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bucketbueckers · 10 hours ago

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I'D RATHER PRETEND

CHAPTER EIGHT

tags: @angryflowerwitch @avvwritesstufff @melpthatsme @rebecca-woso @bueckersg1rl @l0verl4ne @clouded-whispers @dolliest-thena @katemartinlvr @numberonepartyanth3m @glamourdaya @pbbucks @unadulteratedcyclepaper @paiges-1vur @thelightknight21 wc: 9.5k notes: would it be funny if instead of linking the masterlist i linked something really weird instead. im just kidding though. or am i. call me the uconn womens basketball team the way i had a terrible first half performance but locked in for the second half of this chapter. um jk. no im not someone tell geno to figure his shit out. between geno and luigi, this has been a really sad month to be an italian. please keep us in your thoughts during this time. also idk why this is so long, the first half of this chapter truly chewed me up and spit me out so i have nothing to say. next chapter is the last for this series and if anyone has any suggestions on how im supposed to feel about that, please let me know cause idk what's happening. im probably not going to proofread this so take this as you will. as always, let me know how we're feeling about this and happy holidays 🫶

‘A Family Affair, A House Divided’

In February, the South Carolina Gamecocks hosted the University of Connecticut Huskies for the regular season. After a thrilling, competitive game, the Gamecocks ultimately secured the win in a convincing 83-65 victory over the Huskies. Te-Hina Paopao led the Gamecocks with a dominant 21 points, shooting 5/7 from three. Connecticut’s dual-threats, Paige Bueckers and Aaliyah Edwards, scored 20 points each but were unable to clear the deficit.

However, despite the rousing game, many viewers were interested in the storyline between South Carolina’s Tess Kennedy and Connecticut’s Paige Bueckers. In the last issue, we mentioned that many felt as though this match-up was a house divided as Bueckers and Kennedy made their relationship official in June of last year. Critics were concerned whether or not they would be able to take the game seriously as a couple, although Bueckers proved many wrong with her performance. Bueckers was very focused on her game, and while Kennedy was still on the bench with only a few more weeks of ACL recovery, South Carolina did not waver. One commenter noted that Bueckers and Kennedy have been playing basketball for a very long time. They are both invested and focused on their game, and many supporters believe that they would not let off-court distractions and pressures stop them from playing their games to the highest of their ability.

In fact, Bueckers and Kennedy were spotted at the Tin Roof, a bar nearby the University of South Carolina, roughly an hour after the game ended. Insiders noted that Kennedy ordered – and take a deep breath, everyone – a soda, and that she appeared to be having a lengthy conversation with Bueckers. Out of respect, our source has elected to not share the contents of their conversation (nor would we share it!), but did tell us that Bueckers and Kennedy are “stronger than ever” despite the on-court tensions and critical narratives.

Basketball fans can rest easy knowing that Bueckers and Kennedy are committed to each other and committed to playing some electrifying basketball in the NCAA tournament. As the SEC and Big East tournaments quickly approach, viewers are excited to see where the two teams will land and we are eagerly awaiting the clash of the titans.

-Penelope Lancaster, Bleacher Report

MARCH 8, 2024

“Slow” ends up working a lot better than either of them had been expecting.

Honestly, part of Tess was worried that they’d give up on it after a day or two. She knew that she and Paige had terrible restraint around each other. It would have been far too easy to give up on trying to be mature about their situation, although they were both committed to giving it an honest shot. Things are great. Truthfully, she hasn’t felt this secure with Paige in a long time, not since Christmas and New Year’s, but even they couldn’t come close. She and Paige were locked in – for real this time – and knowing that was just so comforting.

They don’t change very much. They communicate a lot more and they’re more open about their feelings and insecurities, the two main things they had to hide from each other while they were fake dating. Paige is still affectionate, charmingly (or insufferably) flirtatious, and gets on each and every last one of Tess’s nerves. It’s not far off from how she behaved when they were “faking,” which kind of makes Tess mad – Paige’s was so fucking obvious and she just never realized, never allowed herself to entertain the thought that there was a little bit of truth to their lie. If Tess was being real, she’d have to admit that she didn’t really change, either, and she realizes she was being pretty obvious, too – she and Paige might just be a little oblivious.

February and the first week of March passes in a blur of traveling, games, and practice. The two of them make a more concerted effort to stay in touch, especially while they’re on the road, which is probably why Bree forcibly implements a “no phones after 10pm” rule when they have to room together. It’s not like they talk about anything weird – they mostly talk about Grey’s or Paige yaps about the NBA, but Bree says that Tess is “pussy-whipped” and “down bad” and that she can’t sleep through her giggling. That doesn’t happen, by the way, and Tess certainly does not giggle. Reluctantly, she adheres to Bree’s tyranny.

By the time the SEC tournament rolls around, Tess is fully cleared for play, although she’s under a minute restriction. The trust that Coach Staley has in her is honestly commendable – Tess herself would be hesitant to play her so soon after her injury and especially in a game as important as an SEC tournament one, but she’s not going to fuck up this opportunity. Both she and Coach Staley are cognizant of the five game maximum Tess needs to abide by to keep eligibility for next year. Tennessee and LSU are tough opponents and she understands that Coach would prefer to have her in these games instead of betting on making it to the NCAA tournament so Tess can play her five games there.

For the Texas A&M game, Tess is the first on the court for warmups. Tip off is an hour and a half away, so she locks in, dividing her time between shooting drills and stretching her legs while her teammates filter in. She feels good, but she’s still a little stiff. She knows there’s some lingering worry in the back of her mind – she’s healed, she’ll be fine, and she’s practiced with full contact, but playing against her teammates and the practice boys is nowhere near the same as playing against an actual opponent whose season is on the line. It will take her a couple of reps on the court before she gets hot and starts letting the ball fly, but she knows she’s not going to have a crazy game. Her main goal is to just have a good impact, whether it’s through scoring, defensive stops, or forcing contested shots.

Paige had wished her good luck and promised she would be watching. She said she would have flown out but she had her game against Providence in Rhode Island the very next day, so Tess forced her to keep her ass in Connecticut, much to Paige’s chagrin and disappointment. She swore she’d be able to make it in time. Tess was more concerned about Paige’s teammates having to deal with their sleep deprived captain and at this point in the season, the last thing the Huskies needed was Paige falling asleep during warm ups.

Warmups fly by and when tip off finally rolls around, Tess is on the bench for the first seven minutes of the quarter. When she’s subbed in for Bree, they’re up 12-9, and the resounding cheer that she receives is the loudest the arena has heard thus far. She grins as she jogs onto the court, high-fiving Bree as she passes. Texas A&M inbounds and misses, though the rebound is scooped up by Sania, who chucks it up court into Tess’s awaiting hands. She hardly thinks as she shoots. It circles the rim once before falling into Ashlyn’s grasp, whose putback is solid and puts them up 14-9, although Texas A&M is fouled in the scuffle.

She was hardly an inch off. After months off, she’s okay with that, but she knows her work is going to show. She won’t miss the second time.

Texas A&M only makes one of their two free throws. Te-Hina gets the ball and she shoots, although her shot is blocked by Janiah Barker and the ball rolls out of bounds. Te-Hina inbounds it, lobbing it to Tessa Johnson, who launches it right back to Te-Hina, who passes it to Tess, unguarded at the top of the key, and she lets it fly. The ball swishes in without much preamble and the crowd roars – Tess Kennedy’s first points back after her ACL injury. She musters a grin as she switches to defense.

Tess ends the quarter with an efficient 5 points and a steal – not bad considering her last game was last year’s Final Four. She starts the second where she’s particularly explosive – notching an additional 4 points, another steal, and an assist in the seven minutes she’s in. By halftime, she’s tallied 9 points, 2 steals, and her lone assist, but her teammates jostle and cheer and she can’t help but feel so, so good about herself – Tess Kennedy is so fucking back.

Coach Staley benches her for the first half of the third quarter, but she’s not mad. Coach already told her she wasn’t playing any more than twenty minutes and even that was pushing the limit. When she subs back in, they have a comfortable lead and she feels like she’s on fire. Kamilla and Ashlyn land three back to back layups (including an and one) in the first minute Tess is on court, and honestly, she just feeds off of that energy. On their next offensive possession, Ashlyn draws a crowd under the basket and kicks the ball out to Tess, who hardly thinks as she shoots it. It swishes in cleanly and she switches back to defense, where she forces a shot clock violation.

Texas A&M holds them scoreless until the last twenty or so seconds of the third. They’d begun to hound Tess at the perimeter, but she wasn’t going to let their suffocating defense allow them to close the lead too much. Texas A&M shoots a late three, though the ball clangs off the rim and is scooped up by Te-Hina. They have five seconds left on the clock and Te-Hina passes to Tess at the line. She dribbles, gearing up for a three, but she’s hounded on defense immediately. Tess spins out of the coverage, driving down the open lane, stepping back and letting it fly from midrange as the shot clock expires. It goes in. Tess exhales as the crowd erupts, hyped after an electrifying buzzer beater.

She sits for the entirety of the fourth, but the Gamecocks hold a comfortable lead and they secure the win 79-68. Tess closes out her first game back with a solid 14 points and 2 steals, and 3 assists. She couldn’t ask for much more.

This was the moment she’d been working towards since May. Now that it’s here, it’s almost as surreal as her first college game ever, her first SEC win, her first NCAA championship game. Those hold a special place in her heart but coming off of an ACL injury and all of the shit she put herself through and performing at a high level just means more. If you’d asked her back in April, after she tore her ACL and was drowning in her own thoughts, she would have laughed at you and told her that it wasn’t possible. She would have said she would never play basketball again. But here she is, celebrating the first of three SEC wins that will punch their ticket directly to the NCAA tournament. It’s taken so much work to get back here, but she did it. She had some help and she’ll never forget that, but she dragged herself out of this mess as well as she dragged herself into it. That’s enough for her to be proud of.

Coach Staley makes her do the presser, which she’s less excited about, although the reporters seem to be on their best behavior today as they congratulate her on her first game back and her recovery. The reporters ask the typical questions: What adjustments did you make to stop Texas A&M’s comeback efforts? How have you adapted in practice to integrate Tess back into the plays? Will Tess play tomorrow for the Tennessee game? For once in their lives, they don’t ask anything particularly invasive, but Tess is just ready to get back to her apartment and relax after the day’s excitement.

When she does, Bree and Kamilla congratulate her one last time, wrapping her up in warm hugs as she grins at them. She makes it back to her room – finally – and turns on her phone to find several messages from Paige, ranging over the course of a few hours.

Good luck today You’re going to kill it 🫶

[Delivered 11:45am]

You look so pretty on the bench I’m getting my manager to reach out to the NCAA so they can start broadcasting bench cams I can’t focus on the game

[Delivered 12:07pm]

Tess Kennedy minutes!!! I’m so excited Lock their shit up baby

[Delivered 12:09pm]

Good shot I saw the hoop move Not your fault

[Delivered 12:11pm]

Kennedy for threeeeee Kennedy with the STEAL??? LAYUP Okay I’m On my Way! Autocorrect

[Delivered 12:13pm]

Tess reads through all of her messages, a beaming smile on her face at Paige’s goofiness. If she had this to look forward to after each game, then she’s going to show up and give everyone a show while she’s at it.

[Tess disliked “I’m getting my manager to…”]

is this tess kennedy’s biggest fan?! you should be careful i heard she has a gf

Does she?

she does they’re very locked in i dont think you have a chance

Bummer I think I could convince Tess Kennedy to give me a shot though

can you?

In lieu of a response, the FaceTime call comes through immediately and Tess accepts it with a grin. Paige’s face fills her screen, wearing a warm smile. “Hey, ma,” Paige says, her features softening. Tess can’t help her lovestruck expression. “Good game. You did amazing.”

Tess flushing, her grin growing at Paige’s words. “Thanks,” she says, her voice a near whisper. “I was just…honestly, I was just stoked to be playing again. I could have dropped a donut and turned the ball over and I still would have been happy. I get to play basketball again.”

“You do,” Paige hums, shifting slightly. “You worked so hard to get back here. Don’t forget it.”

Tess laughs gently. “I couldn’t if I tried.” Then, her face softens, her gaze so unashamedly full of adoration that Paige can see it clear as day through the phone. “My ACL led me to you. So…there were some good things that came out of it.”

Paige beams, her cheeks twinging with pink. “Yeah?” she asks bashfully. “You think that when I’m pissing you off?”

“You piss me off all the time,” Tess states. “So yes.”

Paige clutches her chest like she’s swooning, pretending to cry. “My girl says the sweetest things,” she proclaims, wiping an imaginary tear as Tess rolls her eyes affectionately.

“Are you done?” Tess asks, amused.

“Nah. But you just dropped 14 points in a conference tournament so I’ll cut you a break.”

Tess huffs. “Thanks, Paige. I appreciate that one.”

Paige gives her a cheeky wink, her face all too smug. Tess can’t believe this is who she’s in love with, but as she watches the slow smile spread across Paige’s face as she rambles about the game, she can believe that this is who she fell in love with. Paige rounds out her sharp edges, grounds her, always challenges her, and makes her feel like she’s the most beautiful girl in the world. She believes in her unconditionally, supports her through it all, and understands her better than she understands herself. Her falling in love with Paige was always going to happen, but Paige falling in love with her, too, was something that she’d never take for granted.

APRIL 5, 2024

The last two games of the SEC tournament were incredibly tense. On March 9th, the Gamecocks battled the Tennessee Volunteers in the SEC semifinal, which was a nailbiter until the very end. At the end of the fourth, the Volunteers were up 73-71 with a little over a second left on the clock. Tess was tasked with inbounding the game ball after a foul by Tennessee – she passed to a wide open Kamilla, who, on her first three-point attempt of the season, banked it in and Tess and her teammates immediately swarmed her.

On the 10th, they were matched against LSU, which was…interesting. They won 79-72, but late in the fourth quarter, there was an intentional foul on Flau’jae Johnson that stopped the play and led to several ejections. Tess was more worried about getting her ass in position to score after MiLaysia tapped the ball out of Flau’jae’s hands, but the altercation occurred quick enough that Tess didn’t even know they were fighting until Kamilla knocked Flau’jae flat on her ass. Tess knew that this wasn’t her fight for multiple reasons. First of all, she’s 5’10 and she thought the weight room was optional until sophomore year. She is too pretty and too young to get laid out like that. Second of all, she’s not retearing her ACL by trying to throw down on the court. And third of all, she is reformed, thank you very much – she spent enough time trying to fix her image and she doesn’t think the media will be as lenient the second time around.

That’s probably why she gets turned into a meme after the game. One user on Twitter uploaded a screenshot of her standing alone in the middle of the court, hands raised in the air while everyone was fighting, and captioned it, “If I sent you this, it means that shit is not my business.” If Tess was being honest, that was pretty funny. Paige told her she made that picture her new lock screen and, well, that’s determinedly less funny since Paige’s old lock screen was allegedly a cute mirror selfie of the two of them.

As the SEC champions, they were guaranteed a place in the NCAA tournament, which Tess was stoked for. This would be her fourth year in a row back – in 2021, they fell short to Stanford by 1 point in the Final Four (goddamn Cameron Brink and Lexie Hull); they won in 2022; and Tess doesn’t even want to talk about the 2023 Final Four loss. All she knows is that they will put Iowa on a t-shirt this year (respectfully). Tess is back with a vengeance. That was her motto going into the NCAA tournament.

The first four games were cakewalks, excluding Indiana, although they pulled out a close win. Tess was on the bench until the Final Four game against NC State. She was looking forward to it for a myriad of reasons. NC State would be a challenge, but she was confident they were going to win. Combined with the fact that she and Paige would be in the same place since February, she was excited to get to spend some extra time with her girlfriend (provided they were able to sneak away). Their game wasn’t set to start until 7pm, which Tess was less than excited for. The silver lining was that she would be able to see Paige and the Huskies go head-to-head with Iowa. Tess will admit that she’s sad she won’t be the one kicking Iowa’s ass, but she and Paige share so much anyways; she can have the honor, even if Tess will lay awake at night thinking about all of the points she could have scored on her lick back game.

She and Paige managed to find the time to sneak away and spend a good few hours with each other that morning. Paige treated her to a nice brunch, much to Tess’s chagrin – Paige pays for entirely too much.

“You can get it next time,” Paige tells her, though the grin on her face was not convincing as she slid her card into the booklet and handed it off to their waitress. The smile she gave the waitress was polite and chaste, her full attention on Tess, and Tess couldn’t help but preen a little.

“I feel like you’re lying to me,” Tess grumbles good-naturedly.

“Oh, for sure,” Paige admits shamelessly, breaking out into quiet laughter when Tess rolls her eyes. Paige taps her ankle lightly with her foot, drawing Tess’s attention back up to her. “Gimme 20 tonight and I’ll let you get it. Promise.”

Tess huffs, amused as she narrows her eyes. “Let me?”

Paige shrugs. “We can do 15 if you feel like 20’s too much,” she goads, spinning the ice in her water nonchalantly with her straw. Tess’s eye twitches. Damn it.

“20’s fine,” she bites out. Paige smirks at her and she sighs, knowing she’s been baited. Paige extends her hand across the table and Tess half-heartedly shakes it.

They spend another hour together after they eat, although Tess’s coaches summon her and her teammates for some last minute film and practice. She knows that she and Paige will get to spend vastly more time together once the season ends, but leaving Paige alone in her hotel room to finish watching Grey’s feels more like leaving for war. She’d sighed when she read the text message, not really wanting to get up, but she was not in the mood to test Coach Staley.

Paige watches her get ready to go, her head propped up by a fist, her expression contemplative, soft, and sickeningly in love. If it were anyone else, Tess would have gagged, but there’s just something different about being sickeningly in love with someone and knowing that they’re sickeningly in love with you, too. Paige stares at her like she’s not dressed in sweatpants and a South Carolina hoodie, her hair in a loose bun, but the way her gaze lingers makes her feel like she’s the most beautiful girl in the world – knowing Paige, she’d undoubtedly agree, and that makes a small smile appear on her face as she slides into her shoes.

Paige catches her around the waist before she can leave fully, dragging her back down on the bed and kissing her one last time. It’s gentle, unhurried, and warm – Paige’s hand maps the flush on her cheek and she grins as they break away. “You’re gonna kill it tonight,” Paige whispers to her. She says it so confidently, so assured like it’s more fact than reassurance, and all Tess can honestly do is believe it. She tore her ACL during the last Final Four she played in, but she knows this one is different. This is the true test of her recovery, skills, and abilities; Tess Kennedy is back and everyone in the college basketball sphere will know it.

“You will too,” Tess says, kissing Paige again, only breaking away when Paige’s subsequent smile grows too large. She presses her lips to her cheek instead, squeezing her hand as she pulls away to tease, “Just don’t get too upset when we play in the championship again and I have to break your ankles.”

“Not happening,” Paige says smugly, which just makes Tess shake her head. “Gonna try to tune in for you but Coach is doing film and practice before our game. He hates me.”

“He wants you guys to win,” Tess corrects. “Maybe you should tell CD to reschedule so you can watch your girlfriend.”

Paige frowns at her. “You’d have a better chance scorin’ on me than I would convincin’ CD to do anything.”

Tess pulls away from her, an indignant look on her face. Paige laughs as Tess rolls her eyes. “Rude!” she exclaims, walking towards the door.

“Hey,” Paige calls, her laughter easing up and a more serious expression on her face. Tess turns, leaning against the wall, her smile fond as she locks eyes with Paige. “I’m serious. You got this, you know? Whatever happens, I’m proud of you. You worked so hard for this. Don’t overthink it, don’t get in your head, jus’ play your game. I love you.”

Tess feels something flip in her gut, a sort of weightlessness in her chest that makes her grin widen. She can’t help how stupid she probably looks, cheesing just because Paige told her that she loves her, but that confession is quickly becoming one of the things she never grows tired of hearing. She wouldn’t mind hearing it for the rest of their lives; Tess doesn’t care how soon it is. She’s sure that Paige is it for her. That thought doesn’t scare her at all. “Thanks, Paige,” she says, a little bashful, but Paige’s expression is understanding. “I love you, too.”

Paige blows her a cheeky kiss, which, ugh, Tess pretends to catch, but she can’t bring herself to care. And if Tess doesn’t even defend herself when Bree makes fun of her as soon as she gets to the conference room (extremely late), then that’s nobody’s business but her own.

Later that night, the NC State game goes about as well as expected.

Tess starts the first quarter, along with Kamilla, Te-Hina, Raven, and Chloe. They start the game off with an explosive five points notched within the first minute – a two pointer from Te-Hina and a three from Raven. Tess didn’t get very many touches in the first two possessions, but she played good defense and secured the steal that led to Raven’s three pointer. NC State holds them scoreless for two and a half minutes, increasing the lead to 7-5 in favor of NC State, although Kamilla ends their run early with a jumper that ties the game with just under six minutes left. A well-timed block from Kamilla sends the ball in Chloe’s direction and she scoops up the rebound, passing it to Tess on the wing, who knocks down her first three of the night. NC State ties it up again 10-10, then NC State scores off of a steal, then Ashlyn shoots, though the ball doesn’t fall and she picks up the offensive rebound. She kicks it out to Tess again, who takes a long two and it falls in. They’re tied 12-12 with about three minutes left, but Coach Staley motions for subs and Bree replaces Tess so she can get a quick breather. In the efficient seven minutes Tess was on the court, she notched five points on 100% shooting, one steal, and one assist, which was good enough for her as the Gamecocks close out the first quarter with a game-tying 3 point shot and the and 1 from Milaysia.

The second quarter starts with all of the starters back on the court, looking to retake the lead at 16-16. Kamilla and Tess are the only ones who score during the entire second quarter, which is frustrating as NC State forces four turnovers. At the end of the half, Tess has scored an additional 7 points with a few extra assists and a steal, tallying her statline at 12 points, two steals, and four assists. Kamilla accounts for an additional 16 of the Gamecocks’ 32 points.

The energy in the locker room is intense as Coach Staley fires them up, going over plays and adjustments. The shift is immediate when they return for the second half. They hold NC State to only six points in the third quarter while they score 29, increasing the score and their lead to 61-37. NC State could have an explosive fourth quarter, but Tess doesn’t plan to let that happen. While she was out with her ACL, one of the things about her game that she improved on immensely was her defense, which shows in the fourth as she ends the game with two more steals, a block, and other plays that won’t show on her stat sheet like forcing shot clock violations or contested shots. At the end of the game, confetti rains down as the Gamecocks are the Final Four winners, 78-59. Tess notched 20 of those points, only trailing behind Kamilla, who had 22. She celebrates with her team, excitement coursing through her body – she’d won the game and her bet with Paige. All in a day’s work.

She showers quickly and sits through the presser. A reporter asked her what it was like being back in the Final Four – and taking home the Final Four win – after last year’s disappointment, and all Tess could really say about it was, “It’s a blessing.” Her teammates led her here through an undefeated regular season and they trusted her enough to welcome her back on court during some of the most important games of their season – the SEC games, the Final Four. She’s overwhelmed with gratitude, appreciation, and love for the game, although her joy quickly fades when a reporter asks, “The championship match up will be between South Carolina and Iowa or South Carolina and UConn. How do you plan on facing personal conflicts of interest in either of those matches?”

Tess knows she’s trending before she even feels her face contort, although Kamilla pinches her thigh under the table and she schools her expression. She figures that the UConn conflict of interest – whatever the fuck that means – is more than likely referring to her and Paige, although she’s more confused about the Iowa one. Was it because Iowa defeated them last year and people are still trying to make it seem like Tess holds a grudge for her ACL?

Coach Staley hasn’t interrupted to say next question yet, so Tess answers it to the best of her ability. “Um, I can promise that there will be no personal conflicts of interest. I’m here to play ball. Nothing else to it. All of us, South Carolina, Iowa, UConn, whoever, we’re mature players and any off-court friendships are just that – off-court. We’re here to win. I don’t hold anything against Iowa for last year’s loss or my knee.” She leaves it at that, although the reporter was clearly expecting more, but she doesn’t care.

The rest of the conference keeps on moving until Coach Staley ends the questioning. Coach gives her a covert nod, appreciative of the way she answered the question, and Tess doesn’t wait around for any further instructions. She makes her way back out to the court, finding a seat in the stands as Iowa and UConn warms up. Paige glances up, her eyes scanning the crowd absentmindedly as she dribbles, before she finally locates Tess. There’s thousands of people in the arena already, but Tess feels like she and Paige are the only ones in the room when she smiles at her. Tess gives her a thumbs up.

Once the game finally starts, Tess is on the edge of her seat for the entirety of it. She doesn’t think she’s ever been more invested in a game she wasn’t personally playing in. Even when she was on the bench spectating her teammates while her knee was healing, part of her just couldn’t get into it fully. She was thinking about the plays, visualizing the X’s and the O’s, pondering what she would have done differently, how she would have taken that shot. Watching Paige play feels like Tess is playing, too. Whether or not Paige wins or loses this match feels personal. Tess wants this so badly for her. They’ve both been dealt a shitty hand of cards, with Paige tearing her ACL the year before Tess and missing her junior season; then Tess tore her ACL and missed 95% of her senior season.

UConn is up 19-14 at the end of the first, but it’s a hard fought 5 point lead. By the end of the half, UConn maintains a steady 6 point deficit, leading 32-26 as they go into the locker room for a much needed break and some review. The third quarter rolls around quickly and the team takes their place on court once more. It’s a tense ten minutes. Iowa finally clears the deficit and they’re tied 51-51 going into the fourth. The fourth is where Iowa truly begins to break away, leading by as much as nine points before UConn clears the gap. With a three from Nika, they’ve cut the lead down to 1 with 40 seconds on the clock. With less than ten seconds remaining, KK pokes the ball out of Hannah Stuelke’s hands, and Tess rises to her feet, all of the blood rushing to her head as she watches on with an odd combination of hope and fear.

Nika brings the ball up, passing to Paige who hands it right back, circling around to draw her defender while Aaliyah sets a screen. Tess almost blacks out when she hears the whistle. Offensive foul on Edwards. The UConn fans surrounding her clamor in disbelief, booing loudly, and all she can do is watch, her hands over her head. Tess can’t believe it’s ending like this.

71-69, Iowa. Tess still hasn’t processed it, even after watching Paige and her teammates make their way to the locker room in defeat. She doesn’t process it when the team group chat lights up, discussing how Iowa is their official natty match. She doesn’t process it when Kamilla texts her personally, extending her condolences towards Paige, but what she does process is the second message from Kamilla reading, “Get them back.” She plans on it.

Tess’s thumbs hover over her keyboard ten minutes later, trying to figure out what to say to Paige. Tess has known Paige – personally – for almost a year, but she doesn’t know how to approach her. There’s nothing she can say or do that will take back the officiating, but as a competitor, too, she knows the game shouldn’t have come down to a call or free throws. She doesn’t know if Paige wants time alone right now or if she wants someone to lean on. Tess knows she has to at least try, although Paige beats her to it before she can put her jumbled thoughts into words.

I can see you typing It’s okay

Paige’s own text bubbles blur in and out for a moment, but Tess doesn’t send anything.

Can you come to my room? After press Please I’ll kick Ice out

i’ll be there

Thank you

Tess sends a single heart emoji back, not expecting a response, and she doesn’t get one. Her heart hurts for Paige. She just went through the toughest season of her life, and it ends like this. Tess wouldn’t be satisfied. She knows Paige isn’t. But right now, she needs a moment to rest, to decompress, to feel the loss instead of sitting and giving media-approved answers for 20 minutes.

Before Tess heads out to Paige’s hotel room, she swings by the nearest gas station first, stocking up on a bunch of candies, a drink for each of them, and a pint of ice cream. She’s unsure if Paige will have an appetite after the game, but it wouldn’t hurt. Once she’s paid and all of her groceries are in their bags, Tess makes her way to the hotel to wait.

Paige doesn’t keep her waiting for too long. Tess is lounging on the bed, eating Sour Patch Kids when the door unlocks with a click. Paige shuffles in, her bag slung over her shoulder, and the look on her face is all Tess needs to see. Wordlessly, Paige drops her bag on the ground and doesn’t even kick off her shoes before she’s crawling into the bed next to Tess, wrapping her arms around her waist and laying on top of her. Her hair is still a little damp when Tess undoes the hair tie, brushing her fingers through the blonde waves, dragging her fingertips against her scalp. Paige is tense against her but she relaxes as Tess stretches out, creating a little pocket for Paige to slot her legs against.

Paige is the first to break the silence. “D’you get those gummy cluster things?” she asks forlornly. Of all of the things Tess was expecting her to say, that was not one. She can’t help her surprised laughter.

“Of course I did,” she says, pressing her lips to Paige’s forehead. “They’re your favorite.” Paige doesn’t move, but she cranes her head, her ear directly over Tess’s heart. Her arms tighten around her. “I’m sorry,” Tess says after a while.

“It’s okay,” Paige says quietly. Her voice cracks. “Shoulda never come down to that. Calls, free throws, whatever.” Tess can’t help but smile a little bit, knowing that’s exactly what Paige would say. “Gonna be sore for a while but we’re gonna be there next year.”

“You will,” Tess promises. Paige shifts her head, looking up at Tess. The expression on her face is defeated, but Tess knows Paige well enough by now that she recognizes that fire, the spark of determination in her eyes. This is just a set-back. They did the impossible, damn it. Paige led them to the Final Four after coming back off of an injury, after losing most of the team to other injuries. Countless people said they wouldn’t be able to do it and Paige proved them wrong. “You’ll lead your team to the Final Four again next year. Tell Geno to recruit someone crazy from the portal. You’ll get some pretty good freshmen next year. You’ll win the Final Four, and you’re gonna come see me in the natty tournament ‘cause I’m not making that win easy for you. But you’re gonna lead them to that win and you’re gonna kick our ass. You, one of your crazy ass freshmen, and one of your sharpshooters – Ashlynn or Azzi. Maybe both. Then they’re gonna talk about us. Romeo & Juliet, Bueckers & Kennedy, cringy shit like that.”

At that, Paige can’t help her watery laughter, her eyes shining just a little brighter. “You think that’s happening?” Paige asks, amused. “I’on know if you can put your ego aside and lose like that.”

Tess raises her finger, grinning softly at Paige. “See, I’ve thought about it. Walk with me here.” Paige hums, rolling her eyes, but her expression is unbelievably fond as she gazes at Tess. “So, here’s us. February 8th, 2021. Our first game together. You kick my ass. Then every game we played since then, I kicked your ass. Now, it’s only full circle if you win the first and the last games we play against each other collegiately. It’s, like, written in the stars. But you’re not winning just ‘cause it’s fate, you win because you drop a nuke and you have that transfer portal weapon, your scary ass freshman, and your sharpshooters, like I said. For my other point – I know I always say ‘Tess Kennedy doesn’t lose twice!’ but hear me out. If I lose to you, I’m technically winning, because I have two natty rings, then my girlfriend has a natty ring, and then in like a couple years, my girlfriend’s gonna get me an actual ring because her natty win increases her draft stock, which means she goes to a professional team and makes the big bucks. Are you following?”

Paige shakes her head. “Not at all,” she murmurs, leaning up to press a gentle kiss to Tess’s lips. Tess can’t help but smile, reciprocating, their kiss deep and unhurried until Tess remembers where they are.

She draws back, her brows furrowed. “Wait, are you for real?” she asks indignantly. “I just mapped out the next five years of our lives and you weren’t even listening?”

Paige huffs in amusement. “Little hard to focus ‘cause you basically said you wanna marry me.”

Tess clamps her mouth shut, flushing. She did say that, didn’t she? “Well,” Tess says slowly. “That’s not my main point. Unless you want it to be. But even if you do, it’s not–”

“Tess,” Paige laughs, getting serious. “You wanna?” Her voice is softer now, her eyes firmly on Tess’s.

Her blush deepens and she tilts her head back, sighing. “It’s early, I know,” she concedes. “So I know that probably freaked you out. I wasn’t thinking.”

“Not what I asked,” Paige reminds her, grinning mischievously at her. “Do you wanna?”

“I feel like I’ve known you forever,” is what Tess says instead, and Paige’s smile grows a little more adoring. “I know it’s technically only been two months officially, which makes me sound like a loser when I say it out loud. It feels like so much longer than that, though. I’ve been into you since June but honestly, I was probably into you from the start. So, I guess, yeah. I would. But like super far from now. You need to worry about kicking my ass in the championship. Then you gotta get drafted. Then you can see if I even like you in like five years from now.”

“Five years is good enough for me,” Paige says softly, leaning up to kiss Tess again. It’s gentle, tooth-achingly sweet, and feels more like a promise than anything else. When she draws back, she’s smiling at Tess. “So, you and me next year? Don’t throw the game or I’ll be mad at you forever.”

Tess scoffs. “I would never do that shit. That’s an insult to you and me. But we’re gonna be there and you’re just gonna kick our ass. And I won’t even be mad because I’ll have everything I’ve ever wanted.”

“Yeah?” Paige murmurs. “What’s that?”

“I’ve got my rings,” she says. “I mean, I’ll have my rings plural on Sunday because now I gotta get revenge on Iowa for last year and revenge on behalf of you. We’re a package deal now.”

Paige snorts affectionately. “Are we?”

Tess hums in confirmation, trying not to think too much about the lovestruck expression on Paige’s face. “So, I have my rings. I’ll cement my name in the Gamecock record books. I’ll get drafted – probably at number two, but that just means my team will suck just a little less than yours.” Paige laughs again as Tess throws up her finger in an ‘L’ shape. “But, I have you, too, now. You weren’t part of the plan. I was just supposed to ball, break some records, get drafted, do my thing.” Tess glances down, fully looking at Paige now, whose eyes are full of amusement, wonder, and warmth. “I’m glad you happened, though. I get to ball and be your girl, which I guess is a much better plan.”

“You guess?” Paige croons. Tess shakes her head, horrendously in love as Paige plants a chaste kiss on her lips, grinning against her. “‘M glad I get to ball and be yours, too. None of that I guess bullshit because I’m not ashamed of bein’ in love like you are.”

Tess rolls her eyes. “Don’t put words in my mouth, asshole. You know I love you.”

Paige’s expression turns tender, unashamedly in love as she’d said. Tess can’t help the sudden cartwheels that her heart does at the sight. “I do,” she murmurs, kissing Tess again, slow, soft, lingering. “I love you, too. So much. Thank you for bein’ here.”

“Of course,” Tess whispers, smiling at her. “I wouldn’t be anywhere else.”

