#this one isn’t very good i think

[wizardofarles]

I’m not as tall as I should be.

I’ve spent my whole life on my knees

begging you to love me.

But this is where you wanted me, right?

I’m not supposed to be able to

look you in the eye.

Love. You use that word, but I don’t

think you know what it means.

Was it love that set my body shaking

at the slightest rise in your voice?

Was it love that turned me black and blue?

I gave you everything I had, and all

you gave me was fear

and this pit in my chest that aches.

I fill it with hatred, just to fill it

with something, so I don’t fall in.

I hate you. I hate you

as much as you don’t love me.

This is just a little game we play,

where we both pretend

there is no pit.

Well, it looks like you won,

because I still crawl

whenever you’re around, begging

—love me, love me, love me—

and from the pit I hear an echo—

Love me, love me, love me.

[seiwas]

cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry

bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.

there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.

but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.

your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.

the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.

he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?

heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—

he gulps.

it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—

(is this considered perving if he's been with you for years?)

the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).

it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.

he just got the pants of this suit readjusted, and now they're fucking tight.

bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.

you turn around then, plopping the pancake on the plate atop the counter behind you.

"oh! you're done," you greet him with a smile. so. fucking. casually.

as if your tits aren't fucking peaking against the gray fabric of his tee.

as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.

as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.

his eyes squint suspiciously, deep vermillion staring straight into yours.

you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.

“everything okay?” you ask, voice syrupy, sickeningly sweet.

your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.

he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.

but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.

he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.

there’s too much fucking fabric if you ask him, between cotton and spandex.

your grin widens, and he feels hot, the heat from his cheeks radiating.

then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.

he huffs, watching you leave. his feet shift as he thinks.

five minutes, huh?

like hell he’s going to eat these damn pancakes for breakfast today.

[bloobydabloob]

have you ever drawn brograndpa. i think it would be very inch resting in your style ( fantastic art btw )...

Ok I’m sorry, I was going to draw more but nothing spectacular is coming out my hands right now so take this sketch.

[ricky-mortis]

Howdy hello- guess who made a wings au :)

More to come with this eventually- I’m working on my designs for other characters at the moment, but for now we’ve got Red-Tailed Hawk for Curt and Eagle Owl for Owen.

For DMA I had Barn Owl wings because a) Barn Owls are beautiful and I wanted to draw the wings for them, and more importantly, b) Owen would probably want to disguise his wings, and it would make sense if it was as a different type of owl. I just assume he’d dye his feathers in some way or another. Look- just don’t think about it too much.

[erynalasse]

I wonder when the Noldor looked around at their dwindling numbers and realized that they were dying faster than they could ever keep up with.

[wowieeitsisa]

I love DrRetro, Pest and Bive as a trio SO MUCH guys

PEST is an individual who clearly doesn’t want to deepen his relationship with the people of the elevator (biggest example being Poob, who tries TOO MUCH). But there’s DrRetro, dialogue between her and Pest imply they are closer, and quite know each other from BEFORE (they is canon facts that DrRetro have busted Pest out of prison!). PEST IS MORE LOOSE WITH THE WAY HE TALKS WITH HER, IT’S SO SPECIAL TO ME

Bive might not be as canon awesomeness as I like to think. But in a moment where Pest needed someone to LISTEN about some ‘dream parasite’ he immediately came to her… he recognized her as an actual detective!!!!!!!!!! Canon information that Bive also doesn’t trust Pest, BUT UPON A COMMON ENEMY THEY GO AGAINST IT TOGETHER RAHAHEHHEGFHG

MY BELOVED DREAM PARASITE INVESTIGATORS TRIO YOU’LL ALWAYS BE FAMOUS 2 ME

[caeslxys]

Zephrah actively postpones ruidusborn births. It is believed that the actual number of ruidusborn in exandrian history is much larger than has been officially recorded because the stigma of it was so intense that people lied about it. Alyxian, one of the few recorded ruidusborn heroes of the calamity who received direct blessings from three different prime deities (our very own Changebringer, the Archheart, and the Moonweaver) , has been all but forgotten (read: likely erased) by history.

