#this one is impossible after episode 40

[monstrouscrew]

it should've been there two days earlier and ten points merrier, but. everything after episode 40 is, y'know. not the most positive outcome.

however, we one hundred percent love John as a character and worry for him. have a quick fusion of both our designs. (and a small red thing which is whoever's you want it to be )

(ID in the alt text)

[icewindandboringhorror]

Some (late) holiday photos of the boye~!

[latibulater]

One of the most interesting things to me about the vbros world is how late in life some of these power accidents happen, because a lot of time in comics it happens to the character when they were a kid. Underbheit got his jaw blown off in college. Molotov lost her eye as an assassin. Phantom Limb used his limb accelerator when he was a full-on professor in college. And Richard Impossible, it said like in ice station episode that the accident only happened a few years ago. Rusty gave birth to his absorbed tumor twin at over 40. Billy is like the only exception he lost his eye and hand at like 16. Brock even got exploded and now has a surgical plate in his chest. Hell, Dragoon and Red Mantle were recently conjoined after being separate villains for their entire careers. Wide Whale and Dr Ong became like that somewhere middle aged (would like to point out that bc Sirena has gills, her mom got with Whale AFTER he transformed). Even fucking Treicester turned into a Hulk right before he died. Which is all to say,

What do we think will happen to Dean and Hank as adults?

[missadangel]

Little Bird in a Cage (Javier Peña x Reader)

Part 3 - Your'e in his apartment

Gifs by tomshiddles - azertyrobaz - djo

---------------------------- All episodes here ------------------------

As you spent a few more days in Miguel’s place, you felt like you no longer have any strength to fight or making plan for escape, only hoping for the best. You were thinking of back the military base, the days you spent there. This room was better than a royal suite, however, you preferred that boring little room over to this one.

Little bird in a golden cage…

And Javi…

Indeed, you missed him a lot, the way he looks at you, touches you, how he catches you and hold you with his strong arms when you tried to escape, how he checks on you every day.

You sighed deeply while you sitting on windowsill and watching gansgter-like men outside changing shifts,  you realized how strange life was. You couldn’t stop thinking about how to get out but it was close the impossible.

Anyway you didn't want to lose your hope at all, they should find you sooner or later. Javi would come for you, you wanted to believe that, you had to.

Around midnight suddenly your door knocked. You jumped up from the couch, no one usually knocked at this hour. A man sneaked in and closed the door gently behind him, you recognized him immediately when he turns his body to you.

"Jorge-"

"Shhh," he shushed you. "Be quiet, Y/N. I don't have much time."

"What's going on? You're working for Cali-"

"Right yes, but I don't work for them anymore, never mind that, I need to tell you why I came here."

You nodded your head in agreement, listening to him with curiosity.

"When I noticed you, I let your friends from DEA, whatever you call them, I told them that you are here. They will come for you, but at the same time they have to get Miguel or our plan will fail and they will probably kill me and my family."

His voice like he’s about to cry. You didn’t know what to say then he took a quick breathe.

"There is only one thing you have to do, you have to leave the room at exactly 1:40 and go down to the lower hall, that’s it."

"What are you saying, it's impossible for me to even walk out the door."

"Don't worry, just trust me and your friends, okay? I have to go now, be careful."

"You too," you said behind him.

Your heart starts racing, Javi, he’s coming for you, you smiling with hope, checking the clock and waiting for the time he said.

-----

"We're ready," Chris said, checking the safety of his gun one last time.

After Javi put on his bulletproof vest, checking his pistols magazine and reloading.

They have arrived with a police team of about 20-30 of them.

All specialized in special tactics and rescue.

"We're ready, sir," the captain informed Javi. He nodded.

"Okay, everybody get in position, you know what to do, let's do it," pointing Chris with his gun to make him move forward, to the mansions entrance.

"The six policemen moved to the garden, behind of the mansion, while the other six heading to the both sides.

Javi, Chris and Daniel headed for the front door. Captain was right behind them with the rest of the police team. Watching their back.

First they rang the bell, but when they weren't allowed in, Javi handed them the paper with the search warrant  written in a paper.

At the same time he was taking a quick look inside.

With a sign from the captain, policemen spreading and began to search the place, warning the armed men to drop their weapons.

Javi and the others approached the golden colored door where Jorge had told them about. The door was leading to Miguel's room at least they thought so.

Your room was upstairs to make them to see you, you had to go down the hall where Jorge told you to go. Golden door opened, Chris and Daniel rushed in but realized no one inside. They came back to the main hall and start to open all the doors one by one and looked inside. Another door caught Javi's attention, and when he tried to open it, he realized it must be locked from the otherside.

"Open it!" Javi ordered one of Miguel's men.

When the man stood expressionless like a wall, Javi became furious, grabbed him by the collar.

"Open the fucking door!”

--

When clock struck 1:40, you took a deep breath and opened the door as slowly as you could. You are relieved to see no one around. Jorge told you to go down to the hall so you moved to the stairs.

"Open the fucking door!”

You startled and immediately head straight to that direction, his voice was coming from downstairs. You run to the railing without even thinking. And there he was, you felt like you gonna cry.

Before you were about to call out to him, Miguel grabbed you from behind, covering your mouth with his big hand. You were almost out of breath, struggling, trying to push his hand away. With all your strength you start elbowing him but failed, he was pulling you to the opposite direction, away from Javi and others.

"You little bitch, I told you to behave yourself," he hissed.

Miguel was dragging you with him, you struggled more, Javi was down there, you just have to call for him.

Finally you noticed that you have no choice but bite Miguel's fingers deeply, he painfully pulled his hand away.

“JAVI!!!” you shouted as loud as possible.

As soon as Javi heard your voice, headed for the upstairs in a hurry.

But Miguel was faster, grabbed you again dragging you out heading for the exit which leads to the helicopter landing zone. Javi noticed that by hearing the sound of helicopter keeps  approaching.

 Both Miguel and Javi in a race now, like cat and mouse. You were Miguel’s only ticket to flee freely so no way he is letting you go.

"Stop!" Javi pointed his gun at him. "Stop, goddamn it!"

Javi gave you a quick look, but his eyes were on Miguel.

"It's over Miguel, let her go and surrender, now!"

"No way, you'll let us go on, or I'll kill her!"

Your heart began to beat faster with fear, not only was Miguel's arm tightening around your throat, also you felt nauseous with fear.

"No, drop the gun, and let her go, now!" he growled.

Miguel hissed, moving backwards to the helicopter, dragging you with him, his gun pointed at Javi this time.

You were exhausted for being dragged, feeling like you’re going to faint, not able to move anymore.

Javi following you both carefully, never lowering his gun.

When the helicopter landed, Javi shook his head as no.

"No, don't," he warned. There was more pleading in his voice.

"Back off, or I'm really going to kill her, I can see you care about her, Agent Peña. Otherwise you would have shot me by now."

That was true, it didn't matter for Javi to capture him alive or not.

As Miguel was about to get on the helicopter with you, you were looking into Javi's brown eyes, all emotions can be seen in them, desperation, sadness, anger.

And in that moment everything happened so fast, you thought Miguel was going to sit in the helicopter seat and then make you sit too, but no he didn’t.

He pushed you down instead.

"Nooo!"

Javi ran very fast, but not fast enough to stop you from falling to the ground. As soon as he comes, he lifted your head and sliding slowly his lap. You watch him while, he shooting at the helicopter with his gun until he’s out of bullets, furious as hell. Then he looks at you, is saying something but you cant hear him clearly anymore, losing your consciousness.

---

You woke up with an incredible headache, opening your eyes and trying to remember what happened.

You moaned involuntarily as you regained consciousness.

"Y/N, you awake? Feeling okay? Are you in pain?"

His warm brown eyes were looking at you with great concern.

"Answer me please."

"Not sure which question should I answer first. " your head was so fuzzy you didn't know if it was a dream or reality.

But when you looked around you realized that you were definitely not in a hospital.

"How can you be funny even in this situation," Javi giggled while he caresses your head then your hair.

"Well, I'm freaking high, okay? I don't know if I'm dreaming, are you really here, Javi?"

"It must be the drugs they gave you at the hospital."

You heard the word hospital and wondered why you weren't there right now, Javi helped you sit up.

"Hospital? I was there?"

"You don't remember? Well we took you to the hospital right away, then you opened your eyes for a little while and that's when your father came and-."

"My father? Really? Wow, why the hell I can’t remember that?"

You were so surprised that you didn't remember a shit.

"You've been through a lot, cariño. You should rest"

You nodded. He placed another pillow behind your back, making you more comfortable. 

"But, Javi, where are we?"

"In my apartment," he smirked.

You raised your eyebrows and that was unexpected.

"Did you kidnap me again?"

Javi laughed.

"Sort of, yeah."

"How this happened?"

"Miguel is still out there, we don't know what he's going to do, besides, I've spoken to your father, it's definitely not safe for you to be in your own house, so he also agreed."

"Are you absolutely sure you spoke to my father? Not someone else?"

Javi licked his lips feeling little guilty.

"Hm, I might not have mentioned him about my apartment," he grinned.

“Wow you’re so mean,” you giggled.

Suddenly you realized your arm covered with one hell of a thick bandage.

"What the fuck happened to my arm? Is it broken?"

"Calm down, no, luckily it's not broken, they said it's a muscle contusion and little scratches. I think you hurt when you fell on your shoulder that time…” his eyes flashed with anger for a moment.

"Oh, I see…" you said suddenly trying to change the subject.

"Come on, get some rest, you'll be better in the morning." Javi stands and covers you with blanket.

"Okay." You nodded, but you couldn't help thinking about you were in his bed right now.

“Thank you for saving me Javi,” you murmured.

He pressed his warm lips on your forehead, his moustache thickled you a little, then you peacefully fell asleep.

----

When you woke up late in the morning, Javi was already gone. You picked up the note he left on the table.

"I have to go to work, please take your pills, two policemen will be outside to watching over you.”

You walked to the window ledge, there was indeed a police car outside. Feeling safe yet uncomfortable. But you were starving so you went straight to the fridge, took more than you needed and put them on the table. While eating fast, observing his apartment, checking his stuff.

You weren't sure when Javi was coming home, and you were alone again. It was getting boring to live like a prisoner under the guise of protection all the time.

Soon  you decided to go through Javi's dressing room, after all, you had plenty of time, even if it was a mess, so you can tidy it up.

This apartment was a studio, so there were no other rooms. So sneaking into the dressing room was a very tempting idea.

When you opened the closet door, you were surprised to see dozens of suits in different colors. It didn't look like Javi's style. In the next closet you found what you expected, leather jackets, short sleeved shirts and jeans. Even though it was a man's closet, it was looking neat and clean.

You flushed as you imagined Javi getting undressed here, giggled to yourself.

Then you go back to the living room, something was haunting you. Wondered how many times he took a woman here?

Damn, being alone for hours, could really drive a person crazy.

You sit on the couch and turn on the TV, to make time pass more quickly. But you fell asleep in an hour because of the drugs.

When you opened your eyes, you realized Javi returned home already and for some reason he picked you up in his arms.

It must have been a wonderful dream, you thought.

"Are you awake?" he asked softly still holding you.

"What are you doing?"

Such a stupid question.

Javi took you off his lap and helped you to sit on the chair and as soon as you sit, you came back to reality.

It wasn't a fucking dream, damn it.

"Nothing, just, you were sleeping on the couch, I wanted to put you to bed."

After that Javi took a bottle of water from the fridge and started drinking it.

"You know, all the people who go crazy must end up alone before lost their minds, absolutely no one should be alone, never," you said in a firm voice.

He was confused as hell,

"What are you talking about, did you watch some psychobabble shit on TV?"

"No, I was, just a bit feeling lonely today," you kept your head down, wondering when it would end.

Javi put another chair across to yours and sit. He was giving you that famous look from under his eyebrows again while holding your hand which made you blush immediately.

"Cariño, we're very close to the end, just a little more patience, okay?"

You nodded, "I know Javi, I'm sorry, it's really not easy to handle this situation. But I'm trying."

"I know, you're so strong, otherwise you wouldn't have made Miguel miserable," he chuckled.

"Yeah, you should have seen the look on asshole's face when I bit his hand hard," you said with naughty smile.

“You’re fucking amazing,” he smiled back. Then he looked at your bandage. “Your arm better now? Lemme check.”

While he was unwinding the bandage, touching your arm, you couldn’t help yourself to stare at him. You wanted to kiss him badly. His warm, perfectly shaped lips-

“It looks better, lemme dress your wounds and wrap your arm with a thinner bandage, like the doctor said.”

You nodded, licked your lips with desire torturing you inside made you almost cry. He was so beautiful.

“Here, much better, right?”

Damn, he caught you staring at his lips.

“Y-yes, thank you.”

He smiled in response and stood up, "Go to sleep now, I'm tired too, I'll take a shower and get changed."

