#this is way more personal than my usual art

[lurkinglurkerwholurks]

Oh oh I can tell you how I handle this!

First, I must acknowledge that epithets are hard. When writing in a specific character's POV, you have to be careful about describing another character only using descriptors that they would use or it'll feel awkward and weird. (I don't generally think about my sister's height relative to mine and therefore wouldn't refer to her as "the tall one" or even "the taller one", for example, unless it's relevant in the moment. Talking? Not relevant. Her hitting her head on a ledge that I missed? Relevant. That wouldn't be true of someone I just met. If you're tall[er than me] I'm probably noticing it and don't have other ways to differentiate you from other strangers.)

Luckily, I don't usually have to resort to epithets in writing, because readers can generally follow pronouns and support way more proper name uses than you might expect! Pronouns by definition are placeholders for proper names. Where writing gets confusing is when it feels like the pronouns are floating free and unmatched. Reconnecting the proper noun and the pronoun is all you need to reset.

Within a paragraph, use a proper noun enough to be clear. Vague, I know, but it really is an art instead of a science and largely comes down to personal taste. Refining your personal taste can help a ton, and one way to do that is to look at works by people who you feel write these kinds of scenes clearly and cogently. I'm going to use my own writing as an example, just to make it easy for myself.

Structuring your writing so the subject is fairly consistent will help a ton, as will "checking in" with a proper noun when it feels like you've checked in on the other person more recently.

[alt: The muscles in Bruce’s face, Jason realized, were good at going completely still when surprised. That was useful. He had said intervened like Jason had done it on purpose, throwing himself into this nightmare to save Bruce instead of acting like a petulant, stomping child. He had just a moment to wonder if the look from Bruce was meant as gratitude or as an apology when Bruce turned his attention back to the others. “It should reverse in a few days.”]

In the snippet above, because I'm moving tightly between two he/him characters, I use their names just enough to stick into place who's being reference at any given point. If I had wanted to be extra careful, I could have changed "He had just a moment to wonder" to "Jason had just a moment to wonder."

Over multiple paragraphs, when you're sticking with one person, reconnecting (or what I mentally refer to as "checking in") can happen once a paragraph and really shouldn't be needed more than that.

[alt: He really didn’t have much of note to say. Dick narrated his way through the canned goods and the dry goods, making jokes about Wally’s Skittles stash and the cans of Spaghetti-Os Roy demanded be kept on hand but no one else ever touched. He talked about a TV show he had been watching and made a joke that elicited a hrmm from Bruce that would have been a laugh from anyone else. And the more he talked, the more he remembered little stories from his week that he had tucked away with a mental note to tell Bruce.

At last, though, Dick had finished his final story and let the call lapse into a pause that stretched into silence. He bit his bottom lip and fidgeted with the rolls of gauze, stacking them into pyramids outside the gutted medical kit. He could never tell with Bruce whether the silences were contented or an interrogation technique, the patience of an investigator applying pressure to a reluctant witness. In the end, it didn’t much matter.]

But really, truly, the TL;DR of it all is you don't need as many epithets as you think; as long as you don't go crazy with your subject and object switches and check in on your connections regularly, you can lean on pronouns way more than you think; and readers can handle way more uses of names than you might suspect.

Me writing a scene with two or more people of the same gender and trying not to get the readers confused, while also trying not to overuse the characters' names or epithets

[yugsly]

Viscera Objectica has really illuminated something in my life I could never put words to. Ive always had a lot of affection for certain objects- maybe more than the usual person would have. Prior to this comic, i was always on the fence about identifying as objectum; I associated the term largely with being a fetish or explicitly sexual attraction, and while there was nothing wrong with that, it wasn't something that was true for me. The careful attention to Theu and Vitos relationship-especially that part about fixing the coat (and feeling like it was almost inappropriate) and the last page in the authors connection section- really helped me broaden my understanding of Objectum. You described it in a way that resonated very deeply with me. I cant really explain how wonderful it was to read this comic and see the romantic affection captured so potently and accurately. It was like feeling seen and understood, and also finally understanding myself?

I wish I could fully express how grateful I am! Thank you truly!!!

Thank you so much, I'm glad you could feel seen. It's a complex thing to express, vulnerable. Hard to understand- so I'm glad you understood. Art is beautiful and it's not so strange to show it love I think

[signanothername]

I– I need to ask.