And she wouldn’t. Her teammates are out celebrating their Final Four win before their next game on Sunday. She could be with them, watching film, doing more scouting, knowing that she has something to prove. But she knows she’s capable. Her teammates and coaches know she’s capable. Paige knows she’s capable, so for now, she doesn’t care about what game they’re playing on Sunday, who they’re playing, why they’re playing. She’s with Paige right now. As far as she’s concerned, nothing else matters but her. It can all wait for tomorrow.

APRIL 7, 2024

Tess is certain she’s never been more focused in her entire life. She was first on court for warmups, airpods in as she worked on her handles, footwork, and shooting. Paige even showed up shortly after she did with many of her teammates in tow – Aaliyah, Nika, KK, Ice, Ashlynn, to name a few, but Tess locked back in on her warm ups after sharing a private smile with Paige. They had plenty of time to stare at each other once Tess finished wiping the floor with Iowa.

With her warmup playlist blasting in her ears, Tess zones back in on the ball, working her way through her drills. She only pauses to stretch when her teammates start flowing in along with the coaching staff and trainers. As much as she’d prefer to be shooting right now, she takes the stretching seriously, knowing she needs to be loose for the upcoming match. There’s only an hour left before tipoff, but each and every second is spent crossing up the poor practice boys who honestly weren’t expecting Tess to be so ruthless, shooting from increasingly further distances behind the line, and working on her drives. She remembers what Paige had told her so long ago – the fake drives, the tendency to shoot purely from behind the line. She was confident Iowa would have one of their better defenders on her to shut down her three-point shooting, which is why she was going to make a conscious effort to take more drives into the paint.

Before player introductions and the starting line-ups are announced, Coach Staley grabs her by her bicep after she pulls her shirt over her head, leaving her in her jersey. “I know this game means a lot to you,” Coach Staley says, unwavering in her firm eye contact. “Don’t let it consume you. Play smart, or your ass is gonna spend the game on the bench.”

Tess nods, refocusing. “Got it,” she promises. Her coach searches her eyes before nodding, releasing her. Then, starting lineups are finally introduced with Tess gaining a round of applause that nearly rivals Caitlin’s. The two teams line up for tip-off, and soon, the game is underway. Kamilla wins the opening tip, sending it back to Chloe who passes to Raven who directs traffic to her liking. The ball is sent back to Chloe, who can’t finish at the rim, and Kate Martin scoops up the rebound. At their end of the court, Iowa passes the ball with quickness until it lands back in Kate’s hands and she knocks down the three.

Raven brings the ball up court and it bounces between Chloe, Tess, Kamilla, and then Tess once more as she steps back behind Kamilla, shooting the ball cleanly over her head for a three, tying the game. Iowa brings the ball down with Hannah trying a lay-up, although she misses, and the ball goes the other direction as quickly as it had left. Raven brings it up, but Te-Hina is a little too strong on her jumper. At the other end of the court, Kate’s two-point shot is good, totaling 5 points for Iowa to South Carolina’s 3. Kamilla’s layup is off, but Iowa’s isn’t, pushing the lead to 7-3.

It was cute at first, although Tess isn’t impressed. She didn’t rehab her knee just to trail Iowa 7-3 in the first two minutes of the national championship match. She’ll apologize to Coach Staley later, but if her teammates want to play the “run up and down the court” game, then she’ll play the “shoot the ball and score” game. She’s never this irritated at the beginning – you have to let it develop, but there’s too much riding on it to lose so early. She told Caitlin she was coming for her back in May. She basically promised Paige she’d win today, and Kamilla told her to get them back. She promised herself she’d get them back. The only way this game is ending is with Tess wearing that stupid hat for the second time.

Raven brings the ball up again, passing to Kamilla, but she’s instantly swarmed and she kicks the ball back out to Tess, waiting patiently at the wing. Caitlin’s guarding her. She watches film as much as Tess does, which is why Tess presses for the drive, faking a hesitancy that Caitlin immediately picks up on, but she commits to it at the last moment when Caitlin missteps. Tess takes it to the basket, laying it in easily, but she doesn’t spare it a second glance as she gets back on defense. Judging by the explosion of the crowd, she knows it’s gone in. At 7-5, Tess is on Caitlin like glue, getting a hand in her face and causing her two-point attempt to sail out of bounds. She hardly reacts as they inbound it. Caitlin tries to shake her off before she gets her hands back on the ball, but Tess is planted firmly. Eventually, the ball is passed to Caitlin, but Tess anticipates the step-back and swats the ball away, landing in the hands of one of her teammates. They bring it up, passing to Tess who passes immediately to Kamilla and she banks in the layup, tying the game.

While Caitlin’s bringing it up, Tess honestly expects her to pass, so she’s slow on trying to block Caitlin’s three-point attempt, which results in Tess fouling her and Caitlin being awarded three free throw attempts. A mistake on Tess’s part – Coach would get her for that later, but she extends her hands out to Caitlin to help her up. “That was for the knee,” she jokes. Caitlin huffs in amusement, though Tess taps her chest as she returns to the huddle. Caitlin makes all three shots, taking back the lead with 10-7.

The first quarter continues in a steady back and forth. Te-Hina lands a three, Caitlin responds with a layup, Kamilla misses a two-pointer. On Iowa’s next possession, Tess gets a hand in there and steals the ball from her, sprinting down to their end of the court and laying the ball in on the fastbreak. Tied 12-12, Caitlin’s bringing the ball back up and Tess is on her until Chloe calls for her to switch. With Tess now on Kate and Chloe guarding Caitlin, Chloe knocks the ball out of her hands, though one of Caitlin’s teammates secures it, lobbing it back to Caitlin, who shoots for the three and is fouled by Chloe. Tess hopes there’s not a camera honed in on her expression because there would be think pieces published about how Tess has beef with Chloe Kitts, and honestly, she might start because what the fuck was that? Tess can’t complain too much since she fouled Caitlin the same way. Everyone just needs to get in the weight room and grow a pair – all of this falling down is getting pretty embarrassing. Caitlin makes two of her three shots, and Tess is subbed out after both Chloe and Kate miss their layups.

Tess doesn’t enter the game until there’s a minute and a half left of the first quarter and the scores have evened out. Tess’s two point jumper is good when she subs back in, tallying the total 22-20 in favor of Iowa. Caitlin makes a layup, Tess responds with a three-pointer, and one last three-point shot from Iowa seals the first quarter after Tessa Johnson misses her own three.

Tess returns to the bench to prepare for the second quarter. That honestly felt like the longest ten minutes of basketball that she’s ever played before. So far, Tess has tallied 12 points, one assist, one block, and one steal. Iowa has a slim four point lead at 27-23, though Coach Staley is already drawing up some second quarter adjustments. She moves Raven to defend Caitlin and the really specific instruction of, “Pass Tess the ball” is incredibly helpful and motivating.

From then out, it’s an entirely new game. Raven’s defense is suffocating and she holds Caitlin to only three points in the second quarter. Their offense shifts with most of the point production coming from Kate, Hannah, and one single three-pointer from Sydney. South Carolina outscores them 26-19 in the second quarter, and going into halftime, South Carolina holds a slim 3-point lead at 49-46.

The third quarter passes similarly. Raven holds Caitlin to four points, South Carolina outscores Iowa 19-13, and they’ve increased the deficit to 9, leading the game with 68-59. Tess has slowed down after the first quarter. Her job is to remain consistent, and so far, she has. Her first foul on Caitlin was a mistake – Coach Staley warned her about letting it consume her, but she was too worried about trying to destroy the point gap after Iowa outscored them in the first. With 12 points in the first, 7 in the second, and a calm 6 in the third, Tess heads into the last quarter of the game with 25 points.

In the fourth, Tess gets her 30, scoring only five points in the three minutes she plays but doing a lot more defensively. Coach Staley subs her in for Bree once more and she returns to the bench, receiving a convincing round of applause. She can’t help but smile as she sits, feeling accomplished – if you’d asked her in May, she never would have thought she’d be back here after tearing her ACL. She would have wondered if you were the one high off anesthesia if you told her she had to fake date Paige Bueckers, and she honestly wouldn’t have believed you either if you told her that she’d fall in love with Paige Bueckers, either – but life has a incredibly strange way of working. She trusts her teammates to secure the win and her confidence grows as they keep increasing the gap.

They know they’ve won once all of the starters return to the bench with applause. The final buzzer is only formality and Tess quickly gets lost in the celebration, cheering with her teammates, accepting the corny ass hats, and taking picture after picture with the glimmering trophy. But she grows tired of it quickly – at this point, winning had simply felt like a job she needed to do, as terrible as it sounds. She cared more about proving herself after her injury. As much as she wants to joke about it being a revenge game, it never was – not for herself, not for Paige. Neither of them are keen on revenge, more focused on getting better and taking the win for themselves, for the teammates, for all of the hard work they poured into training to get here. Part of her really wants to celebrate for Paige. Tess wouldn’t be here without here, but Paige would tell her that’s not true. She knows this moment is for her and her team, for the players leaving, for the younger players with the hope of a repeat next year. So she soaks it all in, trying to relish in the win.

Once it all dies down, she ducks back into the tunnel, looking forward to a hot shower so she can get through the subsequent presser. The quicker she’s in bed, the better, but her plan derails again when she finds Paige, alone, leaning against the wall across from the locker room. The blonde’s smile grows when she spots Tess. She lengthens her strides, falling into Paige’s open arms with a startling swiftness. Tess knows she’s gross and sweaty, but Paige doesn’t seem to care, the scent of her cologne making her head spin. “Congrats, Tess,” she whispers, her voice reverent and soft. She leans back to look at her with a mischievous expression. “30 points? Who you showin’ out for?”

Tess rolls her eyes. “Please shut up,” she says, not letting Paige say anything else as she pulls her down a few inches, capturing her lips in her own. Tess knows that this win should mean more to her….but it doesn’t. It’s a national championship win, her second of her collegiate career, and she just dropped 30 points on a tough opponent. She worked her ass off to get here. She spent several months in rehab, several weeks trying to get over the alcohol dependence, and an uncomfortably long time trying to figure out how to love herself and others when she was at her lowest. And she knows it’s corny, that she sounds horrendously down bad, but she feels more like a winner in Paige’s arms than she did holding up that fucking trophy.

Paige draws her in by her waist, eliminating the space between them completely, tilting her head for better access and Tess can’t help but give in to her. This is what she worked so incredibly hard for. She worked hard to be able to play basketball again – and she did. She worked hard to be the kind of person that Paige Bueckers deserves – and, well, the jury’s still out on that one, but Paige loves her, so maybe she’s doing something right. Paige smiles against her, one hand reaching up to cup Tess’s cheek, deliberately slowing them down. Their kiss turns more tender, unhurried, and Tess can feel the remnants of it down to her toes when Paige pulls back, squeezing her gently. “You and me, same time next year?” Paige murmurs.

At that, Tess can’t help but laugh. She presses one last kiss to Paige’s lips, feeling her smile grow as she promises, “Same time next year.”

#paige bueckers #paige bueckers x oc #uconn #uconn wbb #ncaa wbb

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dailynnt · 3 days ago

Text

FRIENDS WITHIN TOUCHING DISTANCE

Summary: What happens when two best friends try to get along under the same roof? You've been living with Jungkook for three months now, but your cohabitation is still a challenge for you. He continues to live like a real bachelor without following the rules you agreed upon from the beginning of your decision to live together. Should you find a compromise or should you find a new place to live?

Couple: Jeon Jungkook/ Fem!Reader

Characters: The Reader, Jeon Jungkook, Park Jimin, Kim Taehyung, Min Yoongi, Kim Seokjin, Kim Namjoon, Jeon Hosuk.

🔞 Age restrictions: 18+

👩🏼‍❤️‍👨🏻 Relationships: ⚤

📕 Number of part: 15/?

🖇️ Tags: best friends, friends with benefits, slow longing, sexual tension, protected sex, unprotected sex, alcohol, drunken sex, inexperienced main character, mafia au, illegal trade, deaths of minor characters, weapons, swear words. Tags will be added as the story is written.

👩🏼‍💻 From the author: Guys, this is crazy. I spent a lot of nerves writing this part. It was the hardest for me. It's also the longest of all the parts I've written. Please, at least there were a minimum of mistakes 🤏🏻 🙏🏻 In this part, we learn more about the clan in which Jungkook works. And oh my god, what is Jungkook going to do with Doohoon? 😵 Please let me know in the comments how you like this part 🥺🫠🫶🏻

🫂Dedication: For you, my love @myjungkookthighs. You are my favorite person 😘🥰 You know that I appreciate you very much and love you🥰💜

⚠️ Warning: English is not my native language, so there may be mistakes in the text. Please don't get mad at me too much! Those under 18, please don't read this story!

📋Tag list: @myjungkookthighs, @notsevenwithyou (If anyone wants to be in my tag list let me know)

≣ Chapter Index ↓

Part 15. Who are you, Jungkook?

𓏧POV Jungkook𓏧

"She's pretty." - Jungkook hears his ex-girlfriend's voice from somewhere in the distance. Jungkook looks after you. He remembers your expression, you looked angry. But he can't really tell if it's because of Doohoon or because of his ex's appearance. He wants so badly to follow you, not to stand here and look at the face of the person he thought he would never see again in his life.

Ha Young hasn't changed much, her eyes as mischievous and playful as ever. She was never serious, like you, for example. She was indifferent to everything. She only cared about her image and the money she had to have in a constant flow.

Jungkook looks at his ex with an angry look. Who is she to judge you? She never loved you, and it always annoyed Jungkook.

Jungkook recalls the time when they were dating against his will.Jungkook remembers how they would fight every time Ha Young found out that he was talking to you.

"She looks much better in person than in the photo. I never thought I'd get to meet your precious bestie." - Ha Young says sweetly. Jungkook clenches his jaw. He's only here to find out what this woman is doing here, and why she's in the company of his former friend and now enemy.

He doesn't have time to listen to her thoughts on you. All he can think about is that you're alone and he's not there. Doohoon is here, which means he will try to get closer to you. He threatened to have you. Not in this life. Jungkook won't give you to anyone because he's become so greedy for you. He doesn't understand what these feelings are, but the thought of you being with another man drives him crazy. Not to mention Doohoon, who can only get you over his dead body.

"You have exactly one minute to talk." - Jungkook says coldly. He has to hurry to get to you, and he doesn't have time for anything else.

"In a hurry? Want to see your upset bestie? She's angry. She's probably dying of jealousy." - Ha Young said and smiled wickedly.

"You'd better speak to the point." - Jungkook says threateningly. Ha Young stops laughing. Jungkook's furious look makes her nervous. But she has a plan to follow.

"Don't get mad, champ. I was just joking." - Ha Young smiles sweetly as she looks at Jungkook. God, he's even hotter than he was before. Maybe she'll have a chance to get into his pants. She has no doubt that she's better than you in bed, and she could make Jungkook feel good. The sight of him now just makes her drool. "I want to smoke a cigarette. Can we go to the smoking room?" - Jungkook clenches his fists nervously, he's hesitant to go with his ex or not. Is he worried about you. He decides it shouldn't take long. A quick conversation and he'll be back with you. Besides, you're under the protection of Hoseok and Taehyung.

Ha Young walks in front, Jungkook walks a little behind. He doesn't look at her at all. He's holding his phone in his hand and checking a text from Hayato.

This guy belongs to Jungkook's group. He is Japanese by birth and lives in Korea. He speaks good Japanese, so he is very helpful in getting the devices back. Hayato writes that the devices were transported to Sapporo. And that Doohoon is personally supervising the transportation. Jungkook wants to curse. Doohoon, that dambass. He getting tired of him doing this shit.

Jungkook writes to Hayato to find out where the devices will be delivered to Spapporo. He also asks for information on how to pick them up.

The loud music and conversations fade away as Jungkook and Ha Young find themselves in a room in front of the restrooms. The room is large. It has sofas and tables with ash trays on them. There is a slight smell of cigarette smoke in the air. There are hoods working here.

Ha Young sits down on one of the sofas and takes out a cigarette from a small black handbag. She seems to have taken it only to have a place to put the pack of cigarettes. Jungkook stands at a distance. He doesn't want to smoke with her. Although he wouldn't mind smoking one to calm his nerves.

Ha Young takes a drag and then a thick cloud of smoke leaves her mouth. She takes another drag and then smiles with satisfaction.

"So is it true that you guys are fucking?" - Ha Young asks, her eyes radiating pure curiosity.

"Do you think it's any of your business?" - Jungkook replies dryly. Ha Young laughs. She takes another drag and blows out smoke.

"Doohoon told me you're fucking her. And that you've wanted to do it for a long time. You wanted to fuck her even when we were dating?" - She asks. Jungkook is angry. Not only is Doohoon a dumb asshole, he also has a big mouth.

"You were fucking Taejoon when we were dating." - Jungkook reminds his ex. "Is it worth it for you to bring up that time now?"

The reason they broke up was because of an affair. Jungkook met Ha Young at a club in Namjoon, the same club where he fought. She worked there as a ring model. They are the ones who carry the signs with the round numbers.

He remembers her flirting and seducing Jungkook. She was always hanging around him because he was the best fighter. Their romance started quickly because they instantly became passionate. They dated for over six months. Ha Young always supported and cheered for Jungkook. She was good at relationships and always knew how to make Jungkook feel good.

Jungkook doesn't know if he was in love with her at the time or not, but he enjoyed being in this relationship. He shared absolutely everything with Ha Young. She knew everything about him without exception. He also told her about you.

When she saw your picture and found out how you were talking to her boyfriend, she often made scenes of jealousy and asked Jungkook to talk to you less. He was angry at this request. He couldn't give you up for his girlfriend. You were his friend for a very long time and he had special feelings for you that no one could understand. You are someone who must be in his life.

But in order not to upset his girlfriend, he stopped writing and calling you first. He was happy to communicate with you when you took the initiative, but after a while your communication went down to a minimum.

When the "super fight" situation happened, Ha Young began to distance herself from Jungkook. While he was dealing with the police, she hardly ever came to see Jungkook at the hospital, almost never answered Jungkook's messages, and even less often answered the phone when he called. Then later he found out that Ha Young was hooked up with Taejoon. He was Namjoon's man. Jungkook found out that she had been fucking him for months.

Jimin was the one who helped Jungkook find out the truth about his girlfriend. He remembers when they broke up. He wanted to punch that Taejoon guy in the face, but Jimin stopped him. He told him that Taejoon was close to Namjoon and if he picked a fight with him, his boss wouldn't like it. And Jungkook would get into big trouble with Namjoon himself. And since Jungkook already has a big debt, there's no need to make things even more complicated. "Some cheap vagina isn't worth the trouble." - Jimin said at the time. It was a big blow to him and he had a hard time with the divorce. But working for Namjoon helped him quickly forget those hard times. Ha Young disappeared from his life, and then Jungkook decided that he would not have a serious relationship, certainly not with the life he had. One-night stands were the best solution.

But now, looking at this woman, he feels nothing. Despite her beautiful dress and makeup, she doesn't look attractive.

Ha Young didn't say anything. She was silent because she had nothing to say. Jungkook knows that Taejoon bought his ex-girlfriend. And he bought her very cheaply.

"So what? Is she better than me in bed?" - Ha Young asked, almost finishing her cigarette. She only had a few puffs left.

"That's none of your fucking business. Tell me why you're here with Doohoon. How come the two of you are here with him?" - Jungkook says rudely. He's already tired of this dialog.

Ha Young slowly finished her cigarette and put it out, throwing it into the ashtray. She stood up and walked over to Jungkook.

"You've become so hard to me. Have you forgotten how good we had together? Is it because of your bestie?" - Ha Young asked as she touched Jungkook's chest with her hand. She lowered her voice to sound more sexy. Jungkook looked down at her hand and after a moment, he pushed it. He didn't want her to touch him.

"Listen, Ha Young. Don't mess with my head. I don't have time for your empty talk and memories from three years ago. If you don't start talking now, I'm going to leave. I'll find out for myself why you're here. And God forbid I find out that you're here because Doohoon brought you here for some plan. You'll regret ever being born." - Jungkook says threateningly. His eyes burn with rage.

Ha Young feels her skin crawl at Jungkook's tone. She's both scared and excited. Has he always been this fucking hot? Ha Young smiles to hide the embarrassment Jungkook has caused her.

This is why she's here. She has a debt to Doohoon and to get rid of it, she has to fulfill her part of the plan. Right now, her task is to get him to talk so that Doohoon can talk to his lovely friend. And then she has to do something special. But she has to wait for a sign.

"Do you want to know why I am here, Kook?" - Ha Young asks.

"You wanted to tell me yourself, that's why we're here now." - Jungkook replies. He senses that something is wrong. Is she stalling or something?

"Actually, I'm here because of you." - She finally starts to speak. "I've been communicate to Doohoon for a long time. Like a year or something. Once... I was saved by Doohoon. The client was terrible, he... I thought I wasn't going to get out of there alive." - Jungkook's ex says with a desperation Jungkook doesn't believe. He scrunches up his face.

"A client?" - He asks again. "What do you do for a living?"

"I work as an escort." - Ha Young says casually. Jungkook nods his head with an indifferent look. Ah, nothing has changed. Instead of a cheap prostitute, she's become an elite one.

"I see. So what? Why are you here because of me?" - Jungkook asks.

"Doohoon told me everything about you. When I found out that you were fucking your precious bestie, I felt so terribly jealous. She always pissed me off. I guess she got what she wanted. Didn't she?" - Jungkook's ex said, her voice bitter. "I've been thinking about you, darling, ever since we broke up. I want you back." - Jungkook laughed softly. Is she stupid or what? What does she take him for if she thinks he'll fall for that fairy tales?

"Really?" - Jungkook laughed.

"Yes, dear, I came here not because of him, but because of you! Jungkook, I remember us. The passion we had." - Ha Young's eyes light up. She moves closer to Jungkook, her voice softer but provocative. "We could start over. I'm better than her. I know the real you." - Jungkook looks at his ex with contempt.

"You don't know the real me. And I don't want to have anything to do with you." - Jungkook says cold.

"You can deny it all you want, but I know you haven't forgotten me. We were perfect together." - Ha Young says. She hears her phone vibrate three times. It's a message from Doohoon. It's a sign, she just needs to wait a few seconds. Doohoon is supposed to text three messages when he's at the door.

Ha Young walks up unexpectedly and presses herself against Jungkook and suddenly kisses him. She captures his lips immediately remembering the feeling. They taste so sweet.

Jungkook is confused, he didn't expect his ex to kiss him. She grabbed his collar and clung to him with her lips. As soon as he comes to his senses, he pushes her away. But not too hard so that she doesn't get hurt. Ha Young smiles with satisfaction at Jungkook.

He raises his eyebrows. He wants to yell at her, but with his peripheral vision, he notices someone outside the smoking room door. Jungkook turns his head, and everything stops inside him.

Your dazed eyes seem to cut him to pieces. Behind you, Doohoon is standing, holding your shoulders and smiling. Jungkook thinks he's going to lose his mind. Are you here with him? Did you see everything?

Jungkook quickly walks over to you. But when he opens the door, all he sees is your back. You run down the hall to the exit. Jungkook urgently needs to explain everything to you.

But Doohoon is standing in his way. Jungkook is so angry that nothing can hold him back.

Doohoon sees you running away because you didn't want to talk to Jungkook. He turns his head and is one step away from Jungkook.

"What did you do, you bastard?" - Jungkook hisses. Ha Young runs after him. She stands silently behind her ex-boyfriend.

"Really, Jungkook, do you have an obsession with taking my girls?" - Doohoon provokes Jungkook. He is already shaking with rage.

"How dare you touch her bastard? I told you that if you lay a finger on her, you'll be begging for breath!" - Jungkook clenches his fists so hard that his fingers crack. Doohoon smiles. Come on, dumbass, it's almost showtime.

"I was just talking to my friend. You don't seem to share anything with her. I told her the truth about you. She was shocked that you belong to the mafia." - This is the last thing he says before he meets Jungkook's fist with his face. The blow is so hard that Doohoon falls to the ground. His eyebrow throbs and hurts like hell. Doohoon feels warm blood trickling down his cheek.

Jungkook is blinded by anger. He's ready to just beat the bastard to death. How did he end up next to you? How did he get the chance to talk to you? Did he tell you that Jungkook belongs to the mafia? Where is everyone? How did he set it up so you could see that kiss? He swears he's going to kill Doohoon today.

Jungkook climbs on top of Doohoon, grabs his hair, and punches him in the face. He puts so much force into each punch that Doohoon's face instantly bleeds. This is the bastard's payback for everything he's done. For the stolen instruments, for the harassment, for telling you things you were never supposed to know, for bringing that whore in here who kissed him in front of you.

Doohoon laughs. He's hurt, but he knows that now Jungkook is in trouble. He doesn't mind sacrificing his face for the sake of the perfect execution of the plan. The plan to ‘destroy Jungkook’. This idiot is like a rabbit caught in a trap.

"I'm going to kill you, you son of a bitch!"- Jungkook shouts as he smashes Doohoon's face beyond recognition. "How dare you lay a finger on her?" - Jungkook is furious.

Doohoon could have really died today. But he is saved by the guys from the Namjoon clan.

Jimin is the first to run into the hallway and sees Jungkook punching Doohoon. Jimin tries to pull Jungkook away, but he's too strong. He shoves Jimin away and continues his work. Doohoon has to die so that Jungkook can finally live in peace.

Taehyung comes to help Jimin. People rush into the room. Yamada and his bodyguards. Jin and Hoseok are here. Ha Young is also among these people. She's the one who called for help. Jungkook is dragged away from Doohoon by force. Taehyung and Jimin can barely hold him, but Jungkook breaks free and screams.

"Let me go, I'll kill him." - Hoseok and Jin also run over to calm Jungkook down. Ha Young runs over to Doohoon and leans over him.

"Please call an ambulance!" - She begs.

Jungkook just can't be held back. He sees his friends and is so angry at them.

"Where the fuck were you guys? Why did you let him be around her?" - The guys look at Jungkook in confusion. Didn't he call them outside because he had something important to tell them?

"Buddy, calm down!" - Jimin finally says when Jungkook is pressed against the wall and breathing heavily. His hands are bruised and covered in blood. His face is also smeared with Doohoon's blood.

"What's going on here, Mr. Jeon?" - Yamada asks. Jungkook is out of his mind. He ignores the party host's question and turns to Jimin.

"Where the fuck is she?" - Jungkook is still breathing heavily. He is released, he stands up straight and his posture is tense.

"I saw her get into a taxi." - Jungkook hears Jin's voice. Jungkook takes off running, passing all the people who came to help Doohoon. When he reaches the half-conscious Doohoon, he stops. Ha Young defends his partner and several of Yamada's guards tense up with their hands on their guns.

Jungkook looks at his ex with contempt as she so desperately defends Doohoon.

"I swear, you fucking bastard. I'll blow your head off if you ever show up near Y/N again." - Jungkook throws in a final word and walks out of the hallway. He leaves the restaurant to find you.

***

Your hands are shaking. You feel something painful squeezing your chest, preventing you from breathing in properly. Tears are running down your cheeks, forming a wet path. Each new tear runs along the established route, hot on the trail and instantly cold.

Your head hurts, from crying and an endless stream of thoughts. Oh God, you're going to go crazy.

You bought a ticket for a night flight to Korea. Your first thought when you realized who Jungkook and his friends really were was to run away. Are they the mafia and who knows what's in their heads? Maybe this trip to Japan is some kind of mafia business. What if you get hurt because of them? You have to run away, right?

You haphazardly stuff your things into your suitcase and beg yourself to get out of there before Jungkook comes. You knew he would. Maybe that's the only thing you know about him. Because it turns out you don't know the man at all.

Jungkook is working for the mafia. These words sound so absurd and it didn't fit into your mind. Your Jungkook, the one you've known since childhood, the one who could smile so warmly and sincerely-how could he be connected to this world? Could he really kill people? A whole bag of guns - isn't that strong evidence that he can?

Your relationship with Jungkook turned into a kind of disaster that threatened to break your heart. You succumbed to the feelings he aroused in you. The image of him kissing his ex was tearing you apart.

You see this picture before your eyes, and his words "mine" echo in your head. You are in so much pain. You pressed your hands to your chest and felt a very dull pain. Tears don't help at all, it seems to only get worse. Why did he say those things? Why did he do that to you? Why did he make you fall in love with him? It's not fair. Why did you find out that he belongs to the Mafia and see him kissing his ex one night? Does fate dislike you so much that it's cruel to mock you?

You ran from bathroom to room to get your things. You were getting ready for a party so fast that you threw everything around. Now you need to spend time putting it all in a suitcase.

Almost as you're packing, you think you should call a taxi to take you to the airport. You grab your phone and enter a request into the taxi app with shaking hands.

You hear the door of your room knocking and you freeze. Your heart is pounding in your chest. Your breathing is rapid. You know who it is.

Jungkook runs into the room and sees you. You're crying and you're almost packing your suitcase. He notices that you're dressed in black jeans and a warm sweater. The dress he bought you is lying on the bed.

Your eyes are frightened. You look at Jungkook and your hair stands on end. He's not wearing a coat, just his suit. His hands are smashed and covered in blood. There is also blood smeared on his face. His gaze was intense, and his eyes were dark, as if a storm had settled in them.

Your heart clenched at the sight. It was him, but at the same time not him. The man standing in front of you seemed like a stranger.

"What are you doing?" - His voice was low, almost hoarse.

"I'm leaving." - You say. Your voice trembles and he scratches at your throat.

"Baby no." - Jungkook says desperately. "Please let me explain everything to you?" - He walks toward you.

"Stay away from me." - You ask with fear in your voice. But Jungkook doesn't hear you. He approaches you and grabs you in his arms. You feel as if you've been frozen. You can smell Jungkook's perfume. For a moment, it seems that this is the most ordinary hug that has always been accompanied by this wonderful smell of citrus and lemongrass. This is your favorite smell. But it's all an illusion. This is not the same hug. Jungkook is not the person you know. Who are you, Jungkook?

"Let go." - You cry.

"It's that bastard Doohoon. He set this whole thing up..." - Jungkook explains. Jungkook holds you for a moment longer and takes your face in his hands. His heart breaks at the sight of your crying eyes. "Baby. My favorite little girl. Please, please listen to me. I'll explain everything to you..." - He's begging you so desperately, but you think you've had enough. Enough of all the darkness that shrouds Jungkook's personality.

You are on the verge of an emotional breakdown. You can't see that face in front of you anymore. You pull out of his arms and silently go to your suitcase. You have already called a taxi. You just need to take your things and leave.

"You're not going anywhere!" - Jungkook shouts. He's angry again. He throws your suitcase on the floor and all your things fall out. You are frozen. Jungkook's eyes are furious. You feel fear choking you. You start to cry harder.

"Please." - You cry softly. "Let me go... I'm... I'm afraid of you." - Jungkook almost faints. Why does your look remind him of all the people he's tortured when he needs to extract money or information? Are you really afraid of him? But he would never hurt you in his life. He is so angry about everything that happened that he probably looks like a monster. You look at him like a monster and your eyes are full of fear.

Jungkook is breathing heavily. He doesn't know what to do, but he doesn't want you to leave. He wants to explain everything to you. But do you want to hear him? But it looks like he can't hold you today. You're going to leave anyway, he knows. His world was falling apart right in front of him, and he didn't know how to put it back together.

Jungkook silently walked out, leaving you alone. You quickly gathered your things and left the hotel without a word.

***

When you arrived in Korea, you went straight to Suwon. On the morning of the day after Christmas, you were on your way from the airport to your hometown. You absolutely could not go to Jungkook's apartment. Everything there would remind you of him. You want to forget everything you've learned about him as much as possible. Your emotions get the better of you, you can't think straight.

Your parents were pleasantly surprised by your arrival. Almost from the doorstep, they thanked you for the Christmas gifts you had mailed to them before you left for Japan. Your parents also tried to ask you about your vacation in Niseko, but you lied that you were very tired from the road and would show them photos later. All of your parents' questions about Jungkook were skillfully ignored.

A few days passed. You kept getting texts from Jungkook that you didn't read and calls that you didn't answer. You even wanted to block him once because he called so often that it made you angry. But this morning you haven't received a single text message or call. In your mind, you're excited. Did he really leave you alone? But you were a bad liar. When the whole day passed and Jungkook still hadn't made himself known, you were upset.

Your oppression was so noticeable that your mom was worried. She asked what was wrong but you couldn't tell her. You lied and said it was just a stomachache. But it was really your soul that was hurting.

You lay in bed and thought about Jungkook. He's not the fucking guy you knew. He's a mafia guy. He probably tortures people. He probably uses brute force. Or a gun.

You have a clear image of him in your head, with a mischievous smile and a gentle gaze. You remember his arms hugging you. You just can't imagine those hands holding a gun and killing someone. You cry again because you are torn apart by feelings and common sense. You want him to be with you right now. He would hug you with his face buried in your shoulder, as he often did, and tell you that he would always be there for you. That it was all a bad dream. That he doesn't kill people and that it was just a mistake. You miss him so much that you want to crawl out of your own body. You don't know what to do. You ask mercy for yourself. You can't sleep without him. You are not full when he is not around.

On the other hand, your common sense says that Jungkook is dangerous and he really puts you in danger if you are around him. Knowing the world of crime, it's a constant threat and risk. You get scared. Jungkook must have been on the verge of death more than once. Your heart is squeezed with incredible pain. What should you do? Talk to him? Ask him to leave this world? Will he be able to do it? Your head is bursting with thoughts.

You get an idea. First, you need to find out everything about the RUN NOIR clan, and you have the opportunity. Despite the fact that it's almost three in the morning, you text your sunbaenim from first-year. Kim Ji Sung is a master of his craft. He is a journalist to the core, so if you need to find some hard-to-find information, this man is a real find. You are lucky to have known him. He taught you what a journalist should be, and you managed to get a lot from him during that year of your first year and his last.

So you were one hundred percent sure that he would help you. You write a short message saying that it's a matter of life and death and that you need detailed information about Namjoon and his clan. From the very beginning to the present day.

The night passes and you only fall asleep in the morning.

You didn't get as much sleep as you would have liked. Your eyes opened on their own at 9 am. You stayed in bed until eleven until your mom called you for breakfast.

You checked to see if Ji Sung had read your text. He had, but he didn't reply. You were nervous. Should you remind him about you again? You texted him and waited.

