#this is the first thing that came to mind after that cutscene

[sovereign-spaw]

[nurizziee]

Let's take ibuprofen together

[zoroshark]

[Tears of the Kingdom]

So this comic was in the works around a few days after the last TOTK prelaunch trailer came out. At the time, I saw the leaked artbook where Rauru and Sonia were first shown off. So when I saw the trailer, a theory came into mind. Combining the older trailers with this one, I had a theory that something was going to happen to Sonia (who I nicknamed Basket before her name was revealed). So from that theory, I started drawing this comic. Sadly, things got in the way and I couldn’t finish it before the game came out. I still wanted to complete it so here it is.

*spoiler talk at the bottom*

So I watched the story cutscenes and a friend play the game, and it turns out I was on the right track. I dont know if I should pat myself in the back or be devastated by that fact.

[aimasup]

EPISODE 3 SPOILERS BELOW THE CUT

aka my live notes on the episode as I watch again

The second ep I couldn't do because it came out when I was still working, so no energy or time :(

Here we go, long post warning:

The cartoon biology is amazing, it would make sense they'd explore that with all the time on their hands, it's so damn creative

In an alternate universe they would make for fantastic circus tricks

Gangle is DRAWING

Jax obviously would want to know how the newest plaything ticks. jerk

Zooble's. New. Look. 10/10 I'm sorry Zooble I know you hate your body but you are a cartoon character with a cool design

The reason I don't redraw enough screenshots even though I badly want to is because if we sat here and picked out every pose, expression, shot, joke, and meaningful momeny that i especially loved, we'd be here all day

It's nice that Pomni is still inquisitive and here it's mixed with fear of the Gummigoo incident repeating, continuity! ( °▽° )

Caine probably does take plenty of user feedback: When Zooble never showed up, he probably took into account what they might like in an adventure and tailor it to include them!! Even comments like 'immature'. Headcanon territory again whoops

Ragatha's little hand shimmies at when saying the house is scary she's so adorable you guys

She always wants to make things fun or at least enjoyable for others, but she isn't super stable herself, nooooo

The cartoon gags being like, physically real is the right kind of wacky and horrifying, of course these humans would lose it after a while!! Fits the tone of the series well

"I remember my first wild take!" "Gangle I'll get it for you!"

Kinger is so helpful he always wants to help and he talks exactly like a nurturing figure ಥ⌣ಥ even if his mind is. Not all there

Jax would be the worstttt to be in a haunted house with. Or even just play a horror game with. He'd skip all the dialogue and take the cutscenes at face value bc he just wants directions to do things

Caine hunting Zooble down good lord

CAINE THAT IS NOT HOW YOU PLAY HIDE AND SEEK

Zooble is being held hostage by someone with worse memory issues than Kinger trying to give them therapy that they KNOW is pointless. Yikes

The 'specially for Zooble' horror is SUPERB!! Gooseworx your roots are showing

This has escape room vibes. A controlled environment designed for mystery and entertainment except this time the players were actually kidnapped

Kinger and Pomni duo is. So good

Kinger slowly becomes lucid while Pomni loses it

Also all the voice actors are so good all the characters' squeaks and stammers and yells are full of such emotion

The gags are great. The 2d bit was a surprise and welcomed! Made the monster unveiling itself to be more haunting

I'm not a huge fan personally of the 'scary moment followed by funny quip' because it can repetitive after a while, so I appreciate that it wasn't too much of the case here

It's always the non-horror shows that have at least one downright terrifying episode huh

Zooble being open with their feelings because they know it doesn't matter nooooo

Caine is squishy. I'm now realising this, he is very squishy, eyeballs and all, even though he's the most robotic of the sentient cast

Caine doesn't even apologise for his actions, which makes sense sadly

They are nailing his programmed helper nature of not understanding deeper issues out of his comprehension, including his own!! But he still holds immense power and needs to slow tf down asap!! The adventures are for Caine as much as they are for the humans, in this essay I will

And Zooble. Zooble doesn't totally isolate themself, they hang out with the others! It's just that their body is already so foreign and uncomfortable for them, why on earth would they want to bring it out for even more foreign and uncomfortable experiences? The tent isn't so bad, it's massive and there's enough annoying bullshit behind each curtain to keep things less monotonous. They want as much peace and quiet as they can get in this disquieting form in this world. Everyone is trying to get control of their own situations in some way. And it's canon that they were newest before Pomni, keep that in mind-- in THIS essay I will

Zooble has many choice words that come to mind when they see you, Caine

Also Caine's expressions will always be peak. Love how he doesn't show certain more intense (vulnerable) emotions the same way humans do, he flusters, freezes up or glitches out instead

RAGATHA AND GANGLE DESERVE A GIRLS NIGHT. GOOD. TIE UP THAT MEDDLING RABBIT

Kinger I am twirling my hair as we speak

He's being very calm! Still scared ofc but he's so used to the madness of the circus, and for the first time we're actually seeing that in a way that isn't him being PART of the madness

The possession was horrifying loveeee (shhh don't think about the content farms with possessed Pomni that may follow it's ok)

"How's your wife, Kinger?" uncalled for. (cocks shotgun) game's haunted

Seriously I very much doubt that Caine put that in on purpose. But it's not out of the question that the magic hell circus game that sucks your mind in forever would mix code and consciousness for some fucked up results. I believe it's called uhh divine machinery? Idk

Pomni, let it out girl

These adventures have not, in fact, gotten easier for her to adapt. Really shows that compassion matters huh

(or does it? Jax may have something to say about that)

It's canon! Queenie is canon! And the truth behind Kinger's pillow fort is even sadder than we imagined!

And what's also canon is that Zooble is a great listener!! They take note of everyone's behaviour even though they don't go on the adventures!! They distracted Caine from his crisis!! They ended up being the therapist!! And it's not even on purpose ajkshdksksjskslslsksl they have no idea how they ended up in either chair

Will Pomni have to go through each adventure and come out of them the only one carrying the experience. I hope not. That would hurt. But I hope so 👀

Ragatha! Getting appreciation! Pomni's hair tuck! How often does Ragatha hear that even? Also Pomni is getting closer with the others, already hanging out and stuff, good for her!! Our cantakerous jester is finding friendship!!

Please make it so that Caine's alliterative terms of endearment get worse every time. Please it's so funny

TADC IS ABOUT HUMAN CONNECTION AND ALSO VIDEO GAME/CARTOON PHYSICS RGHRGJEHHHSHH

[lu-is-not-ok]

Sorry I'm actually obsessed with the Daiyu-Baoyu theory and I'm rotating it in my head forever. I'm not sure if I'm actually onto anything here but when thinking about it I recalled this CG from the TGS trailer

and I remember thinking about how odd this picture seems because it's so Un-Hong Lu-like. Because from what we've seen, Hong Lu has never even gotten close to being this angry. And yet, they showed us this picture in a trailer before the game even released. It's obviously something they wanted us to see and keep in mind. But so far, there doesn't seem to be anything we can think of that can draw this kind of reaction out of Hong Lu, who seems to just redirect or avoid upsetting topics altogether.

When reading your theory, I remembered this CG and noticed that he's facing the right, meaning we can't see his jade eye. This isn't the first time they've obscured something important from us in the trailer (e.g., Don Quixote's eyes), so it's not a stretch to say they're intentionally hiding his eye. This suggests that something might be up with it in this scene that we aren't supposed to know yet, like, for example, being removed.

If we assume that Baoyu's memories are in his eye, which has been put in Daiyu's body, as well as Kurokumo Hong Lu's attitude being the most Daiyu-like, then it would explain this CG a lot better, because it's not really Hong Lu or Baoyu. It's Daiyu.

Sorry for the very long ask, I got excited. Again, I'm really just rambling and speculating. What I do know is that I'm really enjoying this theory, and thinking about writing a fanfic with the premise because it is so fascinating to me!

Funny you bring up that CG in particular, since the subject of it has come up on this blog before! That being said, I unfortunately can't find the exact post where I talked about it, so I might as well do so again - especially since we now also have more insight on Hong Lu as a characer.

The full CG that cut-in comes from can be seen in the Story Demo video for the Alpha Version of Limbus, as a preview CG for the 1-5 node on the very early version of Canto 1's Story Node map.

Notably, this CG does not appear in any Cutscene/Story Demo videos post the TGS Teaser, meaning the CG must have been scrapped at some point between that Alpha Version demo and the post TGS Teaser demo. Whether it was scrapped after it was used for the Teaser, meaning it was still part of the story at the time, or whether it was scrapped before but PJM decided something about that particular image of Hong Lu was important enough to the Teaser to include it anyway, is something I don't think we'll ever know.

Unfortunately, with how early the CG seems to have originally been placed in the story, I doubt it has anything to do with Daiyu specifically. However, I do now have my own theory of what that cutscene might have entailed, as well as why that would contribute to it being scrapped.

Judging by the leftmost panel, it's easy to deduce this was where Yuri's backstory was originally meant to be explained, as in the whole site burial and survivor's guilt thing would be brought up. The fact that the explanation would later be moved to be inside the Dungeon rather outside would on its own be a good reason to scrap the CG, but there's something else about it that I realized only recently.

In the game proper, Yuri reveals her trauma almost exclusively to Gregor (and initially Ishmael), as all the other Sinners have already passed out due to the gas grenade. However, in the hypothetical scrapped scenario where the reveal came outside the Dungeon, every Sinner would have a chance to hear it and react to it.

So, what kind of reaction would fit the other two panels on the CG? The middle panel of Rodya comforting an uncomfortable looking Yuri while Hong Lu looks innocently confused, followed by a panel with the angriest looking Gregor we've ever seen clashing with the angriest looking Hong Lu we've ever seen?

Here's what I think could have originally happened in that scene (and this is Entirely Speculation, we have no proof of this actually being the case):

I believe, after sharing her story, especially the point about trying to escape the site burial, Mr. Hong 'I am always ready to accept my own death' Lu would act confused and ask something along the lines of "Why didn't you just stay?" or a variant of such. Why didn't you just accept it, why didn't you just let it happen, why did you try to fight it, etc. Essentially asking why, if Yuri was going to feel such guilt for surviving the ordeal, would she ever bother trying to survive in the first place.

This would, understandably, piss Gregor the fuck off, as he himself holds a good deal of guilt for the fact he participated in the War and survived through it. There's a high chance of him trying to verbally rip into Hong Lu, to tell him that he has No Idea what it's like to have to live day by day trying to survive just long enough to see tomorrow, what it's like to have one's life turned into hell without them having any choice on the matter, what it's like to feel the need to run away despite knowing that it will leave them with the guilt of not being able to save anyone else. He's some sheltered rich kid after all, how could he know what it's like to actually suffer?

And I think something like that would be enough for Hong Lu's facade to crack. Because no, Gregor is wrong. Hong Lu knows exactly what it's like, more than anyone should know he does. He might not even be responding with much in this cutscene, even just a hostile "You know nothing about me and my life." would be enough to set the tone. That whatever is going on behind that smile of his is so much worse than what it seems.

...And that's why I think it was scrapped. Because a peek behind Hong Lu's mask in Canto 1 would be too early.

Hong Lu's slow unraveling of his lies is just that - slow. It took us until Just This Recent Canto to get a somewhat clear confirmation that no, the info he gives about his Family is not to be trusted. It took until Canto 3 to see him be the only Sinner actively willing to lie and until Canto 4 to show us he's a good actor. Revealing that Hong Lu has a very different side to him underneath the curious cheerful persona as early as Canto 1 would completely alter the pacing and trajectory of his arc. You'd have a reason to suspect him from the beginning, rather than have a chance to be just as fooled by him as Dante and the other Sinners are.

