#this is the first podcast I’ve listened to as it’s being released
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clown-eating-pig · 11 months ago
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Podcast episodes feel so short when you don’t have another one to instantly consume :(
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desertskiespodcast · 5 months ago
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The first half of Desert Skies season 1 was made in a large hollow room, the latter half was made in a very unsturdy uncomfortable blanket fort.
The mic I use goes for $100 brand new which is nothing compared to many, and I’ll replace it with the same one if it ever breaks.
First episodes I ever made were made using free software, and the only reason I use a different software now is because it’s part of the Adobe subscription I have for other products I need. They both do the exact same things.
I never worked in sound engineering and still have no idea what half the things I do to clean up the audio are actually doing. I don’t understand the terms. I press buttons till it sounds right.
I never wrote a fiction script in my life. I didn’t finish college. I’m in recovery from a serious mental illness and have been for many years.
I’m ridiculously unorganized.
I didn’t have time to make a show. I operated at a loss for nearly a year and after that only made enough to pay for my hosting fees and software. I had a family I supported and they’re loud (but I love them).
I did it without a team. I did it without previous voice acting experience or other actors. I did it with massive amounts of self-doubt. I played every character.
I did it anonymously for like the first 6 episodes because of how afraid I was.
I took 3 month breaks between some episodes and then would have 2 episodes release back to back. At multiple points people thought my season had ended. It took me almost a year and a half to finish my 13 episode season
I still made it after some really mean reviews. And after constantly being compared (often kindly. often negatively) to a massive show I’d never heard of.
I made it after all the articles saying I’d never get listens because the podcast world is flooded. I continued making it after I found out I wasn’t doing something new, that there were like 8,000 other shows in the category.
Next month DS is on track to hit 1 million downloads.
I’m so glad I made it. It’s brought me so much joy. And I write none of this to brag, but I’m damn proud of what I’ve accomplished.
I’m just here to tell you this:
THERE ARE NO RULES
THERE ARE NO RULES
THERE ARE NO RULES
You can make one or a hundred shows if you want to, because there are no rules
You can make it by yourself or make your grandma voice act for you, because there are no rules
You can record it on a cassette tape and mail it to random addresses, because there are no rules
You can make it for one person, or for yourself, because there are no rules
You can make it a found footage or a full cast or improvise it or release one episode a year for a decade, because there are no rules
You can advertise it, or make social accounts, or don’t. There are no rules
You can record it into your phone, or your moms phone, or into a Talkboy because there are no rules
The only thing you can’t do is never make it. That’s not allowed
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redgoldsparks · 15 days ago
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Podcasts I love and recommend
I spent a truly extraordinary amount of time listening to podcasts this year, including my perennial faves and some new discoveries! I wanted to write up a bit about each of the ones I recommend the most highly, and give them some of the same attention and love I put into my book reviews. Recs below the cut. (This post brought to you by my patreon).
MATERIAL GIRLS- This is, hands down, my favorite podcast of all time. Friends and scholars Hannah McGregor and Marcelle Kosman take on a new pop culture subject in each episode and examine the material conditions and historical setting that made their subject of the week zeitgeisty. They bring an expansive feminist lens, different types of critical theory, and tons of humor to each topic. I feel like I am slowly getting a media studies degree one episode at a time as I listen to this show. Some of my favorite episodes tackled Jurassic Park, Dopamine, Twilight, Taylor Swift, Bridgerton, and Queer Eye. I have guested on this podcast and also support them on patreon so I can get all of that sweet sweet bonus content! (This show uploads full transcripts but they lag behind the audio episodes in updates). 
GENDER REVEAL- Journalist, writer, and now small-press founder Tuck Woodstock interviews trans folks on a wide range of topics. A characteristic episode includes some deeply intimate or tender moments mixed with wild tangents, extreme silliness and irreverence. I listen to every single episode and also back them on patreon for the extra episodes; some recent conversations that have really stuck with me include Colby Gordon, a founder of Early Modern Trans Studies; trans historian Susan Stryker; Jewish anti-Zionist comic author Solomon J Brager; writer Lucy Sante; and multimedia artist (and friend of mine) Shing Yin Khor. This podcast gets a special award for recommending more books that I actually end up reading than any other podcast. This year alone I’ve read at least 6 books by authors Tuck has interviewed (I Heard Her Call My Name, Heavyweight, Hijab Butch Blues, Transgender History, Boys Weekend, Practical Anarchism, Falling Back in Love With Being Human) and I have more on my TBR (The Prospects, When Monsters Speak). (This show also uploads full transcripts). 
PUBLISHING RODEO- This is a new fav! I discovered this podcast over the summer and binged all 44 available episodes in about a month. Hosts Sunyi Dean and Scott Drakeford are friends and fellow Tor authors. In 2022, they both released debut novels in the same genre, in the same year, with the same publisher, to very different results. They are remarkably candid about the nuts and bolts of their publishing deals, and in each episode interview another author, usually one early in their publishing career, on signing agents, selling books, the size of their advance, resulting royalties and more. I have learned so much about the publishing industry from this show- I’ve sold 3 books, and yet it turns out there’s still loads I don’t know. I’d recommend starting with the intro episode in which Sunyi and Scott introduce themselves and then you can jump around to any interview which interests you. Their recent conversation with Chuck Tingle was especially delightful. (This show also uploads full transcripts). 
PRINT RUN PODCAST- Another new discovery, also about the publishing/writing industry. Hosts Laura Zats and Erik Hane are both literary agents at a small agency they founded together. They discuss current events in the book news world or focused single subjects, often for early career writers. Because this show is more focused on current events, I haven’t dived super far into their back catalog, but listened to a handful of episodes from the past two years and plan to continue listening as new episodes are released. Laura and Erik also have a very cool patreon special bonus offering- they will critique query letters and first pages submitted from listeners. I haven’t written a query letter since probably 2017, so the refresher course was extremely valuable! I’d recommend the episode The Books That Made Us as a good starting point in this show. (As far as I can tell, they do not release transcripts.)
FIC CLIQUE- This is an old favorite I have recommended before. In a standard episode, the three hosts Nic, Reid, and Brenna each bring one fanfiction to read and discuss book-club style. In the past year, I’ve been particularly enjoying some of the mini-episodes that break this format. If you want to give it a try but you’ve less interested in hearing people talk about a fandom you aren’t in, I’d suggest the episodes on Mapping Fannish Migration, Books and Fandom, and Genre and Subgenre in Fanfiction. (As far as I can tell, they do not release transcripts.)
FANSPLAINING- Tragically (for me), this beloved long-running show wrapped this summer with its final standard format episode after 9 years and 200+ episodes. However, there’s still more to look forward to! Fansplaining has shifted to become primarily a publisher of fandom related journalism, and they’ve been releasing audio versions of each article along with the text, generally recorded by the author. I find these so charming, almost like new mini episodes of the show. Find a full list of their articles here; I especially loved the recent ones on The Beatles RPF fandom (still going strong!) and Bringing Fanfiction into the Classroom.  (This show has full transcripts).
SHELVED BY GENRE- In this show, the three hosts re-read popular sci-fi or fantasy book series and record long rambling episodes which both summarize and analyze their current texts. When I say they ramble… most episodes are over 2 hours, some pushing 3 hours. I started on this show when they began reading the Earthsea series by Ursula K Le Guin, which I have read multiple times in past years. I skipped their episodes on Gene Wolfe, who I haven’t read, as well as some movie and horror focused episodes. But I happily dived back in for the unit on Mercedes Lackey’s Last Herald Mage Trilogy, which was perhaps the first book with an out queer character I ever read; the queer host on the show, Michael, similarly remembers this as a foundational queer text from his teen years. I am very happy that the next author the hosts plan to discuss is William Gibson, who I might re-read to keep pace with the show. I recommend checking out their 40+ back episodes to see if there’s something you are interested in! (As far as I can tell, they do not release transcripts.)
STUFF THE BRITISH STOLE- I found this 3 season podcast sometime in the middle of the year, hosted by an Australian journalist following the trail of objects (or sometimes animals or people) the British stole during the height of their colonial reign. The episodes generally run 35-45 minutes and feature interviews, history, and usually live records of the host seeing the item, whether it’s currently in a museum, a private collection, a random high school, or the site of a foreign grave. You can jump around to whatever topic that interests you, but I can definitely recommend the episode Blood Art as one of very few in which an item is repatriated! (As far as I can tell, they do not release transcripts.)
LIVE LIKE THE WORLD IS DYING- A Margaret Killjoy and a group of queer anarchist friends rotate the hosting of this show. Once a month they release a “This Month in the Apocalypse” update which I started listening to in November and plan to keep up with going forward, but probably won’t listen to back episodes of as it’s very current-events focused. However there are other conversations/interview style episodes released between the monthly updates. Two recent interviews that really stuck with me were Spencer Sunshine on his zine “40 Ways To Fight Fascists” (which I subsequently downloaded and read) and Henri Feola on their zine “The Veil Between Worlds is Plexiglass”, which chronicles some of their experience spending 96 days in jail after being arrested protesting Atlanta’s Cop City and the police murder of Tortuguita, a protester defending the Weelaunee People’s Forest. I have a friend in Atlanta who was arrested at the same protest so I’ve been following this case; this conversation felt important and needed, as I expect there will be even more arrests of protestors in the coming years. (As far as I can tell, they do not release transcripts.)
BORROWED AND BANNED- The Brooklyn Public Library released this 7 episode limited run podcast on book bans, book challenges, how it’s affecting teachers, students, librarians and authors. I was one of several authors interviewed for the show, and you can hear my interview as a separate bonus episode; but I highly recommend listening to the whole thing because it’s a very close and personal look at these national issues- which I expect to get worse under the Trump administration. (This show has full transcripts).
SOLD A STORY- This is a 10 episode limited run podcast about how a misinformed educational specialist’s incorrect idea of how children learn to read damaged the literacy of a whole generation of school children. This podcast explores different research on reading, how sweeping educational policies like Bush’s “No Child Left Behind” impacted schools and how textbook companies pushing expensive reading-kit book sets have all negatively impacted schools. The later episodes contain messages and voicemails from parents, teachers, and students reacting to the show and some hope of change on better educational resources. I’ve probably made this sound dry but it’s genuinely a very emotional journey- as someone who really struggled to learn to read, I found this show riveting. (This show has full transcripts).
THE REDEMPTION OF JAR JAR BINKS- This 6 episode limited run show is hosted by Dylan Marron, better known as the host of Conversations with People Who Hate Me and for his role as Carlos on the podcast Welcome to Nightvale. Marron was the target of a fair amount of internet hate himself, which made him interested in how people express hate towards public figures online, and why. This led him to investigate what is possibly the first ever case of cancellation online: the rage directed at the character Jar Jar Binks in the Star Wars prequel series which began releasing in 1999, and how that hate destroyed the mental health of and nearly ended the acting career of the young Black actor who voiced and helped develop the character. Marron is a deeply compassionate interviewer, and a good researcher. He finds and talks to fans who built “kill Jar Jar Binks” websites in the days of the early web, he interviews the actor, Ahmed Best, he interviews folks involved with the production on the Star Wars prequels. I am a lukewarm Star Wars fan at best (lol) but I loved this podcast. (This show has full transcripts).
