#this movie is so 2020's

[twyllodrus]

Lukas Gage as Cameron in Down Low (2023) dir. Rightor Doyle written by Phoebe Fisher & Lukas Gage

[releasing-my-insanity]

Me shipping in ACGAS 2020: Helen and James and Tristan and Maggie = quad. Two married couples, a set of girlfriends, and set of boyfriends.

Me shipping in ACGAS 1978: James is gay, but he's straight for Helen, and gay for Tristan, and Tristan's really gay for James, and Helen adores Tristan. It's really not that complicated.

[cabeswaterdrowned]

thanks @immaterial-pearl for the tag

game: which of 5 of my favorite films matches my vibe the most? (I decided to use my letterboxd top 4 + my favorite first watch of the year)

tagging: @catacombchrysalis @sergeantpixie @pinkhysteria @lovemineallmine anyone else who wants to can say I tagged them

[james-stark-the-writer]

the difference between the fourth wall breaks of something like the Deadpool movies compared to something like Birds of Prey and the Fantabulous Emancipation of One Harley Quinn and She-Hulk: Attorney At Law is that every joke in Deadpool feels masturbatory like the writers think they're so hilarious for doing a fourth wall break like that's never been done before whereas both of the other two not only feel right at home with the characters' personalities but are much more natural and much more well done compared to the jokes in Deadpool or its sequel. (do not get me started on Deadpool 2, the movie sucks ass in basically every way except for the characters of Domino and Yukio. every single joke in it was outdated before it was even written. they were making fucking dubstep jokes in 2018. it was a 2012-ass script made way too late and riding on the coattails of the first with even less effort into being actually good.)

but the difference between those properties is that Deadpool wants to be congratulated for being some insanely crazy shocking movie that's pissing off the studio system or whatever but every single joke in it was approved by those people because it makes them money like it's so antithetical to the entire point they're trying to make and it makes for a very infuriating watching experience sometimes. the cognitive dissonance is hard to swallow with that one. but the way BOPATFEOOHQ and She-Hulk do their bits feels so much more authentic and less self-congratulatory and also just like they're clearly done with so much more passion and effort and care? when I watch either of the Deadpool movies, I feel like I'm watching a bunch of executives jerking themselves off. when I watch the other two, I feel like I'm watching a passion project that the executives clearly didn't give a shit about and thus the creative team were actually allowed genuine creative freedom with not a lot of oversight. that's a little less true with She-Hulk (especially in terms of that glorious finale although even that feels more authentic and artist-driven than most things in either Deadpool movie. Kevin Feige's boring, sanitized ass does not have the range to do that finale) being a MCU property although Phase 4 was so fucking experimental and it was a joy to behold even if not everything hit but it's still true and more authentic for the most part. with Deadpool it feels like the only person who really really cared about it was Ryan and like maybe a few of the other actors who actually did do commendable work with what they were given but with the other two projects, it feels way more collaborative because every single person showed up and cared deeply about what they were making.

(this is an addition to the tags bc I ran out [apparently i forgot there was a 30 tag limit] but. anyway the point is. Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is a phenomenal movie in basically every single way and you should watch it.)

[bugfail]

With the strike and ai shit going on at the same time I am afraid that Hollywood is going to produce ai written movies. Not only that but ai bros and critics will praise it for being "abstract" when it's really just dogshit

[ishikawayukis]

my oldest niece and i have a very funny relationship because she loves telling me the wrong information about things i know a lot about and because i'm an asshole i can't help but correct her every single time and she always looks at me like 👁👄👁

[carpenterswife]

HALF OF ME (iv)

SUMMARY: With Soldier Boy alive in the 2020’s, back in America, he starts his mission of vengeance. Of course, his first stop is to you; the only woman he’d truly wanted to start a relationship with, who’d taken his spot only months after his supposed death. And you don’t exactly expect your old lover to appear in your home, with the intent to kill.

WORD COUNT: 2238

WARNINGS: MINORS DNI. Typical Soldier Boy behaviour, gore, heavy violence, canon divergence.

SERIES MASTERLIST / MAIN MASTERLIST

Finding you was difficult. They were beginning to think Ben had been wrong, that you were six foot under in some unlabelled grave, rotting away. But, Ben was sure. And arguing with him seemed like signing their death warrant.

So, they kept searching. Despite the fact they could have located at least two other Payback members, and had them dead, by now, Ben was insistent on killing you first.

So, they kept fucking searching.

And then they found it.

It was a tiny discrepancy. Something most people would simply brush past. But, Hughie found it, and it was all they needed. They followed the rabbit hole, down and down, finding hidden documents and details not even Ben knew about.

It only took two days to pinpoint your location.

The Appalachian Mountains. In the middle of fucking nowhere. Smack-bang in the middle of one of the largest forests in the entire USA. But, to Ben, that fact was whatever. He had your location. And he was going to find you, even if it meant spending weeks searching every inch of that forest.

Butcher and Hughie knew it was a dumb idea.

But, they got Ben in a car, and started their roadtrip.

━━━━━━ ✦ ━━━━━━

The quiet life was nice, you’d decided. You’d forgotten about Queen Maeve’s uninvited visit, going back to your routine of feeding the animals and drinking coffee on the balcony every morning.

It was weird. You used to be one of the most famous people on the planet. There was blood staining every inch of your hands, and families who were likely still trying to gain justice for the people you killed. You had decades of history. And, yet, you now lived out your days as some sort of Disney princess.

You couldn’t complain. It was better than willingly running into gunfire every week.

Padding through your dark home, the moonlight casting a soft glow over the floors, you headed for the kitchen. You were never too old for a midnight snack. Especially in the comfort of your own home. You turned into the kitchen.

And you saw it. A dark figure, shadowed in the corner.

But, you kept moving, playing oblivious. In your mind, your old training make itself own. Ben’s critiques and advice played like a movie, as you pulled the cabinet open, standing high on your toes to reach for packet of chips. Your senses were on fire, focused in on the quiet breaths, the soft squeaking of boots on the tile.

They moved, and so did you.

You ducked under the fist swinging towards your face, snatching a knife from the block beside the fridge. Holding it tightly in your fist, your stance ready to attack, you looked at the intruder. Every muscle in your body froze.

“Ben?”

He didn’t pull his punches. Ben grabbed you by the throat, using your momentary distraction to his advantage, shoving your back against the sharp edge of the counter. Instinctively, you swiped the knife towards him, but a rough hand caught your wrist, slamming it down onto the counter.

A cry of pain slipped past your lips, fingers releasing the knife. It was his turn to grab it, tossing it from your reach.

No words were spoken, just heavy breathing.

You’d never seen Ben look at you like this before. This look was reserved for those who got on the wrong side of him. Those who disappeared mysteriously overnight and were never found again — but you knew what happened. And so did he.

He was here to kill you.

“Ben—“ You choked out, through the tightening grip his hand had around your throat. The grip tightened, and your breath caught with a squeak, broken gasps for air trying desperately to pull in oxygen.

“How much did they pay you?” He demanded, his voice low and gravelly. “Huh? How much, did they fucking pay you?” There was something about him that was so different. A new edge to him, maybe. But, what caught your attention, was the look in his eyes.

Hurt. He was staring at you like you’d ripped his heart from his chest and stomped on it.

You clawed at his wrist, unable to bring any air into your lungs. Your nails bit into his skin, the scratches down his wrist quickly repairing themselves. He let you go. Not out of mercy. No. He grabbed your collar, lifting your head up, and then slamming it down onto the counter.

Your vision went completely white, all remaining breath knocked from your lungs with a gasp. Blinking desperately to clear the stars, you tried to struggle. But, he slammed you down again. And again. And again. Until he tossed you to the floor like nothing more than a rag doll.

