#this is the worst possible end for him

[trennoandgreggo]

Jude probably needs a knee surgery soon.. Wow he really overplayed and ruined his body

[kelin-is-writing]

I just can’t do this anymore guys… This is too much…

[nelkcats]

Ghost Fangs

After so much time changing between forms, Danny thought that he would no longer have external changes. His human and ghost forms were a bit more combined than when he was a teenager but it wasn't as much of a problem for him now that ghosts weren't actively trying to wipe out humanity and his parents had more or less accepted him.

The problem was when he started his internship at Wayne Enterprises and his teeth started to hurt. He didn't pay much attention to it at first since maybe he should visit Frostbite or some normal dentist. Cavities were pretty common when you ate fast food growing up.

The problem was when three days after the pain started, one of his teeth fell out. That didn't make much sense since the halfa had shed his baby teeth long time ago, and those were supposed to be "permanent".

He decided not to smile and continue working, avoiding anyone that could notice the change but the hole in his teeth was obvious when he looked in the mirror. Then another tooth fell, and he felt his gums itch. Something was beginning to grow.

That was how Danny started changing his teeth into ghost fangs at the worst possible time. Worst of all, he was sure he was growing a third, maybe fourth row of fangs, and fuck how was he going to hide it from his bosses?

He couldn't pretend that he was mute! What if a tooth fell out during work and someone found it? It was a nightmare!

[justaz]

arthur (prince of camelot) still has to study under a tutor bc yknow uther wants him to be very intelligent before becoming king or something bc its super important idk idc anyways merlin is doing chores in his chambers while arthur is squinting at a book and merlin eventually caves and asks him what he’s reading and arthur gruffly explains that its a collection of stories from greece that make absolutely no sense so merlin asks him to read them outloud to him. arthur of course teases him and calls him an idiot and asks how he could possibly help but does as he’s asked and reads the stories to merlin as he does his chores. merlin (being crushed under the weight of destiny and tormented by the prophecies that kilgharrah spews) understands the stories almost immediately and gets all excited and starts rambling about them with arthur. arthur is glad to have someone who understands so he can give something that reflects a hint of understanding to his tutor who accepts it and moves onto the next unit of education.

the thing is, arthur finds more stories in camelot’s library and brings them up to his room to read them aloud to merlin under the guise of completing his studies but really he just wants to watch as merlin’s eyes gleam when he understands whats happening and listen to him ramble on and on about them bc he’s gay. the stories stick with merlin though and he realizes that they’re cautionary tales, that the heroes who were told too much of their future doomed themself to fulfill them - that them fighting the prophecies led to their completion. merlin takes it to heart and gives a big “fuck you” to kilgharrah before forging his own fate and helping morgana with her magic and handing out an olive branch to mordred and now everyone can live happily and peacefully in an albion teeming with magic.

[carlyraejepsans]

One thing I think people forget is that sans probably wouldn’t talk about missing his home and never being able to go back and giving up unless he absolutely felt he had to

with frisk he’s pretty sure that’s the time traveler that could very well end the entire world. He’s trying to reason with em as a someone he’s hoping could be a friend at that point because he’d really rather not have that happen

In geno is IS the end of the world and he’s hoping you’ll realize this is stupid and cruel and reset. It’s not like he’d have this conversation on a random Tuesday with papyrus

yeah agreed, sans goes out of his way to not talk to/with papyrus about their life before the underground. remember the newsletter q&a? (this is more a theory, but judging from their behavior i personally think papyrus is an amnesiac/sans thinks he is, and he's trying to spare him the grief of remembering).

his memories and mementos are stored behind his house for a reason, he's had his realization that he'll never go back already: there's no sense in reopening that wound again if he has an option to avoid the topic.

[psymachine]

post-macdennis reveal episode in the same vein as "the gang spies like u.s." where mac and dennis get tired of fighting and decide to look for a third partner for casual sex so they can both bottom get what they want. except they have a hard time finding a guy they're a. both attracted to and b. neither of them are jealous of, so they keep sabotaging/scaring away each candidate.

meanwhile, charlie sees them sneaking around to screen all these guys and thinks they're trying to replace him with another gay friend since they're both gay now. a confused confrontation ensues where he essentially re-applies to be their friend by bringing up all the weird shit they've done together over the last 30 years and insisting he can fulfill all of their needs even though he's not also gay.

dennis and mac misunderstanding this and freaking out while considering whether they should/want to just fuck charlie until everything finally blows up.

[vashtijoy]

"why not join me instead?" akechi's "invitation" in conf 7

People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".

Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.

Quick summary:

Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;

Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;

"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;

Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;

Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?

Let's take a look.

what is akechi really asking?

[long post is long]

Look at this line. Look at the question he's posing:

Akechi いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。 isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa Why not join me instead...? All you'd have to do is abandon the teammates you have now.

