#this is what grief feels like

[dailytraingirl]

WHAT THE FUCJ. HES SO FUTE. AND HE LOOKS SO YOUNG. NEIL I LOVE YOU NEIL IM SO SORRY (i say this as if i had any say or control over what happened to him) (the story is fictional and set like 70 years ago) NEIL I LOVE YOU SO MUCH I WISH I COULD GO BACK AND TIME AND SAVE YOU HE WAS LITERALLY ONLY 17. SEVENTEEN YEARS OLD. HE LOOKS SO CUTE IN THIS PHOTO IMAGINE HIM AS A LITTLE KID LIKE 6 YEARS OLD AND MISSING TWO FRONT TEETH AND PLAYING IN THE DIRT AND GETTING ICE POPS IN THE SUMMER FROM THE ICE CREAM TRUCK AND THEN FAILING TO EAT THEM AND THEY JUST MELT AND GET HIS HANDS ALL STICKY AND ALL OVER HIS FACE BUTS HES ADORABLE SO NOBODY CARES AND HIS MOTHER JUST WIPES HIS FACE OFF WITH A NAPKIN AND SMILES. OH MY GOD HIS MOM I FEEL SO BAD FOR HER I HATE YOU THOMAS PERRY. I HATE YOU SO MUCH. THAT POOR WOMAN SHE LOST HER BABY BECAUSE OF THAT MONSTER SHE MARRIED. NEIL I MISS YOU.

[brb-counting-stars]

DYLAN NOT PLAYING IN WORLDS BC OF AN INJURY. WHAT THE HELL

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

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[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[shepscapades]

okay am i crazy? someone please tell me I'm crazy, I saw the thumbnail for Xisuma's newest hermitcraft episode and was immediately reminded of the deepslate/blackstone palette and building style of all of the buildings from the Evil Empire in season 8. Clicked on the video and the introduction "Previously, on Hermitcraft" was voiced with Evil Xisuma's voice filters. I had thought Xisuma said in a recent FAQ video he had no plans to bring Evil X back into hermitcraft plot because the storytelling wasn't really his top priority, but this kind of seems like foreshadowing of some kind? Thoughts?Regardless, kind of a sickening thought for c!xisuma that Ex might just be. lurking. very cool <sweating

[shoganaiiii]

human al

[gayjaytodd]

just in case you're wondering how bad antisemitism is online by now: my friend had to take down the memorial post she made on IG for her dad and stepmum (who died less than a week ago) bc people were spamming it with "free palestine" and "two less zionists is a good thing" comments

[aingeal98]

Something about older Jason looking at the child version of himself, the innocent victim, and feeling the need to defend and avenge him the way no one else will. They'll call him reckless and try to pin the blame for his death on some unique failure of his personality, the problem isn't Robin the problem is he was just a bad fit for Robin! And then older Jason coming back to life and spits on their twisted grief. Fuck you, that innocent child deserved more. You took his memory and ruined it to make yourselves feel better. If no one will give him justice then Jason will take it himself no matter who he has to kill to get there. It's the only way he can move forward.

Something about older Cass looking at this child version of herself, this innocent who has no idea what she was doing when she was tricked into killing, and finding her irredeemable. She will forgive everyone for everything if they need a second chance but she cannot forgive that innocent child. She spends ten years wanting that child to die for their sin, a standard she holds no one else to. And in the end she does have to die. She can never forgive that child until the price has been paid and the guilty, tormented, suicidal mess of a girl is dead and never coming back. Only then can Cass live on. Only then can she smile without feeling the weight of her kill on her back. If no one will give that child the justice they deserve then she will have to do it herself. It's the only way she can move forward.

