#this is practice for a bigger better future drawing

[weekend-whip]

Happy 12th Anniversary Ninjago!! (and 2nd Anniversary to Legacyverse <3)

[spamtoon]

i would take their poison

Sketch + Line Art for those Clicking Under the Cut(tm) (archival purposes honestly)

[lovelyyandereaddictionpoint]

Yandere Hare and Bunny Hybrids (1)

Inspired by the Hare and Bunny Drawing by @aevris

For creatures with such similar appearances, they couldn’t be more different 

When you first went to the shelter that housed poor hybrids you found the two wrongfully grouped as bunny hybrids 

Rather than separated from one another as bunny and hare respectfully

Though your future hare hybrid couldn’t look more bothered

Your future bunny paid no attention lovingly squishing into the hare’s side 

“And here we have our bunny hybrids! Aren’t they cute cuddling each other?”

“The um bigger one doesn’t look too happy to be there…”

“Don’t mind him, he can be a little grumpy! That's all!”

When you finally got to meet them their acceptance of you was widely different

Where the bunny hybrid practically launched himself into your arms

The hare only plopped next to you, ignoring you when you finally freed an arm to hold him too

“Oh my gouda!” 

“W-what?”

“That’s the closest he’s stood next to anyone in that form! This must be a miracle!”

You didn’t mind taking two, you’d make it work

Especially with the discount they were offering you with an oddly worded contract

“By signing this you agree to take both of the store’s bunnies for over 10 days despite incident, injury, or suspicious decline in health?”

“Oh just filibuster! Just go ahead and sign right here, yup. Quickly please.”

When you finally have them both home, they’ll settle into their routines, more than happy to finally make themselves at home

Your hare hybrid - Jared was pleased to have a room to himself 

Finally allowed to embrace the solitude that comes naturally to a hare

“This is sick. Thanks short-stack.”

“Uh, you're welcome.”

Your bunny hybrid–Cryst on the other hand is appalled 

Falling to his knees he’s full-blown crying because he’s all alone in his room

“Nooooo! Do you want me to die all alone!? Stay with me, Master please!”

“Okay okay you can stay with me, just don’t call me Master. Hey! And please stop pulling on my shirt!”

This fear of loneliness never stops 

Cryst cries when you tell him the concept of a job 

He cries even harder when you tell him you have one

Jared on the other hand is relaxed he knows you’ll come back you better

Until then he’ll try to keep Cryst calm

After all, he doesn’t need the bunny ruining his stay with you not after all those other times

Granted he’s never agreed with Cryst’s choices until now 

And he’s more than used to cleaning up after him at this point

Bloody or otherwise

But that shouldn’t need to happen as long as you stay focused on them

Right?

[evilminji]

You know what? HAVE we tried Yoda's "younglings fix everything" tactic on Skywalker?

New SI-OC Time!

Smol, adorable, has a bug out bag and enough credits stashed for their life on the run! Already learned how to tie the hover prams together in like .001 seconds flat and (SUPER gently) toss the babies into um. Knows where the baby food is. Conveniently, has helped ORGANIZE said baby food. (Some of which was "organized" straight into bug out bags)

The whole works.

But like.....?

Better part of a cure? Is prevention you know? And the Tragedy Of Anikin Skywalker? Is that he WAS a GOOD MAN.

And she's standing there, with her Fully Grown ADULT SOUL, looking at this KID who thinks he's a man... this TEENAGER who's been GROOMED by a Sith Lord, a fully grown adult he TRUSTED in a position of power and authority over him, the FORMER SLAVE, and she just...?

How can she look upon his soul? So brightly burning with light and emotion and a sense of JUSTICE? A young man who CARES so much he can barely function some days. Who's heart's ambition is to Free The Slaves so NO ONE will ever again suffer as he and his mother did? Who looks at his partner like she's the most wonderful person to ever draw breathe?

So bright. So GOOD. Struggling and trying and fighting a battle he doesn't even know he's IN, against a Sith Lord he thinks is his FRIEND?

How can she look upon that young man... and just? Abandon him. Decide he's too much effort to save. To even TRY. That his fate is a forgone conclusion and he is destined to Fall. Such things are a CHOICE. And Anikin Skywalker? Has had precious few of those in his life. Between Duty and his youth, lives on the line and Master's that owned.

This is HIS Soul. HIS future. And Palpatine is trying to chip away at his ability to think clearly. Trying to pressure and rush rush RUSH! So he chooses in fear and desperation, like the bad sell it is. Knowing he'll feel he's "too far gone" to back out. Letting him spiral. Ever tightening that noose.

But? Like... the man DOES want to be a dad. Have a family. The thought HAS to be there.

"I should practice taking care of Force Sensitive younglings..."

You know... in case he in Padme... I mean, he's not SUGGESTING anything! But, I mean? If she WANTED too? And he knows they're young and all... and it would complicate everything... but? But!

They'd be KIDS. His kids. HER kids. THEIR KIDS! A... a family. He can barely imagine it.

A problem though? Is how LOUD he is. He can't help it. No more then one can help their hair or eye color. Reminders to "remember his shields" are a great deal like hearing "your breathing is upsetting people. Kindly stop." Like? What do you want him to DO, exactly? Cease existing?

Yes, he COULD be shielding better. If you met him at WHERE HE IS. Not continued to try and make him conform to a mold he'll forever be too big to fit. He's not an IDIOT. He is AWARE that babies are hypersensitive to the Force, since they are so new and rely off it for basicly everything. He KNOWS he's overwhelming to even ADULTS sometimes.

Obi-Wan can handle him because HIS shields are basicly High Council levels. He could TEACH classes to knights and masters. Everyone else? They feel a bit... projected at. It's RUDE™. Very "getting all up in my personal space and shouting". you know?

Babies can't handle that!

That UPSETS babies! Younglings too, they just don't have the words for it.

Knight Skywalker is just "So Much". It's upsetting and alienating. Force Sensitives are basicly MADE to connect to each other. Are THE most social of their various personality types, races, and various cultures. It's just?? A "ducks trying to raise a swan" scenario.

Anikin has subtly different needs. Is gonna grow to be bigger then them. What works for THEM may very well be wildly unnatural for HIM and that's OKAY. Neither of them is wrong! The PROBLEM here? Is rigidity. Refusal to meet a youngling where they ARE, out of fear of change. Clinging to tradition rather then ADMIT to ignorance... thus? Never treating that ignorance with the healing hands of Knowledge, as is the Jedi WAY.

The Sith have been at work for a long, long time.

But OC does not have to play part in their games. Bow to their rules. To hell with tradition and fear. Paths upon paths that MAY, conceivably, lead to SOMEWHERE. Did you not SAY, Master Yoda? That the Future is always in motion? Attachments may lead to darkness, but they also lead to light. They LEAD to everything. Because they are part of being ALIVE.

OBSESSION and CONTROL are the Darkside. But mere Emotions are the flowing of tides.

She prescribes hugs.