HOW DO YOU DO THIS?? Like, share your thoughts with everyone. Because I've been working on my universe for about three years now, AND I STILL FEEL LIKE IT'S NOT READY. At the same time, I’m still afraid to share these things...

So. How do you do it?D:

Alright my answer will seem a bit harsh and/or cruel, but know that I mean it in the most kind, genuine, and gentle way possible, i just don’t know how to word it any other way

With that in mind

Anon, you’re never going to be ready to share it, and the fear will always linger, you will never be 100% confident of what you share

And that’s ok

Again, I know that i make it seem super easy, but I promise that I’m just as afraid to share my ideas as anyone else (I’m a perfectionist, and that also contributes to my fear to share things)

It’s just, I think of it this way

I have an idea, and I got two choices

Either

1- I keep overthinking it, and succumb to my worries and fears when it comes to my idea, and keep my ideas with me, never to see the light of day

Or

2- I acknowledge that I’m afraid, acknowledge that my idea might not be perfect or ready, acknowledge that there might be flaws that I will probably notice later and even feel stupid about it, and still share my ideas anyway regardless of the voice in my head telling me to “wait a little more”

I usually go for choice number 2

The art and writing process is complicated, it’s so not easy to write something and feel ready to share it, no matter how much time it takes, you will never ever feel truly and utterly ready to share it, you’ll have that worry in your mind that maybe it’s stupid, or incomplete, or inconsistent or whatever else

And guess what? Sometimes, the worried voice in your head is completely right

But what matters is how you tackle it

Even if you share an idea, remember that you can always change your mind about it, you can absolutely go back and say, I don’t like that idea anymore and so I’ll remove/ change/ replace it

Ideas are never set in stone, you change and grow as a person as so do your ideas, they grow and change with you as you learn more and more, and sometimes they don’t, they don’t change at all, and that’s ok too

You can’t keep worrying about whether the story or idea you’re working on is ready or complete, because all you’re going to do is just walk around in circles and end up never sharing anything at all

It’s ok to be worried, but you can’t let your worries control you, of course, it’s not easy to ignore your worries, but it’s better than feeling stuck with your ideas

I myself do deal with these worries a lot, most of the time i just tell my brain “shut up” and share my ideas anyway, other times my worries do get the best of me and i tend to keep some ideas to myself

But sharing your ideas is actually essential for you to actually be able to work on them and refine them, because people might start asking questions or giving really good feedback that you actually sit with yourself to think about

But what if they ask you a question and you don’t know the answer to it? That’s actually a good thing, it’ll make you sit down and think of how to connect the dots and answer it, not only does it mean you’re actually making progress on your story/ideas, but these kinda questions help you understand different perspectives and by that, you learn and grow in your writing

It’s ok to be worried and to keep ideas to yourself sometimes, but don’t let them fester, because believe me, eventually your passion is gonna burn out because you kept overthinking it to the point it became just a worry than something you enjoy doing

In fact, to give you a bit of motivation, imma actually share one of the ideas I never shared cause I was afraid it’ll be a bit stupid and out of character

And I’m very worried about sharing it, but fuck my worry I do what I want

Remember when I mentioned Dream received one gift from Nightmare, and never received anything after? My idea for that gift was an echo flower he gave Dream, and it echoes one thing “I love you”

There, I shared it ouuughh the stress of sharing it is killing me actually, but I mean I can keep worrying about it forever, or actually share it and refine it later if I wanted, I choose the latter

And your ideas are never going to be perfect anyway, but you can improve them with time, even after sharing them

That’s all I do really shzggz

So go out there and start sharing anon, fuck anxiety, you can do whatever you want, you’re unstoppable

[indieyuugure]

Hiii! Im doing a essay about ROTTMNT and TMNT do you have any ideas whatt ill do?

lol 😂 oh dear this seems a tad urgent.

Hm, well personally I would consider covering the both positive and accurate homeschooler representation in TMNT. It’s often overlooked but is really actually incredibly good and a deeper topic than maybe like art style.

A lot of media paints homeschoolers extremely inaccurately and often negatively. I can’t tell you how many times the ��homeschooled” character’s in media are 2D friendless plain toast people with personalities that are literally just that they don’t go to school and it’s so incredibly insulting! But TMNT doesn’t do this!

