#this is one of those im writing it but im the only audience for it lmao

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[givemewallywestorgivemedeath]

Feeling very violent rn so here's a very controversial opinion:

Everything after season one of Young Justice sucked.

Look, I know I'm obsessed with the show but that doesn't mean it's good, it means that I'm too deep into it at this point to get out. There are good moments within the other seasons but in general? They were not good.

I'm sorry. I understand that they wanted to be creative and have a neat narrative and deep lore and all that. And they do! The narrative and lore is extremely deep.

But the plot? The characters??

Season one was an actual functional show that balanced character development, plot and dialogue with world building, lore and messaging.

The other seasons do not do that.

Season two bounced back and forth between like 16 characters. We got some development for some characters but even that was minimal compared to the character development in S1. And this isn't me complaining that the og group wasn't in S2 enough. That's not my issue. I would've loved to focus on a new group and I think that Jaime, Bart, Ed and Gar would've been super cool to focus on. I loved what character development they did have and I craved more.

But the problem? The problem is when you have 16 fucking characters that you are trying to develop and shove into a coherent plot and have actual meaningful scenes. There just wasn't enough focus on S2. Imo, S2 was meh because the characters got left by the wayside. The plot, dialogue, world building, lore and messaging was fine, there just seemed to be a lack of heart/warmth in the show because of the characters. It's hard to get invested.

Then holy shit. S3 introduced more characters. And the plot got more contrived and 'big picture' to the point that it started to abstract. It felt like nothing mattered. There were no stakes, you were just watching things happen. There was 50 fucking things happening an episode and 80% of it was lore/world building. It felt like I was studying for a fictional history exam.

I'm pretty sure the main character in S3 was earth 16. Just the entire universe. Because goddamn. We checked in on almost every living being and EVERYTHING was a plot point. Most of it wasn't even relevant to anything happening in the season. Man it was.... it was bad.

And at that point it just wasn't enjoyable at all to watch. I probably should've stopped watching but at that point the sunk cost fallacy had already kicked in. I knew it could be good. Maybe it could be good again. And people were constantly praising it as cinematic genius so I was like 'okay well maybe I'm missing the point? Maybe you aren't supposed to enjoy shows? Maybe this is fine?'

But season four broke me.

The creators heard that people were frustrated by the lack of character focus and the episodes following 72 characters and the episodes switching between 50 different subplots every episode and their solution? Their solution was to take allllllll the different unconnected plots and, instead of evenly spreading them throughout the season, jam them all into 'arcs'. So you had a bunch of mini seasons consisting of 3-5 episodes dedicated to a cast of ~5-8 characters (some of them new). And each of these episodes had unconnected a plots, b plots and c plots.

THAT IS NOT A SOLUTION

Holy shit that is not a solution.

Not to mention the overarching plot of the season, in which we had no fucking clue what was happening until the final episodes where everything became a speedrun to wrap everything up. We literally had no idea what the main plot was until it was ending.

Good god it was bad. It's bad writing!

I know people liked it and good for them. You should like what you like and you don't have to justify it. But for me it was insanity. I'm sorry I actually don't want a season long subplot where Beast Boy is depressed and sleeps all day. I would be cool with it if it had anything to do with the larger story but, surprisingly, spending five minutes watching Beast Boy sleep every episode didn't make for compelling storytelling.

I'm still not over how we didn't even know who the main villain was until the end of the season. And then all of a sudden he does a villain monologue to tell everyone his evil plan and his motives. Super cool actually. I love it when I have no idea what the stakes are for the majority of a show. It's incredibly good storytelling when you leave the audience in the dark about a major player in the plot for all of the plot. And then doing an info dump evil monologue in the final episodes to rush through the explanation??? Fucking fantastic and not a sign of terrible pacing at all.

I'm just so frustrated. The show isn't about being a show anymore. The show is an entire cinematic universe shoved into 20 something episodes. It's desperate to tell every single story at once, audience, pacing and good writing be damned.

I'm so tired of the constant praising of Greg. His whole 'i don't write endings because life doesn't have endings' and 'i don't write cliffhangers, I just leave things open ended' thing is pretentious bullshit. I'm tired of pretending it's not. A good story has an ending. Stories are not life! Some of the best shows I've ever watched had planned endings. And oh my god. The cliffhanger thing... that's just semantics my guy. Greg you write cliffhangers. You can insist they aren't but I'm going to call a spade a spade.

