#this one is a long one lmao but its interesting (to me at least) and very important to her character uwu | Explore Tumblr posts and blogs

macabr3-barbi3 · 8 months ago

Text

CTRL ALT DELETE- Task Manager (Vox/Reader)

Something's up with Vox and you offer to help troubleshoot- it both does and does not go how you're expecting it to.

https://archiveofourown.org/works/54688282

The least serious thing I've ever written: inspired by the time i started a timer in class one day to see how long my teacher talked about her son instead of teaching us; i ended up realizing 4 months later that i never stopped the timer and it was just running in the background and making my shit slow that entire time lmao there's a screenshot in the ao3 notes

Tags: Stress Relief, Sexual Tension, Chair Sex, Vaginal Fingering, Begging, Computers. Dirty Talk, very basic knowledge of computers

<3<3<3<3<3<3

Your new boss seemed stressed.

Not in the usual way that he was stressed, either- the note from the assistant you had replaced was that usually when Vox was having an off day he would call for Valentino or have you pull a list of low earners for the month, banishing you from the room in either case. But he hadn’t spent any time with Val in months, basically the entire time that you’d been working with him as a personal assistant after getting promoted from a stage grunt for the news channel.

You had thought for a bit that he might make a move- that maybe that was why he promoted you, that he was charmed enough by you to end the on/off thing he had going on with Val, which made sense based on the timing. But when you tested that theory recently- made double entendres, brushed your hands against his arms or leg or back, blatantly invited him out for dinner and drinks- he didn’t seem interested. He declined your invite, allowed you to touch him without being overcome with lust, and the sex jokes just seemed to go whoosh.

Right over his head.

He was on edge and twitchy. He took longer to respond to things than he normally did, his processors slow, occasionally getting a ‘buffering’ message that flashed across his screen when someone asked a question. His hypnotic eye seemed to be suffering as well, the swirls having slowed down now to the point that they were no more mesmerizing than watching paint dry. It was frustrating and enraging him, and in turn frustrating you- he was fucking hot when he was angry, which didn’t help your attraction to him that he was ignoring.

He was sitting at his desk in the control room when you entered, head in his hands as he stared at a piece of paper on his desk. The monitors were all lit behind him, showing recorded footage of the Tower throughout the day- you spotted a short recording of yourself talking to some of the marketing team a few hours ago. Like a Valentino caricature he read the paper, blinked his eyes a couple times, read it again. Picked it up and pulled it closer to his face like that would help, and his screen scrolled the words along the bottom like his internal system was trying to transcribe it so something he could understand. He finally dropped the paper with a groan, letting it flutter to the floor where it slipped under his chair and stopped just before you.

“Are you okay, sir?” The question is out before you can stop it, and as was the normal recently it took a few minutes for him to answer.

“I don’t know what’s wrong with me,” he muttered, swiveling around to look at you. He clutched the sides of his screen, eyes narrowed and mouth delayed in its movements as he spoke. “I feel like I can’t focus on anything. I can’t process anything. My- just, fucking everything is slow and useless in my head right now! How am I supposed to be a master media manipulator when I can’t fucking concentrate for more than two minutes at a time?”

“You have seemed more… stressed than usual,” you agree. “Are none of your usual relaxing activities helping? Or have you done any troubleshooting?”

He raises an eyebrow. “Pardon?”

“Troubleshooting,” you say again, and at his blank stare you chuckle a little. “You know, doing a couple ‘quick fix’ things to see if that’s what’s causing the problem. Do you have like, a cache or something that you have to clear? An archive dump to get rid of old files?” You let your eyes track his body from top to bottom. “I’m not super familiar with how your… anatomy works?”

God, but you wanted to be.

He blinks a couple times. “I think I used to have someone that did that for me,” he says. “Years ago. I fired them because it didn’t seem necessary, I was running perfectly fine.”

“Yeah, well, that might be what the problem is.” You offer him a soft smile. “Sometimes stuff will work in sub-optimal conditions for a while before it starts causing issues. I used to do programming customer support when I was alive- it’s been a while but I could take a look if you want?”

His mouth twists in a frown. “I guess so,” he agrees. “I’m desperate enough to try anything. I need to be able to fucking concentrate if the Vees are gonna stay on top, everyone fucking knows that Val is hopeless with the business aspect of everything.” He gets the buffering symbol on his screen for a few seconds, groaning and shaking his head as he clears. “What do you need access to?”

“Do you have a way to access your… system? Externally,” you clarify. “I’m not a surgeon- I don’t plan on cutting into you to get to anything.”

Vox gestures behind him. “I can hook up to the monitors,” he says, “but we’ll have to be pretty close, doll. I have to be sitting here to be hooked up, and since this is the only chair, looks like this will have to be your seat.” He pats a hand on his thighs, not so much an invitation as a statement.

You fucking wished. You know this isn’t him trying to initiate anything though- you’d been trying for long enough that you’re ready to give it up and just accept that your hot, overlord boss didn’t want to fuck you. Helping him out felt more important than that anyway, so you would do your best.

“You got it,” you say, and cross the remaining space to perch yourself gracefully on his lap. You push the inappropriate thoughts about how firm his muscles are underneath you- how exactly did this man’s body work? Was it really just his head that was not organic matter?- and let him rotate the chair back to face the monitors.

The sight is intimidating, as is the position- you’re surrounded by reflections of yourself from every angle, Vox’s lithe frame seated behind you. This is where he does most of his business, the background site of everything that VoxTec handles. And he’s trusting you to help him fix whatever is wrong with him so he can get back to handling all of that, free of distraction.

You watch as thick wires come up from the floor to plug into the back of his head, the sharp hiss making you wonder if it was painful or intrusive. You won’t ask though, not when you’re getting ready to try to restore him to his usual ruthless self; he might consider that to be prying.

He pulls something up on the main monitor, the one that sits directly across from you, and waves a hand to it. A little keyboard and mouse emerge from the desk as the monitor powers on, and when you glance back you can see the same thing reflected on his face. “Have at it,” you hear him say, even though you can’t see his mouth moving.

Ignoring his open programs for the time being in case he needs any of them, the first thing you do is go in and clear his archived files. He’s got entire terabytes of useless information; employee records for people that have been dead or fired for decades; funny videos that he saved; resources for old news stories that are no longer relevant. Some of it you help him upload to a cloud server- after explaining to him what a cloud server is- and create files to designate for actual important shit.

You find the internal browser that he uses to pull information on the fly and help him clear the cache and cookies.

You help him sort security footage from Vee Tower and get rid of stuff that wasn’t actually necessary, like the short bits of static and dead air that happened whenever he used the cameras to teleport around the building. Everything that he has saved about mentions of that fucking radio demon also goes into the garbage. There are some files you can’t access, things like his memories and day to day recordings of conversations and things that he personally is part of.

You delete what you can and empty the recycling bin.

As the process has gone on, Vox has relaxed more and more behind you. “I still don’t feel completely back to normal,” he murmurs, “but this is already loads better. It’s like a massage directly on my brain. You know, if I still physically had one.”

You hit the keys to open his task manager- CTRL ALT DELETE. “Unholy fuck- Jesus, sir, if you thought that was good this is gonna feel orgasmic,” you say absently, scrolling through the opens apps and programs that he has running. Has this man ever closed anything? You hadn’t realized a person or device could even have so many things going at once. “Do you just leave everything open in the background?”

He peers around your shoulder, bracing his hands on your hips as he sits up a little straighter. The movement causes your stomach to drop, arousal threatening to make itself known, but you push the notion down as he sets his hands back on the arms of the chair. “I guess so?” He watches you scroll through the extensive list. “I guess it just never occurred to me to close them. Opening the programs to use is just like my stream of consciousness I suppose.”

“Kay, well, that’s stopping now.” You click on the first item on the list- VoxtaGram. “I recommend closing non-essential stuff out at least once a month. More, if you have the time to go through everything. For now, just in case, there is something important we’re gonna go through some of the more recently opened things, set them up to open automatically when you start up, before we reboot your system- wait, can we reboot your system entirely without killing you?”

“No worries there, dear. I can, I just haven’t done it in years because it can take a while to start back up afterwards.” He sneers at the social media page. “You can close that shit. Any of Velvette’s crap she can handle on her own. Same with any of the fucking games that Val loads up when he’s bored- can I delete those entirely? Or block them? Fucking moth and his blue-light addiction…”

You get through a lot of the list, Vox kind of dozing off and only passively participating in the process. You’ve got the gist of it; things like his news sources, contacts list and phone, and the notes app are staying open and set to automatically launch when he does reboot and start back up. Pretty much everything else is closed out, things he pulled up for two seconds weeks ago to check on something or another before abandoning it. You’re making excellent progress when the next thing on the list gives you pause.

“Vox? Why is this- oh my god.” You can’t help it- you start laughing, throwing your head back to rest on his shoulder as you look at what’s now displayed on the screen.

A stopwatch had apparently been started and never stopped. The elapsed time was over three thousand hours, which came out to something like four months if your mental math was correct. He had had this running constantly in the background since you had started working for him, possibly even before. “I think I found the problem,” you chuckled, and his eyes were narrowed as he looked at the timer continuing to tick. “What is this?”

“What the actual fuck?” He buffers for a second- and you’re pleased to note that it’s already much faster than it has been lately- before you hear a dinging sound coming from him. ‘Fucking Hell, I should have known this was all Valentino’s fault.” He drags a clawed hand down his screen in an imitation of a facepalm. “I was timing him. He was fucking ranting about Angel Dust again while we were in a strategy meeting with Velvette- I had the stopwatch going to see how much of the hour session he wasted talking about that whore. I must have forgotten to turn it off.” He barks out a laugh, throwing his head back with the force of it while you look at him with amusement. “I’m gonna owe you big time for this, doll, you’re a lifesaver.”

You close the app out with a smile. “Just trying to help,” you say. “I think that was probably the worst of it- do you want to just try rebooting now?”

He lets out a groan when the app closes, and the sound shoots through your body straight to your core. “Go for it, hun,” he says, eyes closed as he leans back against the chair. “I think I’m good to go now, but it can’t hurt. You were right, sorting this shit out feeling fucking good.”

You’re suddenly very aware of the dampness of your panties as you bypass ‘kinda horny’ straight to ‘fuck me on this desk.’ You scold yourself mentally: Don’t jump your boss. He’s trusting you to help him right now- do not take advantage of that. Do not ride his leg like you very clearly want to because his voice is fucking hot. Fucking focus.

You clear your throat, closing out the task manager and hitting the button to restart him. “See you in a bit, sir.”

You stay seated on his lap just in case- he might still have something he wants you to do when he comes back online, some settings you could apply to close out things that are used for more than a week or so. It’s definitely not because you like the feeling of his strong thigh underneath you, tantalizingly close to your cunt if you, by chance, decided to tilt your hips forward and start grinding down on him.

After just a few minutes get a message on the main monitor telling you to wait a moment- things start popping up on the other screens surrounding the central one, and it takes you a moment to recognize the pattern.

Its all videos of you- shot from Vox’s perspective, and a mortifying blush takes over your face. They’re all the moments that you had tried coming onto him. The innuendos and subtle entendres, the times that you touched him, pressed yourself against him in a tight space despite having another way to get to the copy machine, when you had invited him out for dinner. There’s also videos where he had just been watching you, apparently, taken from a distance as you spoke with Velvette or passed instructions along to a member of the team or discreetly tried to hide behind a vending machine when you noticed Val coming into a room.

There’s a satisfied grumble behind you, and before you can turn to look at him Vox has settled his claws onto either side of your waist and shifted you over a bit, to rest directly on the erection straining his pants.

Which is a surprise, albeit a pleasant one.

“Thanks for the reset, doll,” he says, and his voice is a quiet growl as he lets his hands wander from your waist to your hips and back again, claw tipped fingers catching on the fabric. “I got a chance to look at some files while I was under and found quite the treat in your logs.”

This could either be very bad or very, very good. “Sir-”

“You know, I’m usually pretty good at picking up what a woman is putting down. Imagine my surprise when I realize you’ve been coming onto me for weeks and my shit was so fucked up and bogged down that I didn’t even notice. Like that?” He uses one hand to point to a screen in the far left of the central monitor, while he snaked his other hand down to rest on your thigh, his hand large enough to encompass the muscle at the edge of your skirt. On the screen, you had come to his office to drop off meeting notes for something you attended on his behalf. You had dropped the stack as you came around his side of the desk, and got down fully on your knees to pick them up, glancing up at him through your lashes. You blush watching it now- it had seemed obvious to you even then, but watching it now, the way that Vox had seen it? When he didn’t say anything about you being face level with his prick you had used a hand on his thigh to brace yourself to stand up, letting your fingers run along the inner seam of his trousers when you rose back to standing. Still no reaction, and you had left his office equal parts turned on and irritated with yourself. Him not having acted on it had been the final nail in the coffin cementing the fact that he was not interested in the slightest.

You let out a weak exhale as the Vox sitting under you gets his other hand in the same position as the first, using his grip to ever so slightly spread your legs on his lap. He lets his fingers skim your inner thighs and you shake with the effort of not begging him to just touch you. This was delicious, agonizing torture.

“Had I been in my right mind for that display, baby, I would have fucking ṛ̣̬̫̍͌ͩ͟ụ̴̴̾̀͟͡i̧̻̻͉̜͑ͪ̾͟n̫̫̘̗͕̲̲̎ͥḛ̡̰̳͓̥ͬ͋ͪͧd̶̵̯̯̼̘ͨ̓ y͙͙̪̰ͫ͌́o͙͙̙̘̙ͤͫ͞ụ̴̴̾̀͟͡.” His voice crackles and glitches on the last words, and the sound of it forces a moan from your throat as you let your head fall back. You clutch your hands to the arms of the chair as his tongue- and who even really knew he had a tongue, what the fuck?- licks down the side of your jaw and at your exposed neck. “I would have had you choking on my cock before getting a taste of that sweet cunt and fucking you into the desk for hours.”

One hand finally slips under the edge of your skirt and you shiver when his fingers make contact with your soaked core. “Is that what you want now, babygirl? You want me to give you my cock as thanks for helping to set me straight? To make up for lost time?” He slides a finger under the thin material of your panties, groaning in your ear at how slick he finds you. “That’s what I want, doll. I want you to ride me so hard you go stupid with the feeling, and you never feel whole without some part of me in your cunt for the rest of for-fucking- ḛ̡̰̳͓̥ͬ͋ͪͧv̹̹̘̼̞̻͆ͩ̓ͪ͢ḛ̡̰̳͓̥ͬ͋ͪͧṛ̣̬̫̍͌ͩ͟.”

“Fuck, please,” you gasp out, the word devolving into a cry as Vox finally slides a finger into you, mindful of the claws as he pushes in and quickly follows the first with a second. He uses his free hand to hold your hips still as you try to grind into his digits, keeps you held firmly against his erection as you squirm in pleasure.

His sharp fingertips angle to prod gently at a spot inside of you that has you seeing stars; your eyes are clenched shut as you ride the feeling, so close to the edge you feel like you’re going to implode with the force of it when you finally tip over. “Fuck, sir, please, so c-close,” you mumble, and his tongue is back to licking at whatever parts of your skin it can reach.

“You wanna come like this, sweetheart?” The main monitor in front of you glitches out, and when it comes back into focus you see yourself on the screen- like a mirror, you’re reflected, and you can see Vox’s grinning face behind you. Your skin is flushed, sweat dripping down your face, the hint of tears along your lashline as your mouth drops open when he adds a third finger. “Look fuckin’ beautiful, baby, you were made for this- maybe we give Valentino a call, he could-”

“No!” You release the arms of the chair to grab onto his wrists where his hands meet your body. “No one- no one but you, sir. Vox, please, l- let me come. Please?” You let a little whine into your voice, and you can see the way his mouth goes lax and his eyes laser-focus on where you’re grabbing at his hands.

“I didn’t mean to join us, dollface, just to record- but you’re right, you’re right.” He pulls his fingers from your pussy, slicing the center of your panties in the process before he brings his digits to his mouth- you watch on the screen as he curls his tongue around each one, licks the flavor of you from his skin and glitches out at the taste. “How could I possibly share such a fucking vision with anyone else?

He shifts you to one side so he can get his dick out, and the sight of it in the monitor, his own arousal beading at the top and rock hard, has you whimpering before it’s even inside of you. He carried himself like a man with a big cock, but Christ.

“Hope you like what you see, hun, cause it’s all yours.” He scoots forward in the seat, tilts his hips forward for the right angle, and moves you back into your previous position with ease- this time, the tip of him is pushing inside you, and you watch in the monitor as you sink inch by glorious inch onto him.

Once you’re fully seated, Vox seems to lose capability for rational thought. “Fuck me, you’re perfect,” he moans, bracing his feet more firmly on the ground to thrust up into you, getting a firm grasp on your hips to pull you down into it. The result is a beautiful stab at that sweet spot inside of you that makes you clench and cry out, watching Vox’s hypnotic eye start spiraling at its normal speed on the screen, and you can see backwards scrolling text of his stream of thoughts- a bunch of nonsensical letters and cuss words interspersed with your name. “I want to fucking- chain you to my desk so I can have this perfect pussy whenever I want it. Fuck, I can’t believe we- we could have been doing this for weeks.” He punctuates his sentence with a hard thrust.

“A-all the more reason to regularly clear your task manager, sir,” you say, so caught up in the feeling of him railing you from below that you can hardly believe you formed a coherent thought. He feels so fucking good and you’re a hair trigger away from collapsing and wringing him for all he’s got.

