armor has gashes in it and blood steadily drips from the tears. There’s more blood dripping down his chest, making the red bat symbol look like it’s melting. More concerning than anything else is the helmet. It’s broken. There’s a huge chunk of it missing on the left side of his head. You can see the red domino mask underneath, the battered skin that’s already coloring the initial red-purple of a black eye, and the blood flowing from a nasty looking cut on his eyebrow.

You freeze. A bolt of panic shoots from your head to your toes. No, not panic. Fear. Pure, undiluted fear. Because he looks like he’s dying. The thought startles you out of your haze and you slam your front door shut, locking the five different locks he’d insisted on installing around three months into your partnership. You run to him. You don’t know what to do. All you know is you need to get to him.

You drop to your knees and place your hands on either side of his head. For the first time, your right hand meets skin instead of cool metal. Maybe another time you’d savor that, but your hand is slick with his blood the second you make contact.

“Red?” you call, voice frantic.

You repeat the nickname over and over, fear rising into your throat when he makes no acknowledgment of you, when there’s no sign of life. You continue to call for him, begin gently shaking his shoulder. Finally, the white lens of the domino mask narrows and expands. A blink. He’s alive.

“Hey.”

His voice is broken, weak, filled with pain. He’s hurt in a way you’ve never seen him hurt. Underneath the fear you feel a surge of anger. Whoever did this to him…you want their head on a pike.

“Hi…hi,” you greet him shakily.

You’re lost. He’s in such bad shape you don’t know where to begin. You decide to look at the wounds on his torso first. There’s many, but the blood that leaks from them is the bright red of surface wounds. Most of the blood he’s drenched in comes from a brutal gash situated just between his helmet and his body armor. It’s a tiny sliver of skin, maybe an inch of exposure, but it’s raggedly cut open.

Whoever hurt him had aimed just right to target the inconspicuous vulnerability. The rage flares again before it’s swallowed up by fear. You press your hand against the wound to stem the flow of thick, dark blood. Your heart breaks at the groan of pain he lets out.

Finally, you look at his head. This is the first time you’ve seen any part of his face. You’ve longed to know who your nighttime companion is, who your friend is. You never wanted to see him like this. The eyebrow cut is long, a slice from just above his eyelid to the middle of his forehead. Bruises cover his brow bone, his cheekbone, his forehead. Every bit of exposed skin looks battered. It clicks in your brain in one horrifying instant.

His wounds aren’t from a shootout or a tussle with a criminal gone south. He’s been beaten. Badly. And there’s only one person who you can think of that would be capable of harming him like this. You pull your curtains shut and say a prayer to whoever’s listening that the World’s Greatest Detective isn’t still hunting him.

“Red? I need to get you to the bathroom, okay?” you ask, the cracking in your voice betraying any sense of strength you were trying to convey.

He doesn’t respond and you feel fear shoot through you again. Then his arm wraps around your waist and you breathe a sigh of relief. You can’t lift him to his feet, nor could you support his weight if you managed it. You realize you’re going to have to crawl to your bathroom.

The process is slow and awkward. Red Hood lifts himself off the wall, slumping forward toward you. You pull his arm over your shoulder, and even with both of you on the ground his weight is heavy against you. You keep one arm wrapped around his waist, the other slowly helping to drag the both of you towards your bathroom.

Your muscles are burning and your arms are shaky when you finally make it. With his help, you manage one last burst of strength to get him into your bathtub. You think that that’s the last bit of help you’ll get from him tonight when he goes limp against the tub wall.

You feel a sudden wave of anxiety come over you. You’re going to need to get his clothes off. Worse, you need the helmet off. You feel wrong even thinking about it. Once when he’d had a bad concussion, you’d woken him every hour on the hour with your eyes closed so as not to see his face.

“Red…I know you’re not going to like this, but I have to take off your helmet, okay? I need to see if there’s any other wounds under there,” you say carefully, slowly, like trying to comfort a wounded animal ready to bite.

You feel his shoulders stiffen under your hands. You wait for him to tell you no, to fight you on it like he has every time before. Instead he gives a nearly imperceptible nod of his head. It makes you feel even worse. You had hoped that if he ever revealed himself to you it would be because he trusted you, not out of necessity.

His hands reach up to push on the undersides of the helmet and you hear the distinct click of it unlatching. He weakly pushes it off his head and drops it on the bathroom floor. It’s more of him than you’ve ever seen and you try not to look too long. But then his hands are up by his face again and you can’t stop the look of shock that creeps on your face as he willingly pulls the domino mask off.