WIND OF CHANGE- I picked up this 8 episode limited run podcast because it was researched, written and hosted by Patrick Radden Keefe, the author of Say Nothing, one of the best nonfiction books I’ve ever read. In this show, Keefe digs into rumors of the CIA using cultural productions, especially pop music, as propaganda weapons against the Soviet Union during the Cold War. In particular, he’s interested in one song, “Winds of Change”, by German rock group The Scorpions which became an anthem of change shortly before the fall of the Berlin Wall and then the end of the Soviet Union. Keefe is friends with someone who does a lot of recruiting of ex-CIA folks and has also written a whole book on the CIA, so he’s not without background or connections on this subject; but the question he most wants an answer to might not be one he can ever answer. This was gripping and intriguing, and made me think a lot about soft power and propaganda more generally. (This show has full transcripts).
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justinspoliticalcorner · 2 months ago
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Hugh Dougherty at The Daily Beast:
Jeffrey Epstein described himself as Donald Trump’s “closest friend” and claimed intimate knowledge of his proclivity for sex, including cuckolding his best friends, according to recordings obtained exclusively by the Daily Beast. The convicted pedophile even boasted of his closeness to Trump and his now-wife Melania by claiming, “the first time he slept with her was on my plane,” which was dubbed the Lolita Express.
Epstein spoke at length about Trump with the author Michael Wolff in August 2017, two years before being found dead in his jail cell. Wolff was researching his bombshell bestseller Fire and Fury at the time. The recordings cast more light on Trump’s long relationship with Epstein, and will add to debate over the character of the Republican candidate, especially his attitudes and conduct toward women, just days before the election. The tapes tell Epstein’s version of the relationship between two former friends and their very different paths: One toward infamy, prison and suicide; the other toward power, the Oval Office and his own criminal conviction for paying hush money to a porn star. Trump’s camp referred to the tapes’ release as “false smears” and “election interference.” The tapes also offer unusual insight into the friendship of two wealthy, powerful men who frequently went out on the town together, prowling for women in New York and Atlantic City. [...]
Asked by Wolff, “How do you know all this?” Epstein replied, “I was Donald’s closest friend for 10 years.” Wolff shared the tape with the Daily Beast ahead of discussing it on his Fire and Fury podcast on Monday. Last Thursday he caused shockwaves by revealing a few seconds of a separate recording in which Epstein spoke in detail about the inner workings of the Trump administration. Wolff also said Thursday that the pedophile showed off photos of Trump with topless young women sitting in his lap. Wolff, a veteran journalist and author who was also the biographer of Rupert Murdoch, has long attracted praise and bromides. When Fire & Fury was published in January 2018, Trump tried to stop it with a failed cease and desist order, then threatened to sue. No case ever materialized, and it sold 5 million copies worldwide. Wolff, who appears regularly on his Fire and Fury podcast, wrote two more books on Trump after Fire and Fury, and about Epstein in 2021’s Too Famous.
Wolff says he has up to 100 hours of recordings of interviews with Epstein, including from using him as a source for Fire and Fury, and from years of meetings when the disgraced financier appeared to want Wolff to write a biography of him. Wolff said he decided to release parts of the archive after a new accuser, a former Miss Switzerland, alleged last week that Trump had groped her in 1992.
[...] Trump’s long friendship with Epstein, which spanned the late 1980s, 1990s and early 2000s has been well documented. In the 1990s, the two publicly partied at Mar-a-Lago and went to a Victoria’s Secret Angels show together. In 2002, Trump told New York Magazine of Epstein, “I’ve known Jeff for 15 years. Terrific guy. He’s a lot of fun to be with. It is even said that he likes beautiful women as much as I do, and many of them are on the younger side.” Epstein’s infamous leaked addressbooks had Trump’s own phone number as well as Melania’s, while Trump’s name appeared seven times in the passenger logs of Epstein’s planes. (The books and logs also included princes, politicians and potentates such as Bill Clinton, former British prime minister Tony Blair, former Israeli PM Ehud Barak, Prince Andrew and celebrities and billionaires including Mick Jagger and Les Wexner.)
[...] In 2022 Ghislaine Maxwell, Epstein’s former girlfriend who procured him underage girls, would be sentenced to 20 years in federal prison for the sex trafficking of minors. Upon hearing of her arrest in 2020, Trump, then president, said he wished her well. “Her friend or boyfriend was either killed or committed suicide in jail. Yeah, I wish her well… Good luck.” In 2004, Epstein and Trump fell out when they both tried to buy a Palm Beach estate, Maison de L’Amitié, out of bankruptcy. The next year, the FBI began investigating Epstein for child sex trafficking.
In 2019, on the day after Epstein’s arrest, Trump said in the Oval Office, “I was not a fan of his, that I can tell you,” and that they had not been friends for 15 years. He said it “did not much matter” what the fall-out had been over. This September, asked about Epstein by the tech podcaster Lex Fridman, Trump said: “He was a good salesman. He was a hailing, hearty type of guy. He had some nice assets that he’d throw around like islands, but a lot of big people went to that island. But fortunately, I was not one of them.”
[...]
The Epstein tape includes an allegation—which is impossible to verify—that Trump had an affair with a politician while in the White House. Epstein offered no proof or sourcing for the claim. He also alleged that Trump cheated on both his first wife Ivana and second wife Marla Maples with “a Black girl.” At one section, Epstein used a Yiddish racial slur to refer to Black women and alleged Trump boasted to him, “I’m f---ing all these Black women.” The tape mixes sexual allegations with other aspects of Trump’s life. Early in the recording Epstein is heard to say, “You probably know he had a scalp reduction. He’s getting the same male pattern baldness that we all have. He had his scalp reduced. It’s hysterical.” Trump has long refused to release full medical records while his White House medical reports did not disclose any prior surgeries.
“He’s charming. In a devious way, he’s charming. To some extent it’s a typical tragedy where he believes his own bulls---”
— Epstein on Trump
And Epstein offers his eyewitness account of Trump Tower and Trump’s office where, he said, Trump had “fake honors” on the wall. Trump, he claimed, would yell at his personal assistant Rhona Graff, “who’s a loyal, perfect, secretary,” as well as Matthew Calamari Snr., his bodyguard, and Michael Cohen, his attorney who is now an enemy. Epstein compared Trump to “an emotionally challenged 9-year-old,” and said, “He screams and yells at Rhona more than anybody else. His screaming is how he treats people. He has a tantrum, not a temper. If you don’t understand him, it’s frightening. Once you understand him, it’s sort of silly.” Epstein also told Wolff he had positive things to say about Trump. “He’s charming. In a devious way, he’s charming,” he said. “To some extent it’s a typical tragedy where he believes his own bulls---. He has delusions of grandiosity, then he takes it on board.” He added that he had a “self-deprecating nature” and was “not vulgar.” “He’s funny,” Epstein said. “Self-awareness means you’re self-aware. He’s aware of that person, Donald Trump. He talks about The Trump, The Trumpster. ‘Trump’s getting laid.’”
On the tape Epstein, speaking in a New York accent, also mentioned the rich and powerful. (In a deposition released after his death Epstein admitted under oath that he dropped the names of people he had never met.) The names he mentioned on tape include: Former president Bill Clinton; Ivanka Trump and her husband Jared Kushner; then-Defense Secretary James Mattis; and the billionaires Carl Icahn and Tom Barrack, both of whom are friends of Trump. Clinton was a long-standing friend of Epstein but has denied any association after the pedophile’s disgrace in the mid-2000s. Mattis has no known association with him. Ivanka was photographed with him as a child but Kushner has never been known to be linked to him. Barrack appeared in a leaked appointment diary for Epstein from 2016, while Carl Icahn, a corporate raider and long-time Trump friend, was in Epstein’s 1997 address book. Startlingly for a man who became one of the world’s most notorious sex offenders, Epstein on the tapes offers a damning judgment of Trump, telling Wolff, “The moral compass just does not exist.”
The Daily Beast reported that Jeffrey Epstein was Donald Trump's closest friend for about 10 years, according to tapes obtained from the outlet that featured Michael Wolff interviewing the late pedophile.
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brf-rumortrackinganon · 7 months ago
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“With the tree of life behind them and the garden representing fertility, life and moving forward, they didn’t need any direction,” said photographer Misan Harriman of shooting that moment.” Didn’t he later admit he added the tree of life to that picture after the fact? Could explain why they needed no direction if they’re just lying in an empty field.
Well, it’s a bit complicated.
First, Misan went on BBC Radio’s Private Passions podcast in March 2022. He was asked about the photo session and spoke about the willow tree.
Here’s the podcast episode, unfortunately only available to listen in the UK at this point. (While the podcast is available on Spotify, this episode - among many others - are missing so I suspect BBC Radio is being selective what they post.)
(Posting this without having listened to it. I couldn’t find a transcript to follow along with.)
Tom Bower gave the episode a listen and used it as a reference for Revenge:
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Back in 2021 after the photo was originally published, Misan gave an interview to Good Morning Today, an American breakfast show on NBC (fyi, then-bestie Gayle King is with CBS). You can read about Misan’s interview and his comments here:
Then Getty killed the Waleses’ Mother’s Day photo for editing and people began complaining about the Sussexes’ photos being edited, citing Misan’s comments on BBC Radio, to which Misan responded:
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Misan was furious enough that eventually he released the original photograph he took and some metadata to prove that all he did was apply a black and white filter, which is in line with Getty’s requirements.
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Personally, releasing the metadata doesn’t give any proof that he manipulated image. All he did was show us the real photo and its metadata, but what he needs to do is show the metadata of the black and white photo. That’s where the proof is.
And note that there’s no timestamp or date on the metadata screenshot. So how do we know he’s showing us the metadata for the correct image?
But don’t forget that there were two images created for the pregnancy announcement. Yes, there’s the one where they’re sitting/lying down, but there’s also this one:
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For which there’s no metadata and that even Misan himself seems to have forgotten that he took. It supposedly was taken in the same iPad photo shoot, but not included in the pregnancy announcement. Instead, it was distributed right after the Oprah interview on March 8, 2021.
It’s murky, but someone is lying because why would Misan talk about editing in a willow tree if - as per his defense two years later - he didn’t answer the question BBC was baiting him with?
So anyway, I’ll just end with this.
First, what Misan and the Sussexes are claiming is a jacaranda tree doesn’t look like any jacaranda tree I’ve seen. I’ve never seen one sprout horizontal branches/limbs that close to the ground (they’re usually up a few feet).