The Archive of knowledge that revealed the truth of Predathos and Ruidus was never some forgotten thing—it was intentionally hidden by the elites in Vasselheim. And we have no idea how long they have been operating with that knowledge. We have no idea what they have been doing with that knowledge, what silent wars have been waging for years or decades or centuries. But we saw what they were willing to do, in Hearthdell. We saw the violence and suppression they were willing to commit. We saw the pettiness of the exandrian pantheon in the Dawnfather’s response to Deanna’s: “Are you worth saving?”. In the Changebringer’s manipulative change of course in her pleas to FCG. In the Wildmother’s rejection of Opal. In the knowledge we have that Imogen spent so much of her miserable time in Gelvaan begging the gods to aid her to no avail—just for Kord to reach out only to demand that she not let them down.

Liliana’s point that Vasselheim and the other faithful elite of the world will hunt ruidusborn down to negate even the potential of this happening again isn’t new, it isn’t something this solstice and the machinations surrounding it caused, and it isn’t some unsubstantiated, fearful claim—it has been happening.

The vanguard—and Liliana—are unequivocally wrong in their means. But can you really fault them in their desire? Can you really fault the conclusions they have drawn from the experiences they have lived? If you spend your entire life being rejected by the people and the pantheon of your world for means you could not possibly control, would you not seek out someone and somewhere that would accept you? And if you found it, if some being that has been connected with you your whole life welcomed you home and wrapped you in an embrace that felt like your mother’s and says that it is starving; well, aren’t you, too?

There is likely a holy war brewing. At the end of it all, is it truly the sole fault of the people and not the organizations and society that expelled them?

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[fumifooms]

Mickrin

Fifth entry of my “Dunmeshi rarepairs I will birth with my own hands if I have to” series. This one’s straight up embarrassing, like of course the shadow version of Chilchuck and Marcille would get me.

It suddenly grabbed me out of nowhere. What got me thinking about it is this exchange, first comic third panel, because like… Woah. He knows she has a thing for Kabru? Or something. And he has NO FEAR. Like it’s so forward and has 0 pretenses lmao. And then I thought… And oh no. Oh no.

"I can fix him" x "I can make her worse"

Very uptight and strict and rules-following and too self-aggrandizing tbh x will not hesitate to insult you to your face and sleazy and free spirit…. Kuro is involved in an ot3 of sorts in my head and basically they drag her into Situations of various moral standing aka scams or idk going to a club god forbid. I think she needs to relax and get taken down 1 peg maybe, and I think he needs like…….. Someone to teach him what is unhealthy lmao, also remind him to get work benefits, and if they can like get to feel safe and comfy with one another (and god just the road there would be a beautiful trainwreck to watch) they would be gossip besties worsties.

Kabru needs to be the epitome of morals but like, if it’s Mickbell she can lower the bar… Just for him… <3 She can fix him just a little and she’ll be like "wow! Ok I can settle for this amount of upstanding behavior from you Mickbell you get a gold star"

I never expected it ok I read this extra expecting nothing and god knows why I saw him be like "hey u like Kabru right. You’re his babysitter right. Which poor sap is being Kabru’s maid" with 0 fear and her being so casually pissed back at him and idk, how they’re so comfy being not polite with one another but they’re still coworkers-friends despite it… Crazy for how prickly they both are that they manage that much. They bicker and see each other as annoying at best but weirdly dependable and friends despite it all and……….. I am going to grow them in a lab and observe how I can make it work

MICKBELL IS A REBOUND MORE AT 9??? Maybe Rin and Mickbell have a one night stand and then the aftermath dynamic is this….. She probably regrets it. And then it gets more complex and grows into something odd as she becomes hyperaware of him and they have this little complicity thing going on….

I think cuddling with Kuro (who would be more like a platonic protective & soothing presence in his and Rin’s relationship rather than romo) would destress her actually I think she needs and deserves it. Go to a dog cafe bbygirl it’ll fix you. So what I’m saying is the three of them watch a movie and Rin and Mickbell are sitting on Kuro’s laps and everyone is so comfy. Kuro’s legs die halfway through but he’s self-sacrificing it’s fine….. Actually Mick is on his laps Rin’s just nuzzled into his side. There, fixed. I am so weirdly invested in them… They’re funky to think about. Rin seeing Mickbell and Kuro like "you guys are aware that what you two have is fucked up right" and then joining them in the messy dynamic 🤝  Put them in situations. That will be all.

The sheer amount of sass on their own, let alone together…

Make them get drunk together it’ll be glorious

[crismakesstuff]

everytime I see someone bitch and moan about “the animation in invincible sucks” “they should treat the animators the same way MAPPA does”

i just ,,,,,

maybe we should sit YOU down in front of the computer and id like to see YOU animate smoothly and cleanly at 12-24 fps since y’all want that so bad !

