#but yeah everywhere else?

[carlyraejepsans]

One thing I think people forget is that sans probably wouldn’t talk about missing his home and never being able to go back and giving up unless he absolutely felt he had to

with frisk he’s pretty sure that’s the time traveler that could very well end the entire world. He’s trying to reason with em as a someone he’s hoping could be a friend at that point because he’d really rather not have that happen

In geno is IS the end of the world and he’s hoping you’ll realize this is stupid and cruel and reset. It’s not like he’d have this conversation on a random Tuesday with papyrus

yeah agreed, sans goes out of his way to not talk to/with papyrus about their life before the underground. remember the newsletter q&a? (this is more a theory, but judging from their behavior i personally think papyrus is an amnesiac/sans thinks he is, and he's trying to spare him the grief of remembering).

his memories and mementos are stored behind his house for a reason, he's had his realization that he'll never go back already: there's no sense in reopening that wound again if he has an option to avoid the topic.

[nymphoutofwater]

Here's a remade masterpost of free and full shakespeare adaptations! Thanks @william-shakespeare-official for this excellent post. Unfortunately, a lot of the links in it are broken, so I thought I'd make an updated version (also I just wanted to organize things a bit more)

Anthony and Cleopatra: ~ Josette Simon, Antony Byrne & Ben Allen - 2017

As You Like It: ~ At Wolfe Park - 2013 ~ Kenneth Brannagh's - 2006

Coriolanus: ~ NYET Alumni - 2016 ~ Tom Hiddleston - 2014 ~ Ralph Fiennes - 2011

Cymbelline: ~ Michael Almereyda's - 2014

Hamlet: ~ David Tennant - 2009 ~ Ethan Hawke & Diane Venora - 2000 ~ Kenneth Branagh's - 1989 ~ BCC's Part One & Two - 1990 ~ Broadway - 1964 ~ Christopher Plummer - 1964 ~ Laurence Olivier's - 1948

Henry IV: ~ BBC's Part One & Two - 1989 ~ The Brussel's Shakespeare Society's - 2017

Henry V: ~ The BBC's - 1990 ~ Laurence Olivier's - 1944

Julius Caesar: ~ Phyllida Lloyd's - 2019 ~ The BBC's - 1979 ~ John Gielgud - 1970

King Lear: ~ The RSC's - 2008 ~ Laurence Olivier - 1983 ~ The BBC's - 1975 ~ James Earl Jones - 1974 ~ Orson Wells - 1953

Love's Labour's Lost: ~ Calvin University - 2016

Macbeth: ~ Antoni Cimolino & Shelagh O'Brien's - 2017 ~ Ian McKellen & Judi Dench - 1969 ~ Sean Connery - 1961

Measure for Measure: ~ Hugo Weaving - 2019 ~ The BBC's - 1990

The Merchant of Venice: ~ Al Pacino - 2004 ~ Trevor Nunn & Chris Hunt - 2001 ~ The BBC's - 1980 ~ Lawrence Olivier - 1973

The Merry Wives of Windsor: ~ The Royal Shakespeare Company's - 1982

A Midsummer Night's Dream: ~ Oliver Chris & Gwendoline Christie - 2019 ~ City of Columbus's - 2018 ~ Julie Taymor's - 2014 ~ The Globe's - 2013 ~ The BBC's - 1988 ~ Lindsay Duncan & Alex Jennings - 1986

Much Ado About Nothing: ~ Shakespeare in the Park - 2019 ~ Kenneth Branagh - 1993 ~ The BBC's - 1984

Othello: ~ The BBC's Part One & Two - 1990

Richard II: ~ David Tennant - 2013 ~ Deborah Warner's - 1997 ~ The BBC's - 1978

Richard III: ~ Ian McKellen - 1995 ~ Laurence Olivier - 1955

Romeo and Juliet: ~ Simon Godwin's - 2021 ~ The BBC's - 1988 ~ Laurence Harvey & Susan Shentall - 1954

The Taming of the Shrew: ~ Ontario production? ~ American Conservatory Theater - 1976 ~ Richard Burton & Elizabeth Taylor - 1967 ~ Mary Pickford & Samuel Taylor - 1929

The Tempest: ~ Gregory Doran's - 2017 ~ The BBC's - 1988

Timon of Athens: ~ Barry Avrich's - 2024

Troilus and Cressida: ~ Audio Production ~ This one I found on youtube? - 2016

Titus Andronicus: ~ Anthony Hopkins - 1999

Twelfth night: ~ Texas Shakespeare Festival's - 2015 ~ Alec Guinness, Joan Plowright & Ralph Richardson - 1970

Two Gentlemen of Verona: ~ Katherine Steweart's - 2018 ~ The BBC's

The Winter's Tale: ~ Antony Sher - 1999 (Warning: they don't have a bear...)

Bonuses:

Time Loop Hamlet! (A personal fav of mine)

Rock Opera Hamlet???

Shakespeare animated tales

The Complete Works Of Shakespeare Abridged comedy

Romeo and Julieta: A Día de los Muertos Love Story

There’s also many other Latine Shakespeare adaptations listed in this archive

From the original post:

A Midwinter's Tale, about a man trying to make Hamlet.

Russian Hamlet here

Here's Scotland, PA, the 2001 modern Macbeth retelling.

Rave Macbeth for anyone interested is here.

This one is the Taming of the Shrew modern retelling.

The french Romeo & Juliet musical with English subtitles is here!

Here's the 1948 one,

the Orson Wells Othello movie with Portuguese subtitles there

A Lego adaptation of Othello here.