For the first time, you see his eyes. They’re a beautiful seafoam green. You feel your breath catch in your throat. You already felt a fondness in your chest for the man that keeps you safe. He scoffed when you told him that for the first time. Made some snide comment about if you were aware of the fact that he kills people. You just remained steadfast, told him that he protected good people, innocent people. You told him that he was good.

You never doubted the phrase, but now you know firsthand how true it rings. Eyes are the window to the soul. Now there’s no doubt in your mind that he’s good. And no doubt that you care for him deeply. He lets out one shaky breath that pulls you from your trance. He looks a little nervous, a little vulnerable. You suppose he is, so you keep moving.

“Lean forward for me, just a little? I need to see the back of your head,” you murmur.

He obeys, a slight hiss leaving him at having to crane his neck. You’ve got your hand pressed against the cut under his jaw and you feel blood gush as he tilts his head down. Your other hand gently combs through his hair as you look for gashes or bumps. Thankfully you find none, though you suspect he might be concussed.

“I’m gonna patch you up now, but I need to get all this off. Is that okay?” you ask.

He looks extremely put out by the idea of being undressed. The last thing you want to do is make him uncomfortable. After all, you don’t know how thrilled you’d be if you had to strip down in front of him. You think you could stitch him up through the tattered gear, but then he’d need to shower. He can’t even stand by himself right now. He realizes it too. He gives one jerky nod, his sea green eyes staring right through you.

You pull the easiest stuff off first. His boots, socks, and holsters lay abandoned on your bathroom floor next to your small waste bin. You move on to his body armor. He has to help you but you get it off without causing him too much pain. His tactical pants are next. Belt, button, zipper. Simple. You pull them off and add them to the pile of bloodied gear.

Now that he’s undressed you see that your lightbulb moment was correct. Bruises are starting to color across his body, a memento of blunt force. You fix what you can. It’s easy to stitch the little cuts on his torso, slightly harder to close the neck gash. Soon he’s all patched up, the blood beginning to dry on his skin in that uniquely gross sticky-crusty mix.

“Can I—I mean, would it be okay if I ran you a bath?” you ask quietly.

He looks wide eyed at you. You tell him that it’s fine if not, that you can figure something else out. It’s important to you to be careful of his boundaries, always respecting what he was willing to give. Perhaps that’s why he finally gives a slow nod of consent. His final item of clothing comes off and you add his boxers to the literal laundry list of clothing on your floor.

You start running his bath, leaving to grab a washcloth and toss his bloodstained clothing in the washer while the tub fills. As you're setting the cycle to run, your mind flashes with muddled, disjointed thoughts.

Thoughts about pain and sacrifice and betrayal and trust. The Batman did this to him. The Batman also helped him take down a Falcone drug ring three weeks ago. The man in your bathtub was Robin, a bright light in a city so dark that it snuffs any glimmer of hope that shines through. The man in your bathtub is Red Hood, a scourge to the ilk of Gotham with so much blood on his hands that he’s drowning in it. It’s all so much. Then you wonder if anyone has ever extended their hand to him and never curled it into a fist later on. And it hits you hard and soft all at once: you’re in this forever now. You won’t leave him. You love him.

It’s ridiculous. You love this man whose face you had never seen until tonight, whose name you don’t know. But you know that he loves classic literature after the night that he’d browsed your bookshelf after you wrapped his sprained wrist. You know that he has a fondness for chocolate chip cookies after the night he crawled through your window while you were baking a batch. You know he’s kind after the night he came by just to check on you, only to find you having a panic attack on your bathroom floor. You know he’s gentle after he picked you up off the ground and carried you to your bed, after he put your hand to his chest and made you breathe in time with him, after he held you until you fell asleep. And what was a name or a face compared to a heart and soul?

You swallow down the confession you’ve made to yourself and head back to the bathroom because right now it doesn’t matter. He needs help; you can worry about your being in love with him later. The tub is just about full when you get back and you turn the knobs shut. You dip the washcloth beneath the warm water and grab your bottle of soap off the ledge.

“This is all I’ve got, so you may just have to deal with smelling like me for the night,” you say, attempting to crack a joke.

“Well, y’smell nice, so ‘m okay with that,” he mumbles, Gotham accent thicker than you’ve ever heard it.

You can’t see yourself, but you’re pretty sure your face is as red as his helmet. You busy yourself by squeezing an unnecessary amount of soap into the cloth, scrubbing it until it’s more suds than fabric. You begin slowly, making sure his watchful eyes can see every move as you bring the cloth to his neck. You wash the blood and sweat off him gently, careful not to go near the stitched up gash.

“Can you raise your arms for me, Red?” you ask quietly as you run the cloth over his shoulders

“Jason.”