[haveihitanerve]

Renewed Orphan Grief

Clark barely sees it coming. He doesn't even see the hit. Only sees the aftermath. Bruce crumbles. Hard and quick and final. There is a sudden stillness to the battlefield, a hush rippling over everyone, good and bad, villain and hero. The villain pauses, caught off guard. He hadn't expected it to work. He hadn't expected to kill- “BATMAN!!” the screams shatter the silence, cleaving across the battle like knives. Clark turns. Nightwing is barreling towards his fallen former mentor, hardly registering the people he flies over, legs moving in a blur. Red Robin is right behind him, hurtling for Batman as well, almost fast enough to rival a speedster. Robin himself is already there, pushing and pulling and tugging, demanding he “get up!” and “fight!” and “stop playing please father!” Clark cannot stand it. He turns, and sees that there are more than just three voices. “BATMAN!!” Spoiler, the purple demon Bruce had once called her, is running faster than he has ever seen a human, and he can already detect the salty scent of tears. “B!” Red Hood drops his guns, sprinting for the other Gotham hero, the man they all thought was his enemy. Another child appears at his side, silent, undetected, ‘orphan’ Clark’s brain supplies numbly. Batman’s shadow. There’s a sudden roar of defiance and someone new and yet old is there, red hair flowing, metal braces around her legs, a bright yellow bat proudly emblazoned on her chest. The Signal is at her side, and they collapse like alk the others at his side, pulling Robin away and begging, pleading, pushing their life into him, sobbing for him to just “get up, please.” and Clark can’t stand the voice cracks and the shaking sobs, can’t stand the numbness in Red Robin’s eyes and the lack of a smile on Nightwing’s face. The battle resumes, slowly, and suddenly the kids are awake again, tearing across the field like wraiths, ripping through anyone who gets in their way. Clark spots their final destination. The villain does too. He scrambles into his jet, screaming, “go go go!” But its too late. They converge, scrambling up the sides like spiders, nimble and fast and far too agile. There is a silence emanating off them that is unnatural, unheard of. Clark has felt grief before but nothing like the things he can feel wafting off of them, and J’onn falls to his knees, cradling his head in pain as the wave finally hits him. “Please!!!” The villain screams, and they cannot see him anymore, theres a solid wall of bodies between them and his voice. “Don’t kill me!!” At that, they finally pause. “You killed our father.” Nightwing says finally, voice echoing across the expanse. “He had a rule against killing.” Red Hood cracks his fingers. “He might have pleaded your case.” The children, as a whole, step closer. “He’s not here to do that anymore.” Clark covers his ears. 

[storge]

She hasn't gone mad from pain. It's just that her inner feelings have been suppressed for too long.

The Double (2024) 1.11

[starry-bi-sky]

thinking about Dan in CFAU and just how different he needs to be (in my opinion) in order for Danny's whole thing to work. Canon Danny with Dan's influence, would never even consider thinking of killing anyone even after losing people close to him because he'd be scared of becoming like him. CFAU Danny however has been festering in this hurt and anger for years and wants the Joker dead and is plotting it. I don't think he'd do that with Dan's influence.

I explained how Rath came to be in this post here. Things happened in TUE as normal -- Danny's family dies, he lives with Vlad, Vlad rips out his ghost half. The difference here is that not only was Danny in a grieving state (something exclusive to banshees that the post goes into) but he also doesn't end up fusing with Vlad.

What happens instead is that Danny's ghost half, consumed already with grief and now enraged by being murdered and lied to by Vlad, destroys him completely and disappears into the ghost zone. He traps himself unintentionally in a negative feedback loop of grief, and as a human spirit banshee, cannot mentally handle the constant agony and sorrow he's experiencing. What happens is that he ends up driving himself insane with misery.

So the difference here, ultimately, between Dan and Rath, is that at the end of the day; Dan is fully aware of his actions. He knows what he's doing is wrong, and delights in it. He acknowledges his lack of humanity and feels no remorse in doing what he does.

Rath? He's... not. Not really. Dan is a hulking mass of muscle; tall, towering, terrifying. He loves what he does and does what he loves. Rath, however, appears as a scrawny young boy in raggedy clothes far too big for him, hunched in on himself while dirty, unkempt hair curtains his face and hides whatever he doesn't have ducked down in his curled-in form.

