#this one has been in my inbox for a while

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[qqueenofhades]

I bought your 'Empire' the other day (which I am excited about; I haven't started it yet), but somehow completely missed that you had written historical fiction, and about the Plantagenets, my favourite historical dynasty, so I'll be jumping on that.

I was wondering if you had recommendations for historical fiction set during the Plantagenet reign? I've tried Sharon Kay Penman and unfortunately didn't get on with her writing, which is a shame as I've heard good things about her series. I know Philippa Gregory has several novels set during that time period, but her books seem to be verging on bodice rippers, which isn't what I'm looking for. Was just curious if you had any suggestions for well-researched fiction set during the Plantagenet reign.

This ask has been sitting in my inbox for several days (my apologies) largely because I was trying to think of a more helpful answer for you. Medieval historical fiction is VERY hit and miss for me, not least because it is often written by people who, uh, are not historians and thus have Certain Ideas (TM) about what the medieval period is like. Or they want to use various aesthetics, or they want to make some (usually questionable) point about how women were treated in the past, or they just go whole-hog on total nonsense. As an example of all of these things at once, let us all stare in horror at this recently-released book description together:

(The book is called the Stone Witch of Florence, by the way. I took one look at this and ran screaming. WHY.)

A stone witch?? So she channels the power of gemstones like a modern-day Instagram healing crystals influencer??? BUT ZOMGZ WITCHCRAFT. In the middle of the Black Death. "Unorthodox cures" you say. But they also need holy relics for protection, and I totally trust the author to understand about medieval hagiography/cult of the saints. Totally. We definitely won't get some half-baked comparison between Sekrit Women Magical Gems Which Really Work and Dark Ages Church Superstition Holy Relics Which Are A Fraud, or.... something??? And our nobly mistreated protagonist will super definitely be a real physician if she gets these and never ever accused of witchcraft (which LET US ALL SAY IT TOGETHER IS AN EARLY MODERN THING!!!!) Because medieval medicine was just a bunch of gemstone vibes anyway! Makes total sense!

...my head hurts.

Anyway, while not all examples are this egregious, the point is: I love historical fiction, but I almost always can't read it when it's set in the medieval era. I read Sharon Kay Penman a while ago and enjoyed her stuff at the time, though I have assorted gripes with it on a stylistic/historical level. While Philippa Gregory does have real academic credentials, she likewise has gone totally down the bodice-ripper alternate-history crackpot theory Secret Women Magic version of things, which is... fine if that's your jam, but just like you, it is not mine. I thus have to read fiction which is set in other periods or which I know less about or where at least I am more capable of turning off my brain and accepting things for the sake of the story. So as you see, I unfortunately don't have many useful suggestions for you in this field, since the kind of medieval historical fiction that I like to recommend is, say, The Name of the Rose. Which is terrific and written for someone of a professional medievalist's level of knowledge, but is not exactly everyone's cup of tea when they just want something fun and easy to understand.

I am, of course, happy to give other book recommendations if you'd like to broaden your request, and I'll do my best to think -- but yes! As I said, I wish I could be more helpful here. I shall persist.

(Also, of course: thanks for buying EMPIRE! I do hope you enjoy.)

[queer-ragnelle]

Understand is is a very weird question to get out the blue so no offence taken if this gets left in the inbox, but I was wondering how (if at all) to integrate transgender knights into arthurian retellings/adaptations ect while trying to keep it vaguely true to the medievalisms of the whole thing? I know its easy and liberating to just go 'fuck it everything queer' and its a totally valid way to go about it, but (as a trans person) I like having a narrative examine queerphobia and other structual issues with the setting - gives the whole thing a bit of meat (in my personal tastes). That being said, it feels like its a nightmare to try and have a transmasc knight stay stealth in this place! Everyone feels like theyre getting stipped and tended to after breaking a rib in a joust or merlin shows up and is a dick about pronouns and outs you to get you married to a Roman king. Stuff like that - things that feel a little easier to dodge when its a civillian character, not an ruling class.

Is this a 'kill the cop in your brain' kinda deal? As a queer storyteller yourself do you have any tips or strategies or tools you use to crowbar this kinda stuff a little easier together? Or do you know any stories/retellings/academic texts ect that cover these kinda things (even if its in a 'for the love of god, don't do that' way). Love the work you do for this fandom a lot, regardless of your answer! Hope you have a good day.