Your head snaps to face him and you feel like someone’s just slapped you.

“My name’s Jason.”

He whispers it like it’s a confession. You smile at him, soft and warm.

“Okay, Jason. Can you lift your arms?”

You spend the better part of an hour bathing him. Once all the blood, sweat, and grime is gone, you give him a towel fresh from the dryer to wrap himself in and leave him to dry off. You give him a thick red hoodie and a pair of black sweatpants you’d bought for him after the concussion incident. You still feel bad about him having to sleep in his gear that night.

You turn your favorite classical music playlist on low volume and the two of you sit comfortably in silence on your couch. You’re reading an Agatha Christie novel and Jason is resting with his eyes closed, no doubt nursing the migraine you gave him some Tylenol for. You think that maybe he dozes off a couple times when his breathing goes even and deep.

You take the time to memorize details of him, uncertain if you’ll ever get the blessing of seeing him as he is again. He’s got inky dark hair that’s on the longer side of short. There’s a stark white tuft in the front that stays neatly curled to itself, not a single hair slipping into the night black mess of waves and curls. His hooked nose and strong jawline give him a striking, rugged handsomeness. Scars litter his face. Some are barely there little white lines, while others are thicker and jagged at the edges.

Scars cover the rest of his body too. Every bit of skin you saw while bathing him has some form of scarring. You recognized healed slashes from knives or glass, thick circles with rough edges from bullet wounds. The one that took you by surprise is the largest of them. It’s red and raised in the shape of a Y, the two forks extending from the edges of his collarbones and meeting in the middle to carve straight down, taking a little curve around his belly button before disappearing into the dark trail of curls that leads to his pelvis. You’ve seen enough NCIS to know what it is: an autopsy scar.

You can’t even begin to fathom how he got an autopsy scar. You quickly remind yourself that it’s none of your business and push the sharp ache in your chest down, down, down. Your mind is still a hazy mess, a deluge of thoughts that leave a faint numbness and sorrow in their wake. You feel so deeply for this man that lies quietly on your couch. You wish you could protect him, as ridiculous as the idea sounds. You don’t even realize you’ve lost yourself to your thoughts until his sweet voice pulls you out.

“You’re in your head again,” he says quietly.

You turn your head to him slowly, still in a daze.

“Sorry, just thinking,” you reply, giving him a strained smile.

Anxiety washes over his face. He pushes himself forward, elbows on his knees like he’s trying to take up less space.

“I’ll get goin’ soon. ‘M sure I’ve wasted enough of your time,” he murmurs.

“Please stay here tonight.”

You spit it out without thinking. The last thing you want is him to think you were spacing out because you didn’t want him here or because he was an inconvenience.

“What?” he asks blankly.

His eyebrows are furrowed and he looks an odd mix of dumbfounded and agitated.

“Please stay. I don’t want you heading back out there tonight. Please, just stay here where you’re safe,” you whisper.

It’s a quiet request, but a desperate one. You need him to stay. You need to know he’ll be safe, that he’ll make it through the night.

“I…” he trails off uncertainly.

“You don’t hafta take care of me, y’know?” he finally spits out, “I’m not somethin’ you can fix.”

You bristle. Is that what he thinks of you? Even after all these months? That he’s some fixer upper to you? Some pet project?

“I’m not trying to fix you, Jason,” you say firmly.

His name is new in your mouth, but it feels natural even in the midst of your frustration.

“Good, ‘cause I can take care of myself. Been doin’ it for years now,” he bites.

Okay, now you’re starting to get a little annoyed. He’s done this a couple of times over the past year. Pushing you away when you just want to help him, just want to make sure he’s okay. And that’s fine. You can handle that most times. But not tonight. Not when you’ve just coaxed him back to life, not when you felt like you were so close to losing him.

“Well, you don’t have to do it alone anymore!” you snap.

You see him tense at your harsh tone and you take a deep breath, willing yourself to calm your storming emotions.

“I…I’m not doing this because I’m trying to fix you. I’m doing this because you’re a human being. That first night…I’m sure you could’ve handled it yourself once you woke up. But I couldn’t leave you alone, hurting. Not then, not now,” you begin, leveling him with a stare so fierce that it holds him in place.

He goes to open his mouth, no doubt to argue, and you hold up a finger to quiet him.

“And I have no illusions that you won’t come back hurting again. None. I know you will. I know we’ll keep doing this over and over and over again. And I don’t care. I’m not leaving you alone. I won’t do it. So push all you want, but I refuse to be anything less than someone you can count on.”