It's also.... I'm fine with explaining things, in fact I love it because it's an excuse to talk about the stuff I love, and I have a fairly decent knowledge of comic book lore. So, I could not only understand what was happening in the show but I was also super enthusiastic about explaining it to people. But hey Greg? Hey buddy? If 90% of your audience doesn't know what the fuck is going on and needs to be familiar with super specific obscure comic characters from the 70's then you might have a problem.

I think I realized halfway through s4 that the most enjoyment I got from an episode was when an obscure comic character would cameo in it. But then I realized that a) they generally weren't explained at all and b) 50% of the time they weren't just hanging out in the background and they were vital to the plot. So to understand who the fuck they were and what the fuck was happening you had to be familiar with... well all of DC comics actually.

Anyway this rant is getting long and unhinged and I don't think there's a point so I'm going to cut myself off even though I have so much more to say on the topic. I think my general point is just that I didn't enjoy watching the later seasons and it's chill if you did and we should all respect each other's opinions ✌️

[soldierandawar]

The daddy thing is really going to be a thing on here, isn't it?

[takami-takami]

I literally NEED to write Hawks comfort to channel my emotions like I HAVE to but I cannot. I can't, like. You know.

[flintbian]

I may get crucified for saying this but y'all I'm genuinely not sure what you were expecting. The show was bad from the beginning. All it had to offer was shallow diversity points. There was no compelling narrative to fulfill from the get go.

[felicitea-va]

i just realized i havent posted here in weeks oops

i have a youtube and a tiktok where i post mostly everything but i keep forgetting to post it to here too 😭 so if you like my stuff maybe you should follow me there instead of here

honestly i dont know if theres even like a community or interest for voice acting on tumblr or anything but im still here just less active here than other places!

[lots of rambling in the tags...]

[vanmarkham]

"So, last resort, I came here. You were gone but the door was open. I slipped in.” Faron shrugs. He turns back to face her and gestures with the book. “This was on your nightstand and the cover drew me in, I mean, look at it.” He shoves it towards her and sputters with laughter but stops when she noticeably doesn’t join in.

i love him

[malkaviian]

im home earlier than i thought

[smol-bean-of-the-smols]

sometimes i think about how whatever my brain does makes me unable/unwilling to return to old media that used to affect me because of the likelihood of it affecting me again

[narugen-moved]

feeling bad again 😧

[branmuffins22]

Privy

WRITERS

If you see this, spoil your WIP's biggest plot twist using ONLY ONE WORD

Here's mine!

Dying

[cascadianights]

I am so desperately Afraid all of the time that I erase most of what I have to say shortly after I say it, and, in doing so to run from the people who are Not taking meaning from my words, I've only now realized I take away that opportunity for all the people who Do

[1-victoria-1]

Alastor x Child!Doe! Reader

A/n: the reader in this one will be a female and will be around the age of 4-6. I will also try to write a fic for the male audience, enjoy!

If only your innocent little mind knew how shocked, confused and concerned Charlie, the princess of hell was when she saw you, a child who has freshly arrived to hell and came to her tugging her pants and asking in an innocent voice "miss, can you tell me where i am?".

And oh her grandfather how her heart hurt when you looked at her and those little doe ears on top of your head twitched slightly as you tilted your little head at her, of course she couldn't just leave you here! So she took you with her to her hotel and as she literally flew in through the door of the hotel while holding you like a treasure that she has been trying to find for so long and yelling with excitement, "this little cutie is staying with us from now on!" And held you up like simba for everyone to see you and you just innocently looked at them and still confused on where you were and where your mama was.

Charlie then sat you down on one of the red couches in the hotel lobby when Vaggie told her that she should calm down and let you down.

She of course forgot to ask you for your name so she thought it would be good to start off with an introduction! "Alright sweetie! Let me introduce myself and the others to you! Im charlie, this lady next to me is Vaggie, my girlfriend! Then over there is Angel dust and his our first resident at the hotel, then there's Husk, our wonderful bartender! Sir. Pentious our second resident! And nifty she keeps everything clean here and-!"