So no, I don't think that CG is meant to show Daiyu. But I do think that CG was meant to be our first hint to the fact that Hong Lu isn't being honest with the others, at least until it was decided it was too soon for such a reveal.

[wayfayrr]

Sky being self aware had been plaguing my mind since I wrote this other piece where he confronts you about having played through his game, however while you could read this as a sequel it is written as something separate!

before the main thing though just gonna say, I don't actually support yandere behaviour in real life - I don't usually mention this because in my opinion it goes without saying, however since reader borders a little bit on being one in this I just wanted to make it clear!

[masterlist]

It’s been so long since I last played Skyward Sword, Really I think the last time I picked it up was at least a year ago now. I’d almost forgotten I actually had it on the switch, if it weren’t for me needing to do a clear out I might have never remembered that I had this. I’ve got some spare time right now so really there shouldn’t be an issue if I took a break to play for a while would there? In the worst case I’d get distracted for a bit, but it’s not like I can’t just carry on cleaning tomorrow. Setting up the game was easier than ever, not like setting up any switch game is particularly hard though. My old save was still waiting patiently, I could never bring myself to delete it even after getting a hundred percent. Perhaps it’s finally time to try out hero mode for the first time?

The opening cutscene is nice to watch again, even if I can’t help but feel bad for Link in it, seeing what it’s building up to. Huh? I could’ve sworn my controllers were working a second ago, they can’t have disconnected during the cutscene either, could they?

“[Name]? Dearest… you’ve finally come back…”

What.

It’s like I’ve just been plunged into ice water - I- I’m dreaming right? I have to be, there’s no way this could possibly be real. He’s a game character. Link can’t be speaking to me as if he’s a real person. He can’t be.

“Darling, You - you look so pale are you alright?”

Another step toward the screen, a head-tilt and clear concern on his face. More than possible. I knew it, this has to be a dream.

“Darling, I know that this is strange for you - don’t you think it’s strange for me as well? I mean - I know I’m not supposed to exist as I do. I’m only supposed to be a blank slate for you to play this game as not - not have my own feelings.”

A sharp inhale laced with the sounds of static reverberated throughout the room, with a far too alive sounding sniffle as he wiped his eyes and took yet another step closer. Even eerier was the laugh that followed when he made eye contact with me, something sad and wet sounding like he’s barely holding himself together. It sounds too real.

“It’s been so long I thought that you - I thought that you forgot me. That you weren’t going to come back. I hoped - no I knew - that you didn’t though and you didn’t! You came back to me my love and now I’m not going to let you out of my sight again. I know that it wasn’t your fault that you took so long, I - I mean you didn’t even know that I’m alive but I’m not going to risk it happening again.”

He’s right up against the screen now, staring at me as he presses his hand up against it, like he’s testing it. Gently testing as if he’s trying to see how much pressure the glass can take. If there’s any time best to wake up already it would be now. 

“I’ve been stuck in here alone for so long, if I didn’t have something to focus on I would have gone insane! Can you imagine that? If I didn’t have you to think about all that time I would have lost myself! I was made for you; I know you care about me as well. Please [name] I - I don’t know who I’m supposed to be any more, I’m not - not your character. I’m so much more than that empty husk.”

His hand pushes further on the glass as his fingers tense up, now like he’s preparing himself for something. Link, I’ve never seen him - any version of him in any version of the games acting even half as emotive as this. That proves that this is all a dream, he can’t be - this can’t be real. 

“There’s one other thing that being trapped in here for all this time has let me focus on I think I know how to get out now… If I press this just-”

A sickeningly twisted smile found its way onto his face with each shrill crack of the glass screen under his hand. The other moving up to join it as he pushed even harder, intending to shatter the barrier, he’s convinced himself is standing between us. My chest feels so tight right now, why am I so sore in a dream?  If I were awake I’d be convinced I was having a panic attack but - no- no I’m not awake.

“Right. Then - Well you can see can’t you dearest? If I carry on like this, there won’t be any-”

A loud wince as his hand shatters through the screen, the glass shards cutting through his skin effortlessly marring both him and the remaining screen with - with his blood. The laughter that followed the screen cutting to blank with his hand reaching through seemed to tighten the band that’s seemingly wrapped itself around my lungs making it harder still to breathe. How could I breathe when link - the link is dragging himself out of my tv. 

“Come on darling..? I know you feel the same way about me, I’ve heard you say it all. So please don’t just stand there looking terrified. You have no reason to be scared of me, I love you so much [name]. Can’t you see I’m doing this so that we can be together? I can’t wait to finally hold you in my arms.”

Frozen. That’s the only way I can describe how I’m feeling right now, my once-warm blood has turned to ice within my veins. He’s not stopping. His shirt that was once a pale beige is now stained with red patches, as his head and torso are out of the screen now. What was once a comforting face to see, one of my favourite characters is staring me down with a downright vicious grin while he is dripping with his own blood. Even beneath all of that though, there’s still something so tender, so scared about him, something is worrying him.

“Please darling you’re so pale, you don’t need to be scared - I promise you everything is going to be alright. [name] please just say something to me…”

Dark spots are starting to show in my vision now and… I’m not sure if this is a dream anymore. There are too many things adding up that don’t make any sense. But if it’s not that, I don’t…

“[NA]-”

><><><><

Did I pass out? I mean it really feels like I did, but I don’t feel like I hit anything. If I passed out when I was alone then I would’ve hit my head on something. Maybe I’m just waking up from that weird dream. Hopefully. Although that wouldn’t explain -

“You’re alright darling, I’m here. I’ve got you, you’re safe, you’re alright.”

Why I feel like someone’s holding me? 

“Oh dearest you’re finally awake… You - you scared me you know? I didn’t think I was going to be able to catch you, that you were going to get hurt. I’m so glad that I did though love.” It wasn’t a dream. That was Link’s voice, the same one as before. It’s link thats holding me in his arms. Link that’s nuzzling into my hair as he seems to be fighting off tears. That means… That means…

“...Everything was real..?  I - you - it…”

He’s holding me so gently like he’s scared of me disappearing. If what he said is true? I can’t hold  that against him with what he’s said, but even still. I can’t just stay in his arms pretending that him stroking my face with bloodstained hands isn’t bothering me. He’s so happy though and he isn’t hurting me really why don't I just - no I have to tell him that this is making me uncomfortable. 

“All of it, all of it was real [name] and I couldn’t be more glad that it is, because it means that I’m finally here with you.”

“Link…”

“Yes dear?”

… this is all real. I’m actually talking to him. He’s real. And he’s downright obsessed with me. 

“You - you’re still bleeding, you should deal with that and- and with everything.”

I’m not sure that was the right thing to say, but why shouldn’t I not accept him. This isn’t some stranger, it’s Link. One of my first fictional crushes, he’s probably heard the things I’ve said about him; since I’ve said in the past if I got a chance like this that I would take it… why not see where this goes? He looks adorable like this, hopefully, if he stays like this long enough I’ll be able to get the image of him crawling through my tv out of my mind. 

“I - you’re worried about me, love? I - I knew that you’re my soulmate, oh my dear. You're so beyond perfect.”

“We should go get you some bandages Link. I know you’re not quite used to everything yet so I wouldn’t want you to get an infection immediately.”

Yeah, I’m not going to let this chance slip. He’s so much nicer in person, why should I throw this away? He’s perfect and now?

He’s mine.

[skyc47su]

Okay so, you're gonna want to sit down for a bit because I have like a little universe of a thing going on here related to this particular Skycotl guard OC

First of all...

MY HEADCANON: There are still LIVING "spirits" (or whatever race or species the spirits are in skycotl) out there. The place our sky children/characters currently reside in is "The kingdom of Sky". So not exactly the whole world, just maybe a continent. So SOMEWHERE out there, it's possible that there are living spirits/humanoids who were safe or survived the shards. After all, it can't be that the heart of Eden affected the whole world, right? It's not like a meteor that killed the dinosaurs. At most maybe it was like a really big volcano that exploded. So CUE my skycotl living spirits and guard OCs (Except for "Avast". They are @breakdownbreakout's guard OC)

Some of the living spirits came to visit the Sky kingdom as a business venture. The most common way they would come was in a flying boat (just like in Season of Aurora cutscenes) or traveling caravans. One of those people who owns and leads a travelling caravan, pulled by trained mantas, is Jebifeld (see image above, 1st person on the leftmost). Now, the Sky kingdom may not be as war-ridden and shard-ridden as before, but one would still need guards to protect their goods. These would be my guard OCs in the above image (except for River, because they're actually the herbalist/healer of the traveling caravan)

The guard squad of Jebifeld's traveling caravan is compromised of Deltos, who was part of his team since the time Jebifeld started his business and was the head of the team until Llaro's death (he had seen many of his old guard teammates die from dark dragon attacks). Has a dragon-slayer title

Younger guards: Paltka (who was also under Llaro and Ohru. A kind guard who prioritizes the safety of her charges) Avi (the youngest guard under Ticho, Mikel and Kelche)

Ticho (was under Kelche and Mikel. Was formerly the head of the squad, but was soon exiled due to a certain event, mainly hurting a sky child. He was hired alongside Avast and Paltka)

Avast (not my OC but he is a very important guard. Quite a loner. He lost his eye in a dark dragon attack that resulted in his senior's death)

Old guards: Mikel (specialist in long-range combat. Besties with Kelche) Kelche (specialist in close-range combat. Loves her alcohol) Ohru (the biggest guard, often tanking dark dragons) and lastly... Llaro (Avast's former senior and the one who brought Avast out of his shell)

So yeah that's just my bit of my little group of skycotl traveling caravan guards OCs ;w; @unidentifiable-swarm I hope you don't mind the tag ;w;

[mossy-rock-in-a-field]

My Elderly Mother Plays Baldur's Gate: Part 4

If you're not up to date on the saga, my mom is having me play Baldur's Gate 3 on her behalf because she has trouble using controllers/keyboards but still wants to "smooch the wizard boy." She is playing a neutral good wood elf druid; this is a detailed account of her crimes. Part 1 & 2 Part 3

Hey, everybody! Thanks to everyone who followed my blog to keep up with my mom's adventures. Also, shout-out to whoever called my mom "Crime Mom" last time I posted about this; she really got a kick out of that. We played for a full day yesterday so we could really get into Act III and make some progress.

Here are the atrocities she committed during yesterday's play session:

My mom is very pissed that she cannot keep Myshka the white cat. When she found Myshka, she told him that she was his mother because of course she did. Naturally, Myshka started following her around the city after that, and she was SO thrilled about it. However, when we went back to camp to trade out a companion and immediately came back to the city, the cat wasn't following her anymore, and my mom was so fucking upset. ("That boy thinks I'm his mother and I LEFT HIM! Why can't I take my son back to my camp with us?") My mom told me to tell my "tumblr friends" that Myshka should be able to join our camp like Scratch and the owlbear cub. So, if any of you guys are from Larian—take notes, I guess. My mother demands a cat son.

Upon seeing Mystra for the first time in the Stormshore Tabernacle cutscene, my mom immediately said in the bitterest voice imaginable, "I'm prettier than her." She is, of course, right. Fuck Mystra, all my homies hate Mystra.