The counter was cracked from the force of it, blood staining the white marble, and splattered across the counter. Your own kitchen. Stained with your blood. You could feel the warm liquid dripping down the back of your head, matting in your hair.

If you weren’t a supe, you’d be dead.

He didn’t let you get a word in, brutal with each of his attacks. As you desperately tried to scramble away, body on fire, he put his foot down on your ankle. Leaning down, staring intently at you, with dark eyes, Ben snarled. “How much?”

“Ben—“ Finally, words escaped. In a pathetic whimper that made his lips twitch in disgust. “I don’t know what you’re talking about.” Your breath hitched with pain.

That answer wasn’t good enough for him. You swore you could feel the bones in your jaw crack, as his fist met your cheek. You cried out in pain, the force of the impact whipping you around, hitting your head against the ground.

His hand curled into your hair, forcing your eyes on him. “Don’t fucking lie to me, you bitch.” Your breaths were ragged, with pain and terror, staring up at the man you thought was dead. He seethed, nothing but anger and disgust (and hurt?) in his green eyes. “You whored yourself out to me, huh? Put my dick in your mouth? For what? Fuckin’ soften me up like a weak pussy?”

“Ben—“

“Don’t.” He tugged your hair, hard. “I loved you.” His teeth grit together.

Your heart broke, tears in your eyes as you stared up at him. He loved you. And he thought you’d hurt him? He was dead. He was dead. That’s what they said. They said he was dead. Your mind worked at 100 miles an hour, heart constricting.

He loved you.

Soldier Boy loved you.

You didn’t even think he was capable of that. Sure, you knew you had something special with him, something unique. But love? It’d never crossed your mind. You’d always loved him somewhat, always throwing yourself in front of bullets and danger to protect him. Always following his lead and teasing him.

Always pushing your luck with his temper. Because he never snapped. He never hurt you. He never hit you. You knew you’d loved him, when your heart would dance when he chuckled at your jokes. The way your body reacted to his hands on your hips during your first training session. You knew there was something. But, for sure, you thought it was one-sided.

That, to him, you were a good fuck. Just a hole, as he liked to say about some women.

But, you���d been so wrong. And, all this time, 37 years, he’d been alive. And you’d done nothing.

“I loved you.” He repeated, in a broken seethe. His eyes were less angry now, but still held that hint of vengeance. “I would’ve died for you.” You could’ve sobbed, right there. “We were gonna start a family.”

Your voice was shaky. “Ben. Please. I don’t know what’s going on.” You begged, pathetic and weak. Ben scoffed, emotional. “I thought you were dead. I swear it, Ben!” It was practically a plea; a desperate cry for him to believe you.

He was too blinded by his rage. “I waited every day for you.” He hissed, reaching over and grabbing his discarded shield. “For you to come and get me. To save me. You never came.”

“Ben—“

He shoved you down, head slamming against tile once more. Knees on other side of your hips, Ben gripped the edge of his shield, raising it high.

He was going to kill you. You couldn’t stop him. Couldn’t fight it. All you could do was look at him, tears running tracks through the blood on your face. A silent plea, begging him to not do this.

He rose the shield higher, lined up with the juncture of your throat.

And then he saw it. A glint of metal peeking out from under your shirt. He could recognise them from a mile away. They were his, after all. His dog tags, sat delicately just above your chest, resting on the skin like they were made to be there. His brows furrowed, movements faltering.

His dog tags. You were wearing his dog tags.

Ben hesitated, unsure.

He looked down at you, meeting your teary eyes, and his brain ran wild. Of memories of being a couple. Of the memories of when a big question mark had hung above your relationship, neither of you sure of what was going on, but treating each other like lovers anyway.

Your soft touches; the way your fingers would trace the contours of his muscles in the morning. The way you’d kiss each of his scars, muttering against his skin how perfect he was, despite the flaws and the imperfections littering his body. How gentle you were. He’d never felt a gentle touch before you.

How you’d giggle at his jokes, smile blinding, pretty dimples, cheeks flushed.

God, and those eyes. How they’d shine and shimmer when you looked up at him, like he was made of the stars themselves. He always used to melt when you propped your chin on his chest in bed, looking at him with that cute smile, and he’d trace your face with his thumb, cradling your cheeks like delicate glass.

Those few nights spent together, in the limited time you’d had together as an actual couple. The way you’d move together; perfectly in sync, like you were made for each other.

The way you’d hold him. Laugh with him. Smile at him. The passing touches. The lingering stares across red carpets and events, subtly checking each other out, and then meeting up in the supply closet. The quiet moments together, cooking dinner or merely holding each other. All those times you forced him to dance, and he’d begrudgingly spin you in the kitchen. The dates, and the movie nights, and the silly fights, and how warm his cold penthouse felt when you were with him.

Every memory, every moment, replayed in front of his eyes, as he stared at you. He lost his breath, muscles stiff. He couldn’t do it. He couldn’t bring this shield down and kill you. His chest ached and burnt.

He couldn’t kill you.

So, instead, he hit the blunt edge of shield against your head, and watched your eyes roll back.

━━━━━━ ✦ ━━━━━━

Coming to was disorientating and painful.

Every inch of your body ached, from the beating you’d received from Ben. You cringed as the light made the throbbing in your head intensify. Through squinted eyes, you made out the sight in front of you.

You were in your dining room. And there were two… unfamiliar men stood by your table, leaning over files and papers. Movement caught your attention.

Ben. Setting his shield down by the table.

“Ben.” You choked out, instinctively trying to reach out and grab him. To check if he was real. If he was actually stood in front you. Living, breathing. Your hands didn’t move. You looked down, frowning at the sight of tattered rope tying your wrists of the arms of your chair.

The noise drew over the attention of the three men. They exchanged a silent look, and slowly, and rather intimidatingly, approached. You whined a little, at the throbbing pain that made a tremble run it’s course through your body.

One of the unfamiliar men pulled up a chair. “What d’ya know abou’ BCL-RED?” Was that an English or Australian accent? You couldn’t tell through the buzzing in your ears.

“Wha’?” You slurred, blinking rapidly, trying to orientate yourself. “BCL-what-now?” A grunt slipped past your lips. They didn’t look impressed by that answer. “I— I saw it on a file. Back in ‘84. Never figured out what it meant.”

The man learnt forwards. “Neva’ found out?”

Your head shook, and it made the pain increase. Your face scrunched up in agony. “Mm, no.” You groaned, breaths hitched. “It was all classified. Edgar never told me. Mallory and I— we tried to figure it out.”

“Grace Mallory?”

“What? Yes. Grace.” You groaned again. “Jesus. Can you turn off the fucking lights? It feels like there’s a drill in my head.” You tried to push your face into your shoulder, hiding from the light that made your eyes burn and your head feel like Ben was slamming it against the ground again.

There was a beat of silence. “Did you know?” That was Ben. He sounded hesitant.

“Know what?” You peeked up at Ben, eyes squinted to be able to look at him. He looked tense, face expressionless. “I thought you were dead. I don’t know what else to say to convince you. I thought you were dead.”

“How did you not know?” He demanded, his short fuse lit. Ben and his fucking temper.

“I don’t know, Ben!” Your own yell made you wince in pain. “They never told me shit! I tried for 15 years to get answers!”Ben didn’t look convinced. Of course he didn’t. He was so set in his heartbreak and rage, by your supposed betrayal, that he’d utterly convinced himself. “I didn’t know.” You echoed in a broken whisper.

“How’s ‘bout this?” You blinked rapidly, trying to focus in on the accented voice. “We track down the otha’ girl. See what she ‘as to say.” There seemed to be a group-wide agreement.

“Countess?” You grunted, confused. Your gaze flicked between the three men. “I know where she is.”

And that got their attention.