With one quick movement he’s shifted, and there’s a hand on your throat arching you backwards at the same time that he gets a couple clawed fingers rubbing at your clit. The shock of the combination makes you flutter around his length, a choked noise escaping your throat before he tightens his grip- not enough to really cut off your air supply, but enough that your brain starts going soft and mushy and the vice grip your cunt has on his cock gets impossibly tighter. You can see the shine of your slick arousal coating him every time he pulls out to rut back into you, and the sights and sounds are threatening to rip you into the chasm of ecstasy that you’re flirting with.

“Vox,” you whine, “please, I’m so fucking- please please please-“

“Christ, babygirl, whatever you fucking want.” His eyes are wide and frantic as they watch the place you’re joined, his mouth set in a snarl as he fucks into your pliant body. The cry you release is nothing short of agonized- it’s so fucking close you can taste it, nearly overwhelmed with the tension.

“You wanna fucking cum on my cock? Do it, angel, let me see it- come on, baby, cum for me-“

Your walls clench down hard as you reach your orgasm, Vox’s grip on your throat making your vision and mind go fuzzy with the force of it as you choke on a moan that tries to escape your tensed muscles. You’re distantly aware of Vox thrusting hard into you, more praise and curses falling from his lips as he hits his peak as well, pressing his screen to the side of your face when he relinquishes his handle on your throat to clutch at your hips and grind into your cunt as he spills inside of you. The aftershocks of your release leave you twitching, milking his cock of everything he has to offer before he collapses into the chair behind you, a boneless pile of a man now simply running his hands over any bit of skin he could reach.

It’s truly a testament to how helpful the reset and reboot had been that Vox’s system doesn’t simply crash. “Fucking Hell, I haven’t felt this good in decades,” he mutters in your ear, and you shiver at the feeling of his tongue brushing the sensitive skin.

“Ha, you think that’s the reboot or the mind-melting orgasms?”

He hums contentedly. “Jury’s out on that, doll. Guess we’ll have to do a re-run on both and see how it stacks up to this one.”

“I’ll make sure to schedule some time out for it,” you chuckle before fixing him with a stern glare through the monitor. “I’m serious about clearing your apps and shit more frequently though. Christ, you had decades of backed up shit open-“

“Don’t berate me while my dick is still inside you, fuck.” He leans you forward far enough to pull out, and you grimace at the feeling of his cum starting to spill back out of you. He notices the expression though- “Whoops, sorry,” he says, and after a quick second during which he tucks his softening prick away he scoops you into his arms, standing from the chair and stepping away from the desk. “Let’s get you cleaned up at the penthouse, angel, what do you say?”

“If you’re carrying me then lead the way.” You gesture towards the door out of the control room. “Just don’t start any timers to see how long it takes to get there or anything and we should be good.”

The glare he fixes you with shouldn’t be hot, but it fucking is. “Hardy har,” he deadpans, and rolls his eyes while he stalks towards the elevator, control room door closing behind you; but there’s a small smile on his screen despite his ire and he’s functioning normally, and when you see the little stopwatch icon pop up in the bottom right corner of his face and start counting, you can’t help but laugh.

#vox x reader #vox smut #hazbin vox #ao3 writer #ao3 fanfic #hazbin hotel #x reader #my stuff <3

900 notes · View notes

nagaytoe · 1 month ago

Text

THE KID AT THE BACK

-theories

Did i sit down and analyze this game for 3 hours straight because I'm hyperfixated on it? Yes, yes i did.

This isnt proof-read and long as hell so buckle up for a joyride, y'all (by the way, there's another TKATB fanfic in the works as we speak and also some fanart, though I'm not sure wether to post it or not... well, we'll see!)

Some of these might not seem all too thought through (??) Since i was kind of grasping at straws here (and it was like 2 a.m. lmao), so if y'all have questions/need me to elaborate or have theories of your own feel free to share!

(There's some inspiration here from other people in the Fandom, most of them from the community section on itch.io which isnt available any more)

Sol knows the player longer than we think

My theory ->

-Fantasia stated that one of her 3 biggest inspirations was the game AMNESIA

-In amnesia the mc loses her memory in an accident. One of the love interests is her childhood friend and also the only yandere in the game (at least from what i could find out)

-She already drew Sol with Forget-me-nots and in the valentines day special the boquet sol gave us also contained Forget-me-nots

-In the book (this gallery thing with all the cutscene images) on the top of sols page is written 'Remember Me' which implies we forgot about him

-Annabel Lee Poem:

+The poem contains the line 'I was a child, she was a child' which furthermore implies that Sol and MC knew each other as kids

+Except for the last two paragraphs the poem is written in past tense, which could be talking about sols POV with us

Perhaps MC had an accident, as mentioned above, and MCs father (highborn kinsmen) tore MC away from Sol to the countryside

+The poem mentions angels killing annabel lee which could also mean something like this: MC doesnt die but, however, gets amnesia. That way, the MC sol knows and loves is dead because MC no longer exists the way MC did before (also the fact that she forgot him)

Some people theorize MCs farm is near the sea and that is the reason why sol hates the sea (i believe the city is near the sea and that's where MC 'died' (maybe MC almost drowned and got Amnesia that way?(apparently its possible for people who almost drowned to get amnesia)))

+"The speaker loves annabel lee to the point of death and even after death" (MCs view how to interpret the poem) (-> Sol loves MC to 'death' (the day they got amnesia) and even after 'death' (after MC got amnesia and 'died' in a sense, as a person))

-sol says he thinks death is beautiful, i didn't really know what to make of that, the only conclusion i came to would be: If MC actually did drown and lose their memories due to that, sol might have been involved in MC drowning (or at least blames himself for that) but viewed MC losing their memories as a 'second chance' with them, since they can start from anew (perhaps he made some mistakes with MC in the past which all eventually built up to MC drowning (it could be that we were already teens at that point)

-sol states afterwards: "But people refused them to let them be together, as if fate refuses them to die together" which supports my theory that MC was taken from Sol by someone (most likely the father after he witnessed Sols behaviour and his final straw was MC drowning because of him) the 'let them die together' could mean something like their relationship 'dying' and then starting over again or perhaps he tried to die with them, who knows (all this is really far fetched i am grasping at straws here lmao)

-in a really quick scene right after he mutters "I'm won't let it happen to me... not again" (some people view this as Sol already lost someone he loved dearly but it could also be the MC who was taken from him

ANOTHER THING I COULD IMAGINE -ABOUT DYING TOGETHER COULD BE:

MC almost died, Sol went after them but they were already saved, Sol just didnt witness that and almost died himself/wanted to die but was saved from that by someone (maybe hyugo? Though, he is an exchange student)

-Another theory on hyugo. It's canon that he is an exchange student, however i do believe he is from this city (since he knows about the hierarchy and his brother Geo apparently is no exchange student), moved away and is now back for business (relating to his 'mafia schemes' but under the disguise of being an exchange student)

Maybe he moved around the same time MC left or some time after that

-Hyugo mentions on the rooftop that we remind him of someone and the pronoun of the person he refers to changes based on the one the player picked for the MC in the beginning. It could mean we remind him of someone else entirely, someone maybe not even related to sol (though i doubt that) or to the MC and he knows them from back then but maybe thought MC died as well and cant believe they actually survived (maybe he want to spike MCs memory by doing that)

-A dream within a dream: MC mentions that this poem, at least to them, talks about the uncertainty about something, like life (which could also imply that they might be uncertain about some things in their mife because they simply forgot them due to amnesia)

-THE SECOND DAY 'THE KINGDOM'

+some people think the kingdom (by the sea) refers to MCs farm and implies its near the sea, however in day 2 we find out about the hierarchy in the city and considering my theory that MC actually is from the city and almost drowned there, i believe the kingdom by the sea is the city. MC does mention in the beginning that they lived on the farm ever since they were a child, however, it could very well be that we moved there right after the incident that caused MCs amnesia (if MC was akid when it happened it would really matter because then it would still fit with the fact that they lived there since theyre a child, however if they were already a teen, perhaps the father moved there immediately to cut off all ties to Sol and told us we have always lived there on top of that (considering the previous theories)

The father also didnt seem fond of the idea that we go to the city (the fact that he is is indebted to someone from high class could imply he might be from there), that could be because he knows how dangerous the city is (and how we could potentially meet sol again)

-maybe the reason for the debt is that MCs father suddenly bought the farm land to get us away from the city as soon as possible and had to take on a loan from one of his contacts in the city

-we know that this is MCs last year at the university, if we say shes minimum 22, and was already in the school for 4 years that would mean she got there at 18. If the 'drowning theory' events took place when MC was a teen (like 16 maybe) it would explain why the father was indebted (i also think 2 years is an believable timeframe a higher class person would give someone to pay off their debt)

-at the end of day 2 sol says he's sorry for leaving us and "i dont know what I'll do if..." which supports my theory that he lost us once (and he blames himself as the reason (again, MC drowning?))

-inspirations:

+ https://www.tumblr.com/sweet-herbal-peach-tea/746168072919023616/tkatb-theories?source=share

+ https://itch.io/t/3749638/whats-the-secret-between-hyugo-and-sol

Another theory:

Sleepy Hollow and The kid at the back

-In the nicknames the boys have for MC (fantasia released that on twitter and tumblr) sol calls MC pumpkin (like the pumpkin of the headless horseman (also in the gallery there is a pumpkin above the book)) and Crowe calls them '(star-crossed) lover'

Star-crossed lovers are people who love each other but can't be together

I believe this might imply that, even though Crowe is the second romance option, MC can't be with him no matter what they do

I also found out that the nickname is a phrase from romeo and juliet (which furthermore implies crowe will die)

We know what romeo and juliet is about: romeo and juliet cant be together because their families are enemies (some people believe Crowes father might be them man MCs father owes money to(i personally doubt thah though but it would support this romeo and juliet situation)) and at the end romeo thinks that juliet died, kills himself and then juliet turns out to not be dead but kills herself after seeing romeo dead

-Jericho Ichabod is a character from Sleepy Hollow, along Katrina (the FMC who owns a farm (what a coincidence)) and Brom Bones (its implied he is the headless horseman). In the story, jericho courts Katrina at a party, she rejects him and on his way home the headless horseman kills him (in the scene where Sol accompanies MC to class he says 'it's always been you ichabod' which could furthermore imply that crowe or his family have something do to with the fact that Sol and MC arent together)

In the library scene with Crowe he asks MC about their opinion on marie Antoinette and when MC says something negative about her, his reaction seems kind of strange. MC also brought a book about torture devices and execution methods and in that book is a picture of 'The Executioner' and he has scars on his arms, wears a mask and a chained collar. This correlates with some of sols features. He has scars on his arms (as seen in one of fantasias drawings), wears a chocker (he also wears a mask when he breaks into MCs room but that's really something anyone who does that would do). This implies even more that he will kill crowe.

#tkatb sol #tkatb vn #the kid at the back #solivan brugmansia #Crowe #jericho ichabod #Crowe ichabod #sol brugmansia #yandere visual novel #yandere #yandere vn #tkatb #tkatb theory #tkatb crowe

327 notes · View notes

show-us-kaidenshenandoah · 7 months ago

Text

i'm hard of hearing and i have an auditory processing disorder, but i don't know sign. so my opinion is definitely of lesser importance than those who are deaf

please pardon any mispellings as i am dyslexic, am writing this on my phone, and am not editing it too seriously

i think it's overall fine to use ASL or SSL in the same way it is fine for one's fantasy world to use English; however, ive learned that's really only the case if a person is fluent in it. you're fluent in English, so it makes sense for you to use English throughout this story; if you are not also fluent in ASL and/or SSL, it is less recommended for you to, utilizing the same aforementioned logic as using English language, use either of these two languages throughout your story from what i have seen from the deaf community. (it might be easier to understand through a hypothetical. it isn't an exact equivalent, of course, but it will help illustrate the point; just indulge me in a suspension of disbelief and "be silly". let's pretend i am writing a story where, for whatever reason, i am using a singular Swedish-only speaking character while everyone else is English-speaking. i know that'd be silly to do pragmatically, but again: "be silly" with me for a second. i have one Swedish-speaking character, everyone else is English-speaking. this would be fine for me to do if i was fluent in both languages, as you are fluent in Swedish and English. however, i am not fluent in Swedish. as a result of this lack of fluency, unless i am actively practicing to learn Swedish, there is going to be a LOT of mistakes in me saying "this is the Swedish equivalent of xyz in English", i am going to get grammar wrong, i am going to miss nuance, and i am going to assume there are Swedish words that might not exist because they exist in English. i may be using an official "Swedish to English" website as reference, but i am going to fuck up so much in my lack of Swedish fluency that for any Swedish-speaker like yourself: you are going to cringe and wish i had became fluent in Swedish before writing this or that i gotten in contact with someone who is fluent in Swedish to correct my mistakes in linguistics, nuances, culture, and whatnot. that's what i mean by "it's fine for you to use English, ASL, or SSL in fantasy if you're fluent!" and why im suggesting thoughtfulness in proceeding if you are NOT fluent. i hope this makes sense lol but yeah! sign language of any kind is, ultimately, a language. so the same respects applies to sign language as to Swedish in this sense when it comes to application of dialogue and the nuances inherent within that language's culture. this is by no means saying "no deaf characters or sign language allowed unless you are in the community!",of course, that'd be as ridiculous as "no Swedish characters allowed unless you are Swedish/have lived in Sweden for x amount of years!". no, of course, do it! inclusivity: yay!! we just have to be proceed thoughtfully when we create a character that represents a specific identity lmao but yeah, to summarize this hypothetical: if you has wanted to do a Swedish-only-speaking character amongst your English speaking cast, you are fluent in both, of course you can do that! but i would need to proceed with caution as a monolingual English-speaker and rely on someone Swedish-speaking checking my work)

and, of course, there are cases of a person not fluent writing a really good story staring a deaf person, like the manga "A Sign Of Affection" by Suu Morishita (which is a duo going under one pseudonym if my memory recollects right); however, they have a consultant named Yuki (who is a deaf person who uses sign in Japan. they also named their female lead after her in thanks lol but for clarity, ill be using "Yuki" to refer to the consultant, not the character) who they interview before every chapter to ensure they are portraying their deaf character realistically, to help them brainstorm future chapter and scenarios, for final approval of past chapters before they finish it up, and will also ask her to translate the dialogue for the deaf characters to say through sign (they film her signing her translation to use as an art reference, and also use her to find out what exactly the characters can say since very few sign-languages have one-to-one translations of a hearing-language. the sentences grammar and the available vocabulary for one's diction are different). you can read more about their process with Yuki within the manga, they explain it as a bonus feature between chapters and have also done interviews for magazines and whatnot. so there is fluency in that example, it just doesn't come from the mangaka duo. if you have a resource to apply that to with ASL or SSL, i think that makes perfect sense to do so! have that person help you out! it is overall preferable to have someone who doesn't know sign try to depict fluency in THAT way, from what i understand after looking into deaf people discuss preferred characterization anyway

if you want to do a conlang for a fictive sign language (especially if you do not have an ASL or SSL fluent deaf person to use as a resource of if you yourself are not fluent in either or), i think that also makes sense. i started learning about how deaf people prefer to be depicted in fantasy works starting at this reddit thread (there's links to further discussion within it, and invitation of where to ask questions). i also like this tiktok user named @/bow_asintakea_rawn who has a lot of deaf content relating to fiction/fantasy that could potentially be a resource (you could even try talking to him if you feel so comfortable). and lastly, i like the youtuber @/oakwyrm, who is a disabled person who does a lot of disabled media analysis (especially fantasy) and whose essays can service as a resource in that way (i forget if oakwyrm is deaf or not though, but he does discuss deafness in some videos despite many deaf people not considering their deafness as a disability, which is fair, and others do, which is also fair). i have other deaf youtubers i could recommend, but none of them interact with fantasy much so i dont know how useful they would be; if you want more deaf resources, i would suggest just googling "deaf youtubers" since i know deafness in respect to "how to portray this community and sign-language in fantasy" is more important to this discussion so i won't detract by offering resources that digress from this topic

i dont know many fantasy pieces that include how to depict deaf people, but i know the overall sentiment about sign language in fiction/fantasy is "Depict signing as functionally the same as speaking" since it is just another language. this sounds counter-productive initially if the idea is new to you, but the idea of novels needing the following reminder makes sense: "There's no need to replace '[deaf character] said' with '[deaf character] signed'. Introduce the deaf character using sign, introduce who knows sign and who needs a translator (if anyone), and from then on carry on using '[deaf character] said' whenever they have something to say. We have grasped from then on that they are using sign. You don't need to make them the odd one out of the group from then on by using a differnt tag just for them. It's alienating. Only use 'signed' as a tag when it's an example where the signing distinction is necessary, like '[hearing character] signed to me not to whisper, his eyes trained on the guard searching for us' or a similar situation" (this is not a quote, otherwise i would cite it. i cant find where i learned this idea from, but i did want to ensure there was a distinction that this was not my idea, but me parroting an idea i have heard and learned from, if nothing else). i mention this to you and your comic because the same logic applies to visual distinctions of signing. from what i have seen: the preferred depiction of sign in graphic novels specifically includes a similar line of logic: "Use the same speech-bubbles as you would use for hearing characters that are not signing", and the idea of "translation boxes" is less preferred unless there is a specific reason why (like maybe a deaf character knows two sign-languages and is switching to one most of the cast doesn't know). though "A Sign Of Affection"'s manga is a great example of deaf characters in manga overall, they unfortunately don't do this (meaning their deaf characters don't use the same speech-bubbles when they sign as when hearing characters are speaking and not using sign), which i personally don't recommend copying unless a deaf person/people who sign DO advise to mimic it. i personally recommend to use the same speech bubbles as hearing characters have when they do not sign, as aforementioned; that's the impression i have been given by those ive listened to in the deaf community. which to do the same speech-bubbles regardless of sign or no sign makes sense, to me, as it better treats sign-language visually as of similar respects as any other language. (but, again: deaf people's opinion over mine. especially if they disagree. i am parroting, what i parrot is biased to what i have seen within my sphere of the internet; i am of far less importance) HOWEVER, something really cool about "A Sign of Affection"'s speech bubbles that the deaf community and hearing community both really like is how "A Sign of Affection" will use speech-bubbles to show what Yuki can/can't hear. they have different text colors to show when their deaf main character hears something being said and when that deaf character does not hear the person (because the hearing character has their lips covered, because the deaf character wasn't looking directly at the hearing person's lips and was not aware they were speaking, because the hearing character spoke literally behind the hearing person's back, and so on). if you want to mimic that aspect, that's totally okay to do so lol and i'm sure there are other graphic novel resources of deaf people to look into, but i haven't encountered many (eg. i know "A Silent Voice" exists but i stay away from stories with suicidal characters due to triggers, so i have no idea if it is reverred as fondly by the deaf community as i know "A Sign Of Affection" is due to my lack of interaction with the content/its fandom)