She was about to introduce the red deer demon when she noticed he wasn't present in the lobby which meant he either was in his radio tower or in cannibal town but she didn't need long when he popped up.

"Charlie dear, i heard that you're introducing us to a new resident at the hotel, who might it be dear?"

Alastor asked as he looked at Charlie with his usual toothy smile, and your first impression about him was that he was red, like a strawberry! And you loved strawberries!

"Alastor! Right on time, i was introducing us to-! Eh i forgot to ask her name, but anyways i was introducing us to our new resident at the hotel! Darling what might be your name?"

Charlie asked you as she kneeled down in front of you as you sat on the couch and started at the deer demon and then looked at Charlie again. "[Y/n]" you said that innocently and squeaked happily, you really were an innocent little fellow.

'a child..'was the first thing Alastor thought, a child in hell was rare, except for the hellborn children of course, a sinner child was rare and this one looked small and from her look she didn't know where she was or what was happening, and she looked like a doe, maybe it was the reason eht he felt such a pang in his sadistic heart when he saw you, you were a doe, a fawn, his deer parent instincts kicked in.

He walked up to you and looked down at you and you looked at him and he just chuckled through his static voice, "oh what a little darling you are, aren't you? Can you perhaps tell us what you remember as last before you came here?" He asked as he looked at you and you twitched with your doe ears slightly and though and then answered.

"well i remember that papa was mad about something and then told me to take some kind of pills which made me feel dizzy and funny!" I said that and looked at the red man in front of me, and that's when the spider spoke, angel dust was it.

"toots her father drugged her with overdoses, what a filthy man." The spider said that and that's when Charlie literally froze up and Alastor himself felt like slaughtering that pitiful excuse of a father with a slow and painful death and then broadcasting his screams in his radio broadcast, and Charlie's reaction wasn't good either, she was all about second chances and redemption but that filthy human being didnt deserves any of it.

Looks like that was the reason why you were in hell, your father killed you with drugs but heaven saw it as if you had taken them willingly, which actually made Alastor and Charlie more furious, you were a child, and a child had nothing to do in hell!

"don't worry sweetie! Big sister Charlie will take great care of you as well as everyone in this hotel! As we are one big family here!" She said that as she calmed down her anger and picked you up and you giggled, you had a big sister now!

_________________________________________

And from that day on you started to live in the hotel while also being taken care of, Angel of course had to put his sex jokes away whenever you were around otherwise he would get threatening looks from Vaggie and Alastor.

Surprisingly and what no one expected was that you warmed up to Alastor quite quickly, you literally were like glued to him, at first he didn't really approve of it but then he also warned up to you and now you were like a father daughter duo!

You would always accompany him where he went but only in the hotel as he didn't want his innocent little doe daughter to get bad influence from hell and also he didn't want you to get hurt.

He would let you in his radio tower and you would either sit in his lap and draw something with crayons on a paper or color something or sometimes just listen to what your now new papa was doing, well except for times when he did gruesome things, he will always either get you to take your nap time or just leave you with Husk where you would get your favorite juice and usually also draw something of just color things in your coloring book and the show it to alastor afterwards.

He of course has taken you to meet Rosie after all she was your auntie now and it wouldn't be polite not to have you meet her and oh my stars she was just beaming when alastor introduced you both, she was an auntie now to Alastor's (literal) spawn of a daughter, and now she got a little lady to give cute little dresses and skirts! She even got you a mini version of Alastor's outfit and even a self-made little cane! Oh how adorable you looked!

Vaggie was very skeptical of this (and she still is) because well Alastor is the radio demon after all and well she just doesn't trust him and how is she supposed to trust him with a kid!

But even if some (almost all of the hotel staff) were skeptical and also afraid that your innocence might change. Alastor was still a great father, he does your hair even if it comes out sloppy at times but he's proud of his doing and sure his mother would be as well, speaking of his mother, she would have loved you as all the food that Alastor cooks you are receipts of his mother! And lets not forget that he tells you stories of her and how great she was, after all he does want you to admire his mother like he does!

He totally cuddles with you, you can't change my mind.

You are now one of his weaknesses now for sure.

At the meeting with heaven, Charlie didn't only present as a possible sinner for redemption, Angel dust and Sir Pentious, she also showed you, but she also wanted that to be as a show of how unfair heaven is, sending a little child down to hell when they have done absolutely nothing wrong and were drugged to death by their father!