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@boywivlove @leavli @cassieriddle713 @drasticemotions @suspicious-stain-in-spain @samanddeaninatrenchcoat

[pasiveagressive]

Halloween Icons || M.V.33

liked by f1gossip, wagsoff1, and others

paddockgossip In honor of their 10th annual Halloween Party coming soon, we are counting down with Y/N and Max's iconic halloween costumes over the years!

liked by leclercfan, noverstoppen, and others

paddockgossip 2012 Halloween: Even before she and Max were showing us how to be the world's best couple Y/N was slaying halloween down!

liked by wagsgossip, maxfan33, and others

paddockgossip 2013 Halloween: Another slay without Max! This time with two of her besties!

liked by maxiel4life, wagupdates and others

paddockgossip 2014 Halloween: Max and Y/N's first halloween as a couple, looking absolutely adorable as Kim Possible and Ron Stoppable!

liked by wagsgossip, landonowins and others

paddockgossip 2015 Halloween: Ruh Roh Raggy, Y/n and Max in 2015 as Scooby and Shaggy!

liked by y/nfan, maxfan, and others

paddockgossip 2016 Halloween: Taking things a bit more sinister, Max and Y/N in 2016 as a Purge couple! This is also the first year Y/N and Max hosted what would become their annual Halloween Party!

liked by redbullracingupdates, paddocklove and others

paddockgossip 2017 Halloween: These killers will make you Scream! This years party hosted was the first one that was really popular almost every driver on the grid attended as well as some smaller celebrities!

liked by wagsupdates, 44love, and others

paddockgossip 2018 Halloween: Y/N and Max as Romeo and Juliet from the 1996 adaptation! Y/N has claimed this as one of her favorite movies in the past!

The 2018 party was the first one that really resembles what it still looks like today, they rented a club, a DJ, a photographer and more. The guest list was in the 100's for the first time!

liked by y/nfan, maxiel4life and others

paddockgossip 2019 Halloween: Hide your wallets and jewelry, Bonnie and Clyde are in town!

In 2019 Max and Y/N decided to charge admission into the party in the form of donations to Charities!

liked by checo11, russellfan63 and others

paddockgossip 2020 Halloween: First time they ever 'repeated' a costume, back as Bonnie and Clyde but this time after the shootout!

No Party this year because of the global pandemic! The couple still requested that their friends donate to charities to help support those that lost their jobs due to the pandemic!

liked by f1wags, f1gossip and others

paddockgossip 2021 Halloween: Not much to say about this one, Catwoman and Batman,

Max and Y/N had their party in person again this year after taking the previous year off for the pandemic!

liked by noverstoppen, wagsupdates and others

paddockgossip 2022 Halloween: My personal favorite Max and Y/N costume, they absolutely killed it as Joker and Harley Quinn!

They asked everyone to dress up as heroes or villians at this years party:

Daniel went as Loki

Lando went as Darth Vader

George and Carmen went as Mr. Incredible and Elastagirl

Charles and Alex went as Superman and Lois

keep reading

liked by youruser, wagsupdates and others

paddockgossip 2023 Halloween: Of course our Halloween Icons went as Barbie and Ken in 2023, with a first for Max and Y/N a costume change mid-party!

We can't wait to see what they dress up as this year!

liked by charles_leclerc maxverstappen1 and others

youruser We couldn't decide which costume to do this year so we decided why not both?

tagged maxverstappen1

view all comments

paddockgossip brb got to add this to my list!

[hs-is-loml]

Still Love Him More. (t.b)

Pairing: Tom Blyth x Co-star!Reader, mention of Past!Charles Leclerc x Reader

Summary: some fans can't get over your past relationship with a certain famous ferrari driver while others are obsessed with your new boyfriend.

Type: Social Media AU! face claim is Rachel Zegler

Warnings: toxic fans? mentioned a slightly unhealthy past relationship with charles leclerc. (literally only mentioned and not pictured...), few grammar mistakes in the twitter threads. not a warning but tom blyth being the standard. UNEDITED

a/n: this was inspired by @sofs16 's jealousy, jealousy! + i'm deprived of charles since the f1 season being over rn so maybe i'm a little harsh with him in this... (written in 3am because why not)

masterlist

instagram

y/nupdates has posted

liked by y/nl/nsources, blindedbyblyth, 1ucygrayba1rd, and 26,936 others

y/nupdates y/n with rumored co-star boyfriend tom blyth at the knicks basketball game tonight!

tagged yourusername and tomblyth

view all 571 comments

y/nsidelove rumored? haven't they been dating since last year?

→ peetaspastry i think we all just assumed with the amount these two are together!

→ articarabella they are definitely dating! a few weeks ago y/n went on live and it was pretty much confirmed by them! they also mentioned how tom and her searching for a new place in new york

y/nforlifeee honestly, i don't know how people didn't figure it out sooner

thatonebakucorner who is this man and why is he with y/n😀

→ protectthewags it's her new love interest in tbosas

→ thatonebakucorner so what he's the her new love interest in her life too??!

twitter

instagram

blythandl/nnews has posted

liked by y/npleasegivemeachance, snowbairdsfall, fellforthebuzzcut, and 19,017 others

blythandl/nnews more pictures of y/n and tom during the tbosas

tagged yourusername and tomblyth

view all 236 comments

y/nintbosasera she found an european man with some height to him🙏🏼🙏🏼

→ finnicksspear not the shade to the vroom vroom ex😭

→ welovey/n people need to get over the fact y/n and charles have been broken up for over a year already...

blythfilms something about them just make sense

nevergettingoverthem i've never seen a photo of y/n looking so happy!

→ y/nineverymovie maybe it's because her ex's fans used to belittle her and criticized her on anything she did?

valntynemade i should've known that the f1 girlies would find this

→ staystrongy/n they never miss when y/n is spotted with someone

twitter

instagram

tbosasmemories has posted

liked by y/nupdates, th3hungergam3s, and 32,658 others

tbosasmemories behind the scenes pictures of y/n l/n and tom blyth while filming tbosas!

tagged yourusername, tomblyth, and thehungergames

view all 459 comments

lovelyy/n the casting and sets of this movie are impeccable

unfairodair only tom blyth would make people attracted to a murderous man with a buzzcut

→ watchingforthem the same thing happened with drew starkey playing rafe cameron

soundofsnowlanding the more pictures are released of tom and y/n, the more it makes sense why they fell in love with each other!

→ y/nineverymovie she always seems to laugh more when he's around

livingfory/nreputationera the best thing that happened to y/n and her mental health was getting away from her ex. not to mention how she can actually focus on her career now

→ carlosconfusion i don't get why everyone hates charles so much? what happened between him and y/n?

→ wagsforlife charles and y/n were together from around late 2020 to early 2022. during the relationship, y/n was receiving a lot of hate from charles' fans and took a break from all social media and acting until the press tour of west side story started. many fans still love them but as separate people and not a couple!

→ oneforthewags exactly, that! even though y/n isn't a wag anymore, we still love her and support her work!

tomblyth has posted

liked by yourusername, hunterschafer, mrsamclaflin, and 985,973 others

tomblyth to my favorite person who breathed life into this movie. i will never be able to thank the world for sending you into my life. you are the light in the darkest scenes. i am truly the luckiest person for having you by my side every day. you are beautiful, angel.

tagged yourusername

view all 89,342 comments

yourusername i love you

→ liked by tomblyth and 510 others

→ tomblyth and i endlessly love you.

songbirdsandsnakes snowbaird lives with you two

hunterschafer you guys are too cute!

variety hollywood's favorite couple ❤️

lunasteeples gorgeous girl

thehungergames two incredible leads

jesperjones a cast made up of the loveliest people :)

yourusername has posted

liked by tomblyth, vaughan_reilly, tchalamet and 1,041,109 others

yourusername i cried to him last night about how proud i am of him. he is so wonderful in this film. you will all love him as much as i do. but i still love him more.

but i also wanted to say that i came to adore this man through long days, fun nights, in-depth talks, and silly inside jokes. i spent every day with him and got to know his heart, his sense of humor, his charm, and first and foremost, his immense talent.

my sweet tom, you are unbelievably wonderful in every way. goofy, sincere, and lovable in every moment we have. i love working with you, but beyond that, i love knowing you.

view all 121,054 comments

tomblyth you forgot to mention that i also cried with you last night.