Then he headed for the dressing room.

Wait a minute, what does it mean? So he was going to sleep next to you? 

You got so excited, your body was on fire. Your palms were sweaty and you were thinking about how you could seduce him and your time was ticking.

Also you wondered why he didn't make a move to get you into bed. Maybe because you just got injured with effect of falling, still have bruises on several parts of your body. Maybe you should courage him, give him a signal.

While Javi was in the shower, you rushed to your suitcase, knowing of course that your father wouldn't put a sexy nightdress or lingerie in there, unless it was packed by the housekeeper lady Dolores. Luckily you giggled mischievously when you found a nightdress that was quite sexy.

Thank you Dolores.

Your smile grew wider and wider as you thought about Javi's reaction.

Even though you were wearing a sexy nightdress, it felt ridiculous to just stand there, so you did as he told you and lay down on the bed. You turned the other way, not in the direction Javi was about to come. Your body was starting to feel like it was boiling with heat.

As Javi was in the dressing room he realized he had no pajamas, he usually slept half naked with his underwear.

He wore a thin pair of pants underneath, so as not to make you nervous. On top he wore a black short-sleeved shirt, but he didn't button it. Because he could never sleep like that.

Javi was surprised and gasped, seeing you like that from behind, started breathing fast, his heart racing. He wanted to touch you so badly.

A moment later he rubbed his face hard, trying to erase all the feelings immediately but not quite successful though. His eyes were locked on you as he approached from the other side of the bed.

When he sat on the bed, you opened your eyes with shake he caused. But he wasn't looking at you, he lay down on the pillow with one hand under his head. He seemed to be watching the ceiling. You were almost angry, how the fuck he didnt feel anything? You hissed and turned over.

However, that move made him feel even worse, because your thighs exposed, like an open invitation.

"Having trouble sleeping?"

He finally speaks as soft as velvet.

You wanted to sit up in bed and leave, as if you felt rejected. But you sat up so fast that you staggered and fell back on the pillow.

"Are you okay?" He was worried, he put his one hand just next to your body, and touching your face with another hand.

"Damn, cariño, your face is, burning."

As he put himself on top of you was so unbearable. You pushed his hands away and got out of bed.

Javi couldn't make sense of it, he thought he had said something wrong.

He also got out of bed.

"What's wrong, Y/N?"

He was just standing behind you.

You couldn't handle with your feelings anymore, you wanted him with every part of your body, suddenly you stopped thinking and turned around, pressed your lips to his.

He was surprised, yet, immediately responded by grabbing you around the waist with both hands kissing you back, you gasped with pleasure, his moustache tickled your upper lip and your cheeks which was perfect.

His breath became heavier when he sliding his hands under your nightdress, feeling your soft skin. You threw your head back by his touch, and he used that opportunity to place kisses on your neck, while he was busy with that, you grabbed his shirt taking it off, dropping it on the floor.

“Javi,” you murmured through his ear, “I thought you wouldn’t want me, so I was upset.”

Javi looked into your eyes, “Y/N”, he whispered to your lips, “I want you baby, I want you so badly. I was thinking maybe you wouldn’t want me this way.”

“what do you mean?” you asked curiously keep rubbing his muscular shoulders, feeling every curve of them.

“All the trouble I caused, and all the things you've been through, I didn’t want to ruin anything—“

You stopped him with a kiss.

He was already halfway undressed and this time he started kissing you back roughly, then he picks you up and pushes you up against the dinner table, knocking off some papers and files which some of them certainly important well he didn’t give a shit.

You were pulling his body closer to you with your legs surrounding his hips, made him pressed his body even more against you, then you were startled by the dial phone ringing.

Javi stopped for a moment, but his lips hadn't left yours yet. After the phone went silent, he's kissing you again, but this time he was in a hurry. 

Unluckily Javi's satellite phone started ringing too.

"Fuck," he growled, his harsh breathe hit your face then his lips left yours and he pulled his body back involuntarily.

"I gotta take this, baby” said after he grabbed his phone.

You nodded. "It must be important, go ahead. "

Feeling a little sad, you sat on the edge of the bed and looked curiously at Javi on the phone.

Damn phone.

You soon realized it was Chris, you can hear his voice over the phone. Then Javi smiled while his eyes still on you. His smile turned you on again.

How much wetter can I get, you thought. The lower part of your body squirming, wants to you belong to him, bitting your lower lip, when Javi turn his back, you pressed your hands on your pelvis and tried to relax.

Finally Javi hung up the phone and sighed deeply, happy.

"I guess something good happened?"

"They managed to catch Chepe, another leader of Cali cartel. He's still being interrogated right now and it's only a matter of time before he gives us Miguel."

"Oh, he's the only one left, then."

Javi nodded, smiling.

"We're very close to the end," he said then he stopped for a minute.

"I'll need to change, mm, including my underwear."

He winked at you, gave you a kiss on the cheek and hurried to the dressing room.

"Me too, but need to take a freezing cold shower first," you said, heading for the bathroom.

----

---------------------------- All episodes here ------------------------

[morsesnotes]

I found this interview from when Shaun Evans was promoting S3 of Endeavour in 2016 and thought it was one of the more interesting ones as he gets asked some different questions. I particularly liked seeing him talk a bit about his peers and how he views his career.

Shaun Evans talks Endeavour series three, Hollywood and whether he'd star in Doctor Who

As Morse returns, the star of the hit ITV drama reveals what's next for his career By David Brown - Radio Times

Falsely accused Endeavour Morse was last seen languishing in a prison cell after being framed for murder. But fans of the hit ITV drama needn't despair - Shaun Evans is back on the case for a third series beginning this evening. Here, the actor talks about life as the Oxford detective, why Morse has endured for four decades and what the future holds...

So what has brought you back to Endeavour for a third series? I didn't feel like we should have left it where we did last time. It would have been odd. As a viewer, I would have been dissatisfied to have left it there because you'd have only been telling half the story. Luckily enough, we had the opportunity to come back to do some more and I think the stories are really good - particularly the final one. It goes along at a lick. It's a bank heist but it's also a love story. And it's heartbreaking. I think it's great and it ends in a really satisfying way.

The character of Morse has now been around for 40 years - why has he endured? A good story well told will stand the test of time. And if you throw in an unusual character - someone who is in a world but not of that world - then that's intriguing.

The original series of Inspector Morse did episodes in Australia and Italy - would you like to do an overseas Endeavour? Well, they keep telling me that the character is going to Spain. But I can take myself to Malaga. I'm joking, but I'm being honest too. There is a Spanish idea, but I'd want it to be right. I don't want this job to be a jolly or something that we take for granted and phone in. There are so many variables to that kind of thing: would the locations be as good? Or the actors? Granted, it would be a laugh to go away with Roger Allam, but would it serve the show?

Does Endeavour Morse become more like you as the series goes on? I think that’s a danger, definitely. The more comfortable and confident you get with something, the easier it could be to be less diligent about creating a character. But then you’d be taking shortcuts that you might not have done three years ago. So I try not to be complacent about it. I want to be even more diligent than I was when I started. But I admit that it's a tricky one.

Having a two-hour slot for a drama seems like a privilege these days - do you worry that viewers' attention spans could be too short to cope? I don’t worry about it at all. I feel like the work we’ve done so far has been very good. Some have been better than others - as would be the case. But I feel pleased with it. Now if audiences change and they feel that the episodes are too long, boring or complicated, then we’ll just stop. That’s OK. But I've seen some crime dramas that try to tell the story in an hour and, for me, it just doesn't work.You’re tyring to set up a killer, set up a world, solve it in an interesting or dynamic way and put in some character stuff as well. It’s nigh on impossible to do in an hour. I don’t think you can do it in a satisfying way. That’s my impression as an audience member.

Fans would be up in arms if you decided to stop Endeavour! No. I don't think that'd happen. It's just work. And they'd just fill it with something else. There'll be another brilliant show.

I think you'd make an ideal Doctor Who - would you like to play that role one day? I’ve never seen it! I think Matt Smith is a brilliant actor. And David Tennant also. But it just wasn’t my thing growing up and I feel like I’ve missed it now. I was in Moscow a few months ago and someone asked me about Doctor Who. And she thought I'd make a good Master. So if you’re offering me a part, then I’ll play the Master.

What about playing James Bond? Well, everyone wants to play James Bond, right? He always gets the girl at the end. And in the middle. And at the beginning, come to think of it. But I think that Daniel Craig would be a tough act to follow. He brings something really interesting to it.

Do you ever look at contemporaries like Benedict Cumberbatch and Eddie Redmayne and think, 'I'd like top billing in a Hollywood movie'? I know both those lads and I like them. But I never really think of my career like that. Of course, you want people to see your work, but I'm not interested in being the next so-and-so. It doesn't attract me. Mainly because it's short lived. It's better to keep working and do interesting stuff.

So being a big Hollywood star isn't all it's cracked up to be? I don't know. I suppose if you had enough clout to guarantee finance for a story you wanted to tell, then that would be a good thing. From a business point of view. But I don't spend my time being envious. There are so many variables in all that bollocks! When you desire fame or fortune - which are ephemeral things - you're building your house on sand, aren't you?

Do you have a dream project that you'd like to do? I'd love to do something about poets or photographers who have done interesting things and left an impression on their portion of the world. Someone like the American photographer Walker Evans. Or the French poet Arthur Rimbaud. 

So what's next for you? I'm purposefully having some time off. I've been busy and I'd like a bit of time to read some books and just study. I want to educate myself on writers, photography, filmmaking and poetry. I'm very lucky that I've now got enough money to have a bit of time to myself and study. I'm very lucky to be in that position.

[silviakundera]

Hello! I really enjoy your cdrama posts and I was wondering if you could recommend any period dramas that aren't, idk... murder-forward? 😂 I'm often watching with my kid in the room and I don't want her seeing people get stabbed! Shows like Nirvana in Fire where the violence is mostly limited to a few episodes where you see it coming are also fine - I can save those eps for after the kiddo is in bed. 😄 Thank you!!

hiiiiii 💕💕💕💕 you are so nice AND YET you have given me a mission impossible 💀

Chinese period drama without wanton violence? ?? I've been racking my brains.

I will try to rank options, based on my memories, on least frequency of violent scenes.

Less overt violence:

Legend of Zhen Huan aka Empresses in the Palace: a palace drama that's fantastic but dialogue heavy. There are deaths but not many bloody exchanges that a kid would grasp the significance of. You can work around it. Warning: historical drama with strong FL, but not a romance

Story of Minglan: like Nirvana in Fire, the violent episodes are there but it's 25% of the drama and 75% is violence-free.

Legendary Life of Queen Lau: this is a comedy-first rom com that keeps this tone all the way through. So when there is violence, its fairly cartoonish. Not meant to truly scare. PG rated, in american terms. Maybe 2 episodes to skip.

The Flowers are Blooming: at the very end in the climax there's a couple Danger Episodes. It's blurry for me tbh. But this is primarily just female lead centered romance.

Medium Volume Violence:

A Female Student Arrives at Imperial College: That particular cdrama tone where it's primarily an age gap, female-empowerment rom com... But then occasionally assassins and murder pop up! So you will need to skip some episodes. 60/40 ratio of rom com to murder attempts

Believe in Love: a pretty-people showcase first, everything else second. There is definitely some violence to skip but maybe you can fast forward around it? um she almost dies from good sex tho 😂😭

Sword and Brocade - there are a couple episodes I can think of with disturbing violence but it's perhaps low frequency enough that you can work around it, like with Nirvana in Fire. Though I never finished it so hard to say

Truth or Dare - didn't finish, it bored me and I didn't love any of the actors. but I don't recall it seeming super bloody either. Check further before watching.

Royal Rumors - tbh this drama is a blur to me. I only completed it for the lead actress. I seem to recall that though there was violence, it was lower frequency? Check further before watching.

Higher Volume/Disturbing Scenes for Children:

The Ingenious One

Legend of Fuyao

Legend of Fei

The Royal Princess

A Dream of Splendor

The Ghost Bride

The Imperial Coroner

Under the Power

Blossoms in Adversity

Love Like the Galaxy

The Double

Story of Kunning Palace

These are still in my watch queue so idk:

Autumn Ballad

The Blooms of Ruyi Pavilion

Heart of Loyalty

Decreed by Fate

I've Fallen For You

@dangermousie @renewedmotionforjudgment @dreamyklutzs @aysekira please consult, it's FOR THE CHILDREN

[blujayeyes]

TMAGP OIAR Theory under the cut⬇️

Hi! It’s me! If you were on tmagp tiktok in the VERY early days of tmagp(I’m talking first two episodes just released) I was that one guy in the comments of every tmagp related video telling people my ship name for Chester and Noris(bEYEnary bfs). It is very likely you have no fuckin clue what I’m talking about, and if so, yeah that’s fair I’m assuming that’s most people reading this; HOWEVER either way in the past several months since tmagp 1&2, I have been working on my theory board(red string and all) and I have created a conspiracy board that would put Collin’s to shame, and looks just as insane, but using this I think I have solved the OIAR’s purpose within tmagp’s alchemy based fearscape, and bottom line, everyone is screwed.