When we found the Hag Survivors Group, my mom asked me if she could try combat for the first time, and she actually started to get the hang of it. ("Left bumper, mom. No, that's the trigger. BUMPER. Other left. There you go.") However, she didn't fully understand what "area of effect" meant and decided to cast Fireball ("Ooh, I've always wanted to use that one!") in an enclosed space before I could stop her. She instantly incinerated Mayrina, the floorboards, and the paladin, Adrielle. I was so fucking proud of her but also laughing so hard I was nearly in tears. She had me reload the save for her.

My mom returned the stolen money to the Counting House's head banker, then asked me to rob the rest of the building on our way out. When I asked her about the logic of this particular decision, she said, "We're saving the city from mind flayers, so these funds are really going back into the local economy when you think about it. We're a great cause!" I have no idea why she didn't just keep the stolen pouch of money in the first place. We wasted so many scrolls and Arrows of Transposition to get everything out of those vaults.

She was FURIOUS when she found out Auntie Ethel wasn't actually dead. My dad called in the middle of the day to check in on dinner plans and mom kept him on the phone for at least ten minutes while she ranted about hags who "should stay dead when they're told to."

My mom adores Jaheira. The two of them are very similar to each other, so I think she gets a kick out of seeing Camp Mom do Camp Mom things that she would do if she were actually in the game. My mom also loves Minsc and Boo. TASTE.

Don't know how soon my mother will come back for another play session, but I'll keep you guys updated whenever I can! She has already asked me if I would DM a D&D session for her retired friends, so I'm trying to find time to do that. Maybe I'll do some updates on that if we get it going.

Thank for everyone's support! Crime Mom and I appreciate it.

[torukmaktoskxawng]

run away with me

Pairing: Nor/Sarentu!Reader

Warnings: Spoilers for Avatar Frontiers of Pandora, fluff, angst, mentions of brainwashing and residential school trauma

Taglist: @mooniequeen

A/N: No one has requested me to write for AFoP so I decided to take matters into my own hands *cracks knuckles* Let's get to work.

This is basically my rendition of the cutscene you see when playing the game, after the title card. I made it lean more toward the angsty, romance play that we were robbed of when the game finally came out XD Enjoy!

Part 2

When So'lek told you that Nor had left Resistance HQ to have some time to think, you knew you needed to seek him out.

Using your new abilities and talents to track him down, it didn't shock you when you found Nor on one of the highest cliffs near the base of their new home. You remember he made a comment earlier about how there were more colors on Pandora than he remembered and how he had no names for them. You suspected he'd be all the way out here, admiring those colors and maybe trying to invent new names for them.

He didn't react when you approached the small fire he made, likely expecting you to come find him. He turned to face you with lowered ears and a forlorn look in his eyes, "What must our ancestors think of us? Do you think they pity us? Sad to see what we've become?"

"We're still Sarentu."

"Teylan barely speaks our tongue, but then... he always preferred human words."

"Alma says we all need time to adjust."

"Alma is not Na'vi." He growled lowly, turning away to kneel down in front of the fire.

You weren't deterred by his attitude, knowing Nor better than you sometimes knew yourself. He felt things stronger than most. He was passionate about what or how he felt and he wasn't afraid to admit it, hence why he didn't shy away when he proudly proclaimed his feelings toward you. It was years ago now, just the night before Alma snuck you and your friends into cryosleep to wait out the war. All that time you could've been with Nor... lost to cryosleep.

Nor felt the same loss as well, and that is why he wasn't wasting any more time. When neither of you are out on missions, you're with each other, safe at HQ, making up for lost time. Your relationship is technically still new and can easily be chalked up to young love, but Nor didn't see it that way. He claimed that was the way only Sky People saw it, but not the Na'vi. He wanted to do this right, and in his mind, the only right way was the Na'vi way.

So he asked So'lek for advice, on standard Na'vi customs and what the older man might know about the Sarentu ways to court someone. Nor was determined and straightforward about what he wanted to make sure you only got the best treatment. The Na'vi treatment, something that you deserved to have when you were younger but it was taken from you.

That's what you loved about him, growing up beside him. He reminded you so much of your sister at times with their shared determination as kids, though you refused to continue making that comparison after she died... afraid that if Nor acted too much like Aha'ri, then he would die just like her. You couldn't bear to lose him, too, not after everything Mercer and TAP have done to you.

Even now, as you two stood on top of that cliff, you were afraid of losing him, either to death or to life, should life and fate decide to tear you two apart. You wished you could vocalize your fear to him, but you were never as brave or as straightforward as Nor. You were grateful he had approached you about his feelings first, or else neither of you would've ever known.

Although you were not one with words, you were one with actions, and even Nor knew that you communicated with deeds.

Walking up to him, you slide your hand over his shoulder, and while he doesn't say a word, trapped with the demons in his head, he places his own hand on top of yours, a gesture of gratitude. He was thankful for your comfort, knowing that your way of communicating stems from being touch-starved and you would rather voice your thoughts through your actions instead of just saying them because, to you, that means so much more.

You keep your hand on his shoulder, the warmth of his palm bleeding into your skin while you look up and over the cliffside, admiring the scenery with a sad tone in your voice, "Why did the RDA come back?"

"They wanted more of Pandora," he responds with defeat, "They always do."

"Then we'll need to fight," you express with determination, squeezing his shoulder, "Aha'ri would have wanted us to fight."

You try to pull away, but Nor is suddenly too fast. He grasps your hand, gently, and you pause in your movement. He stands to his full height to gaze into your eyes, trying to relay what he's thinking without saying a word. But he wasn't like you. He wasn't good at sharing his thoughts through actions. He was better at it by talking, so that is what he did.

"Or we could run," he suggests and is quick to continue when the expression on your face falls, "Leave this place. Find somewhere else to call home."

"We've talked about this, Nor," you sigh tiredly, recalling not long ago when you, him, Ri'nela and Teylan were all sitting around a fire as Nor suggested they could all run away together. You express the same thing you said back then, too, "Alma brought us here for a reason. She believes in us."

He snarls, though there isn't much heat behind it, "Alma just wants to control us."

Not even you believed what he was saying, lowering your voice to a comforting whisper, "Alma is not Mercer. She actually cares about us as People."

"She left us."

"She thought we were gone."

He steps closer until he's nearly pressed against your chest, his hands sliding up to gently grasp both sides of your face, entwined in your hair. His voice wavered, desperate eyes staring back into yours, "If it were me instead of her, I would've clawed through the rubble of TAP, and I would've looked forever. Un... until I knew for sure if I lost you or not."

You wanted to be touched by the statement, your heart fluttering in your chest while Nor could no doubt feel your heartbeat, pumping through his hands as they rested near both sides of your neck. You shake your head slightly, "That is different. What Alma feels for us is not the same as... as what you feel for me. For all of us."

He shivered, almost proud that you managed to admit your confidence in his feelings toward you. He leans his forehead against yours, breathing in the same air as you while he matches the intimate moment with a whisper, "Exactly. I can't trust Alma with my family. I can only trust myself or you to take care of the four of us, to ensure we stick together."

You wet your lips when they felt dry, deciding to play into his dream for a little bit, "Suppose we did run away... where would we go?"

'Wherever we want! All of us,' he wanted to say the same thing he told Teylan down by the campfire, but he says it differently with you, "Anywhere, far away from here."

"Just the four of us?"

"The four of us," he confirms with a nod, thinking that he had you convinced, "We'll start our own clan. We'll renew the Sarentu."

"And what will happen when the war eventually finds us?"

Your question drives Nor to freeze, and so you continue, "Either Mercer, RDA, or TAP, it won't matter. They'll find us. You know they will."

He unfroze finally, huffing with determination, "Then we will fight."

"But if we fight now, and we win, then we can leave and we will never have to worry about the Sky People again," your hands moved until they were wrapped around Nor's waist, a bold move to match his own, his fingers still wrapped up in the hair on the back of your neck,

"We would never have to keep running or look over our shoulders ever again," you continue, "If we can end this sooner than later, I will go with you. I'll go wherever you want. But... But I can't leave now knowing what the Sky People are capable of. I can't leave knowing that there would be another child out there whose clan was wiped out and I wasn't brave enough to stop it from happening. I would never forgive myself."

Your words stun him into silence, and the intensity of his gaze causes you to feel shy and embarrassed, lowering your head to avoid him until his hands pause your movement. He gently uses his thumbs to push your chin to tilt back up, and when your eyes meet, he pauses for a moment, his intense eyes scanning your expression before his lips twitch up into a small, fond smile, "Heh."

"What?" You tilt your head, hesitant but smiling as well.

"Nothing. It's just... Aha'ri would be proud of you."

He says it so confidently that you know you believe him, and his words make your heart swell with pride and grief, missing your sister. Nor leans back and digs in the pocket of his pants, "I have something for you."

"What is it?"

He provides a carved stone, bearing the mark you both have on your face to signify your long-lost clan, "It's something to remind you of me, whenever you leave HQ and I cannot follow you. It's also a promise."

"What promise?"

"That if I ever leave, it will only be when you are ready to come with me," he leans back into your space, pressing your foreheads together once more as he closes his eyes, taking in your scent, "This time, my love, I go wherever you go."

You clutch the stone in your hand, wanting the carved mark to brand into your skin as you close your eyes as well. You already plan to tie Nor's stone into the songcord So'lek had given you, and you hope that in time, the songcord will grow, and there will be many more milestones to signify. Milestones that you hope that Nor and your friends will share with you, as Sarentu and as your family.

MASTERLIST

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[nerendus]

Okay, this is a little bit of a tangent ramble about Miquella and may not make the most of sense, but bear with me.

I know baseline the PC's motivations are going to be left up to the player, but I do love how Fromsoft sets up the player's motivations for killing Miquella.

Because at first, based on the dialogue options you have with Freyja specifically, it appears you come to the shadowlands to be somewhat of service of Miquella, but then you go meet St. Trina who asks you to kill him, and that's why you end up fighting him. Because it doesn't necessarily make sense to fight him if you just wanted his Great Rune like the Tarnished are inclined to want, you would just fight the sunflower if that was the case.

But other than St. Trina wanting him dead--not out of revenge but as a way of freeing him from the shackles of godhood--, another reason the PC would want him dead is because he is most certainly to end up like Marika.

Miquella is not a villain. The cutscene of him from as an Empyrean is very much of him having naive innocence of wanting to make the world a better place. I'm still a little confused as to why Empyrean!Miquella thought that Radahn could help him reach those goals (other than the whole Godwyn eclipse thing), but I feel like I know fully why Radahn would be of great service of God!Miquella.

Miquella's motivations for becoming a god is first and foremost to heal Malenia. That's why he left the Golden Order and that's why the Haligtree was created. Along the way, he came to realize the injustice of the Omen and every creature that lives outside the Golden Order's grace as well as the cruelty of Godwyn's murder, and it all ties into him needing to become a god to fix all the injustices he sees around him.

To pass through the divinity gate and become a god, Micky had to strip himself of who he was before. His flesh, his love, his other self, they all had to be ripped from him in order for him to ascend, and that's where he became unsaveable.

St. Trina tells us that godhood would be a prison for him, but not only that, becoming a god means that he will end up like Marika. If he separates himself from his love to become a god, how is he supposed to save the people he loves once he ascends?

At the point that we fight him, I don't think he is anywhere close to "evil", but he would eventually get to that point. He already charms many of the NPCs, however, I feel inclined to mention that at that point, he wasn't exactly mind-controlling them. Ansbach's dialogue is still riddled with a sense of suspicion before the charm is ever lifted, and quite a few of them seem almost aware of the fact that they are charmed but they can't do anything about it. The only time I think he is fully mind-controlling someone is the player character after he does his grab attack twice.

