#this one broke my heart
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screenbeanz · 1 month ago
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One Good Cop (1991).
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inkskinned · 1 month ago
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okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.
like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).
but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.
im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.
#what the fuck.#unfortunately by the time i'd switched accounts (from personal to my poetry one)#i couldn't find it :(#this is why u SEND URSELF THE POST. WHICH I KNOW TO DO BUT!!!#i was so mad i just was like “i'm about to tear this commenter in twain” and . lost da post#if u urself are the 29 and got recently flamed by instagram#i love u. come here. write with me. i was about to pick up a sword for u.#i mean a BIGASS sword.#like we all know im a wlw girlie but the way ppl will be like ''id NEVER write sad poetry about a MAN not LOVING me!!!"#..... wowwwww ur so cool. anyway. people often experience emotions regardless of what u consider cringe.#& if ur gonna shame straight/bi women for feeling a certain way. hope u never write about the#weird relationship between u and ur father. or feeling different from ur brother.#or how ur male best friend fucked u over. since it's SO CRINGE. to have ANY feelings caused by a MAN#like be so for real. beloved. nobody is fucking saying this when men do it.#''oh it's cringe to like a woman or feel heartbroken by her.''#controlling women's feelings and actions???? it's more likely than u think.#btw op is nonbinary do NOT be gender essential on this post i'll kill u with my teeth#edit: btw for the person who dm'd me ''when is it misogyny and when is it actually valid''#pretty easy. if a man had done it#would it be cringe? . like if a man sang a sad song about ''she broke my damn heart''?#if he said ''i want to have kids with her'' or something sexually explicit?? like would u even LIKE IT if a male poet had said it?#& if it's like. nah a 35 yr old man being upset about this is cringe too. yeah it's just cringe. that exists. we both know it does.#but .... often i see this ONLY about women. and i can't help but hear like. how back in middle school#we were fed the lie ''girls mature faster.'' ... why do i have to be emotionally regulated? but if a man wrote about the same things?#..... idk . im pretty anti cringe culture to begin with. but this one feels so bad to me . ur still a person past 33.
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hinamie · 7 months ago
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I don't want to regret the way I lived
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avastazyana · 5 months ago
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venompinks · 3 months ago
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ROSÉ ♡ NUMBER ONE GIRL
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petricorah · 1 year ago
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🍃 couldn't decide on which of jin's hairstyles i liked best so i combined them [id in alt]
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owlphibiaisthebest15 · 4 months ago
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Human girls putting their alien little brother to bed.
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castiel · 3 months ago
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i knew i needed to come back and save you  ⤷ I Saw The TV Glow (2024) -- dir. Jane Schoenbrun
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tacticalanxiety · 11 months ago
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Psst, wanna drop that ugly towel? 👀
NSFW BELOW THE CUT - MDNI
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secriden · 2 months ago
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This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.
It's a direct reference to this moment earlier in the episode:
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At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:
Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.
In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:
Style: What do I have to do to gain your complete trust?
Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.
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I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:
Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.
Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.
Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.
And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.
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Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.
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Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.
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I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.
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I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.
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And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.
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Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.
It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.
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So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.
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He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.
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And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).
So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.
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What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.
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Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.
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When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:
Style: One day, I'll be your 100%.
This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.
I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.
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But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.
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And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.
Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.
Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.
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And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.
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monabee-draws · 16 days ago
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Gosh I miss Zevran Dragon Age. Never forget how, if you're romancing him simultaneously with Morrigan and get the confrontation scene, he loses more approval than she does despite sounding (tone wise) far more unaffected by your lack of deeper interest in him. He's so nonchalant about your affair only to drop ~23 approval points. King of unintentionally falling in love and breaking your own heart because you're the 'casual hookup guy.'
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reagan-the-saunders · 2 months ago
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Friends Are Never Truly Gone
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hinamie · 6 months ago
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I'm always pushing you away from me / but you come back with gravity / and when I call, you come home
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avastazyana · 6 months ago
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foxstens · 9 months ago
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never not thinking about how kevin day is david wymack's son
imagine you're kevin, practically born with a racquet in your hand, you grow up with your mother for a while and maybe you ask about your father and she tells you not to worry about it, or maybe you just never ask because she doesn't mention it and you don't know how important it is, yet. then she dies, you're moved to evermore, it's so different from what you've seen previously but you have no choice so you just bow your head and do your best to survive, clinging onto your mother's sport, clinging onto the idea that you'll become a star.
you're there for so long you eventually forget you've ever been outside of it, but you see how desperate riko is for his father's attention so you start wondering, however briefly, about the concept of a father.
then you're in high school, you find the letter and suddenly it's not just a vague concept you have to wonder about, suddenly it's something real and tangible. you've heard of david wymack, it would've been impossible not to since he was a friend of your mother's and considering the kind of team he's taken up to creating, maybe you've even met him extremely briefly at some point. you know enough about the industry to think his team isn't just a publicity stunt, and somehow you know that if he finds out he'll do everything in his power to get you out.
you're not stupid enough to tell riko this, but you do tell jean and he laughs at you. of course he does. but you've been there for too long, you've seen too much, and you're old enough to understand what the master would do if he deemed david wymack to be a threat. you can't leave riko's side therefore you can't tell him any time soon, possibly ever, so you resolve to reading the letter over and over instead. (riko reads it almost as often as you)
then you're 19 and the erc thinks riko is holding you back. you're 19 and you're watching riko stomp on everything you've built up through the years. you're 19 and the letter is the only reason you have the strength to leave.
you tell wymack and the team as much as you dare because they deserve to know the risks of having you here, and wymack takes it in stride, he puts himself and his team at risk and even takes out loans to keep you here, like you knew he would. he signs you and he deserves to know about the letter, the more time passes the worse it'll be when you do tell him, but you can't yet because it's too soon and you don't trust yourself to tell riko no when the time comes.
then neil is asking for your help
now imagine you're wymack. your childhood was shit and you didn't have the support you needed at the time, but you believe you can be better than the hands that shaped you. kayleigh taught you everything you know about exy, and you loved her so it stung when she died and you couldn't be there for her only son. but, no matter what you might think of tetsuji moriyama, you don't think kayleigh would send her son to an unsafe place. you just go on with your days, maybe tune in on the news to see that kevin's doing well. you have no reason to think otherwise.
when you have the opportunity to start an exy team from scratch, you dedicate it to the kids that need another chance, the kids the world has given up on. you'll never give up on them.
then, what feels like a lifetime later, kevin day is standing in front of your hotel room and asking you for help. he's saying his 'beloved brother' broke his hand, he's saying the moriyamas are part of the yakuza, he's saying they'll kill him if they find him. throughout the year you get to know him better, you see that he's grown up to be a caged and abused wreck, you see he was raised to care about nothing but exy, you see him having a panic attack at the mere mention of having to face his former team, you see him drinking himself to oblivion to cope. you can't undo the past so you do your best to support him now, but damn if you don't wish you could've been there for him.
then he's telling you he's your son
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zhipzhap · 2 months ago
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"No matter how hard I try, there was nothing I could do to save myself, so I lived alone again"
EPISODE 7 WAS FUCKING INSANEEEE!! Bertie's backstory was so tragic in everyway posible, there's so much things i want to say about say about this episode i really cannot describe it
BTW THE QUOTE FROM ABOVE IS REFERENCE TO THIS SONG:
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it really remind me a lot of her!
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