but i hope this small handful of leads helps you out! if my assumption that you are not CODA or a hearing person fluent in sign is correct (im a newer follower, sorry lol but i do really like your stuff so far and think your "Felt World" comic is fantastic! i just also know very little about you lmao rip), and if you do not have a fluent person in sign to use as a sinilar resource as Yuki is stellarly used in "A Sign Of Affection", i think a conlang is probably the best option for you? i definitely think it might of help to go to some reddit threads with prominent deaf people who use sign to recruit one or a few beta-reader/sensitivity-reader as a resource. bonus if they like conlangs and are willing to help you develop one. or are willing to translate their fluency for you so you know what diction translation is available for your character's dialogue + to film their signs for you to use as a reference. i originally found you through your tiktok, so it might be helpful to formally recruit there through a short video and tag it appropriately to reach out to the deaf and signing community for that type of beta-reader/sensitivity-reader/possible-translator/possible-conlang-help-resource person

my last piece of advice towards finding resources is you might find more information here on tumblr under the tag "writing deaf characters". i think(?) that's the tag people use to discuss how to depict deaf characters, though that is not sign-language specific in the sense of how to depict sign-language in fantasy. you'd probably have to scroll to find posts on that. but it should give you resources of people saying "this is my advice for writing a deaf character as someone who is deaf" who you could then reach out to for more specific questions, resource-help, and whatnot

finally, i know you said "there is *A* deaf character" in your post, but i do want to hesitantly implore you to include that said character as being a part of a deaf community. so having other characters around them also be deaf. it is very unusual, from what i understand, for a deaf character to be the ONLY deaf person they know or that they willingly surround themselves with. the deaf community is very close-knit to the point of people actually all having two names: they have a sign-name as well as their name used in conversation with hearing people. community and solidarity is extremely common with deafness. community is huge part of the deaf culture. being the only deaf character would only make some sense if that character is purposefully alienated from others (think Toph from "Avatar: The Last Airbender"'s family situation, tho she is blind, not deaf) but even then: they had to learn their fluency with sign language from SOMEWHERE and used it often with those people (and this sign language had to get popularized into having a standardization by... like... having a lot of people use it, which would only happen if a lot of people NEEDED it, which means there has to be a significant deaf community lmao). this is especially true if the equivalent-of-face-timing isn't possible in "Felt World" (as video-calls are the predominant form of long-distance communication that accomadates sign); if long-distance communication isn't possible between people who use sign language, they go for proximity (hence there being schools to facilitate deaf community and communication). this can then cause "accents" so to speak (there's even records of families of deaf people having their own family-signs and "accents" in addition to region-based). this is best noticed in how, in the USA, there actually isn't just one form of sign-language originated from here. which, yes, there are multiple "English-associated" sign-languages (i think the most famous trio are ASL, BSL, and SSE to non-Americans?? but there are even more "English-associated" sign languages than that and i'm not talking about any of those rn, but rather the fact that ASL is not the only sign language to originate from the United States of America). i'm talking about how, due to the segregation of Black people in schools, there is BASL (Black American Sign Language). community matters so much to deaf people that something as dividing as segregation resulted in two totally different forms of sign. and even though schools are no longer segregated, that history has lead to two different origins of language that the descendents of which have little to very little overlap now as distinct "accents" from what i understand as someone who uses neither forms of sign (and it should go with saying that many Black deaf people in America have to be fluent in not only English and also ASL, in addition to BASL, in order to gain accommodations in classrooms that are not at a BASL School. it is unfortunate that such a hurdle exists and i greatly admire Black deaf people and their preservation of BASL, as well as anyone hearing who signs BASL to help translate for Black deaf people in their first language so there are less hoops for Black deaf people to jump through. but i digress). so, again, deaf people being surrounded by other deaf people either through technology-that-accomadates-sign or proximity is HUGE. so i would say at MINIMUM introduce this one character as having access to a community of background characters who are also deaf and sign, in addition to hearing people who sign. that insistence you ensure there is a community of deaf characters in this world (if not having multiple deaf recurring characters or main characters) probably goes without saying? i probably didnt need to say all this. but im erring on the side of caution since i feel a bit on thin-ice as a non-sign-language-user speaking here to begin with lol

but yeah! again, i dont know sign so this is me parroting things i have learned from the deaf community about how they prefer sign be utilized (this isn't even approaching the topic of cochlear implants, as that can be seen as controversal to some deaf circles and fine to other deaf circles within the overall community) and giving you the leads i can currently recall having been useful to me when i realized i had a curiosity about how to best utalize sign in fantasy settings (im sure i once used more but i have alas forgotten them, as this post even shows in how i dont remember where to cite certain ideas to). definitely defer to people who know sign, especially those who are deaf, over me as i am not within that portion of the hoh/deaf community as a whole. but i digress. i hope this is helpful, and i wish you and your comic the best of luck! much love ♡

Ah fuck it this is gonna be a spoiler but I genuinely can't figure out what the right course of action is so here goes...

SO THERE'S A DEAF CHARACTER IN FELT WORLD who uses sign to communicate. (Don't speculate, it'll be revealed, but don't make assumptions just in case it isn't who you thought it was and you end up disappointed)

My question is; do I pick American Sign Language, Swedish Sign Language, or do I make up a fictive Sign Language?

My arguments for all:

ASL: the comic is written in American English

SSL: I'm from Sweden, and there are tons of Swedish references in felt world

Fictive SL: would be much easier from a production stand point

What are y'all's input? I'd love to hear especially if you're deaf/heard of hearing and using sign yourself. Thanks in advance!!

#felt world #me #elviraaxen #deafness #deaf #sign language #conlang #conlangs #writing deaf characters #long post #to be clear: BASL has since mixed with ASL to have overlap. but its origins dont #(at least from what i understand. as usualy: im not an expert)#edit: i woke up in a sweat going WAIT WHAT IF I MISREMEMBERED ''A SIGN OF AFFECTION''S SPEECH BUBBLES AND I DIIIIDDD #THEY DONT USE THE SAME SPEECH BUBBLES WHEN CHARACTERS ARE SIGNING VS WHEN THEY ARE NOT #to be fair tho. their choice does make sense since a large part of the story is about the language barriers of a deaf person who #uses sign falling in love with a hearing person who has never used sign before. so. a visual distinction of that barrier makes sense #buT STILL. I WAS INCORRECT. THE PASSAGE IS NOW EDITED CORRECTLY. IVE HEARD PREFERENCE FOR SAME SPEECH BUBBLES #THE MOST IN MY SPHERE OF THE INTERNET. SO IM STICKING WITH IT. FUCK IM SO GLAD I CAUGHT THAT #anyway deaf people feel free to disagree with the same speech bubble sentiment. idk if what ive heard in a widespread opinion that includes #my sphere of the internet or is JUST my sphere. who knows. im doing my best to give leads; i am no expert lmao rip #also. this whole post makes it seem like i am head over heels in love with A Sign Of Affection lmao and i do LIKE IT but like #gahh i just cabt get over this one scene the male love interest says about romanticizing that ''she has never heard evil'' like. sir. wtf #how infantalizing. bleh. she literally faces discrimination in the same chapter (aka: evils). i hope thats an arc for him and that he gets #a faceful of reality or a smack upside the head like. no. wtf. but otherwise it is a great manga and i do like the male love interest lmao #anyway. CHRONIC MEMORY LOSS + APHANTASIA + A LACK OF VISUAL MEMORY SUCKS. im so glad it finally occurred to me to double-check myself ugh

48 notes · View notes

hannieehaee · 11 months ago

Note

hii I loved loser!chan fics and I was wondering if you could do loser!jihoon as well? anyway you want works for me I’m just insane over jihoon being all subby and your fics are amazing!!!

18+ / mdi

content: loser!jihoon, virgin!jihoon, sub!jihoon, afab reader, smut, dry humping, handjob penetrative sex, etc.

wc: 2466

a/n: ive always thought of writing loser!jihoon u read my mind lmao i hope i made him loser enough <3

masterlist

jihoon wasnt too much of a social person. it had been like this throughout elementary and all the way too high school, even manifesting up until college. currently, he had his usual group of friends, but he was as still pretty much a very antisocial guy. he liked it this way. it kept things simple.

his lack of socialization, however, also came with a lack of social skills, which in very obvious fashion also meant he lacked experience in social situations; dating included.

his romantic life had been fully nonexistent thus far, making him fall far behind most of his friends, who were all thoroughly experienced in one way or another.

it's not like jihoon didnt have any interest in that area of his life. it was just that he was too shy. a bit of a loser too, to be honest. this was a trait of his that he had wanted to finally rid himself of, which wad how he ended up attending one of his good friend's mingyu's many frat parties.

this wasnt his usual scene. he had been invited to these gatherings multiple times, but always turned them down, knowing he could never keep up with his popular friends (not that he wanted to anyway; as he said, this was just not his scene). however, something his friend mingyu had said about a week back had caught his attention, making him insist that mingyu let him tag along this once.

he had been in the cafeteria at the time, looking across the room as he usually did while his friends engaged in conversation. he was the only member of the friend group who was not a member of the frat, so it was easy for him to blend in the background most times. this time, however, mingyu had caught sight of what was keeping jihoon so distracted. this had just gotten interesting.

it was you.

by some strike of luck, it turned out that mingyu knew who you were. you were a frequent attendee to his frat parties. he knew you pretty well, actually. had spoken to you a few times, and coincidentally knew you had a bit of a thing for his friend jihoon – at least that's what he gathered from your occasional inquiries as to where he was any time he'd be absent from mingyu's parties. mingyu had never attempted to hook you guys up before, but he had decided in that same moment that he liked you for jihoon, which only meant one thing; he had to play matchmaker.

considering jihoon's clear interest in you as he stared and stared while sighing at the pretty sight, mingyu felt very justified in not-so casually dropping the fact that you were usually in attendance to his parties, meaning that you'd very likely be at his following party. this caught jihoon's attention immediately, who tried to nonchalantly make some excuse as to why he'd wanna be in attendance this time around. mingyu considered it a mission accomplished and simply awaited the fateful day of the party.

at the party itself, mingyu immediately got to work, making sure jihoon remained alone and in close proximity to your location – also letting you know that jihoon was wandering somewhere in the frat house, taking note of your smile as he relayed that piece of information to you. as soon as he located the two of you and deemed the situation manageable for jihoon, he went his own way to party with his friends. he had a hunch that it'd work out on its own. he had seen you sneak a few glances at his friend tonight already, which gave him all the confidence to leave the two of you to eventually interact.

it didn't take long for the two of you to bump into each other at some lone corner of the frat (it's not like jihoon had been keeping track of your movements and making a calculated effort to incidentally bump into you in a not-so casual way). upon crossing paths, you immediately engaged in conversation, rendering jihoon slightly speechless at your friendly disposition.

although he had a hard time keeping up with your outgoing personality, – barely being able to mutter full responses as his eyes avoided yours at all costs – you seemed interested enough to suggest the two of you move onto a quieter part of the house in order to have a better chance at understanding each other.

that remote location manifested itself as mingyu's room, which had conveniently been left open for jihoon to access (something gyu had made sure to let jihoon know about, "in case he grew tired or something").

for some reason, sitting on the edge of the bed by your side as a booming party occurred downstairs felt a bit too intimate for jihoon, someone who was not used to any sort of interaction with women of any kind, much less the girl he'd been secretly crushing on for months. you seemed relaxed, though, simply maintaining sporadic conversation as the two of you enjoyed the muffled music coming from downstairs.

at some point you seemed to sense his unnerved state, deciding to call attention to it.

"parties not your thing?"

"oh, uh .. yeah. just not used to the environment , i guess."

"this is my first time seeing you at one of these. what changed?"

"h– how'd you know it's my first time?"

"i wouldve noticed you before."

oh. oh.

"why do you think i brought you in here, jihoon?"

"you know ... you know my name?"

you had scoot closer now, sitting side by side with your legs gracing against his, which were stuck together as he made himself as small as possible.

"of course i do. i've been keeping tabs on you jihoon."

he felt himself shiver at your proximity, despite the fact that everything was still very much friendly and platonic. but he couldnt help himself in feeling shy at the implications of being alone with you whilst sitting closely to each other on the bed.

"o- oh."

"jihoon? why wont you look at me? are you okay?", you took your hand and placed it under his chin, making sure he was now facing you.

your face was far too close to his, and the expression you carried was not one of worry, but one of want.

"n- no, i mean, yes. it's just–"

"just what, jihoonie?", you tilted your head, somehow coming into even closer proximity to his lips.

he gave up the clueless act first, being unable to control himself in his need for you.

"please ... just– please."

that was enough for you to close the gap, sighing softly against his lips as he froze, unknowing in what to do. his arms also remained on his sides as his posture stayed rigid. luckily for him, you didn't mind his temporary inactivity, simply urging him with your own hands and lips to take some action.

these notions were enough for him to nervously begin to kiss you back, copying all your movements as he opened his mouth to allow yours in. his hands were also now awkwardly resting on the small of your back as he leaned a bit towards you. it was all very awkward on his part, but he was truly having the time of his life as you made love to his mouth.

your kiss had quickly grown filthy, making jihoon's eyes roll back as he attempted to keep up. you only kissed him like this for a short while before pulling away breathless, inquiring for more.

"can i? will you let me take charge, jihoonie?", you said in a hot breath against his lips, eyes still glued to his pout.

"i– ive never ..."

"that's okay ... i'll show you, jihoon. ill make you feel good. i can ... i cant teach you."

he wasnt sure if you'd meant to sound like a siren's song when you said this but the effect was just the same, because he found himself breathlessly nodding in agreement, allowing you to lay him down as you straddled him on the bed.

just moments later and you were already starting a slow and sensual grind against his hips as you made a show of arching your back and throwing your head back at what was likely just minimal pleasure for you. for jihoon, however, it was the most action he'd ever gotten. he always assumed that his first act of intimacy with a girl would be a quick peck, not the girl of his dreams dry humping him on his friend's bed.

he took a leap by putting his hands on your hips, unable to control his moans and the way his hips pushed upwards a bit to match yours. this seemingly caught your attention, causing you to make eye contact with him once more before leaning down and connecting your lips.

once again, he was unable to help himself in kissing you back, although sloppy and inexperienced, he enjoyed your kiss all the same, nearly losing his mind at your ability to turn such a sweet act into one of pure desperation so quickly.

"always wanted you, jihoon ...", you breathed against his lips, "knew you were friends with gyu, so i kept coming here hoping to see you, but you never showed up. made me wait so long for you ..", you pouted.

"i– i didnt know. i wanted you too, i swear ..."

you gave him a sweet smile, caressing his cheek softly as your hips slowed down for a moment, "i know, hoonie ... which is why you're gonna be good for me, right, baby?"

"y– yes. i– anything. ill do anything you want, just–", he was interrupted with yet another kiss; a kiss which he instinctively gave back without even having to process it.

"anything? oh, jihoonie ... gonna have so much fun with you."

his confirmation had been enough for you to take further action. jihoon wasn't sure how it ended up happening, but eventually you had managed to undress the two of you, now sitting in the exact same position as before, – you on top of him as he laid back on the bed – except this time fully nude.

from the moment you'd thrown off your shirt, jihoon had been unable to stop staring at your tits. he didnt wanna sound like a total creep or anything, but he wouldve given anything to bury his head in them and never come back. luckily for him, you seemed to read his mind pretty well (re: took a hint from his endless staring and licking of his lips) and leaned down, enticing him to kiss your tits by bringing his face close to them.

with a quick nod in confirmation, jihoon went to town on your tits. he didnt know he had it in him, but his lips and tongue explored every inch of your breasts, breathing against them at how supple they felt under his touch. he drank in every single sigh you let out at the feeling, with his arousal growing to an extent he didn't know was possible.

"oh, hoonie ... fuck ... such a good boy. play with my tits, shit ..."

your hands eventually reached out to play with his dick, which he had been neglecting thus far. his actions halted upon the feeling of your warm hands encompassing him, jerking him in a way that had his kisses against your chest becoming even more sensual in nature as he moaned into your breasts.

"you– oh ... that's .... please ...."