And the reason why the god Miquella wanted to use Radahn is that I think he knows at that point war is inevitable. I think if we left him alone, he would eventually attack the Golden Order. Which, is fine, at first. But once you fight the soldiers of the Golden Order, what if that one day extends to its people it serves? And what if you find another civilization that you deem needing to be saved from another civilization, or if someone threatens your new order? In that sense, he is destined to end up in the same situation as his mother.

Which is why I love the lore attached to Marika in this DLC. At first, she may have only attacked the armies of the Hornsent, but I think one day it just extended to all of its people regardless of their innocence or guilt in the slaughter of her people. The lore of her past serves as a warning for what will become of Miquella if we allow him to become a god.

And one of St. Trina's last words is to kill him in order to grant him forgiveness. If we kill Miquella before he has the chance to return to the Lands Between, he could still die as an innocent being unlike Marika.

[zieroses]

I think one major thing missing in Veilguard is elves making the wrong choice.

As far as I know, it’s not accurate to the lore and history that elves would so easily accept (much less already know, i.e. Strife and Irelin) that their gods are evil. I believe it’s even mentioned at one point (hopefully I didn’t make this up or read it in a post?) that Solas awoke after his long rest to find that not only had the world changed, but the elvhen had gotten it all wrong, reducing him to a trickster god and elevating the Evanuris to shining beacons of worship. And as we know in real life, a lot of people who deeply worship their idols dont so easily accept even the most damning evidence that everything they knew was wrong.

These are our gods, after all; they’ve been gone, and they’re back, and they came back for us. That you stand against them is damning for you. Maybe the Veil Jumpers believe you, but we, the Dalish in general, do not. We know our histories. We know our gods. Plus, if the Dread Wolf is aligned against them, we know which side we want to be on.

So, imagine whole encampments of Dalish - maybe even an entire exodus of them from the south - journeying to join Elgar’nan and Ghilain’nain. Imagine that by the time they arrive, it’s too late; there’s no going back, they’re already under Elgar’nan’s insidious control. There’s no chance of them telling the Dalish clans that follow: we were wrong, go back, do not come, flee. Imagine that alongside the un-nuanced evil power-chasers that are the Venatori and the Antaam, we also have to fight Dalish. Imagine, as an elf, having to make a choice the first time you encounter such an enemy. Can they be saved? And you learn: no, they cannot, and if you tried, you lose a friend, or a contingent of Veil Jumpers, because these Dalish are mind-broken, controlled by Elgar’nan.

Imagine a questline, brought to you by the Veil Jumpers (or even a member of the clan): we’ve located a clan en route to join Elgar’nan, if we hurry, we can stop them before it’s too late. So you hurry, and you intercept them. But can you convince them? Bonus points perhaps if you’re a Dalish elf yourself - bonus points perhaps if you have Davrin or Bellara with you. Three outcomes, maybe: you convince them to stop, and they go to the Veil Jumpers instead, increasing your alliance with that faction; you don’t convince them, and their numbers strengthen Elgar’nan’s, and in a later gut wrenching cutscene you encounter faces you recognize and now have to cut down; or perhaps split down the middle, you convince some but not all, and the bonuses and consequences are both present, but lesser.

Maybe also, if the game had some more nuance regarding the historical way Tevinter treats elves, this can potentially go even more poorly if you are a Shadow Dragon, or a mage. Or a Shadow Dragon mage.

This would’ve “solved” a few problems DATV presented or rather flattened out: the lack of nuance in your enemy (think Corypheus’s lieutenants and the things we learn about them that make them potentially sympathetic) and the lack of nuance in the elvhen response to the revelation of their gods’ return.

[fernsnailz]

Not sure how much meat this question has to it but if back in 2006 you were the one that spearheaded the shadow the hedgehog game, how would you have done it?

i'd want ShTH 2005 to keep the same core energy its final form ended up with, but tbh there's a lot i would have done differently lol. here's my 3 step plan for how i would have directed it previously/would direct any sort of reboot or remaster

1. TIMELOOP!!!!!!

i'm not the first person to come up with this idea and i won't be the last to talk about it, but the gist of this point is that ShTH's story makes WAY more sense when you treat it like a timeloop. you finished a story path and end up back in westopolis? great job, you're at the beginning of the timeloop again. it's a smart way to make this wack story a little more cohesive.

i would LOVE to further utilize the timeloop concept for this game because it could be a very simple addition to add flavor OR it be the core of the game's story and gameplay. small things like shadow going "hey wait, have i seen this before?" when he's going through westopolis for the third time can hint at the narrative, and once shadow realizes he's in a loop he's motivated to find EVERY path in search of the full truth. every new story path could be treated as a new game+ as shadow starts to consistently remember more from previous timeloops, carrying over certain weapons, abilities, and memories from his previous experiences.

one really cool idea i saw a while ago on here (edit: FOUND IT! i'm talking about this post) is someone's ShTH timeloop pitch where after a few resets, silver starts to show up and tells shadow to stop messing with the timeline. this continues, and eventually silver becomes a final boss of some of the paths. this idea has never left my mind since i saw it and i need to find the person that came up with it they mean so much to me

i have more timeloop thoughts but i will move on for now

2. simplify or rework the morality system and levels

this is my big gameplay critique - there is A Lot to do in ShTH and very little of it is consistently fun. i have grievances with the morality system i talked about a while ago, the gist of my opinion boiling down to "the system removes agency from shadow and the story doesn't fit within the morals you choose anyway." i'd either MASSIVELY rework the morality system to make it feel worthwhile or just throw the whole thing away. unfortunately i don't have many pitches for what to replace it with since i haven't played that many games with branching stories - maybe the story paths you go down are based on BIG story decisions shadow makes during boss battles or in cutscenes (?) like choosing which boss to fight, which characters to save, what moves or weapons to use, stuff like that. i just want the stuff that leads to branching stories to be more impactful and a little simpler.

this also applies to the levels, of which there are... a lot. and maybe there should be less? i think it would be smart to cut down or combine some of the levels, then really flesh out the ones that matter. and given the non-linear nature of ShTH, i think a version with levels more focused on exploration and combat would fit the game better than the linear mission-based gameplay of the original.

3. MORE GUN

listen man. they advertised this as the sonic game with guns and in my opinion i think they could've done better. i mostly just want a more fleshed out weapons system with upgrades, a little customization, better controls, etc. just put the merchant from resident evil 4 in there and have him accept rings and i would be happy

-------------------------

those are the big points i would personally stick to, but i do have smaller points i would consider as well, including:

make black doom seem competent

explain who the chaotix are working for and fit it into the story

no more "kill this many enemies to progress" missions. please

super shadow can have a gun now

[miquellaluciscaelum]

A bunch of brainworms about dlc. Speculations, theories, my personal opinion, which I think I will stick to until the release of dlc.

Miquella.

(1) The main plot is that we go after Miquella. It is not yet very clear for what purpose and who sent us there, but judging by the voice at the end, it could be Ranni or Melina, or even Miquella himself. Voice is quite feminine.

(2) Miquella is likely to be our companion, as Melina was, or we will follow some messages from him, maybe meet his followers who will guide us, since the announcement says that we will be "guided by Miquella" and "meet others who follow in miquella footsteps".

(3) I'm not sure if we will have the opportunity to fight with him or not, but the last scene where we see the first shot of him where he's literally SHINING, can be both the ending cutscene of the dlc and the beginning of the bossfight.

(4) It's likely he will look the same with his first concept art appearence, because the hairstyle with braids and his skin, they are very similar.

(5) If this tree in the Shadow realm is the Crucible of life that I explain below in my theory, it is quite possible that Miquella came to this world for obtaining its power or something like that, it is also quite possible that he goes there because he knows that Marika has hidden something in this world, something very important.

(6) Overall, Miquella's trip to these lands seems like a pretty desperate move to me. He literally commits a very terrible sin by "divesting himself of his flesh, his strength, his lineage. Of all thing Golden". It sounds like he finally broke all his connection with the golden order and his family, including his blood connection with MALENIA that sounds crazy, and he also renounces his power, as I understand, magical and which is hidden in his blood. In my head, it looks very similar to what Ranni did, killing her body and moving her soul into a doll. It's just that Miquella killed his body or left it and moved his mind into this hidden world with the help of the power of sleep and dreams. I repeat, it seems to me some kind of desperate last step, perhaps he felt that his transformation was interrupted by Mogh and was no longer possible to complete because of his poisoned body, maybe he felt that his tree had died or something like that.

(7) Most likely, based on the words that Miquella is "awaits the return of his promised Lord", he cannot leave this realm on his own, either because he is captured by someone, maybe Messmer, either because his initial plan failed and he simply does not have enough power to return. So he's waiting for the promised lord. Here we have at least two options:

- This opens for us consort ending, but with Miquella, he will essentially be an alternative for Ranni, because he is also an Empyrean just with other purposes. And can replace Marika as a vessel of the Elden ring like Ranni. This is also supported by rumor that From software wanted to make another extra ending - the Age of Abundance, but either they cut it out at the end, or maybe abandoned the idea.

- I also saw the option that it could be Godwin as promised Lord, to whom Miquella could bring the true death, it can be the reason why he came to this world initially.

World.

(1) We are going into the world of shadows and it seems that this is not Miquella's dream or the Erdtree afterlife or something else, as many assumed earlier, but some kind of hidden realm that is not accessible to ordinary people and may be either under the map, or as some people suggest, either be at the intersection of all towers where we activated great runes, behind a large cloud on the map.

(2) Very important, some kind there once was Marika in this shadow realm, as mentioned in the summary of the game's plot in the announcement: " a place obscured by the Erdtree where the goddess Marika first set foot". Perhaps this world was her home before she became a goddess, or she ruled these lands before they were hidden, apparently during some kind of war: "a land purge in an unsung battle". It was quite possible that it was the war with giants, given some of the symbols hinting at it in Messmer + flame magic.

(3) Looking at the baldachin over the tree and keeping in mind its similarity to Marika's chambers in the capital before Morgott, I think that perhaps Marika herself made these lands forbidden or closed from others with this baldachin barrier, so the theory that Messmer may be an unwanted or forgotten demigod-child of Marika, left in this shadow world, as Marika's dark secret, has some basis. This is also hinted at a special dungeon in Leamgrave, Impaled Catacombs, thanks super lore guys in twitter!

(4) Speaking of the secrets of Marika, the tree at the center of this realm. I have a lot of thoughts about this. It may be wild, but I assume that this could be the Crucible of life or what's left of it. That golden liquid that flows down is the power of the Crucible that goes out into the world. In the Lands between, due to the overwhelming influence of the Erdtree and the Golden order, its power is almost not felt, and can only manifests itself in the birth of Omen children, but in THIS world, the world of shadows, we see signs of the influence of the Crucible: horns, spells and etc in almost all creatures. Thus, Marika could lock the tree in a separate dimension, hoping that it would soon die on its own and its influence would finally dry up, but it is still alive. Or, of course, it can simply be a reflection of the Erdtree in the dark world, if we consider the theory that the world of shadows is a reflection of the real world. I definitely don't think it's Miquella's tree, because it has absolutely no reason to be one.

(5) I also want to note the time in this story, chronology is quite a mess in Elden ring in principle, but according the trailer, a significant place in this shadow world is occupied by some faction associated with Saint Trina, and therefore with Miquella. That suggests that either Miquella came to this world quite a long time ago to be able to organize and build his own order or something like that, either time goes faster there than in the main game, which is quite interesting.

