#this moment is not forever

[enn0s]

deep breath

[star6olt]

redraw of the scene

[ruushes]

still endlessly indecisive abt my datv worldstate bc ive played these games too many times and have too many ocs now but ive seen a lot of people drawing their worldstate characters and i wanted to too lol so here’s my tentative pick

fantastic templates are by marianchurchland ❤️❤️💕

[dawnatlas]

(raven neil au) wanted to draw them napping together again....

[egophiliac]

time for skeleman

with the lack of any other info yet, all I can focus on are those Charles Lloyd-looking sunglasses. they are absolutely sending me. I feel like we're gonna fall through a tree or whatever and this stitched-up boney gentleman is gonna pop out from behind a gravestone and start serenading us with some smooth jazz on the saxophone.

or should I say...the saxoBONE???????

[okthisway]

Gale's intimidation check

[lizardkingeliot]

"let the flesh instruct the mind" while grabbing louis' ass and pulling him close while they're making hard eye contact was insane actually

they really did have another honeymoon phase in that month or so louis gave lestat all his heart and they lost themselves in each other completely. look at them. they want each other so bad it's SICKENING.........

[dollykiller]

My 3 personalities

[etheries1015]

The moment Vil fell in love with you, was one of the most vulnerable moments he had ever experienced. It was something that had caught him completely unawares, and never thought he'd fall for someone, much less the prefect of ramshackle.

Spoilers for the end of book 6, if you have not gotten that far.

The ride back to NRC from the island of woe was an exhausting one, to say the least. Everyone was groaning in mild annoyance at Vils sobbing at his now olden state, a wrinkled face with sunken cheeks and grey hair...something he feared more than anything in the world. Nobody actually blamed him, though, for anybody else would react as strongly to see their youth stripped away without even the hint of getting back their original form. Ugly, old, and gross, are all words Vil would go on to describe himself. You felt pity for him of course, but you were just as exhausted as everyone else.

Vil watched you in surprise as you stood up in a sleepy haze, wobbling to the (now) old man and cupping his sunken cheeks into your lively hands.

"Vil," You said sternly, the suddenness of your actions causing him to bite back his sobs for merely a moment.

"What you did for us today," You said with confidence in your tired eyes, "Was the most heroic thing I have ever seen. That was the bravest, most selfless act you could have possibly done, and I truly admire you for it, Vil." Your stern eyes softened with a smile mixed with pity and admiration, unconciously stroking his cheek with your thumb in attempt to sooth his trembling figure.

"We will find a way to get your body back. I understand this is a lot, but you need to hold onto faith." Your hands squished his cheeks together in a teasing and playful manner, purposefully causing him unable to respond verbally. Vil simply nodded, and you continued with passion raising your tone of voice.

"Right now, in my eyes, you are the most beautiful person with the biggest heart of gold I've ever met." You leaned forward and planted a gentle kiss on his cheek, something that drew him back with widened eyes. "Now, you must be incredibly tired from all the fighting we did. Try and rest, okay? You need it." He wanted to tell himself you were simply feeding him words of comfort in order to cease his persistent whining, yet with such confidence dripping with every word and small gesture you had no reason for engaging in, that was how he knew you were genuine.

How could you be so willing to kiss him when he looks like...that? How can you call him beautiful when all he sees are wrinkled hands and spotty skin? The word "heroic" also stuck out to him. Years of being played the villain, always unable to make it to the end of a movie, being discarded as the "bad guy," yet here you were, calling him...your hero. His heart skipped a beat and he could feel heat rise to his cheeks. There's no way you of all people could make him feel so...conflicted.

Yet there you were, with stringy sweaty hair, scratches, bruises, mud riddling your skin from hours of fighting for the world. He noticed how his dorm outfit lay in tatters on your body, and bags under your eyes were apparent as you so shamelessly yawned and sat next to him, falling asleep as you leaned up against his shoulder. This was the brazen prefect of Ramshackle- someone with flaws, attitude, and a disastrous display.

Yet at this moment, all he could think about was just how beautiful you looked, too.

[taxonomicons]

Oh you like vampires? Is that because you are enticed by the idea someone could love you enough to share the burden of everlasting monstrosity? Haha HAHA no what? no

[ministarfruit]

holomyth FOREVER!!!!!!

[ninyard]

Thinking about how Andrew choked Kevin when he realised Neil was missing.

Andrew who would kill anyone who looked at Kevin the wrong way. Andrew who would stab whomever if it meant Kevin was safe. Andrew who saw a broken raven and said I’ll protect you and meant it and kept that promise like his life depended on it.

Andrew who nearly killed Allison because of a promise. Andrew who would’ve never talked to Neil again because of a promise.

Yet when there was ambulances and injured foxes and you were amazing before Neil’s gear with his phone, with a 0 on screen and a Baltimore caller ID, Andrew turned on Kevin.

Can you imagine being the other foxes and watching that happen? Knowing what Andrew would do to them for so much as breathing at Kevin in the wrong direction, now Neil was missing and Andrew was hurting Kevin and something is happening here.