"like it, baby? want me to keep playing with your dick?"

"yes, fuck. please! want–"

"but, baby ... dont you want my cunt?"

that statement took him to another planet altogether.

your cunt? you were going to fuck him? oh. oh.

the simple thought of you wrapping around him, bouncing up and down as he lost his mind under you almost had him cumming. the best he could do in that moment was lift his head from your chest and beg you to please let him have it as he kissed your lips.

you took advantage of his begging to lick his lips, teasing his tongue with your own as you positioned yourself to lower yourself on him. jihoon was sure you could feel his heartbeat almost beat straight out of his chest as you pressed your hand against his chest for support, but he didnt care. he wanted you to know how carnally he wanted you.

"this is your first time, right, baby?"

"yes, b– but its okay! i want it, i swear!"

"oh, i know, pretty ... just wanted to make sure. gonna make you mine after this. you know that, right?", you leaned down to kiss his neck as you said this, making him shiver at the thought, "gonna be my pretty little jihoon that only i get to have ..."

"yes ... yours, just– wanna be yours, please ..."

that was all you needed to finally sink down on him, moaning out at the feeling. similarly, he arched his back against the mattress at the warmth and tightness he felt around his cock; a pleasure he never knew was humanly possible.

you rode him like a champ, wasting no time in speeding up and he himself lost his mind. he couldnt help it when his hips began to cant up against yours, loving the way you threw your head back at the impact. at some point all rhythm between the two of you was lost, making you hump against each other like you were in heat.

"hoonie! gonna cum, please ... cum with me, pretty. wanna feel you cum."

"gonna cum for you ... feel so fucking good ...", he whined at you, knowing his end was right there.

the two of you cried out and held each other through your respective ends. his came slightly before yours, making him wince at the overstimulation as you tightened up around him after he had fully ridden his high. but the feeling was extremely pleasurable nonetheless.

laying down next to him, you cuddled up against his side, giving his chest a sweet peck before gesturing at him to look at you.

he felt shy making eye contact, but felt less so than before. he felt such a strong connection with you at this moment, smiling at knowing that you liked him back (at least going off on your rambles as you fucked him).

"i like you. so much," he interrupted whatever you were about to say, not even realizing his words until after he'd uttered them.

you chuckled at his widened eyes upon realizing what he'd said, "i know, hoonie. i like you too."

you stayed quiet after that, choosing to fall asleep in his arms as he held you against him. he wasnt sure what exactly came next, but he was content in that moment.

586 notes · View notes

sweetrevxnge · 5 months ago

Text

Ghosts In The Snow

Chapter Seven

Pairing: Vampire!Kylo Ren x Reader AU

Summary: Six long years had passed under the reign of the First Order. The bitter winters grew longer, and as they did, hope faded from the hearts of the citizens of Hosnian Prime. As a lieutenant in the Resistance cavalry, it was your duty to nurture that ember of hope. After a mission takes an unexpected turn, you are taken prisoner by a commander in the First Order, a mysterious man with an insatiable appetite—for violence, power, and you. In the coming days, you must keep the spark of your own hope alive from the dark confines of the Commander's castle.

Warnings: sexual content, violence, blood kink, gore, mentions/descriptions of injury and death

*concurrently being published on AO3 and Wattpad as well!

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Spotify Playlist

Word count: 3.6k

Chapter-specific CW: torture (what fun!), period-typical sexism

A/N: the dead speak! lmao at least that's what it feels like coming back after an entire YEAR??? I kinda got sucked into playing 1,200+ hours of baldur's gate 3, romancing a certain vampiric elf time and time again, which gave me plenty of inspiration to continue this fic. I never meant to be gone for so long, so if you're still interested in this story, please let me know!

───────── ❅ 🦇 ❅ ─────────

What have you done?

To say that you were restless would be an understatement. The first order of business when you returned to your chambers was finding a safe place to store your stolen weapon, and now, hours later, you had yet to succeed.

You paced the room, wearing holes in the soles of your slippers as you wondered if you had made the right decision. It was unlike you to have sticky fingers, but then again, these were unprecedented times. Boldness meant survival.

Above all, you feared Ren was privy to your thievery, despite his silence on the walk back to your chambers. The prick of blood seemed enough to distract him for a moment, or perhaps he was practiced in hiding his tells. Either way, the consequences of him knowing gnawed at your sanity.

Rey had tended the hearth while you were away, ensuring your chambers were kept warm and filled with the familiar scent of dry wood. Her diligence as a handmaid proved to be an unforeseen complication in hiding your contraband.

Instinct urged you to keep it close to your bed, but reason told you it would be found too easily there. Same with the lounges circling the hearth, whose velour cushions could conceal many things if asked to. Though a dagger lodged in one’s rear would raise many concerns, as well as promise unspeakable punishments to come.

For these reasons, you ultimately settled on the bookcase.

Towering in the corner was a collection of books and texts, dense enough to put even the most curious scholars to sleep. A perfect place to hide a dagger.

Dragging a footstool over as a makeshift ladder, you reached for a leather-bound book embossed with gold letters along its spine. Imperium Nunquam Fuit. Though written in Old Basic, you understood its meaning.

The Empire That Never Was. A phrase coined by Grand Moff Wilhuff Tarkin to describe the destruction of Alderaan during the Revolution. An unsavory way to speak about a fallen civilization—considering he was the man responsible.

You made quick work of hollowing the historical text, skimming the page you’d turned to before defacing it. This passage detailed the last of the Imperial attacks on Alderaan, near the end of the Rebellion. One of the more infamous sieges of the war, earning its place in history with a tithe of blood and destruction.

The lines of script told the story of how Imperial soldiers salted Alderaan’s lands and butchered the citizens—babes and crones included. The Empire was thorough, wiping out an entire civilization over a mere conspiracy. With few survivors, and even fewer successors, Alderaanian blood was a rarity. You supposed that was one of the many things that set General Organa apart from the rest.

Considering the contents, it was a book of little interest to the First Order—a perfect hiding place.

The point of your blade pierced the parchment with ease, as if slicing through a block of butter rather than a thousand-page text. Tragic as it was to ruin a book like this, what other choice did you have? Hosnian Prime’s Grand Archives likely stored dozens of copies; one locked away in the depths of the First Order’s fortress would not be missed.

The fit was snug, but it would do for now. As for the pages you’d carved out, they laid in a pile at your feet, a messy reminder that your room was not private.

You slammed the book shut and returned it, hurrying to clean the shreds of paper scattered across the red carpets. Despite your efforts, the fragments proved too difficult to clean with just your hands alone, forcing you to sweep them into your skirts.

As you carried the pieces to the hearth, a gentle knock sounded through the oak doors. “Gods,” you muttered as you rushed towards the fire, dumping the pages unceremoniously onto the crackling wood.

Another rap on the door.

“Just a moment, please!” It was impossible to hide the panic in your voice as you prodded at the withering pages with an iron poker. Time seemed to slow as you watched the flames engulf the ink, turning Alderaan’s history to ash once more.

“It’s me, my lady.” Muffled by the wood, Rey’s voice was barely audible over the fire, hissing with fresh fodder. If any good came from her being your visitor, it was her staunch etiquette. She would not barge in uninvited—unlike some of the castle’s residents.

Brushing the slivers of evidence from your gown, you opened the doors, mindful of the lingering ash in the hearth. “My apologies. I was…” You cleared your throat, smoothing out your skirts before finishing your lie. “Indecent.”

Demure as ever, Rey dropped her gaze as she curtseyed before you. “It’s no matter, my lady. I was sent to fetch you; the Supreme Leader requests your presence.”

The moment his name left her lips, cotton filled your mouth, forcing its way down your throat as you swallowed your fear. What reason would the Supreme Leader have to summon you—at this late hour, no less?

Your thoughts immediately turned to Commander Ren. Perhaps he had noticed your theft after all and reported your offence to Snoke. If that were true, you vowed to slice his throat first.

“Did he give a reason?” you asked, trying to maintain your resolve.

Rey’s throat knocked in her slender neck. “He did not say.”

Part of you wanted to take the damned blade with you, but recklessness wouldn’t serve you. Though you did not recognize him as your ruler, you were not keen on adding treason to your ledger.

You sighed, coming to stand beside Rey at the door, shoulders pressed back and hands folded over your lap. “I’m surprised he didn’t send you with manacles.”

She said nothing, but the trace smile on her lips told you all that you needed to know. You couldn’t blame her for watching her tongue around you. Given what transpired last night, you would do the same in her position.

The two of you walked in near silence to the throne chambers, passing countless tall windows with panes stained a deep red, dark enough to block most light from entering. What little light did manage to seep through painted the halls crimson, giving the appearance of blood spilling over the floor.

The burned pages of text flashed in your mind.

Every step forward was committed to memory, including the number of paces between notable fixtures, as well as where each one stood in relation to your chambers. Still, there was no sign of an access point in this section of the castle. But your resolve did not falter. If there was a means of entry into this accursed fortress, there must also be a means of escape.

As you rounded the corner to another corridor, you glanced at your handmaid, noticing that her usual singular bun had evolved into three smaller ones, meeting the nape of her neck in a uniform line.

“You’ve changed your hair.” The observation came out as more of a question than a comment.

“Yes, my lady,” she said, delicate fingers reaching to touch the one near her collar. “An effort to be closer to the gods.”

You furrowed your brows. “How’s that?”

“As there are three of them, there are three knots. We servants are forbidden to worship openly, so we find other ways.” She closed her eyes for a moment, tilting her chin towards her chest. “Divine strength allows clarity of the mind.”

While you were not necessarily a pious woman, you were familiar enough with the gods from your upbringing to understand what she meant. As a child, you often prayed at your family’s shrine, asking for a bountiful harvest, good health, and, most of all, peace in the realm. For many years, they fulfilled your wishes. Now, your faith provided you with little comfort.

“Certainly,” you said, not wanting to discuss the subject any further. “Are we nearly there?”

“Just down this hall,” she said, her tone clipped. Either she was annoyed with the change of subject, or just as uneasy about seeing the Supreme Leader as you were.

True to her word, Rey came to a stop near the end of the corridor, leaving a short distance between you and the two looming oak doors, with iron enforcements woven into the grain and a guard posted on either side. Their faces were concealed by crimson veils, the signature regalia of the Praetorian Guard. Those tasked with protecting the ruler of these lands, whether they carried the title of Chancellor, Emperor, or Supreme Leader.

The warmth drained from your face at the sight.

“This is where I leave you, my lady.” Her face lacked its usual peachy hue, her freckles washed away by the candlelight. “The Supreme Leader does not allow us to enter these chambers, save for when he is passing judgment upon us.”

Standing before the faceless guards, you understood her unease.

“Will you be here to escort me back?” you asked, palms growing damp as you clutched the fabric of your gown.

“It is late. I must turn in for the evening.” She shifted her weight, eyes darting between you and the guards, whose presence seemed to loom over you from meters away. “Besides, I should think you do not require my assistance from this point.”

With that, she turned on her heels and retreated, her steps muted as she faded into the stretching darkness of the hallway. Turning to face the guards, dread settled in your stomach. Surely these warriors would not accompany you back to your chambers.

You studied them for a moment, the strategist in your mind seeking to understand what threat they posed. Both were tall and well-fed, given the size of their uniforms. The one to your left carried a bisento, while the other held a tall voulge, both equally unnerving. Their blades were pristine, foreign to combat. You wondered if the same could be said for those wielding them, too.

As if seeking to test your theory, they readied their weapons as you approached, each blade humming as it sliced through the air.

You came to a halt, the hair on the back of your neck now stiff. “I’ve been summoned by the Supreme Leader.”

The two remained poised to strike for a long moment before returning to their sentry state, offering one another a brisk nod as they pushed the heavy doors open, revealing the grand throne room. With tentative steps, you approached, pausing at the threshold.

Black marble columns lined the walkway to the throne, each manned by a knight of the Praetorian Guard, their crimson armor matching the First Order banners draped along the cobbled walls. Above the throne was the room’s sole window, with red stained panels filling the space between the spokes of the First Order insignia. Six steps carved of the same dark mineral as the columns led to the throne, lined with black velvet upholstery and a towering slate backing. Perched comfortably in the seat was Supreme Leader Snoke, draped in golden robes that flowed over his limbs like smelted ore, barely concealing the matching jewelry wrapped snugly around his fingers.

The paragon of humility.

He was joined by another: the fire-haired General Hux. His gaze snapped to you as the doors creaked open, beady eyes piercing you like darts from across the chamber.

“Ah, my guest of honor,” Snoke crooned, clasping his hands before his chest in delight. His tone fell icy as he turned to address the General. “Leave us.”

Confusion spread across his pale features as he turned to face Snoke once more. “But, Supreme Leader, there is still much to be discussed.”

“Perhaps I did not make myself clear. You are to leave these chambers at once, General Hux, or you will be removed.” Snoke’s gravelly voice rumbled through the hall with the force of a thousand footsteps, and reluctantly, Hux obeyed.

You watched the scene play out before you from the safety of the doorway, your feet rooted to the floor.

Snoke relaxed in his chair once more, beckoning you in with a hand gesture. “Please, come in, darling.”

Willing your feet to move, you did as he asked, eyes flitting between the Praetorian guard and the approaching General Hux, whose expression could only be described as irate as he brushed past you, black coat fluttering behind him.

Your heart was lodged in your throat as you neared the throne, feeling like a lamb being shepherded towards the maw of a lion. You stopped in line with the last of the guards before the Supreme Leader, leaving some distance still.

Snoke watched you with keen eyes, a stark contrast to his stoic front. “I do hope you are well, my dear. I can only imagine the days spent in anticipation of your wedding are agonizing.”

You frowned. “Is that why you summoned me? To ask me about my wedding?”

“Of course not. But pleasantries are the foundation of any proper conversation.” The humor fell from his voice. “Wouldn’t you agree?”

“Yes, Supreme Leader.” The words left a sour taste in your mouth, like wine crafted from grapes plucked too early.

Satisfied, he settled back into his throne, resting his hands over the ornate armrests. “See? Deference needn’t be cumbersome.”

His mocking tone made your vision red, but you held your tongue. Invisible threads tied you to him and his guards, each one pulled taught in the silence. It would take nothing more than a misstep to cause one of them to snap.

He spoke again, this time with authority. “It has come to my attention that you are unaware of what is expected of you as a noblewoman.”

You let out a terse exhale. “I suppose I am. Perhaps that is because of the conditions under which I am becoming one.”

A thin smile curled on the Supreme Leader’s lips. “These are unprecedented times, lieutenant.”

The emphasis on your title made your skin crawl. Snoke was calculated, sadistic. With his power, he was untouchable. The red veils surrounding you served as a constant reminder of his invulnerability.

“Now, I am curious. How did you manage that?” he added, tilting his head in intrigue. “A commoner like yourself rising to the rank of a commanding officer is no easy feat—even more so for a woman.”

You narrowed your eyes. “I hardly see how this is relevant to my new status as a noblewoman.”

Despite your outward naivety, you knew too well what being a noblewoman would entail. You’d known from the moment your betrothal was announced. You were to be the docile wife of a commander, providing him an heir, a spare, and a warm bed whenever he pleased. Your military career would be swept away by the title of Lady Ren, all traces of your independence lost to time. You couldn’t think of anything less appealing.

“As a Lady of the First Order, you will be granted privileges seldom given to others, such as this.” Snoke motioned to the surrounding space, and you found yourself unable to decipher his meaning.

He isn’t referring to having an audience with the ruler of the realm as a privilege, is he?

He continued, “The safety of the castle. Our stronghold. You will be protected within its walls.”

Oh. Of course.

You suppressed a scoff. “I find that hard to believe, considering Commander Ren has attempted to strangle me twice over since my arrival.”

“I see,” he mused, pressing an index finger to his lips in thought. “My mercurial underling. If only his mind were half as quick as his temper.”

Somehow, your first instinct was to defend Commander Ren from his inflaming remark. While the Supreme Leader was correct about Ren’s temperament, he didn’t see the side of him that you saw—however infrequently it may have showed itself. There was a tenderness to him, fleeting in nature, like a luminescent star ripping through the night sky. You saw it in his eyes as he sat before your hearth, again when he laced your bodice.

Or perhaps what you felt was just the lingering effects of his charm.

Snoke’s rough voice broke your reverie. “Nevertheless, I’m sure Commander Ren had his reasons. Just as I’m sure whatever actions may have led to these outbursts will cease henceforth, won’t they?”

Before you could answer, a searing pain sliced through your skull, its barbed tendrils reaching into the deepest part of your consciousness. Every muscle in your body became succinctly rigid, frozen in place as an invisible force suspended you midair. You squeezed your eyes shut and tried to call out; for the gods, for your mother—even for Commander Ren.

“You will behave yourself, insolent girl, or you will be disposed of.”

Despite your efforts, no sound would come from your throat. An eternity seemed to pass as the Supreme Leader kept you trapped, holding your feet to the fire of his anger. Mustering every ounce of strength, you forced your chin down in agreement, hot tears distorting your vision.

Without moving a muscle, he relinquished his hold on you, your knees cracking against the marble floor in an instant. The violet fabric of your gown pooled around you like the blood of a slain enemy, collecting the tears that fell from your chin.

Before you could find your voice, the creak of wood and subsequent rustling of armor behind you swiped your attention. The guards had readied their weapons, aiming at something other than you.

You flinched as the doors slammed shut, followed by a heavy—yet quick—footfall.

“What is the meaning of this?” Commander Ren’s voice was biting, filled with untamed fury as he entered the grand hall. His cloak rippled behind him like the night sea, silver sword in hand as he marched forward.