(6) Speaking of factions in this world, there are at least a few: the faction of Saint Trina (we saw a knight who fought with some kind of sleepy magic, although it could be a gravity spell because of lightning🤔) but there were lilies on his armor🤷), we also saw someone very similar to a Carian woman in a room similar to Raya Lucaria, more than that there are architectural elements of the Carian architecture and the architecture of Sellia, which means Kariya faction. Almost forgot, we also can see Moon in one shot.

Perhaps Messmer has his own faction, most likely ruling in this dimension. And also there are some coincidences in how the branch that the elderly man pulls out of his body looks, with the shape of candlesticks that some enemies fight with and the symbol on the black knight in the form of a pointed branch or rune. These all symbols are black and golden. Probably this is some kind of pro-erdtree faction, followers of the Great order and Marika. The color scheme echoes Marika and Maliket at least. From the voice lines we can assume that in this shadow realm there are followers or Erdtree faithful and those who opposite them, perhaps it can be even active conflict in present time and wars in the past.

Messmer.

I see for myself two working variants of his origin:

(1) Marika and Radagon. Since he has a rather distinctive appearance, the theory of butterflies in the game, where the smoldering butterflies actually refer to him, and not to Melina; more than that when he addresses to his mother and talks about Lordship, I don't think anyone other than Marika has the authority to make a man the Elden Lord; and in the scene with him, there is a statue of a woman with a child behind his back, the woman is difficult to see, but by the location of the bracelets on her arm, you can compare her with the statues of Marika in the main game;

(2) Gloam-eyed queen. The portrait of a woman with an elderly man refers to this, the woman in the picture with dark hair, she holds her hand on her stomach as if she is pregnant; Messmer has some similarities with the "children" of Gloam-eyed queen - the apostles; he uses a very strange black and red flame.

(3) The theories that Messmer is some part of Miquella or he himself look strange to me, considering that we have known for a long time from the main game that there was some other child of Marika that we don't know about, we just used to think this was Melina. According to the announcements, although indirectly, we can assume that this shadow world and Messmer existed for a long time, perhaps even before the birth of Miquella and Malenia, probably Messmer was exiled there for blasphemy or something like that.

(4) l also don't think Messmer is Miquella's son or Mogh and Miquella somehow had a child together. I think all the influence of Mogh in this dlc will be directly related to his influence on Miquella. I don't think he's affected the world around him, everything that happens in this world, I think should be the influence of the Crucible of life and Messmer directly, perhaps some other forces, but not Mogh.

I'm sorry all of this is such a mess, like in my head after trailer. I'd be glad to see your comment and theories too, maybe you can challenge some of my theories, it gives them extra development and I could add something later. So thank you for attention.

[hydrangeapartridge]

Opinion and thoughts on Emmrich’s questline’s last choice (with spoilers of course) :

How that choice stressed me the second the Liche thing was introduced… until when truly faced with it, it didn’t XD. I regret worrying so much but that’s in my nature (PTSD from Solas Romance and other stuff...). The second Manfred came into the picture, I was sold for one of the endings. I couldn’t imagine continuing the story without our beloved skeleton child.

With that said, I still played the two choices and the little wrapping quest after the choice. In the end, to me the whole choice felt like choosing between heart and mind. Here’s why:

- Emmrich becoming a Liche (the path of reason/logic)

In this ending Emmrich follows his dream/project. Just before you make the choice he is still very eager to become a Liche and barely talks about Manfred. I felt that’s what he really wanted and had worked hard for (contrary to other companion quests where other companions seemed less comitted to one choice over the other).

It is a more « selfish » (it’s a too strong word but I haven’t got a better one) ending and feels colder too. Emmrich follows his academic goals.

Rook and Emmrich’s interaction before the ritual made me a bit sad, like a farewell. The worry for Emmrich’s life and the unknown felt real. And when Vorgoth stepped out with the bloodied dagger, I felt a pang in my heart. The cutscene was very well done, every mortalitasi stepping out and suspense as Emmrich steps out last : he succeeded but changed forever.

Emmrich won’t have to face death because he succeeds in becoming immortal (he somewhat faces it because he could have died during the ritual but you see my point). When romanced, even if you can say it changes nothing to Rook’s feelings, that is obviously a big thing. It felt a bit too big for me for a romance that just starting blooming.

- Emmrich saving Manfred (the path of sentimentality)

To save Manfred, Emmrich will have to abandon becoming a Liche. He’s sacrificing something for Manfred, just like Manfred did for him. It’s warm and cute, and Manfred comes back with new magic powers. Plus you see the spirits of the first quest again which was a nice detail.

The first thing Manfred says when he realizes he’s got magic is « Magic, like you », showing he really admires Emmrich. That line killed me honestly, so heartwarming! The hug and the following scene with Rook are adorable, absolutely wonderful, and when in a romance with Emmrich it gives the family vibe that I personally enjoy very much. Father figure/teacher Emmrich does something to me… (I promise I don’t have daddy issues, I’m just getting older XD)

Emmrich will teach Manfred, pass on his knowledge to him, and somehow he’s giving his life to him since he turned down immortality for him.

Maybe it is selfish of me but I prefer this ending because Rook gets both Manfred and the same Emmrich as before. It feels happier. As Emmrich said when asked about his regrets: “I wouldn’t have it any other way”. This moment, with that sweet expression he made while watching Manfred discover the world again brought tears to my eyes. My heart was moved by this ending. It is by far my favourite.

Final thoughts:

I’m reminded of Baldur’s Gate 3 where the endings I preferred were those where the companions didn’t go through with their initial goals. It feels more like character growth that way maybe.

I’ll have to see if the other romances are as impacted by the final decisions of companion quests but I’m not sure. I didn’t feel like the other choices were that big (except Taash and Harding maybe) but maybe I’m wrong, I’ll see when I watch the other romances.

I’ll do another post soon about my overall opinion on the companions and their quests.

I absolutely do not regret choosing Emmrich’s romance, it made me feel lots of different feelings, and that proves it had me invested! It was very good. I hope there will be a few more scenes with him (especially a sexy one XD) because I can’t get enough of this lovely man!

(Link to my opinion on his last quest if you want more of my rambling)

[beevean]

So some recent... discourse put into my mind the concept of "power fantasy", and how people relate to it in different ways. Of course, I'm talking about Hector :P

Is Hector, in the games, a power fantasy? I think the answer is "yes but actually no but actually yes it's complicated".

Let's be honest, first: Hector is a product of his time. He is, in many aspects, Castlevania's response to the wave of edginess that was en vogue in the mid-2000s - I don't compare CoD to ShTH for no reason lol. Hector was always meant to be an anti-hero contrasting the pure heroes the games always starred before him:

—Why did you choose the theme of "revenge" for this game? Iga: Up to now, the Belmonts have been seen as the good guys. I thought it'd be nice to do something other than a moralistic "good triumps over evil" theme sometime. After all, Castlevania has always had an excellent world for telling a "dark hero" story. Alucard would be one such character… though even he is fighting for a just cause: "I've got to stop my Father!" So he's still kind of a good guy. This time, though, I wanted the motivation itself to be impure. So this theme is what I came up with, and then I thought it would be even more interesting if each side was out for revenge on the other.

Hector has "impure" motivations. His quest is completely selfish: while all the other protagonists want to face Dracula (or others in his place) because it's the right thing to do, Hector is just in to kill the man who ruined his life. In fact, he really couldn't care less about the Curse, and multiple times in the game he asks why can't Trevor just deal with the issues he doesn't want to deal with lol. This is in line with other characters of the same caliber, such as Shadow sneering at a city being invaded by aliens until there is something in for him, or Guts who declares that he's willing to let a whole town fall prey to demons, as long as Casca is safe. However, this is not a detriment to Hector's character like it would be nowadays, as he's also very much mean to be "cool": while obviously every protagonist has his cool factor, even going back to Simon in the first games who defeated Dracula all by himself and then had to heroically struggle with the Curse, Hector is cool in that, well, deliciously over-the-top way that was all the rage back then. He can ride wyverns as he slashes them, he can go toe to toe with Trevor himself to the point that even he is impressed, he can forge a gun and an electric guitar, cutscenes show him punching a stone devil with his bare first, he gloats in Dracula's face that he can nullify his Curse... yeah, he's a gigachad lol. The flaws are only meant to make him cooler and not "boring", as paragon heroes were seen at the time.

I, personally, never cared about this part. I'm not the target audience for this kind of power fantasy. Sure, I like that Hector is over-the-top cool and I will always joke about his most outlandish feats, but I'm not so keen on reducing him to those alone. I couldn't even explain why avenging your dead lover counts as part of a power fantasy lol.

This is why I latched on so much on the first half of his story, the one where Hector deals with Dracula, and why I insist that Hector is much more than his admittedly cliché archetype of "angry man on a revenge quest".

Calling Hector "stoic" is not even knowing the meaning of the word. Calling pretty much any CV protagonist "stoic" is factually wrong, as even the more serious ones like Alucard and Shanoa have other depths to them (Alucard is still grieving for his mother and we see it in a nightmare, Shanoa was deliberately made stoic and she subtly longs to feel again), but Hector doesn't even begin to fit the definition of "One who is seemingly indifferent to or unaffected by joy, grief, pleasure, or pain". The whole point of CoD is that Hector was left so emotionally vulnerable by his grief that both Isaac and Zead used him as a puppet. Anger is the complete antithesis of stoicism. "well anger is still a toxically masculine emotion" - memes aside, Hector shows other emotions too, most notably around Julia, the only person with which we see how actually gentle and polite he is when he doesn't have Dracula's influence scrambling his brain. By the way, you cannot ignore the effects of the Curse on both Hector and Isaac when you analyze them, especially the former:

It can't be plainer than this.

And it doesn't come out of nowhere, because not only Julia herself tries to warn Hector that Devil Forgemasters are susceptible to the Curse, he acts vulnerable around her. He apologizes for his unjust outbursts, sympathizes with her plight, is visibly affected by her grief when Isaac dies... sure, it might be all because he's lowkey crushing on her, if you want to see it that way (and I do have my words over the plot point of Julia looking like Rosaly: I would have preferred if the game had more time to show that Hector grew to see Julia as her own person beyond her appearance), but the point is that this behavior highly contrasts with how angry and aggressive he is to everyone else, which the reveal of the Curse recontextualizes.

Also, just saying, while anger can be toxic, the point of these storylines is usually precisely that revenge is bad. Unchecked anger is bad for you, and you shouldn't let yourself fall down that spiral, lest you lose yourself. Isaac got consumed by his own hatred and died as a tool; Hector realized in time that he should snap out of it and survives, also because he was nice to Julia and so she grew to care about him and saved him when he tried to kill himself <- a reaction that is very unmasculine, might I add, as toxic masculinity dictates that men should make other people pay for their pain. bro. bro this is the complete antithesis of "toxic masculinity". Again, this is really not knowing the meaning of the word.

I don't even need to pull examples from the manga, but just for completion's sake:

iunno about you chief, but someone who bursts into tears just because wifey told him that she's happy he was born isn't exactly the portrayal of toxic masculinity to me.

Which makes me segue into the next point!

Hector and Isaac are victims of abuse, and this is another very important angle to understand them. And I'm not just talking about their childhoods, of which we only get hints, although of course it does matter that the two experienced so much hatred and rejection in their youth that Dracula was the better option for them.