It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"

The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:

"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)

Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.

Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.

Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.

Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.

This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.

This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.

so why does he ask

Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.

Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.

Remember Joker's statement that leads into Akechi's question:

Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.

And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.

It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:

Joker それは無理だ sore wa muri da I'm not doing that. No way in hell. Akechi だろうね。 darou ne I thought as much. Akechi 分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.

See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".

Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)

the phone call

This parallel returns in the phone call afterwards, if you again tell him that you're rivals:

It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:

Akechi 僕らには���互い譲れないものがあって、そのためにも負けられない。 bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai [lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.] Neither of us can afford to lose, because we fight in service of our principles. It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede. Akechi ⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。 ... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo [lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.] And that is precisely why... I cannot allow you to change. ... And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi だって、僕が負けたくないのは『君』なんだから。 datte, boku ga maketakunai no wa "kimi" nan da kara [lit. it's you as you are now who I do not want to lose to.] As you are now, as you think now... I cannot allow you to win over me. The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

Here's my attempt at a translation again, so you can see it all together:

Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede. Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."

This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:

It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.

The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"

Akechi それでも君は、このゲームを降りる気はないの? sore demo kimi wa, kono geemu o oriru ki wa nai no? Even then... do you still intend to play this game? But despite all of that, you still won't fold, will you?

The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"

How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.

Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.

but what happens if you say yes?

Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.

I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.

See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!

The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.

What happens if you take this option?

Joker 考えておく kangaete oku I'll think about it. Akechi へえ、考えてはくれるんだ? hee, kangaete wa kureru n da? Oh? So you'll think about it, at least? What? You mean you'll consider it? Akechi ⋯でも、そういうその場限りの情はやめた方がいい。 ...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii ...But I'd advise you don't say these things without their due consideration. ... Still, it would be better if you didn't trust such fleeting sentiments. Akechi 出来もしない約束はするものじゃないよ。 deki mo shinai yakusoku wa suru mono ja nai yo You shouldn't make promises that you can't keep, anyway. Don't be the sort who promises the earth and walks away.

A few grammar points:

んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"

そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.

yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.

Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.

The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?

Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.

what about "you're my rival"?

I've discussed this line before, but let's go into it for completeness.

Joker 明智は好敵手だ akechi wa koutekishu da You're my rival. Nah, you're my worthy opponent.

Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.

No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".

And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.

And how does Akechi respond?

He's astonished. He did not expect this at all, look:

On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.

smiles that aren't smiles

I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.

Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:

But when you pick "You're my rival"? Suddenly the model's face springs to life:

It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.

and what does he say?

It doesn't take long for him to pull himself together:

Akechi 同意だね、僕らにはなれ合いより対等な関係こそふさわしい。 doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...

This is another one that I find unclear in the localisation, so let's have at it.

nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.

In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".

taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.

That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.

It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.

and what does joker think?

Akechi ⋯たとえこの先、何があろうともだ。 ...tatoe kono saki, nani ga arou tomo da ...No matter what else may change. ...No matter what might come next. Akechi それだけの事を言ったんだから、逃げないでよ? sore dake no koto o itta n da kara, nigenaide yo? In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right? [lit. don't run away just because of what [I/you] said, all right?]

I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.

But it doesn't matter. Because the significance of what Joker does next doesn't change:

He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.

I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.

Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.

To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.

[dabislittlemouse]

Dabi lied about his tear ducts being burned- or maybe he didn’t. Maybe he really thought at some point they were burned, but the case could be that since a teenager he tried hard to not let emotions get in the way anymore (specifically crying since it was something he disliked most about himself when he got emotional, and those very same tears got him burned to death back in Sekoto) and that turned into him actually not being able to cry no matter what happened. My man locked tf in and shooed his vulnerability away, focusing only on the anger and revenge. And it resulted into him physically unable to cry, after a long time trying to hide those feelings, to hold back tears, he succeeded, and it wasn’t because of the burns, not really. He trained himself well through the years, and at some point he really thought his tear ducts weren’t functional anymore. He couldn’t cry when Twice died, even though he was clearly raging over his death. Couldn’t really cry when he first encountered his dad in Hosu city, he held himself back (which resulted into blood coming out of his scars instead). Couldn’t cry when having his monologue lying on the couch and reminiscing about his past (which again resulted into blood). When he’s overwhelmed with emotions he burns everything, laughs, goes crazy, does anything but cry.

He’s never talked about his past with anyone either, all the trauma, the abandonment, the hurt, keeping it all inside of him since he was a child.