I’ll tell you, as a homeschooler myself and having met NUMEROUS others, homeschoolers are wild, they’re full of personality and big dreams, often they have no interest in attending “normal school” and are usually better educated, they’re best friends with their siblings and very close with their parents, and actually tend to have more meaningful and lasting friendships than other kids.

All of these things is the TMNT is and it makes me so happy to have good representation that’s not loud and preaching but just subtly there because THAT’S HOW IT IS.

There are exceptions to everything I just listed—I can think of one person for just about every exception—but TMNT does a fantastic job of explaining in a lowkey way that homeschoolers aren’t aliens from another planet, they’re kids just like everyone else.

So anyway 😅 now that I’ve written my own rant, hopefully you’ll find that useful at all.

Other good topics could be the franchise’s themes of acceptance and learning to see beyond an outer appearance which as a show targeted towards children is a very good thing to learn (seriously children are the judgiest little things).

Another could be the franchise’s history from gritty young adult comics to colorful children’s cartoons.

You could also do something with the shows portrayal of positive familial relationships since most television often depicts siblings as annoying irritants and parents as unfeeling dictators, and while those are aspects of family life, they never show the positive things like unconditional love, and loyalty and understanding and very deep togetherness.

Hopefully any of this is useful, I’d recommend maybe asking a few other people for ideas (if you haven’t already) so you can get a wider selection of view points and of course more ideas 👍

[feli-052]

Love struggles

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[majorasnightmare]

okay so like. mizora

im pretty sure we're in agreement that the conditions for wylls pact were sus as fuck right? like there just happened to be a fully formed cult to tiamat rarin to go right outside baldurs gate mid ritual, and the home of high harper and nosy grandma JAHEIRA didnt notice shit?? nobody saw anything and no one could confirm wylls story despite baldurs gate having an active enough night life to sustain 7 actively hunting vampire spawn for at LEAST 200 years AND a sewer murder cult committing covert assassinations and murder sprees??? with a cult of bane conducting weapons trade deals and the knights of the shield operating a smuggling ring??? the flaming fist didnt even see anything to pointedly ignore??? not a single chickenshit recruit filed a report about observing a dragons head in the night sky with a filed dismissal by a senior officer claiming they probably drank too much. Saitama_Okay.jpg

im personally of the opinion that zariel didnt stage that particular incident but DID utilize agents to provoke tiamats cult into action while also stifling potential witnesses. we know raphael does similar because of his stupid chess themed letters to his own agents, so its not unreasonable to suspect zariel is doing the same. but i think the REAL prize of that particular operation was not the destruction of an active tiamat cult, but instead something more subtle and with a potentially higher payoff: the ear of duke ravengards son. a dragon cult getting annhilated was a bonus, and a convenient call to action besides

mizora, by karlachs admission, was part of zariels personal inner circle (by choice, as devils are ambitious creatures with a drive to climb the ladder). this means that, through mizora, zariel herself took direct personal interest in wyll ravenguard. wyll himself was only 17 years old by this point: he had yet to achieve anything of note and was drifting through noble highborn society as the odd man out, son to a lowborn duke who rised through meritocracy and raised to appreciate the down-to-earth rural pasttimes his father grew up with, like fishing. wyll himself had nothing to offer to a devil besides his heritage; baldurs gate is full enough of self sacrificing do-gooders to keep the harpers regularly staffed, and The Urge regularly sated. for mizora to target wyll specifically makes the most sense if the real target was his connection to the current grand duke of baldur's gate, a city home to a practicing diabolist, several evil cults, and itself has been a hotbed of planar activity thanks to the dead threes meddling for YEARS. that ulder also commands the flaming fist, the gates de facto policing force, is also a point to consider.

this is also reflected in wylls pact, and the terms we experience of it. wyll specifically states that the terms of his pact primarily target the evil, the monstrous, and the heartless. remember, this is BEFORE he was the blade of frontiers. he became a warlock 7 years before the game, but only became the Blade five years prior to the plot. thats a two year gap of being a warlock but not the blade, where his pact STILL primarily targeted monsters. this is. a REALLY weird pact for a devil to offer! like firstly, its overwhelmingly in wylls favor. there is very little wyll does FOR mizora, and the targets she assigns to wyll near exclusively align with his moral code. he sees no reason to doubt mizoras portrayal of karlach, and has to be prompted into sparing her even as he hesitates, because past experience has told him that mizoras targets DO deserve to be slain as judged by HIS beliefs, as indicated by his line of participating in a mummers farce, and him playing his part all too poorly. wylls upset at himself for not thinking to question mizoras target and considering his hunt of karlach to be just. clearly thats because, in every other instance, wyll believed that to be the case!