Your mom sat down at the table with you, having finished setting it. Your father was not at home, he was away on business.

"Are you okay, my daughter? Do you have such bags under your eyes? Are you not sleeping well?" - Your mom was worried. You were embarrassed. It was so obvious how you were hurting.

"I'm fine, mom." - You said softly, smiling. "I was just on the phone for a long time. I've lost my normal sleep rhythm with this vacation." - You turned back to your plate and lowered your head so that your mother wouldn't see your depressed mood. Mom started eating breakfast, believing your lie. She told you about Dad and where he had gone. Suddenly she started a conversation that you had been avoiding since you arrived.

"I've been wanting to ask you, dear. How is Jungkook? Did you come to Suwon together?" - Your mom asks with tenderness in her voice. And you feel like you've been electrocuted. The mere sound of his name sets your heart into a frantic gallop.

"No. He didn't come because he has a lot of work to do." - You try to speak calmly. Even though your pulse is pounding loudly in your ears.

"He's so busy all the time. Yonok is so worried about it. She complains to me that she sees her son once a year. You should talk to him. He should come more often." - Your mother said without reproach in her voice. It sounded more like a request. You mumbled that you would try to talk to him. But it doesn't seem like it's going to happen because you know the reason why he comes so rarely, and you don't know if you'll ever see him again.

"I haven't seen him in probably three years. Yeah, the last time was at your graduation. He must have gotten so handsome. He was always such a handsome boy. Does he have a girlfriend now? Yonok didn't tell me anything about whether he had a girlfriend or not. But he might not have told her." - Your mother talked about Jungkook nonstop. You lost your appetite. You decided that you should either change the subject or just leave.

"Mom..." - You called out. But she didn't seem to hear you.

"You know, I went to visit her recently. She asked me about you, and I showed her your photos. She said you've become so beautiful. Yeonok said that Jungkook should pay attention to you. She wouldn't mind if we became family. I support her completely. You know how much I love Jungkook. He's such a good boy. You've known each other since childhood. Don't you make a perfect couple?" - Your mom looks at you and meets your dumbfounded gaze. Even your moms are there too. Why does everyone around you think you're the couple to Jungkook? Is it all your "loving look" fault? But you're more surprised that your moms were discussing it. If they knew what was going on and who Jungkook really is. Would they have wanted him to be your boyfriend?

You are saved by the ringing of the phone. It's Ji Sung. When you see his name, you grab the phone and run to your room. Your mom can't know what this conversation is about. Closing the door behind you, you pick up the phone.

"Hello, Sunbaenim." - You greet.

"Hello, my precious Hubeh." - You hear your sunbae's cheerful voice. "We haven't talked for so long. When I saw your message, I was so happy until I read its content." - He laughs into the phone, you laugh back. "In where are you get into huh?"

"I'm sorry I didn't write to you sooner. I'm sorry. I promise to fix it." - You apologize sincerely. If Ji Sung were standing in front of you, you would bow low. "I didn't really get into anything. But I need information about these people. Can you help me?" - You said with hope in your voice.

"Do you even know who you're asking me to get information about?" - Your sunbae asked seriously.

"I do. They are connected to crime. Sunbaenim, please, I know you can get any information you want. I just need to know who these people are. And how dangerous they are." - You say pleadingly.

"Y/N, I can tell you without any information that Namjoon is very dangerous. And also 6 people close to him. He's a mafioso who holds almost all of Korea. He is definitely unrivaled in Seoul." - Ji Sung says. You're getting anxious. How bad is it?

"Really? And who are the six people who are close to him?" - You wonder if you can find out anything. You hear Ji Sung laughing.

"Y/N, you've always been inquisitive. But in the case of the RUB NOIR clan, this could be your fatal mistake." - Sunbae warns you. You have no choice. You need to take a risk to find out who your friend really is and whether you can help him leave this world.

"I'm begging you, Sunbae. This is important to me. I will owe you a debt. You know that one day you may need me very much." - You don't back down.

"You're still stubborn, I forgot about that." - Ji Sung says with a lament. You laugh into the phone. "Are you so desperate such terrible trouble on your ass? Do you have a boyfriend in their custody or something?" - You can hear your heart beating. Yes, he is. But he's not your boyfriend. Friend? You can't call Jungkook your friend anymore.

"You could say that. I'm going crazy with this. That's why I'm asking you so desperately. I need to know who these people are." - The lie falls from your lips so easily. You pause for no more than a few seconds. "Namjoon and these six people close to him." - You wait for a response. When you hear a loud exhale on the other end of the phone, you hope that your lie has worked.

"Okay." - Your sunbae agrees. "But you have a very big debt to me. Because Namjoon can cut off my balls just for digging up information on him. And you, at best..." - For some reason, he suddenly fell silent. You were wondering what would happen to you if Namjoon found out that you asked sunbae to get information about him. But Ji Sung didn't finish his sentence. "I'll send you an encrypted link to download the file later this evening. When you get it, text me and I'll delete everything." - You were happy. Your eyes lit up in anticipation of knowing who they all were. Because you were sure that Jimin's name would be among the 6 people close to you.

"It's a deal. I'll be eternally indebted to you if you do this for me." - You said. Ji Sung smiled.

"Don't say such words. Being eternally indebted to me will be your curse." - Sunbae joked.

"I'm willing to endure that in exchange for very detailed information." - You promise. Ji Sung laughs again.

"We have a deal. I'll be in touch." - He says and hangs up the phone. You feel elated. You look at your phone and realize that Jungkook hasn't texted or called you for two days. This instantly spoils your mood. You go to chat with Jungkook and see his last message from two days ago.

09.21 PM 🐰 Jungkook: Baby please pick up the phone.

You look at his name and see the last time he was online. 5 minutes ago. He was online 5 minutes ago, but he didn't text you. You sadly lock your phone and go back to eating breakfast, which has already turned into lunch.

You finish your breakfast and help your mom with the cleaning and washing up. Your mom says that she is going to pickle a crab, she mentions that Jungkook loved her pickled crabs, and you start to get angry that she tells of him so often. Your mom asks you to go to the local supermarket and buy some food for tonight's dinner. Since she will be cooking the crabs, she can't go yourself.

You immediately agree, going to the store will be a great opportunity to clear your head. You go to the bathroom and take a quick bath. You get dressed and go to the store.

It takes about 20 minutes to walk to the nearest supermarket. You walked down the snowy street in your hometown where you used to go to school every day. Along the way, you met some friends and had a nice chat.

Finally, after buying everything on the list your mom wrote you, you returned home. You offered to help your mom with the pickling of the crabs when you came back from the store. She was almost finished cleaning the seafood and said she could do it herself. The marinade was ready, all that was left was to season crabs.

"If you want, you can help me prepare dinner. In the meantime, go do your own thing." - Your mom said gently. You agreed and went to your room.

You didn't do much of anything. You lay in bed, watching a drama, interrupted by your phone. You checked for texts from Ji-sung and Jungkook's online presence. He was online a lot today, by the way. Right now you look at your phone screen and see "online a minute ago". It's strange that he logs in so often and doesn't even write to you. He terrorized you for two days, and now he won't even send you a smiley face.

You felt a sadness that filled your entire consciousness. You blocked your phone in frustration and fell face first on the bed. How terribly you want to see him. To fall into his arms. To breathe in the smell of his perfume and forget that this horrible world exists at all.

The day passes almost in vain. Somewhere in the evening, when the sun went down and the frost outside became stronger, you felt that you were freezing. You got up, found a warm orange sweater and put it on. You also put on your socks because you had been walking around barefoot all day. You were about to leave your room and go to your mom's when you heard your phone vibrate. You had a small hope that Jungkook had texted you.

You grabbed the phone. The text wasn't from Jungkook, but it was just as important. It was from Ji Sung. You wasted no time in reading the message. There was a link. You clicked on it and a file was downloaded to your phone. When it was downloaded, you immediately texted Sunbae and he deleted everything. Before you opened the file, you received another message from sunbae.

05.12 PM Sonbae Kim Ji Sung : It was worth me all this effort. You are now my eternal slave 😁

You wrote a reply:

05.12 PM You: I'll do my best for you too Seongbae 🥺

You couldn't wait any longer. Sitting down on the bed, you opened the file. It was detailed about Namjoon and the "6 close to him":

Kim Namjoon - Leader.

Role: Chief strategist and leader.

Tasks: Developing clan development plans and setting long-term goals.

Organizing business operations and ensuring their efficiency.

Controlling financial flows and providing a "cover" for illegal activities.

Managing relations with other groups and authorities.

Profile: The founder of the RUN NOIR clan (translated as "Running in the Dark") and later the Mono Corp. He is cold-blooded and extremely intelligent. Namjoon is able to foresee several steps ahead, and his leadership is based on respect, not fear. He is an idealist, but his methods are often brutal when it comes to achieving a goal. He is passionate about art. The slogan of his clan and corporation is: "Run the world with art, rule the streets with shadows". He owns 26% of “Moro Corp”.

Min Yoongi - Shadow Leader

Role: Advisor and executor in the "shadows."

Tasks: Control of information flows and operational security of the clan.

Performing the most delicate and risky tasks that require skill.

Liaison with the criminal underworld outside of Seoul.

Characterization: Yoongi is older than Namjoon, but recognizes his leadership because he believes in his vision. Almost no one in the clan has seen his face and he owns 24% of “Mono Corp”.

Kim Seok Jin - Technician and financier

Role: Responsible for technology and financial fraud.

Tasks: Organizing cyber defense for the clan.

Conducting financial transactions, including money laundering.

Providing access to advanced technologies for other members.

Personality: Gene is jocular and seemingly carefree, but he is actually a genius in IT and finance. His knowledge and connections in the tech world give the clan an edge over the rest. He owns a 12% stake in “Mono Corp”.

Jeon Hosok - Supply and Logistics

Role: Head of Supply and Transportation.

Tasks: Organizing the delivery of illegal goods, including weapons and drugs.

Controlling the network of couriers and carriers.

Providing cover for illegal operations through legal business.

Characterization: Hosok always seems cheerful and frivolous, but he is a master at what he does. His cunning and talent for improvisation allow him to solve any logistical problems. He owns a 10% stake in Mono Corp.

Park Jimin - Businessman

Role: Curator of legal business.

Tasks: Management of a network of elite restaurants, nightclubs and gyms.

Organizing illegal fights and ensuring their profitability.

Communicating with investors and maintaining an ideal "clean" image for the public.

Characteristics: Jimin is charismatic and sexy, and has an innate talent for business. His charm helps him make lucrative deals, but his sweet exterior hides a dangerous and relentless personality. He owns a 10% stake in Mono Corp.

Kim Taehyung - Insider in the military police

Role: Source of access to military police information and resources.

Tasks: Using his status as a special forces officer to obtain information and cover for operations.

Organizing clan protection in case of threats from the police or other law enforcement agencies.

Participation in the elimination of "difficult" targets.

Characteristics: Taehyung is a two-faced man: to his colleagues, he is a professional and reliable officer, and to the clan, he is a dangerous and resourceful ally. He owns a 7% stake in Mono Corp.

Jeon Jungkook - "Brute Force"

Role: "Dirty worker."

Tasks: Racketeering, debt collection and elimination of undesirables.

Controlling the security and safety of the clan.

Organizing physical support for other members' operations.

Characteristics: Joined the clan almost four years ago. Participated in illegal fights organized in one of Namjoon's clubs. Has a debt to Namjoon. The amount of the debt is not disclosed anywhere.

You just can't believe what you just read. What killed you the most is that Taehyung is among these "6 close people". Your heart is broken because you thought he was almost a saint. He is also connected to the mafia and you feel sick.

Jungkook does the "dirty work" and you're not surprised. But it says here that he has debts. What is the amount of this debt? And why did he become a debtor? There are more questions than there were before.

You get goosebumps from the description of these people. You know most of them. And most importantly, these are the people in the mafia clan who keep the whole of Seoul in fear. The scariest thing here is that Jungkook is among these 7 people. Good lord, how? How did your best friend, a promising taekwondo fighter, the son of ordinary businessmen become such a man?

Your mother's voice brings you out of the state of prostration you've fallen into because of the information about the mafia clan.

"Y/N! Come downstairs, daughter!" - She shouts at you from somewhere on the stairs leading to the first floor. Her voice is joyful and excited. You block the phone and hurry downstairs. You hear her voice speaking happily to someone. "I'm happy to see you..."

You come down the stairs and freeze, grabbing the railing. No. It can't be! Jungkook.

He's sitting in the living room on the couch next to your mom. She's care him, and Jungkook smiles shyly at her. He's dressed in all black as usual, but he's not wearing any outerwear right now. He's wearing a black sweater and black sweatpants. His bangs are combed to the front and have a slight parting. You look at your best friend and your heart threatens to jump out of your chest. Your fingers and toes go numb. You missed him so much. Tears well up in your eyes, but you stand motionless at the first step up the mountain.

Jungkook notices you and your eyes finally meet. You look into those big black eyes, similar to Bambi's, and you see something familiar and so necessary in them. Jungkook smiles at you lightly.

"Hi, baby." - He says in his trademark Jungkook voice with a hint of apology and playfulness.

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#jungkook x reader #bts #bts jungkook #jungkook #jungkook x f!reader #jungkook smut #jungkook friends with benefits #bts mafia au

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pinkaditty · 2 days ago

Text

Holidays with Ghouls (Sho Haizono x Reader; Tokyo Debunker)

please read:

okay. big news + life update: i got into a major car accident a little while ago. my first one ever! i am in a lot of pain so things may be slow-going for a while and ill be unable to commit as much time to writing due to the tangled mess that is dealing with modern insurance companies and recovering from my injuries. thankfully its not so bad to be hospitalized, but its bad enough to limit my activity for the time being. i am somewhat ashamed to ask, but if you like my writing, please consider donating to my cashapp: $cindyfromstarbucks! my car was 100% totaled, and im gonna need to save up for a new one, and my job doesn’t pay very much. thank you for your consideration! please enjoy, regardless! (this paragraph will be on my posts indefinitely, probably until i fully recover)

a/n: LET ME START THIS OFF BY SAYING IT’S ENTIRELY SELF-INDULGENT… i have a green thumb and i’ve been growing a small garden lately (limited space. i hate captialism.) and i just thought “hm. what if we grew fresh ingredients for sho’s food truck?” and the idea stuck and didn’t leave no matter how much i tried 2 shake it off. mc is basically written as me im not gonna hold y’all, but i kept it 2 a minimum so it could still be an ‘x reader’.

summary: self-indulgent reader x sho. in which you do something nice for him and he struggles to return the favor.

no cw! enjoy!

big fan of the “woman that is so wound up all the time and extremely professional and tries to keep everyone at arm’s length distance” x “guy that is only a few years younger than the woman but loves calling her by age-appropriate honorifics (i.e. noona, ojou, jiejie, madame, etc) and goes out of his way to teach her how to fucking relax every once in a while” trope and essentially if i were with sho that is how the relationship would go LMFAOOOOOOO

You used to have a bit of a garden before becoming a student at Darkwick. A part of you often wondered if there were people tending to your garden now so you could return to it, well kept and exactly as you remember it, when you were cured of this curse and got this anomalous ring off of you. You'd never really had the idea to plant anything here; you were much too focused on missions and other incessant errands the ghouls saw fit to send you on. You didn't like it, but held your tongue regardless. If all went well, you wouldn't have to deal with this after less than a year.

You were fond of a few ghouls, though. Some of them were a nice reprieve from the other harsher and more selfish ghouls. Haku was a great example of that, and so was Subaru, his dorm's captain. You'd grown fond on the Jabberwock ghouls, as they were always kind and polite. You didn't really mind the Obscuary ghouls, either. Even if odd, they were good natured, and never turned you away. You appreciated that Rui had a bit of a green thumb too, and would often stop by to assist him with plant care.

The one ghoul you were the most fond of, despite his less than agreeable best friend, was Haizono, or Sho, as he insisted on being called. Sho, despite his friend Leo, was actually pretty friendly. You enjoyed the time you spent around him, whether that was collecting supplies from the diner, or training with him, or even helping him meal prep for the following day for his food truck. It was fun, spending time with Sho. You're almost angry the idea didn't dawn on you sooner.

Said idea is why you carefully sift through the dirt in your compost container, careful not to split any of the worms with your nails. The potatoes should be done growing by now. The idea had dawned on you one day when Sho mentioned not having enough potatoes to serve fries the following day. Potatoes were an easy crop. And they took three months, at most, to grow. Sure, if worse came to worst, you'd die, but growing potatoes was a good distraction and encouraged you to plan for the future, as though you wouldn't die. After a few favors from Benji and some begging towards the chancellor, you had a small garden behind the chapel. Granted, you'd just started it three months ago, so it wasn't as full as your garden back home, but it was good enough. It was hidden from the rest of campus by the surrounding trees, ensuring no one would find the garden unless they had reason to cut around the chapel, which wasn't necessary considering the path out front. Not only did it serve as your little place of respite, it allowed you to do nice things for others. You were just growing potatoes for now, but it felt like enough of a starter, at least. You’d just planted some tomato seeds that you’d hoped Sho would also find a use for.

Once done harvesting a substantial batch of potatoes, you wrap them up in plastic bags to look like you bought them. It would save you the embarrassment of having to explain that you’d grown them yourself.

It’s pleasantly chilly outside, the still afternoon air heavy with promises of cold weather and a white winter holiday. Dirt remained underneath your fingernails from all that harvesting, but it was a small price to pay. Your heart pounded with anticipation and exertion as you made the trek to Vagastrom, heading for the nearby food truck. As expected, you find Sho sitting on one of his supply boxes, far underdressed for the cold weather. You can’t tell if he’s resistant to it or rebelling against it, but you can tell he’s cold. His cheeks and nose are tinged red and his eyes are squinted against the cold wind. You can even tell he’s sniffling with how often he inhales. You exhale both fondly and exasperatedly. The stubbornness of these ghouls was simultaneously attractive and irritating.

You make it no secret you’re approaching, the bag of potatoes crinkling with your upbeat steps and your own runny nose sniffling in response to the cold wind. You place the bag of potatoes beside him with a heavy ‘thud’, to which he finally looks up, appearing jolted out of his thoughts.

“Here,” you start, taking your scarf from around your neck and tying it around his without waiting for a reaction. “You must be an idiot to sit out in the cold with just your uniform on.”

“Senpai.” He greets you with wide eyes, watching but not protesting as you tie your scarf around his neck. He appears confused at first, his lips pursing at your actions, but seems to relent as he buries his face into the scarf. You watch as he settles into it, his eyes sliding shut against the cold wind, his nose and lips finding warm solace in the comfort of your scarf. Before long, he pulls it away, revealing himself back to the chilly air with a slight wince. “...No need. Thank you, though.” He glances up at you with a smile before rising to his feet and dusting off his knees. “Whatcha got here?” He gestures to the plastic bag before picking it up, far more effortlessly than you, and inspecting it.

“Potatoes.” Your breath puffs out in a white cloud. “They’re for your food truck. I remembered you mentioned you were running low, so… I decided to help and buy you some.” At some point, you’d shifted your attention to the ground, toeing at a rock as you realized how ridiculous that sounded. Surely Sho could handle himself. He might even find your help embarrassing, when you really think about it.

You sneak a glance at him and are relieved to see a small smile on his face as he observes the potatoes. He huffs out a light breath, his face visibly softening. “You didn’t have to do that.” He slings the bag over his shoulder, using his other hand to ruffle your hair and return the scarf. “Come on,” he turns around, headed for the door of the food truck. “You can help me prep.”

‘That’s only helpful if you’ll have any customers in this cold,’ you think to yourself, but decide not to say aloud. Instead, you watch the slow smile on his face as he nods towards you, and continues towards the truck. Crazy, how a simple glance of his could make your heart race. Something about the warmth of his smile, the feel of his fingers carding through your hair, and the leftover scent of his cologne lingering on your scarf tugged at your heart, just a little bit.

You briskly follow after him, throwing the scarf back over his neck. “Keep it,” you say sternly, watching as he turns to you quizzically. “Have you seen the state of yourself in this cold?” The phrase ‘I want you to have it,’ lingers on your tongue, but you decide not to voice that, instead letting a small amused smile rest on your face. You vaguely gesture to him, your gaze flicking to his red cheeks and nose. He rolls his eyes, noting your point, and keeps the scarf around his neck, opening the side door to his food truck.

“Alright, fine. I’ll wash it and return it.”

As he steps inside the food truck, even from standing behind him you feel a wave of warmth. You follow, stepping inside, feeling the sweet relief of pleasant warm air and smelling the scent of roast chicken. The environment is warm and cozy, wrapping around you like a cushy blanket or a hug from a loved one. Sho closes the door behind you and you note your scarf is still around his neck. Something clicks.

“Wait a minute. You won’t need that.” You point to his scarf, your nose crinkling in mock displeasure. He instinctively flinches away, looking at you with a raised brow. He was seemingly already protective of your scarf, even though he’d only just received it. “Hand it over.”

“That’s hardly fair.” A crooked smile forms on Sho’s face and his brow raises higher. “Why do you assume I won’t need it?”

Indignantly, you gesture to the warm space surrounding you. Sizzling meat, a warm oven, and heaters in a corner, adjusting the temperature of the truck. “Vagastrom is literally right next to here. What do you need that for?”

He doesn’t answer directly, instead tilting his head at you. “I seem to remember a certain someone insisting I keep this scarf. Are you going to go back on your word?”

You clamp your mouth shut, remembering what you’d said and did earlier. He was right, you had insisted, even if only a little. You huff out a frustrated breath, crossing your arms and furrowing your brows. He laughs at your display, pulling the scarf off of him and tossing it on a high shelf of boxes you couldn’t reach. “Like I said, I’ll wash it and return it.”

You decide to swallow this loss. You had other scarves at the chapel anyway, and if he was going to use it, at least it wasn’t going to waste.

You look around the space again before taking off your coat and hanging it on one of the hooks on the door. “Any plans for winter break? Will you be going anywhere?”

“Nah.” Sho shook his head, checking on the chicken in the small oven before continuing to stir fry a vegetable medley on the stove, jutting his shoulder out towards the cutting board, covered in various vegetables. You wash your hands before heading over, carefully scraping at the dirt built up under your fingernails from digging. “Unless my… brother… goes, I’m not going. He’ll beat my ass if I don’t and he does.” A look of displeasure crosses Sho’s face, and you have to hold back a laugh at the thought of Professor Hyde chastising Sho for not seeing his family over break.

You head over to the vegetables laid out on the cutting board, and start with the garlic, peeling it out of its husk. “Sounds like a struggle.”

He scoffs, pouring soy sauce over the vegetables and tossing them before scraping them off on a nearby to-go container. “Holidays are always a struggle with pushy family.” Despite his outward scowl, amusement lights up his eyes for a moment.

You chuckle, having finished chopping up the garlic and moving to a green bell pepper. You slice it open, its seeds spilling onto the cutting board. “Your family’s pushy?”

“Yes, too pushy sometimes.” Sho shakes his head, shooing you to the side as he grabs potholders to pull the chicken out of the oven. “My brother’s more like my parents than I am.” He carefully places the roast chicken down on a short counter. It’s golden brown, stuffed with rosemary sprigs, lemon slices, and garlic cloves.

He places it to the side, readying the frying pain and reaching for the peppers you’d chopped, tossing them into the oil. You finish a pepper and reach for a leek next, slicing it into thick chunks. Your eyes flicker back over to the chicken momentarily, rosemary stems sticking out of it like a tail. “The rosemary stems look like a chicken tail.” You voice the thought absentmindedly, smiling to yourself.

Out of the corner of your eye, you see Sho glance over at the chicken himself. You hear a huffed laugh as he returns his attention to the peppers, sizzling in the oil. “Yeah, it does.” He’s silent for a moment before speaking up again. “Speaking of, it was hard to find fresh rosemary this time around.”

You look up, having finished cutting the leek. A confused expression crosses your face. “Where in the world would you find fresh rosemary in the dead of winter?” You look away, reaching for a carrot, slicing it thinly.

“Rosemary’s an evergreen,” Sho states flatly, reaching for the leek and garlic you cut earlier, mixing it in with the batch of peppers on the stove and stirring them. “You can find that fresh anytime. What’s harder to find, however…” Sho trails off, leaving the stove for a split second, reaching for the bag of your potatoes he’d placed on the ground earlier. He opens the bag and pulls one out, some dirt still stuck in the indents of its skin. “...Is fresh potatoes. They’re typically harvested in the fall.” He smiles at you, before turning away to rinse it off.

Realizing you’d been caught in a lie, you turn away from him, putting all of your focus on the carrot in front of you. You hear his footsteps slowly approaching before he places a freshly washed potato right in front of you, his hand shaking with mirth.

“Come on, MC. Don’t think I didn’t notice the dirt under your fingernails.” He chuckles before turning back to the stove, stirring the vegetables again. You drop the knife with a clatter and hide your hands behind your back, too nervous to check if you’d missed any spots.

You sneak a glance up at him, mistakenly making eye contact with him. His eyes gleam with amusement and his smile is soft and fond. “...It can’t have been that obvious.” You decide to admit to it, realizing the heat in your cheeks probably gave it away.

“It wasn’t.” Sho nods to you, pouring soy sauce over the stir-fried mixture and tossing it before scraping that off in a different to-go container. “I just happened to notice the dirt when you handed the scarf to me, and your potatoes smelled extra earthy.” He takes the pan off the heat, moving over to the chicken and carefully cutting out the breast.

It’s silent for a few moments, you staring at that freshly cleaned potato and Sho slicing through the chicken, placing the breast in one to-go container and the wings in the other. Sho finally speaks up, though his voice is low. “...You didn’t have to do that, you know.” You look up again, just to find him turned away from you, his ears turning red. Silence falls again as you watch him check off the to-go containers he’s finished. You assume he’s trying to distract himself from the obvious blush on his face, but you can’t say for sure. Something about it makes you feel similar, your heart rate picking up and your face reddening more. It wasn’t due to your embarrassment anymore. “I dunno, I’m bad at thanking people. Just, well…” Sho trails off, rubbing a hand on the back of his neck, hiding his face from you. His voice lowers significantly, and contrastingly, the blush on his ears brightens more. “Thank you. I know potatoes take a while to grow. And…” He trails off again and swallows thickly. You don’t bother asking him to finish his sentence. The implications of his words grow somewhat heavy in your heart, and you wring your fingers nervously. Of course it was profound, growing potatoes for someone when you’re doomed to die, now in nine months. The thought of dedicating your time to anything that wasn’t curing your curse was odd, but this distraction had done you well nonetheless. You didn’t want Sho to feel bad about it at all. You were certain that, if anything, the gravity of being recognized by a girl doomed to die was dawning on him.

The words spill out before you can really stop them. “Don’t worry about it, Sho. I did that because I wanted to.” Confessing this was almost as raw as confessing your feelings, and your chest tightens at that thought, but you continue despite that. “You’ve been kind to me since after our first mission. And I’ve enjoyed spending time with you, including things as mundane as meal prep!” You gesture vaguely to the setting before you, hoping to get your point across. “I just randomly had the idea, and figured it couldn’t be so bad to act on it. It’s been a good distraction anyway, and what with all that happens here, a distraction does me some good.” Silence falls once more, and Sho finally turns to look at you, face flushed. He wipes his palms on his apron and worries his lip between his teeth, his gaze flickering between you and the floor. “...So what if I used up three months to grow potatoes? The time will pass anyways.” You turn away from him, looking at the washed potato. You reach for it and pick up the knife, beginning to cut it into cube chunks.

“...I guess you’re right.” You can hear a gentle smile in Sho’s voice, and it warms you up internally, feeling thankful he’s accepted the gift. You glance towards him, giving him a smile, and catch him staring. There’s an odd glimpse of admiration in his eyes, which makes your cheeks warm.

“Go on and finish cutting the chicken.” You wave off his stare and jerk your gaze away from him, hiding your blush and focusing on the cubed potato.

He scoffs and turns away, picking up his knife. “Giving me orders in my own kitchen, huh?”

You don’t respond. You don’t need to. The warmth of the heaters settles into your skin and the warmth of the previous pleasant conversation settles into your heart. You glance down at the bag of potatoes that started it all. The eyes of the potatoes seem to stare up at you knowingly.

You’re carrying a short stack of to-go containers outside to Sho’s bike, Bonnie, your boots crunching the frosty path beneath you. Snow would surely be coming soon. You gently place the stack in the box on the back of Bonnie, careful to make sure none of them tip over. You hear more crunching footsteps and turn around to see Sho, carrying the rest of the boxes. He places them in the box as well and organizes them before securing the box with a few straps. He steps back and exhales, smiling to himself. You can’t help but smile at his pride.

“Now, to deliver these…” Sho approaches Bonnie and gets on, patting her twice affectionately. The gentle thrum of the engine comes to life in response. He looks to you and smiles, and you notice he’s wearing your scarf. “Sure you don’t want a ride back to the chapel?”

You eye the box of food already on the back of Bonnie and shake your head. You wouldn’t test fate today. Your eyes find your scarf again, sitting snugly around Sho’s neck. “Well, at least you have a use for it.” You say, resigned. Part of you wonders if you’ll ever get it back.

Sho smiles, reaching up to touch the scarf. “Again, I’ll wash and return it.” He looks up to the sky, and you follow suit, noting the pale white blanket of clouds blocking the sun. “That said…” He starts, lowering his gaze to you again. “It is cold out. I may need this for longer than I expected.” There’s a teasing lilt to his voice and his smile turns crooked, as though suppressing a smirk.

“...I’m not getting that back, am I?”

Sho shrugs, revving up Bonnie. “Who knows?” He smiles fondly at you one last time before speeding off, the wheels of Bonnie leaving tire tracks on the frosty path. You watch him as he leaves, his hair lifting in the wind, the tendrils of your scarf billowing behind him. You watch until he turns a corner and you can only faintly hear the rumbling of Bonnie’s engine. ‘I guess he really did have customers, even in this cold…’ You think to yourself, a faint smile growing on your face. You inhale the crisp cool air, feeling a bit cooler around your neck now that you’re missing a scarf. You idly look back up at the sky again, wondering if it really would snow today. Despite you enjoying the stillness of the winter air on Darkwick campus, the cold eventually bites at you, urging you to return to the chapel. Your footsteps crunch along the frosted path, following Bonnie’s tracks.

It’s Christmas evening, and things are finally winding down for the day. You’d been to Frostheim and made snow angels with Luca and Kaito, had coffee and played chess with Tohma, and Jin, despite himself, hadn’t asked you to run any errands for him today. You’d been to Vagastrom and exchanged gifts with Alan, tolerated Leo’s selfies with you, and looked around for Sho, but hadn’t found him. You’d been to Jabberwock and fed the animals with Haru, watched a romance movie with Towa, and played a holiday-themed horror game with Ren. You’d been to Sinostra and done some gambling with Taiga while Ritsu tagged along to ensure Sinostra’s reputation wasn’t damaged further, and had a surprisingly pleasant conversation with Romeo despite him saying your large coat made you resemble a slug. You’d been to Hotarubi and had tea and holiday sweets with Haku, Subaru, Zenji, and Lyca, who was visiting Subaru. You’d been to Obscuary and had Rui’s new holiday-themed drinks with Ed, chattering time away at the bar. You’d been to Mortkranken and reluctantly exchanged gifts with Yuri, aware of the fit he’d throw if you hadn’t gotten him anything, and pleasantly exchanged gifts with Jiro, reminding him to take good care of himself.

Finally, after a very long, exhausting, and eventful day, you were back at the chapel, counting the vines growing under your skin, glowing lavender like the flower on the back of your neck. Some small flowers broke your skin and bloomed here and there, leaving the exit wounds somewhat inflamed. Granted, you didn’t have much time left, and these vines made that clear, but this holiday had been much better than you’d expected it to be. You appreciated the effort most of the ghouls put forth to make this holiday at least somewhat enjoyable for you, especially considering it may be your last.

You sit by the fireplace in your room, watching the snow fall from the sky through your window. You had a tiny pine tree near your bed, decorated with handmade tinsel from the three Hotarubi ghouls and some small ornaments from Jin. You wore new pajamas from Romeo, though you weren’t sure how in the world he knew your size. You had a new bracelet from Taiga, who had originally forgotten who he’d gotten it for. On your nightstand lay a dreidel from Kaito and a snow globe from Luca. The hot chocolate you sipped on was a gift from Tohma, and some wine awaited you in your fridge, a gift from the Obscuary ghouls. You had a few new ugly holiday sweaters from various ghouls, Yuri and Ren included, and some not-so-ugly ones, thanks to Haru and Towa. A thick, heavy book about the origins of the laws of Japan sat on a nearby table, a gift from Ritsu that you had no plans to read. You had lit a scented candle from Leo, which you thought was surprisingly thoughtful, and had set aside the wax melts from Alan, planning to use them after the candle ran out. The new watch from Jiro was wrapped around your wrist, displaying the increasingly late time. In all of this, you wondered where your gift from Sho was. You hadn’t been able to spot him today, and the thought made you feel a little down. You’d wanted to spend some time with him today, but guessed he was probably too busy preparing Christmas dinner for all of Vagastrom and Hotarubi that he simply hadn’t had the time. You set your hot chocolate down on top of the accursed thick book and sprawl out in your chair, turning to the window again. Regardless, this had been a surprisingly wonderful holiday. The ghouls had given you gifts and willingly spent time with you, doing various fun activities and filling you with holiday cheer. It was a nice escape from the reality of your situation, even if it was only for a little while.

You check the vines under your skin again, resisting the urge to scratch at where a new white flower had bloomed near your elbow. You could feel that, soon after the holiday season mellowed down, it would be back to reality, and you’d have to face your own death once again. Part of you dreaded the eventual change in weather and in the length of days, knowing your predicted end was growing near. But a part of you was also resigned to it. Regardless of whether you were due to die soon or not, this had been a nice holiday. And you could stand to live in the now, just this once.

You carefully pluck the flower from your skin, wincing at the sharp pain. You bleed for only a few moments before it clots up. At least you could stave off the growth of the curse for now.

You hear a gentle knock at your door. Physically, you’re too exhausted to have much more fun at this point, but mentally, you could use a pick-me-up. You head down your stairs towards the door, opening it crack by crack, trying to prevent too much of the cold wind from slipping inside. You peer through the open doorway, jolting in surprise when a familiar pair of dark blue eyes meet yours.

“Hey,” Sho starts, lifting two boxes in his hands. “Thought you could use a warm holiday dinner.”