Andrew and Kevin don’t have the luxury of a second language to talk to each other in, either. Whereas secrets were usually shared in French and German so the others couldn’t understand, now there’s nothing to hide behind, and Andrew doesn’t care either. Where is Neil, who is he, who’s taken him, is he safe? Is he alive?

Then picture being Kevin, knowing Andrew, knowing what this means, that Neil is more important to Andrew than he is now, so much so that he would hurt him for Neil. Not only does he know that; but he knows there’s a good chance that Neil is dead. If it’s his father, it’s not the Moriyama’s; he is the butchers son, after all, and the butcher was never keen to spare a life.

So the foxes know nothing and everything at the same time on that bus journey out to wait for his return. They know they’re hurt, that something is very wrong. They know Kevin has bruises around his neck, and Andrew can’t look him in the eye. They think they understand now why Neil got everything he asked for from Andrew; and Andrew thinks he might never see him again.

I’d say it was the quietest bus journey of their lives.

[annabelle--cane]

cause you see, at almost every major instance, martin does not trust jon. he trusts him to not be actively evil or a cold blooded killer, but he doesn't trust that jon will act in his own best interests. he expects that jon, if left on his own for long enough, will succumb to all of his worst vices and self-destructive impulses and drive himself to obliteration, which is why martin has to plan around him. and he's usually right! jon has consistent problems with moderation, a real propensity to hide anything that scares him or makes him feel ashamed, and a decades old survivor's guilt complex that leads him to feel uniquely culpable and expendable. but... chicken and egg, isn't it a bit? jon has long had all those problems, but it probably didn't help that everyone in his social circle (martin included) took his worst impulses as a given. it probably didn't help that he was indefinitely supposed to weather the dangers of freely giving trust without receiving any of the rewards of being trusted. yes, martin was, in a way, right that jon didn't end up blinding himself and quitting, but we'll never know if jon would have actually gone through with it had martin agreed to his proposition.

[artilite]

fuck you *lethal companies your in stars and time*

(long) exposition under cut (spoilers for ISAT + lethal company logs)

This au takes place around the time of sigurd's logs/before them (i haven't decided if Sigurd's crew exists here or not yet)!

Siffrin was someone who used to live on the Golden Planet before it got eaten. They may not remember anything beyond being found in an escape pod, but they're still paralyzed by fear when getting close to the selling window. He's always first in the facilities, making jumps, braving traps, and heading as deep as he can for scrap.

Mirabelle and Isabeau are the medic and fighter respectively, who both came from the same moon colony. They were both pressured into taking jobs by a work-based society, and applied for the company under the impression that it was a short, high-paying internship with nebulous risks.

Odile is their resident ship manager. She keeps a watchful eye over everyone and relays information about monsters, scrap, etc. In absolutely dire situations, she may come help with scrap. Despite claiming to be a first-timer, her badge says Leader??

Nille and Bonnie ended up with the crew after taking a chance to run away from their parents. Seeing a high-paying job that provided everything and would take them far away sounded too good to pass up. Nille lied about Bonnie's age to take them with her. After seeing the reality of this job, though, she regrets not finding another way out. Bonnie is permanently on ship-duty; they mainly type in whatever numbers Odile tells them. Nille is also a fighter, though she prefers the weighty stop sign as opposed to Isabeau's shovel.

Loop, after hundreds upon thousands of quotas, dying every possible death, learning everything they could- even the real identity of The Company- realizes there was one thing they've never done before. They've never died to The Company. Desperate for a way out, and haunted by the whispers and screams beyond the wall, they give themselves up. Maybe that would finally satisfy the monster- to have devoured every last piece of the Golden Planet. Maybe their crew could finally rest easy that way. Well, they didn't loop back. But through the dark and damp, there's static on the walkie talkie. Loop picks up, and hears their own voice just beyond the wall.

(Loop's design is the most different by far, since instead of consuming a star, they themselves are slowly getting digested. They're inspired by the visual of red crying faces from the logs :D)

[bacchuschucklefuck]

sometimes I think abt how the months coming up to and the prom night in freshman year must feel to class swap sklonda. your perfect kid who has literally never gotten a single reprimand for anything does what can only be described as a quad crit crime combo and becomes a nerd punisher by the end of the night

[sharpth1ng]

Ive been thinking about the peer pressure line lately. People often take it at face value, seeing it as Stu saying he really was peer pressured by Billy.

Personally I've always taken this line as sarcasm/ a joke, but I think we can get a little more understanding about Stu's meaning from it's context in the original script, where another line has been cut:

Here when Billy talks about a motive he's not necessarily talking about his real personal reasons for doing it, he's specifically talking about the story he's going to tell in court as a defence if he's caught.

Later, after Sidney escapes she asks Stu for his motive- not in the context of his personal reasons for doing it, but in the context of what he's going to tell the cops:

So when Stu answers here he's not telling her what his personal motivations are, he's telling her the story he's going to give the police.

In the movie Billy's lines about how he's going to use his story in court is cut, but Sid's line here is barely changed; she asks Stu what he's going to tell the police and he tells her. Peer pressure.

ITS A COVER STORY.