→ tomblyth besides that. i have never met anyone else that is as perfect as every aspect of you. no one will ever have my heart the way you do.

→ liked by yourusername and 649 others

→ yourusername you have me forever.

lilymhe loved the movie! and the amazing chemistry between the two of you!

vogue favorite on and off-screen pair

alyciajasmin beautiful people 🤍

nickkbenson biggest smiles

→ yourusername always!

florencepugh adore you both

[abbyshands]

THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.

let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

—

[bakuhatsufallinlove]

Let's talk about Jump GIGA

Jump GIGA covers, 2016-2024. Volumes are published (left to right per row) as Winter, Spring, Summer, and Autumn releases, with 2018 and 2019 briefly breaking the pattern by having three Winter and three Summer volumes each. 2023 has an Early Spring volume in addition to the standard four.

So, people have pointed out that the 2024 Spring cover is, uh, not like other covers.

But I've only seen comparisons to other MHA GIGA covers and MHA Weekly Shonen Jump covers. Out of curiosity for what GIGA's typical marketing aesthetics might be, I put together a comparison between all of Jump GIGA's covers to date.

And, um. Some things stand out, to say the least.

First, let me clarify what Jump GIGA even is: it is a seasonal magazine from Shonen Jump, published separate from Weekly Shonen Jump. SJ is an absolutely massive brand and they have a number of magazines serialized outside of the most well-known weekly magazine.

The content of Jump GIGA is primarily made up of one-shots and spin-offs. From the beginning, a lot of the appeal has been the cool cover illustrations which showcase special merchandise that comes with the purchase of GIGA. Usually the cover also promotes big things going on related to the WSJ series, like movie events, new games, or special figurines for sale.

The marketing aesthetic has been clear from the start: the cover consists of one core illustration and a number of ads surrounding it. Most often you get a cover illustration of a protagonist, and then ads and merch for other series, e.g. Food Wars protagonist cover with One Piece film promotion and Haikyuu!! merch.

The purpose of this marketing direction is pretty obvious. Spin-offs and one-shots are not likely to generate a ton of interest consistently, so they lure people in with the cool covers and tempting limited edition merchandise of the series they already know and love. In this way, highlighting one series with the cover and different series with the merch makes sense, because maybe somebody doesn't care about Food Wars, but they definitely want those Haikyuu!! stickers, stuff like that.

Starting from 2020's Autumn volume, you can see a shift. For the first time, basically all of the merchandise is for the cover series. The Demon Slayer manga had already ended five months earlier in May, but a two-chapter spin-off was scheduled for release in WSJ during October. This GIGA was released exactly one day before the second chapter was published and it capitalizes on the hype.

After this point, only MHA and Jujutsu Kaisen dominate the cover and the merch in quite this way, with Black Clover getting attention last volume as a way to highlight the fact that it actually switched syndication from WSJ to GIGA.

Anyway, most commonly the cover illustration is a solo shot of a core cast member (usually but not always the protagonist), and if it's not a solo, it's a big cast illustration.

Only a few covers focus on two characters, and usually it's a crossover as opposed to characters from same series sharing the limelight.

Here we've got Food Wars' protagonist with the main characters from Dr. Stone and Act-Age.

The two covers most similar to the Izuku & Kacchan cover are 2022 Winter and 2023 Autumn.

Winter depicts the main trio of Blue Box in a seasonally-appropriate aesthetic. Not gonna lie, this one kinda makes me laugh--Blue Box is a romance and sports manga, and even though Christmas has a romantic air to it in Japan, instead of depicting any sort of like, hesitant but hopeful romantic energy between the heterosexual couple that actually get together later in the series, they focus primarily on the two girls being cute with the guy is a wee footnote? I mean, all right.

Meanwhile, Autumn depicts one of the protagonists with the series antagonist with a typical cool action style. I'm not very familiar with JJK, but I hear these two have got Some Drama going on, so, there's that.

The merch itself has also evolved over the years. Stickers and posters were present early on, but they have since expanded to decorative folders and now acrylic stands and coasters. 2021 Summer sees the first time the cover illustration is marketed as merch, with the Jujutsu Kaisen cover included as a decorative folder.

Right after that, the Kacchan cover of 2021 Autumn is included as a poster alongside earlier covers featuring Todoroki and Izuku.

2023 Summer's cover is a huge, wrap-around MHA cast illustration and it was published three days after chapter 396 came out, strategically timed to highlight the big shift in the final battle as Ochako vs Toga ends and All Might vs. AFO begins. Merch includes a decorative folder of the wrap-around cover and character motif stickers.

And then we get this!?

A duo cover illustration where the cover art itself has been merchandised to hell and back!?!?

Acrylic stand and pin set!?

Double-sided coaster showing bkdk greatest hits!? With volume 29's river scene cover!?

There's also a double-sided poster featuring the Spring cover with the ninth popularity poll art and a decorative bag with the anniversary art. The cover art itself is plastered all over the volume, front, back, and spine, apparently a total of 19 times.

I honestly don't know what to say about this. It feels wild that this is actually what the cover is. Obviously it is a huge marketing push in anticipation of season 7, and Izuku and Katsuki are the most popular characters, but. it just feels... unique.

In the course of Jump GIGA's publication, this direction is kind of unprecedented. Genuinely no one could have expected this. This seems to be the first time there's been this much merch for a cover. And it was a solid fucking move, marketing-wise--it's sold out basically everywhere, everyone is talking about it. And even people who don't follow the series or ship these two can't help but comment on how strikingly romantic it looks!?

I don't know how much say Horikoshi had in what the cover was, but damn it sure feels like he drew this with immense affection. I kind of wonder if he personally pushed for it to be these two, rather than the typical solo shot, cast shot, or even a protagonist vs. antagonist shot.

I'm KO'd, man. idek if this post is useful to anybody I'm just on my hands and knees here.

Everybody knows what we're all here for, and it's these cute boys finally getting their happy ending.

EDIT NOTE: I gathered much of the information and many, many of the images in this post from a fan-made Jump Database. I neglected to say it properly when I first posted this, but special thanks to the very dedicated people who maintain that website!

[glaciertea]

Tickets for Two

Miguel O'Hara x GN!Reader two-shot

Part 2

This is part one of this story that's been on my mind for quite a while.

Summary: Working the graveyard shift at a movie theater has it quirks. It's not the best thing, and it's not the worst.

Well, there is one thing that keeps you from leaving this job.

The huge, gorgeous man who comes in every Thursday.

CW: Nothing for this chapter, just having a crush on Miguel.

Word count: 1.7k

There was something about Thursday nights in the movie theater that always made you exhilarated.

It wasn't the smell of freshly stale popcorn that stunk up your nostrils or the fact that you were able to score the after-hours time slot on this day. The ones many would kill to have because after 9 p.m., the place is a barren ghost town. Oh, no. It wasn't one of those reasons. 

It was him.

Throughout the year and a half you managed to survive working here; you've never seen a man like that before in your life. Yes, you've seen your fair share of attractive people come in and out; of course, this was a place to watch the latest hit-or-miss films. But this one, this one was different.

Tall, high cheekbones, a jawline that could shapren diamonds merely by looking at them, those piercing eyes, and those muscles. You always have to pinch yourself to make sure you're not dreaming.