After years of holding back he finally shed real tears in the end of the war, he was vulnerable, when his dad apologised to him, when Shoto talked to him. Maybe deep down he was shocked too, that he actually can cry. I could see him squeezing his eyes shut while his family was talking to him in the last chapters, probably trying his best not to cry in front of them, because he knows that his facade has been shattered long ago, and he can’t put it back no more, his feelings being all over the place, vulnerable both physically and emotionally.

[skyloftian-nutcase]

TotK DLC idea!

The screen is black. You don’t hear anything for a long time. Then, faintly, in the distance, you can hear it.

Link. Link. Open your eyes.

While the line echoes familiarity, the voice does not.

Or. Well. It does. Because while it isn’t Zelda, it’s a familiar man’s voice speaking gently, so gently you almost don’t recognize it because there’s no way he ever spoke like this in the main game.

But he is now. And instead of a golden light being the first image you see before the screen shows Link awakening… you see gloom floating in the air. The image cuts to a Hylian waking up who… doesn’t look like Link from TotK?? He’s different, still small in stature, with slightly tanner skin, platinum light blonde hair, and red eyes. But… something’s wrong with his forehead. There’s a weird line on it.

This new character you apparently are gonna be playing in the DLC blearily blinks his eyes open, clearly groggy and too weak to really move. But then that line on his forehead moves a hair, it splits apart, and you realize it’s a freaking eye, red and yellow and it’s like the ones on gloom hands and oh gosh what the hell is it doing on his forehead—

Link realizes something is off and his eyes blow wide, his hands reach for his forehead and he screams in agony and terror, only for someone to scoop him into a hug to soothe him.

And suddenly you realize why that voice was eerily familiar.

It’s Ganondorf. He resurrected you from the era of the Imprisoning War. You, who have a history with him and his family. You, who he wants to protect, who he views as his kid, who he calls a prince and says he’ll keep you safe by controlling your body with his dark magic if he has to.

Welcome to Tears of the Kingdom: Hero’s Shadow.

You have to play a long gone Hero who was resurrected. Ganondorf, who is still recovering his strength in preparation for killing the current Hero, tasks you with finding your betrothed, his daughter, as well as his wife. They’re buried somewhere in the Depths like you were. He wants you to find their burial sites so he can use his secret stone to resurrect them like he did you, and control them as well. Which is doubly bad when you realize his wife was the original Sage of Lightning. He gives you free reign to wander once you go through a tutorial (he tests you to see if you’ve recovered enough strength), because he knows you love wandering and collecting things. Your own personal objective, however, is trying to help Hyrule from the Depths, to break free from Ganondorf’s control, because Link would rather set himself on fire than let Ganondorf resurrect and control the love of his life and his mother-in-law. Your best hope is to find shards of the shattered Master Sword to try and stab the eye on Dark Link’s forehead and break the control Ganondorf has on you. Until you can, though, the monsters are your allies, you can teleport across the Depths by manifesting out of the gloom created by gloom hands (just like what Phantom Ganon does), and the world below is your oyster. If you get too close to sword shards when gloom hands are nearby, Ganondorf can see your attempt and immediately takes control of your body, and no matter what button you press Link just walks back to Ganondorf’s location and stays there until you get a chance to try again.

You start with three hearts, all empty looking like when gloom hurts you, and if you get injured they just shatter. Whenever they all shatter, you respawn at Ganondorf’s location because his gloom hands came and rescued you from dying. The only way you can get more hearts is by collecting poes and offering them to the statues in the Depths. You can communicate with the spirits of soldiers, who may give you combat tips or info about the area. If you gain enough of Ganondorf’s trust, he’ll let you command monsters, and he might even let you wander the Surface (under his supervision) during a blood moon.

You learn of Link’s and Ganondorf’s history through discovering ancient relics/texts that trigger memories. This connection between you and Ganondorf stems back to time before the war, well over ten thousand years ago. Link was engaged to Ganondorf’s daughter, but during the Imprisoning War the family fought against the demon king. Ganondorf did love his family, but he loved power more. Link sacrificed himself, letting himself get mortally wounded to save Rauru from a killing blow. Gan held him as he died, and it allowed Link to both beg him to stop and stab him in the heart with a light shard. The shard didn’t kill him, but it was what Rauru connected with when he hit him in the chest, allowing him to seal Ganondorf away. Ganondorf still wants the world, but his love for his family is still present, though now twisted, so he thinks he can control Link and everyone else with his dark magic in order to keep them safe and in line. Once the threat of the current Hero is eliminated, the world will be his, and his family will be safe. As such, he treats you, Link, the player, like a stubborn child, reeling you in, but does so in a horrific way, torturing Link by controlling him.