So it all started when I saw these two images being compared on here

So then I was like yeah that’s interesting from the alchemy angle but what does it mean but then I saw someone saying that if you look closely at the OIAR logo you can see the symbols for sulphur, salt, and mercury, the soul, body and mind, and then my curiosity got the best of me. So I started theorizing about this on my coarkbord and did some digging into the philosopher’s stone.

It was said to be a red stone that alchemists would try to make due to it’s properties of being able to turn base metals precious metals BUT it was also said that it could be used to create the elixir of life which could indefinitely prolong life aka immortality AKA one of the major reoccurring themes of tma AKA Jonah Magnus’s main goal that motivated him into starting the eyepocalipse AKA the thing we learnt was impossible in the fearpocalypse because no new people were being born and the end would eventually get them all.

So what did Lena say the OIAR’s job was to Gwen? To keep the wheel forever turning. So logically that would probably mean keeping the entities fed but preventing the end of the world. In other words sustainable fear. Keeping the wheel FOREVER turning. Are you starting to get it? So using that logic that clearly shows why she works so hard to keep the externals(avatars) at such a distance. But in her phrasing she made it sound like the OIAR is something they would jump to take if given the chance.

And then it hit me. Going back to my previous point we have been showed how much avatars and alchemy overlap, especially with the more recent episodes highlighting how avatars are partaking in alchemy, with tmagp 19 showing both the Magnus institute and sir Isaac newton were very involved with using alchemy in their spooky shit. Even as far back as the first two episodes we see this, and although it is more implied in episode 1 with red canary seeing “weird symbols” in the Magnus institute, it is said overtly in ep 2!

Which leads me to at least theorize that wether metaphorically or literally, the reason the avatars so intertwined with alchemy want to take control of the OIAR so bad, is because the OIAR(and probably FR3-D1, let’s be real) is the philosopher’s stone of their patrons, granting them eternal fear with perfect balance, just as Robert Smirke always dreamed. And the reason Lena wants to keep the place so secure is because if one did take it, it would unbalance the scale, making it lose it’s function and the possibility of an apocalypse imminent. And Gwen just weakened Lena’s boundaries by letting lady mowbray into the building.

Or I’m wrong. There’s every possibility that I’m wrong. After all this is my theory board

And it’s like, 40% Elias theories. Jon would be proud.

But I’m like, 72% sure I’m right.

[lurkingshan]

10 Things I Love About Khun Chai

I did it, y’all. I watched my first lakorn, and let me tell you, I had a fucking fantastic time doing it. Now that’s not a blanket endorsement of the genre, because I understand Khun Chai aka To Sir, With Love is pretty unique, particularly in that it’s a period queer love story with a happy ending. But as a different kind of Thai drama than any I’d previously seen, it was truly a great watch.

It has some flaws, sure. It’s a soap opera, so melodrama, repetitive story beats, overdramatic acting, and slow pacing are par for the course. If you go in understanding that, you’ll be fine. And the episodes are long af but don’t be shy about increasing the playback speed - I watched a lot of it at 1.5x and it was perfectly smooth. Now that I’ve finished it, I think the time investment was totally worth it (@bengiyo my final rec - worth going back to finish! It worked better for me when I broke it up in chunks of 2-3 episodes at a time).

Without further ado, the top ten reasons I loved it:

1. TIAN MY BELOVED

Look at him. Just look at his beautiful traumatized face!! I hold that it’s impossible to watch this entire show and not come out absolutely loving this man. He is so believably flawed but at his core he is good. He is generous. He is loyal. He is brave. And he looks very good in a three piece suit.

Honestly I could do a whole top ten list just about Tian but let’s move on and give some love to the rest of the show.

2. Did I mention this is a PERIOD ROMANCE??!! Something we get so precious little of in bl. I asked @absolutebl a while back if they knew of any other Thai period bls, and this was the entire list. So good thing it’s excellent!

The show is set in the 1930s and 40s in Japanese-occupied Thailand, and it centers on a powerful Thai-Chinese family (currently leading a cooperative partnership of five families) and the power struggle over who will be the heir (Succession, but make it Asian and queer). The show digs into really interesting family structure, politics, and class struggle stuff.

3. The brotherly bond is unmatched and undefeated. The plot centers on two brothers, Tian and Yang, who love each other so much, like I cannot emphasize enough how willing these brothers are to protect and die for each other. If someone was shooting at them they would both try to dive in front of the bullet. Their bond is so touching and provides an emotional through line when the plot gets wacky.

4. The classic soap opera plots are truly brilliant, all your favorite tropes are here. This show has everything - family secrets, nefarious schemes, murderous maids, mystical poisons, faen fatales, even sex pollen! As I believe @ginnymoonbeam put it at one point - everything is happening so much all the time. It’s truly a delightful romp, especially after the halfway point when the plot machinations really kick into high gear.

5. The queer love story is the main romance and emotional heart of the show. There are actually two romances in this show - each of the brothers gets a love interest. And both of them are lovely. But rather than the typical move where a het drama features a queer side pairing, here the entire story is driven by Tian’s sexual identity, the burden placed on him to keep it a secret, and how increasingly impossible that becomes once he meets Jiu. Over the course of this show, we get to watch Tian fall in love and finally live his truth and see how that changes him. It’s truly beautiful, and the romance between Tian and Jiu is so sweet (and a bit racier than I expected - the show does not shy away from the sexual aspect of this relationship). The romance between Yang and Pin is also very sweet - they are adorable tbh - but entirely secondary.

6. Every frame of this show is absolutely gorgeous. The scenery is lush, the costumes are beautiful, the tailoring is impeccable, the hair and makeup never misses. It’s truly a feast for the eyes.

7. There are so many good female characters in this show, y’all! Tian and Yang have not one but 4 or 5 different mother figures. They are all flawed, complex, and a little nuts. They get up to so much trouble and drive a lot of the plot with their scheming, hijinks, and prolific wielding of murderous sparkle dust (don’t ask, you have to see it to understand). Pin, Tian’s would be fiancé turned sister-in-law, is a total sweetheart, but she’s also smart and fierce with a steel core and not afraid to tell her man when he’s being stupid. There’s even a lady boss at the head of one of the five families.

8. Relatedly, there is so much complex family drama in this show, and so many interesting dysfunctional parental relationships. @waitmyturtles you will have a field day when you finally get to watch this. Both brothers have fraught relationships with their various parent figures, for very different reasons. The various relationships and resentments that form between the wives and the sons in a polygamous family unit (did I mention that yet? there are three wives in the mix here and the brothers have different biological moms) are absolutely fascinating.

9. The resolution to the succession plot and ultimate defeat of the Big Bad was so satisfying. I won’t get into spoiler territory, but let me just say that the characters went through a lot together and to see the way they ultimately had to come together and let go of their baggage to survive was very cool. It felt earned.

10. IT ENDS WITH A BIG OLD HEAP OF GAY DOMESTIC BLISS!!! I will get into spoiler territory here because you deserve to know that if you put in the time to watch this show you will be rewarded with a very happy couple forming a family unit and living peacefully on their own terms. I was so pleased with this ending, I can’t even tell you. The final scenes made me cry real tears, I was so touched. And they even put a literal rainbow in the sky at the end. A literal rainbow! Come on!

Watch it, friends! It’s worth your time.

[twin-disaster-tutel-brainrot]

Been thinking about the turtles' sleeping habits and such for a fic. This was meant to be a short one but I ended up having too many ideas so enjoy.

Raph:

Likes to sleep with his door open to be able to hear everything around the lair.

Somehow both a light and a heavy sleeper at the same time. Will wake up from the quietest suspicious sound, will be up on his legs in a second when his brothers come to him at 3AM because of a nightmare, but also won't budge when they literally jump on him to try to wake him up for breakfast.

Sleeps with a single quilt he and Mikey made together, with no pillow and with a LOT of teddy bears.

Belly sleeper.

Will use his teddy bears as a pillow when needed.

Will use his brothers as pillows during turtle piles as well.

Snores.

Used to sleepwalk a lot as a kid, happens way less often as a teen but could still happen once in a while.

And he has a sleepwalking stink of course.

Sometimes talks in his sleep too.

Has a very consistent sleeping schedule and wakes up pretty early without an alarm clock, but only on weekdays.

On weekends it's almost impossible to wake him up before 11 and definitely not before 9.

Takes him a while to get out of bed after he wakes up, and he's pretty slow during the morning, only really waking up after breakfast.

He also likes reading comics or play some idle game on his phone before going to sleep.

Donnie:

Sleeps with his door closed and locked.

Prefers to have white noise on.

Prefers sleeping with a weighted blanket.

Uses a either a gel pillow or a memory foam pillow. (Those ones that hold their shape that are good for back sleepers) - I actually went back to "The Purple Jackets" episode and it does look like he's using a gel/memory foam pillow.

I was gonna say he's a back sleeper and then I saw the scene in "The Purple Jackets" again and he changed his sleeping position like three times there, so I'm gonna say he falls asleep on his back and rolls around a lot during sleep.

While he likes the white noise and weighted blanket he doesn't actually need them to sleep. If he closes his eyes while sitting/lying down he's gonna fall asleep after 5 minutes max.

He also falls asleep if he just touches a bed for long enough.

And it also takes him exactly 5 minutes to get ready for bed. So 10 minutes from when he walks into his room until he's completely asleep.

Likes sleeping in small confined spaces. (Wrapping him in a blanket like a baby counts as a small space. The space under his desk is also a small space. The space under the sofa is too. And space between his brothers during a turtle pile.)

He has strict rules about his sleeping schedule. He wakes up at either 7:40 or 9:10 every day. He will stop working and go to sleep at either 1:30am or 3:00am. If he misses both he'll just work through the night and go to sleep the night after that.

He misses both marks quite often.

The only way to make him break those rules is with a turtle pile.

One thing he cannot tolerate though is scratchy beddings. He will not fall asleep if something scratchy is touching him.

I feel like he doesn't like ignoring his notifications so he always makes sure he didn't left anything unread before going to bed, and he makes sure to do that during the 5 minutes it takes for him to get ready. But sometimes someone sends him something dumb that makes him angry enough to drop everything and start a stupid online argument that lasts all night. So sometimes he just stays standing in the middle of his room without moving for hours instead of going to sleep, or he'll end up sitting in his chair with his phone. If he chooses to sit on his bed tho he ends up falling asleep almost immediately.

Leo:

Insomniac™

Sleeps with his door open a crack, enough for light and some sounds to get in but not enough to make him feel vulnerable.

But he also gets sleep paralysis once in a while and having your door be open just a crack is like perfect nightmare fuel so when that happens and his sleep paralysis demon peeps in he probably goes to sleep in Mikey's room for like a week.

Also definitely just have nightmares in general almost every night. He's used to it by this point. He does wake up from them like three times a night tho.

^ Definitely not projecting.

Has a nightlight. Cannot sleep without it.

And a digital alarm clock with glowing numbers that's always facing the bed so he'll know how long he slept for.

It takes him like half an hour to fall asleep on a good day and three hours on a bad day. Usually spends that time scrolling his phone until he can't possibly keep his eyes open for a second longer.

Uses like 5 blankets - a quilt over his legs, a fuzzy throw blanket around his shoulder, two more summer blankets and finally a comforter over everything. Or maybe swap one of the summer blankets for a weighted blanket, I haven't decided yet.

If he does use a weighted blanket though then he can't sleep without it.

He likes sleeping completely covered up from head to toe. Uses one of the summer blankets to cover his head to not get completely overheated, and to be able to see his nightlight and hear the noises from outside his room.

Uses three pillows - gel/memory foam pillow, understuffed normal pillow and an overstaffed normal pillow. The overstuffed one is to lean on when he's sitting scrolling on his phone, the other two are for sleeping on.

Has a small decorative pillow he got from April that he hugs to sleep every night.

Other than scrolling on his phone for the few hours before he falls asleep he actually makes an effort to only sit on his bed when it's nighttime.

He also always has a fan on for the noise and the airflow, but it's never directly facing him or it'll wake him up.

On really bad nights he can't fall asleep he gets up and makes himself something hot to drink (yes this is also inspired by "The Purple Jackets" episode how did you know?)

And then he'll go bother Donnie.

He loves sitting in Donnie's lab while Donnie is working. He either watches him working quietly, or he whines like a little bitch until Donnie gives up and talks to him, and then they spend all night talking about the most random stuff.

He likes reading comics before bed too, or fanfiction/fancomics on his phone. He'll read the most garbage incomplete fic that was witten in half an hour at 3am and posted 5 years ago, unironically enjoy it, and screenshot his favourite lines and send to Donnie.