He started coming three months ago for the ‘Traditional Thursdays’ feature presentation. Your theater would show old movies from the 1930's ranging to the 2020's or 2030's. It was a nice addition, as your boss wanted to have that “retro-style feel,” and it was pretty successful… if one were to go at the 9 p.m. slot. That frame usually brought in a decent amount of customers, but you were happy to not deal with that anymore.

You managed to get in the ten-to-one schedule block. It was a ghost town during those hours, especially with the midnight showings. You would lounge behind the concession, eyeing a few nightcrawlers emerge, but you would wait for him.

He would walk through the sliding doors exactly at midnight. Never a minute early, never a minute late. The actual film doesn't begin until 12:10 to showcase the following week's feature and a trailer or two. 

So it gives him enough time to head in your direction. He has become a regular for you, always ordering a medium black roast coffee, a small popcorn, and a pack of gummy worms. It got to the point where you realized the items were never going to change, so you made it a habit to have them prepared for him on hand. You barely speak because you don't know what to conjure up, and you certainly don't want to make a fool of yourself, so you stick to the basic “Here's your order” and “Enjoy your film.”

He always responds with a “Thank you” or an “I appreciate it,” and each time, your knees will wobble. His voice was smoother than the butter that you poured on the popcorn. He had you weak. His chiseled profile, his domineering height—he was too good to be true. You want to know more about him, but he's very much to himself. You are intimidated by him; his demeanor can make him seem unapproachable, but that only draws you in more.

There will be a day you will finally find the courage to strike up a conversation. One day.

You just weren't expecting it to be today. You manned the concussion stand, eyeing the time and counting the milliseconds. It was, of course, slow, but you loved it. Easy money to you.

His order was fresh and ready to go; he was going to stroll in less than a minute, and you had to put a lid on your excitement. And like clockwork, he came in and made his way right to you.

Putting on your best smile, you placed the snacks and beverage on the counter. “I got everything ready to go, sir. Piping hot and a new batch of popcorn made.”

“Actually, I want to switch it up. I'm sorry for the inconvenience.”

Your brain practically malfunctioned. Not from the request, but from the fact he uttered more words to you. Your reaction must have given something away as he rubbed the back of his neck.

“If not, that's fine. I don't want you wasting supplies on me.”

Scolding yourself, you shook your head and waved your hands. “No, no! No, sir, it's not an inconvenience at all. I'll gladly ring you up with a new order. Anything for the customer.” You despised saying that phrase as it got so many ungrateful, smug idiots out of problems they decided to cause. But for him? You would repeat it endlessly.

Discarding the usual and clearing the order from the register, you nodded. “What are your taste buds tingling for?” Did you really say those words in that order? Your body suddenly wanted to combust.

The man raised a brow as you chuckled nervously. “That sounded... less dumber in my head.”

His lips turned upwards at that, and your heart stopped. He smiles? He can smile! You never once saw him do that, but if you did, you managed to miss it. He managed to look more radiant; how was that possible?

“Well, my taste buds are craving pretzel bites, fruit snacks, and... can I make my medium roast into a large?”

“Yes, sir, I'll try to get it done before the film starts.” 

“No hay necesidad de apresurarse. Take your time.”

“Okay.” You squeaked out, hiding your flustered state from him.

Miguel rested his arms on the countertop and observed the way you moved back and forth, blending new beans and meticulously placing the hot pretzels in a bag. 

“Here you go.” You reached down and took a packet of fruits and propped it nicely on the pretzel bag. “Steaming and raring to go.”

“Are you usually precise when making these orders?” Miguel pulled his wallet out and paid for the meal, leaving a nice tip.

“Kind of. Maybe it's because I have more time to do these things, and I like my regulars to enjoy nice treats.” You grinned and went to clean up his usual. “I hope you enjoy.

“I'll be sure to keep that in mind. Definitely keeping sure. Thank you again.”

You didn't know what meant by that as he took up his things and headed off to catch the film. You put your hand to your chest and calmed your heart rate, going on about your night. You honestly believed that would've been the end of that interaction and that the following week would revert back to the same old, same old, but you were far from it.

The next Thursday, he was there, but fifteen minutes earlier, asking for a new item from the menu alongside the other treats. You were once again thrown off, but that didn't mean you got to be near his presence more, and if not longer. 

It started off with small extras. A bag of pretzels, sized up on the popcorn, an extra bag of candy—nothing too extravagant. However, as the weeks coasted by, the orders got bigger. A hotdog, flatbread pizza, sliders—those meals took you longer to make, but you did not mind one bit. 

You got to chat with him constantly; when Thursday rolled around, you had that extra pep in your step. The conversations ranged from his tedious office filled with people of the same personality, the many tales of strange movie customers from you, or anything that springs to mind. He was awkward, loveable, and sweet, and your crush for him only grew more with each visit. To the point that it was overwhelming.

And it wasn't blowing away anytime soon. 

You were fixing him up a basket of curly fries and chicken tenders casually yapping away when the topic of movie genres popped up.

“I'm into animated movies. They seemingly are able to convey more emotions than actual humans.”

Miguel enjoyed watching you; he honestly preferred looking at you than the film he was supposed to see. “I enjoy them as well. They tend to have moments that resonate with you on a higher emotional level.” He tapped his finger on the glass counter. “Do you have any favorites?”

“Hmm.” You rubbed your chin before moving back over to the fries and dumping some extra salt and pepper on them (they barely had any flavor to them). “I like a good Lixar film. It's funny how they're able to give certain things sentiment. Rather it's inanimate or not, they find a way. I mean, they gave a torso and sweater emotions. A sweater!” You poured the fries into the plastic basket and moved onto the tenders. “Now in particular, I love Bouillabaisse. Up is a heartbreaker, but I can understand the older man's pain. Searching Elmo is so gorgeous, especially for the time it came out. And Coco, that's a tearjerker. That ending scene when he's singing to her? Gets me every time.” 

“I enjoyed all those as well.” Miguel took a sip of his freshly brewed coffee. “Especially the last one.”

“Oh yeah?” You grabbed some tongs and flipped the tenders to cook them evenly. 

“Sí. A bit of a bias though.” 

“A bias?”

“I share the name of the main character.” He stared right into your eyes as he said that.

“Miguel.” It was velvety as it slid off your tongue.

Was that a suave way of him giving his name? It never occurred to you that you actually never learned his name. He knew yours because of the required name tag, but you were glad to know it now and took it with no complaints.

“It fits.” You smiled and finally finished and rang up his meal. “I shouldn't keep you from the movie. I hope everything is of satisfaction for you.”

“You already know it will be.” He paid and reached for his goods when he stopped.

You crooked your neck and looked down to make sure you didn't miss anything. His usual and the new meal were there, so you didn't know what was up. 

“Is everything okay? Did I mess up your order?”

“Everything is fine. I only want to…” he snatched up a napkin and scanned, even going as far as peering over the counter.

“Miguel?” 

“Do you have a pen?” 

“Yes?” You took one from under the register and handed it to him.

“Thank you.” He scribbled down at lightning pace and folded it half, sliding it across to you. “I'll see you then.” He bowed his head, snagged up his meal and left. 

You had to wait several seconds to recover from your shock when you hastily snatched up the napkin and opened it up. You drew your lips to your teeth to prevent yourself from screaming. 

There were ten digits written in blue.

[jeonginsleftcheek]

Stray Kids with an S/O who is a huge horror movie fan

pairing: ot8 x gn!reader

genre: fluff

disclaimer: this is as always just my opinion :)

a/n: as a huge horror movie fan myself, I had to write this! enjoy!🩷

Chan:

As he said before, it's not like he's scared of horror movies, he just doesn't think they're interesting to watch. But, you're interesting to him and he loves you so he will definitely try for you. He also thinks he won't get scared cause 'nothing scares him' but oh boy was he wrong. You have to promise him extra cuddles because he's not gonna be able to fall asleep that night. Will also try to dissect the plot with you after the movie, and try to find meaning in the story just so it's less scary to him.