Hello anon! This is a great question.

Now let me preface this by saying I’m not transgender and I’m not a medievalist. There are plenty of trans medievalists on tumblr, but I’m not one of ‘em. So my answer is coming from a queer but cis author and enthusiast perspective. I'm going to provide lots of links to read things as well so everyone can draw their own conclusions from the material.

I think a large part of this does come down to “kill the cop in your head.” But at the same time, I’ve been exactly where you are wondering, “How can I make this story feel authentic to its era without torturing the trans characters?” Because you’re right, there’s a lot of nudity and close proximity interaction between knights in the medieval stories and Merlin is totally the type to be a dick about pronouns. I've also searched and struggled to find a medieval-set story that manages to incorporate queerness in a period-appropriate way (so far as we can guess) while balancing the narrative as to not tip into something deeply unpleasant for the target audience to read. (See: the series by Lavinia Collins, which has great queer rep, yay! But tons of horrors previously unseen and still unnecessary, boo!) So where does that leave us?

Well first I’m going to give you an example of how not to handle transness in an Arthurian story....

The book Once & Future and its sequel Sword in the Stars by Amy Rose Capetta and Cory McCarthy went with the phenomenon you already described as, “fuck it, everything queer.” It doesn't take place in the past, but does use the medieval stories as more than reference, it's not as divergent as something like Port Eternity by C. J. Cherryh, the reincarnated characters do interact with the past directly at times, so I'm using it as an example.

Anyway most characters are either gay (umbrella term) or trans. Except the way trans characters are treated sucks majorly (in my opinion). I completely lost faith in book 1 after the introduction of Lamorak, a gender fluid knight who uses they/them pronouns. Merlin misgenders them and gets corrected by Kay, to which Merlin does this whole self flagellation routine about. Lamorak is also disabled, missing their left hand. (Why isn't it Bedwyr? Anyway not the point...) Lamorak gets no dialogue here whatsoever, all agency is completely stripped from them regarding their disability and their gender identity. Double whammy.

This is worsened when Percival gets introduced, as Merlin then makes a point of asking for pronoun clarification in the most obnoxious way possible. To which Percival takes no offense at the weird slight against his sibling and tells Merlin his pronouns.

But what about the sequel? Surely these two queer authors improved with time.....

Is this a joke? Is this the best way they could indicate the inclusive realm of Avalon? Why not just describe the women as they are, all shapes and sizes, and let the reader figure it out? The authorial intent would be so obvious by this point. Instead they say it… like that. Gag.

It only gets worse when Mordred is born. Then they're weird about a literal infant.

What in the bio essentialism? If the characters have been living in a future that’s broken out of the gender binary, the baby’s genitals should be irrelevant. Gwen’s literally saying Mordred is going to fulfill the evil prophecy because he was born with a penis. Even if this is intended to be a teaching moment, I hate how it’s handled. These quotes are in order of appearance in the books, so after the subtextual implications of all that came before, this last part really doesn’t sit right with me. Sorry I find these books completely abhorrent. They've won awards, they’re beloved by many. Maybe it's me. But no thanks.

Honestly, so long as you're not blatantly offensive with your handling of such things, I think you'll be fine. It's important to remember that even if one is part of a demographic they're depicting, it's always a good idea to hire sensitivity readers and take that feedback seriously. Not everyone will love your work, there will be advice you don't utilize, with time you'll be able to weed out the bad faith feedback, (the "all depiction is glorification" crowd) and ignore it. But it's so important to open oneself up to constructive criticism so you can learn and your work can develop into the best possible version of itself.

Now let's get to some ways you can go about researching a way to do this that fits in your story. It’s important to remember that throughout human history, many people lived stealth their whole lives and we don’t know about them for that reason, not because no transgender folks ever lived authentically and happily in medieval times. So it’s never impossible to incorporate a trans character into a story who experiences no direct violence, even if the world they live in isn’t presented as a queer utopia. The other thing is that public opinion regarding queerness, cross dressing, etc have varied a lot over the centuries and were vastly different depending on location. Not every “woman” found in armor would have been treated as poorly as Joan of Arc. So there’s lots of wiggle room for interpretation when you go about writing these narratives. The majority of my examples deal with the ruling class so they address the concerns you mentioned with added scrutiny a noble would face if they were to experiment with gender presentation compared to a commoner. I’ll be spoiling the plots of everything on the list to make clear why I’m suggesting them.