You have to break free of this and stop him, and the only hope you have is the distant call of a sword spirit…

[rainoverthewindow]

Now Dance, Brother, Dance

[bloogers-boogers]

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[bluewlnteroses]

i just keep thinking about harley getting to know the truth about why peter is alone and finding out why people don't remember him and for a moment thinking he's glad he got to meet him after everything went down and immediately feel guilt and shame because its not fair peter went through so much pain and had to leave everyone he knew behind but,,,, just thinking about meeting each other before and getting to know peter and then completely forget him makes his feel sick

[moeblob]

So about that upcoming Steam Prison canon divergent (AU?) and sequel plot thing..............

Get fucking romanced by an idiot, Sachsen.

[yuseirra]

oh.. So I just found 16 IS the final volume good god... So that volume would have both my favorite chapter of this series and the worst chapter(s) of ANY PIECE OF MEDIA I'VE EVER ENCOUNTERED(this is a personal take) in the same book oh god no....I thought it'd be separated into two volumes, there is no hecking way I ever want to set my eyes on the later chapters of this series, it feels so terrible!!! I was thinking I have to look up some reference to draw that fan comic series I'm drawing because there is a character design I need reference of (yes.. Sarina in 163) but I have to brace myself for even that. The later chapters hurt. It's made me suffer but in a very hollow and meaningless way for me, things felt very unnecessarily cruel. I hated it.

I was; thinking of buying the one w 154 in it and making it my last(I have all the physical copies so far) but goodness.. Hahaha

I bet the author knew splitting the later chapters as separate volumes would be bad on the sales. I get that, but this is the worst!!! I learned the existence of 166.5 too and hahah, I only happen to read the outline but it's so bad...omg akane's into occult??? What.?? I'm glad Kana went to hollywood but seriously??? Is this a joke? and Well I'm glad Ai's not there, glad she's not ruined, I'm actually pretty sure my.. What I've been making out of this series could be better in some aspects, oh I'm ACTUALLY relieved they don't discuss my favs in the added content too! What a relief!!

This comic is, I'm so sorry to say this, but it's so dumb!!! And rude!! Goodness!! Ugh!! Oh I'm.. I..; I'll def give at least a few characters from this series some sort of better closure in my fanwork, I sound so entitled rn I'm sure but, it's TERRIBLE... The original piece is badly written!! Wow, this series had the most ugliest and unfulfilling ending I've ever seen and I'm really sad about that. I devoted a lot of my passion and time and love thinking about it. I wonder what the author has on their mind but l'm sure they know what reception their work would have, it's not their first work either.

I felt really distressed reading the final few chapters of this piece but maybe it wasn't even worth feeling that grief over, I felt really distressed. It actually hurt;;;because it handled a lot of these emotional pain and certain subjects really bad. Things felt so helpless and awkward, I've never been this disappointed about something I read and that is a lot because I had a lot of let-downs. But maybe it wasn't even worth clutching my head over trying to make sense and devote my efforts into deciphering and analyzing things after all. But oh I'm so glad they don't discuss anything about Hikaru and Ai even in the added content in the volume(seems like it?) They don't- I'm sure the writer holds a lot of love towards Ai, I think she's the best written character in this piece(look what happened to Aqua; I can't even say he's written so well anymore and I liked him a lot before the final arc!!)-give them ANY justice

I can chill and do whatever I want w them now omg, idk about Ai but I think I can write Hikaru better, how are they even going to make the anime's third season with this mess I can't???;

I actually wanted a physical print of 154 but I don't want to have those later chapters on my shelf, it feels terrible to read them. It's just unnecessarily painful and it got engraved to my brain in the worst ways, I just don't know why the author would do that, I wanted to love their piece so I kept hanging by and it was so ugly.

This is a very personal take and I know it sounds emotional and all and you may not agree with me!! but I feel this way upon having learned these things. Incredible.

I'm so conflicted. I did want 154 but am I going to risk getting the book for the sake of it. The cons are way too strong. Hikaru I'm so sorry for what they formed of you as a character, the writer ditched you. I don't blame the artist, I blame the writer. The art IS good. It's ridiculous, but maybe it's safer that way. I hope they don't have anything to do with that character ever again, and Ai as well. I'm thankful they weren't ruined any further. Not in a sarcastic way, I'm sincerely relieved. What a piece this is.

[jichanxo]

i can't do this again.

[cienie-isengardu]

Mortal Kombat 1 Behind the Scenes AU: Since when you two are friends?!

[Cage’s Mansion] [Waiting for Liu Kang] [Special Bonus] [Grandmaster’s commentary] [Climbing scene] [Madam Bo’s Inn] [Cage’s Mansion 2 (fire extinguisher)] [Medic] [Shang Tsung’s sad face] [Smoke’s Fall] [Scenography (1)] [Scenography (2)] [Show off!] [Favorite brother] [Climbing on the wall (nonsense)] [Tomas’ commentary] [Perfectly fine] [Sexy, sexy man~♪] [Brothers between filming - Scenography(3)] [Wrong team!]