Silence. The weight of your words is heavy in the air. You’re expecting him to leave. Even with his clothes still in your washing machine. You’re sure if he wanted to go, he’d just unplug the thing from the wall and throw his damp gear back on. You brace yourself for it. A small part of you even feels the pang of heartache at the thought that he might never come back.

You’re not expecting him to surge forward and thread his fingers into your hair to pull you into a kiss. You’re not expecting the burning intensity you feel him pour into it. You’re not expecting the warmth of his scarred mouth pressing against your soft lips. You’re not expecting how easy it is to kiss him back, as natural and simple as breathing.

He pulls away all too quickly. Doubt flashes in those sea green eyes and his entire body recoils back from you. You don’t let him run far, fingers curling in his night black mess of hair. You pull him back to you, his forehead resting against yours even as his body is strung tight as a bowstring.

“Well now I can’t let you go,” you whisper.

“I shouldn’ta done that,” he mutters shakily.

“You should do it again.”

You have no idea where the sudden burst of confidence has come from. It’s so very unlike you, you who are normally so passive, so calm and docile. But it seems to bring Jason to his knees because a desperate noise sounds from deep in his chest and his big, warm hands come up to cradle your face as he slots your mouths together again. You sigh his name against his lips when he pulls you closer and then he’s pushing you away. With no effort at all, he picks you up and gently shoves you to the other side of your sofa. He rises too quickly and sways on his feet.

“I can’t–I can’t do this. I won’t do this to you,” he rushes out as he staggers toward your window.

You’re bolting in front of it before you can even think.

“You’re not doing anything to me. You’ve already told me the risks of being associated with you. I’m okay with them. I want this. I want you,” you tell him, and you’re so earnest that it leaves no room for doubt.

“You don’t know what you’re asking for. You can’t just show me a little kindness and fix me up to love you right,” Jason insists.

You should be mad again, but this time his statement lacks all the bite that it held before. Instead, you can hear the self-loathing in his voice, recognize the burn of it from the countless nights you two have sat on your floor debating whether he’s a hero or a necessary evil. And that just won’t do. You cradle his face and angle his head down to lock eyes, anchoring him in place.

“All I want is you, just as you are, come what may.”

There’s a shine to his pretty eyes, soft silver pools in the pale moonlight of the Gotham night. He shakes his head.

“Can’t make me somethin’ I‘m not,” he says, “‘m not made for this.”

And, oh, how your heart aches for this beautiful man. He’s so convinced that he’s violence incarnate, nothing but blood and gunpowder.

“We decide what we’re made for, what we want to be made for. What do you want, Jason?” you ask him softly.

Your hands are so gentle combing through his hair, thumb stroking his cheekbone sweetly. He flinches at the contact and you go to pull away, but he leans into your touch once he recognizes it won’t hurt him.

“I…don’t deserve it,” he whispers.

There’s something unspoken there. Something buried deep down in his chest. It aches to get out. He wants to scream it but the walls he’s built brick by brick around himself muffle the noise. I don’t deserve it, but I want it. He doesn’t have to say it, though. You understand loud and clear. And that alone is comfort to him, that he doesn’t have to say the quiet part out loud, that you just know him. No one has known him in years.

“This isn’t something you have to earn. And even if your answer truly is no, I’ll still be here in any way you want me to be.”

That’s what breaks him. Because it has only ever been something he’s had to earn. He had to earn it from his mother; earned it with cans of stolen soup heated in a rusted pot when Catherine was lost in the fog of her addiction, earned it with each spoonful he held to her mouth. He had to earn it from Bruce; earned it with every case solved, with every batarang that landed home in a bullseye, with every civilian saved. He had to earn it from Talia; earned it with every hit and kick, every blade mastered, every life taken. He’s had to earn love, earn affection, earn open hands instead of curled fists all his life. And you’re here offering up your love for free. You’re not even asking for him to love you back.

So as his defenses scream at him to tell you a thousand words that would cut you to ribbons–I don’t want you at all, go find another soul to save, you’re wasting your time–his heart hammers, demanding he be honest for once. He takes one shuddering breath before he whispers two words that change the trajectory of his life.

“…I’ll stay.”

And he does. He lets you nurse him back to health with water and painkillers. He lets you read to him after he sheepishly asks what your book is about. He lets you sit closer to him, shoulders and knees brushing under the soft blanket you’ve tossed over both of you. He even lets you guide him to your room, lets himself fall asleep tucked under your covers with your pinkies interlocked. It’s the first night that Jason Todd spends in your bed. It will hardly be the last.

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[chloesimaginationthings]

I ADORE your design for Charlie. It’s so adorable!!!!!!

I’m so glad y’all loved her design!!