Your heart swells and all at once, a wave of emotion hits you. Sure, you didn’t have much time left, but that didn’t stop these ghouls from caring, and that was evident in the gifts piled up in your room, the fun you’d had all throughout the day, and the ghoul now standing at your doorstep, seeking more time with you. There was a reason he was your favorite.

You swing the door open wider, unable to hide the smile that breaks across your face all at once. “I was looking for you, you know.” You cross your arms and narrow your eyes in mock disappointment. “Where’ve you been all day?”

“Cooking.” Sho lifts a brow and shrugs, tilting his head at you. He smiles fondly at you, and you notice he’s finally dressed appropriately for the season; a hat covering most of his hair, a matching coat and gloves keeping him warm, and your scarf, tucked snugly against his neck inside his coat. Yet again, you realize you are probably never getting that scarf back.

“That scarf is still mine.” You gesture at his scarf, and he laughs, reaching up to brush the built up snow off of it.

“And I’m still using it.” He replies, smiling wider. “So… Gonna let me in or what? It’s cold out here.” His breath puffs into white clouds, and you notice his cheeks and nose are tinged red again thanks to the cold. You smile and step aside, letting him in.

You close the door behind him and he shakes off the snow built up on his coat. When he looks at you, his smile holds the warmth of a thousand candles and his voice holds the joy of a thousand holiday carols. “So… got any mistletoe? If not, we can start with gifts. Either works for me.” A blush covers his face as he pushes the boxes towards you, his smile growing wider and fonder.

You figure, regardless of how much time you have left, it wouldn’t hurt to spend a holiday with your favorite ghoul.

Bonus:

The gift, wrapped surprisingly delicately inside one of the boxes, is a knitted scarf in your favorite colors. It’s not bad, but you can tell it was done by a beginner. Holding it in your hands, a small smile grows on your face, and you sigh, totally resigned.

By god, you are never getting that scarf back.

“Well, thank you for your collateral replacement, but I expect that scarf back one day.”

Sho shakes his head, smiling as he chews on your shared meal, packed in the other box he was carrying. “No can do. It’s still cold and I still need a scarf.”

“I’m withholding the mistletoe, then.”

Sho huffs, rolling his eyes and continuing the meal. At his lack of a reaction, you purse your lips, thinking of another thing to withhold that might gift you a victory. Sho speaks, having swallowed his mouthful, “I can find other reasons to kiss you-”

“I’m withholding the potatoes.”

Sho looks at you in shock, dropping his forkful back onto his plate. “...I’ll think about it.”

Maybe you would get that scarf back, after all.

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a/n: it's done. finally it is done. finally! i've been writing this romance fic 4 a long while so im glad it is finally done

thank you all so much for reading!! as usual, i love likes, but especially comments, reblogs, and asks detailing how much you enjoyed my work!!! please feel free 2 fill up my inbox with whatever, i love talking 2 u all! but be warned my responses will be slow... im still recovering!

happy holidays 2 you all! i hope, whether you're surrounded by family, friends, or by yourself, that it's a wonderful and fulfilling holiday season 4 u. merry christmas 2 those who celebrate, and happy kwanzaa 2 those who celebrate that as well!! not very well versed in other winter holidays, but may they be joyous and merry!

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irrealisms · 3 days ago

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hi! yr probably not lookin for asks anymore, but. what's your lifesteal elevator pitch? i know absolutely nothing abt it or any of the folks on the server except the vague things i've absorbed frm reading yr analysis as it crosses my dash, but it compels me, etc.+ also merry christmas! <33 🎄🌟

good news: i am always looking for asks

bad news: my parents DID go to sleep and i was able to wrap presents and put them beneath the tree and so on, so i wasn't going to do more asks tonight

good news again: i actually already have a lifesteal pitch. in a google doc. bc i'm normal

the pitch does assume you're basically already into mcrp and just curious about lifesteal in specific BUT we went to dsmp together so this works out

I really love shitty little tryhards causing problems via impressive feats of minecraft, and lifesteal is full of those. if you like people being good at minecraft, I really recommend lifesteal--in s2, clownpierce was top 50 worldwide at crystal pvp, and now he's washed and in s6 there are 2-3 (depending on who you ask) lifestealers who are better than him at pvp (admittedly maybe not at crystal); in s4, there's some stuff that's impressive in ~vanilla (eg parrot wins a 1v1 while on one heart) and some stuff that's impressive through exploits/social stuff (eg a group of people use a glitch + social engineering to get /op and prove to mojang that the glitch is a security issue that needs patched). every season is like this! lifestealers have backdoored the server 3 seasons in a row (s3-5). for a more recent weird Lifestealer Behavior, rekrap and jumper filled in every end portal room and built new fake ones to make it look like the world glitched and generated without them. lifesteal is weird and constantly coming up with new weird yet impressive things to do. a lot of stuff that's currently banned on lifesteal (F3+A, pie ray) are things i only learned were possible from lifesteal. (on the flip side i'd say: if you are not into shitty little tryhards making weird impressive clickbait, you probably won't like lifesteal, although you may still like hearing about it from time to time.)

related to them being shitty little tryhards causing problems: the rules are...more of a suggestion. getting around the rules, and hiding from the server owner and/or other players that you're doing so, is often part of the fun of lifesteal! (see also the thing where i mentioned that it's been backdoored three seasons in a row.) if that's intriguing: check it out. if not: once again, you have been warned.

lifesteal absolutely has lore and some people roleplay on it, there is nonzero c/cc divide, but it's more like traffic life than, say, late dsmp--it's fully improv, not scripted, and even more than traffic life it is genuinely adversarial. you can sometimes be confident that someone is in character but you can never be sure if someone is out of character, on lifesteal-- things like "going to someone's house irl to turn off their computer" or "lying about your homework/school/sleep schedule" or "changing your entire discord layout so that when you DM someone they think you're someone else" or "claiming you need their footage of an event for your video when actually you just want to see where their spawn point is" are all things that have been done on lifesteal that are considered fair game! everything on lifesteal is real; sometimes this goes well, sometimes it doesn't, but both are interesting to see imo because they are real

partially for this reason and partially for other reasons, lifesteal is fascinating to me as a piece of unique storytelling? a lot of mcyt is doing interesting things with its medium and being improv, lifesteal's not fully unique in that, but definitely if you like that you might like lifesteal. along with the improv, there's the fact that many lifestealers lie about what actually happened in their videos (comparing different videos with the vods, or in some cases with "what people say in various vods" when events weren't streamed, gives some fascinating insights imo--how do people frame their stories? how honest are they? what do they blatantly lie about, what do they gloss over or omit, what do they include in full? who, if anyone, do they see as the heroes or villains? whose videos agree with each other, and whose present a totally different story?), and the fact that conflict about "where do we want the story to go next, what do we think would be an interesting video/the best ending" is often the driving motive for in-character wars and conflicts! if you're interested at all in lifesteal and storytelling, check out barrier blocks part 2 by @mering/@myrmica, which is a deep dive on eclipse federation and the end of lifesteal s4 (those are my special guys); it dips into some academic game studies and it's really, really good. i genuinely cannot recommend it highly enough. (part one is also real good for non-lifesteal-specific discussion of mcrp!)

if you want a more specific plot summary (esp of s4) and/or "how do i actually, like, watch this" (of any seasons): hmu! but that's my pitch. also, read barrier blocks

#therapists dni #any british ants in the chat?#lifesteal #this might be too long to qualify as an elevator pitch. sorry. had a lot to say #EDIT: ty also!!! merry Christmas to you as well if applicable & if not then i hope you have a nice day <3

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dingodad · 2 days ago

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Hi! I like your work and I saw one post a year ago in which some "Balrogs" were mentioned. Is it possible to get some information about them and their biology maybe? I'm asking here because I haven't found any information about them on all three of your accounts.

thanks! it's crazy that this keeps coming up even 10 years later LOL. the balrogs were the subject of literally one single post which contained the following information:

they are a "cousin species" to cherubs

their genders align with order (blue) and chaos (red) rather than creation and destruction

they transform into giant scorpions rather than giant snakes

the post you saw on this blog is the second time in a decade i have ever drawn or talked about this concept so there is not a lot else to go around but because you asked nicely i drew some more pictures and thought about them a bit more:

instead of discarding a shared personality upon maturity, balrogs consume their mates and make them part of their body. they take on their final scorpion form together, with the losing partner becoming the tail (above). sort of like the male anglerfish who shrinks down to just a sexual organ attached to the female

cherubs are angels who fly through space so balrogs live in the cores of planets instead (duh)

cherubs are associated with black holes and astrophysics so balrogs are connected to quantum mechanics and the physics of tiny particles (where order / chaos and probability are important physical forces)

^ in connecting those two things, balrogs could have the ability to burrow not just into the earth but into the atomic substructure of all matter. so they can travel across the universe to meet and fight but through back channels rather than actually being able to fly through space

they use the Forge / other volcanoes to lay their eggs in the cores of planets and then the eggs hatch when the inhabitants of that planet dig deep enough to awaken them? like the story of the balrog in lord of the rings

the eggs would hatch into millions of babies like spider eggs and the swarm of young balrogs would spread across the planet to potentially disastrous effect. but only one or a few ultimately survive to grow into the cosmically powerful adult stage

i think the discovery of a balrog egg sac in the core of your planet could be like a kind of cosmic test determining whether the civilisation on that planet aligns more with the forces of order or chaos. and maybe the results of that test determine which type of balrog survives to adulthood

unless people have more questions i don't particularly have plans to do anything further with balrogs but you're not the only person who has expressed interest so i think it would be fun if anyone who is interested in the idea could play with it themselves and see what they come up with :)

#balrogil #fanspecies #has it really been more than a year since the last time someone asked though. christ

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jens-holland · 2 days ago

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Headcanons for Gladiator character names that actually follow Roman naming conventions:

Decimus Aelius Meridius Meridianus Maximus — I did not notice until recently that Macimus is announced as “Aelius Maximus” in the first movie when he enters the arena to fight the veteran gladiator, but it works perfectly because the family name (nomen) is the only one he was missing. I also discovered that “Meridius” is supposed to mean either “from Merida, Spain” or “from the south”, which is cool. Although actually, now that I’m checking, it should probably be “Meridianus” instead

Lucius Aurelius Verus — this one wouldn’t even have been that hard to get right, just an easy switch. Ironically, “Verus” actually came from Marcus Aurelius’s side of the Antonine tree while “Commodus” was from Lucius Verus’s. There was a lot of name switching going on to integrate the two (really three, but actually like four) families. I suppose in the movie they wanted to distinguish Lucius from his dad though, not that it makes a difference since his father is only ever referred to as “Lucius Verus”, as he’s commonly known, and nothing more

and Marcus Marius Acacius — Acacius is actually Greek, so it would have to come after his family name (acting as a cognomen, I believe); I chose Marius for his family name, cause in the film he is credited with defeating Jugurtha, the king of Numidia (a whole province, not just a city Mr Scott 🤦🏻‍♂️), which in real life was the accomplishment of Gaius Marius, so I figured Acacius could be part of that family

#gladiator #gladiator ii #roman things #maximus decimus meridius #lucius gladiator #marcus acacius #nonsense

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meduseld · 2 days ago

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Please drop the Fairholme party composition please

Lol okay so bear in mind this is part grounded part me being unhinged. But, if you go back to episode 3, we get some firm details: the party is repeatedly refered to as being an 8 member party (there is a shot of them later that only appears to show 7 men but one could be scouting ahead, more on that in bit) and it takes its shape from Crozier's original idea with of course Fairholme taking his place as lead and crucially, Crozier says specifically to "swap in two marines".

That gives us a very clear head start when narrowing down. 8 men, one of which is Fairholme and two of which are marines. Given the real marines manifest AND the show giving eliminating all but two candidates (all the others still living are either shown or mentioned with the ships AFTER episode 3) it has to be Privates Joseph Healey (29, from Manchester) and William Reed (28, Bristol). Which working backwards can be justified narratively, they are both Erebus marines thus familiar with Fairholme and his command, as well as older despite being privates. Plus their boss just got brutally murdered, oof.

So what about the other five? We can infer a couple of things. First in the script Crozier was considering taking both Hickey (a petty officer) and Wentzell (an AB) which means both petty officers and ABs are up for grabs. Second, the composition of Gore's party was pretty similar so we can use it as a template. Gore was also 8 men, himself, ONE marine (Bryant), one officer (CDV), one petty officer (Peglar) one medical (Goodsir) and three ABs (Best, Morfin and Tartnell).

With that in mind, we can pretty much confirm he'd be given another 3 ABs, which brings us to six members of Fairholme's party. These were likely whoever Crozier had picked (in the scripts he decides against Wentzell, who we know stays on the ships, and as expanded on below, he wouldn't be able to take them from Erebus). There are enough not accounted for directly in show or shown post ep 3 to pick from. Lets assume Crozier would give him men that were experienced but not "old" so in their late 20s, early 30s.

I basically picked these bc with that starting point: William Jerry (29, Pembroke and veteran of Ross' Antartic journey thus likely on Crozier's list), John Handford (28, Sunderland) and Charles Johnson (28, Halifax. Yes Nova Scotia. That's why him).

For the final two we know that he wasn't spared any medical officers, and that he almost certainly was not spared any other non-petty officers even warrant ones for two reasons: we see the fate of a lot of them in the show but also Erebus just lost a ton of their command structure: Sir John, Gore and now Fairholme as well as their highest ranked Marine. Crozier needs officers, and especially JFJ needs officers and some kind of sense of normalcy on Erebus so they would probably want to minimize taking even more after a Lt and TWO Marines. Not to mention, Sir John's funeral looks to be attended by enough non-petty officers to support this.

So two petty officers, and for balance let's assume one from Terror and one from Erebus. I assume JFJ would have lobbied for this as well. Presumably you would want to minimize the psychological impact or fighting that could happen from the men thinking the break up was "unfair". Four men a ship tracks, even if there were likely still grumblings about who (Erebites were probably pissed as hell Terror mostly lost ABs and so on). Then there is another factor. We pretty much know that at this point Crozier has 0 hope they are getting out via ships, and that petty officers like Peglar are pretty much idle since their jobs depend on them actually sailing. Factor in that they need to be men we don't see after ep 3 and my votes are for, after checking who is around and their ages-experience:

The Erebus Captain of the Foretop (Peglar's opposite number) Robert Sinclair, 25, of Kirkwall.

The Terror's Captain of the Forecastle (in charge of the anchors as well as the head sails) Reuben Male, 27, of Woolwich.

Despite their ages, both those men had years of service aboard ships. Not to mention it's a relatively balanced pick in similar positions that they can spare. Also keeping the repeating and similar names that this show is so famous for.

Finally, look it:

Fairholme seems to be hauling w his men, a good officer like Gore. There are only seven men in the image which could just be an error but. Let's assume they sent someone ahead to scout, possibly Jerry. I almost would have assumed the other Marine, but one of the haulers looks to be in Marine dress so. By the by, historical Sinclair was apparently only 5'5'' so let's assume he is the short king at the end of the right hand side haulers.

Thank you for joining me in my descent into madness, see you next time

#the terror #the terror amc 2018 #james fairholme #and his party #historically doomed dudes #anyway one day i will write the story about this that i want to #also it's funny bc some places list their fate/whereabouts in ways that imply they are still out there somewhere. i mean who knows maybe #there were supernatural shenanigans afoot and some are immortal who am i to say #also have fun imagining the accents

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rypnami · 3 days ago

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The Yule Ball

happy christmas everyone! this is the last part for now of my yule ball posts for @leaping-toadstool-caps 's event. as mentioned in my headcanons post (found here), leander spends most of the night working up the courage to ask his sebastian to dance. i decided for my christmas post, i should write what happens next. enjoy!

this is not proofread at all and is a bit of a mess but its fine we ball

(outfit post here)

word count: a lot probably i didn't actually count

mentioned mcs: phillip prewett (mine), jaimsen hisui @leaping-toadstool-caps odysseus carrow @saibugslegacy amberlyn salters @ps-cactus

Leander isn't sure why he came to the ball.

He thinks he must look like the biggest knob alive, coming without a date, loitering around as a third wheel to his older brother and his boyfriend, and then going to hide in the corner and stuff his face with chocolate frogs. Surrounded by happy couples, or groups of friends who came to have a good time, he feels even worse. Last week, he had almost gotten it together to ask Sebastian to go with him, but had gotten too anxious and practically run away.

Unwrapping another chocolate frog, he hardly glances at the card as he drops it in the pile and shoves the whole thing in his mouth head-first. If he's going to be a lonely bastard, at least he's doing so with sweets. The decorations around the Great Hall are brilliant, too. Tall, icy trees, enchanted snow falling gently from the ceiling, which looks like a winter sky, and baubles galore along the walls. Jaimsen really outdid himself, setting this all up. At least there is something to look at other than all the couples dancing.

"You!"

Leander jumps.

Jaimsen comes up to him, arms crossed. "No being sad at my ball!"

"I'm not sad-"

"Don't lie to me, Prewett."

"Not my fault," Leander protests, even though it most certainly is. "You know, it's statistically proven that depression is worse around the holidays, so naturally at leas one person here would be-"

"Spare us all the lecture. I'm begging." Phillip seems to materialise beside them, Odysseus in tow, and throws his arm over Leander's shoulders.

"I'm right, though."

"If you're truly that distraught about it, why not ask him to dance?" Odysseus says.

Jaimsen nods. "That's an excellent idea."

Leander shrugs Phillip's arm off and takes a step away. "I- what- who are you... talking about?" They can't know, can they?

The other three boys seem to roll their eyes in unison. "Sebastian, of course," Phillip says, as though it's the most obvious thing in the world.

He might die from humiliation. "Why- what- why- why would I ask Sebastian to dance?!" He stammers.

"Everyone knows you fancy him."

"You follow him everywhere. You're like a puppy."

"Whenever he's around, whatever minimal braincells you have seem to evaporate."

"You almost cried when that rumour about him coming with Adair was going around."

"And-"

"That's quite enough!" Leander cuts them all off, his face almost as red as his dress robes. "You've all made your point!"

"So ask him!" Phillip says. "Stop pouting in the corner."

"How?"

"Like this." Odysseus stands on his toes to match Leander's height and starts doing an awful impression of his voice. "Sebastian, would you like to dance with me?" He drops back down to his normal height. "Easy."

"Very easy," Jaimsen agrees.

Well, fine, it sounds easy in theory, but so had asking Sebastian to be his date, and that had not gone well. Excuse. Excuse. Think of an excuse why you can't.

"I would, but... Sebastian is busy. With Ominis." Although he's been trying not to, every time Leander has searched through the crowd for Sebastian, he's been talking to Ominis. He is definitely not jealous and is not watching in case someone else should ask him to dance.

"It's your lucky day, then," Phillip points across the hall. Sebastian is standing just to the side of the dance floor, watching as Ominis takes Amberlyn Salters by the arm and leads her out to dance. "It seems Mr Gaunt is occupied."

"Oh. Yay."

"So go talk to him."

Before he can protest, the trio is practically dragging him across the floor, Leander stammering half-formed excuses the entire way. Phillip shoves Leander in Sebastian's direction, then the three scamper off, giggling.

"Leander, hello!" Sebastian says as Leander almost trips into him. "I was just wondering if you were here."

Leander is at a loss for words. From far away, it was hard to see, but up close he feels like he can't breathe. Sebastian is wearing a dark green velvet tuxedo jacket and matching dress pants. His typically unruly brown hair is combed and must have a gallon of product in it to keep it down, but there are still a few strands sticking out here and there.

He looks positively gorgeous.

Next to him, Leander must look like a toad wearing a suit.

"Er, yes, I've been, you know, with my brother and his boyfriend..." He hopes there's no chocolate smudged on his face... too late to worry about that now.

"No dancing?"

"No. I came without a date." Saying it out loud feels like an exercise in humiliation, honestly. “No one asked me… and I dunno, asking someone was…”

“Intimidating?” Sebastian suggests.

Leander nods. “I… suppose so, yes.”

“I didn’t come with anyone, either.”

“You didn’t ask someone?” What’s more surprising to Leander is that no one asked Sebastian. He’s easily the prettiest boy in school (in his opinion, anyway) and he’s well-liked by most everyone. With that suit on, too, it’s a wonder half the students here aren’t tripping over themselves to dance with him.

"I didn't. I was asked by a few people, but I turned them down. I was rather hoping someone specific would invite me. They never did." Sebastian absently picks at his silver cufflinks, seeming to get lost in thought.

"Then they're an idiot." Leander says simply.

"Think so?"

Leander snorts. "Of course. Anyone would be lucky to go to a ball with you." Was that too forward? That was too forward, wasn't it..

"You flatter me," Sebastian sighs and mock swoons.

He has no idea why he was so petrified at the idea of talking to Sebastian- they are friends, and even with the 'my-brother-and-his-friends-are-peer-pressuring-me-into-asking-him-to-dance' thing, it's no different from when they chat in class, or study together in the library. Perhaps asking for a dance will be okay. At the least, it won't be the end of the world... right?

“Sebastian. I-“ I really like you. I've always really liked you. No, that's too much. I'm letting the silence go on too long. Say something say something SAY SOMETHING.

“Yes?”

"I. I. Um."

Sebastian raises his eyebrows and tilts his head. "Are you feeling quite alright? You look a bit flush."

"Y-yes, I'm grand. Um." Sweat drips down Leander's temples. Sebastian will laugh at him, he'll look a fool, everyone will know what a failure he is... "Um." Merlin's beard, Prewett, just say the damn words! “Since neither of us… has a date…”

A few paces behind Sebastian, Phillip is watching the disaster. He smiles and gives Leander two thumbs up.

"Doyouwanttodancewithme?"

"...I'm sorry?" Sebastian says. “What?”

That's that. Leander wants to crawl into a hole and die. Of course Sebastian would never want to dance with him, of all people.

"N-no, I'm sorry, stupid idea. Sorry."

"Wait." Sebastian puts his hand on Leander's shoulder before he can walk away. "Don't be sorry, I simply didn't hear what you said."

"O-Oh."

Sebastian looks at him expectantly. No way to back out now.

"I, er, I was wondering if... I- no pressure, or anything, but it looks like it's the last dance of the evening, so I thought... um, perhaps you'd like to dance... with... me?"

A beat of silence that couldn't be more than a second, but feels like a century.

A grin spreads across Sebastian's face. "I was beginning to think you'd never ask."

A new song starts, and Sebastian offers his hand. "Shall we?" Leander takes it, blushing.

Sebastian's hands are warm, and he's got a firm grip. There are callouses on his palms, likely from how many firey spells he uses. Leander desperately tries not to focus on just how well Sebastian's suit jacket fits him, or how he smells a bit like lavender and bergamot. He hopes his own palms aren't sweating.

Silently, he thanks his mum for being willing to teach him how to waltz. If he hadn't spent the past several weeks practising relentlessly, he's certain he'd be stepping all over Sebastian's toes right now.

Sebastian puts his hand on Leander's waist as the dance starts, and he almost blacks out. Everything around them is like background noise- they might as well be the only people in the world as they sway across the dance floor.

"I- wanted to ask you to come as my date," Leander admits, smiling awkwardly. "Last week, after Charms. I was going to, but, uh..."

Sebastian chuckles, and the sound of it warms Leander's body more than even the strongest Butterbeer. "Is that why you ran off? Merlin, I thought you just really needed the loo."

Blood rushes to Leander's face again. "I see."

"Were you truly that nervous to ask me?"

“How could I not be?” They’re close enough now that he can almost count the freckles on Sebastian’s face, a welcome distraction from making direct eye contact. “You’re cute, and smart, and brilliant at magic." Leander chews his lip. "I'm not... any of that, so I suppose I didn't think I had a chance?"

"I was waiting for you to ask."

"You wanted- Me?"

Sebastian really laughs now, and the way the bridge of his nose crinkles as he does is so cute Leander almost has to physically fight the urge to kiss him right there. "Did you really not know? I've been dropping hints for ages!"

Oh. Honestly, that makes a lot of sense. "I... I suppose I wasn't paying close enough attention." Translation- I hoped you felt the same, but I didn't think I was good enough for you.

"Merlin, you're as thick as it gets." Sebastian teases.

Leander rolls his eyes. "Well perhaps you were unclear!" But he starts to laugh, too. He can't believe he had been so scared to do this not 15 minutes ago. In fact, now he's wishing he'd manned up sooner and asked Sebastian earlier in the night, so they could have more dances, and more time to talk about... whatever might be between them, now.

The music slowly comes to an end, and with it the dance. As they step apart, Sebastian bows low with a slight smirk. "Thank you for the dance, Mr Prewett."

"Thank you, Mr Sallow." Leander mirrors him. He hesitates for a moment. This is his first formal ball, and he's not really sure what he's supposed to do now. Walk him back to his dorm? Dance again? Get them something to drink? Before he can overthink too much-

"Would you look at that." Sebastian is pointing up.

Dangling above their heads is a sprig of mistletoe. A sprig of mistletoe that was definitely not there a moment ago. Leander swears he can head Phillip snickering nearby. Busybody.

"You know, I've heard that if you don't kiss under the mistletoe, it's bad luck," says Sebastian conversationally. "I'd normally say I don't believe it and go about my evening, but we've got a Potions exam coming up, and I dunno if I want to risk it."

"With my marks in Potions, I don't think I can risk a stroke of bad luck right now, either..."

Neither of them mention, of course, that said exam is almost two months away, and any superstitious bad luck would surely have worn off by then. Sebastian leans in and gently presses his lips to Leander's. It's quick, so much so that if you blinked you might miss it, but it is easily the highlight of Leander's evening.

Perhaps it's a good thing he came to the ball after all.

#let's play a game it's called spot the RWRB reference #after this leander is kicking his feet and giggling and thinking about that kiss all night #hogwarts legacy #yule ball #hogwartswinterball1892 #phillip prewett #leander prewett #sebastian sallow #prewlow #leander x sebastian #odysseus carrow #jaimsen hisui #amberlyn salters #alyn salters #christmas #christmas fic

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souryogurt64 · 1 day ago

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pete's evil book had a cut abortion subplot?

Okay this is not PROVEN this is speculative all in my head but there is a character named John Miller who becomes the narrator's best friend. Shortly after we are introduced to John Miller he announces to the narrator that he is on the run because he dipped out on his girlfriend when she got pregnant and the girlfriend had a miscarriage because of him.

The Disaster literally never brings this up again and the narrator has virtually no emotional reaction or inner monologue about this. They also never discuss this again. However. A billion pages later, whenever the narrator is about to kill himself or doing something insane, he starts talking about John Miller's Dead Baby. He specifically calls it a dead baby three different times. I know that losing a child you want is like very terrible and different from an abortion. However. This is a really bizarre way and very strong language for the narrator to describe something that happened to the ex girlfriend of someone he just met, especially when John Miller was not physically there when she lost the baby and heard about this after the fact.

The other half of this is that there is also a very awful alleged journal entry from Pete Wentz's alleged secret online diaries. It's not clear what exactly it is and it's not completely explicit but it appears to be about a girl getting pregnant, possibly on purpose, with a baby, probably aborting it, and faking a miscarriage, then telling him she did this. This is like not an okay way to talk at all period especially in context of his dating life and how this girl was probably like 19 max

Either he 1) wrote this about a real woman, which is abhorrent and unforgivable and he should rot in hell 2) is getting high and writing fanfiction about made up women doing this to him for fun, which is pathetic or 3) this was cut from his horrible book because You Cannot Publish This. It's probably some combination of the above but I feel interpreting this as from his horrible flop book is the most charitable explanation for why this exists.

Also, Pete's writing is really repetitive because like F. Scott Fitzgerald said, writers tend to have one story they tell over and over in a million different ways but a lot of things mentioned in this like all hotels being the same and "No, my plane didn't crash this time" remind me of parts of the book, and there's a bit about a pharmacist before this that reminds me of the book as well.

The book is also frequently criticized for having no plot (true) and there's no real reason or explanation given for why the narrator and his girlfriend are not working out and why they're fighting so much beyond her wanting to go to college and he .... doesn't like this for some reason but also has no desire to commit to her. It's also semi confirmed the book was supposed to have a successful suicide and Fall Out Boy's management said no, and both Pete Wentz and the ghostwriter seem to have a lot of feelings about this book and the editing process so I wonder if that wasn't the only thing cut.

So yes, I am a Pete Wentz's Horrible Book Had a Pro Life Subplot truther. When I was 15 and read this book for the first time I vividly remember reading all the dead baby lines and knowing something was not quite right. Also if this plot ever existed it was literally the Zootopia Abortion Comic before the Zootopia Abortion Comic existed

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prettycottonmouthlamia · 11 hours ago

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>Good post! Really well-put together analysis of the branch.

Thank you! Like genuinely, it's actually a good feeling.

>But i find it difficult to even look at Wiš'adel as a Flinger. She just ignores the identity of the branch so much by dealing incredibly high damage to high defense enemies all by herself, hitting flying enemies (I didn't know Rosmontis could bypass that limitation with a future Branch, but even then she needs another operator helping her to do it) and I agree that flyers aren't an issue, especially not when you're not in IS and have access to your entire roster, but it is still part of the branch's identity. Even her attack animations don't sell her as a Flinger to me. Going by the module short, the original name of the branch is probably something like "Bombardment Sniper", but both Greyylter and TRC throw something in the traditional way and Rosmontis throws something non-traditionally with her big invisible hands. If I didn't know what Wiš'adel was and you showed me a clip of her without revealing her attack range, I'd think she was still an Artilleryman Sniper. Because of this, I don't consider her a win for Flingers. They made her a Flinger to let her abuse the upsides they have while letting her ignore the drawbacks that come with the branch. Which yes, could be described as her being a look at what the branch could be, as you said, but blowing past the limitations just isn't it for me.

So there's a few things I want to bring up here because I think they're important. I do consider Wis'adel to be a Flinger at heart. Her kit would be noticeably worse if she wasn't one. It wouldn't just be in terms of raw damage either, it would also be in consistency. Wis'adel is ultimately designed to make the most use of her class's quirks, and you can see that if you look at her S1 and S2.

Wis'adel's S1 and S2 are also quite good skills, and they actually follow the design perspectives that you would expect them to. They get overshadowed a lot by her S3, but S1 and S2 are good, honest, Flinger skills at their core, and their helped by Wis'adel having good numbers.

Ultimately, I think this is more a result of how just how barebones the class is, so the result you get is the class having these long stints between releases of operators.

Rosmontis: 11/1/2020-11/15/2020 || 4/30/2021-5/14/2021 Greyy: 7/5/2022-7/19/2022 || 3/14/2023-3/28/2023 Wis'adel: 5/1/2024-5/15/2024 || 8/31/2024-9/14/2024

I've also included CN dates because when we're talking about Greyy, that means Dorothy's Vision, an infamously delayed event lol. The difference between Rosmontis and Wis'adel was three and a half years, which is kind of absurd. There are other classes with pretty big gulfs between 6-star releases and they honestly have that same sort of feeling too: look at Pozemka versus Schwarz, Typhon vs Rosa, Mountain vs Chongyue, Hellagur vs Zuo Le...you know.

If we had gotten a solid intermediate between Rosmontis and Wis'adel, one that wasn't dealing with the insane numbers Wis'adel is but wasn't necessarily hampered as badly by her kit as Rosmontis, I think Wis'adel would have been a lot more understandable, especially in terms of kit design. As it is now though, yeah it's pretty massive whiplash. I'm not gonna sit here and be like "You need to agree with my opinion or else" though because this ultimately is just personal opinion and taste.

>The branch on a surface level is designed to clear crowds of weak enemies, not to nuke down elites or bosses. Similar to Splash Casters (who are also quite disliked in an overblown manner).

So I'm not disagreeing here per se, I just think it is a little funny that Rosmontis's one CC clear is...nuking down elites and bosses lol. I'm going to link the Risk 31 clear that uses her (alongside Bagpipe) to take out the Bladehelm Recruit and the Risk 30 clear that uses her for that same Recruit but also to kill the Withered Knight. They're neat clears! Definitely a window in the possibility of what Rosmontis might have done in a CC like CC6 if it wasn't for the release of Chen the Holungday.

>Also about Dusk: She was considered pretty bad until her ModY came out. She wasn't that bad, her S2 in particular was/is quite powerful, but ModY really elevated her and helped her fulfill the phantasy of using her S3 to put up a mass of summons to hold back groups of enemies.

Yeah I didn't touch on Dusk much because I couldn't exactly remember what the hype level was around her release. I think it was initially positive but less positive than I remember Mostima being lol.

>On release, people were disappointed by how "bad she is at levitating enemies" when that isn't even really the point. The levitation is just a means to an end, that being activating her silence and damage boost, as well as disrupting attack windups. Her S2 deals really good damage (450% atk per attack), S1 is way more consistent in actually levitating enemies than you'd think, because enemies tend to enter her range one by one and S3 is alright. It has good use-cases and excels against large bosses, cause she can hit them with three tornados at once.

Yeah Ho'ol is the one that's the "wife" in that sentence. I think even calling Silence the Paradigmatic bad is a little mean, even though her kit is very strangely designed.

Ho'olheyak suffered a lot from aesthetic complaints, my least favorite kind. People wanted the tornadoes from her S3 to levitate entire groups of enemies instead of just one, and this bugged them enough to call her bad by extension.

I have rather poor views of the wider community's ability to discern whether Operators are good or not, if this isn't clear lol. I actually really like Ho'ol, she's well designed in that all three of her skills have uses but she definitely suffers from not being the most consistent of the Core Casters. When you're competing with Eyja and Ceobe, it is ultimately a little rough. Her S2 is secretly her goat skill I'm pretty sure tho

How the Arknights Community was Wrong on One of Arknight's Most Powerful Classes

Or, alternatively, you all need to apologize to Rosmontis right now.

Flingers are experiencing a modern Renaissance right now. Thanks to the release of Wis'adel and the introduction of Rosmontis's absolutely busted IS module, it seems like things are on the up and up for Flingers. Even Greyy the Lightningbearer is a common sight in high level IS runs, and he doesn't even have a broken module.

How on Earth did this happen, when it wasn't very long ago that Flingers were the butt and punchline of their own joke?

The Original Let's start with how the archetype was introduced into the game: Rosmontis. Rosmontis was released alongside Mudrock for the Chapter 8 release event, and the reception was pretty mixed. Rosmontis was a limited operator, and to this point, limited operators in Arknights had been pretty middling. Nian wasn't really conclusively better than Hoshiguma, and W was good but nothing special. We were not at the point yet where Dusk or Skadi the Corrupting Heart had been released, so the running joke was typically to roll on the other operator on a limited banner. Mudrock was a really strong laneholder that still sees a lot of use today, and Weedy is by far the strongest shifter operator ever released.