I also think he sleeps in fetal position, but wakes up in the most absurd positions.

Mikey:

Prefers sleeping with his door closed, but doesn't actually mind if it's open.

Can sleep anywhere, anytime. Will fall asleep in the most awkward positions and awkward places.

Sometimes sleeps inside his shell, especially if it's somewhere with too much light.

Can lucid dream. Might be something he can do by mixing his lucid dreams with his mystic powers? Didn't think this through yet.

Sleeps with a huge thick comforter during winter and a super thin throw blanket during summer, just switches between them one day during fall/spring.

And he also has a blanket Raph knitted him that he always sleeps with. Like they all have blankets Raph knitted them but he's the only one who consistently sleeps with his every night. Hugs it more than covers himself with it.

Has a million different pillows and always burrows himself between them when he sleeps, in a different position every time of course.

Has a pretty healthy sleeping schedule, he gets tired at a reasonable hour and goes to sleep, sleeps for 5-6 sleeping cycles per night.

Goes to sleep early and wakes up early. He and Raph are the first to wake up, but he's the first to get up and get ready usually.

Really energetic during the morning. He's the only one of them who's like this, and Leo is the only one who can really keep up with him before breakfast.

He also has a lot of plushies on his bed but he sleeps with them less.

Will always sleep hugging one of Raph's arms during turtle piles.

I went a bit overboard with the headcanons whoops. This was supposed to be like 3-4 ideas for each one of the guys and mainly focus on like, the door and the blankets, and I ended up adding way too many things~

[houseofsnarry]

💚 HoS Mods Recs ❤️

Cause, why not? photo source

Summer is coming to an end, and autumn will be here soon. Seasons change, years pass us by, but Snarry is here to stay. The following brought us some joy and hopefully it'll bring you guys some joy, too.

Art

🎨 @ofnightsndsongs - Spicy Polaroids Rated E

🎨 @flymetosnarryland - Muggle London Rated E

🎨 @ac1d6urn - The Bravest Man Rated T

🎨 @danipantsu - Tailormade Rated G

Podfic

🎙️Things We Wish For by @avioleta (AO3) Podfic by JocundaSykes Rated E, 2 hours

Harry blinks. Blinks again. It doesn’t make sense. It’s simply not possible. But yet… “Snape?” It’s not the Snape Harry knows or remembers. Not the Snape Harry grieved. But he would know that face, that profile, those eyes anywhere. “What happened?” he manages. “How are you here?”

🎙️ World Enough, and Time by @likelightinglass (AO3) - a Podfic Podfic by Cailynwrites Rated T, 40 minutes

Soulmate clocks start ticking when you first lock eyes, and count down until your time with them is over. Harry’s starts ticking on September 1st, 1991. He has only six years, eight months, and one day.

Fic + Art

🌸 The Curse of Anteros - @danpuff-ao3 (AO3) / @mrviran (AO3) Rated E, Word Count 53k

When Harry is cursed, he seeks out Severus Snape. They have a long history behind them, after all, and they've always had so much between them. Who else would he go to?

🌸 A Step into the Light - @givereadersahug (AO3) / @gullibert (AO3) / @dandelionstars (AO3) Rated NR, Word Count 10k

Severus Snape is now a free man. He fills his time travelling the world, collecting potion ingredients, and helping Luna with her business. The thing is, Severus has a gift. No, not potions or the Dark arts. He can see mushi, creatures that show up from time to time. Severus knows how to help them and the humans that come into contact with them. This time, their travels take them to an island off the coast of Japan, to a man sitting on a log, staring out into the ocean and waiting for his wife to return home. Inspired by the anime Mushishi. A retelling of Season 1, Episode 8. For the Snape Bang 2022.

🌸 The Ugliest Veela - Octroman Rated E, Word Count 60k

Snape is part-veela. It is interfering with his dating life. Post-war, Severus Snape finds himself in a life without purpose. In a desperate bid for the family he always wanted, he subjugates himself to a matchmaking service in hopes to find an acceptable partner. However, it is mandatory to disclose veela status in order to use the premiere matchmaker of the old family houses. Wrinkled, sallow, oily, big-nosed, and bony, Severus shows up for a string of horrific dates where potential partners expect him to be both gorgeous and enchanting. “I thought veelas were supposed to be beautiful!” Cue the jokes. How much humiliation can Severus stand? --------------------------------------- Illustrated chapter titles and crafted with love.

Fic

📚 A Series of Events - @babygray (AO3) Rated M, Word Count 67k

In January, the impossible occurred. It took Severus until April to realize just what that was, and to believe. Snarry Mpreg, takes place during Half-Blood Prince.

📚 A Trick of the Mind - @vulnerasanenturmyprince (AO3) Rated E, Word Count 40k

Ever since the horcrux in his head is gone, Legilimency comes easy to Harry. It’s nearly laughable how easy it is, considering how much he used to struggle with it back in his fifth year. But he reckons half of that had been Snape’s fault anyway. Who on earth would enjoy the nasty git invading their mind? But as life as Harry has known it changes, Harry’s opinion on the matter changes with it ― rather drastically so if he’s being perfectly honest.

📚 Blowing Smoke - DawnOfTomorrow Rated E, Word Count 231k

Harry doesn't care about Snape beyond having to sit detentions with the man despite being of age. He doesn't. He asks him out for a drink just to get out of detention. So what if it's... nice? So what if they become friends? So what if Snape *is* lonely? It's not Harry's problem - at least not until he realises he's accidentally befriended the man, and just how much he cares for Snape. Well, shit.

📚 Close Encounters - @bleedcolor (AO3) & @likelightinglass (AO3) Rated E, Word Count 35k

Years after the war, Harry Potter and Severus Snape meet and fall in lust, then love. Too bad they don’t know who they’ve fallen for.

📚 Curatio - @serenaew (AO3) Rated T, Word Count 12k

curatio, onis, f noun 1. healing/curing 2. object of care 3. treatment, surgical operation, medical care

At the foot of the Whomping Willow, there lay an injured kingfisher. Now with moodboard (chapter 2)!

📚 Date In A Dash - @silvereye5 (AO3) Rated E, Word Count 16k

Harry and Severus accidentally attend the same speed dating event.

📚 Fuck, Marry, Kill - @titconao3 (AO3) Rated T, Word Count 13.2k

After the war, Harry Potter and Severus Snape, er, fuck sometimes. You know, it just happens; it's one of these things. They're not in a relationship, right? They're not like that. ...Until they are, but only one of them can see it.

📚 Gold Like Ichor, Gold Like Magic - @dandelionstars (AO3) Rated M, Word Count 26k

Seven years after Harry James Potter was left unceremoniously on the doorstep to Number Four, Privet Drive, Vernon Dursley was offered a promotion and the whole family had to move to Cokeworth, England. While Dudley is off terrorizing the local children, Harry spends his days in the school library and finds a fast friend in Ms. Eileen Prince. From Cokeworth to Hogwarts and back again, this is a story about the friendship, the magic, and the love that can be found in the unlikeliest of places, if only one bothers to look.

📚 Hawthorn Branches in Spring - zalil Rated T, Word Count 37.5k

Harry returns to Hogwarts to finish school properly and sit for his NEWTs. He doesn't expect Snape to be back teaching, nor their old animosity to resurface. When it is pointed out to him that he is responsible for it, he sets out to change their relationship for the better. The results have more of an impact on him than he expected.

📚 Little Monkeys - Lilian Rated T, Word Count 15.7k

"There might be a chance that maybe, perhaps, Severus went too far this whole ‘exile far away from the Wizarding World’ thing. Because however he tries to frame it, it comes down to this: after nine years of being completely alone, the first time he stays with another person, he’s plotting to steal said person’s children."

📚 Loose Ends - @arrisha-ao3 (AO3) Rated E, Word Count 9.8k

I love you, Severus wants to say. But the timing is never right.

📚 Lovers Reunited - Now with a special buff! - @hereiamwithmyninjaclan (AO3) Rated T, Word Count 10k

MMORPGs are a fun way to pass the time and spend time with your friends- and hey, Harry might just find true love along the way. Beta'd by the lovely @silverdrip

📚 Not Giving In - @hippocrates460 (AO3) Rated E, Word Count 38.7k

Harry comes back from his holiday to a stack of memos on his desk that all say the same thing: "Severus Snape adopted Teddy Lupin." Snape. No one has seen him since the war trials ended, no one knows where he lives, no one knows why he took Teddy. And what happened to Andromeda? Harry is determined to be a good godfather and sort it all out. Even if it means dealing with Snape. Title from Better Son/Daughter, because Nanette.

📚 Professional Strippers - @coconutice22 (AO3) Rated T, Word Count 6k

At Uncle Vernon’s funeral, Aunt Petunia asks Harry for a favour.

📚 Snowed in with Severus - @maraudersaffair (AO3) Rated E, Word Count 32.5k

In eighth year, Harry decides to stay at Hogwarts for Christmas. He sets out to spend the time with Professor Snape, but after a magical accident, they find themselves stranded alone in a snowy cabin with no way out and only one bed.

📚 Sudden Light - @liladiurne (AO3) Rated E, Word Count 48k

Seven years after the war, in the dead of winter, Severus Snape meets a beautiful stranger on a train. Inevitably, he falls in love. Inspired by D.G. Rossetti and Paul Celan and based on the movie Eternal Sunshine of the Spotless Mind.

📚 The Beating of This Fragile Heart - @writcraft (AO3) Rated E, Word Count 33k

After the war, the last thing Severus Snape needs is the memory of a fleeting wartime kiss and a very persistent Harry Potter thwarting his plans to live a peaceful and solitary life. It’s only when Harry’s life is endangered that Severus is finally forced to confront his feelings head on.

📚 the Boy Who Lubed - @swoontodeath (AO3) Rated M, Word Count 7k

Desperate to pass his N.E.W.T. in Potions, Harry Potter joins a secretive Discord server run by a Potioneering expert known only as the Half-Blood Prince. What will happen when Severus Snape, full-time Potions Professor and part-time Discord mod, realises that the newest addition to his server is none other than his least favourite student?

📚 The Half-Blood and the Prince - @tax-onomic (AO3) Rated E, Word Count 6.5k

“It’s just a book, Harry.” “Okay. Thanks.” “But… you’ve got a crush on a book, mate. That’s a bit much. You need a girlfriend.” She tapped the name on the first page thoughtfully. “Or perhaps a boyfriend?”

📚 The Measure of a Man - @ac1d6urn (AO3) Rated E, Word Count 50k

Several years after defeating Voldemort, Junior Auror Harry Potter discovers himself and, at the risk of losing his childhood love, follows the truth. Through it all, Snape is an unexpected solace. Will he become more?

📚 The Want of You - @fleetingdesires (AO3) Rated E, Word Count 7.3k

On his night off, Severus unexpectedly realises that Harry has grown into quite an attractive man. He's just not going to think too hard about it. No, he's not going to think about him at all. It's fine. He's fine. Everything is fine.

📚 Thirteen and a half inches - @loneamaryllis (AO3) Rated E, Word Count 8.3k

The Marauder's Map shows a number above some people's head. Harrie investigates what it means.

📚 You Were Myth-Taken - @hokee101 (AO3) Rated T, Word Count 23.8k

When vampire attacks hit Hogsmeade, Severus Snape is the prime suspect. With Harry and Albus not taking these accusations seriously and the students threatening to expose him at every turn, this term was going to be just fangtastic.

Discord || Recs Lists

[historicallyaccuratecheese]

Well, I guess I’m continuing to make these now! Here’s the next part of my thoughts on every Magnus Archives episode! Now, last time I said that I was planning to write about episodes 21-40 in the next post, but as it turns out, the hyperfixation has set in and my thoughts are a LOT longer (so buckle up if you want to read this), and I also reached the tag limit. So, I’m only going to be covering episodes 21-30 here, and then I’ll write about episodes 31-40, and this 10 episode trend will probably continue for the rest of the posts, but that just means I’ll be able to put them out faster.

Also, unlike my first post, where I wrote all of my thoughts after finishing episode 20, all of these ones were written right after I finished the specific episode I talked about, so my thoughts are a lot more clearly documented. Finally, there’s a link to my masterpost, which will contain all the post’s detailing my thoughts on every episode before and after these ones.

Once again, no spoilers for future episodes please, and for anyone who hasn’t watched up to episode 30, spoilers are under the cut, so I recommend turning away until you’ve caught up. :)

- Episode 21, Freefall 🪂

Statement of Moira Kelly, regarding the disappearance of her son Robert.