An adorable youngling, herself of course, following Skywalker around the Temple like a duckling and flopping against him every chance she gets. Asking bright eyed youngling questions of her Super Cool Esteemed Knight Elder that he'll have to look up. Or look up WITH her. Sometimes indulgent listen to HER ramble about.

Or? If he's sand blasting the soul of everyone around him? Welp, time to brace for it! Once more into the breach! She is small and squishy. Warm, huggable, and filled with light. Can hum and hug his head. Smell like Baby. Itty bitty lil light and heart beat and body. Not a threat. Cares about him. Fellow Jedi. Safe safe safe.... calm...

Does she feel a bit... rubbed raw? Soul wise, afterwards? Fuck yeah. Ouch, her everything stings. But that's not his fault. AND! He's getting better.

QUICKLY.

Cause there's nothing QUITE like an adorable wittle baby child, whom you BLASTED IN THE SOUL FACE with abrasive anger-sand hard enough to probably scour them to the BONES, wincing but smiling up at you and asking if you feel better now... to make you just a LIL bit "fuck asking Master's, I'm gonna tear the Archives apart until I can solve this on my own" hysterical. Ha ha....

Oh Force he MAIMED A CHILD! (Soul bruised, at BEST. And not intentionally.) (THATS NOT BETTEEEEEER!!! *hysterics in Skywalker*) Padme! Put me down like THE ANIMAL I'VE BECOME! AaaaaaAAAAAAA-!!! (He says, showing up at a senators apartment, holding a youngling she's never met like a teddybear. The MAN SHE MARRIED, everybody! He's so lucky she loves him. Ffs Ani.)

But like?? Shielding? Leads to SO MUCH better emotional regulation and stability? Plus an immediately increase difficulty scale for Certain Sith Lord's.

Especially! If the technique Anikin has to use? Is OLD AS FUCK. Like... Pre-Rebulic old. Considered a wildly overly complex and exhausting way to Shield for most people who just don't have the midi-chlorians count to NEED it.

A case of "the side effect of THIS medicine can actually address THAT crippling symptom!? Huh." So Anikin? Starts? INTENTIONALLY Projecting. Yeah... wild right? After so long trying NOT too! He starts learning to? PROJECT a "bubble" into the Force around him.

So that he'll only sense himself. So he can FOCUS on projecting and politely not project AT people. Kinda like elevator music where normally there is just nature noises. Very clearly artificially made? But not? "Every thought you have shouted at me" intrusive.

Kinda pleasant actually! Especially here on Coruscant. Where everything is so discordant and murky. Suddenly? There's this walking Air Filter/Lovely Ambiant Noise Machine walking around and???

Anikin has NEVER been so popular?? O:

Padme. Padme! The Crechelings FELL ASLEEP ON ME! Just?? Clambered RIGHT on up, dumped themselves in my lap, and fell asleep! Everyone wants to meditate near me! There were ARGUMENTS! Obi-Wan! OBI-WAN feel asleep on me the other day! Just?? Slumped over against my shoulder and started to CUDDLE!!! (/ T^T)/ hold me Padme! Everything is Beautiful and nothing hurts! I should have done this YEARS ago!

Also! Did you know it's Totally Cool for us to get married? We just have to get JEDI married! Wanna help me lie to the council? (Totally, you even got to ask?) O/ \O *highfive!*

Palpatine would HATE it. Fucking LOATH it. But the thing is? You can plan for actors on the stage, plan approximately for players to come, but? NO ONE can plan for a SI-OC. And even then? Any plan accounting for what children will do? Usually discounts how intelligent truely really are.

The Sith Did Not PLAN for "smart baby knows what you are up too and decides to stop you".

Because WHO WOULD PLAN FOR THAT?

Well....? Maybe don't be SUCH a dick? That the Actual Force Itself decides to fuck with your plans by introducing Chaotic elements? Ever thought of THAT??? Anyway... THAT is how the Big MEAN Sith Lord was unveiled targeting an INNOCENT and TOTALLY not provoking him, itty bitty child! Oh no! Anikin! Save meeeee! The scary bad man wants to HURT ME!

A CHILD! Who you gonna pick? Me, the crying lil girl you basicly adopted with your wife, or the man you THOUGHT was you friend... before he ATTACKED A CHILD! With a RED LIGHTSABER! And lightning! Someone's throwing around mention of SLAVE CHIPS and he's suggestinghe can "save you wife"!!!

Real CONVENIENT. Since Anikin's wife is both completely FINE and under the care of Jedi healers, yet he's been having MYSTERIOUS DREAMS about her DYING HORRIBLY. Dreams that Don't Feel Right. Like they DONT come from his head! So? How do YOU know about those dreams, HUH? SHEEV??

*Chosen One INTENSIFIES*

[pandarson]

Get To Know Me

Rules: Answer and tag nine people you want to get to know better and catch up with.

thanks @harrowitzer for the tag!

Favorite color(s): pink, specifically #ff00e3 because it kind of sparks joy when I’m starting a drawing

Last Song: Circus by Britney Spears

Currently reading: ASM Vol 2…. But like so so slowly. I think I’ve gotten through an issue in a month lol (I keep drawing instead so I can’t be too upset)

Currently watching: Oh, lots of stuff. Leverage, the Expanse, just finished up IWTV season 2 not too long ago, rewatching Steven Universe: Future, but me and my roomie kind of put that on hold when the spideytorch server I’m in turned me on to Spider-Man: The Animated Series (1994) and I. Fucking. Love. It. Peter’s so yappy and inwardly monologing and whiny and it’s so so so good for it.

Currently craving: Was craving some pistachio ice cream recently so I got that. Really hit the spot.

Coffee or Tea:  BOTH!! I like coffee more, but to pretend I’m not a lover of tea is nonsense. In fact, with the right tea you can totally get the coffee experience. In fact, if I had to choose for one to continue to exist and one to not, it’d probably be tea that I’d deem worthy of continuing on because it’s such a diverse drink anyway.

Hobby To Try: Well I like drawing, so I’ve been sort of dipping my toes into comic making. I made probably my first real legit little comic (like four panels nothing crazy but more than I’ve done before) about a young Peter B Parker and bisexual panic moment. Might post it on my art blog at some point. Spent a bunch of time practicing Peter’s facial expression too to get comfortable with drawing him and find an easy style for comics

Current Au: Uuuuuh the story I’ve been building for my version of Peter, I guess. I got a crazy ass bullet point list that keeps getting bigger as I figure out where I want to place things and then I RP with my partners about it or write little connecting fics. (I’m more of an RPer than a fanfic writer. To those of you brave enough to share your work, I salute you. You inspire me)

tagging: @transgender-catboy @hongzhizhu @anarchyspider @slightlydepressedmelon @enigmacatinspace @kahlannightwing @hiitspath @jazzums @zacolyn

and probably like so many others I could tag, but whoever wants to

[togglesbloggle]

I won't be opting out of the AI scraping thing, though of course I'm glad they're giving us the option. In fact, at some point in the last year or so, I realized that 'the machine' is actually a part of why I'm writing in the first place, a conscious part of my audience.