[wispscribbles]

When I finish my ghoap Christmas oneshot that I started way back in start December, and have been struggling with since, then it’s over for you fools 🎅

[twentyfivemiceinatrenchcoat]

Priest getou and nun reader or villager reader....(anything other than the word both isnt acceptable...😡😡😡 /j) -🪄

🪄 ANON I SEE YOU AND YOU RAISE A VALID POINT but please consider…… priest!geto and non-believer!reader.

like… imagine. you just happen to waltz into a church one day. you don’t believe in god, you aren’t interested in praying, but you’re exploring a new town and the church is pretty and you figure it could be a nice way to burn time.

you enter the building to find that a sermon is taking place. a priest is speaking to the few rows of people listening; it’s a fairly small church, but paintings and sculptures and beautiful cathedral glass give it a sense of mystique that you’re drawn to. so you take a seat and halfheartedly listen, not praying like the rest, not singing along to the hymns… you stick out like a sore thumb, but hey, it’s not as if anyone is paying attention.

except someone is, and it happens to be the priest that was holding the sermon just a second ago. the same one you spent most of your time oogling once the paintings started to bore you, because he’s so pretty for a priest. beautiful long black hair, amber eyes, sharp facial features, pretty hands — and the smoothest, silkiest voice you’ve heard in your life. like a sun-soaked bundle of lillies.

… also, his cassock is just a little too tight of a fit to tear your eyes away from.

you stick around a little longer once most people have left, just scrolling on your phone and basking in the quiet, and that’s when he approaches you. he jokingly tells you that it’s always obvious when a non-believer enters a place of worship, but he’s not mad; only amused. you end up chatting a bit about your beliefs, he’s a lot more chill than you expected, and…. well. he’s just really, really charming.

so maybe you end up coming back the week after. maybe his smile is a bit like a spider’s web. maybe it becomes a kind of routine to speak to him after his sermons; you still don’t sing along to the hymns or spend any time on prayers, and he still finds it funny. maybe once in a while you end up liking a paragraph from the scripture he’s reciting, and he’s always more than happy to discuss it with you. but mostly you’re there for him. for your chats, for standing outside and badgering him about how contradictory the old testament is while he smokes and listens with an amused grin.

rain hits the ground with a steady rhythm, earthy tobacco floods your veins, spiders by the ceiling weave a web of dew, and his presence is a little more intoxicating than you think is appropriate.

suguru just… isn’t a very orthodox priest. he only believes about a tenth of what the bible says, he has his own view of god, his own thoughts on worship. he smokes. he may or may not occasionally manipulate church-goers into donating money so he can invest in another overpriced painting. you once ask him if there are any bodies in the basement you should know about, and he answers that any self-respecting priest wouldn’t conduct their blood rituals in the basement of their own church. he knows how to pick locks. he tells you once, very quietly, that he doesn’t believe man was created in god’s image. there’s a look in his eyes that you don’t comment on.

he’s funny. charming. pleasantly suspicious. your conversations are enjoyable for the both of you, and eventually the edges of his cedar eyes begin to crinkle the slightest bit whenever you walk into his field of vision. sometimes he eyes your lips for a little too long, and a honeyed irony seeps into his grin when you call him out on it. he asks you if you’re tempting him on purpose, and you shrug. whatever exists between you remains unspoken.

one day, he tells you that he believes it was god who sent you to him. you furrow your brows and protest with a mutter reminding him of your beliefs, how you believe in free will, how you waltzed into his church out of your own volition. no one else’s.

he only smiles, and flicks the butt of his cigarette. you think he remains unconvinced.

[clegfly]

Getting REAL sick and tired of how omori TikTok views sunny.

Like, they view any scene of him being emotionally vulnerable, affectionate, or even just making an expression outside of just being completely neutral as “mischaracterised”. He’s not some cool, stoic, unwavering badass, he is a traumatised teenager. Don’t cry whenever he dares to give his friend a hug or (god forbid) be SAD about something??? Isn’t like. Part of the point of his development about him allowing himself to break down the repressive walls he built when he shut himself in? And being able to rely on his real friends instead of imaginary versions? And isn’t the game like. Meant to SHOW that he still cares about them despite isolating himself?

It’s really stupid to get mad at a character like that showing emotion or affection personally, especially since he’s not used to expressing it properly after so long. But that’s just me

[5hrignold]

reminder