WHAT THE FUCK??!! MARTIN??!! DAMN, I guess the horrors did get to him! Well, it’s nice to finally meet him, even if his first line was dropping shit on the ground. Either way, I get the vibe I’m in for a wild ride for this second half. ….What was I talking about? Oh yeah, the actual statement. Anyways this one upset me. Not only did it bring out my fear of heights pretty well, but the portrayal of a grieving mother who can’t comprehend what happened to her son was really heartbreaking. The line “The sky ate him” was kind of comedic at first, especially with Jon’s following reaction (love this guy btw, he’s such a loser), but then it became really horrific when I realized how it was just Moira desperately trying to make sense of the impossible horrors she just witnessed. The plot thread set up with Simon and Harriet Fairchild is also very interesting, and the whole sky thing kind of reminded me of Dominic’s visions in Ep. 4. Overall another one of many fantastic episodes, but HOLY SHIT I’M SCARED.

- Episode 22, Colony 🔦

Statement of Martin Blackwood, archival assistant at the Magnus Institute, London, regarding a close encounter with something he believes to have once been Jane Prentiss. Statement taken direct from subject.

….aaaaaAAAAAAAAAAAAA!!!! Ok let’s start from the top. Firstly, I’m really happy we finally got to meet Martin in this episode, and he’s great! Honestly he comes off as more dorky than stupid, and just comes off as a real sweetheart, so Jon’s distaste for him (outside of very different personalities), gets more mysterious. Though all things considered, after what he experienced, I don’t think that the bullying is his biggest worry anymore… Alexander J. Newall does a fantastic delivery, as much as I love Jon’s readings, you can really feel how terrified Martin is here (also “Blackwood” is a sick as fuck last name, and I related to him trailing off about spiders…) Outside of Martin himself, we have Jane Prentiss (or what remains of her) and…well, let’s just say that I don’t find the sex worms nearly as funny anymore. Jane and the worms inside her are absolutely terrifying, and while I would say I’m excited to learn more about her, I wouldn’t be complaining if the institute staff never had to deal with her again. Also the text episode made me, if you’ll excuse my language…squirm. Honestly, this might just be my favorite episode so far. The way that the plot threads from previous episodes connected here was extremely satisfying, and needless to say, I’m very excited and horrified to see where the show goes from here.

- Episode 23, Schwartzwald 🇩🇪

Statement of Albrecht von Closen, regarding a discovered tomb near his estate in the Black Forest.

Worst episode ever because Jon didn’t do a German accent, smh. Ok but in all seriousness, I really liked this one! It wasn’t the strongest in terms of complex themes in my opinion, but it had a great vibe, and was still very interesting, entertaining, and decently creepy. Having a “statement” written before the archives was founded is a really cool idea that’s executed perfectly here, and while we didn’t learn that much about Jonah Magnus, I still found it cool to get a first glimpse of the archives’ history. (Also, given the eye imagery that appears both in here and in other episodes, I can’t help but feel like Albrecht’s wording of Jonah having “good eyes” or something like that is a little weird…) And…now that we have the instance of something that isn’t a statement, but is important being in the archives, I absolutely agree with the idea that Gertrude Robinson organized these poorly on purpose, so that Jon would get the knowledge he needed to have. Regardless, this whole episode had the vibes of a classic ghost story, which while not as weird and off-putting as some of the other horror here, was still a nice change of pace overall. The descriptions of The Schwartzwald were really well done and added to the atmosphere, and I just like the fact that we have another historical episode, that’s also set outside of The UK. Also, the way that they played with the time period at the end was amazing, I already had my suspicions due to the eye imagery, but the reveal of Mary Keay (and therefore Gerard Wa- I mean Keay) being a descendant of Albrecht was still really cool. I also do wonder if the Arabic book was eventually found by Jurgen Leitner in the future…eh, food for thought. Lastly, I loved Martin jumping in out of nowhere, it was both funny, and a grim reminder about how fucked the archives supposedly are, yippee!

Wow, these are a lot longer than my previous thoughts. This, my sweet children, is a phenomenon called “brain rot”.

- Episode 24, Strange Music 🪆

Statement of Leanne Denikin, regarding an antique calliope organ she possessed briefly in August 2004.

Jon, honey, are we not going to elaborate on the fact that one of ✨the horrors✨is literally inside the institute? Like, HELLO? That’s not terrifying at all! Anwyays, this episode continues the trend of making me scared of things I’m not initially scared of, yippee! It had great vibes as well, the weird shit in the attic was made to be as creepy as possible. Initially, I didn’t find this one to be too scary, and figured it was going to go in the direction of “music makes people feel kind of weird”. AND THEN JOSHUA GETS KILLED AND TURNED INTO A DOLL HELLO??!!! Like, I know he was kind of a toxic boyfriend, but DAMN, whatever was behind the calliope and the dolls did NOT have to go that far. (Also until the end I thought he might be Joshua Gillepsie, and like, I don’t care how toxic he is, but you do not dump a guy who bested an evil coffin with his freezer.) Outside of that, It was really cool to meet Sasha! I like her voice, and the introduction was quite funny. (Also, even as someone who has lived in England for over two years, and has a family that is 90% British, nothing hurt more that Jon’s “Americans”.) Lastly, I have a theory, which I like to call “Ringmaster? More like cult leader.” Because I’M SORRY, but you cannot convince me that a CIRCUS, called THE CIRCUS OF THE OTHER, which possessed a HAUNTED CALLIOPE ORGAN, is anything but a cult. (Watch me when I’m inevitably wrong lmao.)

I guess now is a better time than any to say that I’m kind of wondering if there’s an in-universe reason for the music in the background? I mean, considering that the whole framing device is Jon recording these statements, I have to wonder if there’s a reason for the noise we hear, especially with the worms in Ep. 22 and the music in Ep. 24.

- Episode 25, Growing Dark ⛪️

Statement of Mark Bilham, regarding events culminating in his visit to Hither Green Chapel.

HAHAHAHAHAHA!!! I LOVE BEING RIGHT!!! I saw the episode title and immediately assumed this would continue the lore of Episode 9, and I WAS SO RIGHT!!! (Also, I now just noticed that the PCOTDH’s symbol is a closed eye, while The Keay Family’s symbol is an open eye…my cult theory thickens…) Anyways, this was another very enjoyable episode! Firstly, even though it’s far from the first piece of media to do so, I though the way they portrayed a cult brainwashing someone when they’re most vulnerable was very well handled and pretty depressing. I also really enjoyed how the episode isn’t the most weird and paranormal on it’s own, but the knowledge of the connections to Ep. 9 makes us know that it DEFINITELY is, even when the characters in the story don’t. The episode was certainly very spooky, the description of the spinach and the dark church definitely got me. (Also my mom came into my room briefly and when she left she accidentally turned off the light and I nearly screamed.) There were also some really interesting plot threads set up here, like the chanting of the northern most human settlement in the world, the mention of “three hundred years waiting”, and I also wonder if “Mr. Pitch” is an alias for “Detective Rayner.” then…the ending. Holy shit. You know, maybe I DON’T need to know what happened to Gertrude….

Episode 26, A Distortion ☕️

Statement of Sasha James, assistant archivist at the Magnus Institute, London, regarding a series of paranormal sightings. Statement taken direct from subject.

I…what…I don’t even…we are so fucked. Ok, there’s a LOT going on here, but I’ll try my best to formulate my thoughts as clearly as possible. Firstly, this episode easily scared me the most so far, I agree with Jon when he says that the horrors being somewhat friendly is scarier than them being antagonistic, like HOLY SHIT this one was unnerving. But with that out of the way…uh…let’s talk about Sasha! She’s really cool, I like how her character gives us a lot more insight into what working in the archives is like for a fairly regular person (i say this because Jon is weird as fuck and Martin is too nice to be normal, and I mean that as kindly as possible). But…while I don’t necessarily doubt her status as the most level-headed person in the archives, I don’t think that’s saying much. Like, she saw a creepy guy with weird-ass hands who spoke in riddles and knew too much about her and her coworkers, and followed him into a dilapidated building, also she works at the council of ghost stories despite not liking horror. Like, no offense, I’m sure she’s overall an intelligent person, as are most people in the archives, but none of them are beating Joshua Gillepsie anytime soon (yes I’m still thinking about him.) But mentioning the guy with fucked up hands, WHO OR WHAT EVEN WAS THAT??!! I have very little ideas as to how this “Micheal” even connects to the greater picture. I know some people connected him to the mentions of the man with bones in his hands in Episode 8, but that honestly reminds me more of the Leitner in Episode 17. Outside of that, his name is quite interesting, I initially thought that he might be Micheal Crew, but given that Sasha doubts it being his real name, I have my suspicions (although it would give us a connection between this, the words in Episode 8, and The Boneturner’s Tale….hm….) However, I could absolutely see him being Micheal Keay, as he gives off enough ghost vibes to pass as him (and I’m assuming that if Gerard’s dead, Micheal is as well.) Also he is not described as having a Lichtenburg figure on him so…yeah. Lastly, we have the return of THE SEX WORMS. And as happy(?) as I am to see that The Magnus Archives, a podcast developed by RustyQuill.com, that is also licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, is continuing it’s message of staying abstinent, all things considered, that was absolutely terrifying. I just LOVE the knowledge that the worms are a hive-mind and that Jane might not be the source, I LOVE THAT SO MUCH. In conclusion, I am probably going to sleep with a fire extinguisher tonight, and I am very scared for what the next 14 episodes have in store for me.

Also I guess I’ll mention Tim (the archival assistant, not the dead guy) here because why not. So far I’m getting major bastard energy from people’s descriptions of him, which means I will either love or hate him. Also I found it very funny but also kind of sad that Jon said he only trusts Tim to not prank him in Episode 11, and then he pulled a prank shortly before this statement took place.

- Episode 27, A Sturdy Lock 🔑

Statement of Paul McKenzie, regarding repeated nocturnal intrusions into his home.

Ok, after everything that happened in the last episode, it was nice to get a short and sweet one here. Well, as sweet as an episode of a horror podcast can be. Overall, this one isn’t my favorite, I thought it was a little bit under the standards of creativity for the show as a whole, but that’s obviously not saying much, as it was still pretty damn good in its own right. I think it was definitely very effective with its storytelling, and credit where credit is due, it certainly brought out my fear of weird noises in the middle of the night. And even if I can’t personally resonate with this aspect of it, I do really appreciate how it tackled the idea of mental illness at old age, and while I’d be surprised if the statement wasn’t real, considering where the show seems to be going, it did a very good job at planting seeds of doubt in my mind. But still, it was genuinely pretty crushing how Paul had no proof throughout the entire thing, along with how the cops treated him. It really did make me thing about what would have happened if he hadn’t washed the blood off his hands. It still had a creepy atmosphere, and the reveals at the end were pretty interesting, I hope they show us Marcus’ statement soon enough. Also, the aspect of loneliness in this one did remind me a lot of what happened in Episode 13, so I wonder if there’s some connection there. (Also, I love how I’m 27 episodes in and Jon is STILL roasting Gertrude’s organizational skills.) So while this one isn’t the most interesting for me, I still enjoyed it, and it was nice to have a slightly lighter one after Episode 26. I hope Sasha had a good few days off, she deserves it.

- Episode 28, Skintight 📷

Statement of Melanie King, regarding events at the abandoned Cambridge Military Hospital during filming in January 2015. Statement taken direct from subject.

WHOA THAT WAS SO GOOD!!! Ok, I feel like I should start off with my thoughts on the basic premise, as while those episode is certainly…not the most humorous in its execution, the premise itself kind of is. I don’t know why, but I just thought the idea of there being an in-universe competitor was a really fun concept that was executed perfectly here. It kind of reminds me of something like Hatchetfield and Clivesdale (I don’t know how many people reading this will understand that, but there seems to be overlap between TMA fans and Hatchetfield fans, and also like, shut up, let me indulge in my hyperfixations.) The bickering between Melanie and Jon was great, as was Melanie herself, I’d love to see her again as I think she oddly brought a lot to the world of the series. Although I will say that, while it doesn’t make me like him any less, Jon’s reluctance to buy into statements is a lot more frustrating when there’s another person in the room. I also absolutely love the fact that there’s an in-universe spooky podcast mentioned by name, like, come one, that’s genuinely hilarious. But comedic value aside, this one was definitely pretty creepy. In a similar vain to what Episode 23 was doing, the whole “young people enter creepy abandoned building to film stuff and then get genuinely scared” concept felt evocative of other classic horror stories, and the way they spun it into the context of the show was great. The atmosphere was definitely very creepy as well, as I have mentioned, hospitals creep me the fuck out. And lastly…oh my god, THE CONNECTIONS. So, I’ll start off by saying that all of the skin shit reminded me of what happened in Episode 18 (which I hope is true because I think some connections to other things would make me like that episode more). But that pales in comparison to the fact that we have stuff on THE ANGLERFISH, HOLY FUCK THE ANGLERFISH. I’m SO glad that they didn’t throw it away just because it was in the pilot episode. In retrospect, I think that the story of Episode 1 isn’t quite my favorite. It doesn’t really have to be, as I think the main draw of the episode is getting a first look at the framing device and general vibe of the entire podcast, but the stories didn’t really grab me until Episode 2, which is still one of my favorites. But MAN, this episode really made me appreciate the setup at the beginning so much more, and the knowledge that the people who walked into the alley didn’t necessarily die, meaning that all of those names could potentially come back, is SO exciting to me. In fact, when you consider that Sarah was kind of going through what looked like a possession, I wonder if The Anglerfish is a figure of worship in a cult, if that theory is to be true. (Also I have relatives that live in the same area as Sarah so…maybe I should tell them to watch out for their neighbor lmao.) So yeah, this…this show is just really freaking good.