thats REALLY FUCKIN WEIRD for a devil! like yes mizora gets to take down political rivals using wyll, because wyll knows devils are evil, but. thats a really weird pact to sign in return for destroying a cult mid god summon? like you could extort a LOT more for that and be assured youd get it, cuz its ALL OF BALDURS GATE and the RETURN OF TIAMAT on the line. and it doesnt seem to be a case of poor dealmaking, unlike raphael, whos every deal overwhelmingly reeks of desperation. he'll translate astarions back if you kill yurgir, because he really really really needs you to kill yurgir before he figures out raphael played him and he gets out because of it, and the clock is rapidly ticking down on that because balthazar is already in the temple, interacting with the dark justiciar skeletons, and actively looking for yurgir because the orthons annoying him. we are literally a single step removed from balthazar casually dropping the fact theres a dark justiciar hivemind in the bodies of 100 rats and raphael getting his ass beat for setting yurgir up. raphael really really wants you to hate the emperor and free orpheus because the only bargaining chip he has is the hammer, and in the midst of THAT deal literally spells out its location for you and why youd want it, for free. raphael the crown of karsus is almost in reach but to defeat the absolute ill need the plastic card you dad keeps in his wallet, make sure you send me the 16 numbers on the front, the 3 on the back, and the expiration date! hurry raphael we dont have much time!

comparitively mizora only ever bargains from a perceived position of strength. she can afford to make demands of wyll because he has no way to stop tiamats summoning without her. then, later, she has the easiest and most accessible source of information for wylls father knowing his life is in danger as a political prisoner. these are very strong bargaining positions! shes only ever undercut by the players presence bargaining on wylls behalf. its a quick and easy way to show that her inflated opinion of herself isnt entirely without merit, although her second pact is framed as choosing between two potential agreements, save wyll and kill ulder, or save ulder and damn wyll, when in reality shes proposing a new pact that has no authority over wyll OR ulder until signed (which is why you can save ulder because she doesnt actually have the pact given authority to insta kill him the way she implies, she can only throw thwartable assassins at him like anyone else with a grudge). shes a manipulator with plenty of skin in the game and a good amount of success behind her that justifies her position within zariels court. the point of this is make a point of highlighting how *little* mizora actually fucks with wyll *as enabled by the terms of the pact*. mizora is cruel, she is manipulative, she is condescending and rude, and she makes wylls life awful with her presence, but takes very few ACTIONS towards those ends, and relies primarily on verbally demeaning him. when he violates a clause in their pact, mizora utilizes a loophole to make karlach qualify by its terms and then punishes wyll by infusing his soul with infernal essence. thats... really it. you can watch wyll backtalk her, but she doesnt even do that leash yank she does in act 1. if you blenderize her, wyll dies by the pacts terms, but like. mizora literally also dies, and is REALLY upset by it to boot. you break wylls pact, tell mizora to fuck off with her second one, and she just kinda stomps her foot and fucks off for a bit before loitering in your camp still. as a warlock you can even mention to wyll that she very easily could have snatched his soul about the karlach thing but she doesnt.

in terms of "classic warlock struggles" we barely see mizora do anything beyond being an Unpleasant Person wyll is forced to interact with. theres none of the classic "being compelled to do something evil for self serving ends at risk of suffering The Horrors", mizora barely even tries to corrupt him. wyll is never forced by mizora into circumstances where he has to evaluate his code of ethics against an action he needs to take and decide what parts of his moral code he needs to capitulate on and what to keep, wyll keeps almost every single line in the sand he ever draws! his biggest character conflicts are actually between his OWN ideals, whether to live within the heroic persona of the Blade of Frontiers, or to accept his own capability of failings and live as Wyll Ravengard. like. being a warlock barely factors at all into those decisions and the closest it comes to mattering is choosing whether or not wyll breaks his pact or saves his father, which you can expose as a false choice by just rescuing his dad anyways. mizora exerts that little influence over wylls interior world. for a literal devil on his shoulder, bargaining from the greatest position of strength a negotiator could ask for, that is so fucking WEIRD.