If he was never really invested into the horror genre, you could show him the classics like The Shining(1980), The Omen(1976), The Amityville Horror (1979), Psycho(1960) and then also some newer iconic movies like Get Out(2017), The Ring(2002), Sinister(2012), Hereditary(2018) and The Conjuring(2013).

Minho:

Loves it. Loves to try and scare you while you're watching a movie together. At first, you're so happy that you can share your love for horror with your significant other. And you know he really doesn't like jumpscares, so you try to find movies that don't have many of those. But if they do and Minho predicts a jumpscare, he'll grab you at the same time it's happening, making you jump out of your skin even though you saw the movie already. You kinda start regretting watching horror movies with him because he annoys you on purpose. He thinks you're so adorable when you're mad at him, but he wont push too far and he'll always make it up with cuddles and kisses later. Overall, 10/10 experience.

I feel like he'd watch almost any horror movie cause he's a curious cat (hehe) and you'd both share your favorites.

I don't know why, but I also feel like Minho would appreciate good old silent horror movies. I just think if he's a horror fan he may enjoy seeing the roots of horror. Like The Cabinet Of Dr. Caligari(1920), Dr. Jekyll and Mr. Hyde(1920), The Phantom Carriage(1921), Nosferatu(1922) and Häxan(1922).

Changbin:

I don't think he's too scared of them but I think he doesn't really care for them too much? Though, if you have some interesting thriller or detective movies to recommend he will definitely wanna watch them with you. I think Changbin likes a movie that has an intelligent story with a plot twist. He likes to guess what's gonna happen next and when he's actually right he'll be so happy and proud. He'll keep talking about how he guessed the plot and how smart he is and how you have to give him extra cuddles now. Either way, you're cuddling and snacking the whole time while watching and it's just nice and cozy.

I think he'd enjoy thrillers like The Game(1997), Fracture(2007), The Machinist(2004), The Double(2013), Shutter Island(2010), Zodiac(2007) and 1408(2007).

Hyunjin:

Miss him with that shit cause he ain't watching it unless you manage to coax him into it. It's gonna take a lot of persuading until he finally gives in but you have to be careful in choosing the right movie for Hyunjin. He doesn't like loud noises and he doesn't really like to feel scared. He'd rather watch something for the story, especially if it's an emotional one, and he also likes character driven stories.

I think he could watch artsy or slow creepy movies that are more drama-like but have elements of horror like Pan's Labyrinth(2006), Dark Water(2005), Windchill(2007), It Follows(2014), The Eyes Of My Mother(2016), I'm Thinking Of Ending Things(2020) and Case 39(2009).

Jisung:

Okay, with this one you can go crazy. Any weird horror movie, anything kinda disturbing, deranged or unhinged will be right up his ally. As a horror and anime fan himself, he's seen some pretty weird stuff so experiment, I guess. I also feel like he'd like fun horror movies, idk how to explain but ones that are disturbing but fun at the same time, like you can't look away even though you're looking at a train wreck.

Movies like Funny Games(2007), The Ruins(2008), Suspiria(1977), The Perfection(2018), Perfect Blue(1997), May(2002), Audition(2000), Saw franchise and Terrifier series would be fun for him. Also, since he mentioned Paranormal Activity, found footage horror movies would be fun to watch with Jisung too like Creep(2014), REC(2007), Unfriended(2015) and Cloverfield(2008).

Felix:

This is just not happening unless you can bribe him with cookies, gummies or any other sweets and ofcourse many cuddles and kisses, even more than you share usually. You'll have to practically beg him to watch a horror movie with you or make some kind of compromise that you'll participate in some activity he likes more than you later. He's not gonna sleep all night if you make him watch anything too scary, actually he wouldn't even be watching that. He'd probably be hidden in your neck the whole time and even the creepy sounds coming from the tv will give him nightmares.

The only way to make him watch horror movies is if they're mixed with comedy or they're so bad that they're funny. Like the Scream franchise, The Cabin In The Woods(2011), What We Do In The Shadows(2014), The Happening(2008), Tucker & Dale vs. Evil(2010), Housebound(2014) and ofcourse zombie comedies like One Cut Of The Dead(2017) and Shaun Of The Dead(2004).

Seungmin:

Kind of indifferent towards the scares but I think he gets annoyed with plot holes and characters acting stupid. Rolls his eyes at every over used trope or cliche sentence. You actually end up laughing while watching horror movies with him because he's too cute when he's annoyed.

"How is this killer still alive? He's been run over by a truck ten times, this is stupid!" or "Okay but why is he going towards the sound? Is he that dumb, he's gonna die!"

He does like dry humor though so he'd like some black comedy movies with horror elements like American Psycho(2000), Parasite(2019), The Lobster(2015), The Menu(2022) but also if you want to annoy him on purpose (because he's cute when he gets worked up) show him slashers like the Halloween franchise, Friday the 13th franchise and Black Christmas(2019).

Jeongin:

With Jeongin, I feel like it can go either way and it definitely depends on the theme of the movie. Also, he will probably try to act brave in front of you (until he jumps at a loud sound and then gets embarassed). For some reason I don't have an exact subgenre of horror for him but for some reason I feel like he'd like newer horror movies like Us(2019), Nope(2022), Last Night In Soho(2021), His House(2020), Host(2020), The Invisible Man(2020) and Fear Street film series.

[respectthepetty]

Upcoming Taiwanese BLs

We are over halfway through 2024, and as usual, I've only had two Taiwanese BLs (Unknown, Anti Reset), so even though I'm sitting on a stack of BLs to watch every single week from other countries, call me Smaug because I need MORE!

Honorary Korean BL: Uncovering the Curse of Taekwondo (2024)

Former friends (and possibly lovers) reunite at a funeral after going their separate ways for over a decade, but, honestly, I don't care about the plot because this comes from Hwang Da Seul who was behind Blueming, To My Star, and Where Your Eyes Linger, so I know it's going to be amazing. There is a movie and a series version, and the movie already premiered at the Bucheon International Fantastic Film Festival in South Korea at the beginning of July. The runtime was 154 minutes, but the series is eight episodes around thirty minutes each and is currently seeking distribution.

First Note of Love (August 2024)

My most beloved, Charles Tu, from my favorite BL HIStory 4: Close to You is finally returning to me in the form of a washed-up singer who stepped away from the spotlight due to a tragic event only to be dragged back in by an up-and-coming composer who is also a longtime fan. It is a joint production with Thailand's Star Hunter Entertainment (the company behind Big Dragon, Love Senior, City of Stars, and Sunset x Vibes) and features a side couple of a Thai singer and a Taiwanese agent. It will involve singing, but I'm already too comfortable in my seat with my snacks to care.

Fragrance of the First Flower Season 2 (2024)

The lone GL holding down this list finished filming late last year and Gagaoolala has been releasing BTS images since filming began, so it'll likely land there once it is released. The series is a continuation of the 2021 first season, which people were not thrilled about because of the ending, so this season should solve some of the angst we were left with by exploring the two women actually coming together to navigate life as a couple.

The Only One (August 2024)

Directed by Liu Kuang Hui, who directed Your Name Engraved Herein, written by the same folks behind The Untamed, and based on Mu Su Li's novel A Certain Someone which is about two boys whose parents are dating and move in together, so the mains go from enemies-to-??? and the only reason for the question marks on a Taiwanese BL is because the word on these BL streets (and his MDL page) is one of the actors works heavily in China, so this might be the reason this one has been was in limbo even though filming finished earlier this year, but the socials are still posting it's coming this year.

See Your Love (Filming Complete)

This co-production with Japan is about a rich man who falls in love with his hearing-impaired caregiver. It finished filming at the end of May and will have those sweet sweet Taiwanese BL cameos from some Be Loved in House: I Do and Plus and Minus folks PLUS it will be the first cameos for the Kiseki: Dear to Me guys since the company that produced their show is the same one for this show.