And second, from a columnist of the LA Times:
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Seems pretty fitting that the Sussexes used a jacaranda tree after all, doesn’t it?
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betterthanburrow · 1 year ago
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Cowboy Girl’s Luck - Instagram AU
(Bengals Quarterback! Joe Burrow x Podcast Host! OC)
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Bengals: Full of hit tracks 😏
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username1: y’all can’t leave Dallas without the WIN!
username2: i’ll be at the AT&T Stadium for the game!
username3: kickoff at 4:25pm?! … it’s going to be a long football game on Sunday 😳
username4: WHO DEY NATION! LET’S GO BENGALS!
username5: “world in our hands” but the bengals have more loses than wins so far this season 😵‍💫
↳ username6: there’s only been 1 football game so far this season (since we don’t found the pre-season).
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yourinstagram: a new episode of Note To Self featuring a very special guest will be available to listen and watch on any platform wherever you get your podcasts this Sunday at 10am CST ✨🍀
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username1: NEW PODCAST EPISODE ON SUNDAY?!
username2: it’s been a long time since there was an unannounced guest on the podcast… this better be a good special guest surprise!
dearmediastudio: we’re excited for the new podcast episode with a VERY special guest 😉
username3: i can’t wait until Sunday… i need to know who the special guest is NOW!
username4: EVERYONE IN THE COMMENTS! GO LOOK AT @.JOEYB_9’s INSTAGRAM STORY!
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Burrow_Updates: it looks like Joe will be the special guest of Y/FN Y/LN’s next podcast episode which will be available to listen and watch this Sunday!
(Joe Burrow’s Instagram Story from today)
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username1: a Bengals football game and a Podcast episode with Joey B on Sunday?! … it’s going to be a busy Sunday!
username2: OMG?! i’m excited for the podcast episode!
username3: i’ve been wanting Joe to go on the NTS podcast for YEARS!!!
↳ username4: Y/N hasn’t been doing her podcast for years… but i understand the excitement!
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DallasCowboys: 🔒 IN FOR #GAMEDAY
#CINvsDAL | @.att | #DallasCowboys
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demarcusware: The time is now 👊🏿👊🏿
username1: this should be an easy win!
username2: i hope it’s better than last Sunday 🙄
↳ username3: it won’t be… being a Dallas fan is pain!
yourinstagram: let’s go cowboys 🤠💙
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NoteToSelfPodcast: The Newest Episode of Note To Self is available to now on all platforms whenever you can listen and watch Podcasts ✨🗒️
thank you to @.joeyb_9 for being our guest for our special 50th episode of the Note To Self Podcast!
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username1: THIS PODCAST EPISODE WAS SO GOOD! it was nice to learn more about Joe Burrow, especially since he has a very private life outside of football.
username2: was it just me… or did anyone notice Joe and Y/N flirting with each other throughout the episode 👀
↳ username3: YES I NOTICED IT TOO! they definitely started to flirt with each other as they got more comfortable throughout the episode
↳ username2: THANK GOD someone noticed it… i didn’t want to sound like i was crazy 😵‍💫
↳ username4: when Joe complimented Y/N and then called her out for blushing and she kept denying it but you could see the redness on her cheeks to the point where she hid her face and then Joe asked her to uncover her face so he could see her… I DIED!
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joeyb_9: cowboy rodeo training 🏈
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username1: today will be my first time watching a Bengals game LIVE at the stadium!
username2: in Burrow we trust!
yourinstagram: good luck Quarterback!
↳ joeyb_9: i don’t need luck from a cowboy’s girl… but thank you.
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yourinstagram: Cowboys’ Girl at Heart 💙
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username1: Bengals fans aren’t going to be happy 💀
username2: HOW DO YOU RELEASE A PODCAST EPISODE INTERVIEWING THE BENGALS QB AND THEN GO TO THE THE BENGALS VS THE COWBOYS FOOTBALL GAME AND NOT ROOT FOR THE BENGALS TO WIN??
joeyb_9: hmm… i see how it is 🙄
↳ yourinstagram: maybe you did need that Cowboy Girl’s Luck after all!
username3: as a Bengals fan… can we blame Y/N for the lost of the game instead of the head coach?!
username4: when joe asked which team going to be rooting for to win today’s game and all Y/N could do was laugh… i knew we couldn’t trust her 💀
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Author’s Note:
if you have a request for an Instagram AU, please send the IG AU request to my Inbox and i’ll get the requested Instagram AU published as fast as i can!
thank you all for the love and support! 🤍
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doodles-bi-tea · 1 year ago
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Hey I’m 🌱🫖 Anon the one that asked for that detailed Brad Bakshi fic, and I wanted to ask if you are going to release it or if you don’t feel like writing it anymore (it’s totally fine either way) is mostly just to know.
Also I love how you have decorated your blog with a F1 theme. I’m a fellow F1 fan (since childhood) and I’m also Spanish so seeing that you have a Carlos profile picture always makes my day ☺️
-🌱🫖
crying lightning (unfinished/pt. 1)
Brad Bakshi was by no means a warm person. At least, not that you had thought until now.
pairing: brad bakshi x coworker reader [second person, no y/n]
warnings: a couple of cliches, fear of dark and thunderstorms, power outage, profanity, developing feelings. mostly fluff/comfort. brad is a little bit of an asshole, as expected (and now you’re caught up!), but not the whole time. one mention of c.w.
(unfinished) word count: 2.3k
a/n: based off of this request here! heyyyy 🌱🫖 anon, I really appreciated the request! hope you don’t mind I focused it more so on season one/two brad. sorry this took so long to post and I didn’t even get to finish it, I got caught up in the struggles of daily life smh 😔 but thank you so much for your patience, I might finish it if I get the motivation but at the moment I’m not sure… also yes I’m into f1 now!! I might write for some of the drivers if people really want that but I’m not sure since I’ve been very busy. let me know if you’d be interested in that!
Your keys clinked together as you locked the front door of your apartment. After that was done, you slipped them into your bag and began the ten-minute walk to work. The sounds of Los Angeles were blocked out by the headphones you wore, listening to music and podcasts as you crossed streets and walked along the pavement. People, although no more than faces and outfits, passed you every day on the same route you went to get to Mythic Quest headquarters. It felt like just another day.
“Fuuuuuuuck.” You groaned, slouching down and letting your head hit the desk with a thud. The rain was absolutely pouring outside, you could hear it.
Being on the writing team wasn’t as glamorous as you had hoped it would be. C.W., as much as you initially admired his works, was an incredibly lousy head writer. That was normal, but especially today, he or one of the other slightly psychotic department heads were extra adamant on making sure you couldn’t get any work done. Thus you’d needed to stay a little later than normal.
It was only an extra half hour to revise a rough draft and a couple storyboarding charts, you’d told yourself. That was before the rain started twenty minutes into those extra thirty minutes. If you had left on time, you would have been able to get home – and with time to spare! – without needing to get rained on. Since you’d waited, though, the rain started, and forced you to stay in the building until it dissipated. When you checked your phone that morning, the forecast was only clear and sunny. That was clearly not the case now. Locked in your workplace, you decided to continue working until you either finished or the rain stopped.
Back to the present moment, you had just finished the work you needed to do, but the rain hadn’t let up. It didn’t seem like it was going to any time soon, either. If anything, it sounded like it was getting worse. You sat up, leaning back into the rolling chair you had, and pressing your hands to your closed eyes in frustration.
“What are you still doing here?” It was almost like Brad could smell the despair emanating from your being.
Not expecting his sudden presence, you nearly jumped at the mere sound of his voice.
“Jesus Christ, Brad,” You abruptly pulled your hands away from your face and gripped the armrests of the chair. “Scared the shit out of me.”
He scoffed. “I try. But what are you doing here? Work ended an hour ago.”
“I could say the same for you.”
“Yeah, you could. But I asked first. And you still haven’t answered.”
You inhaled through your teeth before pursing your lips. “Okay, fine, I wanted to just finalize some stuff the writing team and I were working on today. Poppy and Ian wouldn’t leave me alone because they were having one of their little… piss fights and were bothering everyone to see who was ‘right.’ I wasn’t gonna stay for that long, but the rain clearly had other plans.” You halfheartedly gestured to the windows in the main room that showed the overcast sky and harsh rain happening outside.
Brad didn’t even bother looking behind him. “And, what? You don’t have a ride or something?”
You furrowed your brows at his response. “Dude. I literally walk to work every day. It’s easier because it’s not that far and I get to avoid the issues of traffic and having to park in the parking structure, you know? And the gas prices, have you seen that bullsh-”
“Yeah, yeah I get it, whatever. Just shut it. I didn’t come here to listen to you complain.” He waved a hand around aimlessly as he began to roll his eyes.
Neither of you said anything further for a moment, you just sat there watching as he studied the ground. If you hadn’t been looking at him, you wouldn’t have noticed the very subtle twitch of his eye and the little exasperated sigh he let out as he seemed to be weighing his options. He opened his mouth, but paused. Then he went on to speak.
“You don’t even have like a flimsy little umbrella or something? A raincoat? Nothing?” He hung his head slightly lower, talking with an air of disbelief.
“Does it look like it, Bakshi?” You held your hands up and swiveled around in the chair a little, glancing quickly around the room with furrowed brows. “If I had either of those I would have left already.”
“I don’t know what goes through your mind,” He scoffed again. “I’m not a lowly writer. I’m the HOMIE.”
You didn’t really have any words. You wanted to so desperately insult him but you knew he would easily be able to destroy you with less effort. Instead you opted for just biting your tongue.
“Whatever. I’ll probably just wait it out. Even if it means I have to sleep in my office.” You moved your chair closer to the desk and laid your forehead down, quietly groaning in defeat.
Although you couldn’t see him, you could tell Brad was fidgeting slightly from where he stood in the doorway. The rain pattered onto the pavement outside, but you could hear the slight rustle of whatever sweater he was wearing, the tapping of his shoe on the carpeted floor, the liquid he swirled around in his mug. Eventually he spoke.
“Did you…” He trailed off, clearly reluctant. “Did you need a ride?”
Your brows furrowed, again, against the cold desk. “Really?” You were in disbelief as you sat up in your chair. “The infamous Brad Bakshi, greedy, heartless bastard of MQ, offering to give a ‘lowly writer’ a ride? Is this real? Am I on a prank show? Where are the cameras?” You gave him an exaggerated gasp as you quickly whipped your head around the room and spun around in your chair.
“Do you want that car ride or not?” His blank expression said it all. Brad was not amused.
“Fine, fine, just let me get my stuff real quick.”
Brad walked briskly, not waiting for you to catch up as he practically sprinted through the staff parking structure. “Pick up the pace, writer.”
You grumbled little insults under your breath so he wouldn’t hear, and began walking faster to keep up. “Fine, ‘homie.’”
The two of you eventually got to his car. It was nothing too extravagant. Fairly generic, but sleek enough for his taste.