It's also worth noting that Rosmontis was released during a general downturn of opinions on AoE ranged operators. Leonhardt and Meteorite were considered actually quite strong in the early days of Arknights, and I know this must sound crazy, but Mostima and W were actually super hyped for their release. People thought Mostima, base-ass Mostima with no modules, was good. But after CC Blade, and a general stint of CCs where AoE operators made relatively poor performances, the tide had shifted. Operators like Eyjafjalla and Angelina (god remember when Angelina was considered really good. Well I guess she is now. Regardless) had AoE capabilities but were much cheaper in DP and had solid secondary skills for dealing with single enemies. So people were generally pretty down on AoE operators, which wasn't helped later on by the release of Passenger, an operator considered so bad it resulted in several attempts by Hypergryph to make him better (the retrospective view is that while Passenger was bad, he was made out to be a lot worse than he was, a view I agree with).

These two factors did not help the views of Rosmontis as an operator, but it was also further not helped by what content was available to use Rosmontis in: Contingency Contract. Rosmontis, tragically, released after the first theme of Integrated Strategies came and went, and so the only high level content available to use her in was CC. CC is particularly harsh to Flingers as we'll discuss, but this is also something that Wis'adel has managed to avoid as there hasn't been a CC since her release. The only difficult content since Wis'adel's release has been IS and RA, two game modes that honestly favor Flingers as we'll discuss later on. There was just nowhere to use Rosmontis in more difficult content where she didn't feel bad.

Flingers are a pretty interesting subclass, and Arknights has really not designed any subclasses to be like them, ultimately. They have a very impressive attack range, higher bulk than other ranged operators, and a unique gimmick to their attacks: they will deal an additional hit of damage, but one that only has 50% of their ATK. In addition to this, Flingers are the only Sniper subclass that cannot hit aerial enemies without certain conditions being met (Wis'adel's S3, Rosmontis S3 with an aerial blocker).

In general, this results in a class that is very good at dealing with large groups of enemies with only modest DEF stats. This is because DEF ends up having an increased effect on Rosmontis' damage, because it will apply to both of her hits. An enemy with 375 DEF will, after the 175 Def ignore from her talent, reduce her attack damage by a total of 400.

This for a lot of people was sort of the final straw that broke the Rosmontis back. Her vulnerability to enemies having DEF was a problem, and it was generally stated to be in a way that other DPS checks would avoid. In addition, if we take a look at ideal DPS scenarios with the introductory 6-star for each Sniper class:

Ray: 1,346.22 Narantuya: 1,062 Schwarz: 880.28 Exusiai: 815.99 Chen the Holungday: 647.17 Rosmontis: 601.71 Fartooth: 583.88 Rosa: 539 W: 373.93

Rosmontis is very middle of the pack, losing in particular to Exusiai. Now, Exusiai also had the problem of being very soft to enemy DEF stats. Honestly, it should be noted that Rosmontis was always hitting higher DPH than Exusiai would for her normal attack damage.

(I've been getting really into Desmos lately)

Now this is all just auto-attack stuff and I don't want this to be exclusively a Rosmontis analysis by any means (although it's coming). The point here is that there was a pretty common conception that Rosmontis didn't really have a place in the meta, because Exusiai was so dominant in that spot. It's not hard to understand why. If we look at their S3 DPS really quickly...

At low DEF values, Exusiai is overdominant. This isn't super surprising, as she has a lot of factors working in her favor: a busted 5 hit S3, an attack interval reduction as well as a sizable ASPD buff from her talent. But it doesn't take a huge amount of defense for Rosmontis to come out on top. The specific DEF number is 580, roughly. Then, the perks of Rosmontis's S3 come to light: it's larger DEF ignore, it's halved attack interval, and it's much larger ATK buff.

This being said, there are still things working against Rosmontis, like her skill cycle being very long, and her own ATK buff resulting in Warfarin's buff being diluted compared to Exusiai. If you take a look at CC results, it is true that Rosmontis only has one top to her name: CC Spectrum, where she is part of a Risk 31 clear alongside Exusiai, which is pretty cool. But CCs, which often increase enemy DEF while reducing friendly ATK, are just very harsh to Flingers. Given that it is a class so sensitive to DEF and ATK changes to hit breakpoints, most CCs just hit Rosmontis in a double bind.

Funnily enough, Exusiai also doesn't have any top clears in CC past this point too, which is interesting to point out.

(For those counting: Rosmontis: CC5 Exusiai: CC1, CC5)

Rosmontis' position probably wasn't helped past this point by the release of Chen the Holungday either, and the rest is history. Rosmontis goes down as one of the weaker 6-stars in the game. People feel bad when they roll her. People on this website nurse weird ass grudges against her.

The Blip

It would be remiss of me to not remind people about Greyy the Lightningbearer. Greyy was a 5-star, which means that 99% of players ignored his existence, Gamepress made a dogshit summary about him that was made by people who don't play the game, and life moved on. We're going to talk about Greyy in more detail later on because he is important to talk about...

Oh well right now

Lone Trail: The Update That Should Have Changed Everything

Lone Trail was a super massive event, releasing three 6-stars that can be kindly regarded as "good but nothing amazing, bad, and my wife". It also introduced to the game the Flinger Modules, and I'm going to tell you all a secret. You and me, real close now.

It's fucked up these modules didn't receive more hype.

These modules gave Flingers a second shockwave hit. Now that doesn't seem all that impressive. After all, you might think to yourself, that shockwave still deals 50% damage. But the addition of an extra shockwave really changed the numbers of the game, because it meant a huge chunk more damage.

At minimum (673 DEF roughly) this module improves her damage by about 45%. That's pretty crazy for a module as it stands, but if you want to see the full chart, here you go. Arknights Youtubers hire me.

The extremely high peak there, where Rosmontis is doing more than triple the damage she was originally is actually getting to the exact point where Rosmontis without a module moves towards dealing scratch damage. This is pretty common with modules involving physical DPS operators, such as Blaze, to have very unique high points.

But this is 45% just off of, what is essentially

An extra shockwave

60 more points of DEF Ignore

+75 ATK attribute

This is a remarkably tame talent upgrade. The base effect, the second shockwave, is pulling so much work here. These numbers will be a bit more tame when you compare with S2 (already comes with +2 shockwaves) or S3 (already has some DEF shred) but this is still a very impactful module.

It also impacts the stun chance on her S2. Without her module, and having 4 total hits per attack, this puts her stun chance at roughly 59.04% per attack. The additional hit raises those chances to 67.232%. Not a massive increase, but it does help to patch up her odds.

This is also why Greyy's module was so important. Greyy's slow is tied to his talent, and hence the jump from 2 hits to 3 hits is very notable. Without his module, Greyy has a 64% chance to slow the enemy with every attack. With his module, those chances go up to 78.4%! That's pretty significant! He also deals 15% more damage to Slowed enemies too, which is a pretty strong mod on top of the extra shockwave. I haven't actually done Greyy's numbers, but it really does make him a lot more consistent at slowing enemies.

So now we're here, with Flinger's getting a surprisingly good module. They now deal 3 hits per attack, with Rosmontis dealing 5 hits per attack with her S2, which is actually relevant for Lone Trail (Rosmontis can remove a clean 250 DEF with every one of her attacks during her S2 against Arc Screenguards). So what happened?

Well...Flingers weren't popular, were widely regarded as a flawed class, and mostly passed over. It just wasn't worth it to people to raise Rosmontis or Greyy the Lightningbringer even if you had some inkling their module was good.

The Return of Integrated Strategies and Reclamation Algorithm

A miracle the likes of which Hypergryph may never do again...well okay maybe they will, they do be kind of nailing it on the alternate gamemodes, we have the return of Integrated Strategies and Reclamation Algorithm. These modes are actually uniquely situated in comparison to CC to benefit Flingers over other classes. This is largely because of how these modes chose to scale difficulty and the tools they give you to combat this.

In IS, enemy difficulty typically results in scaling HP and ATK buffs, and that's it. It's rare to see enemy DEF buffs in IS. In addition, many relics in IS focus on increasing ATK or ASPD or improving damage dealt. Flingers get much and much better when they deal damage with their shockwaves, and it is pretty easy to do that in IS. Rosmontis's S2 is of special note here: with her module, it deals 5 hits of damage, which means it benefits from ATK buffs to the same degree as Exusiai does, but with a lot of added perks. DEF ignore, a moderate AoE radius, and a chance to stun. This skill is way more dangerous with additional ASPD.

Greyy also benefits a ton here. Extra ASPD allows him to basically permanently lock down entire groups of enemies with slow. This is something that can also sort of be done with Chain Casters, but notably, Chain Casters can only slow down a certain number of enemies at a time with each of their attacks. Since slowed enemies tend to create clusters, Greyy can slow down entire waves of enemies with his attacks, while still dealing pretty impressive damage.

The only issue is the aerial enemies. I haven't mentioned this up until now, because in my opinion, it is the single most overhyped drawback in the entire game. There are tons of events and chapter releases where this basically doesn't matter. Aerial enemies are, for all intents and purposes, rather rare in Arknights. But in IS this is important. Flingers need some degree of map knowledge to use well. But your Sniper ticket is not necessarily the only solution to aerial enemies in any IS, and chances are you'll find more than one. For IS3, you can pick up Kroos Alter and Rosmontis and in the grand majority of situations be completely fine.

Of course, if you play IS5, this basically isn't an issue and Rosmontis is the second stronger Flinger in the game, and I think arguably the second strongest Sniper pick?

I almost forgot RA by the time I went to post this, so it's a good thing I went back because, yes, Flingers and Rosmontis are also good there too. It's literally designed for Flingers to be good, it's huge mobs of enemies all clustered closely around each other. You can use Provisions to give Rosmontis a ton of ATK or ASPD and watch her go ham on like 115 exploding spiders. They also have amazing range for vision on resource maps and have multi-hit mechanics for those stupid locks.

It's like, impressive how nicely Flingers slot in here. I'm really curious how Greyy feels when you give him one of the ASPD provisions so he has +60 ASPD.

Rosmontis CRAVES your Coagulate Supplements!!!!

The End-Times: Wis'adel and Rosmontis's Busted Module

If you've ever wanted to know how we got to this renaissance, it was Wis'adel being released, having absolutely busted numbers on her kit that basically ensured that her shockwaves would always do damage, and then going and soloing IS3 A15 like it was fucking nothing.

Wis'adel proved Flingers could be fucking fantastic.

Rosmontis has actual problems in her kit, she's ultimately a pretty early Limited operator with all the design choices that carries. Wis'adel is what you get when you ask "how far can a Flinger go?" The shockwave mechanic works well with her huge numbers and her shadow status effect. Her summons work to keep as many enemies as possible attached with a shadow. Her blast radius is massive. Honestly the fact she can blow up the UFOs in IS3 barely matters.

Soon after that, Rosmontis got her specialized Module. I've seen people complain about this. You're wrong. There's no fucking way this module should be allowed to be used in general content. It is, in fact, maybe the most busted specialized module they've released. It completely changes Rosmontis as an operator. Benefitting from Caster relics is insane for themes like IS3 which has a ton of genuinely broken ones, her new and improved equipment are insanely powerful, and the fact that she allows every Sniper and Caster to create a free rather tanky blocker with a crazy debuff effect is like

You understand this module is nuts? Surely?

The trait wouldn't really make Rosmontis meta anyhow. It would improve her damage by a lot but puts her, rather frustratingly, into the camp of mixed offensive operators who now have to worry about enemy RES values coming into play. Plenty of the enemies with decent DEF stats that Rosmontis struggles with now also come with sizable RES stats. As I've mentioned in my brief thoughts on Dagda, there are a ton of enemies Dagda hits harder by brute force than Indra does by trying to side-step the bigger stat.

It's also okay that the module is IS only, because IS is where Flingers are just at their best. Nothing is stopping you from using Rosmontis in general content, especially with her still really good BOM-X module!

Flingers, ultimately, are just a well-designed class. They have great range, AoE, and having extra instances of damage is always incredibly powerful. I do think Rosmontis has some kit issues, but I also think that a lot of people immediately dismissed her as bad based on community consensus. You want to know a cool thing about Rosmontis I haven't brought up yet? She can attack invisible enemies with her S3. Invisible enemies feel a lot more common than aerial enemies do, hell Lappland the Decadenza's event is literally a bunch of invisible enemies.

But like, that's never seen as a positive to Rosmontis unless you're a Sniperknights player and then you might just say Totter is better (and I get that, he is a bit more consistent). Rosmontis can hit an entire enemy type with her S3 that Wis'adel can't, but it's seemingly never mentioned. It's just...this community is very strange, you know?

Try Rosmontis out, hell try her out with Shamare or Warfarin. If you use Exusiai a bunch (godspeed soldier it's been rough since the Chen days), you probably already have those operators. Try Greyy out too. Then, if you really want the challenge, E0 Level 1 Wis'adel. Come on. You know that's better than like half the cas-

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archivalofsins · 2 days ago

Text

Haruka, Mu, and Kotoko have been guilty for how long now? The first several prisoners to be guilty have been acquitted under their second ruling for how long? This break has been going on for how long? This post took how long? This is old news-

That doesn't matter. If anyone knows how things work here I always show up several days or months late with snacks. This isn't about my mannerisms though it's about theirs- So, let's talk about the subtleties and nuances of the no longer not so new second karaoke collaboration art in,

A Bunch of (Cyber)Punks

A Bunch of (Cyber)Punks [Part 2:] Let's Get Dystopian! (Es and Haruka are donewooo- In progress.)

Part 3: A Matter of Restraint (in progress)

Huh, why didn't I talk about it day of? Well I was doing some other things of importance don't worry about it~ Do I have a history of doing anything bad? It's probably nothing. No concern of anyone's.

You have @apatchworkstar and I to thank for the graphics that will be outlining this post. Hope they help with following along.

Now let's start from zero,

00b Es

The protagonist and the audience's vessel. They have no memory. Once they awaken they become a prison guard within Milgram Prison. They have no particular doubts or desires to learn about their origins. They fulfill their role as a prison guard every day as told to by Jackalope. Es interacts with the prisoners to unravel the truth behind the crimes they committed and the reasons for them. In order to discern whether to forgive them or not. They have a delicate and beautiful appearance but their gender is unknown. Height: 157cm (5'1)

There are some things to note about Es' appearance within the new cyberpunk inspired collaboration art. Firstly, Es breaks the mold of their peers by having a color outside of the main one affiliated with them used to emphasize their outfit.

Where staff could have chosen to go with the gold trim of their iconic uniform they instead opted to use the innocent and guilty colors. Leaning heavily onto the guilty color while using the innocent one to accentuate their shoes.

Choosing this color to accent the shoes could be representative of Es' attempts to put their best foot forward throughout the series. Meanwhile their uniform being all red (the guilty color) could represent the trials of the job or Es' changing perspective when it comes to Milgram as a facility.

It no longer having the stunning golden reputation it once had in their eyes. A recognition on some level that what they're doing is dirty work and ultimately may be unhelpful to everyone including themselves. Something that was shown throughout their statements over the course of trial two.

Yuno's Second Voice Drama (-273.15°C)

1:02s (One minute and two seconds in)

"Regardless of if you are interested or not, I am just going to do my job." Job...huh. Hey, how is it? This chaotic situation you wrought with that splendid job of yours? Is it fun? "What are you trying to say?" Are you personally satisfied? I mean, having forgiven and not forgiven. The inside of the prison is like this now.

10:58s (Ten minutes and fifty-eight seconds in.)

"I'm sorry but that's the sort of place Milgram is." Then I hate Milgram. "It's fine if you do."

11:31s (Eleven minutes and thirty-one seconds in)

Well, I guess so. But if you refer to the law, regardless, I can't be accused of murder. "This is Milgram." Yes, yes. You love Milgram a lot don't you, warden-san? "...That is not particularly true." I'm sure.

Futa's Second Voice Drama (Baptism of Fire)

1:03s (One minute and three seconds in)

"No that's-" Are you satisfied? Since you decided not to forgive me. H... hahaha. Are you satisfied dishing out punishments that are easy to understand? "That's not it..." Huh? "I wasn't thinking you'd receive a punishment like this and I didn't instruct Kotoko to do that, either. Punishments executed through violence..." Huh... "I didn't think it would turn out this way." Keh, heh, hah... hahahahahaha! "What's so funny?" Big words. You did want this- This. Me looking like this. "You're wrong! Finding out why you all became murderers and figuring out how to judge you; that's all I'm looking to do-" Hey. Look at me. My right eye. It looks awful, doesn't it? I to constantly keep it patched up to prevent any trace of dirt coming in contact with the wound. "..." [recoils]

Like a coward who can't face the consequences of their own choices- Yeah, I fucking said it. I'll say it again. Oh they're just fifteen. Didn't stop anyone from hounding the twelve-year old. Time flows differently in Milgram some folks theorize. how convenient we can keep the cycle of dogpiling on children strong. They ain't getting any less fifteen according to some. How long can this remain an excuse. Just because this brat is perpetually fifteen ain't making them any less accountable in my book. Es needs to take some accountability lessons from Amane.

"I don’t agree with the fact you refuse to acknowledge that I have my own free will, and that I should be held accountable for my actions, just because I’m a child. I may have only been alive for 12 years, but all the choices I’ve made, even if they weren’t the best ones, were entirely my own. What point is there in you getting sad when I have no regrets myself?"

Instead of I don't know crying like a fucking child go I didn't mean it to the person they possibly irrecoverably injured due to what they choose to support by voting in favor of it. It's not like Es didn't have suspicions but choose to deem her innocent anyway. Naw it'd be wild if they just blatantly admitted that at any point,

2:57 (two minutes and fifty-seven seconds in)

"..." You forgave her for feeling that way. You- "It's true that I got a bad feeling about that side of her. When she said there are times where it's necessary to stand up as justice against evil..."

I mean certainly she told me everything she was about and I said close to with my full chest yes more of that please but- I didn't know she would do what she did again here! That she'd be a repeat offender and not want to stop. I didn't know that she would use someone having a negative reputation regardless of how small- Be it in the news or my own personal eyes as an excuse to jump those people! How would I have known?!

Meanwhile Futa is just sitting here like,

(Beginning of small tangent)

Futa: Ya know I'll go down this road with you. Play me her first trial video real quick like- Let's hold off for a second here. Because maybe you're telling the truth and there wasn't enough information for you to guess she'd do something like this.

Es: Really?

Futa: Yeah, I'm honestly willing to extend the benefit of the doubt and try to see this from your perspective. I mean I didn't think she would do something like this when everything started either.

*three minutes and thirty-four seconds later*

Futa: ... *head in hands*

Es: I see now how there were a few red flags.

Futa: A FEW?! WHAT DID SHE HAVE TO DO PUT I JUMP PEOPLE ON HER HAT- WHICH SHE TECHNICALLY DID?! She advertised for anyone to see that she jumps people who do crimes regardless of how small. In a building where everyone has done a crime what about voting her innocent seemed like a good idea. Even you're technically doing a crime! One of those people were a bike thief- What the fuck is wrong with you she murdered people over theft this isn't a hard case to solve are you insane? You're accusing us all of murder this facility abducted several people everything in this building has committed a crime. You, me, the fucking air too maybe- Hell probably your rabbit as well. She's gonna kill all of us at this rate.

Es: Well, I don't think she'd do that... But I did extend a generous amount of the benefit of the doubt and assumed she wasn't as harsh on everyone of course.

Futa: ... No, no absolutely not. Hold on... What was Mahiru's?

Es: ...

Futa: Es-

Es: I think we should stop pursuing this train of thought now.

Futa: Are you fucking serious no show it run that shit-

*three minutes and thirty one seconds later*

Futa: ES- SHE'S IN A CAST ES?! A CAST ARE YOU FUCKING SERIOUS WHY- WHAT ABOUT THAT WAS BAD?!

Es: Don't you wanna I don't know defend your own video or something this is starting to make me feel a bit bad about my choices...

Futa: You should feel bad! And no I at least know I somewhat deserve this but what the fuck.

Es: Okay, okay I need you to know I am not bad at my job I am trying my best.

Futa: Are you?!

Es: Yes; yes I am! I-in fact- I can show you a verdict you'd agree with-I have one judgment you'll agree with completely!

Futa: Oh, yeah sure let's watch it-

*three minutes and forty-eight seconds later*

Futa: Yeah you were right for that. You were correct in that judgment like- God damn how may people did he kill.

Es: Probably less than Kotoko with how things are going.

Futa: ?! Some of us just deserve to be able to leave or at least have locks can we order locks.

Es: I'll order some...

Several months later-

Es: *watching Deep Cover* (Oh fuck Futa was right she is going to kill us all at this point.)

Futa (outside the glass window of the interrogation room which only has this window for the bit): *mouthing* I fucking told you!

Es: *head in hands*

Kotoko: *passed out in the fucking extraction machine*

(End of small tangent.)

All that to say Es be suffering in this job. This job sucks. They aren't paid they get put into coma for several months until they're needed. They don't even get to use the facilities or be around the prisoners like that. Who they admit to being fond of despite everything. They've admitted multiple times that this work is hard on them and they find no enjoyment from it.

They worry constantly about the sort of person this work may be turning them into. They are not doing a good job or having a good time. Trial two does it's best to consistently highlight this wherever possible.

Futa's Second Voice Drama (Baptism of Fire)

2:07s (two minutes and seven seconds in)

According to Shidou, it's likely that I won't ever be able to see with this eye again. Sucks, huh? "I didn't-" "I didn't want that to happen", is it?

3:12s (three minutes and twelve seconds in)

Heh, hahah! Milgram changes shape according to your judgment. The standards of judgment, the world that you want... This is what it's all about, huh? "...It's not like that..." Not forgiving me but forgiving Kotoko... That's what it boils down to, isn't it? Isn't this the result you wanted?! Heh. You're laughing aren't you? Even now, seeing what shape I'm in. "You're wrong, I-" "...didn't think it'd turn out like this"- right?! "A-ah..." I get that.

At times Es doesn't even agree with the judgments they made along with the audience.

Kazui Second Voice Drama Imposter Boulevard

4:20s (four minutes and twenty seconds in)

"The reason I forgave you was because I was lacking details. I still don't understand your true feelings or how things got to that point either." I see. "It was extremely hard to understand. Even with all that poetry, though, your self-absorbed nature was more than obvious." Oh, my... That's quite a sweeping generalization even though you forgave me? "It's a personal dislike of mine. People who act based on their sexual urges like that, that is." It's personal? "Yeah. That's right." That's strange. I did think that despite being neutral as a warden, you had some things you disliked, but... ... Isn't it unusual to openly reveal a personal dislike as a personal dislike? (A.K.A why would you have to reveal this as a personal dislike if you could have just voted me guilty based of it being one. Unless someone else is judging me and you can't just make the decision based on your dislikes alone. Why not just say you dislike it warden and explain why I'm innocent despite that.) "You're splitting hairs!"

This leads me to believe that Es' appearance in the collaboration art is another progression of what was implied with them from the third anniversary art as well as in the second trial voice dramas.

How they're getting stained by their own judgment, their proximity to the prisoners and Milgram. That the more the judge these sins the dirtier their hands get and the further under they go. That Es as the warden of Milgram and the proxy of the audience is finally starting to question what that fully means.

And is now asking the question Milgram as a facility has asked since the beginning-

When all three trials are completed, what will be the ending that awaits the prisoners and you?

That maybe the prisoners have been when they said,

See? Aren't we the same? - You're... the same as us aren't you? You just got caught up in a bigger picture.

Futa Second Voice Drama (Baptism by Fire)

6:16s (Six minutes and sixteen seconds in)

"You and me...the same? Me, who decided not to forgive you, not anticipating that you would be severely injured for it, being the same as you... Who killed without anticipating the other person would die, is that what you're trying to say?" That's right. What's the difference...? Mahiru is still on the brink of death! If she had died from that we'd be exactly the same! "... Don't make a fool of me!" Huh? "I've seen it! The way you got amusement out of your actions like it was just a game! The way you so easily elevated yourself to act as a one-person jury!! That, being the same as me?!" ...! "You've gotta be kidding! I am the warden of Milgram, the one who judges your sins! It's not just you and Mahiru- I've faced all ten of you prisoners with my own life. Don't lump me in with someone like you, who used someone's sins for cheap entertainment!"

It's Not My Fault

1:08s (one minute and eight seconds in.)

"Sorry for hurting you, but I didn’t mean it- I am doing this is just because of being bored. We are just the same."

Futa Second Voice Drama (Baptism by Fire)

7:33s (seven minutes and thirty-three seconds in)

...Heh... Haha...Ahahahaha!! Pheeww.... WHF-AHAHAHAHAHAHAHA!! YOU'VE GOTTA BE A COMPLETE IDIOT! "Excuse me?" JUST HOW BIG OF A DEAL DO YOU THINK YOU ARE?! Seems like that fancy hat and outfit of yours are making you feel real high and mighty! "Careful with your words, Prisoner no.03."

Shidou's Second Voice Drama (Aesculapius)

1:48s (one minute and forty-eight seconds in)

"Don't lump me in with you! You're an inmate, I'm the warden! Now that I've started this I intend to see it through to the end."

Now of course there are other explanations for why they would go with red instead of the usual gold associated with Es' uniform.

Red could have been chosen as an attempt at not having too many shades of yellow within one image. Though for that to make sense one would need to blatantly ignore the several shades of blue, the repeated adding of yellow and green hues on prisoners who have never had that color (looking at Haruka and Amane)- As well as the simple fact Futa's prisoner color is red and they made it lighter so Es could have the guilty color basically but we'll get there when we get there.

Still, even ignoring all of those points. The color chosen here isn't even the one most associated with Es when it comes to merchandising. Even the light from the Hallucination event has their color as green while every piece of merchandise has their color as the one behind them within the collaboration art promotional image,

The color used for most of Es' clothing here is the red that stains the edge of their uniform within their character art on the website. The color most associated with the Milgram website overall and with being guilty.

Outside of those instances this color lines the box Es holds in their second trial character art and within Undercover. The infamous 000 box. After we see it for the first time we're shown this image,

This one image displays just how similar Es is to the other prisoners within Milgram. At the same time it serves to display how above the others they believe themself to be. The other prisoners' ten boxes lie on the floor at Es' feet beneath them in ever way as their own box sits right by their side literally put on a pedestal.

This superiority Es feels is displayed from their very first interrogation,

Haruka's First Voice Drama

6:02s (Six minutes and two seconds in.)

[slaps Haruka] It hurts. What are you doing?! "I'm the prison guard. That just now is how I'll educate you prisoners. I'm allowed to do so."

Want to take this moment to point out that in Futa and Kotoko's second voice dramas Es states that punishing people with violence was never something they supported. Yet they say this is how they'll educate the prisoners right after smacking Haruka in the face then continue to get violent with prisoners over the course of trial two. Just throwing it out there for the second point.

[grabs Haruka] "Got that. Listen carefully, prisoner number one. I'll say it any number of times- I'm the prison guard. Understanding your true nature is my job. No matter what you are or whatever nasty work you've done- I'll see all of it. Making judgments is my job. To say something like that... "You'll be abandoned"? Don't take me so lightly." [faint whimpers] "Until I know your sins and complete my judgment as to whether they're forgivable or unforgivable-"

"You're objects for me to govern."

"Don't think I'll let you escape." Prison guard... [giggles] "Wait a second... Haruka, what are you smirking for?" Ah, I'm sorry. It must be creepy, right? "It does creep me out." [throws Haruka]

"It's a personal dislike of mine. People who act based on their sexual urges like that, that is."

Yuno's First Voice Drama

3:44s (Three minutes and forty-four seconds in)

Hey, hey- What did you and Haruka talk about? Making that boy smile like that must've taken a lot of thought, right? "I will not divulge the contents of what was said during that interrogation. However... Let's see. Shall I enlighten you about what I did? I slapped him right in the face with all my strength and made sure it hurt." Wow~ Is that why he came back with such a bright smile? Well, isn't Haruka Mr.Kinky!"

Haruka's First Voice Drama

7:24s (Seven minutes and twenty-four seconds in.)

"It does creep me out." Ah, you've got it wrong... This is a strange thing to say but it made me a bit happy. "Happy?" Yeah. "What an odd thing to say even if I'm the one saying that. Being imprisoned being restrained even being interrogated like this too-"

Haruka's Second Trial Voice Drama

6:01s (Six minutes and one second in)

Mmnn, nnghh! ...I'm not an idiot...! "Yes you are, idiot! I don't dislike idiots who know their place, but as you are, you're a cocky idiot instead. Just looking at you makes me sick! Idiot, idiot!" Ghh...! You're mean...! "Sure I am. Anyways, right now, calm down- Haruka. Your past self would've been a lot more cooperative right now." Fssh... *sniffle*

"I just wanted to be your good boy- Why am I crying again?"

[slaps Haruka] It hurts. What are you doing?! "I'm the prison guard. That just now is how I'll educate you prisoners. I'm allowed to do so."

"Please don’t say that I am a loser- Hug me again as you once did." - "Haruka, what are you smirking for?"

Haruka Second Trial Voice Drama

8:30 (Eight minutes and thirty seconds in.)

"And you believe that killing someone because of that was the right thing to do?" I don't know! Then what should I have done, in your opinion? Even after stealing things important to her, my mother still wouldn't show any interest in me! Then what do you think I should have done?!

MILGRAM / Character Voice Trailer [Full Ver.] Glitched Voiceline

"Then what should have I done instead?! Tell me! Tell me so even I can understand!"

Then what should I have done, in your opinion? - Then what do you think I should have done?!

Haruka Second Trial Voice Drama

9:03 (Nine minutes and three seconds in)

As I thought. Warden-san, you're not my mother at all. "Huh? Never have been." Yeah... Yeah, right, everyone only has one mother. The mother who never looked at me wasn't my mother either. "What are you saying?" Heheheh, hahahaha...! "You're pretty scary, you know." Haa... I'm sorry, warden-san. For causing you trouble.

"What an odd thing to say even if I'm the one saying that. Being imprisoned being restrained even being interrogated like this too-"

Futa's First Trial Voice Drama

10:46s (Ten minutes and forty-six seconds in.)

Last words...? Oi, Es! "What is it?" Why were you laughing? "Hm?" You did so at the very beginning! You evaded my question by saying, "I was just thinking to myself"- Didn't you? I've been feeling restless ever since- That really gave me the creeps ya know?! "Oh, that. It's because you're the first prisoner to actually act like one. To be honest, it made me a little happy. So, that might be the real reason I was so keen on teasing you." Haaaa?!

"Isn't it natural to get angry in these sorts of situations?" (Haruka's First Trial Interrogation 7:48 Seven minutes and forty-eight seconds in.) - "You're the first prisoner to actually act like one. To be honest, it made me a little happy."

Over the course of Milgram- Step by step, interrogation after interrogation we learn more about Es. Their likes, dislikes- How they show concern for others. The sort of the people they're biased towards.

Yuno's First Trial Voice Drama

7:36 (seven minutes and thirty-six minutes in)

"Yuno. On the outside, you look like you're fooling around tut on the inside, you're actually a good person." Thank you for that. You're giving me too much credit though, you know? "However, it also explains why you've given up. About yourself, human beings, even the whole of society, you've realized everything- That's why your expression is so cold." Hm, what's this? A lecture?

Q.16 Do you have anyone you hate?

Yuno: People who like to lecture you.

"Just shut it, will you? You know it all."

Like really, who do you think you are? - JUST HOW BIG OF A DEAL DO YOU THINK YOU ARE?!

Slowly but surely we're being shown the sort of person Es is. The same way we're being shown the sort of people the prisoners are. On their second trial cds the prisoners are given doors that they are blocking in some way.

Every door is ajar or cracked open slightly.

I believe the 000 box that Es is holding within their second trial character art serves the same purpose as the prisoners doors in their second trial cd covers. It's a doorway to the sort of person Es is,

Since the one's sat beneath them are more than likely belong to the other prisoners and they all appear to be the same colors. All black with red accents to mark them as murderers/sinners. It's possible that Es while being chosen as the guard may be a murderer themselves.

Oh wait but then what about the 011 line that Kotoko says within Deep Cover,

“UNDER” Inept “011 Guard”

Well, and I type this with joy in my heart and a smile on my face. Kotoko is misinformed, ignorant, and completely incorrect about how these numbers work. Similarly to Futa- Kotoko is a character that is used to poke fun at the assumptions and behaviors of the audience.

In her case she makes fun of the audiences habits including my own of running with our own assumptions regardless of what the story tells us.

It's like Yuno said,

"Really? If you ask me, Kotoko is someone I would never want to make my friend though. She's the type who picks a conclusion from the very beginning and won't actually talk to you."

Kotoko is the sort to pick the answer she likes the most and run with. Simply ignoring anything else that may contradict her preconceived notions. Instead of compromising she's more likely to just blame everyone else around her for not falling in line with her way of doing things. Say things like people are always like this, it always goes this way etc- Without ever wondering since it's always going that way for her then maybe perhaps this may just be a her issue and there's something that she needs to work on within herself.

Naw it's society that's wrong. She's not an entitled individual that fully believes that everything in the world should bend to her whims and anyone that doesn't listen to her the voice of reason can't even be considered human.

Nothing would imply that.

Kotoko's Second Voice Drama 10:15s (ten minutes and fifteen seconds in)

How ridiculous... It's always like this... All you weaklings always act like this... All you enjoy seeing someone getting hurt... "Might be so." All of you enjoy seeing a bad person falling down... "Can't deny." You keep asking for it but as soon as it happens near you by your own choice, you all start complains and evading your responsibility-

Lol, literally no one asked you to do this. Literally no one. How I did it for you ass people get when someone goes when did I ask you to though? "Why are you people always trying to evade responsibility for what you had/made me do?"

You're always like this... Always such idiots! I acknowledge it. You're the strong one and we're weak. You're right. But that's how we are. You have no power, and yet you make no effort to gain it! You're talking about justice, but it just doesn't make sense! You're invested in people's disasters, yet you take a position of "I have nothing to do with it"! You can't even face your true selves!

Deep Cover

Swaying to and fro? Laughable justice So ridiculous, isn’t it ridiculous-

"The scale tilts to and fro, I yearn to be found “GUILTY” but it tilts towards, find me “INNOCENT”."