Emily of course being the sweetest being ever was shocked and of course started to doubt heaven only more, and when the talk of extermination came, she was furious, like furious furious, like who is in the right mind to kill souls and at that even innocent children! That's just absurd!

A sweet one was when adam revealed Vaggie's identity and Charlie came back to hell with Vaggie and she was sad, you, their little sunshine, was there to cheer Vaggie up, she was your big sister as well! And the. You went to Charlie with auntie Rosie, and then everything was alright again and you were a happy bubbly mess to your father who was scratching you begging your doe ears, you were just the sweetest.

________________________________________

A/n: that's it for now dear reader, i hope you enjoy this little fic! Should i perhaps make a part two of this? Or maybe a full mini series?Have a wonderful day and stay healthy!

[coriphallus]

DA: The Veilguard Spoiler review pt2 - The Grime

this is a hard one to tackle without strawmaning anyone because itll be a direct response to alot of defense ive seen for the games morality system so ill just start by saying, iykyk

never a genre has been better equipped to discuss ethics than the interactive medium of games and yes, bioware games have been doing it since baldurs gate and no, theyve not always been 'centrist' and 'conservative'. im not even gonna entertain that idea. do you remember the cultural landscape DA:O released to? the landscape it was developed in? dont give me that just because zevran doesnt write in his little notes -that you can conveniently read- 'gay good. not me but me bisexual'

Thedas is a flawed world and its a world thats just as desperate to hang on to its status quo as our own. every time you play an elf thats thriving, or a human thats queer, or a mage thats not institutionalised you exist in a world that doesnt want you, it is an act of defiance that you do.

im sure we can all see why these games were so popular with the audience they can only weakly try to pander to today.

derailing time again; so one of my favourite paintings of all time is saturn devouring his son. it makes me feel so uncomfortable that it gave me nightmares as a child, and i still cant look at it without feeling this knot in my throat. i hate it. i hate how it makes me feel, how that man looks at me in terror like its begging me for help while cannibalising another. weird story but i was bewitched by that painting as a little kid.

it is not a well drawn painting, the proportions are all over the place, brush strokes crude and inelegant. it doesnt even have a deeper story nor was it intended for an audience. i will never know what goya thought of when drawing it.

i thought alot about that painting later in my life when i was struggling with mental health problems, i thought about goya alot too as an adult and after learning about his life. i stared at his paintings and remembered when i told my dad that i hated [saturns] big eyes and hed jokingly said "it would be scarier if he didnt have eyes"

i know what the drawing looks like now, nearly everyone with a little access to the internet does. if somebody removed saturn from it, we'd still be left with a brutalised headless carcass of a man in a canvas too big for itself. if we removed that too all we'd be left with would be void.

i dont want to live in a world where all i know of goya is his rococo work, i dont want to stare at the painting of a void knowing what filled it before. i hated every second of germinale but i never wanted it to be anything other than itself, the story it tells could never hold credence otherwise.

DAV has done its best to paint over it, but its still on the old canvas and i cant look away from the negative space its left, i know whats under it and it unsettles me, infuriates me. it hands me a palette with baby blues and pinks and tells me to paint over it to make a prettier painting. didnt i hate the eyes? wasnt it gross before?

i am not going to write why we need some grime in art, but its absence is disheartening. and to those who say hanged people in the streets or blighted villagers is dark and mature ill say no. its a kids idea of maturity, its the aesthetic of it with no substance. it means nothing to me if rook can just drench themselves in gallons of blight as they crawl through it. the horror of blight has never been the black goo and slimy tentacles, or the monster woman with way too many tits. it is watching people you love slowly fade away, it is a woman who was forced to cannibalise the contaminated flesh of her friends because the woman she loved betrayed her, it was the sheer scale and inevitability of it.

one area we go to is overrun by it and the game begs me to feel hopeful that flowers are growing again when it never let me lose hope. people have already prevailed, they have roofs over their heads and a steady supply of food on their tables. their spirit is unwavering.

its bad, everybody says. the sky is grey and soil is blackened, as my rook turns some statues to access a haunted house whos inhabitants are long gone and the only story they could ever tell is gone with them.

if the question is do i want to see famine? plague? misery? abuse? assault? the answer is yes. yes. i want to see it all of the filth. i rather face the fucking monster head on with its big bulging eyes and misshapen limbs than stare at the abyss its absence leaves on the canvas.

and if nothing else, this bastardization is disrespectful to the people who gave the IP its fame.