[I’m so sorry I don’t know or remember what car Brad drives/would drive – if anyone has an answer for this please hmu LMAO. I feel like it would be either silver, blue, or black (some of the most generic car colors but with somewhat deeper connection to him as a person/character).]
The inside smells faintly like an air freshener but more like something more comfortable and just there. Somewhat like dust, but not unpleasantly so. You get into the passenger seat as Brad gets into the driver’s. He hands you his phone, already open to a navigation app for you to put your address into. You begin doing so, but a weather advisory appears. At the same time, you can feel your own phone vibrate inside your bag, presumably giving you the same notice. “Harsh rain and possible storms in the general LA area. Staying home is recommended.” it read. Brad leans over a little, just to see the notification.
“Hm. Would have been nice to know before I left for work this morning.” You scoffed, a little weary but continuing to type your address before you gave him his phone back.
He took it and began the route, the two of you leaving the parking structure in silence. It was a little uncomfortable, you had to admit, but not for long.
“If you want music you can put something on. Just connect your phone with bluetooth.” Brad said softly.
It was unexpectedly quiet and gentle, a stark contrast to his normal brash demeanor.
“Oh, okay.”
You pressed some things on the dashboard, before connecting your phone and playing some of your favorite music. It didn’t seem like Brad had much of an opinion on it. Rain continued to patter on the windshield as the car was stagnant.
“Thanks, by the way.” You kind of blurted out, but it was genuine. “I forgot to say it earlier, but it means a lot.”
His response was brief. “It’s whatever.”
The temporary silence returned. Another buzz sounded from your phones. Rather than taking yours out, you just leaned over to look at Brad’s phone. Another notice, but this time a warning. “Expected storms within next twelve hours. Power outages in some areas of LA and southern California. It is advised to stay off the roads during this time frame.”
“Shit.” You murmured, clearly more worried now. “My apartment’s still another ten minutes away because of the traffic…”
“Yep.” Brad was still stoic.
“Hey, by the way, where do you live? Are you far away from here? ‘Cause I don’t want you to have to drive to my apartment and then all the way back if it’s like the opposite direction.”
“It’s like five minutes away from MQ.”
You were silent for a moment, out of disbelief. “What?”
“Yeah. I live five minutes away.”
“And you don’t just walk?”
“Nope.”
“Why not?”
“‘Cause.”
“God, Brad, you’re such a-”
“An environmentally apathetic asshole? Self-centered douchebag? Lazy bum? I’ve heard it all and I really couldn't care less.”
“Okay, but seriously, I don’t want you to, like, hydroplane and-or get into an accident on the way back to your place. You might as well just drop me off here and turn back now.”
Brad turned to you, an eyebrow raised and head cocked slightly to the side. “As ‘on-brand’ that would be for me, that’s an actual asshole move, and I don’t want your death to be on my hands if you get swept up and away by some random gust of wind.”
“Oh, wow, so he does have a heart.” You quipped.
Brad rolled his eyes again, looking out at the cars in front of you. “As much as I hate to admit it, yes, I do. All humans do, because it pumps blood throughout their fucking bodies. I thought you were smarter than this, writer.”
“You know what I mean. I’m not that much of a dumbass.”
“Really? I hadn’t noticed.”
“Oh, my god, just… shut up. Also are you not in any way worried about our current situation? We’re bound to get into an accident at this rate, we need to get to our places as soon as we possibly can.”
“Okay, well, the traffic to get to your apartment is still not clearing up, so if you’re so worried, I’ll drop you back off at MQ and then I’ll head to my house.”
You shook your head at the notion, groaning. “No, no, no, no, I can’t stay at MQ overnight…”
Brad turned back to look at you. A strange hint of a smile graced his lips as he scoffed.
“What happened to ‘I’ll wait the rain out even if it means I have to sleep at my desk?’”
You felt the heat of embarrassment rise up your neck and to your cheeks, turning away from him and facing the window to avoid eye contact. “I don’t know, I didn’t think I’d actually have to do it. Especially after you offered me a ride! And now we’re in the car, it seemed pretty unlikely that it would still be happening.”
For the first time in you ever knowing him (your two years at MQ), Brad Bakshi laughed. It wasn’t one of his sarcastic chuckles, nor a strained noise, but a genuine laugh. You had a puzzled look on your face, and whipped your head around to see him. His eyes were shut, he was slightly hunched over, and his smile was clear as day. He continued to laugh–presumably at you–but for once, you didn’t mind. The sight was a joy to see. Sure, Brad was an asshole, but he had his moments. A smile of your own crept its way onto your face as you watched him laugh for a few seconds longer. As his laughter wound down, a sudden crack of lightning flashed across the sky, a rumble of thunder following immediately after, startling the both of you.
“Shit!” You hissed, jumping in your seat. “Okay, okay, we really need to get to safety, like… now. This shit is actually dangerous, Brad. I don’t want you getting injured or worse because of my lack of preparation. If you really need to drop me off at the office on your way to your place, that’s… fine.”
Although unhappy that the start of your weekend would be ruined by having to sleep over in your office building, you figured it would be better than causing Brad to get stuck in the storm. You awaited his response, once again watching him as he thought for a moment.
Suddenly, he let out a quiet groan, tilting his head down, leaning his forehead lightly against the wheel. “I can’t believe I’m about to offer this to you, of all people, but if you’re so god damn worried about my safety… I have a guest room at my house.”
His sudden generosity confuses and delights you. It’s strange, that’s for sure, but it’s a welcome surprise.
“Really?”
“Why else would I have said it?” It was a question but it came out as more of a statement.
“I don’t know, it’s just… weird. Not to say that I don’t accept, but it’s oddly kind of you. Not something commonly associated with the image of Brad Bakshi.”
He shrugged. “I know. So do you accept or not?”
“I do, thank you so much.” You spoke quickly, hoping he wouldn’t rescind the offer. “I’m sorry to cause you so much inconvenience.”
“I’m sorry too. I’m sorry you’re so dumb that you didn’t prepare a way back home.”
“Oh, my god.”
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thehotelier · 1 year ago
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On Housebroken
“Every true novelist listens for a suprapersonal wisdom, which explains why great novels are always a little more intelligent than their authors. Novelists who are more intelligent than their books should go into a different line of work.” -Milan Kundera
The subtext of this short quote that my friend posted the other day provided a pretty neat angle for thinking about the job that artists do for society. While some of us are working, making dinner, following up with people, or addressing every little aspect of our lives that are slowly degrading, artists are creating the conditions for profound truths of the world to speak through their bodies for a brief moment and then document it. These moments of oneness with profound truths are not unique to artists or writers, but a good artist is one who can capture that moment and communicate it through their medium, in a way that allows us viewers to access by interacting with their work.
It explains a thought that I’ve had quite regularly about my own work. People say “hey I like this music you’ve made” and my first inclination is to respond with “yeah isn’t it great?!”. If I were to say this aloud, it would probably either confuse or upset the person who would expect an either humble or self-debasing acknowledgement. But my excitement about my work, and part of the reason I had listened to some of my own tracks non-stop, was because I didn’t feel like it was something I had created. I didn’t feel responsible for it existing insomuch as I feel responsible for regurgitating historical trivia or making box mac and cheese. It’s never felt like trying very hard, making music. Not that I’m an expert or anything (I’m a clunky writer and not particularly skilled with any instruments) it’s just that my process has never been about working hard, and has mostly been about creating a concoction of circumstance to allow magic to happen or god to speak through me. And when that happens I’m sort of like “lol cool.”
So to me, a non-god, my “work” is almost certainly smarter than I was when I wrote it. Once I had witnessed this process fruiting many tracks that made me look smart, I tried not to shortcut that process moving forward. However, I figured this out maybe midway through writing Home, Like Noplace Is There and there has always been one track that stood out as blocky because of this, and that’s Housebroken. Housebroken was the first track I wrote for that record and it got a fair bit of play time in the many acoustic sets I had played prior to releasing that record. It was well received then, but I had sort of always felt an inclination to have to tease out the conversation around it.
The song material attempts to unveil the cycle of abuse, trauma, and conditioning. It was inspired by the trap of entering into the public forum to discuss justification for accountability processes, a model that was ahead of its time and kind of still is. Too often call outs of terrible behavior would evoke normies to object with some version of “this person did something fucked up because fucked up things were done upon them.” It was a trap to engage with this logic but us punks and anarchists did anyway because we knew we were on the right path and truth would prevail. Unfortunately, we didn’t have enough back-pocket rebuttals handy to truly win those arguments for our apolitical tumblr bystanders.
Housebroken, through an allegory of a naive utopian speaking to a domesticated dog, went on to say that empathy alone is not strong enough to dam the river of harm in which we swim. At least that’s my interpretation. My interpretation, however, has the privilege of being granted the benefit of the doubt by its intent. Some other interpretations were not as generous.
I remember stumbling across a podcast (a flock of men) who were in the business of bad faith critiques of scene music. Their interpretation of Housebroken likened domestication to abuse in the home and abuse in the home to abuse of women by men. Through this lens, the use of the dog as a literary device was describing women as dogs, which is of course not cool, boo-boo.
The common interpretation by those who enjoy the song is actually not even that far off from the one above. The slight deviations come in the form of domestication not necessarily abuse in the home, or abuse in the home not necessarily being abuse of women by men. But even within these more favorable framings, there was still a path to an unfavorable interpretation which some had found in the moment where the narrator kills the dog. For me, this was actually a lazy way of saying “we can’t divert the flow, we can only break the cycle.” But it’s over dramatic, inconsistent, and a cop out. The dog probably should have eaten the naive utopian narrator, but then who sings the ending??
This was where my analysis ended when Hotelier decided to stop playing this song. I couldn’t really reconcile which interpretation should be given the most priority, mine or the fans. We had a couple of odd interactions with legitimate die-hards about this song at the time. I figured it would be a good faith gesture to let them be in the driver seat a bit for this one and we gave out some benefit of the doubt. To some, this might have seemed like an odd choice to give a few fans this much say over our artistic decisions. But I was 22, and truly trying to figure out the best way to navigate these fan artist relationships where the principles of consent do not map so cleanly. Looking back, I still think it was fairly wise to avoid intentionally grinding up against the edges of our fans who were so willingly giving us their vulnerability. And that’s how Housebroken got nixed.
Now admittedly, this is one of the Hotelier songs I felt like I had a hand in writing, that is to say that I wasn’t simply a conduit for messages containing more wisdom than I possessed. I remembered being inspired by an idea, but only having the distance from Akron to our recording session in Chicago to get down. We drove overnight in a short school bus with 7 people drunk asleep, and strewn about on the seats and carpet. I was on the couch in the back forcing that ditty out. Once it was recorded that acoustic version, we just built the album version around it and stuck it in the most likely place.