"Can’t stay away- Please don’t forgive me." - "What do you mean INNOCENT, if this is my punishment- Now I see, this world is cruel and merciless."

"Should I knock on the door?" - "So ridiculous, isn’t it ridiculous- They’re still here, still here, it grates me."

The swinging to and fro comment that Kotoko makes is more a reference to Shidou's second trial song and the way the audience dictates the verdicts. Swinging to and fro going up and down in percentage points.

Pretty much how the Milgram voting system works.

So, Kotoko doesn't have to be talking about Es in Deep Cover at all. In fact it would make more sense if she was talking about the audience.

Deep Cover as a song already directly references Undercover. If Kotoko saw Es' video than she should know that their number is 000. As we went over just a few paragraphs back Es' music video does nothing to hide that fact.

Now if she just heard the song that's a different story but given some of the observations she makes and the fact we know that she was hiding out in the interrogation room during extractions from Mikoto's first voice drama- Possibly making him the only person she did not see the first trial video of since Es had her leave the room before the extraction began. Though she seems to reference it just fine in Deep Cover. So, she probably still saw it.

However, he getting the numbering system from Es' video would explain why she's using three digits instead of two. Since no one would automatically assume that a group lower than a hundred would be numbered in the three digits. Usually they'd assume it'd go 1-10 straight no added zeros or how Es says it in the voice dramas,

Futa's Second Voice Drama

"Careful with your words, Prisoner no.03."

Haruka's First Voice Drama

"Got that. Listen carefully, prisoner number one."

In most instances Es hasn't even really used the extra zero themselves. It is unlikely that Kotoko got that information from general conversation. Meaning that she's either seen the visuals to get that information or completely wild assumption she just ordered the CDs to Milgram and has been listening to them all.

Since the numbers are also on those. As well as on certain promotional material,

Yet, even then 000 is on Es' own cd cover not in the center like with the other prisoners but it's there right on the left none the less,

Kotoko would have to be really bad at gathering information to miss all the things that plainly state that's Es' number is not 011- Or more than likely she was referring to the audience/voters like many other prisoners were during this trial.

Now, let's talk about the 00b used within this post. As we've gone over I'm not using the traditional numbering system. The number system I'm using is the one in the save file names for the character art on the Milgram website.

Es' character art on the website is literally named character_solo_sp_ character_00b and Jackalopes character art has the label character_solo_sp_ character_00a.

This continues to highlight what Jackalope has said about this being his Milgram and puts him firmly above Es,

This is a good time to note that the prisoners from this point forward will be numbered based on how they were in their character art file.

But the promotional images and even the cd covers use three digits. So, why don't you- This is funny. It's funny and it's new information. I don't need any other reason than the fact that I just want to honestly. Plus it's an easier way to cement the information to memory for me.

Now from this information I've begun to speculate that Kotoko may not have actually gotten a good look at the other prisoners music videos. That she is in fact going off of the assumptions of the audience. That it might be possible prisoners not only hear what the audience is saying about them but others as well.

Tying into what Kotoko said about knowing this is what the audience as well as Es wanted but now both want to act like they had nothing to do with it.

There's no reason that this couldn't be a situation of both these things happening and she not only saw the music videos but heard the audiences desires in regards to other prisoners. It's just some of the things she states in Deep Cover are so surface level that I find it hard to believe that she really got a good look at the information herself. If most of the information she has gathered is from the audience and her own observations from living with the others... It would explain why she wouldn't be aware of this other numbering system.

Since it's something directly related to the Milgram website and her circle of information begins and ends within the Milgram facility.

Unlike Futa who had QR codes throughout his second video linking directly to the websites voting page. Implying he for sure knows about the website. Something that has yet to be explained. Personally I haven't seen anyone discussing the file names of the images from the website. It certainly may not have been discussed enough for the staff to find it necessary to add into the story in any noticeable way as of now.

Meaning there's a good chance that info just wouldn't have come across Kotoko's radar yet. I don't doubt she'd know about the three digit system because it's quite literally plastered everywhere.

Either way she'd still be referring to someone else because the audience has known Es is 000 since Undercover the song her second trial one pays homage to. If she knows enough about Es' song to directly reference it than it would make sense for her to know their number too.

One could posit that Kotoko made Es eleven based on the b part which would make Jackalope the first zero. This could also be a clever attempt on her part to position Es as beneath herself. Since she's literally last in line every other prisoner is above her numerically. Something that she could find grating. This would continue her parralels with Futa and Haruka who both seem to get upset at things like that as well,

"Can I be your favorite this time?" - "Pressure, pressure! Whatever you do, you’re still last in line."

"They’re still here, still here, it grates me."

Besides the 000 box this red is predominantly associated with Milgram. As it is the same red used throughout the website. Meaning this could allude to Es being consumed by their work/losing themselves in the job as well.

The fact that the color most heavily associated with guilt is what was chosen as their predominant accent color could allude to how they've begun to view themselves over the course of Milgram due to the choices they've cosigned and the results that followed. The sparse green on the shoes possibly being representative of their good intentions and putting their best foot forward from the position they're in.

The fact that they had many areas to accent and choose to put as little of the innocent color in as possible and even add the red to inside of the cape says a good deal about the intent to me.

However, when mixed with Es' expression in the art it only becomes more apparent.

Gone is the anger of their second trial character art as they have a expression of uncertainty. Their eyes wavering as though trying to stand firm to their own choices while doubting if they were correct.

This issue was alluded to during the "Report on the end of Second Trial",

You’re afraid that your decisions are going to lead to something that you can’t take back?

"Hm, I see......how absolutely ridiculous. There is nothing in this world that you CAN take back. Not just in MILGRAM. You can’t turn back time. And anyway, whatever happens to them, none of it can be taken back. It’s not for the guard to worry about."

Anywho- on to prisoner 01!

So many pictures for Es alone well I guess that means no one else is getting a lot. Unfortunate but the others should be more straight forward.

01 Haruka

Wow, it sure would suck to be given affection just to have it taken away. That certainly would be a cruel and unusual form of punishment. Especially if the person being treated in that way stated upon first meeting them that they were wary of that happening to them again,

Haruka First Voice Drama

"I-I shouldn't get too i-involved with people in the first place. Even with all the prisoners they might misunderstand. It's no good."

Why is that? Just do as you please. The bonds we share with people are the very thing that shows our human nature, that's what I believe.

"It's something, I can't even tell you, prison guard!"

Even to me?

"You shouldn't get too close to me. Bringing misfortune to people is the only thing I'm naturally good at. The more you know about me- I'm sure I'll bring misfortune onto you as well, prison guard."

Haruka.

"Because! Because... Ah, I'm sorry... For just talking by myself."

Continue.

"It'll happen sometime. I... I... Even though I try to be normal, everything gets ruined."

"You, everyone, if you knew me... If you knew everything that I did... I'm... I'm gonna be abandoned. That's bound to happen."

So wary in fact that one could very well consider his current circumstances a self-fulfilling prophecy. Ah, no- did I say current circumstances... My mistake-

Luckily, that didn't occur at all.

That's what I meant to say. Because that definitely didn't happen. I mean how many people would so willingly walk into such an obvious trap? I mean really- If everyone else was jumping off a cliff would that make any of you want to join them?

This is the bandwagon mentality dragged to light over the course of Milgram. A lot of the time it doesn't matter how realistic the concerns stated are.

Say for example,

What if character x hurts y?

What if the relationship between these two characters is unhealthy?

What if the choices I cosigned lead me to a situation I can't take back?

Silly concerns like that doesn't make a person more or less justified in their opinion. It's valid for anyone to think or believe anything on a situation they become aware of regardless of how little or how much they know. To ask a person not to think is the same as asking them not to exist at all.

Yet, when people assert those thoughts onto others and try to dictate how a stranger exists. Well, that's the line between an individual and society, right? At that point it's best to live at the behest of the majority no matter how incremental that majority is. It's only fair that a system puts the will of the many over the will of the few.

It's unfortunate isn't it?

Seeing what being a part of the minority feels like. To a lot of people Milgram will be their first and possibly only taste of that frustration.

The sort of frustration one feels when losing in a game, a work of fiction- Yet, would easily belittle those for feeling in regards to real world decisions that may possibly have a great negative effect on a many people.

Thinking back on every loss in Milgram. Every character that one may have wanted innocent that wound up guilty. Each one some may have wanted guilty that wound up innocent. The way many may have pushed for their desired outcome, the echo chambers created to circulate the same information over and over more easily, the fussing over what comparisons to real life forms of discrimination are okay and which are not.

All the while everyone is still compared the material to real life issues that suited their egos more. Issues that served to frame the actions presented as something the character acting them out had no choice in. Something easier to sympathize with or in other cases something completely inexcusable or unforgivable. A senseless act of cruelty by an uncaring and unsympathetic character that deserves to get as good as they gave in the narrative.

Using tactics not too different from their detractors, most people who have engaged with Milgram have worked to make their voices heard in one way or another. Be it through their votes, comments, or fanworks. All using the same social issues and biases they may balk at when used under a different framing.

Isn't it cruel to recognize that some people only care about other individuals, systemic ills, and mistreatment only as far as it allows them to support themselves and no further? As long as doing so can make them feel good.

Isn't that such an immensely disheartening thing

It's a subtle self-serving aspect of every individuals ego that they can't look past. One thinks x is good because they can relate to x and if x isn't good then that means they aren't good. So, x must have been justified, there must be a good explanation for character x's actions-

Because if there's no good explanation for them what does that say about the part of us that relates to and sympathizes with them.

If this character turns out to be bad it's as if the story itself is saying the viewer is bad.

Isn't it a terrible thing when one can't see past the good they want to see in someone and view the person who is standing right in front of them. All so they can spare their own feelings. So, the viewers ego doesn't get bruised...

It's ceases to be about gaining an understanding of the person or character becoming more about validating oneself through them.

That individual or character ceases to be a construct separate from the viewer turning into an ideal to strive for a projection of the viewers own self-worth.

The thing validating their identity.

Telling them it's okay to be as they are.

So, when the reasons laid out fail to live up to the viewers interpretation they end up feeling betrayed.

In real life this mentality would lead to the people being treated this way feeling forced to walk on eggshells in order to keep being good in that person's eyes out of fear of being discarded. Behaviors that they may want to change become hard to break because they can't be sure how that person will feel about them if they change. They try to keep a good distance from people because what if someone learns too much and doesn't want to be around them because of it. It cultivates insecurity in every action and thought.

Truly it's a lucky thing nothing like that occurred here-

Let's face the reality though.

The world is uncaring and merciless. People have the right to their feelings. Even the negative ones. Once someone is let down they have the right to show and discuss that disappointment within reason. There's no good reason to verbally berate or emotionally abuse another person disappointment or not.

If showing that disappoint means things are over,

"Are we over? Please don’t answer."/ "I imagined that you saying "See you" is the same as "It's over”."

That person who once saw the best of them can only see the worse,

"Tell me, why are you drifting away from me? Tell me, why do you say it’s my fault?" / "If you don’t hug me, even our hearts will start drifting apart."/ "Hug me again as you once did."

If there's no way to proceed so things need to end,

"You won’t be forgiven, it was stupid licking each other’s wounds. Justice assemble! Till the end!" - "I swear! I'm going to be a good girl now! That's it!"

"You already knew, the whole time- You can’t escape, how do you like the taste of punishment?"/ "After you cry, repent, and kneel, it’s now your turn to say that hopeless “I’m sorry”. You’re sorry? I don’t care! Please, go ahead and die already. Remember MY cries, MY repents, MY words of “I’m sorry” that I said to you?"/ Fuck it! Don’t you think so? You won’t be forgiven, a coward, never!

If hatred ends up growing there,

"If you’re going to make me the villain- It’s ok to ignore me."/ "“He’s a liar”, you said, and made me out to be a scoundrel, why?"

"Hey, what if- If I am a bad girl? Don’t hate me. Don’t even try to proof from “After Pain”."/ "All those ridiculous accusations- Hurting it, holding it down, it doesn’t change anything, does it? Ahhh, It’s the same anywhere I go! It’s like what’s wrong isn’t wrong!"/ "Hold on. It’s not my fault- You knew it, right?"/ "All I did was dream, so you find me INNOCENT, it’s that simple right?"/ "I am innocent as everybody desires I am relieved, I am always the drama queen."

If something occurs that can't be taken back.

"“Throw down” the invitation that I can’t take back. Lying, replacing with hope."/ "If it damaged someone’s dream to the point of stopping it. I want gouge you out with my fangs."

Those sorts of experiences are just as much life as anything other ones are.

They're not something to run away from or attempt to avoid. They're just experiences and not all of them have to be eternal for them to hold meaning. Sometimes there's eternity in the transient. That's why when people pass away they don't suddenly matter any less to the lives of the people they touched.

To expect a person's opinion not to change, the past not to follow any of us, is to run from the fullness of ourselves. Our own existence.

The simple truth is when people are presented with troubling, overwhelming things they panic, worry, and look for the path of least resistance. Our brains don't immediately slow to a crawl, panic not ensuing giving us an abundance of time to think things over and lead us to the perfect outcome.

A solution that can work for everyone. Sometimes we can only do our best with the limited time we're given.

In the same vein there are things in life that are unacceptable regardless of someone's personal reasons for committing to a course of action. Everyone has a line a breaking point and even if it's not unforgivable in the eyes of society it may still be unforgivable to the person who committed the deed.

On that note, Haruka why on earth do you have a sword?

I mean certainly you threatened to end your own life but hara-kiri isn't the way my guy. They cut people's heads off for seppuku out of mercy. Disemboweling oneself is not a fun pastime. Put the sword down and let's talk this out.

Immensely cumbersome blade one to use for that too. You positive you don't want to at least get a boxcutter from the storage closet or your close friend Mu?

All poor taste stress jokes aside- He's really doesn't seem to be holding that offensively.

The series has been foreshadowing Haruka's threats of self-harm from the beginning of the second trial. The design chosen for the cyberpunk inspired karaoke collaboration manages to invoke that imagery in a subtle new way while still eliciting the same emotion from the observers as say his timelines over the course of the second trial,

24/04/19 (Futa’s Birthday)

Futa: ––Hey, are you really ok with this? If you come with me, there’s a chance you can be saved too…… Haruka.

Haruka: Yeah…… I’ve made my mind up. I have, something, that I have to do.

Futa: Ah, is that right…… Haruka, you know, you’re an idiot. There’s no way…… that will save you……

Haruka: Yeah, thank you. I’m glad you came to talk to me, Futa. Um, thank you, for being so kind. Really. But, I’m sorry. This is all I’m able to do……

I don't want to spend too much time harping on such a stressful plot point.

Especially one that's been hung over the audiences head for far too long at this point in my opinion. Though it felt a bit rude to just outright ignore the implications.

Now with that acknowledged indulge me as we step down a different avenue.

That avenue being the coloring of Haruka's outfit within this colab.

I find it interesting that they used a color associated with Mu for the inner lining of his clothing. Circling back to that first voice drama for a bit... Let's take a lookback to discuss Mu and Haruka's relationship over the series.

In Haruka's first voice drama he says,

"The ones who often talk to me are Yuno and Mahiru, and uh Mikoto."

Then he goes on to add Futa and Mu,

"Also, Futa. He's a little scary but he pays attention to me. I sometimes to speak to Mu as well."

It's funny to see how things have progressed since then. Mu was the very last person Haruka mentioned. He put so many other people before her back then- But now she's kind of become all he talks and thinks about.

23/04/07

Haruka: Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. Please forgive Mu-san. PleaseforgiveMu-sanpleaseforgiveMu-sanpleaseforgiveMu-sanpleaseforgiveMu-sanpleaseforgiveMu-sanpleaseforgiveMu-san

Then despite the fact that Mu is younger than him he refers to her as san. Though it seems Haruka refers to everyone as san. So, that isn't too weird.

Wait hold on- Except for Futa who he refers to as kun. I- what the hell Haruka???

20/06/28

Futa: You said you don’t play any games, right? Do you not watch league or premier either?

Haruka: E-eh, I, I don’t understand, what that is…… That… uh, “leeg”?

Futa: Huh!? It’s international soccer. It’s normal for guys your age to know stuff like that. What a pain… I really have nothing to talk to you about, huh. Even though we’re around the same age. Also don’t speak to me so formally. It’s gross.

Haruka: Ah, e-excu-, I don’t, I uh… got it…… Futa… kun……

21/04/19 (Futa’s Birthday)

Haruka: U-uh, um, Futa-kun! Um! Um!!

Futa: Huh? Shut up already… Didn’t I already say not to make a big fuss about my birthday. I’m not some kid who gets excited by stuff like that anymore!

Haruka: ……?? Ah, er, i-is it your birthday……? Th-that, ah, um, h-happy birthday……

Futa: ………… You will tell nobody about this conversation.

Though that seems to be only because Futa voiced discomfort with Haruka being so formal with him. Well... Except for the fact he goes from referring to him as kun to just not using any honorifics at all trial two. Um... What the hell? Pardon?

24/04/19 (Futa’s Birthday)

Futa: ––Hey, are you really ok with this? If you come with me, there’s a chance you can be saved too…… Haruka.

Haruka: Yeah…… I’ve made my mind up. I have, something, that I have to do.

Futa: Ah, is that right…… Haruka, you know, you’re an idiot. There’s no way…… that will save you……

Haruka: Yeah, thank you. I’m glad you came to talk to me, Futa. Um, thank you, for being so kind. Really. But, I’m sorry. This is all I’m able to do……

Fucking Yuno going to using no honorifics for Mu to using them vs Haruka going from using them for Futa to not.

Haruka has that Zantetsu from Blue Lock "Hey only my friends can call me stupid." mindset.

Haruka with Es in his second voice drama,

"Shut up-!"

Ngh!

"GUH!"

I hit you as punishment for being an idiot! Maybe this will help remind you of your original intent.

"Mmnn, nnghh! ...I'm not an idiot...!"

Yes you are, idiot! I don't dislike idiots who know their place, but as you are, you're a cocky idiot instead. Just looking at you makes me sick! Idiot, idiot!

"Ghh...! You're mean...!"

Sure I am. Anyways, right now, calm down, Haruka. Your past self would've been a lot more cooperative right now.

"Fshh... *sniffle*..."

Don't call me stupid you're mean guard! You're a meanie! You're a jerk I hate you- I can kill anything smaller than me ya know!

Meanwhile Futa standing at 5'4ft (165cm) to his 5'7ft (174cm) "You know, you're an idiot." Haruka, "Yeah, thank you."

Alright, friendship is magic actually.

Great job you two. Great job- Round of applause for them. Because this is such subtle character work that's honestly impressive and easy to overlook.

Now back to the really overt shit.

By that I mean the,

"This is all I'm able to do..."

Foreshadowing that he's going to try to kill again because in All Knowing All Agony they literally show this is all I'm able to do over and over again as he's committing murder.

Oddly enough DoctorBunny and I were discussing this for completely unrelated reasons.

So, you can thank him for this explanation.

It's, "kore shika nai no" 'I have no other choice than this'/'I can only do this'

"This is all I’m able to do……" - "I will keep on killing to be a good boy. I can't stop, I can't stop!"

Though it is said a bit differently in the timeline itself,

"でも、僕はこういう風にしかできないから、ごめん" Demo, boku wa kouiu fu ni shika dekinai kara, gomen. But, I can't do it in any other way, I'm sorry.

Even so the same allusion can be seen.

In a way this makes it feel as though the only reason Mu and Haruka grew as close as they did was because everyone else he was speaking to had no time to do so after the first trial.

Mikoto became like that. Displaying mannerisms that Haruka admits to finding scary. Using how fear inducing Mikoto's behavior was as an excuse for why he didn't approach him until the intermission ended. Futa was having difficulties as well...

However it doesn't seem as though he was outright avoiding Haruka. Instead he seems to have been keeping a little more to himself while he tried to get a grasp on his own issues. In his attempt to tackle the issues he was facing due to his guilty verdict Futa wound up being comforted and motivated by Amane when she approached him during that difficult period.

In the same way Mu approached Haruka after their verdicts were decided,

21/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, are you awake……? Happy birthday.

Haruka: M-Mu-san? I… I-I’m awake…… Th-thank you, very much. I’m… glad……

Mu: ………… Shall we talk? You know, recently I’ve been pretty interested in you.

Haruka: ……!! I-in me…? Hehe, hehehe…… interested, in me.

22/04/19 (Futa’s Birthday)

Futa: Ahh…… I’m not wrong…… I wasn’t doing anything wrong…… Shut up, why are you going on an on about something so minor…… It has nothing to do with you…… Aaahhh……

Amane: Oh, were you talking to yourself, Futa-san? Or maybe there’s something there you’re able to see?

Futa: ……! O-oh, it’s just you. It’s nothing. ……but well, on that note. Hey. Don’t you have anything happening too? Since being in here, just suddenly getting anxious. Feeling as though loads of people are all there condemning you, telling you you were wrong.

Amane: ……I’m fine. I don’t know what you’ve done or what it is you’re worried about, but I think if there’s something you believe in, you should stay true to it. It’s not something that should waver just because other people said something. I personally don’t plan on changing my own beliefs even if I’m told I’m wrong either…… ……today is your birthday, correct? I’ll pray for God to keep you under his care.

So, Mu and Amane both approached Futa and Haruka at a time that they were both isolated and vulnerable. Many people discuss how Amane's character dissects the recruiting habbits of cults and religious groups. Yet, it's hardly discussed how Mu's characterization dissect the clique behavior of school settings.

The habit of kids taking advantage of each other by giving attention to isolated individuals within a class in return for favors. Help with difficult things. Such as someone giving the smart kid who isn't that well liked a bit of attention just so they'll maybe let that person copy off of their homework because they feel indebted to them.

Popular girls going up to new students then telling them who they should talk to and shouldn't in order to continue ostracizing certain students. Though I think a lot of people aren't at the point to discuss the cult like dynamics that take place within school settings and they way students prey upon each other within them. I'm just bringing this up because it aligns with the point being discussed.

That being Mu and Amane approached both of these guys very sneakily where others were less likely to intervene and then we rarely saw them talk to anyone else for a good stretch of time. Mu is dissuading people from going in and checking on Haruka guaranteeing that she has everything under control and is taking care of him. Kotoko is doing nothing to stop whatever he has planned and the only person who has actively attempted to convince him there's another way is someone he's fine ignoring the input of outright because he's sure he'll respect his decision even if he disagrees with it.

As well as him repeatedly stating he's doing what he's doing for Mu's sake not his own.

23/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, I brought your food. Are you still alive? Has any mould started growing?

Haruka: ……ah, thank you very much. Mu-san. Sorry, um…… I……

Mu: You shouldn’t just lock yourself in your room all day. You have to eat your food properly. Hm, well…… I do understand why you’re feeling down. It feels bad. The atmosphere recently.

Haruka: Um, I’m totally fine…… Just a bit, I’m thinking, about how to do it. What to do, what to do, to…… fulfil my promise. For Mu-san’s sake……

"I promise! A good girl that keeps a promise is like, mwah!"/ "I just want to be your good boy. I will keep on killing to be a good boy."

"I promise to make my dreaMU come true."

Yep, nothing similar about these two situations at all. It's only wrong to do things like this when religion is attached to it actually. There are no other circumstances where this behavior would be questionable. It's like people are more comfortable with scrutinizing religious beliefs that deviate from their norms more than actually interrogating exploitative practices.

Noooo that couldn't be- That's definitely not the case. If that were true then an adult women with the right to choose how she practices religion and raises her child for herself would be considered more of a victim than the child she was abusing. Because life is hard, raising a child by oneself is lonely, and cults exploit people at their most vulnerable. So, she'd be a victim too. Hell probably even considered more of a victim than the child by some.

Because it's easier to blame religious beliefs more than reckon with someone's consistent commitment and active choice to be their worst self. Acting like the religion was in the house with her when she decided to waterboard her daughter, go out to buy that taser, and choose not to abuse her daughter as heavily when her husband the pastor was home.

Meanwhile Mu is over here saying,

"God gave me everything, everything is as I wish."

That has nothing to do with religion though. She's just feeling herself a bit too much she doesn't really believe that god gave her everything and anyone that goes against her god given right to rule deserves to be crushed. What would give that implication.

Sorry, got sidetracked there for a bit...

My main point was Futa was having his own difficulties and to his admission later had very little time or energy to spend concerning himself with someone else. Considering how Haruka has moved from using kun to no honorifics at all it doesn't seem like either was outright avoiding the other.

It makes me wonder how these relationships would have developed if both Futa and Mu were innocent trial one, if Futa was innocent and Mu guilty, or what if Haruka, Futa, Mu, and Amane were all innocent or guilty. If both Futa and Mu were innocent alongside Haruka I could see them both taking a familial role in when it came to Haruka. Possibly making it a bit more balanced. If they were all guilty that would be incredibly interesting.

Looking into it further is making me wonder if at that point Haruka would be pleading with the warden to change their mind. Despite what he said at the beginning. Would his fear of children get worse. Would Mu have become more reliant on Haruka instead. Those sort of things.

It seems to have strained Haruka's relationship with Mikoto the most. I wonder if they were both guilty at the start if he'd have approached him more. Futa is a bit easier to discern. Since he flat out states trial two he has no time to worry about Haruka because he's not a kid. Yet, given he's the first to show concern later when he stops leaving his room this doesn't seem to be the complete truth.

His disinterest in looking after Haruka may have been his concern with his own wellbeing, him not being a kid, or simply the fact that he wasn't guilty. All Futa could see was Haruka having a good time because Haruka to his own admission was having a good time. He told Mikoto this when speaking to him on his birthday and reiterated it in his second trial interrogation through blatantly stating,

Q.03 Do you want to leave Milgram?

Haruka: I want to stay here forever.

Certainly he could just be focused on Amane due to the fact that she is the youngest there and the most in need of help. Yet, at the same time he showed concern for Mikoto who was going through similar things as he was as well warning him that it would only get worse. He also avoided speaking poorly about Kotoko in his second trial voice drama blaming her behavior solely on Es using her.

Futa has consistently tried to sympathize with individuals he's convinced himself are going through the same things as he has or is going through. It's easy to brush that off by going Haruka isn't a kid so he's not concerned- but it's telling that as soon as Haruka starts displaying mannerisms that implies he may have been voted guilty Futa is the first to go and ask if he's okay.

So, it's difficult to say if he concern towards Amane is just because she's younger than him or due to them going through similar things. Regardless of the reasons Futa's view of Haruka has changed. He's begun to view him less as someone who needs his help now possibly seeing him as an equal or someone competent enough to hold their own by themselves.

Not a person in need of coddling or favoritism. Not a pitiable weakling in need of love,

"I’m so lonesome, please love me."

In contrast we've yet to see how he views Amane now. They haven't engaged at all since the end of trial two.

23/04/19 (Futa’s Birthday)

Futa: ……! Oi, is it just you. Don’t scare me like that. You shouldn’t just stand there saying nothing. Hah, what? Did you just come to laugh at me for being weak? Dumb brat.

Amane: No. I just came to observe. To see what people are thinking. To see who is being corrupted. What about you, Kajiyama Futa?

Futa: I understand even less of what you’re saying than I did before. Brat, you’re on the side who weren’t forgiven too, right? ……so why can you still stand. Don’t you can hear it too? The voices blaming us. ……I don’t have the energy to do anything like this.

Amane: It goes without saying. Because there’s something far more important than the voices of people we can’t even see. People are able to get back up again. As long as there’s something to guide them. Kajiyama Futa, by coincidence today happens to be your birthday, correct? Don’t you think it’s a good opportunity to be reborn? If, right now, you could shake off those around you trying to drag you down to depravity, and could change––

Since this moment the two of them haven't spoken in a timeline. There's been implications of them still communicating but they've mostly been highlighted speaking to other prisoners. We've yet to see how their dynamic has evolved over the course of trial two. Though we've seen that Futa has recognized Amane as someone going through the same thing as him.

Someone that can actually get fired up over the same things he does and understand what he's been going through. Not only that he recognized her as someone who faced what he couldn't and kept standing even after Kotoko's attacks. Since they share a similar mindset when it comes to apologies and rules.

Ultimately, Futa for reasons could no longer view Haruka and Mikoto in the same way he did within his trial one voice drama,

"Ah, Haruka and Mikoto are completely useless by themselves. I really have to take the lead with them."

They're no longer people in need of his help that were helpless on their own. Mikoto was able to stand up to and fend off Kotoko. Someone Futa couldn't handle himself. Haruka was able to be voted innocent something else Futa couldn't manage to do on his own.

Due to that innocent verdict Haruka grew more confident and assured. Maybe it was due to that newfound confidence he wound up gravitating towards certain people and distancing himself from others.

A change from his first trial because during that he was putting in more of an effort to get along with most of the prisoners. Though he was clearly uncomfortable around Amane and Kotoko. He still made an effort around them and in some cases those efforts paid off. Near the beginning of trial two Haruka makes it clear he'd been avoiding Mikoto.

This is a pretty big change from his first trial. Then he tells the audience this during his second trial interrogation,

Q.11 Which of the other prisoners do you get along with least?

Haruka: I don’t dislike Amane any more. I’m not scared of small children now.

Haruka states that he was scared of Mikoto but he no longer dislikes Amane because he's not scared of small children anymore. Instead he's now scared of an adult who encouraged him to work on his communication skills more,

20/06/05

Haruka: Ah…… ah, u-um, Mikoto-san. The c-communication……? thing, that you were saying was important. I-I thought, I’d give it my best…… Um, so, Mikoto-san, what’s your favourite food……?

Mikoto: Ooh? Nice going, Haru-kun~ Yeah, we still have no idea how long this lifestyle will go on for, so it’s best if we all get along together here. My favourite food…… I like pasta and horse-meat sashimi. Also bubble tea, and recently I’ve been big on custard puddings. What about you?

Haruka: ……ah, I, I wonder…… H-hamburg steak, and omurice, a-and also…… what else? Ah. Cotton candy……

Mikoto: C-cotton candy!? That’s the first time I’ve met someone who has that in their top three favourites!? ……man, Haru-kun, you really are hilarious.

"If I tried and couldn’t say it, you would get angry at me and say “You’re hopeless.”."

something similar to what he was complaining about being unable to do in Weakness. Now Haruka's discomfort and fear around Mikoto could be due to him going a bit out of control during the intermission as Mikoto claimed. However, it isn't particularly difficult to see how Haruka could be projecting his issues with his parental figures onto Mikoto as well.

In the same way he's begun to consider Mu his mother he could see his abusive father within Mikoto. Similarly to how Kotoko's form of punishment may have reminded Amane of her own mother. Playing into how Haruka is looking to make his mother proud and Amane is looking to make her father proud.

As well as why we see both Mu attempt to mirror Shidou's caretaking behavior towards Mahiru with Haruka. In order to cement her importance and show her usefulness. In a way do what Shidou has done and prove that she's indispensable in her own right. Prove that she's just as needed as him because she's the only one who can take care of Haruka right? No one else can.

Presenting this parallel between Shidou and Mu while having Haruka refer to her as his mother draws to attention Shidou's own attempts to take on a paternal role when it comes to Amane. It's as though regardless of whatever option is chosen Milgram is recreating the circumstances and validating the mindsets that led the characters to offend to begin with.

Once Haruka had been assured and gained some confidence he separated himself from people who seemingly had a lower standing than him and gravitated more towards those with the same one. This is even reflected in his statement on the attacks trial two,

Q.09 What do you think about Kotoko’s attacks?

Haruka: Scary- But aren’t they all the people you thought were bad?

A sentiment that mirrors Mu. Despite everything those people have done for him. Mahiru even being the first person to wish him happy birthday within the prison. Despite those trial one moments the audience never sees Haruka attempt to reach out to Futa, Mahiru, or Mikoto during the first trial intermission.

Even though prior to their verdicts he had recognized that they were there for him and had reached out to speak to them with ease.

He uses Mikoto being scary as an excuse for his negligence when it came to checking in on him but he didn't check in on Futa either. Mahiru was and is still to our knowledge injured and he hasn't checked on her once.

Yet, he did make sure to check in on a certain someone who has remained innocent,

21/09/02 (Yuno’s Birthday)

Haruka: Y-Yuno-san. Good morning! T-today’s your birthday, right……? Ha-happy birthday……!!

Yuno: Oooh…… Thanks? You’ve definitely changed a bit huh, Haruka. You speak a little louder now, and actually look people in the eyes when you talk.

Haruka: Eh, ah, i-is that so…… I wasn’t, aware of it myself, but…… Heh, hehe. Is that so.

Yuno: Ding ding! My sensor is telling me…… this is probably a girl’s influence. Well, everyone here is slowly changing, I guess. Even me.

Ahn, while I'm here throwing people under buses lets hit the gas a little harder.

For someone uninterested in their own age he sure remembered Yuno and Kotoko's birthday's rather easily. And you know what let's turn that bus into a semitruck for someone not interested in his own age he certainly remembered his own birthday just fine-

20/06/22 (Haruka’s Birthday)

Haruka: ……*sigh*……

Mahiru: Haruka-chaaan, come over here a bit! I’m looking up everyone’s horoscopes right now to check our compatibility~ What’s your star sign~?

Haruka: Ah, erm…… s-star sign……? I-I don’t know. Can’t remember…… B-but, my birthday’s June…… 22nd…… I think, that was it……

Mahiru: Ok then. June 22nd is Cancer, so…… A kind person who prioritises their feelings, and…… hm? That’s today!? June 22nd! You should have told us~ Happy birthday~!

Haruka: Huh? Ah, yeah…… Th-thank you…… very…… much…… hehe……

Like not even gonna hold anybody up Haruka has every prisoner's birthday who he cares about memorized.

20/08/05 (Kazui’s Birthday)

Haruka: ……Kazui-san…… um…… Are you, happy…… on your birthday……?

Kazui: Hm? If I’m being honest, at this age I don’t really think much about birthdays any more. But…… it can be nice to have as a means to start something. Like, for a friend you haven’t seen in a long while, it’s a good excuse to suddenly start up a conversation, you know? Being able to hear from a bunch of people like that makes it fun.

Haruka: I-is that, so…… That’s… nice…… I’m, kind of… jealous. But, I’d also, want to hear from people…… e-even if, there isn’t a reason……

Kazui: Haha, but it can’t always be like that. You know, for us adults…… we always want a reason or an excuse for everything. ……hm? Wait, is today my birthday? So is that why you went out of your way to talk to me yourself for once, Haruka?