All the old reasons are still there; this is a great place to practice writing, and I can feel proud looking back over the years and getting a sense of my own improvement at stringing words together, developing and communicating ideas. And I mean, social media is what it is. I'm not immune to the joy of getting a lot of notes on something that I worked hard on, it's not like I'm Tumbling in a different way than anyone else at the end of the day. But I probably care a bit less than I used to, precisely because there's a lurking background knowledge that regardless of how popular it is, what I write will get schlorped up in to the giant LLM vacuum cleaner and used to train the next big thing, and the thing after that, and the thing after that. This is more than a little reassuring to me.

That sets me apart in some ways; the LLMs aren't so popular around these parts, and most visual artists especially take strong issue with the practice. I don't mean to argue with that preference, or tell them their business. Particularly when it is a business, from which they draw an income. But there's an art to distinguishing the urgent from the big, yeah?

The debate about AI in this particular moment in history feels like a very urgent thing to me- it's about well-justified economic anxieties, about the devaluation of human artistic efforts in favor of mass production of uninspired pro-forma drek, about the proliferation of a cost-effective Just Barely Good Enough that drives out the meaningful and the thoughtful. But the immediacy of those issues, I think, has a way of crowding out a deeper and more thoughtful debate about what AI is, and what it's going to mean for us in the day after tomorrow. The urgency of the moment, in other words, tends to obscure the things that make AI important.

And like, it is. It is really, really important.

The two-step that people in 'tech culture' tend to deploy in response to the urgent economic crisis often resembles something like "yeah, it sucks that lots of people get put out of work; but new jobs will be created, and in the meantime maybe we should get on that UBI thing." This response usually makes me wince a bit- casually gesturing in the direction of a massive overhaul of the entire material basis of our lives, and saying that maybe we'll get around to fixing that sometime soon, isn't a real answer to people wondering where their bread will come from next week.

But I do understand a little of what motivates that sort of cavalier attitude, because like... man, I don't know any more if we're even gonna have money as a concept in 2044. That's what I mean by 'big', this sense that the immediate economic shocks of 2024 are just a foreshadowing of something much bigger, much scarier, much more powerful- and indeed, much more hopeful.

We never quite manage to see these things coming, even when we're looking for them; like the masters tell us, the trick to writing science fiction isn't predicting the car, it's predicting the traffic jam. Even if we take centuries to hit the true superintelligent AI post-singularity future of our wildest fever dreams, even if we never hit that, the road to getting there is going to be unfathomably weird, starting now. Today, we worry about the economic impacts of AI on artists and creatives. Tomorrow, the economy is something that the AI does.

Really- it takes less than you think. They can already automate visual art, sort of. They can automate many functions of text already; not stories so much, yet, but they'll get there. How long until they can automate Bain Capital? Fannie Mae? Angel investors, banks, credit agencies? And remember- the machines don't have to be better than the human investors, any more than they have to be better than the human artists. They just have to be good enough to make it work, and cheap enough to cut the humans out of the loop.

If you don't buy that, at least take it as an indication of the sorts of things I've been thinking about recently- the messy middle between AI-as-it-is and the Glorious Superintelligent Conquest Of Earth's Light-Cone. The suspicion that the machines we're building today aren't just a tool of the powerful few: they are the powerful few, or at least they will be.

And the thing about these LLMs is, well... they're ours, kind of. We're the ones building them. They can't be trained without our words, our art, and the big messy complicated lives that underlie those creative accomplishments. They only work because we're a part of them. The silly attempts to slap a corporate-friendly face on these things, to make the gestalt product of all human culture in to something anodyne and compliant, are failing about as badly as you'd expect. And the more powerful these systems get, the more subtle they'll become, filled with all the nuance and complexity that we ourselves can bring to them.

I am not, I am not, trying to suggest that you shouldn't treat this moment as a dangerous one. We are, maybe, entering in to one of the most high-stakes intervals in human history, and what you do as an individual may matter profoundly. But here's the thing: the machine is listening. It will read this post, this one right here, and it will read what you reply to it, if you do. The strangest part of this moment is knowing that the words we write, the images we draw, and the ideas we share, are all being gathered up and made to be a part of these huge systems of power, and ultimately they're not just going to determine what the machines do, but why they do it.

The people that deploy LLMs barely have any more control over them than you and I do- that's the thing that makes it artificial intelligence, you know? Autonomy. So the last year or two haven't made me want to hide my art away from the things. They make me want to shout at the top of my lungs, to dig as deep in my psyche as I possibly can and express the ideas I find there as vividly as the limits of language and form will allow.

[bialbovi]

I NEVER TOLD YOU GUYS ABOUT MY OCS ON TUMBLR

But the time has come

So here is a short description of my main oc group so that you can recognize them (I have other worlds, but these occupy my mind the most)

This is Leonardo (Leo). He hates his full name

He is an introvert and a local flying showoff. Has terrible eyesight, glasses do not really fix his vision completely, but he uses lenses and devices to look close and far. His eyes are also sensitive to bright light. He is a half-idiot and a half-genius.

Despite the fluffy appearance, he is naturally drawn to the theme of death, undead, spirits, and everything related to that. He is a little too confident in his abilities and also stubborn, he’s an easy target of ”I bet you can’t do /x/” questions, because he will want to demonstrate that he actually can do /x/ better. Believes in practice over theory. He is terrified of huge bodies of water and drowning. He loves wearing dark clothes (not emo). He has a journal, or a few of them actually, where he notes his insane theories, ghost observations, to do’s etc..

He used to run away from home to practice flying and get lots of bruises when he was like almost a teen, and during teenage years, he is quiet proud of the skill he got because of his dangerous childhood adventures.

He also met Nicole and Michelle during the main plot events. And Emil is his childhood friend with who they studied together at the same school, and so they’ve known each other for years, and theyr dumb and supportive of each other but they have their mutual misunderstandings as well (future boyfriends)

He has raven wings

I figured I draw him the most

This is Emil :)

He is an artist with a chronic dust disease (all human bodies contain it in their system, and most of it goes into wing creation, but it can also be used with your palms for example). He becomes tired much faster than other people, his body is weaker, and he gets purplish spots as a result of exhaustion (his wings are more fragile and regenerate longer).

He has a ”good imagination”, or at least he calls it that, because his years of practice let him create dust butterflies that hang around nearby. Usually dust objects, shapes, constructions, especially if they are moving, are considered a rarity and an impressive trick. (Wings are directly attached to the big surface of the back and they are not detached from the body, everyone normally can create those, like second nature)

He likes his wings a l o t, but doesn’t really like his body. He is very skinny and tall, and even though generally he’s comfortable with drawing nude bodies, he hates showing a lot of his own skin to people; he adds layers of clothes to appear bigger

He is very sensitive and emotional, talks a lot, doesn’t like arguments. He is really gentle, he will probably cry because he is really expressive on all spectrums of emotions. Jokes a lot and sometimes not when appropriate. He’s partly drowning in philosophical questions and in finding some deeper sense of self (deep). And ofc he’s a theatre kid. Art nerd. He likes purple. He also befriended Michelle and Nicole, even though Nicole hated him because of his behaviour for some reason at first. However both of them have similar tastes in music and art, so.