Rath is locked in a constant, unending state of sorrow and misery. He, for lack of better words, is unable to perceive the world around him properly and lashes out terribly and violently at anyone or anything that catches his attention. The only thing that he knows is that his family is gone, his other half is gone, that everyone he loves is gone, gone, gone.

He is a zombie apocalypse wrapped up in the form of a malnourished child, wandering the world in search of people who are not there, and becomes furious if you're not them. He is constantly crying, but he's been crying for so long that he's all but lost his voice. Meaning anyone trying to keep an ear out for him has to listen for soft, pained gasps and quiet whimpering, and wonder if the sound they're hearing are hurt survivors, or the very thing they're running from.

As a result, Rath's influence on Danny isn't that he's scared of doing something bad and becoming like him. He's scared of losing control of himself and dooming himself and others to eternal misery. As a result, he's adamant that things that he's done were not done out of pure emotion, but were active choices he made.

Up to and including killing the Joker. There's enough grief and rage behind his views on him that anyone could argue, especially knowing that Danny's a ghost, that he was not in the right mind when he did it. He was blinded by his emotions and was not in the right mental capacity, he had no control over himself. It'd work as a convincing argument.

If it weren't for Danny himself arguing against it. Killing the Joker was a choice he made, fully and willingly. It was autonomous, premeditated murder and he won't accept anything else -- it was not a fit of passion, it was not act of insanity, it was a decision. He won't accept it being anything else but revenge either, and if anyone tries to claim that it was a necessary evil he will yell at them. He didn't do this for the betterment of the public, that was just a fortunate side effect. He did it for himself and Jason. If you wanted it to be a necessary evil, then you should've killed him yourself. It was a selfish evil and he knows it.

In the end, Dan’s existence would prevent Joker’s death. Rath’s existence only solidifies it.

Rath's complete difference from Dan is one of my favorite parts about this au even if he never makes a direct appearance.

[ramvur]

"So weep no longer, though you love me"

#GazPriceWeek Day 3: Blue

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[dirtytransmasc]

atwow hot take:

if jake had said his "son for a son" shit out loud and spider had heard him, he would have been so beyond pissed, he would be seeing red.

spider loved his little siblings so much, neteyam included, even after they grew apart. he loved them like they were his own blood and protected them like they were too (we see a lot more of them together in the comics, where spider is the big brother without a doubt). neteyam's death most certainly rocked him hard, even if he hasn't really been able to show it (how could he? he's already going through all the shit with his dad and the RDA and their nonsense, he can't grieve around neytiri, he's just so tired after it all. he doesn't have the room or the energy to grieve yet)

so if jake had the audacity to say that to/around spider not even a few hours after he watched his little brother get shot after coming to save him, after he stared at the bullet hole in his back, after he watched him take his last breaths, after he watched the light leave his eyes, after he watched his little brother die for him; if he said that while his little brother's body lay in a pool of his own blood not even ten feet away, not even cold yet, blood still clinging to his chest, the scent of it still filling the air: he would have lost his shit.

because the disrespect for his brother is wild.

jake was an active player in spider's neglect and abuse for the last 16 years, he let it happen, he helped it happen. he tried to send spider with the humans, tried to take him away from his siblings, from the forests, from eywa to live with his foster family that didn't love him (not to mention Nash was an asswipe of epic proportions) and the RDA of all people. he had referred to spider as a stray animal since he was little. he was the reason spiders life was hell.

and after all that, years and years of putting him in shit positions and allowing him to suffer the fate of being forever unloved and uncared for (by an adult authority figure, cause I love the kids, but they don't make up for the gap left by a parent), this is what it took for jake to care about him? his little brother had to die in front of him first? he had to be traded out to fill the space of a corpse, to fill in the gap left by his little brother's death?

in canon, spider was in deep in shock with nothing to break him from it, he wasn't in the place to really think about any of it, and I'm sure we're gonna see this anger in the coming movies, but if jake had said it out loud, that would have been enough to snap spider right out of it, and he would have given jake a piece of his mind, I just know it.