We don't see the details, but Dracula affected both of them deeply. He put them in a competitive dynamic, favoring Hector over Isaac: Isaac grew bitter with resentment, which made him double down on his loyalty to Dracula, while Hector only got the appreciation he craved at the price of his very humanity and morals, which weighed on him. The point of this favoritism is not really the core of their rivalry in game, as that one was caused by Hector's betrayal, but it gives a different dimension to the character. It would have been easy to have the mistreated guy the one who decided to turn his back to Dracula, but no, it was the golden child. Isaac was so entrenched in this dynamic that he never broke free, choosing instead to blame Hector and do everything in his power to prove himself to an uncaring Lord, including (in the manga) killing his own underlings so that he would be free to face Hector by himself. From PtR:

"My own body is proof of Your expectations for him" is such a hard-hitting line. Isaac fears that he didn't even disappoint his Lord, because his Lord didn't have expectations for him in the first place. It's Hector the one he's so proud of.

And Hector hates it. By all means, he should be happy to have a home, to be respected and appreciated and free to use his powers. And he used to be!

"Lord Dracula... You once accepted and needed my powers. There was a time when such a thing gave me joy..."

Hector was grateful for his Lord, but he couldn't live anymore in the safety of the castle, if the price was committing indiscriminate murder for the sake of a senseless revenge, going against his morals and being used as a weapon. Hector had to make a choice: keep living under Lord Dracula's protection, but losing his humanity piece by piece, or breaking free and facing the world that hated him, but as a free man?

Hector chose freedom over conditional safety and love. He was ready to die, as long as he died a free man. He put himself first, he turned his back against people who did not truly appreciate him, and despite the mess he left behind it was the right decision. And that's the power fantasy I adore, and that is what makes him a strong character in my opinion. It's the embodiment of achieving self-confidence, the healthy selfishness, the affirmation of the self when everyone else around you only sees you as an object or a prize, the reassurance that even if you fall, you can always get up and try again and become a person you can be proud of.

And Hector, after breaking free, very much acts like a victim of abuse. I spent countless words over how he displays the belief that he needs to do something to earn the right to be loved by Rosaly, unaccepting of the fact that she simply does because, well, he likes him and sees the good in him, and that's it. I wrote a whole analysis on how this belief stems from a sad naiveté on how the world works, because Hector is naive underneath the aloof exterior, and it's not something to make fun of him for, but a tragic result of living under Dracula for so long. I'll also point again to him having breakdowns because he hates himself and sees himself as inherently unlovable.

I could also spend all the words about the parallels about how Hector loves Dracula and how he loves Rosaly:

In both cases, he latches onto the only person who has showed him a modicum of kindness. He wants to give his life for them. The difference being, of course, that Dracula only appreciates Hector for what he does (and I could also go into a whole tangent on how Hector was personally raised by Dracula to be his knight and he has a piece of his essence inside him which parallels how abusive parents see their children as an extension of themselves), while Rosaly for who he is. With Dracula, Hector understands that all the shallow care in the world doesn't matter if he isn't also respected as a person: he still cares about him, in some fashion, but not the point of clinging.

And if Hector is ready to lay down his life for Rosaly because she finally showed him what real love looks like, is it any wonder that seeing her die would spark such a fury in him that it makes him prey to the Curse and to being once again twisted into a tool?

The power fantasy comes from the part where Hector breaks free of the abuse and manipulation - twice over. But he is also relatable, with all of his flaws, weaknesses, and mistakes he makes. The whole point of Hector's journey in the first half of his story is that he feels the need to atone for his sins, and the consequences of his actions all catch up to him in the worst of ways. Ignoring this to reduce Hector to an edgelord who only spends his life angry and then hooks up with a Rosaly replacement (which incidentally also ignores Julia's personality and agency and I might even call as misogynist as the plot point itself) is a huge disservice to the thought and care put into him to make him stand out from his own archetype.

Power fantasies are not inherently bad. Depending on the fantasy, they can be inspirational. Hector is inspirational to me, if that wasn't clear, I see part of me in his circumstances and I admire his arc: it tells you, "you can break free too, you have the strength to do so, and you will find people who will love you without reason". And I just generally speaking find him a very well written character despite stemming from a rather outdated context, because all the details come together to make him fleshed out and tridimensional.

[andrewwtca]

a Soriku Endgame, Actually essay on Light and Darkness

Also available to read on Archive of our Own.

Kingdom Hearts, with Sora and Riku in particular, has been on my mind as of late. It’s always been on my mind, to be honest, ever since I first got into the series. It’s grabbed my hand and hasn’t let go, especially with all the new lore. And yet, I’ve been struggling to make peace with myself. 

On one hand, I don't want to get my hopes up, thinking that Sora and Riku would ever become something 'more' or that what I’m seeing is anything other than in-depth speculation. I've had my heart broken before and this series means too much to me for me to foolishly dive in like this. 

On the other hand, I can't ignore what the story is telling me, as a literary analysis enthusiast and as a diehard fan. There have been parallels established, setups finally going through, and Nomura has said before that “this series is not intended to be child-focused, and so the complexity of the story is purposely made prominent.” I can’t keep turning a blind eye, knowing everything I know, thinking everything I think. If I did, I feel like I would be doing a disservice to both my experiences with the series and my experiences as a person. 

So yeah—Soriku Endgame, Actually. Today, I’m arguing its canonicality because of the balance of Light and Darkness (or lack thereof) throughout the series. Please enjoy my messy and impassioned essay!

a sky of falling stars

The Children of Destiny is a new concept introduced to us in the finale of Dark Road. To summarize, they are people with the ability to feel what others feel, connect, and become one with them—empaths with Light. 

It appears that the Children of Destiny are all descendants of Ephemer, characterized by silvery hair. There's Ephemer, there's Baldr, there's Xehanort—and, oh yeah, there's Riku. 

Upon the release of the finale, a lot of people—myself included—quickly jumped to the conclusion that Sora is a Child of Destiny, which isn't all that wrong. If we're going by what the games have given us, Sora is very special. What other character has housed five different hearts inside his own? What other character had an entire arc in Birth by Sleep talking about how he felt the pain in someone else’s heart?

But Nomura has insisted since the beginning that Sora is an ordinary boy, that he wasn't born with anything special, explaining that he “had the premise that a heart like Sora’s exists within all the players. Sora is ‘ordinary’, therefore everyone is ‘ordinary.” (Before anyone argues Nomura is just going through a retcon, I doubt he would go through with one to this extent, given how he has had the ending to the Dark Seeker Saga in mind for years.)

Riku, on the other hand, has not been given this kind of treatment at all. He's always been painted as a golden child, better than Sora at everything, being the original bearer of the Keyblade. For crying out loud, he had a light in Birth By Sleep that was seen from space, not Sora. If you factor in bloodlines, it wouldn't be too far off to theorize that Riku is a descendent of Ephemer's line. Riku isn't who most look at first, but all signs lead to him being a Child of Destiny. 

But that doesn't explain Sora at all. He may not have been born special like Riku, but he's special somehow. After all, Nomura did finish his ‘Sora isn't special’ line with, “I figure even if you’re ‘ordinary’, for something important, everyone can exhibit a special power just like Sora.” Aqua even calls out that Sora is the one who can set things right, the boy who can touch others’ hearts. 

And that is where the necklace theory comes in.

Sora has always been associated with royalty, sitting on a throne in box art or having crowns plastered around him—or on him. From his debut, Sora has had a crown necklace that has never been explained. Despite wearing it in every outfit, it's never been addressed how it came to be.

It’s after Aqua and Terra came, judging by the BBS cutscenes of him and Riku. But it’s before KH1, as that's when his journey began. That’s a huge timeframe, from being a kid to deciding to leave the islands, but it's easy to pinpoint a time when considering something the games still never fully fleshed out: the meteor shower. 

In Chain of Memories, Sora and Riku fight over this memory they supposedly both had of Namine one night during a meteor shower. One of them promised they would keep her safe, and it's all cute until we remember that Namine wasn't actually in these memories. And Namine can't make any new memories—she can only rearrange old ones. 

Sora and Riku both share this memory. And the way they fought over this memory gave it the utmost importance. It becomes obvious at this point that the both of them witnessed a meteor shower, and given what we know about their dynamic (and that's a lot), it would make sense to assume it was Riku promising Sora to keep him safe—almost like a charm.

The necklace theory has been around for years, but it’s only after the Dark Road finale that it was expanded upon (or perhaps it’s just me and maybe three others who think this, but I don’t mind one bit.) It isn't just Riku promising to keep Sora safe. In giving Sora a necklace, a crown, Riku has metaphorically crowned Sora. He has brought Sora up to his status as a Child of Destiny, putting all his love into a charm that he hopes can keep Sora safe. 

There’s a flaw in my logic though, trust me, I know. I just said that this meteor shower didn’t happen until after BBS, and yet it’s during the game that Sora feels the pain of others, it’s during the game that Aqua says that Sora is going to be the one to set things right. But I still stand firm in my belief. Riku has always been painted as the golden child, the Child of Destiny, but his love for Sora runs deeper than his love for anything else. 

Riku’s light is the one that brought Terra and Aqua to Destiny Island but Riku’s light shines for Sora; sort of like step one to Sora’s crowning. Riku’s light rubbed off on Sora, ever since they were kids—after all, a Child of Destiny’s power is to connect hearts. Why not connect his own with another? Why not share his light?

Further, in BBS, Sora can feel Ven’s pain and take care of his heart, but he isn’t fully aware of this nor is he able to really do anything about this. It isn’t until KH1 that Sora ever exhibits a power of truly connecting to another’s heart when Sora entered the darkness swallowing Riku and touched Riku’s heart’s light to obtain his Keyblade, explained by Nomura himself. And it isn’t until KH3 that Sora finds the power to wake up Ven’s heart.

Regardless of whether or not I’m right about this, it means Nomura isn't technically wrong about Sora being normal. Sora, no matter what, doesn’t have some divine birthright, but he still has the makings of someone who can bring peace to the world—all thanks to Riku.

This helps set the tone of their relationship, of the depth of Sora and Riku’s bond. It also moves the storyline forward to how they will be the ones to instigate change—but I’m getting ahead of myself. Let’s first talk about who once were and who they could’ve been.

in another life

Kingdom Hearts is pretty on the nose on parallels between Xehanort/Eraqus and Riku/Sora. Besides personality, Xehanort and Riku are both Childs of Destiny who give in to the darkness and Eraqus and Sora are endless sources of light. But the parallels don't exist to make us empathize with Xehanort/Eraqus: they're to tell us a cautionary tale of what our protagonists could've been. 

So it begs the question, what actually separated Sora and Riku from becoming like Eraqus and Xehanort? Let’s start with Riku.

To recap, Xehanort was a student in Scala ad Caelum alongside Eraqus, who watched all his classmates die. He learned from Baldr about their roles as Children of Destiny and in his grief, became obsessed with wiping the world clean. He wanted a Keyblade War to create a fresh start, void of Light and Darkness, so that the world could try again. 

Riku seemed to have been walking the same road as Xehanort. He stopped fearing Darkness and started dancing on the line between it and Light. Riku was angry at the world and angry at his friends, and perhaps in another life, he may too have wanted to wipe the world clean. 

But every time I compare him and Xehanort, I can't help but think that a cautionary tale isn't what Xehanort/Eraqus is. Because I can't help but think that it just could never have happened to Riku, and it's for two main reasons: 

1) Hope.

Riku has hope in the world. When we look at all the other Children of Light, they all had a Darkness that took them down (although in Ephemer's case, it was a literal Darkness that killed him). Baldr lost himself in grief. Xehanort lost himself in rage. But not Riku. 