My initial advice would be to read medieval literature with queer themes followed by essays on the subject. The best examples I know of are:

Yde et Olive

Transmasc knight (good ending). 12th century French romance. Yde’s mother Clarisse died giving birth to her & later when Yde reaches maturity, her father makes advances, so she disguises herself as a man & flees. Yde becomes a successful knight & is married to the king’s only daughter, Olive. When it comes time to consummate the marriage, Yde must confess the truth of his identity to Olive, who vows to keep it secret. This is overheard by the king who then attempts to uncover Yde’s identity but is stopped by an angel who chastises the king for harassing such a good vassal. Then Yde is transformed into a man, the king dies, & Yde is able to have a child with Olive. They name him Croissant as if it couldn’t get any more French than it already was. Anyway the story alternates pronouns for Yde given the situation which is pretty neat & in the end he gets to live his best life! Yay!

Le Roman de Silence

Transmasc knight (bad ending). A 13th century French romance about a baby girl named Silence. Silence is raised as a boy because King Eban won’t allow women to inherit property. Like many medieval romances, the hero's adventure is often punctuated with personified emotions (Dame Fortune, Lady Love, etc) but Silence is tormented by Nature & Nurture as he comes into adulthood. He becomes a knight & eventually takes on an "impossible" quest, to capture Merlin, which supposedly can only be done by a woman. Content warning for the ending, it does not go well for Silence. Merlin reveals his backstory, & he’s forced to take a feminized version of his name, live as a woman, & marry the king to keep his lands.

Wigalois by Wirnt von Grafenberg

A 13th century German romance that follows Gawain’s son, Wigalois [Gingalain], but this ain’t about him. There’s a character Marine who fights as a knight. She’s consistently referred to with she/her pronouns, but she’s renowned for her knightly virtues & fights alongside the men in the war. She’s treated very well narratively & dies in battle after apprehending a high-value hostage. Everyone mourns her & there’s a big funeral held in her honor. So even if Marine never presented herself as a man the way Yde or Silence do, she provides an example of a female thriving in a male role. Food for thought.

Parzival by Wolfram von Eschenbach

Another German banger from the 13th century. This one’s about a cis male knight but Parzival has transmasc vibes. Trust me. Here’s my favorite article about it called The Clothes Make The Man - Parzival Dressed & Undressed by Michael D. Amey that really illustrates what I mean.

After that, you can check out these retellings:

The Story of Silence by Alex Myers

I bought this but haven't read it yet. It’s a retelling about the aforementioned Le Roman de Silence. This book uses neutral they/them pronouns to refer to Silence, which I can say from experience sometimes causes confusion with readers, so it's good to study how this author did it & determine if that method feels right for you. (If you ever decide to do something like that with a character.)

Spear by Nicola Griffith + Spear's Author's Note

I enjoyed this one, beautiful prose. It didn’t feel like the most comprehensive Grail Quest retelling, but Peretur can be interpreted as a butch lesbian or transmasc, it’s ambiguous. She only uses masculine pronouns when stealth, otherwise using she/her, but it has a happy ending! It’s firmly set in the era & felt authentic on that front while letting the queer characters relax. Peretur isn’t alone. (A/G/L enjoyers keep winning + sapphic lady of the lake ftw + the other hotties Peretur pulled.) Definitely worth checking out.