okay thats a whole lotta post pointing out that mizoras motivations for even makin the damn pact in the first place needs examining, so now several paragraphs in let me actually get to what i MEANT to talk about. so firstly weve established that 17 yr old wyll doesnt have anything unique to entice a devil beyond his connection to the grand duke. weve established that the pact is weirdly in wylls favor, and that its pointedly not a Skill Issue but seems to be intentional, and furthermore that the POINT of the pact doesnt seem to be corrupting a good soul into the embrace of the Hells to make a new devil, because the pact seems to be made to allow wyll to just Be Himself comfortably without much internal conflict or moral sacrifice. we know that wyll made the pact before he became the blade of frontiers, and thus the pact was not made with the Blade of Frontiers persona in mind, which removes another layer of potential justification for the extremely loose terms of the pact. we know zariel is interested in wyll through the usage of mizora as his patron, and we know that stopping the summoning of tiamat without any external aid from the myriad conflicting interests within baldurs gate almost definitely necessitated a good amount of smokescreen work behind the scenes, but also that it most likely wasnt staged in its entirely because it benefits zariel to thwart tiamats ambitions. so. why is wyll ravengard a warlock pacted to mizora? i suggest the following hypothetical: that mizoras goal, and by extension zariels, was to have a morally agreeable framework within which to make a pact with duke ravengards son, such that hed be guaranteed to agree to it, and then to hide the evidence of the pacts circumstances to allow themselves greater reign to act within baldurs gate. that the goal was to have a devil on the shoulder of the dukes son, to push their relationship into strain so as to make ulder ravengards behavior more predictable and thus vulnerable to manipulation, and that through mizora (through wyll), zariel would have a first hand source to the inner political workings of baldurs gate, and the movements of the flaming fist and the goals they were pursuing. through the fist, zariel could keep track of the cult elements they were investigating (and thus what rivals need deposing), and through wyll and his father, zariel could monitor the movements of the gates upper class and utilize mizoras skillset to ingratiate wyll further into high society and put him in close proximity to those capable of mustering meaningful resistance to an influx of infernal influence. wylls relationship to his father prior to his pact was good, we know ulder was a firm but loving father and that wyll was generally well liked in baldurs gate in general, and that wyll openly admired his father and sought to follow in his footsteps. it is in fact extremely reasonable to suspect that such a good relationship was more than a single incident away from breaking. its in fact more reasonable to presume that a major political figure would be aware of the adage of keeping ones friends close, and enemies closer, such that you could monitor their movements. its reasonable to believe that one would assume good intentions on the part of ones son, who himself has made it known that he desires to be like you. to assume, in good faith, that even with all signs of dragoncult activity removed, that ones son clearly lost his eye and gained new scars *somehow*, through *some* kind of incident related to his new fiend pact. all of these are logical and reasonable things to assume and plan for, when you have made a point of manipulating people, of reading their intentions and catering to them like a monkeys paw.

that ulder ravengard would not just chastise wyll, but banish him from baldur's gate entirely, must have been a horrible shock, not just for wyll, but for mizora. i doubt the uneventful two year gap between taking the pact and becoming the blade was purposeful. it makes more sense to interpet that as mizora simply having no fucking idea what to do with her warlock now, as the pact she dictated (designed so that wyll never felt it was unjust enough to make a point of breaking it, no matter how often he thought of doing so, because it was so in favor of him and aligned with his moral code), simply had no vehicles for any of the usual courses of action. cant force wyll into tricky moral quandries, because she can only ask him to kill evil, infernal, monstrous, or heartless beasts. cant ostracize him through the pact to isolate and grind him down, wyll cant talk about it. what do you even do? now your both stranded in the middle of nowhere with nothing but the pact to show for it