To the point he wished Kazui a happy birthday when Kazui didn't even know it was his birthday himself. Mahiru got that information and Haruka kept notes. This is literally Kazui's first birthday interaction.

The only way Haruka would know this is from what Mahiru did.

So like he could've checked in on any of the guilty prisoners or wished them a Happy Birthday he chose not to. Well every prisoner's except Futa's whose birthday he did not bother to remember considering their interaction on,

21/04/19 (Futa’s Birthday)

Haruka: ……?? Ah, er, i-is it your birthday……? Th-that, ah, um, h-happy birthday……

And how when he doesn't even wish him happy birthday during the timeline on April 19, 2024. Instead they just talk about if he's really okay with this.

So, some characters simply don't remember the birthdays of certain prisoners.

Now there is a chance that series decided there were more pertinent moments to highlight over the intermission outside of those. That wouldn't change the fact that the series has shown Haruka forgetting Futa's birthday once and he didn't wish him Happy Birthday during the timeline this year either. Making it more likely he simply forgot again.

Something that is implied to have happened with Mikoto on Kazui's birthday. Since Kazui has to straight up tell him it's his birthday. As well as the fact that the series has been pretty good at implying when more than one person has told a character happy birthday. As shown with Mikoto. maybe the canon decided it wasn't important to overtly display that and instead just imply it which may be the case with Futa.

Then there's that timeline I keep bringing up but not showing where Haruka does blatantly admit he's been avoiding Mikoto,

22/10/06 (Mikoto’s Birthday)

Haruka: Mikoto-san. Um, are you ok……?

Mikoto: Ah, Haru-kun. It’s been a while since we last talked, huh. Yeah, I’m fine. Are you doing ok……?

Haruka: Ah, I’m fine. I’ve been enjoying myself, a lot. Um, I’m sorry, for avoiding you. I was a bit scared. Of you, honestly……

Mikoto: Ahhh, yeah. I’ve been lashing out whenever I go to sleep, right? ……it’s fine. Even I think you’re right to be scared. You know, I kinda just hate that I don’t even know what’s going on myself…… haha. Ah, but despite all that you still came and talked to me because it’s my birthday, right? Thank you, you’ve grown into a good man.

It's even implied he remembered Mikoto's birthday in this timeline. Sure, maybe that is wishful thinking on Mikoto's part. However, given Haruka's timing in the past and his consistency I don't think he's forgotten.

Mikoto may not be able blame him but I can.

His behavior over the course of the first trial intermission and during the beginning of trial two can come off as cocky and full of himself. As Es aptly put it he went from an idiot who knew his place to a cocky idiot. Due to his innocent verdict he went from believing he was wrong to boldly stating,

"I wasn’t wrong, I wasn’t wrong."

Is it really surprising that he'd want to be around people of his own standing when this is his mindset.

Of course he wasn't making too much time or trying to be seen with people who were deemed in the wrong or losers. He's better than that. Es and the audience said he was better than that. That he wasn't wrong. All of them collectively extended forgiveness and understanding to him. Then like the old saying goes,

"Give people an inch and they'll take a mile."

He took a mile and ran with it right alongside Mu,

"I am innocent as everybody desires. I am relieved, I am always the drama queen. It’s not my fault."

Whatever happens to the people who weren't found innocent isn't their problem. I mean those are all people Es found bad and they saw them as good. So, they must be right about that too.

Q.09 What do you think about Kotoko’s attacks?

Haruka: Scary but aren’t they all the people you thought were bad?

Q.10 What do you think about Kotoko’s attacks?

Mu: It seems pretty rough. But the people getting punished are the ones the guard said they wouldn’t forgive, right? So isn’t it fair enough?

To question Es' judgment for them is to doubt their own innocence.

Meaning, Es has to be right for them to be right.

For that to be the case then the attacks have to be justified those people were wrong and they got what was coming to them. They were the scary ones not Kotoko the person the guard found innocent who jumped several people.

In fact she's someone that Haruka felt comfortable confiding his plan in. Someone he had no issue going up and conversing with after everything that was done. Because she's innocent and if the guard found her good like him then she must be good.

It's only natural for him to confide in her especially since she's so close to guard after all.

I mean,

22/08/05 (Kazui’s Birthday)

Kotoko: ……Mukuhara Kazui. Thanks to you, I wasn’t able to properly serve justice to those who did something unforgivable. I’m currently acting as an agent for our prison guard Es. Don’t get in my way next time.

Kazui: Oi oi, don’t be silly, Yuzuriha-chan. There’s no way I could just look away from your outrageous display of violence. Anyway, even disregarding the fact violence against those voted guilty isn’t a part of Milgram’s system, what you’re doing is just acting recklessly based on a broad interpretation. As long as I’m free myself, I’ll stop you.

Kotoko: ……what a pointless argument. Hmph. Since Es forgives you, I have no choice but to forgive you myself too. If you to keep to your words, then you’d best do what you can to keep being forgiven. If you’re not, then next time you’ll be one of my targets.

Kazui: Oh, how scary. That girl truly is frightening. ……well then, I wonder what the guard will decide to do with me. That’s the one thing I really can’t make out. Honestly…… Of course he'd tell her.

Kotoko has gone about the prison announcing that she's working directly alongside Es since the first trial intermission started. To the point that multiple people have actively brought up the questionable nature of Es' associates.

Hell, Jackalope brought up this was the case in the trial one end report-

I told you before, that she doesn't look like just anyone, but I didn't think she'd make it this far.

"It’s unprecedented for a prisoner to try to negotiate a verdict. But you decided to agree to it, good grief. I don’t know what will happen bringing an outside influence into your job. But whatever the cause, your verdict is all that matters. So you better take that in."

So, the implication that she was going around getting full of herself and presenting the idea that she was working with the guard was rather immediate. Then Jackalope, Yuno, and Futa all made it clear that Kotoko was directly associating Es and the audience while doing what she did.

Claiming that this was the will of Milgram, the guard, and her. Of course if Kotoko is on such good terms with the guard Haruka and Mu are going to try to be on good terms with her.

This leads into Kotoko being blamed for Mu's circumstances this year,

24/07/05 (Mu’s Birthday)

Mu: You know, I think this is all your fault really. Everyone’s on edge because you lashed out. And because of that, nobody’s paying attention to me any more. It’s kinda boring. I don’t get it.

Kotoko: ……you went out of your way to say that to my face? Aren’t you scared of me? The next target of my fangs might be you.

Mu: Why? Kotoko-san, aren’t you punishing the bad guys? I didn’t do anything wrong. And anyway, fufu, you’re talking like you’re fine too. Aren’t you gonna be not forgiven too this time? What will you do then? Start biting yourself? Fufu, that’s hilarious. I want to watch.

Kotoko: ……you’re good at provoking people. I’ll pray that you won’t be forgiven this time. When that time comes, I’ll be sure to crush you.

It was easy to blame Kotoko. Haruka and Mu thought if they just picked the right friends,

Q.18 Do you regret anything?

Mu: I think maybe I should have chosen my friends a bit more carefully.

Had the right parent, or environment-

Q.10 If you could turn back time, would you commit the same “murder”?

Haruka: I don’t know. If I was in Milgram I probably wouldn’t.

Then none of this would have happened.

It wasn't a problem with their mindsets or choices it was always an external issue outside of their control. So, of course they would believe just being alright with the right people, within the right place, not causing any trouble or giving any solid opinion on what was going on around them would only help their cases.

Q.19 Would you forgive the other prisoners?

Haruka: Yes. They all must have had their reasons.

Q.13 What do you think of the other prisoners’ voting results?

Mu: I don’t care, wouldn’t it be better to just forgive everyone? Let’s just get along.

Neither wants to rock the boat too much. Because as a lot of people like to remind us when the nail that sticks up gets hammered down. It's best to just toe the line between pitiable and competent enough to be needed.

Yet, being that doesn't get anyone attention. It doesn't make others look at them as their favorite person. Would just skirting by like that feel fulfilling enough to them? Is that sort of lifestyle something that could satisfy their egos.

"If you want to betray from jealousy."

Q.20 Did you hate the person you killed?

Haruka: I wonder if I did. I was jealous of them.

“Can I be your favorite this time?”

"I am innocent as everybody desires. I am relieved, I am always the drama queen."/ "I told you I’m queen, and it will never be changed."

Jealousy and betrayal have been themes that appear within both Haruka and Mu's stories repeatedly. The tables being turned on them, people's opinions of them changing, that inconsistency of moving from top to bottom over and over again. Even the relationship they formed within Milgram with each other is unequal.

Where from Haruka's perspective it's codependent and they're both relying on each other but from Mu's it's that of queen and servant. That of a leader and their lesser. Haruka listens to her not the other way around because,

Q.01 What do friends mean to you?

Mu: People who listen properly to what I say.

That's what friends are for after all.

My point is that both Haruka and Mu got it in their heads that Kotoko was someone special to the guard. Someone that had been given the right to act in such a way from the guard. That she was their favorite and since she was the one who did the attacks they had better not complain. Because Kotoko presented herself as being such. The guard found her innocent while knowing the proposal she had made. Of course she would make it clear to anyone in hearing range that the guard accepted her deal.

It was the only way for her to continue to differentiate herself from the others. The only thing that allowed her to believe that she wasn't like them. That she wasn't just another prisoner. That she had some control over the system. Even if all she was doing amounted to playing dress up as the deputy for a short while. The guard had still accepted her and treated her as an equal.

Nothing could change that and that made her different from all of them. She did something no one else was able to she brought the guard down to her level and made sure everyone knew it. This wasn't just about the will of the guard or Milgram but about her will as well.

During trial two a lot of prisoners attempt to replicate Kotoko's behavior to varying success. Haruka is the most overt example of this. As he attempts to imitate Kotoko's behavior and make a deal with the guard of his own for Mu's innocence.

Haruka doesn't just do this to prove that he can be the guard's favorite too that his word can hold some weight with them. He mostly does this as a last ditch effort because he's afraid of how a guilty verdict will change Mu. In the first place the only reason that Mu decided to give Haruka attention more actively directly after her innocent verdict. It wouldn't be hard for Mu to associate her innocent verdict with her change in heart towards him.

21/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, are you awake……? Happy birthday.

Haruka: M-Mu-san? I… I-I’m awake…… Th-thank you, very much. I’m… glad……

Mu: ………… Shall we talk? You know, recently I’ve been pretty interested in you.

Haruka: ……!! I-in me…? Hehe, hehehe…… interested, in me.

Yet, everyone else who used to pay him any mind stopped doing so after they were voted guilty. So regardless of if he wants to be the guards favorite which it's implied he wants to be in All Knowing All Agony he still would have had a vested interest in avoiding Mu being guilty if he didn't want her to change on him too.

But the thing is with Haruka and Mu they're both after the same thing- Attention and they'll both do anything to get it.

24/07/05 (Mu’s Birthday)

22/06/22 (Haruka’s Birthday)

Mu: What’s wrong, Haruka-kun? Did something happen? You shouldn’t look away like that when you’re together with me.

Haruka: Ah, s-sorry, Mu-san. Um…… No, it’s nothing. I just, suddenly got a feeling. That something is about to happen.

Mu: Isn’t that because it’s your birthday? Or perhaps it’s a sign the guard is about to wake up again soon? Fufufu, I bet they’ll be really surprised at a lot of things.

Haruka: That, might be true. But, I want the the guard to see. ……the new, me…….

So, it should be a bit concerning that Mu is talking to Kotoko about how no one is paying attention to her any longer all the while Haruka is now being shown talking to everyone but her.

"And can I just say, you really let her rile you up, don’t you? Does she touch a raw nerve or something? Oh before I forget, about Haruka Sakurai......are you sure about that “guilty” verdict? Weren’t you offered some sort of deal? I mean, not that I care. I guess that means you thought the same."

But that's a matter for another day I suppose. During Haruka's second voice drama he attempts to weaponize any positive feelings Es has towards him and the prisoners in general to sway how they'll vote on Mu's trial later on by threatening his own life. Because certainly Es wouldn't want any of the people they've grown to know in Milgram to die or get hurt if they could stop it.

That was obvious from their response to Kotoko's action.

So, if Haruka cannot threaten them directly in order to coerce the outcome he wants out of them the next best thing would be to threaten himself. If the gambit succeeded Haruka would not only have secured that Mu wouldn't change on him but he would be the favorite that Es made a deal with. He would have done something that even Kotoko could not do. Haruka would be the one who managed to sway Es' verdict not for his own benefit but for someone else's.

Haruka doing this sets up Mu and Kotoko attempting to do so again later well. As Kotoko tries to convince Es to vote everyone but her guilty and Mu attempts to convince Es to just vote everyone innocent. Both of them being far too late when it came to those requests or suggestions. Kotoko does this by attempting to persuade Es and the audience to vote everyone outside of herself guilty through Deep Cover. While in her voice drama Yonah she tries to convince Es similarly to Mu in her second trial voice drama to stop thinking so hard about all of this and just leave the judgments to her.

Mu's Second Voice Drama [Queen B]

Original Transcript

"Either way, there are prisoners much more deserving of a 'not forgive' than me, so I think you should focus your energy on those guys instead. Like, Kotoko-san has been up to no good for example. Ah, but what she did was approved by you, wasn't it?"

...You're making my blood boil.

"Anyway... I think you would do good to forgive me. Then Haruka-kun would be safe, too. Ah, actually, couldn't you just forgive everyone? Then Kotoko-san won't run amok, and you won't have to think about all the difficult stuff!"

...That is... a very enticing proposal.

My own interpretation of it,

"Either way there are prisoners much more deserving of a guilty verdict than me. So, I think you should focus your energy on those people instead. Like, Kotoko for example. She's been up to no good- Ah, but all the things she did were approved by you, weren't they?"

....You're making my blood boil.

"Anyway- I think it would be good for you to forgive me. That way Haruka would be safe too. Ah, actually- Couldn't you just forgive everyone? If you do that then Kotoko won't run amok and you won't have to think about anymore difficult stuff!"

"I mean, I personally would just say GUILTY to all of them to avoid all this hassle."

Kotoko's Second Voice Drama [YONAH] (This is literally going to just be my interpretation of what was provided.)

Have I... Failed...as a warden?

"It's alright... It's alright, Es."

Kotoko...

"Come here."

No... I- d-don-

"It's gonna be alright."

L-let me go, Kotoko...

"I know it well. It's difficult to take on the responsibility of guard all by oneself. I've felt that way too. You're such a kind person. You can barely stand after seeing how the prison has changed through the power of your judgments. You need someone by your side that you can rely on to help carry that weight. Leave all the dirty work to me."

I'm... a kind person...?

"Is your head still hurting? Don't worry. Leave it to me, together we'll be able to create the right Milgram."

I see... that Milgram... ...N-no! Let me go. Stop holding me.

"What?"

I... I'm not wrong..! [punches/hits self]

"What are you doing hurting yourself like that? Have you lost your mind?"

"Me... as a warden...imperfect? Have I- failed...as a warden?"/ "Please don’t say that I am a loser."

"Don't get ahead of yourself. It's all good and well that you've changed, but your past self just might have been smarter."

...!!!!!!

"..."

Ugh...! Why? Why, why, why are you saying things like that?!

"...!"

It's weird! you said you forgave me, Warden-san! It's weird for you to tell me that I'm wrong now!

"...!"

Arg- it's weird! It's weird!!

"Pipe down! You're hurting my ears."

...You're mean. You're so mean... I, I-I can kill anything that's smaller than me, you know!

"Hahah! You sure have developed an attitude. Go ahead and try. Idiot!"

Don't... make fun of me!

"I wasn’t wrong, I wasn’t wrong!"/ "I'm...not wrong..!"

"Mommy, look, I’ve done great “There there, my good boy!”/ "You're just like a guardian, Jackalope."/ "……You’ve finished your duty and it’s nighty night time. Okay, okay. You did a great job. You've exceeded my expectations. Good night, Es."

Kotoko's Second Voice Drama [YONAH]

If you keep up like this Milgram will turn into a huge mess!

"Even so, I've been dealing with it this whole time! I've been desperately thinking about all the prisoners including you! So, I don't think I was ever wrong! No matter what hell I turn this place into I won't run away or make someone else deal with it!"

...!

"That's what being warden means! It's my responsibility to step into you prisoners' hearts and minds! That's why it's up to me to reconsider if I continue to work with you."

Es' Voice Drama

"Got it."

"Why?" You're not gonna ask me that?

"It's that kind of thing right? I have a duty to govern this prison. Even if my memories are hazy, that's all I remember."

Heh, that's perfect.

Kotoko's Second Voice Drama [YONAH]

[sighs and scratches at head] How stupid... Ah, it's always like this. All weaklings at this way. You all enjoy seeing someone get hurt.

"Maybe so."

Revel in seeing a bad person fall.

"Can't deny."

All of you keep asking for it then as soon as it happens near you due to your own choices you all start whining and evading responsibility. You're always like this- always such idiots!

"I acknowledge it. You're the strong one and we're weak. You're right but that's how we are." / "I wanted to be a pitied and loved weakling- I was in denial, I was in denial."

If Haruka is given the attention he's been begging for from the audience or any of the other prisoners it's readily apparent how competent he actually is. Despite his consistent downplaying of his abilities. He's the one prisoner within Milgram who has managed to fly under the radar and not have animosity flung towards them by any of the other prisoners.

He's managed to be on decent terms with everyone. Something that Mikoto the more outwardly sociable of them has failed to do. In fact despite Mikoto doing his best to get along with everyone he's ultimately wound up shunned and treated like a imminent threat by everyone within the prison and he's only bringing more ire his way.

Meanwhile Haruka has the concern of most of the Milgram prisoners. When he holes himself up in his room he has multiple to people asking if he's alright despite their current circumstances. Shidou even taking time away from looking over Mahiru and having beef with a child to ask Mu if he's alright.

All while still recognizing he isn't a child and someone who's decisions and privacy deserve to be respected. When he asks Kotoko to cooperate with him by looking the other way she agrees. Despite her dismissing all of Mikoto's attempts to team up since the beginning this series.

20/07/01

Mikoto: Hey, hey, Koto-chan. I’ve been thinking this ever since I first heard your name, but don’t you think the names “Mikoto” and “Kotoko” kinda sound like siblings?

Kotoko: No.

Mikoto: Don’t say that! Let’s get along well from here on as the Koto-Koto combo!

Kotoko: I’m not doing that.

23/12/15 (Kotoko’s Birthday)

Haruka: ……please, don’t tell anyone. And also, please, don’t get involved. All I can do, is ask, you……

Kotoko: ––Fufu, fufufufufu. That’s a crazy thing to be thinking. Honestly, it’s weird. But I don’t hate it. If only all the wrongdoers were like you.

Haruka: No…… that’s wrong…… That’s not, why I’m doing, this…… This, isn’t for me…… I have to protect…… so, Kotoko-san…… please……

Kotoko: Eh? Ah, yeah, yeah. Well, I promise I won’t get in your way. Honestly, if I could, I’d love to do it myself, but I’ll step back this time. As for what happens next…… I wonder. It depends on Es.

That's some embarrassing shit right there. It's more than likely because Haruka came to Kotoko from a position of her lesser and not from the angle of an equal that led to her being so accommodating. However, there's a stark contrast between Haruka's timeline interactions trial two and Mikoto's,

23/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, I brought your food. Are you still alive? Has any mould started growing?

Haruka: ……ah, thank you very much. Mu-san. Sorry, um…… I……

Mu: You shouldn’t just lock yourself in your room all day. You have to eat your food properly. Hm, well…… I do understand why you’re feeling down. It feels bad. The atmosphere recently.

Haruka: Um, I’m totally fine…… Just a bit, I’m thinking, about how to do it. What to do, what to do, to…… fulfil my promise. For Mu-san’s sake……

23/07/05 (Mu’s Birthday)

Futa: Oi, you. Is he ok? He’s not even left his room lately.

Mu: You mean Haruka-kun? Hmm. Yeah, probably. I’ve been bringing all his meals to him so he should be fine. Isn’t that great of me?

Futa: Hah? Who the hell says that sort of thing about themself. ……ah, no, well, right now I understand a bit. When you’re feeling down, it’s nice to have someone who relies on you and accepts you. The rest of us can’t really understand you from where we’re standing. But well, if you’re Haruka’s “salvation” then I guess it really is great.

Mu: Salvation……? I don’t know what you mean. Futa-kun, you don’t sound like yourself. Did you hit your head or something? Oh, wait, you actually did, didn’t you. Ahaha. Ah, putting that aside though, did you know it’s my birthday today?

Like hell not even in their trial two timeline interactions but in the prisoners response to Mikoto isolating himself in comparison to Haruka and Amane isolating themselves. Even from Futa he's coming over here concerned but when Mikoto's verdict was impacting him this was his response,

21/10/06 (Mikoto’s Birthday)

Mikoto: ……ah, Futa? What’s up? Did you come to celebrate my birthday?

Futa: Hah!? Like I care about your birthday. ……what’s up with you, though, you’re usually a lot more excited. I thought you were the sort of idiot who’d make a big deal over your birthday.

Mikoto: Yeah, usually that’d be the case. ……I think I must be getting tired. It’s like I’m anxious over something but I can’t really explain what it is…… Like, the feeling that I’ve been totally wrong about something. Haha, but it’s not like talking to you about it is gonna do anything.

Futa: Yeah, yeah, just like you say. Talking to me about it isn’t gonna help. ……but, it’s not like I don’t get what you’re saying. Or rather, I understand exactly what you mean. And if it’s the same thing as I’ve been feeling, then it will just get stronger as time goes on…… probably. But anyway, rather than talking to someone like me you should go and bother the others. Go and get showered with their stupid birthday wishes.

At east in this timeline there's an implication that everyone else will wish him a Happy birthday. Yet, going into trial two it's easy to interpret that as Futa's wishful thinking. The implication from his 2022 and 2023 birthday timelines is everyone is avoiding him out of fear.

I won't be putting the Haruka and Mikoto timeline again because I feel like I've repeated it enough but for clarity here's the statement that implies that,

22/10/06 (Mikoto’s Birthday)

Haruka: Ah, I’m fine. I’ve been enjoying myself, a lot. Um, I’m sorry, for avoiding you. I was a bit scared. Of you, honestly……

And his 2023 birthday timeline is just him having conversation amongst himself.

23/10/06 (Mikoto’s Birthday)

Mikoto: ……I wonder if there really is another version of me. And the fact my clothes are in rags and everyone is scared of me is his fault. Even being a “murderer”…… but it’s hard to just believe something like that.

Mikoto: If I talk like this can you hear me? If you can hear, please respond. Why would you do something so horrible. Hey, it’s all your faut, right? ……answer me!

Mikoto: ……Aaaaa!! But I did it for me……! If not, I would’ve broken!!

Mikoto: ––What am I even doing…… Of course I won’t conveniently just get a response like that. I should just stop thinking about everything now…… I’m tired……

No one was really checking on him to see if he was fine or eating properly. The same can be said with Amane too. This could be because regardless of their verdicts they were still going on as normal and not holing themselves up in their rooms. However, multiple people note their changes in behavior and still do nothing to intervene or check on them.

Except Shidou who does make attempts to check on Amane after Kotoko's attack but is pretty much told to prioritize the dying woman you weird by Kazui. Which one hundred percent fair he was right for that. In contrast to Shidou's shown concern for both Haruka, Amane, and Mahiru-

20/07/03

Shidou: Sakurai-kun……? Show me your hand.

Haruka: Heh!? No, I…… There’s, n-n-nothing wrong.

Shidou: Show me. ……the palm of your hand is bleeding. I’ll have to disinfect it. Does this always happen……?

Haruka: A-ah…… It’s, j-just a habit…… I-if I’m nervous, I grip my hands, too hard, so my nails……

21/10/24 (Shidou’s Birthday)

Shidou: ……oh, Yuzuriha-kun. It’s unusual so see you around this early. Wishing me a happy birthday…… probably isn’t the what you’re here for, huh.

Kotoko: No, it is. Happy birthday, Shidou. Though it’s not like I bought you a present or anything. But while I’m here, I’d also like to ask you something. Has anything changed for you recently? Having nightmares, hearing voices, feeling anxious…… anything like that.

Shidou: Not especially, no. ……ah, so this is about how Kajiyama-kun and Shiina-kun have been strange recently? And she’s been trying to hide it, but Amane too…… We’ve been living in these conditions for a while…… it’s not unusual for there to be an impact on us mentally. Are you worried about them? You’re a very caring person.

Kotoko: Hmm, so you noticed? If nothing’s wrong with you, then that’s good. ……if I’ve understood properly, that means you’re safe…… Once again, happy birthday, Kirisaki Shidou.

This timeline takes place after the one between Mikoto and Futa where the audience is shown how Mikoto's verdict is impacting him. Shidou mentions how despite Amane attempting to hide it something is clearly bothering her, Futa, and Mahiru. Yet omits the guy who was noticeably acting weird in the timeline right before this one. I cannot make this shit up their birthdays are literally in the same month.

These timelines happened within two weeks of each other and he was just not concerned about that. He didn't clock that as weird but he's giving Amane so much attention even though she's to his admission trying to hide it he's noticed her having issues as well. Mikoto isn't really doing much to hide his change in temperament.

Shidou notice this change though and to his own admission does not appreciate the change,

Q.07 Are there any prisoners you get along with?

Shidou: Kayano-kun has become like that, and I can’t spend my time smoking at the moment, so the smoking trio has disbanded, which is a bit lonely.

There is no positive spin one can put on they became like that it is usually something said with judgment and not positive judgment. In contrast Haruka, Futa, Mahiru, and Amane's new dispositions were recognized as out of the ordinary and met with concern.

Shidou even going as far as to put worrying about Amane above or equally as important as Mahiru's health at a point. To the extent that Kazui has to remind him to prioritize and in response he basically goes as the adults within the prison the children are a priority.

22/06/27 (Amane’s Birthday)

Kazui: What’s up, Shidou-kun? You’re looking pretty down. I guess you must be tired, I’ve been relying on you a lot lately.

Shidou: Yeah, I just remembered…… today is Amane’s birthday. I’m just getting a bit sentimental.

Kazui: Hmm, it’s unfortunate, but at the moment we can’t worry about that. ……you understand, right? There’s something that you need to do right now. And if you tried talking to her your words definitely won’t reach her. Don’t look at me like that. We’ll just wait until the situation changes. Let’s do our best.

Shidou: Yeah. I’ll do what I can. I can’t have a child making a face like that. Even though we’re “murderers”…… we’re also the adults here.

She literally just got jumped Shidou can you stop harassing this child for like one day? She's been at deaths door all of trial two but she was fine enough for you to have this concern right after her ass got kicked. Shidou several months after the jumping, "These attacks were atrocious. People almost died."

Shidou at best five days after the attacks occurred, "It's Amane's birthday though."

Kazui, "Sir if you don't go back to helping the woman about to die and prioritize properly don't look at me all sad the hell?! She's dying."

Mahiru in her room struggling to breath or sit up straight with her fractured ribs, "It's fine Yuno I can do it."

Yuno, "No, you can't I'll get it you stay still where is Shidou?"

"I can't allow a child to be making a face like that."

Meanwhile Mahiru is in the back struggling for air just like she left her significant other in the weirdest display of narrative karma to ever exist. Probably having trouble breathing for the first time in her damn life like this- is what this feels like. Then he shows up to his second interrogation like I'm the only help she has. Bitch you were more concerned with giving Amane any sort of birthday celebration instead of checking on her.

Someone had to softly remind him that two people just got beat into the dirt and needed medical attention. So maybe this isn't the time to be thinking about a birthday. This is how Shidou parallels Mu as well. This is his I'm failing to read the room moment. This is him showing I only care about the things I care about. It's Amane's birthday I care about Amane because she's a child.

We should do something for her even though she is uninjured. Same energy as come on you're free Yuno celebrate.

22/07/05 (Mu’s Birthday)

Mu: Hey~~~ Isn’t everyone a bit gloomy lately? I get that this situation isn’t ideal, but you’re really bringing down the mood for my birthday.

Yuno: Haha, surely even you can tell now’s not really the time for something like that right. Nobody’s really in the mood, or rather nobody has time time to deal with something like that.

Mu: Boo, how boring. You seem to be free, you can celebrate for me. Go on, celebrate.

Yuno: Wow, what a pain. I’m reading the atmosphere properly and keeping quiet. Well, you just go and have fun with Haruka. In the corner somewhere so you’re out of everyone’s way.

Excuse me? Hello, people almost died and could very well still die... This is not the time for either of these issues. This is why when Mu praises herself for taking care of Haruka and bringing him food Shidou praises her right back. Because they both use people around them to validate themselves and their actions.

Aren't I doing so good by taking Haruka food? I saved Kajiyama-kun and Shiina-kun aren't I indispensable hostage game but you know it's all up to me right? You need me to take care of them right? So innocent.

I swear a good majority of people hear someone is in a medical or caretaking profession and just assume that person has oodles of empathy. They're just filled to the brim with consideration for all their fellow men when it is just a job. It doesn't make anyone more or less caring if they go into those professions. In fact there are a lot of incidents regarding abuse by people in those professions towards patients or the people they were tasked in looking after.

Sorry if that's disappointing to some people but a person is going to be the same person they were without a doctorate once they get doctorate. If someone was a mean uncaring individual before they started studying this thing chances are they will remain that person after. Getting a degree is not the same as working on oneself and their communication skills with others it is just school. There is no piece of paper that will magically make someone a good person who is right all the time and can do no wrong.

So let's talk about Shidou's wrongs towards Haruka and Amane in particular. Shidou infantilizes Haruka. He's straight ageist to Amane everyone knows that but the reason he acts the same towards Haruka is because he does not view Haruka as a person with agency or intelligence. This is why Kazui and Shidou are so comfortable talking about their attempts at negotiating a ceasefire with Kotoko around him.

No other prisoner mentions this in their interrogations but it's fine if Haruka overhears because he more then likely won't even understand what they're talking about. He talks at Haruka. Telling him bluntly to show him his hand. He doesn't ask if he's okay or if something happened.

This is something he does with Amane as well. Considering he downright ignored the fact that she does not like sweets then went ahead and ordered her a cake for her birthday. After Kazui asked her about it her previous birthday and she basically told him the same thing she tells Shidou the next year.

20/06/27 (Amane’s Birthday)

Amane: Zzz…… zzz…… ……nnh……

Kazui: Oh, Amane, it’s your birthday today, right? Shina-chan told me. Happy birthday. Have the others already celebrated?

Amane: ……thank you very much. That’s right. A few have spoken to me. I don’t personally consider my birthday that important, but I’ll gratefully accept the well-wishes.

Kazui: Even so, though, it’s not like I have a present to give you or anything. Sorry. ……if push comes to shove, maybe I can ask the guard for a cake. Depending on their mood, they might agree to it.

Amane: No, that’s fine. I’m not especially fond of that sort of thing. I’ll just accept your kind words as a gift.

21/06/27 (Amane’s Birthday)

Shidou: Amane, I heard it was your birthday today. I asked Es-kun if we could get this cake to give to you……

Amane: I don’t need it. I’ll gratefully accept your well-wishes, but I don’t eat things like that. Also…… Shidou-san, I can’t say I’m especially fond of the way you assume that all children will love frivolous things like this.

Shidou: ………… Is that so… I apologise. I’m sure everyone else will be happy to eat it, so don’t worry about it. Sorry for intruding.

Amane: ………… ……cake……

So, either Kazui just didn't tell him this information last year when she said it which fair why would he. He doesn't have to report back to Shidou. However that would mean he saw this man order and set up this cake. Saw it in the fridge and at no point went huh that's weird I should probably tell him she doesn't like cake and instead went,

"Hm well not my mistake not my problem. Some people gotta learn on their own."

And Shidou did not in fact do the thing he's known for which is hearing a child state their boundaries and then blatantly ignoring them like with the pancakes. If it's easier to believe Kazui didn't casually go up to him and be like well she said she didn't like cake and he went to himself no all kids like cake she must be putting up a tough front then decided to test it on her birthday.

Like if there's a cake here in front of her then of course she'll eat and if she has to hear everyone else enjoying what a great cake it is to actually try it than that's just what it takes. Like a dude trying to feed mashed peas to a baby like mmm it's actually really good you're really missing out. Haruka on the other hand is less defiant than Amane the second trial commence notice states being voted innocent,

"Being found “innocent” furthered his self-affirmation, and unlocked his desire to be dominated."

He wants to be told what to do. Literally his first glitched voice line is him repeatedly asking then what should he have done instead. Because if someone just tells him than that's what he'll do.

This brings up a parallel between Amane and Haruka the themes of obedience and disobedience. Where Haruka is asking to be led by someone anyone and be told exactly what he needs to do to be good in their eyes and Amane has been given those rules but keeps breaking them because they conflict with her own morals and sensibilities.

Haruka had no guidance but Milgram comes out the gate in his character description on the website and goes if you talk to him he will listen and learn. He does what Es deems okay. He tried to make a deal and threats because Es responded to that positively when Kotoko did it. Are we on the same page now.

Just as Es takes in the judgments the audience makes on all the prisoners Haruka takes in what the audience end up favoring and disliking then tries to mold himself around that to get the attention he wants. To be the audience and Es' favorite Haruka is possibly going to keep changing and aligning himself more with what will get him the response he wants. If that means he has to keep killing because the people with the highest body counts are innocent and he's sitting at guilty while possibly having the lowest than just guess what he's gonna do.

Now let's get back to that Mikoto parallel. Haruka being acceptance/community and Mikoto's being denial/ostracization. This connects Mikoto to Mu narratively as well both of their narratives have a lot to do with denial and isolation.

For example (since Haruka's section has just become a trial two recap at this point fuck if you got this far you're here now),

"Ahhh- It’s the same anywhere I go. It’s like what’s wrong isn’t wrong." / "I told you I’m queen, and it’s always the same."

"I see it in my dreams even though I erased it- Maybe I’m done."/ "I’m probably not to blame. It’s probably nothing. I’m probably just having a bad dream, I need to wake up soon."

"I don’t want tomorrow to come, I want to forget yesterday I was miserable."/ "I was having such a hard time, I was trying so hard."

"But I guess some of it is my fault. Maybe it’s ok as it is I want to feel “alive”, is it ok if I breathe?"/ "If I could laugh, If I could go back I’d play dead even though I’m alive right?"/ "Let’s meet up inside the pain, a place just for me postmortem makeup to hide my heart, how to solve it is a secret. The stabbing of the little devil’s voice, counterattack being a suicide note “I love YOU”."