The Bright Sword by Lev Grossman

This book just came out in 2024. Including it here is already a spoiler given the topic but I’m going to spoil fully from this point on so ignore this if that’s a problem. This is the best example I can give for your reading/writing tastes based on the ask; Dinadan is a trans man. His transness isn’t revealed in the main character Collum’s pov, but in Dinadan’s backstory pov, opening in his childhood. He & his twin brother were sent to different schools but young Dinadan would leave the girl’s school to practice knightly skills with the fay, which retroactively explains why he has a fairy sword that Collum was admiring. In exchange for this training, the fay ask that Dinadan slay Merlin. Which he agrees to while never believing he actually can, but the wrath of the fay in the afterlife is worth his ability to live as a knight. I love how it was all handled firstly because Dinadan has a fighting style that works for his smaller frame & because every knight has a different fighting style (Dagonet’s is “If it sucks hit da bricks.”) Dinadan doesn’t stick out like a sore thumb yet his physicality is accounted for. Secondly Dinadan explains the lengths he goes to in order to stay stealth from obvious ones like binding his breasts to pretending to shave his face every couple days & wearing a packer. Later on, Dinadan’s secrets are revealed when he goes swimming in the ocean with Palomides (who evidentially already knew) & Collum joins them. Collum had no idea, which I think brings up an interesting point about all of this which also reminds me of Gawain not recognizing that Beaumains was Gareth—the power of expectation. Just as Gawain expected to find a kitchen boy & would have no reason to assume his brother (who hit puberty since they last saw each other) would be stealth in the kitchens so therefore didn’t recognize him, Collum expects to find men as knights of the Round Table, so when Sir Dinadan is introduced, & Collum had heard of him before, Dinadan’s stature & high voice don’t register to Collum as anything but traits that this guy Dinadan happens to have. Learning Dinadan’s secret in the presence of another knight who already knows & is chill about it also encourages Collum to be accepting too. So giving Dinadan at least one ally in his corner throughout the story went a long way. In the end Merlin, who can only be killed by a man (which is why Nimue had to settle for sealing him away) is stabbed by Dinadan. So it’s like a reverse Silence/Éowyn situation that Dinadan’s gender is affirmed in his ability to kill Merlin. This book also includes the part from Le Morte d’Arthur where Dinadan’s forced to wear a dress, which in this context is very transphobic, but that’s the point. It’s made better when Dinadan gets to go insano style on Merlin so he gets payback. Just a heads up about that.

Some fantasy/scifi that’s not Arthurian but may help, as Arthuriana is largely fantasy to begin with, this may help you determine where on the spectrum your taste/writing falls regarding the bending of reality/history to fit your narrative.

Orlando: A Biography by Virginia Woolf

1928 novel about a character named Orlando living during the reign of Elizabeth I. Orlando is born male, then at some point in his early adulthood, falls into a deep sleep from which he awakens the exact same person, now metamorphosed to be female. Orlando, for her part, adopts this new role immediately & keeps on moving. She lives for 300 years as such & has many adventures, including an instance where she then presents as a man to elude marriage. Transitioned so she could cross dress in the other direction. She would’ve done numbers on tumblr. Ultimately, Orlando does marry… a gnc sea captain! The success of their marriage is attributed to their similarities in gender non-conformity. Even though this book only remains in the late medieval era for the opening, I think it’s a poignant example of a transgender individual living their life in their time & still getting to enjoy themselves without excessive suffering that may provide lots of inspiration.

The Left Hand of Darkness by Ursula K Le Guin

1970 Hugo & Nebula award winning novel. A fascinating examination of gender from the point of view of a cis man named Genly Ai having to reconcile his interpretation of the gender binary when confronted with a society who operates outside that. His travels with ambisexual Estravan challenges what Ai understands about the universe. His ignorance forms the backbone of the narrative as he grows close to a person from this other society. Even if it’s not a medieval setting, it may help you develop a narrative voice regarding this subject you’re able to bring to your work. Also it’s just really good.

The Privilege of the Sword by Ellen Kushner

2007 Locus award winner, Nebula & Gaylactic Spectrum nominee. High fantasy medieval setting. Katherine is a country girl brought to the big city Riverside by her uncle the Duke where she’s offered the opportunity to train as swordsman (ie cross dress) instead of political marriage. She’s unsure of the reasoning behind her uncle’s motivations for doing this, but goes along with it & kicks ass. A preview is available on Google books (linked).

The Realm of the Elderlings by Robin Hobb

This is my favorite series ever. It spans 16 books published between 1995-2017. The fandom on tumblr & ao3 is hugely active. (Avoid tags to dodge major spoilers or check it out for amazing art & many quotes!) The series has many gnc characters in a fantasy medieval setting. First & foremost, The Fool, who’s in all the books & whose gender ambiguity is mentioned book 1, to which he says, “None of your business.” The character ever. Without getting too specific, there are several trans characters including gender fluid characters who will alternate between masc/fem presentation & pronouns. This is my favorite example of gender fluid characters in any fantasy I’ve read, especially since there are several & each feels unique. In The Liveship Traders trilogy, Amber coaches another woman how to hide her period while pretending to be a ship’s boy by using a sock, so if anyone finds the blood on it, she can say she cut her foot. Little things like that really deepened the realism in an otherwise fantastical story for me, because addressing those details answers questions my overly analytical mind would ask & wonder about if unacknowledged.