Note: I have discovered the Leitner rant, and therefore I have achieved true enlightenment.

- Episode 29, Cheating Death ♟️

Statement of Nathaniel Thorp, regarding his own mortality.

I should start off by saying that I love the episode title for this, like, it’s not even metaphorical, the guy literally cheated in a game against death. Well, anyways, the main thing that caught me about the episode was how it absolutely blindsided me. While I was right about the soldier being the same as the statement giver, which I think was supposed to be obvious, everything else in those last six or so minutes left me with a wide-open jaw. (Also, can I just say that I love how poetic this guy just…decided to be? Like, I just love it when the statements really show of personalities with the way they’re written, and it comes with a cool framing device.) Regardless, I initially assumed that it was going in a very traditional line. Nathaniel cheats death, becomes immortal, and regrets it in modern day because he’s lived longer that he really should have. That, combined with the fact that “Death” didn’t seem like the one of the more creative horror monsters in the show so far, had me so prepared to just write this one off as one of my least favorites (once again, not like that’s saying much.) And then the twist comes and HOLY SHIT I WAS WRONG. The idea of there basically being multiple grim reapers at the hands of some unknowable power, who have to gain successors to finally die themselves is absolutely terrifying and extremely clever. I tip my hat to you Rusty Quill, you did a great job at fooling me. Kind of funny considering how this is a story about being punished for your hubris (which seems to be a recurring theme???) I have a few other small thoughts as well. Firstly, I can’t help but shake the feeling that Nathaniel Thorp was an actual revolutionary war soldier, but I can’t find anything online other than the character from this episode. Also, the fact that his fate remains unknown makes me think he’ll show up again, as it seems weird to NOT end the story with confirmation of his death, given the themes. Secondly, a lot of the…less than pleasant imagery here definitely reminded me of Piecemeal and The Boneturner’s Tale. I don’t remember the story inside that Leitner very well, but I might check just in case there’s any parallels between it and this statement. (Update: Not really.) And finally, I was just a little bit intrigued by the fact that we learn no one who was working at the institute in 1972 works there anymore. It’s probably nothing, but given the mysteries surrounding Gertrude’s death, I’m just a little suspicious, both in general, and of Elias because he’s still around. Overall this episode went hard, I’m still kind of stunned by what it pulled off.

Jane Prentiss statement…save me…save me Jane Prentiss statement…

- Episode 30, Killing Floor 🍖

Statement of David Laylow, regarding his time working at an industrial abattoir near Dalton.

You know what, Jon is right, there’s a lot of meat in this show. Not that I’m complaining, I mean, it does fuel my obsession with connecting the dots between statements. Regardless, while this isn’t among my favorite episodes so far, I still had a good time with it. The reason it’s not one of my favorites is purely personal, as I don’t do too well with animal violence. Like, as much as I do really appreciate how viscerally Jonny Sims can describe the statements, I will admit that the opening minutes describing the slaughter house made me more uneasy than the actual horror, and not in a particularly fun way, but it was overall fine. Speaking of the actual horror, that was actually pretty good. The endless hallways lined with doors that lead to precarious situations also kind of tapped into a personal fear of mine, but in a more fun and digestible way. And while the idea of “imagine humans being slaughtered like animals” is something I’ve seen many a time before, it was still much more well executed than many other interpretations of the idea (*cough cough*, peta) and there were also plenty of other interesting themes and ideas, like how the episode touched on the inherent horror of working in a job as gruesome as the killing floor, being enslaved to said job, and the idea that maybe we’re all just walking sacks of meat in the end, and nothing more. As for some other thoughts, I was definitely creeped out by Tom Han, I’m not sure whether or not he’s someone who spreads ✨the horrors✨or someone affected by ✨the horrors✨, and his sudden disappearance was certainly…odd. On top of that, it’s admittedly haunting to know that there’s still creepy stuff going on at the slaughter house, and that this isn’t something that happened to David, and only David. Overall, a pretty good episode, I don’t have much to say about it, but it was a fun time overall.

Tim…save me…save me Tim…

Well, if you’ve made it this far, thank you so much for reading! Genuinely means the world to me when there are people willing to listen to me ramble about my horrible (affectionate) interests lmao. I should have my thoughts on the final episodes of Season 1 out in due time, and while I’m sure it’s obvious, I’m absolutely hooked on this podcast. It absolutely has the potential to become one of my favorite things ever if the overarching plot becomes more involved and this is coming from someone who up until now, wasn’t all that gripped by podcasts. While I’m a little sad that I’m as late to the party as I am, then I remembered “oh yeah, I was in elementary school when this horrifying series came out”, and I’m also hopeful that I’ll be able to be around for The Magnus Protocol while it’s airing (I know it premieres in like a week but still.) Anyways, thanks for reading and hopefully you’ll be around for my thoughts on the next batch :)

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 叛逆者/The Rebel.

The Rebel is a 2021 period drama set during the 1930s and '40s as seen (mostly) from Shanghai by a patriotic young man who just keeps getting injured, ow, that poor baby.

It's a fairly realistic spy drama, by which I mean, there's not a bunch of cute costume changes or fun fake identities. Instead, this is a story about people who live entire other lives for years, keeping their true allegiances under wraps, doing what they can to help their side while sweating out what they can’t. It's way more John le Carré than Ian Fleming -- no James Bond flashiness or gizmos, all George Smiley subterfuge and paperwork. Actual spycraft is tough, kids!

Full disclaimer up front: This show is not a happy fun good time. It's a fascinating, gripping, tense piece of work about a thirteen-year period of history where a whole lot of miserable things were happening. The body count is frighteningly high. Be very careful about which characters you get attached to. Exactly one man has plot armor, so God help the rest of them.

However, if you're up for a quality drama with a serious tone that's so full of HISTORY! it's bursting at the seams, I have five reasons you should give this one a shot:

1. Starring the veins in Zhu Yilong's forehead

Do you feel like watching a beautiful man have a terrible day for 43 episodes straight?

This show is absolutely a Zhu Yilong vehicle. The rest of the cast is great (and more on them later), but he's the star -- and the show just loves to beat him up, both emotionally and physically. His character, Lin Nansheng, exists in a Murphy's-Law situation where if anything bad can happen to him, it will. If you like seeing this gorgeous gentleman in distress, this show has you covered.

Someone please care him.

2. Daddy Issues

Chen Moqun is a bad, bad man. He's a bastard in his first scene, and he's a bastard in his last. He is loyal to exactly one thing, and that is his own survival. He will ally with anyone and fuck anyone over if it means he gets to live another day.

He is also scaldingly hot in his bastardry.

Chen Moqun is the spymaster who pulls Lin Nansheng out of the regular military ranks and into the world of the intelligence services, despite Lin Nansheng's lack of experience in the field. This means that Lin Nansheng is Chen Moqun's little golden boy -- and that means Chen Moqun feels justified in making Lin Nansheng do whatever the hell he wants, and in getting all up in Lin Nansheng's business when he doesn't do it perfectly.

I know there are several of you out there whose tails just started wagging. Good, you've got it.

Alas that he is not in nearly as much of the series as his top billing suggests he would be. He's a major figure in the early arcs, but pretty soon after, Circumstances relocate him to somewhere Lin Nansheng isn't -- and because Lin Nansheng is our POV character, Chen Moqun all but vanishes from the show. He reappears later, but as a much less prominent figure. Still a self-serving bastard, though! Don't worry about that.

I like Chen Moqun as a character for a lot of reasons. He's slimy, but he's effective. He's smart, but he's not a supervillain. He's the kind of competent bastard that it's very fun to watch the good guys outwit. He kind of has to leave the narrative, because he's so sharp that much of the plot would be impossible under his supervision; he gets replaced by [spoiler], whose general incompetence makes him dangerous in a very different way, but who is so self-absorbed that he can't see when he's being played. Pulling the wool over Chen Moqun's eyes is a much nastier business.

At the same time, though, he's a coward. He'll sell out anything and anyone to save his own skin. His lack of inner conviction eventually reduces him to something pathetic, leaving him at the mercy of people he once abused, Lin Nansheng included. ...Ah, your tails are wagging harder now, I see.

Now, for those of you who are not into a Bad Daddy dynamic, may I sell you on how Lin Nansheng also has two Good Daddies?

Honestly, if this show had not been laboring under the weight of [gestures to the state of Chinese media and culture], I'm pretty sure they would have made at least one of these two Older Lifelong Bachelors textually gay. I'm just saying, throw-yourself-into-the-cause-style patriotism is a great cover for never marrying and being cagey about your entire personal life.

Also, I know their super-secret espionage meetups on park benches aren't intended to look like dudes cruising, but come on.

3. A startlingly good love story???

And I say "startlingly" because the love story comes in multiple stages, and I haaaaaate the first one. Fortunately, so does the show!

When Lin Nansheng and Zhu Yizhen start off their romance, she's a wealthy college schoolgirl (which comes off as more than a little creepy, since Tong Yao is clearly in her late thirties) and he's a TA at her school -- except she's actually a student activist working for the Communists, and he's a member of the KMT sent to seduce her and infiltrate her cell. It goes exactly as badly as you'd expect! And when it was clear it was over for good, I breathed a sigh of relief. I liked them both as individual characters, but as a romantic pairing, the amount of malicious deception involved really wasn't doing it for me, to say nothing of how I dislike teacher/student as a trope. (Also, they really have no chemistry together, but whatever, I'm used to c-drama hets by now.) Well, I thought, thank goodness all that's over and we'll never have to come back to it!

But here's the thing: They come together again later under different circumstances, and oh, that's some good stuff. She gets a haircut, he gets to be himself, and the two of them have to learn how to work together even when they can't entirely trust one another.

That amount of deception is great, because that's not lies -- it's opsec. They are both withholding colossal amounts of information from one another, and each one of them knows the other's doing it, even if they don't know what information is being withheld. They both want to know what the other person knows, but they also know that person would die before giving up their secrets.

This does lead to a number of points where you're hollering JUST TELL HIM/HER at the screen, which can get a little frustrating. But, like, you get it. They've got reasons for not sharing information, and grim little reason number one is, the bad guys can't torture out of you what you don't know.

This is not a romance drama; this is a drama that happens to have a complicated romance stitched all the way through it. Sometimes it's the main focus, but much of the time it's a side note. The two of them go years at a time without interacting. They each spend a fair amount of time believing the other is dead. When they do get to work together, they're great partners. When they're separated or at odds, they don't collapse.

I said earlier that Lin Nansheng is the POV character, which is mostly true. However, we do get a not-small amount of the story told from Zhu Yizhen's POV when he's not around, which goes a long way toward making her an actual person and not just an accessory to his story -- and that goes a long way toward making this romance something between equals, and not just a case where a nice guy feels real bad about how much he fucked over the girl he liked.

I'd say that if you're looking for a drama where the love story is a central point of interest, or for a drama without any love story at all, you'll be happier elsewhere. However, if you're a Goldilocks who enjoys a fraught love story when it's there but doesn't miss it when it's gone, this may strike a good balance for you!

This pair is also about as much as the show gets in terms of textual, onscreen romance. Howerver, there are also a number of couples in this show who have to pretend to be married, if that's a trope that does it for you. And speaking of those...

4. My Fair Lady

Lan Xinjie turned out to be maybe my favorite character in the show, which surprised the hell out of me, considering how she was introduced as a pretty throwaway character: Oh, look, a pretty and sophisticated woman at the dance hall, she can use her refined and wordly ways to make The Virgin Lin Nansheng sweat, it's great.

But then she comes back. In fact, she keeps exiting the narrative and then showing up again a couple episodes later! Her continued involvement with these spy boys keeps both ruining her life and saving it. Every time you think she's gotten out, circumstances pull her back into Lin Nansheng's catastrophe orbit, making her maybe the most tragic character in a series full of them.

Here's a thing that impressed me about the drama: Lan Xinjie is a sex worker, but the show never shits on her for that. The show presents what she's doing as negative, but mostly because she doesn't particularly enjoy doing it. She keeps doing it, though, because sometimes it's the best way for her to make money, and sometimes it's the only way for her to make money.

The thing is, Lan Xinjie herself never talks about what she's doing like it's some tragic fate. It's a job. She has to play nice with jackass men from all over the world, and she can do it because men fall all over a pretty girl like her. Whenever Lin Nansheng makes a sad face about it, she basically rolls her eyes at him. She has a very solid grasp of the way the world works, and she's going to do what she needs to do to keep herself and her loved ones alive.