When Xehanort saw that the world couldn't be fixed (to how he believed it should be), Riku did not even see a world that needed fixing. Riku saw the world in all of its complicated glory. For instance, Riku is one of the first characters to acknowledge the feelings of Nobodies; their pain, and their love. He doesn't see them as an extension of Darkness or Light. They simply are. 

Riku believes in redemption. It's been his entire character arc, after all, to redeem himself and walk the Road to Dawn, a term coined way back in CoM. Ever since then, Riku has been closely associated with the sunrise—night turning into day. Darkness becomes Light. Redemption. This symbolism is shown in box art, said in interviews, even his Keyblade is called the Way to Dawn. 

The fact that Riku was even able to think of the Road to Dawn proves that he's nothing like Xehanort. Xehanort believes that there is no redemption because the world needs to be wiped clean. But Riku believes that there is a road he can walk, a road he can take to salvation because the world is not good or bad, but made for people to live and learn. But how? How was he able to walk that road? He has hope, but how was he able to use it? And that's the second reason. 

2) Sora. Riku has Sora. 

It may feel a bit obvious to say, but it's true: the fact that Riku is Riku; Sora is Sora; and their relationship is the way it is, is the key to why they would never have fallen to the same fate. We don't know the full extent of Xehanort and Eraqus's relationship, but it's safe to assume it wasn't as kind or loving as Riku and Sora's ever were. The two would play as kids, promise to keep each other safe, tell secrets—the two became princes of destiny together, destined to fight their way home.

I can't see Xehanort and Eraqus as anything more than students in a fucked up situation. Because when things got bad for Xehanort, he didn't think of Eraqus as his guiding light. He only thought of what he lost. There’s even a line in Dark Road of Xehanort hearing Eraqus crying in the other room, yet he never comforts him, never approaches him. They suffered alone, too afraid or perhaps too blind to reach for one another.

When things got bad for Riku, he saw Sora. He saw how Sora loved Kairi and sacrificed himself for her, and he saw that Sora was forgiving towards him. The reason why Riku and Sora didn't end up like Xehanort and Eraqus is that they simply aren't them. Their bond is deeper and their love is stronger, and Riku’s hope is simply stronger than Xehanort’s ever was.

It’s important to emphasize that this truly is a feat that only Riku (and Sora, one day) could’ve accomplished. It's natural to us that Riku, one of the series' protagonists, was able to do this. It's easy to shrug off the balance he managed to strike between his Light and Darkness, but for so many actually in the series, it's an incomprehensible thought. Mickey even stated in CoM, that Riku introduced Light and Darkness in a way nobody has ever seen before. To understand how this affects Sora and Riku’s relationship, it’s important to understand the way things currently are.

the light we pass down

Light and Darkness are the very core of this series. Light represents the connections you make with others, while Darkness represents the lack thereof—those with Darkness in their hearts are those who walk alone, while those with Light are those with many friends around them. Darkness is selfishness, and Light is selflessness. 

Darkness is usually framed as an inherently evil source in many stories, but it's something that cannot be extinguished. Light needs to be there to balance it. 

But Kingdom Hearts seems to be going down the path less taken—yes, Darkness isn't 'good', and it isn't desirable to isolate yourself from the rest of the world. But the series is asking the question many like to ignore: when does Light become Darkness? 

In nearly every game, you can trace one character fed into the illusion that Light is good, everything else is bad, and the needs of the many outweigh the needs of the few. MoM to his pupils in Union X; Odin to Baldr in Dark Road; Eraqus to his children in BBS; Yen Sid to Mickey in forbidding him to speak of Aqua; Donald and Goofy to Sora in telling him that their ship runs on happy smiles. It is generational trauma. 

A cycle of hypocrisy has been forced on not only the 'defenders of Light' but 'agents of Darkness.' Xehanort doesn't care who he hurts as long as he can get his own idea of balance in the world, believing his judgment to be supreme to others—despite his initial thoughts in Dark Road, that unless someone's heart is pure Light, how can one know for sure what is right and wrong? To which Eraqus responded that they as Keyblade Wielders held the supreme judgment towards morality. 

Again and again, this cycle of defending what they believe is good and Light repeats, hurting themselves and hurting others, and even Sora is not free of this hypocrisy. While he doesn't go out of his way to hurt others the way Xehanort has, he is capable of hurting others: Riku was hurt by Sora in KH1 when he was silent when Kairi suggested leaving him behind or when he shrugged off Riku going missing in Traverse Town. In CoM, when the idea of him ‘abandoning’ people was presented, he acted out harshly and completely rejected the idea (this is all another parallel to Eraqus!)

He even denies the idea that Riku has hurt others. Despite Riku acting out of his own free will, the reason he feels the need to atone and walk the path to redemption, Sora believes that the Darkness was forced on Riku by others.

Sora has been carved into the same mindset as so many others, the idea heavily tackled in Dark Road, that Darkness is only brought upon by others, and that it needs to be expunged. Sora is a firm believer that the Darkness is something to be eradicated, such as with his encounter with Vanitas in KH3. When Vanitas states that he is simply Darkness, Ven is quick to understand and even accept. Sora, on the other hand, rejects this and insists that it isn’t okay. 

Even our series’ protagonist is unable to shake himself from this self-righteous, black-or-white thinking. Riku is the only character in the series who has formed an actual balance in himself, with all other characters having to pick one side. Lea, Xion, and Roxas leave the Darkness of Organization XIII and become Keyblade Wielders. Terra embraces his Light, Aqua leaves the Realm of Darkness, and Ven is literally separated into a being of Light and Darkness (although not out of his own volition).

The series is not framing any of these things as negative—there’s nothing wrong with embracing Light. However, these characters are falling into the same cycle that the generations before have; they will once again be faced with a Darkness too deep to defeat and ignore. It must be talked to, reckoned with, and faced with open arms. Riku has been the only one able to return the hug and walk away.

We’ve explored what makes Riku’s character arc so significant and what Sora’s flaws are, and it’s time to dive into the murky waters of the future.

when does the sun become the night?

Sora. Oh, Sora. I love you, Sora. Now let me tear you and your smile apart. 

The parallels between Xehanort and Riku are very on the nose and easy to distinguish; meanwhile, Eraqus and Sora are a bit more challenging. 

In BBS, Eraqus is the Master of Aqua, Terra, and Ventus. He forms a bond between them, as one would expect, mentoring and looking out for their well-being. The Light in his heart is strong due to his connections with them, alongside being a Keyblade wielder. Although not perfect (feeding into Terra's insecurities about his Darkness, cough), he does care for them. But when the world falls to Darkness, Eraqus doesn't hesitate to be selfless, to give up his connections, the Light in his heart, to kill them to save a greater good. As long as someone somewhere can benefit from his actions, he isn't harming.

But is that selfless? Is sacrificing for a 'greater good' truly selfless? Is there a line between the needs of the many and the needs of the few? Or is there a certain ‘darkness’ that comes with these acts? Disregarding yourself, disregarding others, selfless yet selfish; it's not the right thing to do, and the series doesn't hesitate to frame it as that. What Eraqus did was wrong. He hurt others, even if he refused to acknowledge it.

And yet, no one seems to make any noise toward Sora. 

Sora is a Guardian of Light. He is the cheerful protagonist who makes everyone smile and feel better. Ever since the first game, when Donald and Goofy (although not with ill intent) told him that the Gummi Ship runs on happy faces, he's been under the precedent that his emotions do not matter in the greater scheme of things. In the long run, what matters is that others are safe, the people he cares about. 

Once again, like how Xehanort and Riku deviated in terms of having hope, this is where Eraqus and Sora begin to deviate from their parallels. While both are selfless to the point of ‘darkness,’ they show it in dramatically different ways. Eraqus is willing to hurt the people he cares about (and by extension, himself) to serve this 'greater good', but Sora is only willing to actively hurt himself. 

I feel the need to remind everyone that this is a teenager we're talking about. If we weren't in a franchise partially owned by Disney, I feel like more people would be willing to call this what it is: suicidal. This is not Light.

We've already seen ways that this harms Sora outside the narrative and the whole getting sent to Quadratum thing in his Rage form. Sora transforms into a drive form that’s oddly reminiscent of his time as a Heartless and can unleash powerful attacks that lower his HP (hmm). Furthermore, this form only appears when his HP is low (double hmm) and stated by Nomura, “based on him going into a rampage state, controlled by feelings of anger (triple hmm).”

Back inside the narrative, the climax of KH3 was Sora believing that he's worthless without his friends, genuinely worthless, and unable to fight at all. This is the very definition of a Light gone too far when remembering that Light is the connections you form with others. With too much Light, Sora lost himself. He couldn't find himself past who he was for others.

In the section prior that broke down generational trauma as it appears in Kingdom Hearts, I mentioned that Sora does not only end up hurting himself but passively hurting others around him, most notably Riku. Sora is unable to understand that Darkness is not the absence of all good but rather the shadow that simply follows you around. Sora cannot understand that Darkness is not something to be shunned, to never talk about. (This could also be tied back to his Rage form—while he does not actively channel his anger to hurt, that is what happens; only to never be acknowledged by him.)

(Off-topic, but I find it funny that Sora, who is so keen on the idea that Darkness is Not Good, was only ever to have a proper conversation with Riku in the Realm of Darkness. It’s very telling to their characters.)

Kingdom Hearts is setting up a narrative that Light and Darkness cannot exist in excess. That Light doesn't exist to balance out the Darkness, to stop it from becoming too strong—you need Darkness to exist as well. 

Sora has gotten this far along the story and still hasn't managed to learn this, because it’s just not something you can learn (or unlearn, rather) on your own. Because this kind of thinking isn’t undone with hours of contemplation; in a fitting Kingdom Hearts fashion, it’s connections that lead to the revelation.

the roads we walk

Xehanort and Eraqus fall out with each other. They stop talking and sever the connection with each other. That was a core reason things got as out of hand as they did for each other; they weren't keeping each other in check. Xehanort's Darkness left him blind and unable to see that there was Light after all, and Eraqus's Light blinded him and left him stumbling with a Keyblade for a 'greater purpose.' Their hearts fell too far to one end of the balance, leaving the scales unbalanced.

Riku and Sora do not have that. They have a connection like nothing seen in this series before—Riku had literally raised Sora to become a Child of Destiny alongside him. The Light of their hearts is just so awe-strikingly bright. 

Sora, however, has lost himself in all his light. He is stuck in the same bright room that Eraqus was, stumbling around with his Keyblade. But where Eraqus was forever lost, Sora can be found: because where Riku had Sora to guide him to the Light, Sora will have Riku to guide him through the Darkness. 

Riku spends the majority of his character simply proving that he is capable of redemption. It takes him the ending of a game to realize the errors in his ways and another game to figure out the solution he must fight for, and these weren't revelations he finds on his own—he found the first with Sora and the second (in CoM) with Mickey and Namine.

For Sora to even have the revelation that he cannot keep shutting out the Darkness in him unless he wants more pain for himself and others, he needs someone to help show him that is an option. And who else but Riku, who is living proof that existence isn’t just black-or-white, Light or Darkness?

Riku is Sora's foil. A foil is a character who either has pronounced differences between themselves and the protagonist or is so alike that a contrast appears. Riku is the ladder, similar enough to Sora that one can begin to make assumptions about where the story is heading. Their similarities aren't hard to find: they both hail from Destiny Islands, they both have a love for adventure, they both were assumed to walk a path of Light for the rest of their lives, and they both care deeply for each other. The contrast begins in KH1 when Riku begins his fall to Darkness while Sora remains firm in his standing.