and heres where i veer into hot take interpretation country. i think mizora genuinely likes wyll. when you blenderize her in moonrise towers (before reloading a previous save ofc), her screams are oddly... genuine? confused, frightened, upset. its odd than an otherwise vindictive and catty individual isnt angry upon being killed, but confused and hurt sounding. i think in a lot of ways mizora both relies on the consistency of wylls moral code, while also considering it a hinderance, not to her plans (thoroughly derailed thanks to one ulder ravengard) but to wylls own personal development as a person. shes a devil, she doesnt have the kind of personality where she can be genuine and vulnerable and kind. but she was stuck as the only authority figure wyll had to rely on, for seven whole years, after being kicked out of the only life he ever knew and the only home he ever had. i think in a weird fucked up way, she really does want whats best for him, its just that her opinion of that is filtered through the lens of Literally Being A Devil. none of this is to say she was *good* to wyll. how wyll feels about mizora is pretty blatantly stated, and would be a much shorter post, and im not here to interrogate that or question it, because being stuck with a devil who can use your eye to spy on you is just an awful experience even without regular verbal degradation on top of it. im mostly just intrigued by the other end of that relationship. mizora clearly cares enough about keeping wyll as a warlock to go as far as trying to make a second pact with him if you succeed in negotiating the first one to be broken. which, as weve established above, is really weird because Wyll himself brings next to nothing a devil would value to the table. Mizora isnt trying to corrupt him into breaking his ethics, really the only thing she pushes is sacrificing his father instead, a decision a recruited minthara finds value in as "patricide is often the first step to greatness". i think mizora might have ulterior motives for wanting ulder ravengard dead, and i think its because she believes that wylls love for his father is holding him back. any time wyll is selfish in pushing back on her, mizora indicates some measure of being impressed on wylls behalf. if you encourage wyll to not sign the second pact, mizora taunts him with his fathers death but still says shes genuinely impressed that hes choosing himself over his father

genuinely i think what mizora wants is for wyll to become a more assertive person. a more selfish, self interested, less heroic, less self sacrificing individual. i think mizora considers wylls tendency to bend over backwards to help people to be actively detrimental to him, and i think shes invested in his growth as a person by virtue of being a guide and companion for seven of the loneliest years of wylls life, and in a fucked up devil kind of way i think she invests her pride into it. that, with her plans so thoroughly mangled, the LEAST she can do is forge wyll into a warlock worth the cost. wyll has so much potential he refuses to take, as minthara (another ambitious prideful character) will note, and its explicitly because he would rather give something up than take for himself. i think thats part of why mizora is so cruel and demeaning towards him, to try and push wyll to be pettier or more spiteful, instead of endlessly self sacrificing for the benefit of others, and this is even consistent with her punishment of wyll! she turns him into a devil and specifically notes that he wont be able to be the heroic persona The Blade of Frontiers anymore! ie the facade thats swallowed up wyll ravengard completely at the beginning of the story! i think her investment in wyll as a person is why shes so upset if you kill her at moonrise, because i think she genuinely thought that wyll would always save her and turning him into a lemure was a kind of bluff she didnt expect to cash in.

this would also explain why the terms of her second pact are so comically extreme. eternal damnation and serving zariel forever in return for maybe possibly getting to save ulder from a dangerous situation where he might die anyways from the absolute crisis and WILL die in a few decades from old age even if all goes well? its almost like shes taunting wyll. give it up, give up everything youve ever worked for and sacrifice everything you want to achieve to lock yourself into the worst evil you can think of for someone who banished you who might not even survive anyways. make this overwhelmingly stupid self sacrifice because thats just what you do wyll, never think of yourself or whats best for you, only other people, trade away all of eternity for the CHANCE of someone else getting another day, if THAT. this contract is so blatantly overwhelmingly unfair i DARE you to think so little of yourself youd agree to it. of course she wont congratulate him for choosing himself over his father, shes a devil and she has to rub salt in the wound, but that doesnt mean she disapproves of the choice. the only way wyll ever gets away from her is by thinking of himself and mizora takes every chance she gets to punish him for sacrificing himself and i think its because she knows he can do more if he just takes it for himself instead of passing it up. its the only kind of affection a devil can have. and every time i sit there and talk wyll through breaking his pact at moonrise and bully mizora into giving him a rapier (one of the best in the game, made specifically for wyll, made specifically out of his pact, when she doesnt have to give him anything and least of all something good, how its a reward specifically for wanting more from her and demanding it and not letting a circumstance where you have power over her go), i keep seeing hints of it underneath the surface.