Impression of Youth (Filming Complete)

Very little is known about the plot of this teacher-student romance, but it comes from the same folks who produced DNA Says Love You and one of the mains, Muji Hsu, was also the lead in 2020's Because of You. Filming finished at the end of May, and the company stated it would be out before the end of the year.

Islanders (late 2024/early 2025)

This is based on a novel, Islands, by Lolita Hu, features some well known Taiwanese actors, and for a bit was under the name Sea of Intimacy. It's being presented as an 'older BL' but the MDL summary is sparse of the BL-plot: Hung, a successful entrepreneur, has three intimate relationships: his wife, his mistress, and his girlfriend. The lives of these individuals in their 20s, 30s, 40s, and 50s are intertwined because of romance, but their story extends beyond that. When Hung faces criticism on social media and loses everything, the way they react tells us how they see the world.

Wishing Upon the Shooting Star & The Young Gangster (2025)

These two deal with completely different plots but are together because of one reason: Ray Jiang. He is the director for these two and was the director for Unknown, My Tooth Your Love, and We Best Love. The companies behind them have stated the series are coming next year, but the guess is Ray's busy schedule is part of the hold up since he has a Netflix series in the works and apparently a film featuring Sam Lin (We Best Love) on the way. The Young Gangster is based on a novel and deals with a research assistant gathering information on the mafia (and we know how the mafia works in BLs), while Shooting Star deals with a man wishing that nobody notices him once he returns to his hometown after being fired. The wish backfires and nobody recognizes him, not even his dad or the boy he confessed to in high school! BL Mafia, Sideways Wishes, and Ray Ray are my favorite types of snacks!

Pray in Love (2025?)

A police officer falls in love with a man only to realize that man is the son of a prominent leader on the day of his arranged wedding in which he was hired as security for the event. The series already released a short film of the basic premise for fundraising efforts and festival rounds. Apparently, filming has started on the series, but there is no concrete confirmation from the production company.

Eternal Butler (2025)

Edited to add thanks to @cankersoregirl! This is a sequel to VBL's Anti Reset and began filming in early July. It focuses on Ever 4 who is sent to be a bodyguard for a young rich man only to encounter a rebellious man.

That Year, 162 Rainfalls (In Production?)

Is this a movie? Is it a series? Is it happening?! Who knows, but last year, it finally got funding and a director attached to it, but the real kicker is Lin Pei Yu is the screenwriter, and she is the writer behind all of my favorite Taiwanese BLs: We Best Love, HIStory 3: Trapped, My Tooth Your Love, Kiseki: Dear to Me, and so much more. Basically, the company struck gold getting her for this story about two archers and best friends. One gets confessed to but admits he actually is in love with his best friend, but before love can happen, the best friend has an accident and falls into a coma. It is based on a novel of the same name, and the plot is way more hefty than this, but I know Lin Pei Yu will make it work!

Four Seasons (Pre, Pre, PRE-Production?)

This is supposed to be four different stories focusing on different seasons, and is rumored to be VBL's next group of shows since the company has stated it wants to continue its formula from last year of releasing slightly connected shows. VBL/Vidol was behind Stay by My Side, VIP Only, You Are Mine, and Anti Reset. Winter is about a scrooge CEO and a florist who is hired to decorate for the CEO's Christmas event. Spring is about two boys meeting on a bus and falling in love over music. Summer is about a market owner and a chef falling in love over food. Autumn is about two former best friends seeing each other ten years after graduating and exploring their hometown together.

Connecting to You (Pre-Production?)

It seems to have gotten funding, but it's been quiet since which isn't surprising because when it comes to Taiwanese BLs, nothing is really heard until filming begins or even after it ends. I still have my hopes high because this is *THE* BL for me as it deals with a man who can see colored threads connecting people and one day runs into a policeman whose thread connects to him. The thread between them begins to change color, from silver-grey to yellow, representing friendship, and even to red, representing love. If I have to sell an organ or two to fund this myself, I. Will. Do. It. I NEED THIS!

And this wouldn't be a Petty Post if I didn't include this final one:

HIStory 15: Freed (GIVE IT TO ME!)

I don't care if this a long shot. I don't care if I seem crazy always asking for this. I. Deserve. It. HIStory 3: Trapped ended with our best mafia boy in prison, and it's time he got out! The HIStory franchise has not had a series since 2022's HIStory 5: Love in the Future, and although there have been rumors that a HERstory story might be next, I think bringing back a popular story would be just as good. I will ask for this every chance I can until I get it, and I plan on living a long life, so I got time!

[thelifeofchuckmovie]

When it comes to ending the world, Stephen King is a repeat offender. He has brought life as we know it to a brutal conclusion several times over the decades, usually highlighting the cruelty and desperation that erupts among the last to go. But his 2020 story “The Life of Chuck” uses doomsday to evoke some unlikely sentiments: Wistfulness. Gratitude. Even joy.

The idea of creating an apocalyptic version of It’s a Wonderful Life is what led filmmaker Mike Flanagan to call dibs on the rights to the novella more than four years ago. The breakdown of society, extinction-level natural disasters, and the disintegration of reality itself is explored through the lens of one relatively meek and mild accountant, played by Tom Hiddleston, whose memories and choices are mysteriously connected to these tribulations. Retirement posters congratulating him on “39 great years” pop up everywhere. But who is this guy? What job does he do (or did he used to do)? And why does it matter so much to the fate of the world? This apparent nobody named Chuck Krantz has lived larger than anyone thought possible.

Having explored King country before in 2017’s Gerald’s Game and 2019’s The Shining sequel Doctor Sleep, Flanagan got involved after reading an early copy of “Chuck” before it was published in the collection If It Bleeds. The Haunting of Hill House and Fall of the House of Usher creator produced the film independently, believing it might be too offbeat for risk-averse studios to greenlight. He even secured a waiver from the striking Hollywood guilds last year to move forward with the shoot while the rest of the industry was stuck in the work stoppage. Now he and Hiddleston are ready to reveal the finished version of The Life of Chuck as it heads to the upcoming Toronto International Film Festival, where it will screen for potential distributors.

Among the skeptics about this adaptation was King himself, according to Flanagan. “His initial responses to me were a little like, ‘Oh, okay. Yeah. If you think that’s a movie…,’” he says. “He did say several times that he thought it would be a challenge to get it supported through traditional means.”

King has now seen the finished movie and no longer has doubts. He described it to Vanity Fair as “a happiness machine.”

“Well, he’s written something very tender and very wise,” Hiddleston says. “I think there is a great wisdom in the soul of the story, which is that it takes courage to hold on to what is good in a world that feels like it’s falling apart.”

Flanagan hopes others see it that way too, although the overpowering dread that begins the story may be more immediately relatable. “I’ve heard it said that every generation feels a little like the world is ending at some point, [but] I still feel like it’s different for us,” the 46-year-old filmmaker says with a mordant laugh. “Institutions we took for granted as propping up our society are failing left and right. Our politics have degraded spectacularly. The sense that it’s breaking down, that the world is moving on, has been increasingly palpable. When I talk to my parents or members of older generations who have been through their own turbulent times, the thing that strikes me is that they’re like, ‘Oh yeah, this is really bad.’”

But…it’s not entirely bad. And that’s the underlying message of The Life of Chuck as its various mysteries play out. “There’s no sense of terror in the way that King drew it,” Flanagan says. “Even as the world feels as though it’s ending, people become introspective, they reach into their past for loves that have left their lives for one reason or another. Strangers engage in open and fearless communication.”

It’s an indie-film variation on the big-budget cataclysm story. “A disaster movie has people meeting the end while running from tidal waves, and this story has people sitting quietly holding hands looking at the stars,” Flanagan says.