You scurried backwards on your tender palms, caught between his rage and the throne. He drew closer, only stopping at the intersection of two of the guards’ blades.

“Commander Ren, what a welcome surprise,” Snoke crooned. “Your bride was just leaving.”

His eyes found yours in an instant—wild and dark. Silently, you pleaded for his cooperation. If he were to strike at the guard, your life would be forfeit.

Outnumbered by eight blades, he stowed his own. “What have you done?” he demanded.

Though he was looking at you, his question was directed at the man atop the throne, whose enthusiasm at his subordinate’s display was palpable.

“Nothing you have not already done yourself,” Snoke growled. With that, he stood to his feet and stepped down from his throne, closing the gap you’d deliberately left and standing over you. “See her back to her chambers, Commander.”

A snarl flashed across Ren’s face as he pushed past the guards and kneeled before you, extending a gloved hand for you. Though he was quiet, his eyes were heavy with guilt.

With legs like a new foal, you accepted his help, gripping his hand like a lifeline as you stood. “Thank you.” The words floated from your mouth, burning your throat as they passed through.

He only nodded in return, guiding you away from the chamber. Because of his intrusion, the outer guards were now sealed inside, allowing some privacy in the dimly lit hall.

Ren came to a halt, moving both of his cool hands to rest on your shoulders, inspecting you. “Are you hurt?”

Averting your eyes, you shook your head dismissively, ignoring how your knees seemed to rattle with every step.

He let out an amused hum. “I find that hard to believe.”

“Believe what you will, Commander,” you managed to say through your dry mouth. “I’m fine.”

At that, the two of you carried on in silence, meandering through the castle, passing knights and servants alike down each corridor. Ren’s emotion rolled off of him like heat from a flame, slowly dwindling the further you were from the throne room.

As your legs regained their strength, so did your voice. “How did you know I was in there?”

“Does that really matter?”

“I’d say so. For all I know, you’re the reason he summoned me in the first place,” you argued, head spinning as you tried to recognize your surroundings. Only when you realized these walls were unfamiliar did your pace falter. “Stop!”

He obeyed, meeting you where you stood. “What?”

“Answer me.”

He let out a terse breath. “No, I am not the reason he summoned you. Come, we can discuss this later.”

At that, he began his stride again, but you didn’t follow. “No. I will not take one more step. Not before I know where you are taking me, as it is clearly not my chambers.”

“I’m bringing you somewhere private,” he finally answered.

“Are my chambers not private enough?”

“By the gods,” he hissed, pinching the bridge of his nose. “As I’m sure you’re well aware, it is unbecoming of me to be seen entering your chambers before we are wed.”

You scoffed. “How pragmatic of you.”

Ignoring your comment, he continued, “After your encounter with the Supreme Leader, I think it’s best if we avoid unnecessary speculation—for your sake.”

You couldn’t argue with him. If Snoke was inclined to submit you to the rawest agony over the slightest display of defiance, you could only imagine what else he was capable of.

“Fine,” you conceded, seeing reason in his words. “But let it be known that my cooperation does not reflect my satisfaction with this decision.”

A smile ghosted over his lips. “I know.”

201 notes · View notes

whenmemorydies · 3 months ago

Text

You love taking care of people: Fine Dining in the Time of Late Stage Capitalism

CW: this post discusses toxic and abusive workplaces and makes brief mention of institutional child abuse and intergenerational trauma. I might also talk about global systems collapse, for shits and giggles. Also this is another long one. You know the drill. Lets have a cuppa. Also this is my last minute submission to Sydcarmy Week 2024 and the theme of “you love taking care of people”. Enjoy!

I have a confession to make to The Bear fandom:

The food is my least favourite part of this show.

Its not that its not interesting. It definitely is. I'm a home cook and for the most part, I enjoy cooking (when I can do it at my leisure and not like most mothers, while balancing the mental load). I just find all the other aspects of the show much more fascinating.

In fact, I think this show about a bunch of cooks in commercial kitchens is so popular not so much because of its take up of cooking but its unflinching and loving interrogation of grief and trauma, including the kinds that get passed down through families.

The truth is, I've also never been overly excited about the world of "fine dining." I grew up in a large, Tamil family and so our meals were big, shared and not necessarily conducive to the minimalist plating preferred in exclusive, "gourmet" spaces:

Photograph is mine, delicious Jaffna Tamil spread is the handiwork of my great aunt (Kunchi Ammamma or “little maternal grandmother”), arguably the best cook in our sprawling, extended family.

As tumultous as family life could get, I often experienced meals (that, lets be real, were almost always prepared by the women in my family) with my loved ones as a happy experience. I mean we also had our share of blow ups at the kitchen table but what was always consistent was the love and care that went into the food that we were given to eat. It was woven into the rich and complex flavours that made up the curries, varais, and sambals we had on our plates (and that even now, make me salivate just thinking about). It was spread throughout the warm, coconut-y rotis and steaming rice and puttu we ate with our hands and used to mop up all that spicy, flavourful goodness.

And if there's one question I heard more than any other from older family members growing up, it was "ni sappittiya?" ("have you eaten?"). More than "how are you?" and definitely more than "I love you." As with many Global South cultures, for Tamil folks, food is used for nourishment but also as a primary means of conveying deep care. Obviously Tamil people don't have the monopoly on using food to show their affection (or even the monopoly on using food to replace actually saying the words "I love you" lmao). Food has been found to increase interpersonal closeness and can also contribute to emotional regulation. Feeding a child is one of the first means of bonding between parents and children. Food also plays a big role in the course of romantic love: as a basis for first dates and future time spent with a partner, and of course also as an aphrodisiac.

As Cesar Chavez, Mexican-American civil rights activist, labor organiser and co-founder of the National Farm Workers Association (which later became the United Farm Workers union) said,

The people who give you their food, give you their heart.

You love taking care of people

Conveying care and love through food is a theme that comes up repeatedly in The Bear. Recall 1x02 Hands and the phone conversation with Nat and Carmy:

Natalie: Chefs always say a big part of the job is taking care of people, right?

Carmen: Yeah, yeah. No I guess.

Also recall an almost identical bit of dialogue between Carmy and Sydney, under the world's most famous table that had absolutely nothing wrong with it in 2x09 Omelette:

Carmen: You love taking care of people.

Sydney: Yeah I guess.

Here's some further mirroring between Sydney and Carmy about giving people joy through food. Recall again the phone call between Carmy and Nat in 1x02 Hands:

Natalie: When did the breathing problem start?

Carmen: I think maybe sometime in New York. I was throwing up every day before work.

[...] Chef was a piece of shit.

Natalie: Then why'd you stay there?

Carmen: People loved the food. It felt good.

Also recall the conversation between Sydney and Marcus in 1x08 Braciole:

Sydney: I want to cook for people and make them happy, and give them the best bacon on Earth.

Be gentle with each other, so that you can fight stronger together: seasons 1-2 of The Bear

As rough and tumble as The Beef was, the clear throughline in season 1 (when The Beef was in operation) was the importance of the relationships and care between the show's characters. This was also the case in season 2 where the majority of the season was spent in the context of renovations and training prior to the opening of The Bear (in that season's last episode).

In season 1, we had Carmy leading the crew at The Beef by being patient, clearly explaining technique and positively reinforcing his staff's work.

Above left: Carmy walking the BOH crew through making Donna Berzatto's Lemon Chicken Piccata in 1x05 Sheridan. Above right: Carmy encouraging the crew to keep up their current pace in 1x06 Ceres.

We saw him working with Sydney, supportively encouraging the team to go further, to push themselves. We even saw Carmy at ease enough to talk about Mikey and his mother while at work. We had a Carmy showing us how integrated he can be.

Above: Carmy and Tina in 1x05 Sheridan

Heck, we even had a Carmy who wanted to get a compost installed at The Beef for processing food so that it didn't go to waste. Recall this golden bit of dialogue between him and Sweeps in 1x01 System:

Carmen: Eh yo Gary, you set up a compost for me today, Chef?

Sweeps: After I do my thing in the place.

Carmen: That's very clear. Thank you.

We had a Carmy who had time. Recall the below scene in 1x02 Hands before Sydney gives Carmy her draft business plan for The Beef (that she drafted on her own initiative and time to support his family's struggling business. If this man doesn't hurry up and fight for her in s4 istg...):

Sydney: Hey you got time?

Carmen: Always. What's up?

Similarly, we had Carmen in the first episode of season 2 making time to talk to a clearly distraught Richie:

Richie: Yo you ever think about purpose?

Carmen: I love you, but I do not have time for this, alright? *starts to walk up the stairs out of the basement*

Richie: *Nods, looks dejected, sniffs*

Carmen: I have time for this. *comes back down the stairs and sits with Richie*

Most pointedly in season 1 we had the conversation between Sydney and Carmy in 1x03 Brigade which lays the blueprint for their joint vision for the restaurant and which should have acted as a touchstone for both of them in season 3:

Sydney: You know, I think this place could be so different from all the other places we've been at. But in order for that to be true, we need to run things different.

When I said I didn't think that the brigade was a good idea, you didn't listen. And its not that you told me that I had to. [...] But you just didn't really listen and if this is going to work the way that I think we both want it to work [...] I think we should probably try to listen to each other.

Carmen: Yeah. You're right.

Sydney: The reason I'm here and not working somewhere else, or for someone else, is 'cause I think I can stand out here. I can make a difference here. We could share ideas. I could implement things that make this place better. And I don't wanna be wasting my time, working on another line or tweezing herbs on a dish that I don't care about, or running brunch, God forbid.

Carmen: *nods vigorously*

In season 2 while The Beef undergoes its facelift into The Bear, some of the show's most beautiful moments were when characters displayed their faith and trust in one another. Recall 2x01 Beef where Sydney asks Tina to be her sous chef, or 2x02 Pasta where Sydney and Carmy send Tina and Ebra to culinary school (and Tina's unwavering belief in and support for a nervous Ebra once they get there), and 2x03 Sundae and 2x04 Honeydew where we see Carmy and Sydney send Marcus to Copenhagen to stage with Chef Luca and build up his skills as a pâtissier.

So what happened at The Bear?

Season 3 of the show has been the most divisive of the series, with its preceding two seasons being almost unanimously adored by fans and critics alike. There's been a lot of debate on here and elsewhere as to why this is the case. What appears to be a dominant line of reasoning in this regard is the shift in Carmy and his approach to running The Bear as a fine dining institution.

At The Bear, we have Carmy as an Executive Chef who's berating, hostile, and blaming everyone else for his emotional state ("You guys are fucking killing me"). We have a Carmy who has taken "every second counts" to a point so minute that he has given up smoking because of the time away from the kitchen that it will cost him. We have a Carmy who has no patience for his team, almost all of whom have no experience working in fine dining before the opening night of The Bear. We see how out of sync Carmy and Sydney are ("Been off"). We have a Carmy who is reverting to patterns of behaviour that have been modelled for him by two of his abusers: his mother, Donna Berzatto and his previous boss, Chef David Fields, Executive Chef at Empire.

Perhaps second only to Donna and her stand in Claire, Chef David Fields' toxic legacy haunts season 3 of The Bear.

This is nowhere more clear than in the sheer wasting of food and money in season 3 epitomised by Carmy's insistence on changing the The Bear's menu every day (to quote Tina: "Every day, Joffrey Ballet?!") and his repeated throwing out of dishes he deemed "not perfect."

The waste did not go unnoticed by other characters on the show. Recall Natalie telling Carmy off in 3x03 Doors:

Natalie: The menu cost is out of control.

Carmen: Nat, figure it out.

Natalie: Oh. Oh. Figure it out? Wow.

Carmen: Figure it out.

Natalie: Why don't you fucking figure it out?

Carmen: I'm trying to use less shit.

Natalie: Okay, well, whatever you're doing, the R&D [research & development] of that, its fucking us.

Carmen: Well, we're using the best shit.

Natalie: Duh. Duh. Well, duh.

Carmen: Duh? Don't duh. No duh. [lmao this dialogue]

Natalie: Don't buy fucking crazy shit and then use it once, Carm. It's so wasteful. Duh! Duh, duh. Fucking duh, bro.

In episode 3x05 Children, Uncle Jimmy commissions The Computer to come in and run analytics on The Bear in an effort to get its costs under control (LOL at his assessment below, scrawled on the back of the dodgiest looking pie chart I've ever seen):

Computer: This sample is based on the month and a half we've been operating and does not take into account any funds spent previously on build, friends and family budget, other assorted fuckery.

Carmen: I mean, there hasn't been that much fuckery.

Cicero: Oh neph. You specialise in the fucking fuckery, bro.

Uncle Jimmy had plenty to say about Carmy's use of the former's funds (which Jimmy has duly invested in The Bear to support his nephew) including Carmy's decision to spend $11,268.00 on Orwellian butter (aka Dystopian Butter from the Fucking Rare Transylvanian Five-Titted Goat, lmao).

Even Carmy was under no delusions about how wasteful he was being this season. Recall his discussion with Sydney in 3x05 Children:

Sydney: You know what we should be doing?

Carmen: Produce vendor. You don't have to say it.

Sydney: Okay, I didn't say it then. I didn't say anything. Do you want me to say something?

Carmen: That I'm jamming us up 'cause we have a new menu every day and the economics aren't great?

Sydney: Well, I'm an accomplice, so...

Note: the language in this small bit of dialogue struck me as being off. Why does Sydney needs Carmy's permission to say anything? Its like she knows that he knows the constantly changing menu and exorbitant expenses are an issue but doesn't want to say anything until Carmy brings it up first. @yannaryartside has a great break down drawing the analogy between Sydney's "accomplice" confession here with Molly Ringwald's (sorry I dunno what her character's name was) confession about facilitating her partner's substance abuse, during an Al-Anon meeting in 1x03 Brigade.

We have Carmy repeating harmful patterns of behaviour at work that he has picked up from his personal life (for example, from his mother) but also from his professional experience.

The world of fine dining that both Carmy and Sydney came to The Beef from was marked, by their own admission, with "complete and utter psychopaths" who screamed, pushed and yelled at their staff (recall Sydney's disclosure to Carmy at the end of 1x05 Sheridan) or "fucking assholes" (in the case of Chef David Fields), who made their staff "very, probably mentally ill." Sadly, this aspect of The Bear is not fiction. @moodyeucalyptus pointed out in this post that both Carmy and David Fields appear to have elements of their characters based off of real life fine dining wunderkind Chef Charlie Trotter: a Chicago-based chef known to be brilliant but who mistreated his staff so badly that he had two class actions brought against him (one by FOH staff, and another by BOH staff led by James Beard Award winner Beverly Kim).

There are other stories about the grinding nature of the fine dining industry which we'll get into below. We'll also look at a few stories of chefs who are leading a renaissance away from the "toxic, hierarchical shit show" that has historically plagued fine dining and who Joanna Calo and Chris Storer may have front of mind as they take us through Carmy and Sydney's journey together in season 4 (because as tempting as Shapiro's offer is, we know Sydney isn’t leaving Carmy). But first, we need to go further back in time to look at how the fine dining industry itself has created the conditions for a chef like season 3 Carmy to exist in the first place. Lets look at the system, baby (to quote Tina in 1x01).

The Bear's culinary ancestry: Chef David Fields and the Fine Dining Industry

I should say that I did not want to go too far into history with this post. After Carmen, Natalie, and the Berzattos, I was committed to trying to write shorter meta (/snort). But I'd be remiss if I didn't talk about the origins of fine dining, and before that, the rise of Europe as the base of "haute cuisine" (which itself is directly tied to its history of colonialism and...Empire *badumbum* @freedelusionshere has made the point that The Bear writers have given Chef David's restaurant the name Empire purposefully and they're not wrong). All of this informs the current state of fine dining today.

Though France is often credited as the place where restaurants began (in the 1700s), its been established that folks were eating in communal restaurant settings all over the world, including in China about 700-600 years earlier. The origins of western fine dining (the tradition that Carmy and Sydney have trained within) however, are synonymous with French cuisine and the efforts of Georges Escoffier (who Carmy name drops in 1x03 Brigade).

The French Brigade

Escoffier was responsible for developing the French Brigade system of organising kitchen staff which is still used today in many restaurants worldwide, including at The Bear. The French Brigade was based on Escoffier's own military experience in the Franco Prussian War and was set up to identify roles in the kitchen and increase efficiency and consistency so that restaurants could scale their work to serve larger numbers of customers.

The thing with anything based on structures found in the military is that its going to replicate hierarchy (a chain of command is central to the running of military operations). In fact, much of 1x03 Brigade is spent with Sydney resisting what she identifies as the imposition of a "toxic hierarchical shitshow".

Mariya Moore-Russell, the first Black woman in the world to get a Michelin star (who also happens to be from Chicago) talks at length here about the benefits of the French Brigade for systematising commercial kitchens but also how easily it can get corrupted if the wrong people are in the kitchen. She says in those circumstances, the Brigade can quickly perpetuate, racism, sexism, perfectionism and "all of the isms." My fav quote from the video? When Russell talks about the French standardisation of cooking adopted by most kitchens in fine dining industry (at 23:39):

They were like okay, how do we take what Grandma does, what Mama does and make it you know efficient and consistent but also just extremely stressful for everybody involved? (lmao)

Note: Moore-Russell has a series of videos on YouTube about her experiences in fine dining which are very illuminating. She's also such an engaging storyteller. For example, watch "My path through the restaurant industry".