Every other song on that album was given time, was meditated on, was never written but allowed to write itself. The lyrics were many words I have never said before in any real order. Writing the rest of that record genuinely felt like many therapy sessions. I remember sensations in my body that I haven’t felt since, like being a moment from sleep and being suddenly massively awake and strangely cold, suddenly crying at phrases from a stream of consciousness, and what felt like a rattling marble at the top of my spinal cord. Writing Home was like simultaneously realizing trauma held in my body for the first time and quickly unknotting it. It was pretty absurd. I could have been possessed but it would have been by something pretty nice. I understand why people could believe in angels. Through your own actions, you induce some state of consciousness in which everything makes sense, and everything is okay, and its wise and kind and all of these things that might feel so unlike you. How can someone have experience and be expected to believe that that is just them. In a period of time when we still don’t understand consciousness. Could be angels, babe.
It Never Goes Out was an album that shouted “As long as we have each other, the world stands no chance.” Turns out, the real weight of that statement rests on “as long as”. It’s really amazing the amount of absurd scenarios a bunch of suburban beatnik cosplayers in early adulthood can find themselves in. One of us got kicked out of our home by our parents. I showed up in my underwear to lighten the mood not expecting her dad to come out and try to bust through my car window. I remember us trying to figure out how we were getting home from the mall because the only friend who could drive was having a personal moment in the back seat and not talking to us. Lots of “you don’t get me”. Lots of “I’m going to kms.” I’ll skip a lot of details that I can’t or don’t want to remember, but it was clear we were too big of a mess to change much.
And here we circle back to trauma not as a thing done to us by bad people, but now by people we love with every ounce of our being, people we wouldn’t throw out in front of a moving car. Many people will have their own interpretation of what that means to them, and I’ll let them have it. I’m just the messenger.
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newmusickarl · 30 days ago
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youtube
5-9’s Album of the Month Podcast – latest episode out now!
The latest episode of the 5-9 Album of the Month Podcast is here and it’s our penultimate monthly episode of the year! Pleased to say Mama Mañana Records’ founder Kiley Larsen makes his return, as he and I take our usual seats alongside 5-9 Editor Andrew Belt, to review five high profile album releases from the past month in music, ultimately naming one as our Album of the Month at the end of the discussion.
For our September 2024 episode, it was Hayden Thorpe’s unique and dazzling adaptation of Robert MacFarlane’s book, Ness, that took home our coveted Album of the Month title. Now for our latest episode, we look back at five big releases from October and the albums vying for recognition this time around are:
Cartoon Darkness by Amyl And The Sniffers (Poll winner, thanks for voting!)
Fate & Alcohol by Japandroids
Patterns In Repeat by Laura Marling
Endless Rain by One True Pairing
Cutouts by The Smile
If you want to listen to this or any previous episodes simply follow the links below, but also be sure to follow 5-9 Blog on Instagram, Twitter and YouTube for more news and polls relating to the podcast.
Listen on Spotify here
Watch, like and subscribe to our YouTube channel here
Album & EP Recommendations
GNX by Kendrick Lamar
“There we were, all starting to plan our annual Album of the Year countdowns… then BAM! A new project from one of the true modern greats and one of the most acclaimed artists of the last decade plus - none other than King Kendrick Lamar. Dropping ahead of his planned SuperBowl halftime show in February, GNX immediately feels like a record for the fans. Where Mr Morale & The Big Steppers was a more divisive project, a complex double album that saw Kendrick wrestling with guilt, grief and generational trauma, GNX by comparison instantly feels much more accessible. This is Kendrick the artist getting back to being Kendrick the rapper, coming out all guns blazing with his razor-sharp flow and some incredible production work by the likes of Sounwave, Jack Antonoff, Kamasi Washington and, of course, MUSTARRRRRRRD! While fans can continue to speculate on a potential second album before the year’s done, I think it’s safe to say that GNX alone feels like another significant addition to Kendrick’s flawless discography. Not only shocking the world with the nature of its release, but also delivering a project to the same exceptional standard that we’ve come to expect from him. A truly remarkable feat and already one of the best rap records all year, proving once again that Kendrick continues to operate at a level all to himself.”
Read my full review for Clash Magazine here
Listen to GNX here
From Zero by LINKIN PARK
Without a doubt one of the biggest releases of 2024, nu-metal pioneers LINKIN PARK have finally returned with their first new album in seven years, their first since the tragic passing of beloved vocalist Chester Bennington, and the record that introduces new female vocalist Emily Armstrong to their fans worldwide.
While the announcement of Emily joining the band has certainly been marred by controversy, with heavy backlash from both fans and Chester’s family regarding her links to Scientology, anyone who watched the initial livestream will know that, from a pure vocal range perspective, she is probably the best possible replacement the band could’ve got. And the mission for From Zero seems to be just that – convincing the fans to buy into this new era of LINKIN PARK with Emily being part of it. Does it work? I would say yes.
As someone who has accepted that LINKIN PARK are never going to make an album as groundbreaking as Hybrid Theory again, instead enjoying their music these days on a mostly nostalgic level, I’ve had a lot of fun with this one. While there are certainly some duff moments (‘Cut The Bridge’ and ‘Stained’ I’m looking at you), they also deliver plenty of highlights too. ‘The Emptiness Machine’ remains a belter of a hook-laden comeback single, while ‘Over Each Other’ carries a big emotional punch thanks to Emily’s stirring vocal work. There are also some excellent heavier moments that callback to their earlier days too, such as the scream-tastic ‘Casualty’ and hard-hitting rock anthem ‘Two Faced’.
Everything else is solid and catchy too, making this an enjoyable 30-minute listen. As a comeback record it admittedly feels very safe, but I guess the main point of it isn’t really to break the wheel. This is LINKIN PARK doing what they do best and aiming to get their dedicated fanbase back on board for the ride – analysing it from that perspective, I think it works a treat.
Listen here
Night Palace by Mount Eerie
I know what you’re thinking – 26 songs, an 80-minute runtime… why you even recommending this one Karl, you know we ain’t got time for that?! Well, just in case you find yourself at a loss on what to listen to over a long journey somewhere, or even later on next month during the festive period, I have to recommend this new one from American songwriter and producer Phil Elverum – AKA, Mount Eerie.
Firstly, this is an album you need to experience from front-to-back – this isn’t one to dip in and out of individual tracks. Inspired by Zen meditation, it is a single journey of reflection that comes seven years after the devastation of Elverum’s critically acclaimed masterpiece, A Crow Looked At Me. While I personally found that album heartbreakingly beautiful but also very hard work, I’ve found this one has oddly been more accessible by comparison, which is surprising given its demanding length.
But that said, the album has a great flow to it, with many of the tracks between 1 and 3 minutes long, with Elverum constantly jumping between different musings and ideas. There’s acoustic folk tracks and lo-fi rock tracks, with splashes of ambient electronics and harsh static thrown into the mix, playing out almost like someone flicking through different radio stations. It’s an enthralling listen, one that culminates in a gorgeous 12-minute spoken word poem, ‘Demolition’.
So, if you want a record that’s indulgent in the best way, is made for this dark, melancholic time of year and is just utterly fascinating from each brief moment to the next - then give this one a try.
Listen here
Petrichor by 070 Shake
Having come into the spotlight a few years back through her memorable collaborations with Kanye West, rapper/singer/songwriter 070 Shake has since gone on to establish herself through her solid first two albums, Modus Vivendi and You Can’t Kill Me. Now back with her latest album Petrichor, it’s another release that further demonstrates Danielle Balbuena’s fascinating and unique sonic output.
Awash with dark, moody synths, it’s an endlessly interesting collection of glistening neon-soaked pop songs. It begins with theatrical, piano led opener ‘Sin’ before morphing into the pulsating stomp of ‘Elephant’ which sounds like the sci-fi/western collision of Westworld but in audio form. ‘Vagabond’ is similarly dramatic, as is stunning album highlight ‘Into The Garden’ which is a genre-defying whirlwind of a track. Shake then feels festive with ‘Winter Baby / New York Blues’ before an intriguing cover of Tim Buckley’s classic ‘Song To The Siren’ with Courtney Love. The emotional roar of the album then comes on ‘Blood On Your Hands’ which climaxes in a spoken word poem from Shake’s girlfriend, Lily Rose Depp.
While not everything Shake does on this album is perfect, it is always a curious and innovative listen that sees her pushing her sonic boundaries and sounding like no-one else. In a music world where most artists seem to have clear touchpoints, we need more singular voices like 070 Shake.
Listen here
A Weekend In The City B-Sides (Another Weekend In The City) by Bloc Party
To today’s teenagers, the thought of having to illegally download and file share music must seem unfathomable. After all, when music is so freely available with streaming, who needs to track it down through illegal means right? Well, back in 2007 at the height of the indie boom, file sharing was all the rage, with bands blowing up through word of mouth alone, as albums and unreleased tracks were passed through MSN messenger, MySpace and other internet forums.
One such album was Bloc Party’s Another Weekend In The City. A completely unofficial release, it was made up of the band’s brilliant B-Sides from the Weekend In The City singles, as well as some unreleased tracks from the recording sessions that had leaked. For me it remains to this day the ultimate bootleg album, one that I adore as much as Bloc Party’s actual sophomore album.
For years this album was lost, condemned to my broken iPod classic along with some unreleased Radiohead deep cuts (thank God we got ‘Lift’ on the OKNOTOK release eventually). So imagine my delight when Bloc Party a few weeks back announced they would be officially releasing their A Weekend In The City B-sides on streaming services for the first time, bringing life back to Another Weekend In The City.
If you are a Bloc Party fan and are unfamiliar with these tracks, I cannot recommend this enough. The guitar work on tracks like ‘Secrets’ and ‘Version 2.0’ are sensational as always, while the likes of ‘Selfish Son’, ‘We Were Lovers’, ‘Atonement’ and ‘Emma Kate’s Accident’ are as stunning as anything Bloc Party made around that time. It also features two of their finest ever moments in the form of ‘Vision of Heaven’ and, my personal favourite, ‘England’.
At the time of writing, it seems the band have since taken the album down due to poor audio quality – something I foolishly put down to 00s aesthetics when listening late on release day. So, while these songs have temporarily disappeared once again, be sure to jump on them when they return.
In the meantime, you can still listen unofficially here
Also well worth checking out:
Seed of a Seed by Haley Heynderickx
Come Ahead by Primal Scream
BAMBI by Aziya
Don’t Go Making Plans EP by Hard-Fi
Marietta EP by Medium Build
Song Recommendations
People Watching by Sam Fender
He’s back!
A couple of years on from his incredible sophomore album Seventeen Going Under, the Geordie Springsteen has finally returned this month, and with a bang. From a UK/EU tour that sold out instantly, to three big stadium shows and numerous 2025 festival headline spots (including a rumoured Glasto headline set), Sam Fender has also announced that his new album will be released this coming February. ‘People Watching’ is the title track from the project and includes everything that fans have come to love about Sam’s music: his wonderfully descriptive storytelling, a big singalong chorus and some soaring instrumentation. With Adam Granduciel from The War On Drugs also working on the track and noticeably sharing his influence, it’s an absolute belter of a track that sets up Sam Fender to fully own these next 12 months.