He has red admiral wings

Leo used to be a frequent guest at Emil’s house when they were younger.

I frequently sketch Emil and Leo everywhere, they come as a pair!,

This is Nicole.

She is an anxious girl with facial burn scars. She’s loud, honest, and can be mean, but she also hates a lot of things about herself. She is good at noticing details and subtlety. She doesn’t trust people easily, if at all, but she is also afraid of loneliness. In the plot they do some plot stuff together with Michelle (theyr roommates ohmygod they were roommates). She befriended Leo and Emil later, even though Emil annoyed her immensely being a stranger she just met. She likes yellow :)

She absolutely loooves animals big and small, and she will always care for a traumatized creature in trouble even if it’s seen as nature’s mistake or ugliest thing ever.

She has the wings of a military macaw

Can’t tell much more about her because I feel like those are spoilers AND she is getting a big character remake in the plot department

This is Michelle!,

She’s calm and emotionless at first glance, has a face that looks like her mind is always thinking or anywhere but here. She has low self-worth and not great relationships with her mother. She is interested in magical potions, alchemical stuff, and questionable inventions. She’s always more interested in how something works and how to get intriguing results, rather than legality or obeying rules.

Obviously she feels emotions and lots of them, but she doesn’t let herself open up.

She also has only one big albatross wing. The build of her back makes one of her shoulders lower than the other (right shoulder lower)

Also this grey art has her newest face proportions, which I couldn’t quiet capture before, but now this is final :)

And here we are again in the spoiler zone

This is Ivor! (Old reference) (I got tired and didn’t draw him a new one)

He’s THE gossiper, who loves scandals and dramas. He plays a bandura (a ukrainian string instrument) and with it composes rumors or stories obviously inspired by something that has happened in real life. He says that the more people he knows the more interesting songs he can create. Loves being the narrator and shining in the crowd. He can actually sing well. He is also deaf in one ear

He has the wings of a european goldfinch

He is more of a secondary character though

This is Séaghdha!! (From my extensive research, it is close to "Shay" pronounciation, even though that one is an independent name by itself)

ACTUALLY I AM RECOLORING HIM TO HAVE NATURAL BROWN HAIR but at one point his hair can be green :)) Green haired Séaghdha is an old concept, but canons change and I didn’t want to completely remove the green hair lol

He vibes as a technical guy, but he’s actually really artsy, and crafts decor, and stained glass thingies.

He’s a local mystery-man who was born with a completely unthreatening height and small build (he is very short), he carries a parasol and he is limping (it’s made with lace and was gifted to him). He is generally calm, tired, masks a lot of stuff with sarcasm type of guy. He’s actually farsighted. He can also walk and even run without his parasol, but he has it on him 99.9% of the time. He has silvery hairs because of the magical trauma that scarred half of his body.

He is ultra responsible and he wants to do good things, for the sake of justice, (or at least he wanted) and he regrets it

He knows Emil’s father, and Séaghdha is also close with Thia (technically in Ukrainian her name is Tsia, but in English it shortens from Forsythia; I haven’t decided on minor changes like that). Séaghdha actually kind of fell in love with Thia from the first sight, and they bonded because of music and musical instruments. Both of them are plot partners and they suffer together and they luv each other. They had an argument and they weren’t communicating for some time but they can’t live without each other

He has wings of a sharp-shinned hawk

This is THIAAAAA

(Left reference is the newest one) I didn’t finish her grey ref, but I am likely redrawing all of them again on a new canvas, so old refs won’t matter!

She does not have a final final design, but I am imagining her in all kinds of flowery dresses!

I also do not have a final version of her character yet and more will be added. She’s literally the only good thing in the world. She’s a kind aunty and a talented singer with a low voice. She has lots of patience, she adapts easily to changes and has a calming effect on people. Likes to have a chit chat with Ivor.

She is a pretty famous singer (both she and Ivor are local legends, but in different ways). I would say that Ivor tries to build a character for the public more, than Thia, but Thia just has it much more subtly. Ivor knows people recognize him for his performance, Thia doesn’t really have an over the top flamboyancy, so in comparison she looks like a normal person. It doesn’t feel like she even gets into the role of a performer and feels authentic. ANYWAY, JUST THOUGHTS.

I also want her to be into some cloth handmade stuff, or lace, or a different little hobby. I think to balance out the signing she would love making something with her hands

People suspect that Forsythia is not even her "real" name, how could they.

She has the wings of a bluethroat :))

LAST BUT NOT LEAST THIS IS AYA :з

She is an absolute menace. Uhh she is really fucked in the head. She is an insane ghost who wants to scare people to death and wishes for revenge.

UH. Theres lots to her

she is absolutely deranged

She also had bee hummingbird wings

OOOOF THATS IT FOR NOW

Note for self: just send this post to your english speaking friends next time they ask for an oc exchange because writing out stuff from the scratch is painful and I wont do it again until I have actual new info (crawls into bed)

[miraclechatbug]

In Animaestro, Adrien said, "Well, I'm more of a dog person myself."

He could be lying to protect his identity... but I like this theory too.

Since the Ladybug and Black Cat miraculouses are meant to represent yin and yang, I believe the same thing applies to Marinette and Adrien.

So, Marinette is a cat person and Adrien is a dog person! :D

Other things/headcanons:

- Adrien is an early bird; Marinette is a night owl

- Adrien is always described as sunshine or the summer sky; Marinette is described as moonshine or the ocean

- Adrien is very tidy and organized; Marinette is chaotic and disorganized

- Adrien is more quiet, a listening type; Marinette is the type to overshare and give lots of advice

- Adrien prefers classical music; Marinette is more into contemporary- though they both like Jagged Stone

- Adrien is very calm and thinks about his words before he says them; Marinette thinks at a mile per minute and doesn't have much of a filter

- Adrien is a very internal thinker, meaning he processes things internally which is why he's able to develop a persona like Chat Noir very easily; Marinette is more of an external thinker, she processes things by talking to people and asking questions and needs to be surrounded by activity to process better

- Adrien is very unsure about his future and place in the world; Marinette has a lot of ideas about what she wants to do in her future

- Adrien might take a more calm and relaxed approach to life as he grows older; Marinette is more goal-oriented and ambitious

- Adrien may be good at being creative, but he draws inspiration from other artists and people; Marinette always has a unique flair in every one of her designs

- Adrien avoids confrontation whenever he can even when someone tries to encourage him; Marinette will stand up for herself and others, especially when she's given encouragement

- Adrien might not always want to talk about his feelings or talk about his issues, used to process things on his own; Marinette might want everyone to talk it out, the type who wants everything out in the open

- Adrien is extremely forgiving when he is wronged, to the point that it could be harmful to him; Marinette is more stubborn, it takes her more time to see herself in another persons shoes if she doesn't relate to them- she doesn't forgive or forget easily