Service à la française to service à la russe

In addition to the French Brigade, another development in the history of western fine dining was the shift in styles of food service from service à la française to service à la russe. Service à la française ('service in the French style') involved serving all the dishes for a meal at once, allowing patrons to serve themselves. Think something akin to buffet style. See below for table layout using service in the French style from 1775:

Source: Wikipedia.

To me, service in the French style looks kind of similar to how my Tamil family lays out our meals (as can be seen in the first picture of this meta, minus the pheasant, moonshine and roasted woodcocks...lol). This style of service also looks a whole lot like "family style" dining which can be described as: "when food is brought to the table on large platters or serving dishes rather than being individually plated. Guests then serve themselves from the dishes which are passed around the table." In fact, service in the French style or family style dining is how many cultures serve and eat their food, both in the home and in restaurant settings (whether they use these terms to describe that layout is another matter).

I also seem to recall a couple of soulmates Jeffreys deciding to open a family-style restaurant in 1x08 Braciole (which @bootlegramdomneess has also pointed out in her post here).

In the 19th century, service in the French style became replaced in European restaurants by service à la russe ('service in the Russian style'). This style of service is what Western fine dining and haute cuisine restaurants utilise to this day. It involves bringing courses to the dining table in sequence, one after the other. Courses are portioned and plated before being brought to the diner by service staff.

In the case of Western fine dining, Escoffier shaped haute cuisine ('high cooking') through the use of his French Brigade system and the implementation of service in the Russian style. Haute cuisine has undergone shifts and changes since the 19th century including with the nouvelle cuisine movement in the 1960s which was marked by a focus on fresh produce, paired-back menus and a focus on invention. Haute cuisine of today has been described as a fusion: employing elements of nouvelle cuisine and more elaborate techniques and processes from Escoffier's system.

To my mind, service à la russe involves a lot more people (definitely more wait staff) to have it deployed effectively. When you have more people, you have more room for error (like all those dropped dishes in season 3). Family style service or service à la française allows people to serve themselves. It encourages sharing. Personally, I prefer the latter. Also can we talk about how small the portion sizes are in haute cuisine? lmao. I get it, its art. You need a gigantic plate for a small piece of hamachi because thats the canvas. Some (read: me, lmao) might also say its big ol' waste to wash a plate that size for food that takes up maybe a 1/5 of its surface area. Can we also talk about the concept of "chargers" (which the Computer rightfully rips into Carm and Sydney for in 3x05 Children) - why do you need a table setting that no one's gonna use? I'm sure there's other aspects to haute cuisine that make no fucking sense but honestly this meta is gigantic enough as it is so I'll stop there lol.

Anyway, notably it is service à la russe and food that would be described as haute cuisine that we see at The Bear. Family style is nowhere to be seen in season 3.

Colonialism, Empire and the rise of Western food cultures

A fact that is often left out of discussions about why the French and other European countries developed such globally renowned food cultures as well as their staggering wealth and status as "first world countries" (particularly in the period between the 1600s to the 19th century) was that at around the same time, these nation states were expanding their own empires by colonising other parts of the world with the express purpose of acquiring ingredients (and other resources) that they did not have access to in Europe. A brief and non-exhaustive list of examples below:

Europe's demand for flavour was so great in the 1600s that the Dutch traded Manhattan to the British in order to secure the Indonesian island of Banda Run which, at the time, was the world's only source of nutmeg. When they first arrived in the Banda Islands, the Dutch killed and enslaved much of the Bandanese population, taking control of the island's local nutmeg plantations. This violence would come to be known locally as The Banda Massacres.

It was the hunt for a direct trade route with India for black pepper that Christopher Columbus used to pitch his voyage to the King and Queen of Spain and which ultimately led him to the Americas. Columbus' arrival precipitated the colonisation of the Americas, which resulted in enslavement, disease and outright genocide, decimating First Nations populations throughout North and South America.

The colonisation of the Americas would also lead to the exporting of various foods that have come to be staples in European cooking. For example, the tomato - the key ingredient in many Italian (and Italian American) dishes - orginated in South and Central America and was brought to Europe via Spanish colonists.

The British set up their infamously brutal East India Company (EIC) to control the Indian subcontinent and the trade of various resources including precious metals, opium, textiles (silks and cotton), spices (such as cinnamon, black pepper, nutmeg, cloves, mace) and other food items (like salt, sugar, coffee and tea). The EIC would later be supplanted by the British Raj in Britain's stranglehold on India and after almost 200 years of imperialism and economic fraud, it has been estimated that the British drained India of nearly $45 trillion. I can't even begin to fathom an amount of money that large but the British could, and that theft powered much of the empire during its height.

The influence of Indian ingredients and cuisine spread throughout the British empire, including back to Britain itself. In fact, through colonisation and empire, Indian influences appear in various global cuisines (including other European cuisines as well as in the Caribbean).

Indeed the British's impact on food globally included its colonisation of Australia and New Zealand. These two colonial outposts essentially became gigantic cattle and sheep runs for the British who facilitated the wholesale theft of land - and in the case of Australia, did so without even bothering to enter into treaties with First Nations people - in order to run livestock that was then exported to feed Britain.

In order to satisfy its sweet tooth, France operated huge sugar plantations on the backs of the labour of enslaved Africans, particularly in Haiti (known at the time as Saint-Domingue). In the late 1700s, Haiti was responsible for exporting 40% of all the sugar consumed in Europe. The human cost of this was high and brutally violent. Eventually in 1803, after many armed revolts, enslaved African-descent people kicked the French out of the country after over a hundred years of heinous exploitation (thereby creating the first Black republic in the world). The French were so economically dependent on the colony for its production of coffee and sugar that when Haiti got its independence, France decided to punish the new republic for the loss of future income on Haitian exports, demanding 150 million francs in gold as compensation. The French sent warships to enforce this cruel debt. All in all, Haiti spent approximately $21 billion paying off France for the freedom that its people had already lost their lives and shed their own blood for. The debt (which involved the fledgling republic taking out exorbitant loans and fundraising amongst its citizens) was not paid off until 1947: 122 years after it was initially enforced. The French even charged Haiti interest.

Were it not for its vicious history of slavery and its century-long extortion of its former colony, I'm pretty sure France wouldn't have had the quantities of a certain key ingredient necessary to develop its worldwide reputation for pastries and desserts. I mean, you try making a crème brûlée, an eclair, a tarte tatin, a sweet galette, a mille-feuille, a madeleine, a crepe...without sugar.

This history deeply informs fine dining today. For centuries, Europe underdeveloped much of the world (borrowing Walter Rodney's turn of phrase) through colonialism and imperialist extraction. It then used those spoils and excess wealth to, among other things, develop its own food cultures and then self-proclaim itself as the cutting edge of the culinary world. To be clear, you can only faff about in a kitchen and create fancy sugar palaces and 10-course meals if you have the means and resources to do so. Haute cuisine is a product of wealth and resources, accumulated over time. Europe's colonial history also dictates which cuisines are recognised via awards like the Michelin star system. Hell, it dictates why you have the French (Michelin is a French tire company) dictating what constitutes "good" food in the first place. If you want to read more about this topic, this essay on Medium provides a good overview of the sad, racist state of affairs over at the Michelin Guide.

Where Europeans colonised and settled, this same lens was applied. This is why you have the undervaluing of Indigenous cuisine and ingredients in Australia, a situation which has only recently begun to shift. The colonisation of Australia actively involved the lying about Aboriginal foodways in Britain's attempt to falsely claim that Aboriginal peoples were nomadic hunter gatherers who did not use their land. Its why the history of how enslaved Africans brought their food cultures with them through the Door of No Return and transformed American cuisine, is not more widely known. Its why so few chefs of colour have been recognised for Michelin stars globally.

Empire and The Bear

Season 3 of The Bear pays clear homage to the impact of European empire on the world of fine dining in a few ways. The most obvious is the fact that Chef David's restaurant is literally called "Empire" lol. Another example and one of the most visually striking to me occurs in 3x01 Tomorrow. First, recall Chef David Fields' outright theft of Carmy's dish (I think we've established that you can't get more empire than the theft of food, yes?). Can we talk about how not only did Fields steal Carmy's dish but also, turned it into the most beige meal we've seen on The Bear to date, bar that single sprig of dill fighting for its life?

Carmy's penultimate plate (the final version being The Best Meal That Sydney Ever Had™):

Chef David Fields' dick measuring exercise version:

Carm was not a fan:

Can we talk about how the original plate featured the colours of the Italian flag (green, white and red) - emblematic of Carmy's cultural heritage and what is certainly one of the single biggest influences in his culinary journey (the dish also features fish, just like the main course in La Vigilia, the Feast of the Seven Fishes) - but after Fields was done with it, that shit was practically three shades of mayonnaise?

Can we talk about how Carmy's version of the dish almost certainly had a varied and dynamic flavour profile while Fields' looks just how I imagine it tasted like: whatever flavour meh is. The dish literally has no acid from what I can see (ingredients: paupiette of hamachi, fennel soubise, potato chip and dill). And I *know* a balanced dish has salt, fat, acid and heat (cos Chef Samin Nusrat told me).

Can we also talk about how Fields hates the most commonly traded of spices? The one that Columbus was looking for when he landed at what is now the Bahamas. The one that was an integral part of the East India Company's business plan rort to fuck India and South East Asia more generally?

Carmen: He hates black pepper for some reason I'll never understand. (from 3x10 Forever)

White folks in Europe were so hungry for spices to liven up their food that they invaded large swathes of the rest of the world to get the stuff. And yet, here we have Chef Fields, disliking Europe's gateway spice: the one that the Romans (Carmy's ancestors) had been trading with the East for centuries prior to Europe’s imperial frenzy, and which now makes up 20% of the world's spice trade.

Is the man so dedicated to meh that he couldn’t even bring himself to embrace pepper? Used to be one of the best chefs in the world, is right Chef Luca.

On top of dubious taste (I'm not a food critic but no one can tell me that hamachi and fennel soubise dish tasted anything other than fucked lmao. idc idc), Chef Fields is also one of the clear antagonists in The Bear. Along with Donna Berzatto, he is one of Carmy's two primary abusers. His impact on Carmy was never as clear on the show as it was in season 3. Lets take a closer look at that impact below:

Culinary ancestry and intergenerational trauma

Both Donna and David are ancestors of a kind to Carmy. Donna is clearly a biological ancestor in that she's Carmy's birth mother. I've argued here that David Fields is a culinary ancestor to Carmy. For ease of reference, I'll include my explanation of what I mean when I say "culinary ancestry", from that earlier meta, here:

Most folks understand ancestry to refer to our family or genetic lineage. When I was in university, I learned about intellectual ancestors or genealogy: where one can trace your intellectual lineage - the thinkers and creators that have shaped your understanding of the world and/or your chosen profession. I think its useful to take this concept and apply it to The Bear to help understand what the show is saying about legacy. I wouldn't limit the concept to "intellectual" ancestry though. It might be more helpful to talk about culinary ancestors in this context because the process of creating food - crafting dishes - isn't solely an intellectual exercise. It engages our intellect yes, but also each of our senses, our memories (recall that chocolate banana from 2x10 The Bear), and the need to nurture and be nurtured. Culinary Ancestors Carmy's culinary ancestors are varied given his work history. We know he's cooked under some of the best chefs in the culinary world of The Bear, including: Daniel Boulud (of Daniel), René Redzepi (of NOMA), Thomas Keller (of The French Laundry), David Field (a sociopathic Joel McHale, of Eleven Madison Park Empire), and Andrea Terry (a sublime Olivia Colman, of Ever). I'd also include here Mikey, Donna and Natalie Berzatto. I'd include cousins Richie Jeremovich and Michelle Berzatto as well. These are the home and line cooks Carm grew up with, watched in his mother's kitchen and at The Beef. He took his lessons - the good and the bad, learnt voluntarily and involuntarily - from all of these people, incorporated them into his working self and transmuted them into his food.

NOTE: In "Ancestors and The Bear" and in other meta I've written, I've incorrectly noted that Chef David Fields was the EC at Eleven Madison Park (instead of Empire). This was due to the fact that up until 3x10 Forever, we are not told the name of the restaurant that Fields and Carmy worked at together. In the draft script for the pilot, the restaurant is identified as EMP (Eleven Madison Park) by Sugar (see p 23 of that script), however this appears to have changed to "Empire" during the course of the show's development.

Through the lens of culinary ancestry, there is a clear connection between Carmy's wasteful R&D and menu choices in season 3 with the "lessons" he received under the tutelage of Chef David at Empire. For example, and as discussed above, the refusal to serve any dish that isn't viewed as "perfect" led to extreme amounts of waste at both The Bear and at Empire.

Additionally, Chef David focused on "subtraction" (recall his writing "SUBTRACT" on green tape and sticking it to the expo of Empire in 3x01 Tomorrow) and never repeating ingredients in the dishes that came out of Empire. Instinctually, these two strategies appear to me to be techniques to create needless scarcity. They're attempts at repression in and of themselves. Carmy adopts these philosophies and tries to implement them at The Bear as well. They manifest in his unilaterally overhauling the original menu at The Bear (without Syd's input) as well as his insistence that the menu change every day.

Minimalistic subtraction of elements was also a characteristic of Escoffier's approach to cooking which would be taken even further with the nouvelle cuisine movement in France. That movement focused on minimalistic dishes with fewer seasonings and sauces. Chef David Fields is clearly rooted in the French school of fine dining in this approach.

Subtraction also shows up in the show in a more dire way: in the cutting off of relationships and the whittling away of self.

I recently come across a promo still for The Bear. It features Carmy as the CDC of Empire, plating a dish. I've seen the image before but I never noticed the writing on the wall next to Carmy before. It reads:

"Its only after we've lost everything we're free to do anything"

This quote also appears in the 1999 David Fincher film, Fight Club (which itself is based on the book by the same name by Chuck Palahniuk):

Left: Carmen Berzatto, CDC at Empire in The Bear; right: Tyler Durden, general nihilistic fuckwit in Fight Club, also preaching the gospel of David [Fields].

This ethos, written on the wall and haunting the kitchen at Empire is emblematic of how Chef David operates. It reads like a fucked Psalm, giving a poetic shimmer to Field's abuse. Chef David tears down his staff, verbally degrading them to the point that he has the gall to whisper "you should be dead" to them. (OK. Can we...for a minute...imagine being a manager and that being your management style? Telling your best performing staff that they should be dead? Excuse me, mon cheri? A literal devil).

Chef David literally strips his staff of their dignity and their connections to the outside world. He makes them lose their sense of self and claims its all to make them better chefs. He tells Carmen in 3x10 Forever:

Chef David: So you got rid of all the bullshit, and you concentrated, and you got focused, and you got great. You got excellent.

The parallels between Carmy's experience at Empire - and even in the Berzatto household - and the critique of performative violent masculinity that Fight Club was trying to get across are worth pointing out. In Fight Club, white men beat each other up to try and assert control over a perceived loss of power. At Empire, Chef Fields consistently berates and degrades Carmy, clearly threatened by his CDC's talent. Similarly we have Richie complaining about having to take orders from "toddler" Carmy, saying "I was a baby too once, Syd. Nobody gave a fuck" in 1x02 (which could have been the origin story of any one of the men who joined Brad Pitt/Edward Norton to carry out "Project Mayhem" lmao. In fact, I wouldn't be surprised if a lot of the dudes on Reddit fawning over Richie circa seasons 1-2 also watch Fight Club as if it was some sort of aspirational manifesto and not the satire that Fincher intended it to be).

Chef Fields is meant to be representative of a toxicity found in the restaurant industry globally. There have been numerous reports of the physical and psychological violence meted out against kitchen staff by those higher up in the brigade.

Additionally the structure of the French Brigade system is such that those at the bottom - stages - are often expected to work for free. While unpaid internships are common in various lines of work, those industries start to run into trouble when large amounts of their products and services depend on unpaid labour. In fact, darling of The Bear, René Redzepi of Noma faced criticism of his restaurant's unpaid internship program. The internship program was rife with stories of ridiculous working conditions. Redzepi finally began paying interns in 2022 but then announced that Noma would shut down regular service at the end of 2024 due to being unable to afford its staff (at one point, unpaid stages made up almost half of Noma's staff).

The fact that entry into the world of fine dining means people need to work for free as a stage automatically eliminates this as an option for folks who cannot afford to volunteer in order to gain work experience. This would disproportionately impact on certain communities, particularly communities of colour whose members may not have access to sufficient wealth that would allow them to work for free. This is clearly illustrated in The Bear where we see that Carmy has the safety nets and access in place that allow him to stage at various fine dining institutions and gain much sought after experience (e.g. his family's ownership of The Beef and his ability to work there, his cousin Michelle's restaurants in NYC and his access to those spaces). Sydney, Tina, Marcus and even Richie have very different entries into the world of restaurants and fine dining.

The issue of sexual abuse and harassment in the restaurant industry is also very subtly broached in The Bear (though it is more heavily implied in the draft script for 1x01), particularly in 1x07 The Review with Richie accusing Sydney of giving a food critic head in order to get a positive review for her risotto (season 1 Richie was genuinely the worst). But the issue is huge, with more sexual harassment claims filed in the US in the restaurant industry than any other field of work.

Even scrubbing floors by hand and cleaning with a toothbrush, while ensuring sparkling kitchens, have also historically been used as a means of punishment, particularly in institutional settings. During Australia's Royal Commission into Institutional Responses to Child Sexual Abuse, there were numerous reports of children in care homes being forced to scrub floors with toothbrushes as a means of physical punishment and control. (CW: the above link discusses accounts of institutional child sexual abuse).