[quadrantadvisor]

DPxDC Danny/Jason Soulmates AU WIP

-

Jason's timer read 044389:21:08, when the display suddenly went dark. 44,389 hours. Five years, 24 days, 13 hours, 21 minutes, and 8 seconds until he was fated to meet his soulmate.

Or not. Because the time stopped.

It wasn’t supposed to happen. He did his research, and with the resources at his disposal (namely, a batcomputer,) he knew for a fact that there should be no way to defy the fate of a timer. People had tried. Avoidance, isolation, putting a hit out on your own suspected soulmate. Nothing worked. Trying to delay the inevitable put you on the path to meet it. Sure, there were people who lamented the unfairness of their own situation, who were devastated they never got time with their soulmate, famous deaths on opposite sides of a battle, etc. But soulmates always, always met eachother, face to face.

Not him, though. His soulmate was dead. Five years early.

Bruce didn’t get it. Dick wouldn’t talk about it. Alfred only looked at him with pity in his eyes.

Jason wasn’t sad that he was the only person on the planet who’d never meet his soulmate. He was fucking angry, because it wasn’t fucking fair. It was another person in his life who was supposed to care about him that he’d never get to have.

So when he found out he had a mom, somewhere out there, who he’d never had the chance to meet… he had to go. How could he not?

-

It was Sam who noticed, when it happened. Danny had just finished a stupid fight with Boxy, and he, Sam, and Tucker were finally ready to call it a night. Danny de-transformed and grinned, shaking the thermos proudly. “Gonna get these guys back into the Ghost Zone,” he said, when suddenly-

“Danny!” Sam yelped, and snatched at his arm.

Danny stumbled, nearly dropping his precious cargo. “Whoa, Sam, what-?’ he stopped, looking as she turned over his arm, baring his wrist.

His timer was dark, like people who’s soulmates were dead. The numbers still showed, faintly, but they were stationary. The countdown had stopped.

Ice spread through Danny’s veins, like the cold that rushed through him when he went ghost, but worse, so much worse.

Danny’s ghost form didn’t have a timer, which honestly freaked him out, but as a human it had always behaved completely normally. When he turned back, it would be there, the time having elapsed just the way it was supposed to. It had been so reassuring. He was alive. He’d make it at least five more years, and be able to meet his soulmate, who would hopefully be able to accept him the way he was. He wanted that so badly. He wanted someone beyond his friends to talk to, to know him as a person and a ghost. He wanted to not be afraid anymore.

He’d just passed the five year mark, not that long ago. He’d been so excited to be that much closer to someone so important.

And now something was horribly wrong.

“Dude, that’s jacked up,” Tucker said, noticing the problem with wide eyes.

“Did anything happen today?” Sam asked, her expression hardened with determination. “Did you notice anything weird while you were transformed?”

Danny shook his head. “No, no it- it was running while we were at school, and we’ve been fighting ghosts since then. I don’t know when it would’ve…” Danny could barely make himself speak. “Is it my fault?” he said, almost to himself. “Did I spend too much time as a ghost and it just-”

Sam gripped at his hand. “No, Danny, it isn’t your fault. Whatever the problem is, we’re going to figure it out, okay?”

“Yeah man,” Tucker added, clapping a hand on his shoulder. “Hey, maybe your parents can actually help this time? Weird magic science is kinda their thing, right?”

Sam looked less sure, but nodded all the same. “You’re going to meet your soulmate. Okay?”

“Okay,” Danny said, quiet, looking down at the stopped numbers on his wrist.

-

Edit: Added a readmore

[madbard]

“How am I supposed to get over you?”

[filurig]

OK I WENT AND SCANNED THE ZINE I MADE AND... here are most of the pages - so every middle "spread" has one left and right page on the back of it and then a bigger pic once its unfolded, but didnt include every side for every larger spread.

this basically explores a bit of folke and adrian's relationship - adrian, the Creature, ends up finding folke's brother's recently deceased corpse and imitates his appearence, the only real way for a basilisk in their world to learn to shapeshift into something.

So their relationship is a bit complicated. but also, it ends up eventually settling into something that isnt only full of bitterness...

[heckitall]

Same As It Never Will Be

Part 1 - Part 2

-

it's been a hot minute since i drew the 2k3 boys. gotta say, it was v refreshing and nostalgic

i'm hoping to have a friday update schedule :)

[achillean-knight]

Part 1 - Part 2 Here you go, the final part. This is for you, Anon's who requested the continuation of this JKHGDSHGS

[achlyisdumb]

Hollow Escape AU

Chapter 1: Part 6/6

First // Previous

[royalarchivist]

Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.

Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.

At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.

Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.

Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.

via @QuackitySubs

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.