Now: Lan Xinjie definitely functions in the narrative as a contrast to how Good and Pure Communist Girl-Next-Door Zhu Yizhen is. Lan Xinjie is a little too much of a Fallen Woman, so she's never going to threaten Zhu Yizhen's position as the main love interest. However, it would have been so easy to go all in on slut-shaming Lan Xinjie to make that contrast even starker, and the show does not do that. It does not judge her for her choices, in part because it understands that women like her very often doesn't have any.

On top of all of this, Zhu Zhu can act her damn face off. There are story beats that could have been melodramatic and unintentionally comic, but she sells them and makes them devastating. Arguably the best scenes in the entire show are when she and Zhu Yilong are working together, because the two of them consistently turn in stellar performances. This show is not exactly a font of subtlety (see my next point), but both of them manage to play their roles with restraint and dignity that make their moments together shine.

I won't spoil where exactly this goes, but to me, the complicated relationship between Lin Nansheng and Lan Xinjie is one of the highlights of the show. It's a lot of guilt and obligation intertwined with genuine affection, and because it can't be The Love Story, it winds up being a very fraught, intimate friendship that lasts through the best and worst parts of both of their lives.

Also, everything she wears is stunning. Marry me, Miss Lan.

5. Makes you feel real smart!

Hey, nerds! Do you like history? Because boy oh boy, is this a show about history!

It's so much a show about history, in fact, that it occasionally has to break into little documentary-style interludes, where you get to watch pictures of actual historical footage while one of the cast members narrates a small summary of what's going on with the geopolitical situation at that moment. Everyone in the main cast is fictional, but there are plenty of real names dropped all over the place. You aren't expected to know everything already, but you're definitely expected to keep up.

I will admit that I don't know the ins and outs of that historical period well enough to fact-check a lot of the particulars, so I can't swear to the accuracy of its various smaller moves. I do know enough about it to know, though, that this story is a little biased.

And by that I mean: This show is propaganda through and through. It’s all about how well the Righteous Communists did in their battle first against the Terrible Japanese, then against the Wicked KMT (the non-Communist Nationalists). Characters give stirring declarations of their principles at a rate of about one every other episode. There’s a whole scene where two dudes sit on a park bench and talk animatedly about what a great and prescient writer Mao was. Be prepared to be serenaded by a number of (what I assume are) stirring Communist anthems.

This all has zero emotional resonance to me. There were several points I could tell it was making references to events and people and speeches that are surely real historical things, but I lack most of the cultural competency that I’d need to recognize them without explanation. The climactic moment of Lin Nansheng’s joining the Communists (this is not a spoiler, you know it’s coming from the get-go) mostly seemed goofy to me, especially with the closed-fist salute that looks like you’re about to punch yourself in the head.

See what I mean?

All of which is to say: The propaganda did not bother me, because I mostly found it abstract and funny. And for heaven's sake, I'm from the US; I learned how to laugh my way through unsubtle pro-government propaganda watching Saturday morning cartoons.

However, I can imagine people closer to these cultures and events having MUCH stronger reactions. If this is you, yeah, be careful.

What's kind of sad (and by sad I mean funny) is how much the blatant Communism! Fuck Yeah! just turns the show into the "How do you do, fellow kids?" of propaganda. If it had just told the story, it honestly would have done a better job of making the Communists seem like the cool underdogs against the overpowering forces of authoritarian jackassery. But when you have someone all but turn to the camera damn near every episode to make sure you, the viewer, know how good and noble and smart its brave communist characters are, it sure spoils the effect.

I honestly don't know enough about the production team to know how accidental or intentional this was. Is it possible the drama is actually subtly lampooning these hyper-patriotic tropes? Sure, maybe! Is it possible that it actually believes this cringe with all its heart? Could be! Is it maybe neutral on matters of personal belief but playing up this version of history to get the show approved by party censors during the 100th anniversary of the founding of the CCP? Ah, yeah, that's the most likely one. Believe what you want about its motivations. Those who are inclined to be moved by its ideologies probably will be. The rest of us, probably the opposite.

All that said: I actually think it's useful and good to hear obviously biased takes on historical events, especially from unfamiliar and non-western perspectives. This is because all takes on historical events are biased, and it's dangerous and stupid to pretend they're not! Looking at how someone tells a story is as instructive as looking at the story they tell. If you go into the Rebel with that in mind, it adds a meta-layer of interest that I (a historian) find fascinating.

Ready to watch, comrade?

This one's an iQiyi exclusive -- and it's not a VIP exclusive, so if you're willing to put up with some ads, you can watch it all for free.

This is a show I'm probably never going to watch all the way through again, on account of how heavy it is. However, it is also a show I'm very glad I watched, because I find myself thinking about it a lot. Even when it's being hokey and jingoistic, it never stops being interesting. It's just a well-made drama that contains multitudes.

And, of course, one of those is this beautiful man's beautiful face.

[genderkoolaid]

I recently listened to the Jules Gill-Peterson episode of Gender Reveal. In it, she argues that the histories of transmasc and transfem people are essentially disconnected until the 80s or so, in part because transmascs migrated to rural areas and went stealth, whereas transfems moved to cities like New York and San Francisco and formed communities. (This brief summary does not do her justice, please read the transcript or listen before responding.) What do you think of her argument? Do you have any historical records that confirm, refute, or complicate it?

So generally I agree with her. Obviously this is specifically about US history, but I agree that transmascs historically have sought isolation to stay stealth where transfems have formed a lot of communities (although thats not to say there havent also been stealth transfems in history). She does bring up transmasculinity in lesbian spaces although its very brief. I kind of wish she focused on it more because I feel like acting as though trans men who lived in stealth isolation from other queers is The transmasc historical narrative erases a lot of the complex ways transmascs lived, and lesbian spaces have always been a MAJOR part of that. Drag masculinity was one way historical transmascs could engage in transmasculinity, and also took place largely in cities & drag kings absolutely interacted with drag queens, so I don't think there wasn't any places where historical transmascs & transfems shared spaces. But she's also a transfem and it makes sense that her focus is more on transfem history & its intricacies.

Honestly I think that the idea that transmascs going stealth vs transfems finding community isn't the interesting thing here. That's whatever. What's more interesting in my opinion is the questions of

Chicken or the egg (ha): do transmascs go stealth instead of forming communities because there were no communities and therefore no awareness that others existed, or was there no community because everyone went stealth?

What is the origin of this difference between transmascs and transfems? What factors influence the difference in our histories?

Listening to modern non-western transmascs talk, I've gotten the idea that part of this comes from how women in patriarchal societies have more restrictions, and often aren't allowed to go out on their own, which limits their ability to find queer spaces and connect with other transmascs. I think there might also be something to be said about the idea that cis society may tend to react to transfems with "you should be cast out" and transmascs as "you should be fixed", but that's just an idea + it's definitely not black-and-white.

Going back to the first question, I'm inclined to believe that they lack of community/awareness came first: I think part of the reason for so many trans men going stealth is because many of them weren't aware other trans men existed, so they had a mindset of "I have to find a way to survive without being outed", whereas transfems knew other transfems existed and so their first step was "find other people like me". I imagine that's also the reason for the difference between stealth trans men and lesbian trans men: maybe people who weren't aware of lesbian spaces were more likely to go stealth, and people who were aware of lesbian spaces joined them for the same reason transfems sought out other transfems. See this quote from a Korean trans man:

"[T]here is nobody that we can really call “older generation.” In Korea FTM identification and transition only began when they learned that such a thing was possible. Before they felt like they didn’t belong in their bodies. The lack of words made it impossible for them to understand what that feeling meant. FTM trans people that are older than me, those in their 40-60s, understood their situation late. Most of them had lived their lives as lesbians until the 1990s. When the Internet started providing information, only after this began, they understood who they were and started treatment."

That's also why the transmasc community only really started after transmascs started getting widespread attention (coinciding with the rise of the Internet as well), because suddenly younger transmascs weren't either becoming butches or going stealth- they knew others existed and wanted to find them. (As a side note: I got the idea for a historical fiction story exploring the idea of some kind of "transmasc secret society", because I'm sure there was some point in history where at least a few guys found each other).

I think its important to ask these questions lest we fall into the trap of "transmascs just love their male privilege and want to preserve it and have never done anything for the trans community, unlike transfems, who are the real trans people". That ignores how transandrophobia has shaped the behavior of transmascs.

I do have another criticism: maybe she's doing this on purpose, but I feel like its extremely oversimplifying the history of how people treated crossdressing women to say that it was seen as just a cool thing. There was definitely a different attitude to the idea of women crossdressing for survival, but (and this might be kind of nit-picky but its something that gets on my nerves so humor me):

If you weren't crossdressing for survival, that was a problem. I am of the opinion that a good amount of women/"women" who would make this argument when they got caught crossdressing were doing so because "'I'm doing it to survive!" would probably get you some sympathy, but "I'm doing this cause I like it!" would get you. you know. jailed for crossdressing & labeled an invert. And there is an expectation there that, if you no longer need to do that to survive, you would stop doing it, and to insist on continuing to do that would, again, get you labeled an invert.

I just in general really really dislike hearing people say "well the patriarchy wants everyone to be a man" because No It Does Not. its similar to that post that goes "bi women are told they should be lesbians and lesbians are told they should be bi but the actual goal is for there to be no queer women at all". Cis women might be told they would be worth more if they were men, but thats another case of generalized "man" being used to erase cisness. Cis women need to be cis women (and therefore wives & mothers), thats why women/"women" are so heavily controlled. You may have cases of "father wanted a boy so he makes his daughter live as a son" but that has always been seen as abnormal or even cruel. The idea of invert women and women who crossdress as man because of their ~evil sinful desires~ is not new (One scientist estimated "that one woman in every 3,000 is the victim of this strange mania")

I think crossdressing women historically were reported on with a sense of awe partially because I think a lot of people didn't realize how easy it is to pass and so the idea of a man being secretly a woman, or vice versa, was something unbelievable (a lot of old news articles about these people I've read spent a lot of time focusing on how no one could tell and being shocked at them voting & marrying women). Also because a lot of them were only outed in death so there wasn't a living person to confront or arrest. But I think we should hesitate to take news reports that saw them as some interesting headline to mean "people thought they were cool and treated them well" (especially in situations where we only have stuff like headlines & we may not know exactly how people felt about the person). Looking through my hoard of historical trans men resources, you have stories like Augustus Baudouin, a 17 year old who was outed after being put in prison for robbery. After being placed in the women's ward, his "repugnance to appear in women's attire" was so great that he hung himself. Even if the headline called him "extraordinary", being outed ended with him dead (in a way that grimly mirrors transmasc suicide deaths today). Christine Vensettie was also arrested so he could be forced to get "treatment" for his crossdressing. Edward De Lacy Evans's story shows a bit of what "treatment" can mean (namely, medical abuse & sexual assault) and was literally put in a freak show.

This isn't to say that the violence and repulsion Western society has long held towards transfems isn't bad or anything, just that I feel like portraying the history of society's reaction to female crossdressers like this ignores a lot of complexity. Also "the patriarchy wants women to be men" is like the #1 TERF belief when it comes to trans men, so I'm always on edge whenever anyone says it or something like it because it contributes to the belief that society really is trying to influence young girls to transition. I think people, when talking about passing trans men, always focus a lot on what happens when we pass and talk far less about the consequences when we don't.

Anyways this got much longer than I initially planned lmao. In general I agree with her, she obviously knows a lot and I'm also sure this was just a snippet of her beliefs on this topic. In my opinion one of the big questions about transmasculinity to work through is that of our history, because its so easy to compare it to transfems and see how little there is in comparison. And I think, besides just wanting to know more about our history, its important to investigate this to understand more about how transandrophobia works. Erasure is one of the biggest parts of transandrophobia and exploring why our existence has been erased in the past, and how that erasure has impacted our lives, will help us fight erasure today and in the future. So I hope to see more people going past just "transmascs tended to go stealth" and examine the factors which influenced this & why, across the world, transmascs tend to be erased and isolated while transfems tend to have communities and specific terms.

[zeldahime]

I did math on David Tennant's hands (so you don't have to)

EDITED WITH MORE ACCURATE PHONE INFORMATION AND A DIFFERENT CONCLUSION.

I swear all I wanted to know was what kind of phone Crowley has in season 1.

See, I have an iPhone, and one of my gigs shares a building with an Apple Store. I was taking a screenshot of his contact picture for Aziraphale, and noticed that the camera on the back of his phone is laid out horizontal. Most iPhones aren't! So, I fell into this rabbit hole: what phone does Anthony J. Crowley have?