Lastly I'd like to suggest the article Armour of an Alienating Identity by Jeffrey Jerome Cohen. While it doesn't mention Parzival (the text), it does mention Perceval (the character), as well as Gareth Beaumains, Lancelot, Gawain, Yvain, and even Arthur himself. It goes on to reference endless examples to support its thesis including Greek heroes such as Achilles and Odysseus with references to many different medieval stories from Old English Beowulf to the Irish Ulster cycle to the works of Geoffrey Chaucer. Most (if not all) of the texts mentioned in this essay can be found on my blog for cross reference if you desire, although the article already contains many quotes.

Okay I think that’s all I got. I’ve given you a ton to think about and read. Ultimately I don’t think there’s a clean cut answer for this. Nuance, you know? Having hired an editor and many sensitivity readers myself, it really is just a professional a vibe check sometimes. You write what you want to the best of your ability, then other people weigh in, and you keep tweaking it until it’s as good as you can possibly make it. During development, and even in its final form, there will be people who don’t enjoy your story and that’s fine. It isn’t for everyone, it’s for you and your audience. No single experience in this life is the same so each fictional depiction emulating life will also be unique, there’s no “right” answer on how to write this or anything else, only the way you want to.

Hopefully now you have some tools to help you learn how best to express your vision. I know they gave me a lot of insight and ideas I lacked before when writing trans characters in my books. Thank you for trusting me with this question and good luck with your project! Take care! :^)

[eowynstwin]

So, Ikea and Bunny. I need to talk about them too, though no one has explicitly asked about them.

The truth is, I am still so fucking angry at those two. There is not a kind thought in me for either of them. Either my worst suspicions are true, and they conducted the whole affair from behind the scenes, or they were willfully stupid enough to swallow Myka’s story for the sake of their own blog engagement. Because I sure never heard of either of them before this happened.

Those two were needlessly and joyfully cruel to me. They languished in attacking my character, my maturity, my intelligence, the way I phrased things, or that I did not say what they thought I ought to. They called me a sociopath. Ad verbatim they said my brain "doesn't fucking work right."*

I have been VERY open for a while now about being autistic. I certainly already had it in my blog description by the time they came after me.

They went on to accuse me of poor reading comprehension, bullying, and abuse. They accused me of setting my followers on Myka. When I referenced one separate occasion in which I had a public disagreement with another blogger earlier this year, they spun that reference out into a HISTORY of influencing my followers to go after others I didn't like. (There was no request for clarification on my part before they took that and ran with it.)

Bunny even went as far as to explain what Myka's original post meant, the way a third grade teacher might, to prove her point about my lack of reading comprehension.** Bunny, just call me a fucking retard and be done with it.

Then, as people began to point out that they were in fact doing the same thing they accused me of doing, they had the audacity to remind everyone not to harass me. So it's okay when you forget about that, girlies, but guillotine for me because I forgot?

When the truth finally came out, they backpedaled REAL quick. I even got some apologies in my inbox.

Genuinely. From the bottom of my heart. Absolutely fuck the both of you. I didn't have you blocked until I left. In fact, the both of you FOLLOWED ME. You never ONCE tried to talk to me first anyway. You two saw your chance to tear me to pieces and you fucking took it.

Disclaimer, because I know these two people by now: this is no call to action for anyone to go after them. I doubt you could anyway, since all of their blogs have been inactive since June. (the-original-honeybun is crashtestbunny's main.)

But these two did permanent damage to my reputation within this fandom. Even if they were to delete every single post they made about me, there would still be versions of them circulating. Their blogs are still fucking UP, ostensibly for accountability, but exactly how accountable are they if they haven't actually been there to take it?

*Specifically Ikea. Scroll her blog if you need proof. The post is still up. **Also still up on her blog, crashtestbunny.

[divatakesontruth]

Why do people teach this?

First of all I’m not a teacher or anything like that, I’m simply someone who wishes to share her experience

Now there was something Sri sarvapriyananda said

It’s a story so I’ll say it.