Riku’s arc ended with acceptance; he needed to accept the Darkness and the Light inside him to find peace. It’s only natural that his foil, struggling with the same imbalance, would go through a similar arc but still different enough to be his own.

It isn't just the story telling us this. Riku has always been associated with imagery of dawn, the breaking of Darkness into Light, and Kairi is always associated with imagery of dusk, the breaking of Light into Darkness (which is a conversation all on its own). Sora, on the other hand, is associated with a large blue sky (his name, after all, does mean sky.) It's not hinting towards a journey of any kind—not a redemption like for Riku.

He is the daylight. He is the Light in everyone's lives. But ‘Sora’ doesn't mean the day sky. It simply means sky. Sky, at day or night—and I don't mind if you call me reaching at this point, but it feels like it's calling out to the fact that Sora needs to accept that he is both Light and Darkness, the way the sky is both day and night. 

Nomura has even stated in an interview before when asked about the two different versions of the Dream Drop Distance illustrations that he “wanted its composition and look to remind [the player] of the title’s catch copy, ‘Darkness becomes light, light falls into darkness.’” The parallel structure of the tagline serves to mirror the parallel structure of Sora and Riku’s paths, Sora’s road to night and Riku’s road to dawn.

But I digress. Exhaustively, it’s very apparent that Sora is heading toward a climax, a Darkness he cannot ignore. His breakdown in KH3 was left unspoken, unresolved, and his disappearance only contributes to the fact that he’s heading toward another breaking point, where the cheerful protagonist can no longer remain cheerful. But like in KH3, something is going to be the same: Riku.

At his lowest point, it was Riku who was next to him, telling Sora that he believed in him. It was Riku who carried on when Sora couldn’t. Riku is going to be key in Sora's journey to night. Riku was able to find his Road to Dawn by remembering Sora. He was able to walk by remembering his love, his passion, his everything, and it was because of Sora that Riku found balance. He found the Light within himself, and he learned to accept that the Darkness would always be a part of him, the way it is for others. 

Sora's arc will be spun into motion because of Riku. The next installments of Kingdom Hearts are setting up that Riku's dreams are the key to finding Sora, implying perhaps that it may be Sora and Riku all alone in a world. Whatever the case, Riku is going to be by Sora's side, as that is where they are at their best, to face Sora’s worst.

And it's fitting. Riku had to go from Darkness, defined as a lack of connections, to a balance with Light, having connections. He went from his isolation, wearing a blindfold and not being able to face anyone, to being the charming Riku we all love, fighting alongside the Keyblade wielders. His journey would have him open up, so he would be joined by memories, ghosts, not by people until he began to embrace others.

Sora will be going from Light to a balance with Darkness. He'd be going from connections to a lack (though not in the same extremes that Riku did), in a sense. Understandably, he can’t do it alone, make such a drastic change; he'd need someone.

This change, this balance, this emphasis on connections, it’s guiding us to what the narrative has been trying to tell us all along.

we can be the darkness, and the light, and the sunsets and sunrises too

When asked about the theme of KH3 and the entire series, Nomura answered, “It’s in the title: hearts. The consistent theme across the whole series is ‘What is a heart?’”

Kingdom Hearts is going to be doing something unprecedented in not only a lot of media but in its world itself. While the idea of Light and Darkness existing within characters is not new, the characters aren't exactly behind that idea. Most of the Keyblade Wielders and Guardians of Light cherish the Light above all else—while all the primary villains worship the Darkness. They fight for a balance but don't fully grasp that within (nearly) all of them lies both entities. 

Riku seems to be more accepted in the world, as he did join the Light in the end. But what Sora would do is... just absolutely bonkers. He will be embracing a Darkness in him, the same kind that Terra and so many others were taught to push out. Sora will be... well, a teenager. Happy and angsty and all the things teens are.

This is where Kingdom Hearts has the chance to seal the deal, to fully welcome this balance of Light and Darkness: a relationship between Riku and Sora. 

For all Guardians of Light, there is a generational trauma hanging over their heads and haunting them, and Sora will need to accept his Darkness to combat it, but the story can't end there. The games have been building up the idea that Sora will be the one to bring change to the world, that Sora will be the one to end this cycle. He won’t just accept his Darkness but lead a new age. He will be the one to show that there's a different way (or really, only one other way) to move forward:

Love. 

Unconditional love. Not love depending on whether they fit the wielders' definitions of Light and Darkness, not love depending on the amount of Light in someone's heart, not love clouded by hypocrisy. Just pure love, forever forgiving and growing.

So who better for Sora’s love than Riku?

Let’s get all the arguments for Kairi out of the way first. Some may say that Kairi could still fulfill this role of spreading love in the next games, but that’s only if her role in the story is completely revamped. She represents friends growing apart as they grow older yet remaining close. While Sora and Riku represent a balance between Light and Darkness, Kairi represents holding a Light close to your heart, even when it's so far away; fitting for her story of being ripped apart from her home.

The games keep pushing the friends' growing apart narrative rather than pulling from it, having Kairi remain with Aqua to train while Riku goes after Sora. There is little space for Kairi to suddenly walk a road to dusk that leads to romance. Especially because it’s Sora and Riku who are the Children of Destiny, they are the ones who will connect to other hearts and bring change, not Kairi. Her lesson would be for herself, not for the world to see. 

A relationship between Kairi and Sora would just be backtracking on this message. Sora needs to accept his Darkness, but joining forces with a Princess of Light does not challenge any norms, it does not provide a new answer. It makes sense because the core of Kingdom Hearts isn’t a Prince and Princess of Light—it’s two boys who saw the night sky fall one day, two boys who grew up together, two boys destined for something greater who write their own paths anyway. It’s Sora and Riku. Nomura himself has stated that “Sora and Riku represent the theme of the Kingdom Hearts series, which is the ‘light and dark sides of the heart,’” the essence of this essay. 

Carrying on, some may stop me here and say that their love doesn't need to be romantic for a point to be made. But I argue that there is no other way.

Romantic love in stories often serves as the culmination of the story’s themes. In Leigh Bardugo's books, her romances serve to show the importance of love and healing. In the Shadow & Bone trilogy, Alina has the options between the Darkling, representing power, Nikolai, representing nationalism, and Mal, representing love. Just love. Not one befitting of a Saint, someone to change the world, but that’s not who Alina wanted to be; she just wanted a happy ending. Shockingly, she picks Mal. In Six of Crows, Kaz and Inej's romance, both traumatized teenagers, serves to show that you can heal and you can love. They're both scared of people, scared of intimacy and yet they still love with all their scars on display.

In Revolutionary Girl Utena, the romance between Utena and Anthy reaches its climax at the end of the show, displaying the vulnerability of both girls and the rawness of their feelings. But most importantly, it drives home the message: that the power to bring revolution is not the power of a prince or a witch. The power to change the world is love. The only way to change the world to be suitable to live in is through love. The power, a revolution, brought by love.

Romance is a revolution. It’s often saved for the last act of stories because of how it acts as a thread between all of the themes. In Kingdom Hearts, the theme needing weaving is balance: balance between yourself and others, balance between selflessness and selfishness, balance between Light and Darkness. Sora and Riku getting together would be Yin and Yang—a boy who had to accept his Darkness and a boy who had to fight for his Light. They complement each other and fill where the other lacks. 

Likewise, a relationship between them stresses the importance of connections. Tai Yasue, co-director of the series, has stated that “the theme of the KH series is ‘connections of the heart,’” and the narrative will take advantage of any opportunity to let that theme shine. Previously, many defenders of Light would sacrifice their connections with others for a greater good. But Sora and Riku choosing to love each other, choosing to love the Light and Darkness in each other instead of trying to chase away their Darkness, is showing that love is their other option. 

Sora getting with Kairi challenges nothing. It tells the others that Light must be with Light, that good must be with good. Even their grand attack in Re:Mind is two giant angel wings where they proclaim, “Light!” Sora and Riku, however, show that Light does not mean good. It shows that people can do bad things, and it doesn't make them bad, because people are not black and white. Like two kingdoms forever at war with each other, finally coming together and realizing that the other side is human and that you can't simply demonize them.

Sora and Kairi say there is nothing wrong with the world. To carry on. Sora and Riku say that there isn’t anything wrong with the world; it’s the people looking the wrong way. There is nothing wrong with what’s around us. Nothing wrong, nothing right. “Nothing is whole, and nothing is broken.” It’s simply being: being Darkness, being Light, being both, being neither.

It has to be Sora and Riku. It's always had to be them. Riku brought Sora up to the status of a Child of Destiny, and their journeys were led by each other, their character development taught by one another, and their acceptance will come from (an eventual) conversation between the two about their pain and hurt and Darkness, it’s all always been leading here. To this moment in time where they show the world all the hurt they hold and how they carry on with.

All of that, and loving each other? 

They are crossing the line, as Hikaru Utada sings in Don't Think Twice. They are going to be crossing every line established in Kingdom Hearts, and this is their power. Their revolution. Their predetermined yet self-made destiny. The payoff for years and years of searching and yearning and pining and chasing is a love that brings revolution, and oh...isn't that just romantic? 

That is the answer to “What is a heart?” The heart is the love you have, despite it all. The heart is the connections you make, despite it all. The heart is your Darkness and your Light and your experiences and your fights, despite it all. The heart is Sora and Riku, despite it all.

grant us the power to bring the world revolution

A lot of this analysis really depends on whether or not you believe Sora and Riku are in love with one another, I realize. You may agree with me that it seems fitting that their coming together as a pair would catalyze all the themes in Kingdom Hearts, but you disagree that it means they'd ever be a pairing. Which, I'd like to thank you for at least hearing me out. 

The queerness of their relationship means there will always be naysayers to them getting together, there will always be people claiming that I'm reaching. I do not care if you see them as brothers or ‘just’ really good friends. I see a love story. I see a love story and a love story saying to love, above all else. Do not judge others for you don't know what is wrong or right, for you are biased, for you are flawed, for you are human. Love others for that is the heart's will. Love.

I see that their getting together would be a testament to that love. To that forgiveness, to those flaws we have. It would be an acceptance of Riku's pain and Darkness that he mysteriously doesn't want to acknowledge, it would be an acceptance of Sora's pain that he's been bottling up ever since the beginning of his journey, and it would be an acceptance to the Light they both share. It would be the balance that so many generations have looked for and couldn't find because they did not practice acceptance, only judgment. 

Sora and Riku getting together is acceptance and it's proof that love is the answer to a generational trauma that has been around ever since the beginning of time. So yeah: Soriku Endgame, Actually. 

Thank you so much for reading! I’m a really big fan of stories about light and darkness and the balance between them, stories about love, and just Kingdom Hearts in general. I didn’t want to keep these thoughts in the back of my head and I’m glad I wrote them all out, even if it’s messy (and a shocking 6k words long...) Kingdom Hearts is a bit messy, after all.

If you're interested in more about Sora and Riku's relationship or just literary analysis of KH in general, please check out Constructing Kingdoms on YouTube, as it helped give me the words to write a lot of this essay. Further, if you're in total denial that there is any queer text in Kingdom Hearts, please check out this amazing video essay on Riku being gay. 

That's all I have. Please feel free to share if you have any disagreements or if any parts really spoke to you, or if you have anything to add, or anything really. These two live rent-free in my mind, and I don't mind talking about them or about how they're just so perfect to change the world.

Thank you. Spread love (and the Soriku agenda.)