Why choose to be good?

back in the bsn days ive wondered why, even in a fictional universe where your choices have no real-life repercussions what-so-ever, players had more 'good' playthroughts than 'bad'?

what happens when you start killing NPCs, when youre needlessly mean to them? the game actively closes off its own content. you get less out of the game. just as, completely incidentally, you'd get less out of your life if you just started killing everyone around you. The world would be emptier, youd be alone.

in that quote i stole from good place chidi doesnt ask "why be good?" the wording is painfully deliberate. doing good is always a choice, and often not the easy one. what makes the act matter is that you chose to do it, even when given 6 other options not to. did i stop in the middle of an important quest to help a man retrieve an heirloom from a darkspawn infested hut? did i hear what that heirloom meant to him?

i cant stop thinking about that speech ever since playing this game after knowing its predecessors.

So, why do it then? Why choose to be good, every day, if there is no guaranteed reward we can count on, now or in the afterlife? I argue that we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.

i cant stop looking at this game that spits on its own legacy and think how could they have missed what fundamentally makes us human so bad, what makes us relate and empathise with eachother. what makes us pick the option to interact with an npc who openly hates what hawke is, and allow us to see the traumatised man underneath.

these characters of fiction are written by real people. i have absolutely nothing in common with a guy from canada yet for a brief moment in time i feel a sense of camaraderie as ive felt with goya that i couldnt articulate as a kid.

Nothing too terrible

DAV says it over and over again -as its wont to do with every piece of its flimsy morality- that people can change, people can be redeemed yet it shines as the game with most static characters in its franchise. it simply says things, and since it has nothing to show for it it makes sure to say it repeatedly, in case you missed it.

so when i first played DAO i was in high school, i started with a human noble because fresh out of dark side edgy kotor fame i wanted to be a posh brat. also because, ya kno, we were poor my entire life up until that point and i wanted to have power.

i committed to it, even as the game stripped cousland of everything he had, because i thought a man like him would. i picked the racist options, the sexist options, the options a man in couslands place would. halfway point of the game as i exhausted the initial dialogues something happened; this man who got paid to kill people, who showed no remorse nor care for his victims, begged my cousland to stil his blade.

and i did. i thought maybe he would be as confused as i was, maybe he had a moment of clarity but from thereon bit by bit he was less of an asshole. the characters grew around me, and my character grew around them. i chose to be good because -textually- we were in this together, at the end of all things.

rook is not a character, theyre a mascot. and quite frankly i think they may be a very evangelical mascot because they remind me of evangelical preachings of jesus more than the man from the bible (and i say this as someone whos only exposure to christianity has been through foreign media and the bible ive read that one time). they are the epitome of do no evil and their existence hinges on the frail concept of moral purity. theyre not a person trying to do good, who wants to be good, they are 'good'

-and lemme tell you its a wild choice to have someone like that locked in a prison of 'regret'-

rook can be mean to only one person in the game, and thats someone they dont even have a personal beef with for the most part. but even then they would be shouting at a wall because the game doesnt only undermine them with its narrative, but also every npc in the game suddenly gets possessed by the ghost of wattpad rejects past for a moment to tell them everyone can be redeemed. and i believe it because i played the other games, i believe it because i know zevran and sten and morrigan, isabela and thom and iron bull and dorian. i know it because i can see the vague shapes behind the new coat of paint but i am not rook.

so no, the game fails to get people-can-change points by its own merit, and it cannot gain points from its prequels because it destroyed them. none of those characters i watched grow exist in this universe. zevran cant exist with DAV crows, fenris` story cant exist in an imperium with invisible slaves only glimpsed through empty cages and broken chains left scattered on the ground. i dont know which morrigan this NPC is, is it the woman who grew to learn kindness, who begged to sleep with her friend just to save them despite knowing it would play into the plans of a destiny she so desperately tried to break free from? or is she the clever puppet her mother groomed her to be who wanted to harness the power of a god? i dont know her, i dont know this dorian or this isabela beyond their names ipso facto this is not a sequel.