Given the above, its clear to see that the industry - the system - facilitates a whole lot of shit that its workers are subjected to. So when Chef Adam Shapiro catches Sydney as she leaves the train station in 2x04 Violet and asks her how she's doing, her response is telling:

Sydney: It's been a long month [at The Bear].

Chef Adam: Ah. That bad?

Sydney: No, just-- Restaurants.

Chef Adam: Yeah. Right? Why do we do this to ourselves?

Sydney: 'Cause we're crazy.

Chef Adam: Yeah. What was this month's crazy?

Sydney: Um. The kind that's inherited.

Chef Adam: *Nods emphatically* Understood.

This Financial Times article on the dark side of restaurant culture in Copenhagen, sums things up perfectly:

“We always had this joke, an explanation for why things are so horrible: shit falls down,” [Chef Levi] Luna told [the author Imogen West-Knights], with a cold laugh. In the kitchen, the head chef gets mad at the sous-chef, who gets mad at the person below him, a chef-de-partie, who then takes it out on a stagiaire. Then one day, the sous-chef is the head chef, and he has learnt how a head chef behaves: badly. It should give a sense of the strength of feeling I encountered about how damaging this system is that several people independently described it as being like children who are abused going on to commit abuse as adults. This is the dark flipside of the restaurant-as-family metaphor.

Challenging the status quo @ The Bear

By the end of season 3, Carmy appears to recognise that subtraction in his life is not going to bring him happiness. In fact, in 1x08 Braciole, he identified subtraction - specifically, the cutting out of people from his life - as the reason his life got quiet as he grew more isolated. In 3x10 Forever, when he finally confronts Chef David, Carmy laments the psychic and physical impact of Fields' abuse as well as the isolation it engendered. Fields, psychopath that he is, remained unfazed:

Carmen: You gave me ulcers, and panic attacks, and-and nightmares. You--You know that, right? Do you-- Do you understand that?

Chef David: Yeah, I gave you confidence, and leadership, and ability. It fucking worked.

Carmen: My life stopped.

Chef David: That's the point, right?

Additionally, its worth pointing out that despite all the focus on precision, minimalism and (quite frankly) rage being put into the impeccably plated dishes of The Bear, it's the messy, juicy, multi-ingredient filled Italian beef sandwiches that remain the site's best seller. Indeed, in 3x05 Children, Nat tells Carmy that the sandwich window is the only thing at The Bear making any money. So much for subtraction.

We also see Carmy resisting a total acquiescence to Chef David's approach to running a kitchen early on in season 3. His non-negotiables read in the hindsight of the entirety of the series like his attempt at integrating the lessons he’s learned from various kitchens. It’s why the list says “no repeat ingredients” AND “vibrant collaboration”. We know that vibrant collaboration had to come from someone else’s kitchen cos Fields certainly wasn’t collaborating with anyone. That asshole was out there dictating like a fascist.

Additionally, while Carmy has realised the dangers of the fine dining industry by the end of season 3 (and not for the first time - recall in 2x01 The Beef when he called the Michelin star system "a trap"), and while Sydney grapples with her role as an "accomplice" to Carmy's season 3 bullshit, their protégés Tina and Marcus continue to keep the flame of genuine care, collaboration and inspiration alive. This is most clearly seen during the conversation Tina and Marcus have in 3x09 Apologies where they discuss Marcus' mother and his memories of her as well as brainstorm ideas for Tina's cauliflower, brussel sprouts and horseradish dish (please for the love of gad, give us more Tina, Marcus and Ebra next season).

Challenging the status quo in the real world

There are also actual chefs in the real world who appear to be doing something different with their work: embracing their own food cultures that have historically been locked out of the world of fine dining and also trying to run their kitchens in more egalitarian ways.

Above clockwise from top left: Chefs Tim Flores and Genie Kwon of Kasama, Chef Adejoké Bakare of Chishuru, Chef Asma Khan of Darjeeling Express and Chef Mariya Moore-Russell formerly of Kumiko and Kikkō.

The first, most obvious example of this for The Bear fans is Kasama, (shout out to @currymanganese and @thoughtfulchaos773 for introducing me to the above linked, short doco) the Filipino American restaurant founded and run by Chefs Tim Flores and Genie Kwon (who also happen to be married) in Chicago. Kasama is also where Carmy and Syd were meant to have their palate cleansing "reset" in 2x03 Sundae and where Sydney may have also been hit on by fellow Coach K fan, Kasama bae (shout out to @sydcarmyfan for verbalising what I squee-ed about on first watch of this episode lmao).

Both Flores and Kwon come from fine dining backgrounds but appear to challenge some of that industry's basic tenets, including the messianic role of the EC as top of Escoffier's brigade food chain. Flores openly states that his cooking is an ode to his Filipino mother who regularly taste tests his food. In the Nick Cavalier doco linked above, Flores states "if [his mother Lolly Flores] eats [the food] and there's no reference to her dish at all, I'm not doing the right thing." Flores and Kwon also operate Kasama using a hybrid model (that I think would send regimental Escoffier into a tailspin) where they offer fast and casual service featuring Kwon's baked goods during the day and offer a Filipino tasting menu led by Flores for dinner service only. Kasama was awarded a Michelin star in 2023, the first Filipino restaurant in the world to achieve that title. It also took home a James Beard Award that same year.

Note: if you haven't already, have a read of this interview of Tim Flores and Genie Kwon conducted by the Michelin Guide. ISTG Storer and Calo have read this and lifted whole paragraphs for The Bear's script. An excerpt that stood out to me, in particular:

The two first met at Bib Gourmand restaurant GT Fish & Oyster, also in Chicago. "He was leaving as I was starting. So we didn't overlap for very long. But I actually went to eat at the restaurant that he was working at afterwards, and I had one of the best experiences of my life at a tasting menu. And after that we started talking and hanging out, and eventually started dating," recalls Kwon about how she and Flores first met.

Sounds a lot like a couple of Jeffs we know, yes?

Also check out Chef Adejoké Bakare, who in 2024, became only the second Black woman to get a Michelin star in the world (the first being Chicagoan Mariya Moore-Russell who announced in 2020 that she was taking a break from her career for her mental and physical wellbeing and who also...is married to a chef lol). Bakare's restaurant, Chishuru in London, specialises in West African cuisine rooted in Bakare's Yoruba, Igbo and Hausa cultures. Bakare, like Genie Kwon, has a background in biological sciences. She also began her career as a home cook, then ran a fish and chip cart while studying at university in Nigeria. Once she moved to the UK, she ran a supper club and later won the opportunity to run a short term pop up restaurant. During the ceremony where she got her Michelin star, Bakare noted "[i]t did feel rather odd at last night's ceremony that 90% of the room was white middle-aged men. But the passion I see among young women in the industry is such that I'm confident things will change."

Take also Chef Asma Khan, who got her start in the industry as a home cook and then began running supper clubs out of her house in the UK. She then opened up the Darjeeling Express with a group of South Asian women she had met when they were all fairly recent arrivals in the UK, none of whom had formal culinary training. To this day, her kitchen remains fully staffed and run by women.

In this TEDx Talk about her work, Khan says:

"I wanted to cook but I actually wanted to feed people. This gave me the greatest pleasure. I felt at my most powerful when I was able to serve someone something I had cooked. In some ways it was my way of showing affection and love, and being able to give them something that took them home."

Sounds familiar yes? Like a couple of Jeffreys in season 1 of a certain show?

About the systemic sexism in the industry, Khan says:

"But at that time, in England, anywhere in the West, everywhere you looked it was male chefs you saw that was on television [...] in the media. It was always about men who were cooking kitchens. The greatest irony of it all is that [...] in every South Asian home you go to, you will invariably find a woman [cooking] but in every South Asian restaurant you go to, not just in India but in Pakistan, Bangladesh, Sri Lanka, almost everywhere in the world, you will usually find a man cooking in the kitchen. And it was a desire for me that I wanted to cook but there was no road or route in front of me."

Khan elaborates further on the skewed and gendered manner in which elite fine dining operates, in this article:

“There is no public hanging [in her restaurant]. Male chefs have made cooking into a combat sport. I think it’s a reaction to the idea that cooking is feminine: I’m not the dinner lady! I’m not your grandmother! Sorry, but if you’re constantly screaming at staff it means you’ve trained them badly.”

Khan is describing the hyper-competitive nature of fine dining (and her suspicion that in a highly gendered industry that is populated by majority men, that there is a need to perform a hypermasculinity in order to put distance between themselves and the historically feminine-gendered roots of the act of cooking) and how Khan wanted no part of it, for herself, her staff or her patrons. In this Guardian article, Khan points her attention directly at the toxic work cultures of many fine dining institutions:

Khan sees herself as a vital heckler on the sidelines of the industry, rather than part of its elite club of star chefs. She is especially scathing of a macho restaurant culture that has allowed workplace bullying and abuse to become normalised – and of those who enable it.

“My deep concern during the pandemic is seeing very prominent people with considerable wealth remove the entire workforce without a safety net.” A surge of restaurant and pub workers were reported to be sleeping rough in central London in April, a fact Khan can’t shake. “It is so shameful, my heart bleeds for the industry, it is immoral. I don’t want restaurants to be ranked by Michelin stars for the fluff and edible herbs they put on a plate. I want to know how they treat their people, they should be ranked on that. Where there is bullying and racism, where there is sexual harassment, where staff don’t feel safe, people should boycott those restaurants. I don’t want to see them prosper.”

Honestly, after reading some of the horror stories about work place practices in the restaurant industry, I'm with Khan. I'm also with Flores, Kwon, Bakare and Moore-Russell. I reckon Storer and Calo are also with these folks too and that we're going to see a shift in season 4 of The Bear that reflects the larger industrial change in the world of fine dining that chefs like these are heralding.

The death of fine dining

Above: Carmy's phone in 3x05 Children

Like @freedelusionshere says here, I don't think its a suprise that season 3 ended with Ever's funeral. The fine dining of Empire and even Ever is dead. How can it not be given the way its been largely running to date, as discussed above? How can it not be when we are living in a time of severe food insecurity precipitated by runaway consumerism and the twin existential threats of global climate and extinction crises. How can anyone in good conscience justify charging exorbitant amounts of money on a plate that is not going to fill patron's bellies while there are communities worldwide who do not have enough food to feed their children? When some communities, even in so-called "first world" countries like America and Australia cannot access clean drinking water?

Truly, the argument for fine dining posited by Will Guidara in 3x10 Forever made me (and I'm sure many others) actually cringe.

There's nobility in this. [...] We can give them the grace, if only for a few hours, to forget about their most difficult moments. Like, we can make the world a nicer place. All of us in this room. We have this opportunity, perhaps even a responsibility, to create our own little magical worlds in a world that is increasingly in need of a little more magic.

There *is* nobility in nurturing people, in feeding them. But in a time of the multiple and rolling, global existential crises, where particular communities are being targeted not just for marginalisation but whole scale eradication, this is not a time for more "magic"; particularly when those "little magical worlds" are reserved for the select few who can afford them. We don't need more holes to bury our heads in. We need real spaces of care that are accessible, kind (read: not nice, but kind. there is a big difference) and nurturing. And those spaces need to be those things not just for the patrons who visit them but also for the staff who work there.

There is also literally no time for escapism, at least not of the kind that late stage capitalism promotes and as described by Guidara in 3x10. We are living at a time where food systems are said to make up one third of all greenhouse gas emissions, pushing the climate crisis further to the point of no return. What's the point of making magic worlds to escape an actual world on the brink? And while your magic-making contributes to the brink getting closer? Its like putting lipstick on a pig.

Indeed some have posited that it was the British Empire's remaking of the world to feed Britain (which we've looked at briefly above) that has been the single biggest contributor to the current environmental crises facing our planet. The Bear acknowledges the issue as well. Recall 2x04 Violet when Tina visits Jerry at the farmers' market and his explanation for why he has so little produce to sell:

Jerry: There's fewer and fewer moths to grow vegetables now, and 'cause of that, there's fewer and fewer farms. Used to be you could come down here, buy everything you needed for a full menu. All in one spot. Whatever grows together, goes together.

The reason there are fewer months to grow vegetables is because of climate change which has impacted on everything to season length, groundwater and rainfall levels (as the two main sources for global farming irrigation) and increased periods of drought and heatwave.

So whats next for The Bear?

Season 3 put us through the ringer with Carmy replicating toxic practices in his restaurant that are rife in the industry at large. Yes, Carmy also has mental health issues and is a survivor of multiple sources of trauma. We know this. I've talked about this at length here and here. But he's also a guy who's running his own business with folks who are dependent on their place of work for their livelihoods. As such, he, Nat and Uncle Jimmy (as co-owners of The Bear) have responsibilities to their staff.

As EC at The Bear who is directly responsible for managing BOH, Carmy has a choice to make about whether he "blows his trauma through" (shout out to Dr Resmaa Menakem and his book My Grandmother's Hands) the bodies of those closest to him, including the crew at The Bear. Just as parents have to work on themselves so that they don't replicate harmful patterns of behaviour in raising their children, so too do we all in our daily relationships, including where many of us adults spend most of our waking lives: at work.

Like Richie observed, Carmy is not integrated in season 3 but neither is the industry in which he's working. A menu that constantly changes, wasteful food practices, a food production and agricultural industry that contributes to a third of global greenhouse gas emissions leading to increased global warming. These things are absolutely not integrated. In many ways, Carmy's mental state in season 3 - anxious, agitated, exhausted, is a reflection of the times. Given all of the above, Carmy's "I'm so fucking sick of this" in 3x09 Apologies hits me harder in the chest. Yes Carmy, you should be. Now go do something about it.

Having looked at the career trajectories of a few talented, conscientious chefs in the course of writing this meta, I think its pretty clear that the old way of running restaurants a la Chef David Fields is over. As we sit at the precipice of climate disaster, watching multiple genocides unfolding at once, during a time of massive food insecurity, who the hell has time to be suffering in the way Chef David made his employees feel in the course of making food that is meant to nourish people? What fucking cognitive dissonance is required to continue on THAT kind of a path?

Come season 4, I reckon we are going to see a massive shift in the trajectory of The Bear. This will be precipitated by multiple things (like the review Carmy got at the end of 3x10 and whatever the fuck Uncle Jimmy is up to with that box and those golf clubs lol) but most significantly, by a realisation on Carmy's part that his version of Michelin mode IS NOT IT.

I reckon Carmy and Sydney are going to continue to work together but they'll go back to the original plan they made with one another in 1x08 Braciole. They're going to go back to family style. They're going to treat their staff better (after Carmy apologises lol). They're going to shift from wasteful, haute cuisine to sustainable food practices that support producers and the planet more broadly. They're going to leave Chef David Fields' scare tactic of subtraction behind and lean into using more pepper.

Above: Sydney's notebook as she workshops a recipe at home in 1x08 Braciole.

Tagging: @moodyeucalyptus @currymanganese @hwere @freedelusionshere @thoughtfulchaos773 @ambeauty @brokenwinebox @devisrina @espumado @fresaton @kdbleu @vacationship @birdiebats @bootlegramdomneess @mitocamdria @tvfantic87 @angelica4equity @anxietycroissant @turbulenthandholding @yannaryartside @afrofairysblog @ciaomarie

cos you may be interested but as always, I'd love to chat to whoever wants to about this stuff!

122 notes · View notes

mxleedy · 2 days ago

Text

i love this show so much cries

the last episode in review for inanimate insanity EVER!!!!

as always, SPOILERS FOR EPISODE 18 OF INANIMATE INSANITY SEASON TWO!!!!!

holy shmowzow

this was a fantastic episode, such a fun and satisfying way to end everything off yknow

let’s get into it!!!!

this first segment was heartbreaking.

seeing mephone reflect on everything he’s done and seeing the consequences of his actions was such an incredibly crafted sequence. his disassociation, his distance from what’s happening, it really shows how traumatic all this is for him. mephone has lost everyone he has ever loved, and he’s stuck with a man who has done nothing but demean and hurt him. he feels hopeless, and the song in this segment also gorgeously captures that.

his slow walk to the cliff edge, looking over everything he’s lost, only for cobs to pull him away? amazing, mephone’s not really there because there’s nothing to be there for, and cobs is trying to pull him back into reality.

this idea of like a cloud in mephone after everyone was deleted was so interesting, like i get it was forshadowed and all but its so cool that its so non-linear too

anyway, BOX?? i’ll be real, i was always a box hater, and i’m glad to know that alive box is too. she’s actually such a cool character though and i totally love her. her and suitcase both having experiences with drowning was so interesting too, like okay i see you brown retangular characters who were somewhat meek but grew from that and also have had bad experienced with water.

also, ahem ahem, new suitcase ship?

also, just because i understand that tumblr has a photo limit, seeing mephone stand up to cobs by warning the prime shimmer was wonderful. he’s finally taking action to amend what he’d done. granted, it didn’t really work out, but what matters is that he tried right?

i am so glad they canonically met

they’re two characters that have grown from their anger filled behaviour and (ultimately) end up making a sacrifice for the people they love. they’re also just violent idiots at some points, and i think that’s really great for them.

also, KNICKLE CRUMBS, 4s comforting knife after he expresses his upsetness about pickle ough my heart.

now all of the hug scenes were very cute but WHAT.

this felt like a 35 minute payjay makeout scene because i was not expecting this. salt’s total freakout was hilarious too, alongside pepper’s awkward congratulations, though i can tell salt will NOT be coping well with the realisation of the guy she’s pining over being gay.

also, i’m not adding the photo for this one, but the starfruit and guava drama went crazy i loved it

WAAAAAH

this was an incredible scene for mepad, because it really emphasises his core values. its clear that he adores the contestants, his actions since he’s arrived have made that very clear. but he’s also incredibly selfless, you have to be to make a sacrifice like that. he’s always seen potential in every character, and i think people forget that sometimes. he dislikes mephone because mephone doesn’t acknowledge the contestants’ efforts, and that he withholds information from them for his own benefit. he’s just such an incredible character

also, i’m honestly not all that surprised that the genocidal business ceo pulled out a branded knife to stab his creation, thats all i wanted to say.

this is such a pivotal moment for knife.

it’s representative of his atonement for what he’s done wrong as a whole. he sacrificed his safety for someone who despised him due to what heMd done in the past. he was the type not to tolerate these kinds of people, and its just wonderful seeing him overcome such things and move forth yknow

this was hilarious actually, also offering it up to mephone was insane

knickle crumbs,,,,,,,,, i love them so much

also knife becoming a ghost was hilarious to me because i’m currently writing a fic about PICKLE being a ghost but oh well new au i guess??