a genuine devilish compassion for a warlock who rightfully loathes her, a loathing she encourages whenever she can. does wyll need an enemy to keep him from getting complacent? something to strive for thats just for his own benefit? it doesnt benefit anyone else for wyll to break his pact. most people benefit from him keeping it. its why he HAS kept it, all these years, despite hating mizora. i think mizoras taken it upon herself to do what the duke refuses to, and thats making sure Wyll becomes someone who can thrive in the world as she understands it. someone who has the ambition to reach higher, someone selfish enough to step on somebody else to get what they need, someone who refuses to get themselves killed just for somebody elses sake, somebody who doesnt give unless they receive in equal or greater value. someone who sees a situation where they have power, where someone needs them, and gets all they can out of it. and if not for people they want to protect, then at LEAST exploiting the people they HATE. does mizora demean him so much so that wyll is more comfortable firing back? so that wyll doesnt have to feel like hes becoming a worse person if he treats her as bad as he gets? if he treats his help as conditional, for her and only her, does he get to walk away feeling like he hasnt done anything wrong because he knows mizora does worse, and more often, and at least wyll will eventually help?

when he breaks his pact, and tells her no, he wont sign another, when he saves his father anyways, when he tells her off and gets everything he wants without sacrificing a damn thing, underneath the bluster and rage, is mizora proud of him?

things to consider sometime.

[chocokano]

it is officially the one year anniversary of hz episode 16, aka THE spinel pokemon episode, therefore!

a redraw of my very first (08/01/23) digital drawing of spinel (*'▽'*)

plus cool overlay hehe

i can't believe it's been a whole year since he got his big episode ∑(ﾟДﾟ) i don't think i'll ever be as excited for any episode as i was for 16

here's to another year of this freak !! maybe he'll actually show up soon outside of a 5 second appearance that sets up him being suspicious just for it to be forgotten for months

og under cut! (old art alert)

[feline-evil]

S E V E R A N C E

[mortellanarts]

We live and die in the fog alone

[smile-files]

i hope god loves me as much as you did

[cute kittys!!! by gabi on flickr; neighborhood #2 (laika) by arcade fire; goodnight sparky by @smile-files on tumblr; the fight is over by patrick mchale; my cat is sad by spencer madsen; a dog's midnight prayer by unknown; so big / so small by rachel bay jones; everyone i know (will die) by four eyes; the little prince by antoine de saint-exupéry; breathe (in the air) by pink floyd; sunpod by gustafer yellowgold; sweetie little jean by cage the elephant; cat dreaming by tiddler on flickr; untitled by roadarch; goodnight by whimsical animal; this is home by cavetown; untitled by @storieldraw on tumblr; plane crash blues (i can't play the piano) by phoebe bridgers; just take my wallet by jack stauber; death is nothing at all by henry scott holland; untitled by petfurniture on twitter; fading kitten syndrome by roar]

[offorestsongs]

i hate when i have an idea for drawing but its for a comic. bitch you cant do that

[pyrosomatic-metamorphosis]

almost all the badboyhalos i drew last year + one i never actually posted ! the character i have drawn the most of Ever. especially when you consider . this:

[lilacerull0]

i feel like reading/watching mbf immediately means knowing who i am as a person and... i cannot allow this

[technofantasia]

Baffled by how the general perception of programming is that it's not a creative hobby, as if it doesn't involve making countless decisions based on your vision for the finished product just the same as any other art form >:U

When you live on computers like so many of us do, programming is literally bending the fabric of reality. It's MAGIC! You can do LITERALLY ANYTHING* with it!!! I cannot stress enough how much the world opens up when you realize what sorts of things you can write or use programs to do. Sure, you can make tools that are generally practical (and yeah, those can be really nice), but you can also make things that are really only useful to you, or not useful at all and just fun! It's not like you're limited to only making boring things you'll never use, no matter how dull and confusing online programming tutorials make the process seem.

((* Except tell when a program will run forever. You can't do that. You can do most other things though!!))

And even when you only have one specific thing you want to do, there are as many ways to implement it as there are people to give it a go. While there are generally accepted "good ways" of doing certain things, really, there are no hard and fast rules. If you write something that does what it needs to do, it's usually fine no matter how you accomplish it. I always end up putting a lot of myself into programs I write, and I imagine it's the same for other people. Programming is EXTREMELY creative, and artistic, and fun!!!

For such a popular thing, the public perception of it as a hobby is horrible, and I think that's just a shame. Not only is it not too hard for most people to learn (the usual worry), it's ALSO not boring (or for professionals only, for that matter)! Programming as an artistic hobby deserves better rep fr

[inkats]

Hiyori Tomoe + I was feeling weird about drawing and then saw a handsome woman and died a little bit.