bellara asks an assassin why he is trying to save the world and his answer is "ive done some things in the past im not too proud of. nothing too terrible, but some of it was bad." and i can hear the games desperation for me to not engage with its material in that 'nothing too terrible'

lucanis never killed anyone innocent, taash never harmed an animal they could shoo of or reason with, emmrich venerates the dead and is friends with every wisp he pulls to use in menial labour, davrin joined the wardens willingly because he wanted to do good...

rook tells harding that her anger is justified when shes not even allowed anger of her own.

nothing too terrible.

aside from creating boring and nonsensical and static characters it creates a dreadful echochamber that we're forced to sustain. No taash is not valid, their gender is but their behaviour is not and for the character to grow and mature it needs to be addressed. lucanis doesnt need to be pampered in shock blankets he needs to see how repressing his problems and jeopardising his health puts people around him in danger etc etc. they are adults and they need to learn more complex ways of healing. and if rooks flaw is that theyre an enabler, then that needs to be acknowledged by the narrative in some way too, and not mindlessly endorsed because they say some buzzwords.

none of these interpersonal relationships feels real because none of these people feel real beyond some draft of themes and tropes. some interactions literally remind me of two bots in facebook comments

i look at this dialogue wheel with familiar symbols and all im reminded of is hawke telling carver he carries every death with him, of him telling his uncle that he wasnt fast enough, of him begging the person he loves to tell him that his mothers death wasnt his fault.

and they dont. they just sit there with him.

[ddaisyvision]

𝐆𝐈𝐌𝐌𝐄 𝐌𝐎𝐑𝐄! | 𝐃𝐄𝐍𝐉𝐈

𝐚/𝐧: im back bitches and it feels great! writing this was real fun. i was smokin a lil weed, listening to music and then gimme more by britney spears came on and thus this was born. it was supposed to be a mini fic but.. i got a lil carried away lmao. enjoy my babies! 💋

𝐜𝐰: pervy!denji, sleazy!denji, stripper!reader (your stripper name is diamond btw), fem!bodied, heavy petting, sloppy kissing, alcohol use, raw penetrative sex, breeding(?)| 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1.2k | 𝐦𝐚𝐬��𝐞𝐫𝐥𝐢𝐬𝐭 (𝐜𝐨𝐦𝐢𝐧𝐠 𝐬𝐨𝐨𝐧)

Even in his twenties, Denji was still a perverted loser. He may have been a great devil hunter; but his lust for women kept him anchored on distraction. Tits. Pussy. Asses. The fat of their thighs spreading when they sit. The way they smell; so sweet like flowers or a piece of decadent dessert. The allure of femininity alone scratched an itch within him. 

So is it any surprise that Denji’d be spending his nights at the local strip club? Every Friday; his only day off a week, he’d be sat with his ones in tow sitting in the front row of the stage every bit of gitty. He was like a teenage boy, already undressing the half dressed dancers that walked around the dimly lit club with his hungry eyes. 

“Alright gentlemen! This girl’s a newcomer to our club tonight, so open your wallets and please give a warm welcome to the gorgeous Diamond!”

Denji’s eyes nearly popped out of his head when he saw you, walking achingly slow towards the middle of the big pink stage. You were dressed in all baby blue; soft white accents of your outfit making you look every bit of angelic. Your breasts were adorned in a sparkly bikini-like top, the twinkle of every rhinestone calling attention to the audience like a flare in the sky. His eyes were then fixated onto your navel where a heart shaped charm hung ever so dainty. His gaze traveled down to your soft legs as they wrapped around the pole, a vision of those same legs wrapped around his waist as he took you quickly coming to mind. 

Denji’s now fighting the agitating urge to palm himself through his jeans, his cock now painfully hard as he watched you grind and shake your plump ass on the pole. Your body seemed to float when you danced, a mix of seduction and grace that was quite impressive for an amateur. Your routine landed you on the floor of the stage, crawling towards the man that looked to be her biggest fan already.