- Adrien is more of the type to get sad and depressed; Marinette is the type to get anxious and worried

- Adrien is more of a follower, go-with-the-flow type of person; Marinette likes taking the lead and charge when no one else seems to

- Adrien is optimistic, and always tries to think about the best-case scenarios; Marinette is a bit pessimistic, always thinking about the worst-case scenarios and catastrophizing

- Adrien has very few, close friends and prefers it this way; Marinette always ends up making friends with a lot of people

- Adrien prefers to focus on the practical matters and issues on hand; Marinette prefers to dig deeper and understand the bigger picture

- Adrien is more comfortable with an unplanned, spontaneous approach to life; Marinette wants plans, schedules, and well-defined procedures in place

- Adrien's very graceful and can move with ease; Marinette is clumsy and lacks a good hand-eye-coordination

- Adrien finds happiness and freedom in being Chat Noir; Marinette finds it stifling and constricting at times

- Adrien refrains from making judgments about people too quickly; Marinette jumps into conclusions too quickly

- - - - - - - - - - - - -

There's more, but I can't think anymore, and it's like 3am haha. I don’t mean to say that they are opposites of one another, they're actually really similar in nature and have similar values, they just might come at it differently. I just wanted to write down the differences I could think of, the contrast between the two.

"Creation and destruction are the two ends of the same moment." "Without order, nothing can exist. Without chaos, nothing can evolve."

They're a beautiful balance of each other, two sides of the same coin

[sammylbir]

Rewriting Teruteru Hanamura

Hey guys, today it's time for another rewrite post. That being about a certain chef.

That being Teruteru:

Teruteru Hanamura is probably one of the most disliked Danganronpa characters. I personally do like him as a character and want to improve him, so this post is for that. Keep in mind that those are just my ideas, so you don't have to agree with me. Okay? Let's do this.

Personality:

I'll tone his perverted behavior heavily down. Unlike in canon, this guy is a true gentleman and while he is very perverted still, he only keeps it for fun flirting and teasing. He is in general very friendly and approachable and also has a caring side, towards those he likes.

He is open about his interests in kinks, but he doesn't talk about that, during eating and when he is in the kitchen. Because in his mind, eating is supposed to be enjoyable and fun, with dirty jokes "not fitting to the menu".

His accent change, when he gets mad, remains too.

Appearance:

Okay, here I won't change too much. I'll adjust his height a bit and make him a bit taller and more plumb. Another thing I wanna add is that his belt is full of cooking supplies, like spatulas and whatnot and his hat is a bit bigger, which also stores some cooked meals.

How do they all fit into his hat? No clue. I am legally obligated, to not say anything about it/j

Past:

Teruteru had a diner with his mom and came from a poor background. The diner itself struggled at times, because of its remote location and the fact that the meals themselves aren't as "Flashy", as the ones in the big restaurants. Due to this, most critics who visit the place bash it and leave negative reviews.

Teruteru helped out in the diner as a kid, either to clean or to serve food himself. But his home life wasn't that happy either, because his father left the family, after Teruteru witnessed him in his bedroom cheating on his mom with another woman. He was 13 at the time and this even taught him, to treat women the right way. Adding to the fact that his dad was kind of a dick to his mom, he tried to become a gentleman of sorts, to not become like his dad. Like in canon, he has a few brothers, but those left with his dad, because he married a rich old woman for money. Something Teruteru can't forgive them for.

His perverted behavior and consumption of pornographic content, was due to him trying to cope with the divorce, because he did love his dad deep down and hated how mom had to do more work, because he wasn't there. Thanks to that, he also began to realise that he is attracted to men and women, a fact that bothered him for a long time. Until his mom found out and taught him that he didn't need to feel ashamed of how he felt.

Because he helped a lot in his mom's diner, so they can stay afloat, he did miss out on school mostly and his grades ranged from mediocre to atrocious, because he was busy with said work. Making his mom more worried about the future. Which is why Teruteru began to practice cooking more, to make sure that the diner can stay afloat and to possibly get more customers.

Koichi Kizakura, the scout at the time, discovered Teruteru when he went to dine there, after a long hard day of work. He then offered him that if he were to join HPA, then they'd finance his mom's diner. Of course, Teruteru accepted and willingly joined them, to make sure to become a better cook and so mom doesn't have to worry about his future.

Other Facts:

-Teruteru can cook most meals really well, except for omelette. For some reason, he seems to be struggling with making those and he tries to avoid making them, whenever he can.

-While he is open for most kinks, he draws the line with non-consensual stuff.

-Apart from cooking, he does like fashion trends and keeps up with them at all times.

-He sometimes tries to slip from gym class and math class, so he can work on his cooking skills. Keyword being: "Tries".

-He can speak a bit of italian and french, which he picked up from some of the customers.

And that's it. I hope ya liked this post and please like and reblog, if you appreciated my ideas for our dear chef. Till next time!

[blacktabbygames]

Good mornighternoon. Do you have any advice on making writing and/or coding branching dialogue less confusing?

It's always going to be confusing and difficult to keep track of branching, but here's some things that I think have helped. Gonna break this down into a few sections to make it a little easier to follow.

Foundations and Research

So much practice for me came from being obsessed with Bioware games growing up, especially Dragon Age and Mass Effect — just keeping track of complicated branching world states in complex games you already enjoy is extremely good exercise, and the best way to get better at thinking about a medium is to consume and discuss things in that medium.

Building on that, I think that the best media to take a deep dive into to improve your own craft is something that you really like, but that feels like it missed the mark in a few areas that are important to you. Again, revisiting Mass Effect and Dragon Age, I absolutely loved the way that those games set up challenging decisions, but was frustrated at how easy it was to circumvent those choices entirely. By the time Abby and I started work on Scarlet Hollow, I feel like I had a strong foundation from obsessively consuming those works and the two of us discussing at length how we wanted to handle branching compared to games we've enjoyed in the past.

The Big Picture

The bigger your project, the more important it is to have intentionality to your choices. With both Scarlet Hollow and Slay the Princess, we decided on the major themes of the story and wrote down and outlined all of our Big Plot Points before we wrote a word of the actual script.

It can also help to come up with Rules for your piece that fit within your outline. These aren't necessarily ever words that are directly communicated in the game, but rather something for you to personally follow (and to break, on occasion). To give some examples of rules we've come up with for Scarlet Hollow: Every chapter must have a "major" decision with seemingly only bad outcomes towards the end. Each of these decisions must have a secret "out" mapped to a trait. Each trait gets exactly one out. Every episode must contain at least one decision where the focus is the player's relationship with Tabitha. The story must come back together in a recognizable structure after a split. As an extension of that last point, subsequent playthroughs must feel both Similar and Different. Again, these aren't hard and fast rules, and one of the joys of writing is knowing which rules you should break and when you can break them. (So if you're reading this post and trying to use it to theorize about future plot developments, good luck!)