Listen here
Pitch Black by The Amazons
Another band set to take 2025 by storm is Reading rockers, The Amazons. After releasing one of their finest songs to date in the form of ‘Living A Lie’ last month, the trio have since revealed that their fourth album will drop next May and will be titled 21st Century Fiction. ‘Pitch Black’ is the latest cut from the project and it’s another absolute stormer, boasting some scintillating bluesy riffs and a hugely anthemic chorus. For my money, still the best pure rock band in the country!
Listen here
When I Wake Up I’m Sad by Fiona-Lee
Someone who has been working with The Amazons and is due to support them on their upcoming UK tour is the wonderful Fiona-Lee, one of my favourite new music discoveries of 2024. Her latest single ‘When I Wake Up I’m Sad’ showcases her incredible talent, with gorgeously soft vocals, honest and vulnerable songwriting, and a spine-tingling arrangement which climaxes emphatically in a fist-in-the-air, saxophone-led instrumental passage.
Listen here
Drown by Bleach Lab
Around this time last year, dreamy indie outfit Bleach Lab were being named as one of my Top 10 Albums of the Year for their phenomenal debut, Lost In A Rush of Emptiness. Now back with their first single since that release, ‘Drown’ signifies a noticeable sonic evolution from the band, particularly the production and singer Jenna Kyle’s more confident vocals. Another great song from the band, it’s already got me excited for their forthcoming next chapter.
Listen here
Singles to get you in the Festive Spirit!
What is Christmas without some classic Christmas tunes hey?! While there has been a drought of any good ones in recent years, this festive season has seen a few new Christmas songs pop-up that are well worth a spin. Some are vying for the UK Christmas No.1 spot, some are for good causes… but all of them are spreading a little festive cheer! Here’s my five picks of Christmas 2024 singles to go check out:
This Christmas Time by Tom A. Smith Listen here
Late Night Phone Call by Reverend & The Makers Listen here
Merry Christmas, Please Don’t Call by Bleachers Listen here
Christmas (Baby Please Come Home) by Nation of Language Listen here
Happy Trails by Orville Peck Listen here
Also well worth checking out:
Renegade by Doves
U by Jadu Heart
Antartica by Divorce
Time of My Life by Somebody’s Child
Blood Is Thicker Than Honey by Lace Thief
My Drummer’s Girlfriend by ALT BLK ERA featuring Wheatus
REMINDER: If you use Apple Music, you can also keep up-to-date with all my favourite 2024 tracks through my Best of 2024 playlist. Constantly updated throughout the year with songs I enjoy, it is then finalised into a Top 100 Songs of the Year in December.
Add the Best of 2024 playlist to your library here
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vestaclinicpod · 1 year ago
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Audio Drama Sunday - 13th August ✨
Happy #AudioDramaSunday, lovely people! I’ve listened to so much audio drama this week and my house is so clean as a result 🫧 
SPOILERS BELOW!
🌲@hellofromthehallowoods Starcrossed Gods!! I felt so brave daring to listen to this again. My heart 💔 Marolmar is written so well! Every sentence contains something to flinch at, it makes me sick to hear it all again. I’d also repressed the memory of how gut-wrenching Nikignik’s shouting at the end was, and how much it hurts to hear people trying to sing with a closed up throat. ANYWAY, I’m fine, thank you for asking. I’m not sure if the live show was released early due to logistical reasons, but I am fearful that it’s to provide context for what’s about to happen in the regular episodes (AKA tears and tears and tears for me). 
🦀 What an absolute delight to hear from the @thesiltverses cast again! These season recaps are so funny and it’s so heart warming to hear it when the cast of a show are clearly also its biggest fans. I’m SO excited for S3!!
🦮 @malevolentcast (34) what an episode!! If I recall correctly, this is the first time we’ve had an episode entirely without Arthur & John’s perspective? The Butcher is a worthy character to hold that mantle. Do I feel like I understand him more? No. Did I love being along for the ride? Absolutely. It’s also so weird to hear Arthur talking to John out loud when he thinks no-one can hear. I hope he makes it out in time! 
📻 @monstrousagonies (107) So thrilled to have this show back and I hope Hero is feeling much better! The first letter was so cute!! I’m sure there are lots of us who can relate to choosing love and kindness when we’re used to the opposite! Whichever bridge that little one finds, I’m sure it’ll be the loveliest by far!! 
🌒 @monkeymanproductions gave us the low-down on just how incredibly talented the Moonbase Theta, Out cast are in their Cast Special. Spoiler: Very. It was very wholesome to hear DJ Sylvis hyping everyone up and the episode is full of great AD and other recommendations! 
🎙Welcome to Night Vale is back!! I felt particularly targeted by the ad copy in this episode, but I’m sure that was their intention! This ep’s weather was particularly up my street too! I loved the harmonies! 
🎞 Tiny Terrors OOF hey so I found out what was up with Angela… and I didn’t like it one bit! I also need to know what the hell was happening at the end there. Jess, girl, you’ve got to stop getting yourself in these situations. It’s too much (for me to listen to)! 
🌍 @lastechoespod (8) I can’t believe it’s the last episode! Ishani Kanetkar was wonderful as Trast. I wish we could hear the final decision, but I guess I’ll just have to relisten and try decide for myself . . . 
🧛‍♂️ @re-dracula Uhoh, someone’s arrived in Whitby . . . I love Mina so much and Isabel AdomakohYoung is doing amazing job as her VA. She captures the good-hearted intelligence I love so much about the character!
 💫 Wolf 359 (38-46 + Special!) Oh MAN this podcast has my entire heart. Isn’t Memoria one of the best episodes of anything ever? Oh, Hera, I love you sooo much!!!!! I also loved the Lovelace cliffhanger at the end of 46 and the special was so different but so good! (Although listening to 2 hours of anything is a challenge!! I need a 20-30 min ep or I can’t fit it into my life) 
🎩 @ethicstownpod (7) OH MY GOD. January fans are looking a little bit bloody silly right now! What. The. Hell. Is. Going. On???? Please, if you haven’t yet started listening to this show, now is your time! It’s SO good and has so many twists and turns!! 
🥾@doyoucopypod (5) oh my GOD, imagine how horrifying it would be to be out in the woods to grieve your partner, only to hear their voice in the middle of the night. Nope. Absolutely not. Get out of the dead zone!! Wilson remains the goodest boy, even if his growls give me goosebumps! 
🎧 In this week’s The First Episode Of, W Keith Tims talks to the creator of Untrue Stories! These interviews are always fantastic and this show sounds so interesting for fans of sci-fi!! 
Thanks for reading! I’m so excited for more Regina Prime and to catch up with happenings in the Hallowoods next week! Hope you all have a restful weekend ✨
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i-hate-loving-nicholas · 1 year ago
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Hello! What are your favorite interviews from Nicholas? Both in magazines and in video 🫶🏻
Hiii anon!
First of all love anons who come here with really random asks! Thank you! 🫶🏽
Omg, it’s so hard to choose one but also, I’m a fairly new Nick fan so I haven’t seen everything out there then I’m gonna comment on the ones I’ve seen.
Video interviews: I love the one he talks about bottoms and he uses his unique Nicholas vocabulary with words that me being a non native English speaker need to look up all the time. I love how he always deeply analyses his characters and projects!
I also adore his instagram live with Tommy DiDario last year where he talked about PH and he still couldn’t talk about RWRB. I’m not a fan of PH but it seems like it’s a very dear project to him and he has lots of praises to everyone involved. The beginning of the live is a bonus where a lovely man interrupts him to deliver some water to his room.
Magazine interviews: I recently read one where he interviews Ella Balinski and that is a treasure. I love how well articulated he is and that give us the opportunity to dive into his thoughts. He also made such a comfortable environment for Ella, they seemed like close friends and that helped a lot.
There’s also this interview I ran into on Twitter where he talks about how he struggled with mental health during his teenage years and how unfit he felt at school! I hate myself for not remembering the name of the magazine but when it comes to me, I’ll update this. But the interview is from 2019 and it’s so incredible how he’s not afraid of vulnerability and showing his emotions even at such a young age.
You should check this podcast for Variety he did that was released in August and it’s also a pleasure to listen to. He gets to analyze a bit of his upcoming characters/ projects and it really gives you the perspective of what’s about to come!
As soon as I get all the links for these magazines/podcast/ lives that I talked about, I’m gonna post here!
Thanks for the ask anon! I love talking about Nicholas! 🫶🏽🫶🏽
#i love listening to Nicholas! #i’d have so much to talk to him! #even tho I know I’d go completely mute if I ever saw him!
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eyreguide · 11 months ago
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Storytime for Grownups - a podcast reading of Jane Eyre
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I recently received an email from Faith Moore, creator and podcaster of Storytime for Grownups, who is releasing a free podcast audiobook version of Jane Eyre - with commentary to help readers understand some of the out-dated references and words. I just started listening to the show and love Faith's voice for Jane - it's very welcoming and serene. And this seems like something all readers and Jane Eyre fans can enjoy - for the fans it's nice to hear someone read the story with background information, and for any new or young readers this might be a great way to understand the story better as they listen. I asked Faith some questions about her experience reading Jane Eyre and her podcast. Please enjoy the mini-interview below, and listen to her show wherever you find podcasts!
1. What is your "Jane Eyre" origin story?  When/Why did you first read the novel and what were your first impressions?
I think I was around twelve years old when I first read Jane Eyre. It wasn’t at all the kind of book that I normally read at that age. I loved to read, but I struggled with “old fashioned” books. The language always felt inaccessible to me and I could never really get into the classics—I was much more comfortable with The Babysitter’s Club or Matilda. But my family took me to see a stage production of Jane Eyre and I absolutely loved it. I fell immediately in love with Mr. Rochester and could tell—at a visceral level—that this was a great story. So I found a copy of the book on my parents’ bookshelf, pulled it down, and began to read. The things we do for love—love of Mr. Rochester I mean! The language was still really hard for me to understand, the bits of the plot that didn’t involve Mr. Rochester dragged, but it was all worth it for those Jane and Rochester scenes. I read the whole thing and I’ve never looked back. And, over time—and many re-readings—I’ve come to love the book in its entirety. To my mind, it’s a work of genius. 
2. Favorite quote from Jane Eyre (you can pick just the first one that pops into your mind!)
I return to the proposal scene again and again. The ribbon bookmark in my favorite copy of the book (I own four copies) always marks it. 
“Are you in earnest? Do you truly love me? Do you sincerely wish me to be your wife?”
“I do; and if an oath is necessary to satisfy you, I swear it.”