Denji swallowed his nerves and braced himself as you got closer, eyes immediately falling to your cleavage. As you sensually touch your body in front of him, grinding and arching your back for his viewing pleasure, Denji’s hands start to stuff money right in between your breasts. You can’t help but giggle at his eagerness to show his appreciation for you, so you turn around and wiggle your ass in his face, Denji’s cheeks now bloodshot red. His lust was so obvious, hands touching every bit of skin he could before your routine was over.

You liked him. You didn’t know why but you did. He tipped you so nicely and his hands felt so good on your skin it almost lit you ablaze. You both seem to get lost in the moment as you let him explore your curves, softly gasping when his slender fingers ghost past your pussy. It was a cheeky move that caught you by surprise, touching this salacious normally granted in a gentle ass-whooping by security. Luckily no one saw.

Long after your dance, you and Denji continued the party in one of the luxe VIP rooms in the back. One glass of champagne led to another and suddenly you were both all over each other. Denji may have had to dip into his savings a bit to afford you but god were you worth every cent. You were sat in his lap tasting him, your tongues swirling together to take each other in. His teeth gently tug at your bottom lip as he reluctantly pulls back, his hands speaking more than he might have been. He starts to knead at your breasts, tugging the fabric of your top aside to reveal your soft mounds. Denji moans as if he’d just slipped inside you at the sight of your puffy nipples, taking his time licking and sucking and tugging at each one with sloppy noises following every motion. Heat started to rise from between your legs, essence oozing from your pussy as your mouth hangs agape. You really want to keep quiet. Sex wasn’t allowed in the VIP rooms but so long as the customers paid, no one seemed to mind. 

“We can’t, baby, not in here.” You purr directly into his ear. Each hair at the back of Denji’s neck stands, your sweet voice causing his already aching cock to twitch and leak furiously. The thought of not getting what he paid for struck a chord in Denji. 

“C’mon. Might as well gimme somethin’.” Denji pulls this line out of his back pocket, trying not to sound desperate but the teasing is killing him at this point. All he can think of is burying his cock deep inside your gorgeous pussy and fucking you until you both see stars. You take one look into his puppy dog eyes and swoon, taking a hand to dotingly stroke his angry cock through his pants. You erupt into a fit of giggles as you watch him flinch and buck his hips up to meet your hands for more friction. 

“Fine. You’re lucky you’re cute...�� 

Any more foreplay would have the both of you erupting with just one touch, lips crashing into each other for one sloppy mess of a drunken kiss. Both your hands get tangled together as you try to take off Denji’s jeans, the sound of his belt buckle hitting the hardwood floor with a clank. The sexual tension between the two of you was suffocating as if you couldn’t get to each other fast enough. Finally Denji’s cock sprung free from the confines of his clothes. It was surprisingly big. Not too lengthy with the right amount of girth. His poor cock had been leaking so much the front of Denji’s boxers were soaking wet. Had he already cum?

Your sultry eyes drink him in, sliding your panties out of the way as your feet plant down on either side of his legs on the long lounge chair. Your sopping cunt is now hovering over his lonely tip, your pretty hand wrapped around his length to keep him still. As you slowly sink down you can feel the slickness of your pussy coating him, the two of you moaning in sync at the sensation. The delicious pressure caused you to bite your lip to keep the noise at a minimum, sitting all the way down as Denji’s face lay snugly between your cleavage. He’s already losing his mind, his fingers digging indents into the skin of your hips to lift you up and down on his cock, you following his rhythm by bouncing up and down. Fuck he filled you so nicely, causing your legs to shake with every bounce of your hips. Hell, you could barely keep yourself up, Denji’s learned a thing or two from all those pornos he spends his spare time reading, licking the tip of his thumb to flick at your swollen bud. You can feel yourself clench around him as he touches you there, your moans becoming more and more difficult to keep them down. 

“Haah, fuck, haaaah.” Denji moans, almost louder than you. 

His voice was shaky, breath uneven. You can hear bits and pieces of how good your pussy feels, how badly he wants to cum inside you; but it’s hard to make out. You can tell he’s close; you were too. You stop your hips and let his lust drive his movement, his hips thrusting upwards without you having to direct him. Your hands find themselves in Denji’s hair, holding him closely as you come undone for him, your eyes rolling to the back of your head as your entire body sits limp in Denji’s grasp. It doesn’t take much longer for Denji to follow suit, his cock finally finding the release it had been craving since the moment he saw you. He fucks his seed into you without a thought behind his eyes besides cumming. Fits of ‘oh fuck’s and ‘shit’ flood from his lips as his head hangs back in the seat, facing the ceiling. His hot sticky cum flooded your walls, some even leaking and dripping all over the chair beneath you two as you watched him get off with satisfied eyes. 