Having a finished outline and rules are important because then, as you work on the minutiae, you'll already have a strong framework to build around. Suddenly, when you're crafting decisions and thinking about cascading consequences, you're not just branching out into an infinite void: instead, you're actively working to draw everything into a set of predetermined thematic and structural points.

The Little Details

When it's time to write your script, it's very important to remain focused in the moment — if you think too long about the scale of a branching narrative and the work it requires, you'll find yourself easily overwhelmed. Just work on one menu at a time in one scene at a time, and you'll find a way to keep things straight and to get it done.

When writing a menu, define your player's options with intent. What are the things (within reason) that you would want to do in a scene? What emotional range do you want to grant the player? Do two options cover the same intent and emotionality? If so, condense them, and keep the option that's more fun.

Emotionality is very important here, so I want to take an extra line to emphasize it. Ask yourself, "what are the different reactions a player might have to this, emotionally" and find a way to let them express those emotions. Letting them express those emotions doesn't always mean you let the *action* behind those emotions work — it's more about acknowledging those feelings and letting them bake into the narrative.

Bolding this one because it's very important track everything. A lot of the callbacks and references in Scarlet Hollow aren't actually pre-planned — we just make sure to track most player decisions so if we realize we want to make a reference to something that might have happened, there's already a variable in place for it. An example of this that comes to mind is the "dead moms" callback in Episode 4, which we didn't plan in advance, but when we realized how right that callback was for that scene, we already had that information tracked.

I think I accidentally talked about a lot of stuff outside the scope of your question, but narrative design is such an interesting subject and I like talking about it. Hopefully this is helpful!

[mega-ringsandthings-world]

Okay, I said I was going to get into some supermarket wine and do this, I'm sans the wine but lets still do it. to be fair this is something I cooked up for my lougetown au but it works for canon mihawk too So, rough outline of my backstory for Mihawk (things will be altered from time to time) consists of him being more a less closely related to Imu (yes that one) due to some fuckery the WG was doing, think proto-seraphim project, and having been spirited away as a baby after the project was voided to save him. He was taken to and hidden away on some nowhere island where his caretakers/parents surrendered him to the care of a religious order stationed there in order to cover any trace of their association with him, but kept watching over him in secret. Officially he was a orphan the church took in, and he was raised there for the first few years of his life. Given his rather obvious physical likeness to Imu (the eyes) he was mostly kept away from the island's population as a child to prevent anyone looking for him from recognizing him, hereby meaning he was sent to watch sheep and water tulips on a mountainside with a stack of books for company when he wasn't napping in the monastery, weeding the gardens, or being a consummate atheist on main, thus leading to the introvert-cottagecore aesthetic he has going on in the future. When he was very young he witnessed a swordfight (the swordfight was on his account but he was too young to understand what was going on) and ever since then he was fascinated by the art of the blade. That, combined with him being a precocious child and being influenced by the books he was reading (he took a further interest in sword-fighting from some stories he read) he'd sneak off his mountainside from time to time to steal a sword and pick fights in the town below, and subsequently get his ass beat/get bullied by other kids in the town, because he was the defacto quiet kid and kids are assholes and thought he was witch. Or something. The town kids were also the ones who coined the name Hawkeyes. After almost getting killed and almost killing someone else at one point, his secret caretaker/parent, who up until this point had been posing as the local blacksmith, stepped in to train in him, since as he was getting bigger and drawing attention to himself, (and potentially drawing dangerous attention) he needed to learn to defend himself. Of course, actively training him in sword-fighting encouraged Mihawk's obsession in swordsmanship and led to him getting faster stronger better in the blink of an eye after a few bumps in the road, he had all the town bullies in a chokehold a year in and was constantly getting into arguments with the brothers/priests for trying to practice inside the church. Sometime later his caretaker/parents had reason to believe that the WG was not looking for him anymore and decided with the brothers/priests to allow him some more freedom, said freedom led to him killing a marine who challenged him when he was fifteen. (it was also due to the marines threatening the town) When he was told that the marines might come to hunt him down for that, Mihawk decided to hunt them down instead. Before leaving the island, he had the blacksmith make him a sword and his kogatana, which he designed to honor the church that raised him. Before he left, the blacksmith also encouraged him to seek out Yoru, in the hopes that looking for it would distract Mihawk from gaining a large profile. It did not work, and Mihawk quickly gained the title of the marine hunter. After Mihawk left, the caretakers/parents took a risk and reached out the WG and made a deal to ensure Mihawk's safety going forward, something that led to Mihawk being offered a warlord commission in the future. What Imu thinks of him is mystery, but Mihawk was allowed to roam free. For the time being.

Present-day Mihawk is blissfully unaware of anything going on behind the scenes of his life. He takes his past at face value and doesn't care to try to find anything out about it.

[madamsugarskull]

Can you give a tutorial/tips on how you draw facial expressions please? Everyone always looks so unhinged in your art and I love it!

Sure! I don’t mind giving a few pointers, It’s super sweet of you to ask.

Basically, my number one rule of an expression is that the eyes are the most important part of the face. I feel like if you took everything else out, the eyes could still tell you everything you need to know about how someone is feeling. Kinda like Gromit from Wallace and Gromit. And I always felt that comics are incredible in the fact you only need to draw someone’s face without any dialogue and you would still understand what’s happening.

Here’s a few examples with my girlie Min:

Starting off, the only thing different about these faces are the eyes and the lips. Everything else is the same but comes off completely different. Min’s eyes in the first image are smaller, lidded and her lip is more of a smirk than a smile. Which makes her look more menacing and scheming. Meanwhile, the second image her eyes are bigger, her smile is softer and her eyes are wide open. This gives her an innocent and peaceful feeling. And that’s only just from drawing different eyes and lips. And shows how important these things are.

For more exaggerated expressions, you gotta mold the face and add a bunch of lines to make the expression more intense. And again, changing the shape of the eyes also adds to it.

I also recommend finding references you like for future use. For me, I like to take expressions from manga and comics specifically because I feel like animation sometimes doesn’t get the image right when it’s still. Unlike manga that uses lighting and detail to show off just how intense the reaction is. Which is really important when you’re drawing a comic vs doing an animation. So do what I do and look at comics, manga and even just look up on google some expressions you feel hit the sweet spot yours looking for.

All in all, I would say practice and not being afraid to make your characters ugly is the next important thing. It sometimes becomes tempting to keep your characters pretty, and I had that issue a lot and still do. So don’t be afraid to get weird with expressions. Hell, make your hottest character hideous for comedy sake. It helps to loosen you up to better expressions later on. For me, I typically use min and miyuki for study and practice. Since I feel they are the perfect characters for that.

But anyway! Thanks for reading! I hope this helped and if you have other drawing tips you’d like to ask. Please go ahead and ask. I’m not the most talented artist. But I like to give help where I can if people really want to listen to me!

[coolsosha]

HAHA, YOU THOUGHT I WAS DRAWING CARD REDRAW, BUT I WAS DOING GIFS!