There was a town behind a wall, the town was drowning in poverty, there was no color in the world , everyone was so sad and were all round just suffering , and that was all they ever knew ; they didn’t know anything like joy existed.

One day three men decided to look over the wall, and they found a beautiful paradise, green, healthy , happy. It was basically heaven on earth . They were so happy to have found it

The three of them made one choice each

One decided to climb over the wall and live in that paradise.

One decided to go tell others of this beautiful paradise so that they too may find joy

While the last one decided to keep living in the old town but from a completely different point of view. The world he thought he knew was not so limited anymore and he found peace in that and that was enough for him.

All of us are just like those three men trying to look over the wall and see (the true nature of our being )

This seeming plot line doesn’t cease when you awaken , no it’s still very much here

Many awakened people can decide to live knowing they’re not a person but however still continue to live in this seemingly wicked world

Some may decide to spread the news (like Ruper spira, Sri sarvapriyananda, Ramana Maharshi, being is it, @ko-existing @i-amyou @clochettesworld etc and all the people we seemingly learn from)

While some can decide to live in paradise

It doesn’t matter as long as Self has been revealed then , Nothing can be wrong

Why? Cause what determines wrong and right? Self is all that is and whatever seemingly appears is an energetic expression of this radiance.

Rupert spira has mentioned a few times that once you take these pointers and focus on the light of awareness, when Self shines through, you can go back to experiencing the world but now the way you seemingly experience it will change.

First of all you would regard everything as an appearance and the intensity with which life held you, will no longer be there .

A particular anon has been spamming my inbox insulting me and saying I copy being is it and koda . Haha I learnt from both of them so if there are similarities they are not intentional. You were curious about a lot of things and I hoped to have answer them here , also if you really are so intelligent (as you said one time) why bother sending things like that hm? If you know it’s all not real why do you send such hate for seeming people that are all one with you ? Don’t you regard your seeming intellectual dominance as another farce created by the mind?

Anyways if you keep sending asks, i could keep reading them if that will please you so but I won’t acknowledge you anymore

For everyone else , Notice

[tadc-harlequin-au]

Hi! Haven't asked anything in a while but if you had to asking a song from a musical to each character of the main cast, Able included, which would you choose?

Cause each one of your characters is giving Phantom of the Opera but they can't all be the Phantom...

(In the topic of musicals, do you like them? And if yes then which is your favorite and least favorite?)

(Wanted to ask something silly due to all the awful shit that has been flowing through your inbox, my condolences)

I'm not so well-versed in the musical scene, but I would like to say that Rewrite the stars from the Greatest Showman is lowkey Caine/Pomni core in a level that I and only ME can understand because I already have their story laid out inside my head and no one else knows about it except maybe one or two other persons that I infodump to like it is fucking insane I am going feral I cannot be contained LET ME OUT OF MY DAMN CAGE GRRRRRRRRRRR SET ME FREE FROM MY PRISON RAAAAAAAAAAAAAAAAAAAAAAAA SHAKING THE BARS OF MY ENCLOSURE

Guys you are so not ready. You will not be ready for the insanity that is my fucking Harlequin AUwe gotta get through a multitude of pain first...... to find happiness....... AUGH shakoing and crying and choking on my seazt my mental illness for this au is so powerful

Also, again. Not really that well-versed into musicals, but... Disney's Hunchback of Notre Dame........................ The Steven Universe Movie is also pretty good. erm

[br4inr0tx]

Here we go with another match, this time for 🐻 Anon!

Another note, yes I’ve been gone for like two months.. Halloween season is a busy season for me every year since my dumbass decided to become a scare actor. Even better, I got sick right after! Yay! Now I’m back, I’m going to go on a marathon and get all the matches in my inbox out of the way.

TW - Toxic Replationships, Forced Affection, Torture, Guns, and Knives.

Your Boyfriend to Death matchup is… REN HANA !!

• This may have been an obvious one, but I think Ren is the best for you!

• Ren’s type is generally alt people. Anyone into nerd culture regarding media series definitely catch his attention first. Seeing an artsy, pinky person like you immediately makes him have heart eyes for you. I guess you could say he just wants an anime looking bf/gf/partner. Since you fit in that category, you got him pretty easily!

• Hazzah! You’re taller than him! Don’t think he’ll let you get away with bullying him about it. He’s a little bit self conscious, and will most likely punish you with the shock collar for it.