“You’re cute when you cum.” You say to him, trying to catch your breath as you fit a small giggle in between. Denji smiles, his head finally rising again to look you in your eyes.

“See you next Friday?” He asks with a gleam of mischief in his eyes. You can’t help but laugh.

“For sure.”

[ceilidho]

This is in no way of hating but i want to know why do you enjoy writing noncon/rape? When I first downloaded tumblr which was couple of months ago i was surprised by the amount of noncon fics here. I eventually came to enjoy them which makes me question myself. Whenever i read a noncon fic and enjoy it i feel like im betraying women who actually went through those traumatic events. Plus I actually don't really like dark romance books? I love cod dead dove and that is mainly because i really love the characters and the authors are so talented. I rambled so much and i hope you don't get this in the wrong way i don't mean to hate AT ALL i love the stuff you write. Maybe i shouldn't think too much and let myself enjoy what im reading lol

first of all, no worries! i wasn't sure about your tone/intentions at first, but by the end i was totally fine with the question.

i actually don't mind talking about this stuff - i just sometimes avoid it on main because i prefer chatting about it privately.

second, i'm no psychologist or sociologist, so i probably won't be able to give you the most satisfactory answer, but i think there are a lot of different reasons. i can only name a few. one thing i should mention right off the bat is that rape fantasies are very normal (and this is true whether you're a survivor of SA or not) and writing/reading fiction can be a safe way to process those thoughts/feelings.

one of prevailing reasons is, of course, that many survivors of SA use noncon/dubcon literature/art as a way of processing their experiences and taking ownership of their trauma.

and look, people are going to go back and forth on this point (i've seen it all before - many people refuse to believe that engaging with noncon lit/art is helpful, and in fairness, it's NOT helpful for everyone because every person is different), but at the end of the day, if a survivor tells you "writing/reading this was helpful in my recovery" then that's that!

additionally, for many women and non-binary folk (i can only speak as a cis woman, but i'm sure this is a shared lived experience across many different people), we're also taught from a very young age to suppress our sexual desires / that being open about our sexuality is morally reprehensible and shameful. and a lot of people carry that shame for years, impacting them well into adulthood. so dubcon/noncon fantasies can be a way of being able to enjoy sexual scenarios where you don't have to be the initiator, thus taking away some of the emotional weight and shame.

plus, at the end of the day (and im sure many people will disagree with this take, it's something that i'm still figuring out myself), there is a kind of weird underlying consent implicit in dark fics. like, you might be reading a fic or novel that's ostensibly noncon, but you're also actively seeking out that literature (hopefully it's not just sprung on you - i do very much agree with tagging to the fullest extent and my lukewarm take is that I think all books, even traditionally published ones, should come with content/trigger warnings too).

there are a medley of reasons why someone might write or read dark fiction/dark romance. again, i'm just one person and i can only speak from my own experience!

i think at the end of the day, the important thing to realize is that fiction is fake, and as long as the writer appropriately tags their work and ensures that the audience is aware of what they're getting into when they start reading, they're not coercing the reader into something they aren't prepared for.

and it's totally fine if you have limits (like, you can read and enjoy dubcon, but not noncon) or can't engage with the material at all, but it's also unfair to say that it reflects someone's real life values - the same way that we don't say that the people who enjoy crime fiction must love murder.

and the last thing i want to say because this got a bit out of hand lol, is that, yes, for some people dark fiction is genuinely harmful, whether or not they're a survivor. it's not for everyone and that's completely fine and i'm aware of that, which is why i agree that you should tag as much as possible (even if you feel like you're overdoing it sometimes), but someone else's discomfort doesn't give them the right to tell you how to process your own emotions/experiences/desires/etc.

as long as no one's getting hurt, there's no issue as far as i'm concerned. and sorry but, no one's getting hurt by reading a fic or a novel unless the author didn't give proper content warnings - if you "forgot" to read the tags or read anyway DESPITE being warned, im sorry but that's life.