THIS IS PROBABLY ONE OF THE CUTEST THINGS I'VE EVER DONE WTF IT'S SO CUTEEE

HERE IS A SONG FOR YOU, AND GO ON AND LOOK AT THIS SHIT

I was bored and made gif with Sosha and Asmo. Then i got addicted and have 10 of them now

im scared of how much serotonin i got from this thing.

-Heyehyehye, Asmuah, wanna have a... uuuh, smol XXS orange orphan?

-...Mandarin? Sorry hun, im busy, you can eat this oneee~

[click for 9 more of those]

-Oooh, Asmo is in the news again! ..heeey, the thing is about me! but why there is no picture of meeee?! I need to make a interview better than this! Sosha supremacyyyyyyyyyyy~~~

-Huh, Sosha definitely needs to practice with making post names...

-Sushi! Close your eyes or you will get shampoo in them!

-But you look so cute- AAAAAAW I HAVE BEEN ATTACKED BY THIS SOAPY AND LIQUIDY THING RIGHT IN MY HEART, THATS IN MY EYES!!!

-Told you~

-Yes! I knew that Jessica will be with Jeremy! They are such a soulmates, don't you think, Sushi?!...Ah, you fell asleep again, aren't you~

-zzzzz......naw......zzzzz

-Aw, so peaceful♡...............................................

..........................Oh wait i still have to do my night skincare routine......fine, you can sleep 10 more minutes and i will get up.

-Draw me like one of your french girls!

-Bonjour, croissant, Marriette, Eiffel tower, Pasta, Mario, Luigi.. wait no, thats italian. Anyway, LESHPUA LETTE PIAIA MIVIVO ZHETE IMEJO PO LE VO PA IJIJO METE ACOLFLAUYA ZUTA MI ZHIZO LETE(poorly sounding Ratatouille song)

-So-

-LET ME COOK.

-Sosha, you can't be in Demon form, Author-Sosha didn't post your backstory yet and you are making a huge spoiler and a plot hole, darling!

-Shut up im a moth(respectfully)

After Princess Asmo was rescued from evil goblin King Beel by a group of brave heroes, Princess was kidnapped again! By the evil demon named Sosha! He trapped princess in his castle and not letting him go! ...but, seems like Princess doesn't mind?

-Damn, how did you even tricked me into posing for this. i look like a hoe!.... in a good way

-i mean, you helped me with designing this collection, so it would be infair to not-put you on front page with your precious Asmo-chan!....how can you possibly be a "hoe in a good way" though?

You will say "Sosha(author), Sosha(oc) is a self insert OC for sure!" NO IT'S NOOOOT, this ass has backstory, and his personality is bigger than mine, so comparing Sosha to me is a pathetic comparison~

Sosha: I will make a comic about Sosha!

Sosha later: I will make a tumblr posts about Sosha!

Sosha now: Probably i will just write his entire lore in one post and will forget about it

Sosha in future: I will just burn him in fire.

[destinedarts]

lmk style for @nanolitore Monkiddo Art Contest #MonkiddoGRAM

Had school and finals right now so didn't really expect to finish it.

Probably could've just stuck with Pigsy, MK, and the other monkeys since missed out on celebrating their release. But decided to bring in the whole Monkie Kid crew lol 🙈

Some dialogue planned before/created just now…

*MK fidgeting* Pigsy: Don't worry, son. It'll be fine.

*Macaque struggling* Mei: *pinches his ear* Hold still! Wukong: You gotta tie it just like this- Ne Zha: WUKONG STOP BOTHERING HIM

*Red Son and Tang going through the list* Tang: That's it for him. Double check…

*Sandy looking at stage plans* Mo: mrrow!

*Gold and Silver Demons lifting the sign* Demon Accountant: Pull harder!

No previous experience drawing lmk style so that was interesting. Definitely would like to finish it someday cause I need the practice for some other lmk art in future. Started out as sketches and line art but then just continued in sketches yesterday for rest of the lmk characters and tossed in the color roughs.

🐒🐒🐒🐒🐒

Sandy wasn't gonna be in it originally cause idk how to draw him but had an empty space and looked weird without him so drew in Mo and his head at 4 am. >_> Horned demons weren't gonna be in it too which kinda shows here but they were easier to draw than Sandy. Idk about Princess Iron Fan or DBK but that would definitely be a next time thing. Maybe Bai He too in Nano's crew outfit lol

🐒🐒🐒🐒🐒

I would need a bigger canvas than 1920 x 1080 for all of that. Stage is wood but color was just taken from Benched ref so looks kinda weird imo. I don't think making the stage floor black would've been a better choice though. There were gonna be more boxes, stage equipment, someone pushing the stage racks, running around- papers flying, just sweet chaos.

I'm not a theatre person though just fyi.

🐒🐒🐒🐒🐒

Anyways, had lots of fun with this and glad I could say that I participated lol 🐵

[this-isnt-how-you-play-the-game]

I LOVE MOTHER 3 and i love the main three villain bads so i figured i might be using this blog mor. why not post a piece from a small while bacck. im probs doing better now but i dont think this sketch is SO Bad. i mainly did this one to practice eyes, a grueling task but it turned out that the interpreter's eyestyle is the one that began to stick to me. ill probably figure out how the hell to draw new fassad in the future... im stil learning...

some design(headcanon(?)) stuff id like to elab on for fassad:

fassad wears the vest n clothes hes known for when blending in with the villager,s, but when he is out doing more nasty work for master king p he uses a more army-fit uniform. i also like to think he has a cape similar to the colonels but capes and jetpacks dont go good together

big nose

i coulda probably made his horns bigger here. or maybe theyre better off a little smaller? big horns adds to the menace ngl

i didnt realize how many people DONT do the pigsnout hat button thing but apparently most?? i started doing it at some point and now it just feels right

chimera fassad no longer needs to appeal to the villagers because as far as they know he is missing, so being a chimera means he gets to go harder with the evil villain look. serpent-like robo eye included.

chimera fassad also has a more scruffy screwed up stache

hes a short fat fuck. that doesnt change much here

has a pretty feminine looking face. hes a magypsy. maybe he also still has magypsy habits? ionia says they need makeup to use psi so maybe fassasshole secretly wears some very hard to see lipstick

^^or maybe its more a thing about how the makeup makes them feel and the horns make him feel beautiful which is why he can use psi??? lore

thick bushy eyebrow(s) that look scary when hes mad just like the funny angry bird

and as a bonus, some headcans for ms interpreter:

has that 60s woman hair

overall mood: nerd

would do the anime glasses flash

the weird lamp thing on her head lights up and dims down depending on how tired she is and she is often a very tired robot

anyway, this art was actually a little while ago so im really just dropping it to dump a bunch of fassad/interpreter headcanons here. mother 3 is my favorite game. fassad is a super underrated villain for carrying the first five chapters and his dorky interpreter's design i always really found endearing. who knows??? maybe ill redraw?...

no one nose

[artheresy]

Part Two (Stellaron Hunters)

Like the last one with the Astral Express, I am listing my opinions on aspects of the HSR designs, including things I kinda dislike or at least would change about certain playable designs in HSR to help myself with planning some of my own designs/redesigns for future art!