• As I mentioned before, Ren is a sucker for cute things. Seeing anything cute, especially something from you, can pull on his heartstrings. If you wear any anime related stuff, or even those Japanese lolita dresses, he’s going head of heels.

• He loves putting you and/or helping you pick in certain outfit. As you’d expect he loves seeing you in anime character cosplays, or just anything cute. Seeing you in lingerie is a special treat.

• Now uh.. about the bear thing. He might get mad jealous because as a beastkin fox, he’s nothing close to a bear. He might get a little lowkey offended, but it’s probably him just being bratty. He’ll get over it.. maybe.

• Unfortunately for you, Ren likes bringing up and doing the things you hate and fear, just to provoke you when you’re not feeling your best. Those little reminders showing you he’s in control are his favorite.

• While he’s mostly cheery, Ren seems to have the ability to go from 0 to 100 REALLY quickly. Some people might consider him the nicest out of all the candidates in BTD, but I like to think he’s equally as dangerous as the rest of them.

• Ren is calm when listening to you, which is good, although most of the time when you seek advice he recommends killing. Please don’t listen to him, or else he might invite his friend Lawrence over for a little fun.

• He thinks you’re super creative! All of your art makes him mesmerized. His form of art comes in the form of snuff films mostly, but I think he has a decent hand at art too.

• Ren most likely listens to anime intros, or alt electronic pop music. Think MSI or And One. I can see him vibing with your music though!

• He gives you all the sweets in the world to fulfill your sweet tooth, unless you’re bad for him. In that case he forbids you from sweets.

• He tends to talk about how much he loves you a lot. Uniquely for him, I feel like he’s the most loving out of all the guys. You tend to be high maintenance, and need reassurance, he’s your guy to remind you all the time of his love.

• He forces you to be close to him a lot. He’s always touching you, not always in hugs and kisses. Even having his claws a little ways into your flesh gives him the power boost he needs.

• Oh.. you like being abused? You already know loves fulfilling all of your naughty desires, exactly how you want them. Beg and cry all you want, once you make any sign at him for him to start, there’s no off switch until he’s says done.

• Ren is a little clinging and teasing. Like a fox, he’s sneaky and isn’t always truthful. He’s a king of manipulation, but.. this is what you wanted. I’m sure you’ve told him yourself, and now? He’s NEVER letting you go.

[ash-muses]

(OOC - Update #17)

Hello everyone! Just a little update since it's been a while. ♡

Happy Thanksgiving to those who celebrate and I hope everyone has a wonderful upcoming weekend! :D

Just so everyone knows, my sleep schedule switched again, so I apologize in advance. What that means is chaos (probably more for me than you, but still)! So, sometimes you'll get messages from me at weird hours. You might also get replies that make no sense or have typos, depending on how late it keeps me up.

Slowly but surely, I'm working on getting replies out. I've been focusing on older threads and asks that I had sitting in my inbox, so I should have some of those out soon (and I'm sorry it has taken me some time, but I hope you enjoy the responses! <3). The next ones I'm going to be working on are listed under the cut, along with an activity check in.

At the very end, there's a mention of pet loss — please skip over that if it's triggering for you (post is also tagged, but it's a brief mention). I wanted to address that because I know I have a mutual who it triggers, so I just want them and everyone else to be okay.

Please let me know if you don't want me to tag you for the reply list. This is usually just the easiest way for me to let everyone know at once. Thanks! (:

Replies To-Do:

@swanprincessodette

@sigynoffidelity

@animnerd

@byondtheveil

@ghostsandmirrors

@bdkrp

@meaningful-negativity (I think it's my turn for Adrian? I'll have to double check)

@honorarystripes (I did your response, just have to find the link for you and send it again <3)

I'll also be trying to message people back either today or tomorrow, depending on what the holiday has in store for me.