(The bit where you can see the cameras, immediately before the cool heart-in-flames picture he has for Aziraphale's contact, is basically impossible to screenshot; the phone moves very fast and reflects the environment. But his contact photo for his angel is so neat and I love it ❤️‍🔥)

I figured out very quickly the only iPhone with that camera layout is the iPhone SE series, but there have been only three generations: 2016, 2020, and 2023. Season 1 of Good Omens was released in 2019. The iPhone SE first generation was also Apple's "budget" phone. It just didn't make sense to me that Crowley would have an old budget phone, but the new SE wasn't commercially available so it also didn't make sense to me that the prop department could have given him a new phone.

The main visual differences between gen 1 and gen 2 are threefold: gen 1 didn't come in black; gen 2 has slightly more beveling; and they are different sizes. The first two visual differences are basically meaningless, because it's trivial for a props department to turn a white phone black and the beveling difference only is obvious in comparison. So I had to figure out what size Crowley's phone was.

We see Crowley's phone in s1e4 and s1e5, but the only thing in its environment we can really measure to get an accurate read on its size is... Well. David Tennant.

More specifically, we get a fairly good shot of the phone in his hands, held level with the screen, and thumb easily available to use as a reference.

But if anyone has done David Tennant Hand Math before, they weren't on page 1 of Google and therefore may as well not exist. So I took up this quest myself.

So first, I had to find a picture of David Tennant holding something of known dimensions. I am, first and foremost, a Doctor Who nerd. There's only one answer to that.

Another Doctor Who nerd on the internet went and figured out 10th Doctor's sonic screwdriver was about 160 mm and the head of the sonic from tip to the joint with the middle section was about 40 mm.

I then got out my actual goddamn fabric tape and measured this man's fingers on my computer screen. After converting the measurements back to scale, first to second knuckle on his middle finger was 54.55 mm.

Then to figure out how long his thumb is, I needed a photo of his hands. This one is courtesy of the GO Reference Server:

His thumb came out to being approximately 68mm long. (My thumb came out to 55mm long. Not relevant, I just got curious while I was doing all this measuring.)

Finally, the data necessary to the main event: the goddamn phone.

Using the thumb as a reference, the phone came out to 136mm in length.

The iPhone SE Gen 1 was 123.8 mm long; the Gen 2 was 138.4 mm long.

Given that I rounded quite a bit during my calculations to keep things at 2 digits or less, I'm very comfortable saying: Crowley had an iPhone SE (second generation) during the events of Good Omens Season 1, a phone that would not become commercially available until April 2020.

I don't know how the props people got their hands a phone that wouldn't be released for a full year and change after filming, but they did that for us. It's a character note that practically nobody noticed, for a prop that gets barely a full minute of screentime. They could easily have used an iPhone XR or iPhone XS Max, which were the newest iPhones actually on the market at that time and which people would have recognized when the episode aired, but they knew Crowley would have the newest iPhone before anybody else had the newest iPhone and by Jove, he did.

After I posted this in Discord, @giveintomay pointed out that the iPhone SE second generation used the same build as the iPhones 7 and 8, which came out in 2016 and 2017 respectively. So, he most likely had an iPhone 8, which would have been the latest generation while filming (as generation 10 became commercially available over the summer and fall).

[sn33z3s]

in defense of “if you weren’t a fucking asshole”

(what better time to write “meta” than hours before a season premiere. after all, style is dead. or was it that it’s just boring? no, wait, it’s toxic??)

this doesn’t have a thesis, it’s just some leftover thoughts from last year - mostly pertaining The Church Scene, because of course - and featuring some hot stan marsh characterization takes i guess

let’s start with the gay glancing at your ex-childhood best friend

so, this framing is loaded because it's the narrative of their whole thing: kyle chasing stan. stan usually comes to kyle's rescue in absurd (but solvable) situations, whereas kyle often has to fight stan to provide emotional respite. they're thinking of each other here; it's distinct how stan looks back, rather than this shot cutting at kyle. stan's explosive reaction is still pretty presumptuous, but kyle was, even if unintentionally, asking for stan's attention - which is typical

in a sense, this scene is their wordless language; the kind you share with said ex-best friend but it’s gotten worn from overuse, and as a result, you’re both communicatively stunted, so now that you’ve reached out again after 40 years, the first step to any comfort or solace is [the scene above] and a homoerotic spectacle:

well, i don’t need to tell you what that public spectacle is; you already know

stan leads his paranoid outburst in the church by accusing kyle of knowing something which would be impossible for kyle to know; in You’re Getting Old/Assburgers kyle also reaches out to stan, who turns him down, yet still asks that kyle basically read his mind and comfort him

kyle is not a stranger to demanding unrealistic things from stan as well, but kyle calling stan “asshole” packs that punch since contemporarily the fandom usually assumes stan as more emotionally forward or in-touch with himself. however, in the church, kyle is pointing out that stan is clearly repressing his feelings, desires, traumas, etc. and kyle has used a similar approach before:

in my last meta, i wrote about how stan is pretty firm in not instantly accepting kyle's olive branches. of course, the thing is, kyle's olive branches are bent sometimes, let alone how he approaches asking for stan's forgiveness before the broship splits. kyle doesn't apologize: he just expects stan to move on

(also, i love the "divorced couple" coding before we even reach Post-COVID.) anyway, the show clearly acknowledges stan as "agreeing with kyle no matter what," and the first time stan and kyle fight in canon, it’s a big deal

i always return to how i don't see kyle or stan as at fault in most of, if not all, of their fights. this especially applies to YGO & Assburgers since it's one of their most significant “break-up” arcs. still... kyle's "if you weren't a fucking asshole" in the church scene is so satisfying. (and 100% excellent voice acting on matt stone's part; the punchy delivery at the end of that line is what makes me revisit it often.) when i put my tin foil hat on, it does sound like decades of resentment built up. if this post had to have a thesis, it’d be, “here’s why kyle had every right to call stan an asshole in that moment,” but the Stan Can Be an Asshole, Too meta is for another day. after all, my last meta also revolved around the trouble i have with framing stan as an exclusively passive character (rather than predominantly passive) 

by “decades of resentment,” i mean simmering for kyle since, you guessed it, episodes such as You're Getting Old and Assburgers. i talk about YGO & Assburgers a lot, i'm sorry. but i was thinking about the church scene as i browsed the south park wiki on the official site: "Kyle can only deal with so much of Stan's negativity." (obviously, matt and trey themselves do not write or even moderate the Comedy Central studios wiki, so take all of it with a grain of salt.) i like that wording, though, and this other part of the blurb too: "Stan's ego can get in the way of their friendship [referencing Guitar Queer-o]" 

kyle not being able to handle stan’s negativity these days is more often harshly critiqued than anything about stan’s ego. that detail does, in many forms, relate to the stan jock characterization discourse, but that’ll also have to wait for another meta. i can say a couple of things about it to tie up this post, though 

yes, kyle fails to comfort stan in the YGO arc. at the same time, i don't think his positivity is always maligned. after all, the YGO arc isn't stan vs kyle, it's stan and kyle vs. growing up; this is their contemporary theme. and yes, for a kid, kyle can have that emotional maturity

Tegridy Farms and Post-COVID have cemented stan as south park’s protagonist – though, in my opinion, he always has been it, especially since Bigger, Longer, & Uncut – and protagonists are like, the character archetype that receives the most self-projection. yet this emotional angle is comparatively still a fairly new framing of stan’s character. now that this show is narrated in such a way that we see even more of the world of south park through stan’s eyes, fans watching may feel extra inclined to think of him as only ever depressed. but being sad is not all stan does and never has been

not only is this frequency fairly new to his character, i would go so far as to say that there’s a difference between the contemporary stan angst arcs and older episodes like Raisins, YGO, and Assburgers. being sad is not “natural” to stan (whatever that means), it is thrust upon him. most recently, this is randy’s fault. yes, we are meant to - and i hope that most do - sympathize or empathize with stan, but my point here is that he’s a little bit more belligerent and bullish than the fandom currently gives him credit for

[3nigm4art]

An informal essay/rant on Samurai Jack S5

I love Samurai Jack, for the most part. But my biggest gripe is how season 5 turned out.

Despite the artistic achievement of season 5, the main issue was how rushed it was. With only 10 episodes and still having to deal with the 50-year time skip, many characters feel underdeveloped.

Take Jack as an example. Jack's change was the most drastic yet resolved the quickest. 50 years of a battle with no end in sight is incomprehensible to a normal person, and winning seems impossible at this point for Jack. Understandably, depression, guilt and anxiety have taken over Jack, especially after he lost his magic sword. The voices in his head and the vision of the phantom samurai are evidence of his mental decay. But as a mental health struggler of many years, it feels like Jack's mental struggle should have been way past that stage. Though it should be said that everyone experiences these mental health struggles differently, it just felt less realistic as Jack's descent was not documented well enough. Depending on when his descent started, it could have very different results. Many things could happen in 50 years that would affect a person's outlook in life. It could be total despair: Jack finds no way of continuing and believes that he has completely failed. It could be dutifully depressed: Jack no longer considers himself righteous but still carries on out of habit. It could be blind optimism: despite losing the magic sword, Jack thinks, "Hey, I have fought for 40+ years. I could still do this!" Are these outcomes sound? No! Because there is no development for Jack to prove that they are sound. It also doesn't help that Jack's characterisation is so consistent in the first 4 seasons that jumping from level 1 to 100 in depression for Jack seems improbable and leaves the audience to imagine what happened. After all, depression and anxiety often do not originate from a singular event and build up gradually. Sure, I can buy that Jack is depressed, but I cannot buy that it can be resolved within 7 episodes, with half of that time occupied by Ashi's arc.

Speaking of Ashi's arc, her arc demanded the most time yet is the most unrefined. Her character has simply bitten off more than it could chew for 10 episodes. Within season 5, she went from being a daughter of Aku to an ally of Jack to Jack's lover. Each of these changes can be at least 10 episodes on its own. Especially when she has to undo 20+ years of conditioning, and completely acknowledging that she is on the wrong side of the war is bound to take a toll on her perception of reality. Yet it was resolved as quickly as 6 episodes, thanks to finding out, "Wow, Jack is actually a good guy and helped so many people!" This part of the arc was resolved because of Jack. So naturally, she becomes Jack's ally and then becomes Jack's lover. There is a terrifying idea that lurks in Ashi as one comes to realise that her entire personality revolves around Jack. In other words, if you remove Jack from Ashi's life, she becomes nothing. It is also deeply worrying that Ashi lacks emotional maturity and development as she "falls in love" with a man she has only met for maybe a week (not to say Jack is not also immature here). Her lack of independent development makes her character flimsy and frankly disturbing. She is literally made to become Jack's love interest. There is some irony in one of her final lines in the show; she says, "Without Aku, I would have never existed" when on a meta-fictional level, she would not have existed without Jack.

Character development is crucial in crafting the themes of a story. The above tackled the lack of character development leading to weak characters, but there is one thing that will determine the legacy of the story, the ending. Though it is often commented how Samurai Jack's ending was unfulfilling, it is not true that unfulfilling endings are bad. (Minor spoilers for True Detective season 1) True Detective season 1 did not end in a fulfilling manner, as it did not resolve all of the mysteries it brought up. That wasn't a huge issue as it complied with the genre of strange fiction and the theme of the world being a strange and inexplicable place that evokes more mysteries than it explains. Samurai Jack's ending and, thus, the conclusion to Jack's arc promotes the idea that overcoming one's weakness, sacrificing for the greater good, and bringing justice will not bring you the happiness you deserve... Which does not make sense relative to Jack's character development and characterisation. Jack is often characterised as a selfless hero and a bringer of hope. And the people benefit greatly from his aid. The only person who often does not benefit from this is Jack himself, who often forsakes his opportunity to return to the past in favour of saving the people in need. The show promises that Jack will find peace and happiness when he fulfils his destiny of defeating Aku. And with the classic hero's journey-type story Samurai Jack has, the show rips it apart at the very last moment, with no warning whatsoever. It wasn't a comment on the genre, as it did not deepen its themes. If one wants to turn Samurai Jack into a "we don't always get what we deserve" (please don't) story, then make fate truly cruel and unkind and provide Jack with no divine help in the story. Again, with the irony of Jack's tea being unbalanced, the show is unbalanced, too, as it rewards a suffering protagonist with more sadness and suffering at the end of his story.

Despite what this blog is about (it's art, by the way), art and aesthetics are not everything. Samurai Jack as a whole is beautiful aesthetically, but the rushed story and an unfulfilling legacy feel like a shame. Characters did not have the time to grow in complexity or realism, which made the audience feel disconnected from the characters. I wished I could see Ashi grow and develop into something more than "Jack's love interest". Or they could even develop into something that is not romantic, such as a mentor and apprentice story, which could be as, if not more, interesting. Having more refined characters creates a more refined theme that, if done right, can stir the right emotions in the audience that impact them for a lifetime.

Samurai Jack season 5 had a lot of potential but just couldn't deliver.