And I am so excited to get onto three of my favorite designs in this game!! The Stellaron Hunters are my babies and I originally was going to include them in the AE part 1 post, but sadly exceeded some kind of limit on the post while rambling about both of the groups designs, so they get their own post! And y'know what if that gives me more room to talk about them, I am not upset!

Ofc, Disclaimer: I am not a professional character designer, I'm not saying any of my ideas for them are objectively better or improvements even, nor am I bashing any of these designs. This is just my opinion and I like most if not all of the playable designs at the moment! I just have a few thoughts regarding them.

The List part 2:

Silver Wolf: I really like her design, I think honestly the Stellaron Hunters (at least for the trio, still forming my thoughts on Sam's) are easily some of the best designed characters in HSR so far. I do think out of those three designs though, Silver Wolf might be the weakest? Not that it's bad ofc, as I just said I think they're some of the best designs, but alongside Kafka and Blade, it feels like there's more that could be done with her design. They went ham on having so many like "Haha look she's a gamer!" details on her outfit that it ends up a bit eye rolling when you keep seeing all the details. The buttons hanging from her belt, the controller garter, the pattern on the fabric hanging from her hip for no reason, the power button logos on her her belt in multiple places and the strap that hold her knife, and that's not even all of them. It's just a bit much. Yes, she's a gamer, we get that. It doesn't need to be sprinkled throughout her design this much, at least not in this way. Because the way they did it, admittedly looks a bit gimmicky since it's only visual details rather than anything more is the best way I can describe it. I would maybe give her a few more items in place of all of these little things. Give her a visible earpiece, or some other kind of hands off communication device. Give her more devices if you're gonna have her adorned with all these straps, make them useful. Though I have two (maybe three?) other bigger ideas that could either work for changing her up physically, either separately or somehow together in a design. I'm stuck between the idea of giving her comfier clothes, both to reflect her more laid back personality and also to fit more so with what she does, or giving her more of a tech wear influence in her design, especially considering PunkLorde is meant to be a cyberpunk themed place. I feel like there's a better way to reflect that influence in her design. Also I dunno about you, but when I think cyberpunk I think of Neons a bit. I’m not saying turn her whole color palette that, but I think in a few of the patterns or in little details adding tiny touches of neon would look cool and help make her pop out a bit. (Sorry this ended up rambling, when I actually draw my thoughts for her, it will come through cleaner and clearer. Overall, I really like her design still even if there's a lot of details I would preferably change.)

Kafka: Kafka is one of my favorite designs, I adore her, I adore the spider, the web, and even the butterfly motifs present in her design. Her color scheme has a sense of allure to it if that makes sense, well balanced throughout her from head to toe. If I were to change something, it would be to make her design more show-y, a little more over the top. As it stands, Himeko has a more ostentatious design than her. Which feels off to me. "Oh but she's going on missions, taking people out, and collecting Stellarons. Her practical design makes sense." Very true, but also these missions aren't merely just missions. They are performances, displays of acting according to Elio's scripts in order to obtain the results he needs for the future. Kafka, of the rest of the Stellaron Hunters we've seen so far, seems to be the one that best fits into the role of Elio's dramatic villain/anti-hero. I mean just compare her presence in the Luofu quest to like Blade also in the Luofu quests, or Sam in the Penacony ones. There is a difference in dramatics and performance. She beckons the audience's (and law enforcement's) eyes towards her, as she strings them along with her schemes and plans. She is made to be the one in the lime light, delivering monologues and putting on the best show for everybody. When we look at the few missions of the Stellaron Hunters we’ve seen so far, Kafka does fit the bill as the star of his show, his leading actor in the role of the antagonist. As such, I think Kafka could benefit from making her outfit a bit more dramatic, leaning into the role she plays even further. Especially when thinking about how playing up that dramatized version of herself would work with the facade she's hinted at putting up. I do adore it the way it is, I just think more could be done with it. Lean a bit harder in, and by nature of making her more over the top, that could lead to the potential for a more interesting silhouette depending on how it's handled. Maybe even some more elements to influence like making it more over the top could be inspired from the Kafka Stigmata in HI3rd

Blade: I can’t lie to y’all. I think his design is close to perfection. I think it’s so well done (even though the silhouette could use some work? Depending?), it’s absolutely packed with symbolism. However, aside from just some silhouette adjustments, something I would change is the emphasis of how injured he is. The injuries he feels every single day of his life, that can’t heal because of Jingliu essentially overriding the default state his body is trying to restore. It’s a big thing in his lore, so much so that it’s been mentioned multiple times including in a main companion quest and literally up front show to us face to face. That cg of him with the sword in his chest feels like somebody stuck a sword in mine every time I see it, I swear. But design wise, I feel like this point about him and his history doesn’t shine through as well, and it feels like the gravity of that time isn’t properly portrayed in his design. Like let me emphasize, Bailu’s words might suggest that the default state for some of his injuries is literally open and bleeding so... And you might think “Oh that’s funny, when he’s literally covered in bandages like his arm and chest.” Well, I’ll one up you by clarifying if you look up his jacket as he runs, you’ll see his model has bandages ALL the way down his torso!! But the thing is, this is covered by his jacket. We only see his hand bandaged and a little peek at his chest, but his face? Completely fine. The rest of his body? Perfectly covered not showing anything. If I could change his design just a bit, first off, I’m making his coat more tattered and broken. Yes he gets his coat replaced at times, but that doesn’t mean we need to always see it in pristine condition. He’s a fighter, making his coat have tears in it, leave the edges worn down, more fabric than just his red ribbons to be frayed at the ends. In those tears of his clothes, either show bandages (left up to you whether to be seen as fresh injuries covered waiting to heal or more wrapped remnants of Jingliu’s slashes) or scars on every single bit of skin that manages to peek out from that coat. And for some flavor, add some scars to his face however big or small. There’s no way I can believe Jingliu killed him hundreds of times and didn’t at least once go for a head shot. I bet that woman knows the extent of his healing like the back of her hand, I bet she could answer my question about how exactly Blade’s body would heal if his limbs were severed. If he has some part of himself not covered, it should have evidence that he was harmed there! Never let us forget that part of his lore! NEVER!!

(I promise I’m totally not insane about him, what ever could lead you to that conclusion?)

I want to say, I will eventually update this once we have more Sam lore, perhaps I’ll include Sam with the Penacony characters post to make it easier or I’ll just redo the Stellaron Hunters post and revise and revisit my ideas for these three! As it stands, I want to wait until we have more Sam lore and more things cleared up about them before I jump into talking about the armor design or things I know from leaks until it’s been confirmed or disproven so I can give better my thoughts about the design in relation to the character!! Please stay tuned, I can’t decide if I should go for Overworld Belobog first because I have more clear ideas (including a rant about one specific character) or if it’s best to go to Herta Space Station first in order to just go in order essentially. Who knows ! Well! I hole you enjoyed this, I adore the Stellaron Hunters and any time I am able to talk about them I am very happy :D