“Then, sir, I will marry you.”
“Edward—my little wife!”
“Dear Edward!”
“Come to me—come to me entirely now,” said he; and added, in his deepest tone, speaking in my ear as his cheek was laid on mine, “Make my happiness—I will make yours.”
3. What made you decide to start Storytime for Grownups and have you podcasted before?
This is my first podcast! The idea for the show came to me because of my own struggles with reading the classics. You’re always being told you ought to read the classics—and you should!—but what if you literally can’t? My first idea was to somehow “translate” the old-fashioned language of classic books into modern English. But I came to feel that too much would be lost—the atmosphere and the characters are built through the language as it’s written. But then I realized that when I was an elementary school teacher, one of my favorite times in the day was storytime. When you read aloud to your students, you pause from time to time to make sure they’re still with you. You define a word, you summarize, you comment on the action. And I thought: I could do that for grownups with the classics! Each season of Storytime for Grownups, I read a book aloud, one chapter per episode. As I read, I pause from time to time to give brief explanations that make it easier to follow along. It’s like an audio book with built-in notes. Season 1 is Jane Eyre!
4. What is the most interesting thing you've learned so far while digging into the background or literary composition of Jane Eyre?
One of my favorite parts of the show is that listeners write in to ask questions about each chapter and I feature one or two questions at the start of each episode. The questions have been amazing and they’ve prompted me to delve really deeply into the text—even more deeply than I ever have before! One really interesting aspect that I’d never really delved very deeply into before is the notion of the supernatural and fairy tales/fairy stories. It’s a huge theme within Jane and Rochester’s relationship and I think it relates in a really fascinating way to Brontë’s exploration of religion and spirituality which flows throughout the entire book. 
Storytime for Grownups - Listen now!
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sshbpodcast · 1 year ago
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Character Spotlight: Spock
By Ames
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Last week we highlighted (and lowlighted) James T. Kirk here in our new blog collection, going character by character where no one has gone before. It’s going to be a bit of a trek in and of itself, so join us here on A Star the Steer Her By to learn what we think of all your Starfleet favorites: when are they at their most naughty and most nice. This week, we’re moving on to the best first officer in the fleet and one of our favorite Vulcans, the ever logical Mister Spock!
For the franchise’s first major alien character, he succeeded in teaching humanity to audiences throughout his far-reaching tenure, and that wasn’t always his human half! Credit to Leonard Nimoy for giving us such a well-rounded character even though he couldn’t display emotions in the same fashion as the others (but boy did he find a way!). Follow along below for our thoughts on Spock’s best and worst scenes, and listen to some bonus chatter over on this week’s podcast episode (discussion at 1:05:00). Fascinating.
[Images © CBS/Paramount
Best Moments
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Checkmate, Finney It’s been a minute since I released my blogpost about how bad I am at 3D chess (and all chess for that matter), but Spock’s so great at it that he uses his logic and big Vulcan brain to figure out the chess program is busted in “Court Martial” and save the day, which might be the Spockiest thing I’ve ever heard.
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Pain! Pain! Spock mind melds a lot of critters throughout the shows and movies, but one of our favorites is when he connects with the Horta in “The Devil in the Dark.” Like in our Kirk spotlight when the captain defended the old girl, we’ve gotta credit Spock with communicating with her and treating her like a sentient being. And Nimoy’s acting in this scene! Mwah!
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A man of integrity in both universes The Spock in “Mirror, Mirror” isn’t exactly our normal Spock, as his circumstances in the mirror universe have made him a different person in a lot of ways (mostly in the facial hair region). But in even more ways, he’s just like our Spock: someone who sees the illogical nature of the Terran Empire and who will take steps to make it better.
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I love you but I hate you I don’t know why, but I’m just thoroughly tickled when Spock outwits the androids in “I, Mudd” with a logical paradox that breaks their computer brains. Sure, he tries a neck pinch first (he is Spock, after all!), but it’s telling the Alice robots, identical in every way, that he loves one but hates the other that causes them to malfunction all over the place.
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Trademark Vulcan sass If Vulcans are allowed to express one emotion throughout all of Star Trek, it’s sass, and Leonard Nimoy can deadpan with the best of straightmen. In “The Trouble with Tribbles,” McCoy remarks that tribbles are “nice, they're soft, they're furry, and they make a pleasant sound,” to which Spock quips, “So would an ermine violin, Doctor, yet I see no advantage to having one.” Grade-A Vulcan sass right there.
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Gladiatorial mind games “Bread and Circuses” may not be a good episode, but it gets the Spock-McCoy dynamic right. Not only does Spock save McCoy in battle, but that scene in the prison cell… I could write essays about that scene as they’re both so vulnerable and desperate to connect, but Spock, ever the Vulcan, represses that emotion… just barely. And when Spock tells McCoy that they share concern over Kirk’s safety without actually telling him, it’s perfect.
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Vulcans are incapable of lying, he lied While we found Kirk’s behavior in “The Enterprise Incident” utterly baffling, Spock’s is thoroughly intriguing. He spends most of the episode seamlessly deceiving the Romulan Commander who’s thirsting after him so hard, and she plays right into his Vulcan-saluting hands because she didn’t anticipate so many loopholes allowing Vulcans to be duplicitous!
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The wonders of the universe Am I mostly bringing up Spock mind melding a giant cloud in “One of Our Planets Is Missing” so that I can bring up my TOS fanfiction “Sentient Life”? A little bit.
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I have been and always shall be your friend This list would not be complete without the beautiful sacrifice scene in The Wrath of Khan. The needs of the many do indeed outweigh the needs of the few in this perfectly poignant and amazingly acted character death. I can’t think of a better main character death in all of Star Trek and Nimoy crushed it.
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Rock out with your Spock out We’ve also got to give credit to Leonard Nimoy for the Vulcan neck pinch, a nonviolent, nonfatal deescalation tactic that is perfectly in character. It is a great inclusion for such a logical people to manage violent conflict in a mostly harmless way, and one of our favorites is neck pinching the punk on the bus since it’s also one of many great comedic moments in The Voyage Home.
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They are not the hell your whales Speaking of The Voyage Home, we’ve got more good Spock moments to choose from in that movie! It is such a smorgasbord of quippy, fun moments for our resident Vulcan because so much of the movie is that fish-out-of-water kind of humor, but everything Spock has to do with the whales, George and Gracie, is especially excellent.
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Cowboy diplomacy We even get to see a little Spock action in The Next Generation when his plan to reunite Vulcan and Romulus gets revealed in “Unification.” It is such a noble goal from our logical friend (perhaps spurred by his encounter with the Romulan Commander in “The Enterprise Incident”? Nudge nudge!) and we loved seeing his resolve and commitment to helping his square-shouldered cousins.
Worst Moments
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Beep twice for “NO!” I get that the studio wanted to save time and money by using the footage from “The Cage” in “The Menagerie,” but they had Spock acting fully out of character to make it happen. He kidnaps his disabled old captain against his will, he conspires to steal the ship, he puts the lives of everyone on the Enterprise in danger, he nearly gets Kirk killed in a shuttle, he creates an illusion of a flag officer! It’s a full-on mutiny that sees no consequences!
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Life-or-death decisions, but mostly death “Strange. Step by step, I've made the correct and logical decisions – and yet two men have died,” says Spock in “The Galileo Seven.” Somehow, every time we see Spock in charge, everyone has a really bad day. The show would make you believe it’s because Vulcans only act on logic with no emotion or intuition, but they really need to stop leaving the ship in his hands!
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Not even a grandfather paradox – just a father paradox Temporal shenanigans abound in “Tomorrow is Yesterday” when the Enterprise is forced to beam up Captain Christopher. Spock assures everyone that the displaced pilot will have no bearing on history, until he is forced to eat those words because this science officer neglected to check if Christopher’s son would be influential. Since when is Spock so careless?
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A need-to-know basis We joked throughout The Original Series that Vulcans seemed to attain a new superpower each week. And since Spock just doesn’t seem to tell people things they need to know until they really need to know it, we don’t learn about his inner eyelids until “Operation: Annihilate!”, his parents being onboard until “Journey to Babel,” or his having a half brother until Star Trek V!
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This has pon farr enough I’m frankly sick of everything about pon farr, and am dreading revisiting it in Enterprise. It’s yet another one of those Vulcan aspects they won’t tell you about until too late, and in “Amok Time,” it’s way too late. The whole biological circumstance is weird enough, but if Vulcans has told us any of their rituals ahead of time, Spock wouldn’t have had to kill his best friend in the kal-if-fee like a chump.
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Heil Spock While it’s mostly a gag on the podcast that Spock loves Nazis, there’s definitely a reason why we think that. In “Patterns of Force,” Spock agrees with Gill when he calls Nazi Germany the most efficient state Earth ever knew, saying: “Quite true, Captain. That tiny country, beaten, bankrupt, defeated, rose in a few years to stand only one step away from global domination.” Does that make Spock a Nazi? Not entirely, but it would explain some things, like how quick to wanting to kill Mitchell he was in “Where No Man Has Gone Before.”
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What a tangled web he weaves Like in “The Galileo Seven,” Spock ends up in command again when Kirk is presumed dead in “The Tholian Web,” and he borks it. The whole episode is about him and McCoy snipping at each other because of the effects of the area of space, but they’re both extremely out of character even without it, with Spock ignoring Doc’s warning about getting stuck in the web, making awful decisions, and generally being terrible at leading a crew.
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If only I could forget We found it weirdly nonconsensual when Spock decides to make Kirk forget about his romance with Rayna (and who knows what else?) in “Requiem for Methuselah.” McCoy jabs at Spock that he’ll never understand, and then Spock seems to act just naively when he takes Kirk’s memory in his sleep, as if Spock were taking him literally when Kirk said he’d rather forget.
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Behind every good woman… is Spock taking credit We’ll surely bring up “The Lorelei Signal” when we talk about Uhura’s best moments because it’s a rare moment for the women to get the spotlight, but there’s a moment in this episode in which, despite the lady crewmembers having already figured out the ploy themselves, they’ve hatched their plan “in accordance with Mister Spock’s request” and I vomit in my mouth a little.
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You have not achieved kolinahr It’s pretty clear that the production team didn’t know they’d have Leonard Nimoy back for The Motion Picture until late in the writing process because his motivation is spotty at best. Since he has not achieved kolinahr, he rather makes his presence in the movie about himself, and to make matters worse, he yeets off to mind meld with V’ger without telling anyone!
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I hear he's nutty as a fruitcake As beautiful as the death scene in The Wrath of Khan is, it’s also pretty messed up for Spock to cram his katra into McCoy with no warning and with dire effects. Think about it: none of the humans knew before The Search for Spock that katras were even a thing, and Bones could have gone insane just for the sake of bringing the character back to life, negating that great sacrifice!