On another note, this blog has reached 98 followers, so a big thank you to everyone who has stuck around and those who are just joining! I'm glad to have so many awesome mutuals and I've really enjoyed interacting with everyone in the community so far. :D

Also this screenshot might explain why it takes me forever to sort through drafts, especially when it makes me refresh every time I change something *sob*

As for my last update, my to-do list hasn't budged due to some personal issues going on in my life. Some of you know already, but at the beginning of November (a few days after I came back from my hiatus), I lost one of my pets and I'm still having a hard time; that's part of why I hadn't responded to messages or RPs for a little. Most of you already have a relationship with me outside of our RPs if you've been here for a little while, but some of you are new and I don't want anyone thinking I'm ignoring them or that I'm not interested in our RP. I will get back to you, even if it takes me some time (and thank you for your patience, you guys are amazing <3)

[td-tbbg-official]

julia, priya, duncan, alejandro, heather, i would give anything to look through your spotify playlists

(ooc note: since i cannot for the life of me find enough songs to represent all and each of them, i decided to assign them some playlists of mine! shameless music taste promo ig?? i happen to have playlists for alejandro and heather tho :3 sorry i couldn’t do more for this ask!!)

Julia - “My playlists? Eh, why not, I’ll give you my main one.”

Priya - “What? Spotify? Pfft, who has Spotify these days? My playlists are all on another app and totally normal- DON’T LOOK AT THAT, I’M MATURE, I PROMISE!!! I NEVER MAKE UP SCENARIOS IN MY HEAD AND I DON’T EVEN LISTEN TO ANY SAD MUSIC OR- OH FOR CRYING OUT LOUD!!!”

Duncan - “Aw, anything for a fan! Here’s my main one, and this one is the band’s inspirations.”

Alejandro - “I mainly listen to classical music these days, but here are some songs I managed to dig up that I like! Emphasis on Lady Gaga especially. I just love her work.”

Heather - “Sure, whatever. Here.”

[poorly-drawn-mdzs]

Omg your little doodles for your asks are so sweet 🥺 do you take requests?

Well, you heard him!

[souperluminal]

Hello!! I'm a huge fan of your art and I thought I would ask about your colorwork, because it's genuinely super impressive to me how all your pieces have amazing palettes and they add so so so much to the general atmosphere. Do you have any process to pick colors for pieces? Like using picture references, gradient maps, etc or do you genuinely just eyeball them? I'm super curious :]

But yea I really love what you do and love seeing every new piece!! Have a nice day! Ty for reading <3

Thanks! I very much use references, though I don't use the color picker on them, gotta train the eye. I have an ever-expanding reference folder of photos and paintings with colors that I like so that when I start a new painting and I have an idea of the color scheme I want in mind, I'll already have some reference on hand. Good reference really makes a world of difference!

I also like to bias colors a little bit away from their standard versions:

The more blue green and the more yellow green are both more interesting to me than the "just green" green. Nothing wrong with that average green though, sometimes that's exactly what you need. It's always situational.

Lastly, a fantastic color tip for digital art specifically that I got from Mike Hernandez: Use the RGB sliders instead of the HSB color selection!

By default, Photoshop gives you the HSB (Hue, Saturation, Brightness) color picking setup which looks like this:

It's perfectly functional and has its uses, but it doesn't really feel like mixing color. On the other hand, if you use the RGB sliders:

Now you can add a little more blue if you think that's what the color needs, or you can take away red, add some green, etc. It gets you actually mixing color and thinking more about how the colors relate to each other. It can take some getting used to if you've only used the HSB setup before, but it's worth it!

[dailybrennanleemulligan]

I'm fully a lesbian in a happy relationship fully a gay woman interested in women and specifically my girlfriend, a woman

Thank you for supporting my mild obsession with this one dude.

he's just that powerful!!

[fisheito]

hiya l'il-- medium?...large?? Assorted Sizes-Guy

oh thanks! i could always use more spices-

. what am i supposed to do with this.

[moeblob]

I'm on an OC kick and also super indecisive so I spun a wheel (thank you for choosing for me, RNG).

Ricardo is a body guard and is bffs with Marlo. Ricardo's current job is watching after a celebrity's daughter who the public doesn't know even exists. She's just a teenage girl vibing with her mom and getting texts and calls from her dad (who loves her a whole lot and keeps her out of the spotlight very purposefully) and has this bodyguard and his weird friend. Marlo is just vibing with his best friend.

(Also Marlo would absolutely laugh if he heard Ricardo say "someone called me eye candy and it wasn't you and now I think you should call me that")

[carnivalcarriondiscarded]

got three asks asking for laughingstock in a row, im putting the doodles i have On A Shelf <3

[conkeybong]

Can you draw Kratos and Faye pleases?

i can NOT draw these characters consistently but i will continue anyway because i love them