The key to it all is Chuck himself, although he doesn’t turn up onscreen until the second segment of the three-act story, which plays out in reverse chronological order.

The beginning is actually the end, as the whole world circles the drain. Caught in this spiral is Chiwetel Ejiofor (12 Years a Slave), a school teacher trying to apply logic to the planet’s troubles; Karen Gillan (Guardians of the Galaxy) is his ex, a hospital worker determined to save everyone she can; Matthew Lillard (Scream) is a construction worker neighbor who finds zen amid the chaos; and Carl Lumbly (Alias), plays a funeral director who has dedicated his life to easing people through death.

The end of the movie is actually the beginning, showing young Chuck (Benjamin Pajak) when he was a boy being raised by his grandparents (Mia Sara of Ferris Bueller’s Day Off and Mark Hamill). The insight of these two—coupled with the otherworldly revelations he finds in an eerie room tucked into the peak of their Victorian home—help him learn to seek out bright spots when life is marred by sorrow and darkness.

In elementary school, young Chuck discovers some important things about himself thanks to guidance from a brusque dance instructor (Samantha Sloyan), and a kindhearted English teacher, played by Kate Siegel, who gives the boy (not to mention the audience) some important information that serves as a code breaker for the story's more cosmic puzzles.

As for the middle of the film: It’s a dance number. That’s when Hiddleston steps in.

Compounding the peculiarity of The Life of Chuck is the question: Why is this song and dance sequence so important? The answer is for the movie to reveal, but it matters a lot. “The life of every human being is a constellation, as expressed in this film,” Hiddleston says. “There are certain moments which will burn most brightly as individual stars. Sometimes it feels like the world is going to hell in a handcart, and it’s full of pain and suffering, and it is—but there are moments of deep joy and deep connection.”

Hiddleston shows the audience this single moment in the life of a buttoned-up fellow who somehow controls the destiny of the world. It’s not necessarily the most important day in his life, but it’s a memorable one involving a street drummer (Taylor Gordon), a lovely stranger (played by Annalise Basso), and a fateful decision to cast aside caution and cut a rug. “It’s a reminder to do whatever it is that expresses whatever gives you that feeling of being alive,” Hiddleston says. “Whether it’s music or dancing or math or writing or creativity—do it. Do it now. Those moments are what you’ll remember.”

Flanagan considered casting a relative unknown as Chuck to “give the audience the experience of ‘Who the hell is this person?’” as the peculiar retirement signs begin to appear in the midst of the apocalypse. But he felt the promise of the Loki star would build more curiosity as the world falls apart. “You grow an enormous amount of anticipation to finally spend time with an actor like Tom, who can be a literal god in one story, and then an everyman in another,” Flanagan says.

A TikTok video of Hiddleston getting his groove on sealed the deal. “He had a completely unfiltered joy on his face,” Flanagan says. “He was a good dancer, but that wasn’t what struck me. I wasn’t amazed by the technique so much as the degree of happiness that was radiating off of him. The look on his face made me smile the same way I smiled reading that particular portion of the book.”

The resulting scene was created in a month-long collaboration between Flanagan, Hiddleston, Basso, choreographer Mandy Moore (So You Think You Can Dance, and La La Land), and Gordon, a real-life percussionist who performs under the name the Pocket Queen. “Taylor was there for all of the dance choreography. She wrote that piece of music for that performance. They built it together,” Flanagan says.

Hiddleston rattles off the lists of influences: “I had to learn in six weeks the full regime of any dance training. We did jazz, swing, salsa, cha-cha, the Charleston, bossa nova, polka, quickstep, samba. We were trying to tip our hat to anything that might have influenced Chuck. It might’ve had a bit of Gene Kelly or Fred and Ginger. Certainly moonwalking—Stephen King is very specific about the moonwalk.”

Precision was not the goal, exuberance was what they sought. “We need to always bear in mind that this man is an accountant. We needed this to be an earnest, escalating explosion of joy, and a remembrance of who he was,” Flanagan says. “It’s a chance to step back into the skin of his younger self, not caring that his feet are going to kill him the next day, not caring that he’s going to wake up with a horribly stiff neck.”

A surprising thing happened while shooting the scene over the course of several sweltering afternoons in the deep South. “I burned holes in my shoes,” Hiddleston says. “I was dancing out on the asphalt in Alabama, and by the time we’d finished, you could see my socks through the soles.”

The sequence begins awkwardly: Chuck is self-conscious as he first hears the busker’s rhythm while walking back from a banking conference. That feeling quickly gets shaken off. “Tom was very committed,” Flanagan says. “He was like, ‘If I look silly, that’s fine. As long as I look happy.’”

Flanagan remembers being in a bad place when he first discovered “The Life of Chuck.” Then again, everybody was.

His copy of the manuscript arrived in March 2020. “That was just as the world shut down for COVID,” he says. “We had been a week away from starting principal photography on Midnight Mass in Vancouver and had fled across the border before it closed to make it back to the States. We were hunkered down in our homes and had no idea if this was going to last for two weeks or if this was going to last forever.”

With everything halted as the lockdown set in, Flanagan had plenty of time to do nothing but read. The new King book seemed like the perfect escape. Except…

“The first third of ‘The Life of Chuck’ just rattled me,” he recalls. “There’s no way he wrote this before the world ground to this bizarre halt—but he did. And the feeling of anxiety, and uncertainty, and that everything was falling apart came roaring out at me. I wasn’t sure I could finish it. It just felt too close to the anxiety I was feeling.” But he kept turning the pages. “By the end of it, I was in tears, and incredibly uplifted, and convinced I’d read maybe the best thing that he’d written in a decade. I just was floored by the thing,” Flanagan says. “So I fired off an email to him right away saying how much I loved the story, how incredible I thought it was, how meaningful, and important, and how it had really tattooed itself on my heart and said, ‘It’s the movie I want to make so that it’ll exist in the world for my kids.’”

King’s response: Not so fast. Flanagan and his producing partner, Trevor Macy, had at that point secured the rights to King’s fantasy saga The Dark Tower through their company, Intrepid Pictures. The eight-book series is threaded throughout King’s other works, and adapting it was a massive undertaking that Flanagan is still working to make happen. Other filmmakers had either abandoned the project, were canceled midway through, or bombed miserably. The author didn’t want him to be distracted. “He doesn’t like to give the same filmmaker more than one thing, because it typically means one thing is not advancing at all,” Flanagan says. “He said, ‘Well, let’s focus on The Tower and I’ll try to keep this one available for you for later.’”

The quest to The Dark Tower remains a priority for Flanagan, but a number of disruptions to that epic undertaking led him to reapproach King last year about Chuck. Intrepid’s deal with Netflix, where they had created Hill House, The Haunting of Bly Manor, and other shows, had come to a close, and Intrepid signed a new development agreement with Amazon. That meant starting over on The Dark Tower. Meanwhile, the threat of a double-barreled strike by writers and actors was on the horizon, stalling nearly every major new project. The industry plunged into another production-halting lockdown, this time over contract impasses rather than a virus.

Since The Dark Tower was suddenly further off on the horizon, Flanagan saw a chance to make The Life of Chuck happen in the short term. “It’s so rare that I get to approach any project that just has not an ounce of cynicism to it. I just really believed in this thing,” he says. “But it was also clear that we would have an incredibly uphill battle bringing the story to any major studio. They would try to make it as familiar as possible, instead of leaning into what makes it so different.”

King gave Flanagan his blessing to proceed. “I was off like a shot,” the filmmaker says. “I think I turned in the draft to him before he got around to sending the formal agreement.”

For everyone involved, The Life of Chuck became a bright spot in an otherwise dismal time, which matches the theme of the film. “There is a profound optimism in this story,” Hiddleston says. “As the world is spinning off its axis, there are moments of magic.”