"The minus energy that I swallowed hugged me. Maybe it’s ok to try to keep on living split in half, make that heart beat."/ "But I guess some of it is my fault. Maybe it’s ok as it is I want to feel “alive”, is it ok if I breathe? Tell me."/ "Why, hey why, please let me out of here. Please tell me it’s a mistake, that’s it’s a lie. That I’m right, I’ll forgive you if you tell me now."

"If you’re going to make me the villain. It’s ok to ignore me."/ "“He’s a liar”, you said, and made me out to be a scoundrel, why?"/ "There’s no special meaning, I got the short end of the stick. I overheard, I found out how much I’m not needed."/ "All those ridiculous accusations hurting it, holding it down, it doesn’t change anything, does it?! Ahhh, it’s the same anywhere I go. It’s like what’s wrong isn’t wrong. I’m already the fake one."/ "Because it’s not my fault I am innocent as everybody desires. I am relieved, I am always the drama queen."

"Take more and more (honey) and devote to me."/ "Hey now, I saved you, right? So why in the hell are you crying? Cling to me, hoist me up as your “savior”, stand up and sing out your gratitude, that’d be good."

"Hey, what if If I am a bad girl. Don’t hate me."/ "All I did was dream, so you find me INNOCENT, it’s that simple right? Come to know me as an honest man, eat your words, gulp them down."/ "Hold on. It’s not my fault. You knew it, right?/ "I will NEVER forgive you if this is happening to me even though I’m right."

"If you want to betray from jealousy. You know what’s gonna happen ON YOU."

"I was in denial, I was in denial." - "I was wrong. Yes, it was me."

20/06/05

Haruka: ……ah, I, I wonder…… H-hamburg steak, and omurice, a-and also…… what else? Ah. Cotton candy……

Mikoto: C-cotton candy!? That’s the first time I’ve met someone who has that in their top three favourites!? ……man, Haru-kun, you really are hilarious.

"Tell me, why are you drifting away from me?" - "Tell me why? Please don’t change."

22/10/06 (Mikoto’s Birthday)

Haruka: Mikoto-san. Um, are you ok……?

Mikoto: Ah, Haru-kun. It’s been a while since we last talked, huh. Yeah, I’m fine. Are you doing ok……?

Haruka: Ah, I’m fine. I’ve been enjoying myself, a lot. Um, I’m sorry, for avoiding you. I was a bit scared. Of you, honestly……

"Don’t leave me alone, don’t leave me." - "I just wanted to be your good boy. Why am I crying again?"

21/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, are you awake……? Happy birthday.

Haruka: M-Mu-san? I… I-I’m awake…… Th-thank you, very much. I’m… glad……

Mu: ………… Shall we talk? You know, recently I’ve been pretty interested in you.

Haruka: ……!! I-in me…? Hehe, hehehe…… interested, in me.

22/06/22 (Haruka’s Birthday)

Mu: What’s wrong, Haruka-kun? Did something happen? You shouldn’t look away like that when you’re together with me.

Haruka: Ah, s-sorry, Mu-san. Um…… No, it’s nothing. I just, suddenly got a feeling. That something is about to happen.

Mu: Isn’t that because it’s your birthday? Or perhaps it’s a sign the guard is about to wake up again soon? Fufufu, I bet they’ll be really surprised at a lot of things.

Haruka: That, might be true. But, I want the the guard to see. ……the new, me…….

“Can I be your favorite this time?”/ "Mommy, look, I’ve done great “There there, my good boy!” I promise to make my dreaMU come true."

"Aww! I just want to invent myself I'm a cute chimera sewn crooked <- new!" / "I want the the guard to see. ……the new, me…….

"Don't be so selfish for the same new, then you start all over. Which way am I going, oh yeah, it's up to me. What I want to do, oh yeah, it's up to me."

23/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, I brought your food. Are you still alive? Has any mould started growing?

Haruka: ……ah, thank you very much. Mu-san. Sorry, um…… I……

Mu: You shouldn’t just lock yourself in your room all day. You have to eat your food properly. Hm, well…… I do understand why you’re feeling down. It feels bad. The atmosphere recently.

Haruka: Um, I’m totally fine…… Just a bit, I’m thinking, about how to do it. What to do, what to do, to…… fulfil my promise. For Mu-san’s sake……

Love how he just lies here by the way. Mu is trying to confide in him about how the atmosphere has been bad for her recently and he's just goes nope not me I'm fine actually. Certainly I'm sitting at guilty and locking myself up in my room but that's just because I'm thinking about how to keep my promise to you and nothing else.

Definitely not thinking about how I could change myself to get the audience to be interested in me again. Definitely not. Just thinking about keeping my word for your sake because you're my mom.

Meanwhile the following month,

24/07/05 (Mu’s Birthday)

Kotoko: ……you went out of your way to say that to my face? Aren’t you scared of me? The next target of my fangs might be you.

Kotoko: ……you’re good at provoking people. I’ll pray that you won’t be forgiven this time. When that time comes, I’ll be sure to crush you.

It's so fucking funny that Kotoko just admitted she's praying for a kids downfall like Shidou is. The Kotoko and Shidou overlaps they're amazing I need to see them fight. But my point is here Mu goes out of her way to lecture Kotoko because no one else will give her attention on her birthday even Haruka.

Who since being out of his room has talked to anyone but her. Kine of weird and suspicious. Yet there relationships was always more an aligning of interests and nothing deeper than that. One could just say Mu got the short end of the stick and realized again just how much she wasn't needed. She was trying to prove her worth by bringing him food and taking care of him but since he's gone out of his room he's relied anyone but her.

Weird. Whelp none of my business. Sometimes that's how it is and maybe he just wants Mu as far from his behavior as possible. Most of the prisoners tend to dote on Haruka. Mu bringing his food to his room while he wasn't holing himself up in it, Futa and Shidou both taking time out of their days to go check on him despite stating they have bigger concerns...

These small actions show just how much the other prisoners care about Haruka and have grown to care about him over the course of milgram. I mean Haruka is nice, not intimidating to approach, timid and seeing his growth and being a part of it in particular can instill hope in the prisoners in a hopeless situation. A lot of prisoners look at Haruka as there second chance.

Because he to many prisoners embodies the people they failed or let down. Someone vulnerable, someone that relied on them, someone who couldn't speak up for themselves. Through his presence a few of them feel they can make amends for their previous mistakes. They don't even really treat him like a threat or a murderer most of the time.

This is why I brought up Shidou earlier. He isn't just like this with Haruka of course yet his mannerisms when it comes to this are more prevalent when one looks at how he engages with Haruka and Amane. Shidou still shows concern for Futa and Mahiru as well despite them being adults in his eyes.

Highlighting their less than stellar physical conditions at the beginning of his second voice drama.

Shidou's Voice Drama

"Orbital floor fracture right side."

Hm?

"Traumatic retinal detachment. Bruising. Lacerations. Partial fracture of the thorax."

...

"This is Kajiyama-kun's present condition."

Futa's?

"Shiina-kun's is even worse. Head lacerations. Bruising all over her body. A sprained neck. Fractured ribs. Further fracturing to the left arm. And furthermore... This may be outside my profession, but her mental health is deteriorating as well."

Mahiru...

This is the very first thing he brings to Es' attention. Not even bothering to return their greeting. He makes a statement outside of his area of expertise on Mahiru's mental health.

Extending consideration and grace to these parties,

23/10/24 (Shidou’s Birthday)

Mahiru: You have a family right, Shidou-san……? How does it feel, being married, having kids……?

Shidou: ……yeah, it’s a wonderful thing. Children…… yeah. They really are hope for the future. When you have your own, suddenly it becomes fun growing old. Since as you grow older, you get to see them grow up.

Mahiru: Ah…… how lovely. It was always my dream to become a bride. Though maybe that seems a bit outdated. I wish it could’ve come true……

Shidou: It isn’t too late. I’m going to make sure you live. So let’s get out of here, and you make your wish come true. ……you still have so much to live for.

24/06/22 (Haruka’s Birthday)

Shidou: ……I’m worried about Sakurai-kun. I haven’t seen him around in a while. You’ve been talking with him, right?

Mu: He’s fine. Here, look. I’ve been taking his food to him like this every day. Isn’t that great of me?

Shidou: Yes, very. I’m sorry I’ve been leaving it to you to look after him. Usually, that would be the job of us adults, and yet we’re leaving you with the burden.

Mu: Don’t worry about it. After all, me and Haruka-kun are friends.

Fostering a sense of community and comradery with them. Where they all help each other and will speak in the defense of one another and with their best interests in mind. Because that's how adults within society are meant to behave.

Yet, his grace consideration seems to run out when it comes to Mikoto. He treats Mikoto's change in temperament as an inconvenience. Because Mikoto is an adult. Not only that he's competent enough to protect himself and end his fight with Kotoko in a draw completely unscathed. He's not only an adult but a skilled and competent one who should know better than to let his personal problems negatively impact his lessers.

He's not like Haruka, Futa, Mahiru, or Amane defenseless weaklings that can do nothing to take care of themselves without a proper adult around. He's not someone who needs constant attention, care, or even the smallest bit of aid. He is a man, he is an adult, that Shidou recognized as his equal and spent time with as such. They smoked together so of course he doesn't get the same treatment as the kids.

He's not about to treat Mikoto like Kazui does,

24/08/05 (Kazui’s Birthday)

Mikoto: ––No, it’s just…… I’m happy for the thought…… But I don’t even know myself what I’ll do next. So I can’t really hang out at the moment, y’know? But…… haha, aren’t you scared, Kazu-san?

Kazui: Hmm, I guess because of my work, I’m used to dealing with rowdy youngsters. Obviously you have your reasons. I don’t feel like prying, though. Well, whenever you feel like it, you’re always welcome. If you’re always on your own it’ll just make you feel worse. I’ll be company if you need to relieve some stress.

Mikoto: Yeah…… I’m not really, y’know, used to relying on other people. Like, I start to worry that I’m being a burden. And it’s hard for me to deal with feeling so pathetic…… If I do say so myself, I’m super Japanese, haha……

Kazui: Hm…… well, I’m fine whatever. If this is what’s easiest for you, I won’t force you. But you know, being in your 20s is still super young. It’s great that you’re so disciplined, but most people won’t worry if you’re a bit of a burden. I mean, I’m almost 40, and I feel like I’m still a kid now.

Most people won't Shidou however,

Q.07 Are there any prisoners you get along with?

Shidou: Kayano-kun has become like that, and I can’t spend my time smoking at the moment, so the smoking trio has disbanded, which is a bit lonely.

Shidou be like, "Look Kayano-kun you're fucking it up for us folks still in our twenties. Twenty-nine and twenty-three stop fucking it up we're the adults here. We're both college graduates get it together. You are setting a bad example you gonna walk around acting like an adult then be one. You're embarrassing our age range in front of the oldest guy here."

Just like an older colleague at work. Over here like, "Tch young people these days none of them can handle a work environment."

"Um sir he's carrying a sixty percent guilty verdict."

"Pfft I'm always guilty on the inside! Regardless if the morning comes I'll still be guilty. When the sun rises when it sets I'm never gonna feel innocent not one second of my life the closest I'll get to it is feeling justified in my choices but knowing it was meaningless cruelty all the same. He needs to suck it up."

"My guy- he just needs a mental health day. He's run ragged look at him. Remember what you said about Mahiru's mental health accommodate him a little it's not hard. Just give him a minute or some sympathy."

"Oh so now he wants free pity. Look at the example you're setting for these kids right now. You're a failure of a man. Do you think this is how an honest man lives? How you're living right now-"

"Dude he's sensitive about that shut up. Look Mikoto I'm trying..."

Mikoto, "No he's right I fucking suck."

"Aw see Shidou you validated his self-disparaging views. Now he thinks he just needs to work harder again."

Shidou, "Because he does. That's a good thing for him to recognize."

Mikoto head in hands-

20/06/15

Mikoto: Hey, it’s kinda a bother having you be so angry and tense all the time. You should stop trying get everyone to pay attention to you. You’re a uni student, right? You can’t act like that once you start working properly.

Futa: Huh!? Shut up. Not like I care what you say. Even though we’re in this shitty situation, you’re just chatting away, it’s stupid. Aren’t you the one who’s acting out of place here? ……also the fact you give everyone nicknames is just gross.

Mikoto: *sigh* It’s more stupid to be taking this all so seriously. I mean, it’s definitely just a reality TV program. There’s no way a real prison exists that’s this lax. Also, I don’t give nicknames to everyone. I don’t give them to young kids like Amane, or to the hard-to-approach types like Shidou-san. I mean, I’m not giving you one, right?

Futa: ……oi, which group are you trying to say I am?

Now this may come off like I'm saying Shidou is a crass, blunt, man that holds those he deems to be his colleagues, equals, or peers in any capacity to the same unreasonable expectations he holds himself to. That when one of them fails to live up to what is expected of them as the adults then they've all failed in some way causing him to look upon the failures of those he considers equals with scorn while those he considers inferior, too immature, or unexperienced doing the same thing or needing help is cute. And that's because I am saying that and he is too,

21/03/22 (Kazui’s First Trial)

Shidou: Mukuhara-san, you’ve not been looking great ever since you came back.

Kazui: Ahh…… yeah, I still haven’t got back to my usual self huh. Y’know, Shidou-kun…… kids can be really brutal huh. I don’t have any of my own so hadn’t realised until now.

Shidou: Haha, so they are. They won’t listen to the excuses adults make to explain themselves. ……though that’s also what makes them cute.

Kazui: Yeah… You’re really mature, Shidou-kun. By comparison, I’m really immature huh. Not growing up in any way other than my age. ……*sigh* Even I’m starting to hate that about myself.

22/06/27 (Amane’s Birthday)

Kazui: What’s up, Shidou-kun? You’re looking pretty down. I guess you must be tired, I’ve been relying on you a lot lately.

Shidou: Yeah, I just remembered…… today is Amane’s birthday. I’m just getting a bit sentimental.

Shidou: Yeah. I’ll do what I can. I can’t have a child making a face like that. Even though we’re “murderers”…… we’re also the adults here.

24/06/22 (Haruka’s Birthday)

Shidou: ……I’m worried about Sakurai-kun. I haven’t seen him around in a while. You’ve been talking with him, right?

Mu: He’s fine. Here, look. I’ve been taking his food to him like this every day. Isn’t that great of me?

Shidou: Yes, very. I’m sorry I’ve been leaving it to you to look after him. Usually, that would be the job of us adults, and yet we’re leaving you with the burden.

Mu: Don’t worry about it. After all, me and Haruka-kun are friends.

Shidou when he keeps ignoring the fact that Kazui keeps telling him that despite being the oldest here he is actually the most emotionally immature and should not be given any responsibility.

Kazui making it as clear as possible how immature and unsuited for responsibility he is,

"I’m really immature huh. Not growing up in any way other than my age. ……*sigh* Even I’m starting to hate that about myself. - "I mean, I’m almost 40, and I feel like I’m still a kid now."

24/10/24 (Shidou’s Birthday)

Kazui: Ah y'know… Is having children really as great as everyone says? Shidou-kun, you've got two kids, don't you? It wasn't possible for me, so in a way I yearn for it.

Shidou: Yes, it truly is a great thing. No exaggeration. Even if they aren't your own children, don't you think its nice to have someone who's existence connects you to the future? If you can leave them something that they'll carry for the rest of their lives, I think it gives your own life more purpose. That's hope.

Kazui: You're really amazing, aren't you? It almost hurts to look at you. ….But, I sort of get where you're coming from. Every now and then I get overly sentimental thinking about my existence, how I could leave this world without adding to it. Doing something for the little devils around here might not be too far off from that hope you were talking about. I doubt it'll be easy though.

Shidou: Hehe. ….I implore you, Mukuhara-san. Please, give the children your protection.

Shidou I don't know what you mean Kazui we're the adults here. As such, I want you to take responsibility for these kids and protect them as another adult. I implore you to take on this responsibility. He should be helping them take care of the more vulnerable people here and the attitude he displayed during the intermission was a display of his personal failings. At least in Shidou's opinion. This goes into the similarities between Shidou and Futa.

Their shared stances on women and children as a vulnerable group. As well as how that perception impacts how they engage with others within the prison. Shidou is more willing to give grace to Haruka and Amane because of ageism and infantilization. Amane is just a child so she should be treated in a way that displays recognition of that fact. She shouldn't be here in Milgram or held to the strongest extent of the law because she's just a child.

This is the same logic Shidou extends to Haruka as well. He's not competent like Mikoto is. He can't express himself as well and is prone to getting injured or sick. So of course like a child he needs more care attention and firm guidance. It's not even limited to age he extends the same logic to Yuno, Futa, Mahiru, and Kotoko because they're all still students just a bit more respectfully. Yet Kazui, Mikoto, and himself are the working adults they should know better and be on top of this. This is why Shidou offers to extract that fang in Triage. Because as he makes clear through Amane he is willing to meet immaturity with immaturity if that means the kids will learn what's appropriate and what's not.

22/10/24 (Shidou’s Birthday)

Shidou: No, I don’t understand. It’s my job as an adult to teach you that throwing a temper tantrum isn’t going to make everything go your way. If it’s a test of endurance you want, I’m happy to oblige, Amane.

It is possible that another thing Futa, Shidou, Amane, and Kotoko all share is their mentality to meet violence with violence or conflict with conflict. Haruka did what many others within Milgram did associated himself with people who were more likely to improve his circumstances than worsen them. This may be why we see him engage with guilty prisoners less while aligning himself more with those innocent like him. To show that he was not and is still not a loser. He didn't question the guards judgments to show that he thought they were right, he tried to be more confident and outspoken to display to Es that their choice wasn't wrong. In contrast him closing himself off after his change in verdict is an extension of his warning to Es in his trial one voice drama, "I shouldn't get too i-involved with people in the first place. Even with all the prisoners, they might understand. It's no good." - "You shouldn't get too close to me. Bringing misfortune to people is the only thing I'm naturally good at." It's likely that him being voted guilty, Mu being voted guilty after getting close to him, or both may have caused this belief to resurface leading to him isolating himself (locking himself in his room) out of fear of bringing misfortune to those around him.

Regardless of Haruka's intent with these changes, the fact remains that Es simply couldn't stand the way Haruka changed. Possibly because it reminded them of Kotoko getting cocky and acting on her own while they were asleep. The way that she overstepped their boundaries, into their position as guard, and hurt people they admit to caring about. The new Haruka just showed Es that no one, not even him, was taking Es' position seriously. That they thought they could simply talk them into whatever outcome they wanted. That they felt comfortable because they were taking them as a fool that would believe anything sat in front of them without question. An imperfect guard who was too kind and weak just waiting to be taken advantage of.

Of course since Es said these prisoners were right once they'd never change their mind now. All Haruka's attempts and efforts came off as cocky, dismissive, and a belittling of not only Es' intelligence but their dedication to their job. Something that has been shown to anger Es throughout the series.

Ultimately it was this behavior shared between the three of them that had their trials go as poorly as they did. It is also this mindset that led them all to heavily associating with one another. Because they weren't wrong, Es found them innocent, agreed to work with them- Of course, if they saw that once they'd see it again. They're not the losers here after all. None of them were wrong. So, of course Haruka is going to report to Es' assistant what his plan is and ask her to let him proceed. Guilty or not that's only the proper thing to do.

"I wasn’t wrong, I wasn’t wrong- Please don’t say that I am a loser. Hug me again as you once did."

Unlike those losers over there who should have just-

"Ravaging, brawling, losers please exit left."/ "Aren’t they all the people you thought were bad?"

It doesn't matter if he was too scared to talk with her previously.

Haruka Trial One Voice Drama

Mu, Yuno, and....

How about Kotoko?

Uh... S-She's a bit scary.

That was the old Haruka. The new Haruka isn't afraid of kids or talking to Kotoko. Even though there are more reasons to be afraid of her than there were before. Kotoko is someone he had no reservations about speaking to despite the fact that she had physically assaulted three people in close proximity to him. Then was very openly planning to attack more to her own continued admission.

Yet, despite the clear risk to the safety of others she continued to be Haruka had no issue communicating with her and actively seeking her out. Because he recognized she was not going to attack him. Because why would she he's innocent. He's not like those guilty prisoners. Him and Kotoko are the same in that regard.

This is the mindset that grated Kotoko so much. Even though she was right she was the same as the other prisoners who had been voted innocent. Seeing them sitting in the same spot as she was made her more conscious of her own shortcomings. Having them innocent with her was like saying they were the same which to her and in the eyes of other prisoners may be the furthest thing from true and the biggest insult they could receive.

Yet it was this that made it easy for Haruka to come in and calmly discuss Shidou and Kazui attempting to negotiate a ceasefire with her. Because it wasn't his problem he was never worried about being attacked because he's innocent. Just like with Mu. It wasn't their problem,

"Ah, um, since it's a situation like this, we're all staying close to Shidou-san. Kotoko-san is the only one who's acting on their own."

...Oh?

"A-ah, um... Kotoko-san said she currently has no intention of attacking anyone. So, Shidou-san and Kazui-san had cea-ceasefire negotiations, they called it. With her..."

...

It was easy to talk about it in that way all up until the point he realized it could impact him. He and Mu did a lot of similar things within their second voice dramas. That display the impact that they've had on each other. The good and the bad.

Haruka Second Trial Voice Drama

Don't get ahead of yourself. It's all good and well that you've changed, but your past self just might have been smarter.

"...!!!!!!"

...

"Ugh...! Why?! Why, why, why are you saying things like that?!"

...!

"It's weird! You said you forgave me, Warden-san! It's weird for you to tell me that I'm wrong now!"

[sound of something hitting the table (more than likely his palm)]

...!

"Argh- it's weird! It's weird!" [stomping around]

Pipe down! You're hurting my ears.

"...You're mean. You're so mean... I, I-I can kill anything that's smaller than me, you know!"

Hahaha! You sure have developed and attitude! Go ahead and try! Idiot!

"Don't... make fun of me...!" [sound of running] "Ghhh, guh...! My body...won't move...!"

Is your memory that bad? Violence from the prisoners towards the warden is prohibited. Well...with one exception.

"Gh...!"

Later On

"Even though you said you would forgive me..."

You were told upfront that this is a three trial system.

"Why are you bullying me like this?"

I'm not bullying you. I'm simply trying to figure out whether I should forgive you or not and by extension, whether your actions were wrong or not.

"There's no way it was wrong! If I hadn't done it, nobody would have looked at me!"

You killed to gain attention? The you who was never loved by anyone?

"That's right! Because if I just remained a good-for-nothing, nobody would ever care about me!"

Just because of that, someone-

"Aren't I the only unfortunate person here?! Because I'm the only one who could never do anything since I was born, because I could never do the same things as everyone around me, my mother gave up on me and I stopped existing in her world!"

Even later (Fuck it honestly just listen to both side by side at this point.)

Rest assured, Haruka. Taking your circumstances and your feelings into consideration, I'll judge-

"As I thought. Warden-san, you're not my mother at all."

Huh? Never have been.

"Yeah...? Yeah, right, everyone only has one mother. The mother who never looked at me wasn't my mother either."

What are you saying?

"Heheheh, hahahaha...!"

You're pretty scary you know?

"Haa... I'm sorry, warden-san. For causing you trouble."

...

"My mother was Mu-san all along."

Huh?

"Mu-san is my mother."

I don't think that's right.

"It is, though?"

Is that really something you can deny...

"Mu-san praises me. The useless me... She praises me, acknowledges me, looks at me, and she needs me. My current self only exists thanks to Mu-san."

You did say you had two benefactors. So, the other one was Mu, huh?

"That's right. As long as Mu-san is here, I feel like there's a meaning to me coming to Milgram."

...

"I've met my real mother, so I'm happy. I'm sorry for causing problems earlier. I need to be a good boy- For Mu-san's sake as well."

This is... The needs and interests of the prisoners lining up with each other... Something like this can happen too...? Haruka desires a mother, but what could it be that Mu wants from him...?

You know I've been transcribing this shit too long when I see the words,

"Haruka desires a mother but what could it be that Mu wants from him?" and the first thing I think is come on vaminos- at this Dora the explorer ass question they ain't even being subtle! They're just out here like, "Whatever could she want?" Meanwhile in his fucking second trial song-

"I will keep on killing to be a good boy."

Ya know I can't say what she wants really. The funniest twist everyone looking at the middle schooler and office worker like they're gonna be trained assassins. Meanwhile- OH SHIT IT'S HARUKA COMING IN WITH THE BLADE! It's still sending me this statement is phrased like a fucking early reader comprehension test question. Why did they phrase it like this? Like,

Were you paying attention? Test your knowledge.

What does Haruka want from Es?

A. A license to kill.

B. To be judged fairly for his actions and held to account.

C. A Innocent Verdict/Forgiveness

D. For Es to leave everyone alone. So, they can all know peace.

E. A Guilty Verdict/Not to be Forgiven

What upset Haruka?

A. Kotoko's violent actions.

B. Kazui's and Shidou's attempt at mediating.

C. Es' judgment.

D. Not having a mother.

E. Es' judgment changing.

What does Haruka gain from Mu?

A. Stability.

B. Friendship.

C. Mutual Respect.

D. A maternal figure.

E. More mother issues to unpack in therapy.

I shouldn't be talking about reading comprehension questions like that. It was a good question to pose. Yet the overlap between Mu and Haruka's actions within their voice dramas trial two speaks volumes about how they enable each other and the ways they've become isolated from the rest of the cast. It's definitely not the healthiest dynamic but not the worse I've seen as of now. For example even though I stated that Haruka was still on good terms with Yuno from his perspective...

The feeling doesn't seem to be mutual. Since Yuno went on record stating that Haruka and Mu were beginning to annoy her. Haruka is more than likely collateral damage since Yuno has been annoyed with Mu for a good while now and his close proximity to her at this point. So she can't see one without bumping into the other.

Since Yuno seems to be trying to avoid Mu as much as possible that may extend to Haruka as well and play into why Yuno hasn't checked up on him. Even though Yuno herself says she has no intention of just letting someone die in front of her and has spent a good deal of these trials taking care of others. She has no real character reason not to want to help/check on Haruka but every character reason to not want to be near Mu who is always just posted up outside of Haruka's door going look I'm taking care of him.

So, she definitely wouldn't check unlike Futa who doesn't really have those issues with Mu or has been bothered by her in the same ways Yuno has. I don't know why Kazui isn't checking but like it's not his job to regardless. If someone gets hurt it's not really on him solely. Just because the audience and Shidou projected this caretaker and protector role onto him does not mean he will live up to it or even wants to.

I think the fact he hasn't checked is fishy but well it's not surprising. Shidou on the other hand- Well he's weird for the opposite reason. If Mahiru is still in a bad state how did he even make time to check on Haruka and Mu? Again he states he's worried about Amane and someone should do something about her but when given free time doesn't really treat that as much of a priority.

We haven't seen Mahiru in a long time (this changed with Kotoko's birthday interaction where Mahiru actively seeks her out even noting it's still hard to move while doing so which hello just raises more questions about this) but Haruka, Mu, Kazui, and Mikoto could have all gone to check on her but none of them have. I'm not holding it against Mu since Yuno directly told her to stay out of the way when they spoke after the attacks on her birthday. So she at least has in character reasons for not going.

Haruka may not be going because he realizes Mu isn't on good terms with Yuno right now. Since neither of them are hiding that. Kazui and Mikoto are weird though. Mikoto claims he attacked Mahiru but hasn't gone to apologize about that at all or gain clarity on it? Like that's kind of the bare minimum he could do if he truly believed that were the case. Which his second written interrogation implies.

Kazui is just like sir you're not doing anything else you might as well. Like I'm well aware he may not want to be bothered and may find Mahiru difficult to deal with but like you've seen Shidou enough to have seen her too. Which is the weird thing Shidou has had time for Kazui despite Mahiru needing constant care. Plus Amane and Futa have both gone to see her. So, it's not as though Mahiru is under lock and key.

So a part of me is like why are you avoiding doing that. Now with Mikoto there's an argument to be made that he's afraid he'll make her uncomfortable. He knows he fought with Kotoko and went up to her for her birthday though. Like he just kind of played that off like he didn't remember but he remembers attacking Mahiru?

Something multiple other parties have gone oh well he didn't do that. He attacked Kotoko while she was in the middle of attacking Mahiru. Kotoko has said that, Kazui said they were fighting and it was best to keep them that way, Yuno said they were fighting and commented on Mikoto being stronger than she thought, Mahiru never brought up Mikoto ever attacking her and only focused on how she forgave Kotoko for attacking her.

So after a point one has to question how Mikoto knows about Mahiru's attack but conveniently doesn't know Kotoko was there. There's memory issues and then there's like the fact he's actively avoiding everyone that would have a different recollection of those events while still trying to be chummy with the person he very much did jump according to several other parties. All of whom have no reason to lie-

Mahiru thinks Mikoto is a cheater and does not trust him she has more reason to lie on him being the one that jumped her than just forgive Kotoko.

Kazui literally had zero reason to lie there and even went it benefits me more if you keep them on opposite sides and they continue to fight each other.

Yuno does not like Kotoko and thinks Mikoto's pleasantries are forced. She says she would never be Kotoko's friend and the nicest thing she's said about Mikoto is again that comment about him being stronger than she thought.

All three of the parties who have spoken on this actually just have no vested interest in whatever is going on with Mikoto. Other than Kazui who doesn't want Mikoto to team up with Kotoko solely because he knows with a teammate Mikoto could kick his ass. And even then his interest wasn't let's make Mikoto look worse it was just let's keep these two away from each other and their goals from aligning. Like with Mu and Haruka. Which is fair.

Mu Second Voice Drama

"What do you mean?"

How did it come to that in the first place? What was the cause of it? That's what I don't know. You could say it was conveniently omitted.

"..."

Even you yourself refuse to go there. Is it a topic you don't want to touch upon?

"...Warden-san I think you're really doing something bad. Isn't it a bad thing to act like there has to be something wrong with someone for them to get bullied?"

Oh?

"No matter the circumstances it's always the bullies who are in the wrong! Isn't that obvious? Warden-san you're so smart but you didn't even know something like that? Maybe you should take some lessons on morals or something?"

...

"Besides, even if I've done something wrong, there's nothing that can justify bullying. Warden-san I thought you were nicer than this."

My sincerest apologies for not living up to your expectations.

Later on in Mu's second voice drama

Right, right. And here I was speculating that you might've originally been playing the opposite role...

[sound of something hitting the tabletop (possibly her palm)]

...!

"What are you getting at?"

Just that we could also speculate that you'd been the bully until the tables ended up turning on you.

"Do you realize what an awful thing you're saying right now?!"

What are you getting this angry for? I thought you hadn't done anything wrong?

"Warden-san... I hate you."

Haruka and Mu both have intense reactions in response to the idea that Es' opinion of them wasn't as unanimous as they thought. That they had doubts about it. Yet, they're both incredibly doubtful and fickle when it comes to their relationships as well. Think about it- Haruka had no issue talking to Kotoko several times after she attacked multiple people but could barely get a sentence out around her at the start of this. Yet, her violence didn't scare him off he wasn't worried for his safety showing that his fear wasn't being attacked but always was rejection like Mu's. Yet, he rejected others and drifted away from them despite displaying how much he dislikes the same thing. Then once he was in the same position as those he distanced himself from he was suddenly willing to confide in those guilty prisoners he may have been ignored previously for what seems to have been until the cameras were rolling again.

24/04/19 (Futa’s Birthday)

Futa: ––Hey, are you really ok with this? If you come with me, there’s a chance you can be saved too…… Haruka.

Haruka: Yeah…… I’ve made my mind up. I have, something, that I have to do.

Futa: Ah, is that right…… Haruka, you know, you’re an idiot. There’s no way…… that will save you……

Haruka: Yeah, thank you. I’m glad you came to talk to me, Futa. Um, thank you, for being so kind. Really. But, I’m sorry. This is all I’m able to do……

Oh wait no. Haruka didn't even go to confide in Futa. Futa did the thing people keep bitching about no one doing and went to check on Haruka himself. Who again when Futa was at his lowest was off ,

"I’ve been enjoying myself, a lot."

To be completely real with you it makes me wonder if the only reason Haruka is worried about people changing up on him is because he so easily changes up on others. Because when Mikoto and Futa were going through it where was Haruka- Looking after his self.

Because like Futa said,

Q.02 What do you think of Haruka?

Futa: I can’t afford to be worrying about other people at the moment Anyway, he’s not a little kid.

Okay, just got back from a break one of many I took after world events and- Ya, know... Someone in this fandom accused me of a felony a while back. Look if anyone has gotten this far I'm really anticipating them glancing at this and keeping it moving. But yeah that happened. Then they accused my friends of a felony as well. People will be like blocking isn't personal and shit but like each time I've blocked someone it's actually been due to consistent harassment that I have actually attempted to talk out as much as I can extend myself to do so. I think any rational person draws the line at someone accusing their partner and close friend of a crime.

Especially when a good way to go well that's not true is just blocking the person and moving on since the crime in question was cyberstalking. Then person wanted to go this is your fault for taking my concerns seriously instead of telling me to touch grass after I did that which like um what the hell. I'm not saying this is a good way to gage the reactionary nature of Milgram fans but like after a point there is no discussion to be had you just gotta accept some people like their life more if they can assume others are cruel and evil to validate their own inconsiderate and uncaring behavior. Like Haruka and Mu nothing is ever your fault if everyone else is the villain and your the weak helpless victim in whatever narrative one creates to help themselves sleep at night.

Some people really only care about people solely in the context of the role they play in their narrative. Haruka is no exception to this. He only cares about Mu because right now she fits into the role of mother. Es even brings up that their desires have happened to albeit conveniently overlap,

"This is... The needs and interests of the prisoners lining up with each other... Something like this can happen too...?"

So, what happens when that stops being the case for one or both of them?

Like the case of Futa and Mikoto. Two people Haruka relied on for socialization but as soon as their social standing fell he begun to distance himself from them. A lot of people in this world project what they're willing to do to others on those around them without a second thought. Just so they don't have to feel alone in their callousness. It's not a case of who is using whom when it comes to Mu and Haruka.

It's a case of whose usefulness will run out first or if it will at all. Something like that is a bit of a double edged sword isn't it? One could say it' like a person pointing their weapon at themselves and their enemy all at once. A true double bind.

How unfortunate.

#milgram #es milgram #haruka sakurai

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