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They flung their wooden shoes called sabots into the machines We love a good mind meld on Star Trek, but Spock just plain crosses a line in The Undiscovered Country when he mind rapes Valeris to expose her as the saboteur. Considering the mind meld was first created in order to give Spock an alternative to violent action to combat assailants, using it in a way that’s so violating is the most uncomfortable moment we could think of.
Keep your medical tricorders scanning here as we continue along through all the main characters from The Original Series! Next week, we’re scanning for Dr. Bones McCoy here on the blog, as well as continuing our watchthrough of Enterprise over on the podcast. You can also send a message over subspace on Facebook and Twitter, and keep your damn katra to yourself. Live long and prosper!
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trapangeles · 1 month ago
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O'Shae Speaks His Truth: From "8am in Family Court" to "Ladies Love O'Shae / Ni99as Hate S.O.A.P."
In the world of rap, authenticity is currency, and O'Shae (UCanCallMeSoap) has plenty of it. With raw, unfiltered honesty, the L.A.-based rapper is captivating audiences with his latest project, Ladies Love O'Shae / Ni99as Hate S.O.A.P. and the poignant single "8am in Family Court." This interview dives deep into O'Shae’s journey, creative process, and his unwavering commitment to staying true to himself amidst the chaos of the music industry.
A Father’s Fight: The Story Behind "8am in Family Court"
For O'Shae, "8am in Family Court" is more than music—it’s his lived experience. “My inspiration for the record came from personal experiences. I’ve been battling in court for custody of my daughter for years now,” he explains. The track is a powerful outlet for his frustrations, a way to release emotions without succumbing to destructive behaviors. “A lot of fathers never get the opportunity to feel heard or understood when it comes to their children, and I want to let it be known that that’s not true.”
The song’s title carries weight, symbolizing the countless mornings he and his family have spent in courtrooms. “Some days were better than others, but we show up and continue to fight,” he shares. His hope is to inspire other fathers to persevere. “I pray that my message touches the hearts of men who feel discouraged when their bitter baby mommas try to use their child as a pawn. You’re not alone. There’s a way to have your children—you just have to trust the process.”
Bringing the Vision to Life
O'Shae’s dedication to authenticity shines in the music video for "8am in Family Court." Collaborating with videographer Skinny Kenny, he integrated personal elements like a viral video of his daughter, family photos, and even court documents served to him. “I wanted to make it as authentic as possible and show that I am a real father who has been present in my child’s life since birth,” he says. The visuals encapsulate his raw emotions and determination to keep fighting.
Duality and Growth: "Ladies Love O'Shae / Ni99as Hate S.O.A.P."
With Ladies Love O'Shae / Ni99as Hate S.O.A.P., O'Shae explores a dual narrative. The first half celebrates women, offering tracks designed to uplift and empower. “I wanted to create a project my female audience could listen to and feel respected—something to boost their confidence,” he explains.
The second half confronts envy and resentment. “No matter how much love and respect I show, some people will always hate,” O'Shae says. “It used to bother me, but now I embrace it. People don’t like others being better than them, and I’ve never had to be anyone but me.” This unapologetic self-awareness fuels the project’s raw honesty.
Lessons from The Liq Podcast Open Mic
Despite winning his round on The Liq Podcast Open Mic, O'Shae’s experience wasn’t without challenges. Reflecting on his tension with the host, he says, “I feel like he was looking for viral moments to boost his audience. As soon as I felt the energy turn negative, I knew it was best to remove myself.” While critical of the platform’s professionalism, he acknowledges a takeaway: “There are weirdos in the industry, and I could have handled it differently by not giving him the satisfaction.”
Evolving as an Artist
O'Shae’s growth is evident in his willingness to take creative risks. “I’m singing on a few records now, something I wasn’t comfortable with before,” he reveals. His track “15 More Mins” pays homage to the late Drakeo The Ruler, showcasing his evolving wordplay and versatility. “Although I’m not against criticism, I know who I am and what I’m capable of. I’m claiming the whole road as my own.”
Advice for Aspiring Artists
For those navigating the industry, O'Shae offers wisdom forged through experience: “Keep God first. Surround yourself with solid, loving people. Stay true to yourself and know that everyone isn’t your friend. Plenty of people are waiting for you to crash out, but you’ve got to believe you’re better than that.”
What’s Next for O'Shae?
Fans can expect visuals from Ladies Love O'Shae / Ni99as Hate S.O.A.P., along with a new EP titled Son of a Pimp on the horizon. He’ll also be performing at Pookie F’n Rude’s Fire & Water Sign Birthday Bash with DJ Carisma on November 22 and at Ivery Da Goddess & Friends next month. “I’m always in motion,” he says confidently.
Connecting with O'Shae
O'Shae’s journey is deeply personal, and he invites fans to join him every step of the way. “Follow me on all social media platforms @UCanCallMeSoap and find my music on any streaming platform under ‘O’Shae,’” he says.
With each track, video, and performance, O'Shae is proving that his story—and his voice—are here to stay.
Have you been spending all your money and time on making music and shooting videos, but still not getting any exposure? Tired of just spinning your wheels? You know to get exposure you need to get featured on blogs, radio stations, playlist, and get your music e-mail blasted out to the masses. Need help getting all that done? Then check out the Package we’ve made available for you below!
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talesfromtheswamplands · 2 years ago
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It’s here! I’ve finally released Episodes 1-3 of my narrative podcast, Tales From the Swamplands! There were some delays in releasing it (life, being engaged, getting married), but that’s life for ya! 
The podcast is a pirate-radio show set in the Swamplands: a cypress-dome metropolis of inch-high citizens and their network of giant, automated bugs. 
Hear tales from the show’s offbeat narrator, Benjamin Gaunt (as heard above), about the people of the swamp and their chitinous servitors, massive tree towers, fantastical tech, and theocratic dystopia!
All of the writing, voice acting, production, and the rest were done solely by me! (With a sprinkle of guest stars here and there) 
You can listen now on Spotify, YouTube, or any other podcast streaming app, and I'll be posting weekly episodes for a few weeks, comprising the show's first season.
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notsocheezy · 5 months ago
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Brain Curd #127
Brain Curds are lightly edited flash fiction - practically first drafts - posted daily (haven't missed one yet!) and sometimes written with the express intention of being terrible… but, you know, in an endearing way. Please like and reblog if you enjoy - the notes keep me going!
He's gonna be Frank with you. Read the rest of The Frank Program here on Tumblr!
“Welcome back to The Frank Program. I’m Big Mike, your host for the day, since Frankie-boy couldn’t make it. But you won’t want to miss this episode, because our guest is rising pop-star icon, Rhonda Pope! Welcome to the program.”
“Thank you for having me, Mike.”
“On this show, we usually jump right into the questions, but I know you’re nervous, so let’s loosen up a little, shall we?” Mike pulled a bottle of whiskey from under the desk and set a couple shot glasses next to it on the table. He poured both of them and slid one over to Rhonda.
“Oh… uh… I don’t drink, actually.”
Mike had already downed his shot. “Oh well, more for me.” He took hers and threw it back. “Anyway, I’m relaxed now. The great thing about podcasting is no one can tell me what to do. It’s great. It’s like a vacation. Anyway… Let’s try an ice breaker: If you had to choose between Donald Trump, Joe Biden, and Kamala Harris, who would you fuck, marry, and kill?”
“I do not feel comfortable answering that question.”
“Yeah, ha ha ha,” Big Mike giggled. “I don’t blame you. Actually I wrote that question down a few weeks ago, it’s got nothing to do with recent events.” He held up his hands. “Okay? It’s a perfectly normal edgy kind of question.”
Rhonda sat in quiet discomfort.
“The internet is gonna have a field day with this. They hate me. They all hate me because I’m not afraid to tell it like it is.” Mike remembered what he was supposed to be doing. “Sorry about that, let’s get back to you. What’s it like finally catching your big break, years after the release of your first single?”
“It’s amazing, actually. I’ve always just, mostly tried to make sure I was making something I like, something I want to listen to, because I think as an artist you need to start from a personal place. So yeah, I stand by all of my previous releases even if they didn’t get the same attention as Bi-Bye Bitch. And I think my new fans are diving into my singles from last year, and even earlier, and they’re finding more of what they love about that song, but still unique. It’s a beautiful thing.”
“I can tell you that for me, personally, I’ve had Cigarette Burn stuck in my head every minute since I heard it. It’s exceptionally catchy.”
“Thank you. I -”
“Like, no, no, no, listen. It’s too catchy. I can’t get it out of my head, it’s driving me off the edge.”
“I’m… sorry?”
“You’re good.”
“Thanks. Uh…”
“Is it true that your record label dropped you last year?”
“It is, yeah. I had to get a job as a waitress to make ends meet.”
“Their loss, huh?”
“Yeah, I think indie pop really is the way of the future. My label never knew what to do with my music, you know? They couldn’t decide if it was for the gays or the girlies, but it was always for the gay girlies, you know what I mean? It’s that intersection.”
“Is there still a place in the pop world for megahits and superstars?”
“I guess so? But it’s never going to be like it was when I was a kid. Everyone knew the top forty because it was on the radio, and people were listening. Every year had its signature biggest song, but now? Monoculture is dead. Pop culture is dead. Nothing gets that big anymore. Everything is regional and demographical and, like, calculated to appeal to the most people and they still can’t do it. I’m lucky, you know? Because I’m getting popular enough to be self-sustaining, but I don’t have all the overhead the labels do. They spend more than anything else on marketing.”
“That’s old media for you. Do you see them sticking around?”
“I don’t think anyone really knows what’ll happen.”
Just then, the door to the studio slammed open, and Frank walked in with his arm over Daryl’s shoulder. “We… are… BACK!”
Mike furrowed his brow. “We. Are. Recording!”
“Get outta my seat, Michael. Shoo.”
Mike groaned and moved to the next seat over. Frank adjusted his microphone as Daryl returned to the dusty chair in the corner.
“It’s getting really crowded…” Rhonda shrank in her seat.
“Well too bad, darlin’. If you don’t like it, head on out.”
“Hey!” Mike punched Frank’s shoulder. “Do you know how hard it was to get her to come on the show?”
“I don’t know a damn thing about this girl, Mikey. Can’t imagine I care. Nothing you can say to me can ruin my mood. I got my boy back!”
“Wow,” Rhonda said half-heartedly. “Congrats! I think I’m gonna head home, actually… yeah.” She got up, grabbed her purse, and walked out before anyone could stop her.
Mike’s jaw hung open. “Why? Why, Frank? Why couldn’t you just stay home today?”
“Because it’s my show.”
“But you have no idea what you’re even doing!”
“I don’t need to. All that matters is family and making something I’m proud of.”
“What the fuck are you talking about, man? Ugh, forget it.” Mike threw down his headphones and stormed out of the studio.
“Well’n, I guess that’s all for today’s episode of The Frank Program. Thank you all for letting me be Frank with you. See you next time.”
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