Here's commentary on David Tennant's Richard II

[labannori]

Haunted one

[lycandrophile]

just had my 3 week post-op and i’m officially done with the bandages! i’m so glad i can really enjoy my chest now and not have it covered up 99% of the time. i still can’t believe how good it already looks, shoutout to my surgeon for doing a fucking incredible job.

[literallyneurodivergentandaminor]

its so sad bug isnt a vflower song. shes a perfect fit. anyway heres this vflower cover i like and listened to on repeat while drawing this

[xxplastic-cubexx]

im forcing you all to look shady-car-salesman erik

[What If Magneto Had Formed The X-Men With Professor X?]

[dykespence]

Loving how carla has definitely not got an inkling of actual work done because as soon as lisa said interfere with my life whenever you want she decided it meant follow her literally everywhere like a desperate puppy

[teddybeartoji]

i love stretch marks so fucking much they're so fucking pretty

[anxiouspotatorants]

This whole «Lorelai is evil and so is Rory and Emily is the real MVP of the show» shtick is getting on my nerves.

Like don’t misunderstand me, I love Emily and Richard. They are interesting and complex characters with strengths and weaknesses and a whole lot of baggage (like almost everyone in Gilmore Girls, except maybe the Town Troubador). But they aren’t this perfect well meaning couple with an ungrateful daughter who refuses to accept help and grow up.

Lorelai is not perfect either by any stretch of the imagination. She’s presumptuous, stubborn, used to getting her way and struggles to see things from more than one angle, but she’s also kind, hard working, supportive and able to strike a balance between being open and setting boundaries. She’s a complicated, flawed person, like all good protagonists should be (as opposed to heroes). And she doesn’t fight with Emily or cut her parents out because she’s being immature, she’s doing it because they genuinely hurt her several times.

Imagine if things had gone exactly like Emily and Richard wanted things to go. A 16 year old Lorelai would be married against her will to a guy who would likely then spend the rest of his life under the thumb of his parents for the «mistake» of having Rory. Her social life, her work, her education, all of it would be heavily monitored by Emily and Richard, as they would insist she only engage with what they deem respectable work and social circles. Lorelai in the DAR, Lorelai running charity functions, Lorelai staying married to a Hayden. So much of what makes Lorelai herself would be gone: the inn, her friendships with Sookie and Michel, cooky hobbies and a band of semi-adopted misfits and Luke.

Certain people (not many but still some) seem to forget exactly what it is Emily and Richard ultimately criticize Lorelai for, because it’s not her childish remarks at Friday Night Dinner. They criticize her for her lack of university education. For her lack of a high status job even though she runs a successful inn that she co-owns herself. For her terrible pick of men - not because of how they might be as lovers but because they’re not high society and not the kind of wealthy guys who could let Lorelai retire to the life of an affluent housewife (like did we forget that one of the times Lorelai cut them out was because they refused to accept LUKE?). Hell, they usually don’t criticize Lorelai for reasonable issues with how she raised Rory, they criticize her for not controlling Rory’s love life more.

I do think Emily and Richard love Lorelai and Rory, and that at the end of the day they want them to be happy (otherwise none of these characters would fight so hard to stay in each other’s lives). But time and time again they let their love of status and fear of a bad reputation stand in the way of recognizing their daughter and granddaughter for what they love and for what make them happy. Dislike Lorelai all you want, Rory too, but don’t come here and tell me that Emily is the one in the right.

[rorydrawsandwrites]

I also like this expression

Devious mfer

[faunandfloraas]

That han fancall is truly truly truly like the most horrendously embarrassing and deeply unsettling shit ever

[paulmccartneyexplodingonstage]

the problem with liking men online is that i don’t want him because he’s hot and sexy and dominant i want him cuz he’s sad and weird and he should take my strap

[beemovieerotica]

idk I've already gushed so much about Everything Everywhere All At Once but like. there will never be another movie that means this much to me. do you know what it was like taking my first generation Chinese mother to see it, after everything she and I went through, after her telling me "don't make waves" and "keep it to yourself" and me trying to come out to her over and over, until finally something broke and she welcomed my girlfriend into our family. and then to sit next my mother in the theater watching this film, watching this parallel story unfold before us and noticing in the quiet darkness that both of us are crying? yeah. there's not going to be another one like this.

[epickiya722]

You know what, despite however others may feel, MHA will always be one of those animes and mangas for me that I can say I genuinely did enjoy and one of the few I can see I did see it through to the end.

Regardless of the flaws or whatever else, MHA was another story that entertained me and made me feel emotions, you know?

When I got into it, I was looking forward for a story. Just a story.

I didn't have high expectations. I didn't have low ones either. I didn't have any at all.

As I said, I was looking for entertainment and did I get it! Happy to say I have another group of characters I have came to adore! (Concrete, Izuku Midoriya and Rumi Usagiyama will always be my top favorites at #1 tied and will keep saying that.)

Getting into MHA, I also never thought about the realizations I would go through myself.

Didn't think I would be the type to write meta posts on a character or theory. But a couple of times I have. Writing fics, I also noticed how my style has changed, gotten better for sure.

Overall, MHA may have ended but my enjoyment haven't.

[canisalbus]

I have sleeping Machete set as my lock screen specifically because it looks like his nose is pointing right at the time, and coffeshop Vasco set as my home screen because it looks like he's looking tenderly right at that chrome dino game widget

I'm a comedian, really

That's very cute actually • ^ •

[menlove]

come together making a comeback w gen z rn is awful bc like yeah it's such a great song but i promise you there's like 50 other beatles songs that are just as good