DO YOU SEE THESE LOOKS OK like you’re in love with him little buddy

also taco being petty about pickle’s forgiveness for mephone shows that she still has a really long way to go in terms of genuinely apologising, and i really hope she gets there eventually yknow

this was overall a really sweet ending for a fantastic show, and i am so happy it ended the way it did. sure it was a little silly at points, but inanimate insanity always has been. a bug musical number featuring all the songs from episodes past just felt like the perfect way to finish up a show like this.

as someone who’s been watching this show since 2015, this ending meant a lot to me, because its an ending to a big part of my life as well (to a degree, i will not be ceasing posting). and i feel like this episode beautifully shows that yes the future’s unpredictable and unknown, but that doesn’t mean you shouldn’t keep going anyway. build your own future yknow!!

but yeah, this was fantastic, and words cannot express how grateful i am for inanimate insanity as a whole. thank you animation epic, for everything.

#cobs is such an asshat i hate him #box was such a jumpscare holy shit bro turned around and i was like OH MY FUCKING GOD WHAT #and then she started talking and i was in disbelief anyway #no fr suitcase and box being similar was so interesting #that whole sequence of suitcase in the water was so interesting #mephone standing up for the prime shimmer was actually great and it was so good to see him to do that man #4S AND KNIFE 4S AND KNIFE 4S AND KNIFE #no because i love this duo so much i didnt know i needed this #also knife punching 4S only to get clapped back harder was funny af LMAOO #okay ong i felt like that whole montage with all the duos reuniting was basically just confirming ships and feeding shippers LMAO #BUT ESPECIALLY PAYJAY??? LIKE???#THEY MIGHT AS WELL HAVE JUST MADE OUT THEN AND THERE BRO #THE BLUSH ON PAPER??? THE HAND HOLDING??? IT LOOKS LIKE OJ IS ABOUT TO PROPOSE ONG #also i hate to say it but salt would totally have a homophobic arc if the show continued LMAOOO #but that’s okay because it sets up perfectly for all the fanfics teehee #ong starfruit and guava drama was NOT on my bingo card but im eating it up #STOPPP MEPAD NOOOO #one of the best characters hands down #hate that he had to sacrifice himself #NO LITERALLY EVERYTIME I SAW THE BRANDED KNIFE I MENTALLY GIGGLED BECAUSE????#we stan knife he’s great #anyone up for some popcorn though like #that was insane to watch but so good and funny #cobs absolutely got what he deserved by getting blown up into popcorn by suitcase #knickle AAAAA knife being a ghost now gives so much potential for fanfics hehehe #while i do think taco has a long way to go i also think it was a valid response at that time to be petty LMAO id do the same ngl #also only mic heard her say that so it’s alright id say just as long as she knows its not really right #stop the big musical number had me in shambles like holy nostalgia and shit bro it had me sobbing waterfalls #in fact i think i cried at least 5 times during the episode so uhm yeah #ii s2 ep18

21 notes · View notes

kandlewick · 6 months ago

Text

since its taking so long, im gonna drop a preview of my leona's ''i'll dry the villain's tears'....... this one is special because i unfortunately decided mid writing that i wanted it to be romantic but alas that means i had to scrap a lot of twst lore to fit my narrative hghfg so think of this one as an au to my usual entries. an interest check. these entries were MEANT to be strictly platonic but a few of them (leona, MAYBE azul and malleus (between lilia and the reader)), just gave me so many ideas.

SO IT IS UNFINISHED! its 4k words but still unresolved unless people like, want me to scrap twst lore as heavily as i did in this lmao

i'll dry the villain's tears pt. 3.1415926535897

you get reincarnated into a role that became the breaking point of the villain's story and you, be it an unwillingness to cause them harm or a desire to survive, must work hard to make sure they grow into a better (or at least safer) person.

all entries are USUALLY to be read as platonic however this one wouldn't go away. All are USUALLY meant to be taken place in the TWST universe accurate to the game but this one is special because I love leona and he'd be so cool as a manwha love interest.

You awaken one day with perhaps the largest bump you've ever seen placed nearly perfectly center on your forehead. You don't remember how you got it exactly but the two princes never left your side (Falena would not stop crying and despite his claims of laughter at your expense, you can tell his brother was equally worried), only being dragged away by their tutor as soon as they let their guard down.

You looked down at the hands on your lap and clutched your fists open and closed over and over again. Gone were your long fingers and wide palms, instead you looked down at the chubby hands of a child no more than six.

From what your handmaiden had told you, the three of you had been playing spelldrive together and Leona, in his eagerness to best his brother, had shot the disk perhaps a bit too strong and instead of flying in to the goal, it had changed course and struck you hard enough to knock you unconscious for the rest of the early hours of the morning.

You remembered this event. It's what led to Falena's betrothed sticking closer to him and farther from Leona. What once was a well balanced trio had become a teeter totter with Falena and her on one side and Leona alone, unable to change anything with what little weight he had to offer.

Falena's betrothed; that was you. From the story you had read, the two were deeply in love and ruled the kingdom hand in hand towards a brighter future... all while unknowingly leaving the youngest brother in the shadows, forgotten and alone and desperate. You couldn't afford for that to happen.

You don't see the two of them until late that evening. Falena looked exhausted, like the tutoring had beaten any last bit of energy he could spare and with a loud yawn, had eagerly hopped into the cot next to you on your right. Leona was slow to join the two of you but settled himself to your left, his shoulder bumping yours as you turned to give him your attention, curiously returning the gesture. Leona matched your gaze, looking you over for any signs of pain before he opened his mouth.

"You look ridiculous," he spoke aloud, glancing at your bruised forehead. Subconsciously, you reached up and checked the tender spot and gave him an unimpressed look.

“I only look like this because you can’t shoot a disk right.” You huffed, choosing to ignore his presence, instead cuddling up to Falena who was more than eager to reciprocate, easily wrapping a comforting arm around your shoulder and nudging your chin in a friendly hug. “At least your brother is being nice to me.”

However, despite your teasing voice, Falena was quick to come to his defense, “Leona’s just not good at showing he was worried about you. You should’ve seen his face when he saw you fall over, I’ve never seen him run that fast in his life.” Leona rolled his eyes but made no response as his brother laughed, choosing to settle himself in your cot while closing his eyes, his tail lazily curling up behind you. Your beastman tail - you don’t know when you would ever get used to that - sat itself besides his, curling the two into a gentle hold. Leona glanced over at you from the corner of his one opened eye but chose not to comment about it.

Even at your young age, you could tell that Leona communicated in a particular way. His words may be harsh, but his actions were tender.

“Mmm, someone had to.” Leona muttered, nuzzling himself deeper into the pillows, “Falena was too busy crying about you to be of any help.”

Falena made no effort to deny the claims and sheepishly smiled at you, “He is not wrong, haha. I was very worried for you! You should’ve seen the maid’s face when they saw you passed out in the field!” He reached out and plucked your hand into his. When you looked at him, you could still see the red dotting his eyes from how hard he had cried. It was no wonder your body’s original owner had fallen so head over heels for this boy. While he and Leona were brothers, they couldn’t have been more night and day.

“You shouldn’t have worried too much, Falena! I’m fine, really. Kifaji said that I should be fine in a few days.” You waved his worry off with your hand, gingerly pressing the tips of your fingers against the small lump, “There wasn’t a concussion or anything but he wanted to make s- Hm?”

Falena and Leona both looked up at you with wide eyes, both of their gazes making you feel small. You slumped in your seat and blinked at the both of them, silently feeling sheepish all of a sudden, “Is something wrong?”

“Why are you calling me by my name!” Falena looked almost scandalized as he let go of you, his hands floating at your sides like he was too scared to touch you, “Are you mad at me? Did I do something wrong?”

“Eh? Eh?”

“Looks like I hit her a little too hard.” Leona chuckled, watching in barely contained amusement as his brother’s soul practically floated out of his chest, “What happened to calling him, ‘husband’?”

This body’s former owner was a precocious little child, wasn’t she!!! You couldn’t believe the audacity, calling your ten year old fiance ‘husband’!

As required of any royal belonging to the Sunset Savannah, you were expected to build lasting relations with other tribes and honorable guests much like any other adult and as such, other than the two royal siblings, you were given many playmates. Some were older than you and some were younger, but they were many and varied and always tried to stay on your good side. And as such, they were exceedingly worried about you when you arrived late to your most recent playdate with a freshly bandaged head.

“My liege, what happened!” the youngest cried, quickly latching on to your arm, tears welling up in his shiny eyes, “Are you alright? Does it hurt?”

You waved them off with your hand, a soft but embarrassed smile on your face. Their eyes watered, their large elephant beastman ears flopping up and down wildly as they looked you over head to toe for any sign of injury. You could hear them loudly sniffling as they bit back tears. They’ve always been a bit of a crybaby from what your memories could tell you. A shy, but friendly young boy… if a little bit of a hypochondriac. One of your older playmates rolled her eyes but you could tell she was worried by the subtle way she refused to leave your side, glancing over at you from the corner of her eye.

“I can’t believe Prince Leona would do something as clumsy as hurting his brother’s fiance!” One of your newer playmates huffed loudly, her eyes narrowed in annoyance, “Really, he’s lucky his brother forgave him so fast - ah! You as well, it’s good you forgave him too!! He doesn’t deserve it if you asked me!” She huffed loudly as she played with your toys, her jaguar tail batting the floor loudly. She paid no mind to your two companions sounds of offense, instead choosing to meet your gaze from over her shoulder.

You blinked at her, your eyes wide in confusion. Your two other companions matched your expression, the two of them surprised she would dare to say anything like that outloud. Leona hadn’t meant to hit you after all! You were playing…

Your newest playmate, so new you could hardly remember her name scoffed at the three of you, obviously annoyed you didn’t join her in her thoughts. “For real, who does he think he is? He’s the second son, he should be bowing on his hands and knees at your feet! You’re the future king’s fiance, he should be grateful he’s even allowed to play with you two! W-”

You don’t know what came over you and why you did it, but you felt your body react to her words, and somehow, your fist made contact with her cheek sending her sprawling on the floor. The sound of her collapsing was loud enough to shock you out of your stupor, a dull ache throbbing around your knuckles. She looked up at you with wide eyes as she cradled her cheek, you staring down at her with equally large doe shaped eyes. You couldn’t believe you had just done that!

“Leona is my friend.” Your lips began moving before you could even think. You were firm on this even as tears began welling up in your eyes. Ah, you sighed. Even if your mind isn’t young, your body still is shaking like a leaf. The hand you had punched the child with quivered from nerves. “Dont - don’t speak that way about him!” Your voice raised in pitch, “His brother and I love him very much!”

The little girl bared her teeth at you, unwilling to take your actions lying down, “How can you say these things? He hurt you!” She hissed.

“It was an accident!” You matched her tone, the sadness quickly evaporating into anger, “Sometimes accidents happen when you’re playing! He’s good and kind and would never, ever hurt me! Ever!”

Your shouting was quick to alarm the servants stationed outside your playroom’s walls. Kifaji was the first one in, eyes sharp as he immediately separated you from the other children, stepping in the way with his back to you. “What is going on here?” He questioned. There was no room for nonsense in his expression and his words matched that as he gazed around the play area. The girl cradled her cheek as she glared at you, unwilling to speak up. She may have made the mistake of bad mouthing the second prince in the presence of other children, but she knew better than to say those words around another adult that wasn’t her own parent. Kifaji raised his brow at her silence before turning to your gorilla and elephant companions, silently questioning the two. They shrunk under his glare and made no move to open their mouths instead choosing to nervously shuffle closer to you.

You tugged on Kifaji’s robes, the fabric soft between your trembling fingers. Glancing over at you, he leaned down and crouched to match your gaze. While his eyes were hard and strict, you could tell that he cared about you and the princes. He would listen to you. You could trust him.

“She was talking badly about Prince Leona…” You whispered to him, “so I punched her.”

Kifaji made a face, but nodded his head slowly. You hoped he understood. With a heavy sigh, he gathered up his robes and picked himself up.

“Come along,” He gestured to the girl, “Let us find your parents. I believe the playdate has come to an end.” and with a gentle hand, he helped her up as she began dabbing away at her eyes but not before shooting you a glare from over her shoulder. You stuck your tongue out at her. As soon as the adults exited the room, you quickly reached up and wiped away the tears staining your cheeks before returning to your friends, the mood sufficiently ruined for the rest of the play date.

It wasn’t until later that evening that Kifaji returned, a cross expression on his face. The guards at his sides were quick to disperse as he approached you, his robes billowing out behind him like colorful plumage. With practiced precision, he kneeled down to your eye level and reached out, bringing your small hands into his. His rough hands itched against your soft ones.

“What you did today could have ended very poorly, my liege.” He spoke softly, but his tone was firm, “You must remember, your position here in the palace is not final. If you cause too much of a ruckus…”

Was the king’s advisor really telling you to ignore this? That you should let Leona be bad mouthed by those in power? You were quick to glare at the older man, ripping your hands away from him and taking a few steps back, eager to separate the two of you.

“I’m not going to let people say whatever they want about Leona.”

Kifaji, shocked, stared for a moment before narrowing his eyes, “This is what I’m talking about, my liege. You are too quick to anger. You must calm yourself. I am not saying you must ignore the problem, but what I am trying to say is, your position in the palace as Falena’s future spouse, is not permanent.”

You hated to admit it but he had a point. You bit your lip but said nothing, cowed under his words. It was the truth. If you wanted to protect Leona, despite having the best intentions, you couldn’t exactly expect to have the sway as an adult. You were a child and easily replaceable. A glorified playmate.

“That is why, my liege,” Kifaji brought himself to his feet, dusting off his robe with a flick of a wrist, “you come to me.”

You turned and looked at him, not expecting the protective glint to his eye. He nodded his head before continuing.

“I will make sure that these things are handled correctly without repercussions. As the king’s advisor, I am not so easily replaceable.” He chuckled, fixing his glasses with a precise motion, “I will admit I am not as… in touch with the other servants in the palace and diplomats are always so careful with their words around me, it’s difficult to gauge their true intentions but with you, they will surely slip up and speak more plainly then perhaps they should.”

You stared up at the man in awe. You couldn’t believe your luck! Kifaji was taking your side and was going to actively help you in your quest to project Leona. Maybe before he was never given the opportunity, never had the time to set aside to investigate. Maybe he never knew. Now, however, he was given the chance with you to defend the prince. You very nearly teared up but were quick to wipe them away as Kifaji laughed, his hand reaching down to ruffle your hair affectionately.

And so the two of you were quick to act, swiftly cutting contact with merchants and dignitaries that shared less than favorable feelings for the second prince. You and Kifaji would have monthly meetings together with snacks courtesy of the king and his wife as you spoke of matters in the palace. You had a special role, scouting out and spying on maids and soldiers that gossiped in the servant’s quarters. Nobody expected anything when you even brought in your two playmates, Magani and Akut (the gorilla and elephant beastmen respectively) to join in on the spying. This carried on for several years as you heavily vetted all coming through the palace all without letting Leona see the work you pulled behind the curtains. All the strings and wires were yours to control and you were going to make good use of the opportunities you were given.

But, for some reason, Leona never seemed to want to leave your side. While you worked on your schooling, he would sit and while away the hours under the light of the sun from his favorite perch right beside your desk. Even in this life he was a lazy lion, preferring the quiet you brought then the loud personality of his elder brother. Sometimes you would join him on his naps, your tails quietly intertwining in a silent embrace. It was a comforting feeling. Moments like this were always a relief after the hours you and Falena had to spend together in your diplomacy lessons. A lot was expected of you as the future queen of Sunset Savanna. There were many late nights where you both stayed up till the crack of dawn together, stubbornly unwilling to give up with tears in your eyes as you studied until your vision blurred. It wasn't an uncommon sight for Kifaji to find the two of you bundled up together with books piled at your feet in the early hours of the morning.

Afternoon lunch dates with Falena and Leona were also rowdy and fun. While Falena was always quick to stay by your side and fight for your attention, Leona was seemingly content with letting your future husband monopolize your time. It wouldn’t be uncommon for Leona to doze off while Falena tried to do ‘couple-y’ things with you

It was all perfect.

Until Falena was accepted into the Royal Sword Academy.

“You’re… breaking our engagement?”

#twisted wonderland x reader #twisted wonderland reader #twst x reader #twisted wonderland #leona kingscholar #leona kingsholar x reader

232 notes · View notes