#this is one of the purest things ive ever drawn
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infizero · 11 months ago
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also having now actually seen the whole thing adventure time has skyrocketed into one of my favorite shows ever. like for real i liked it as a kid and have always had a fondness for it ever since but rewatching it now has made me realize Just how fucking good it is and how unlike anything else it is. its so good and appeals to ME specifically in so many ways please for the love of god if you haven't watched adventure time WATCH IT. WATCH IT RIGHT NOW
#ALSO. i think i may have mentioned this before but i really do think AT has one of the best senses of worldbuilding and continuity#i've seen in a cartoon. other than like steven universe maybe (gee i wonder how that happened)#but seriously like the fact that its able to be so goofy and weird a lot of the time while still constantly keeping in mind all these thing#and having them inform the story and world in realistic ways is so good it has really blown my mind#nothing is ever retconned nothing is ever forgotten about. even the seemingly most meaningless things will still be remembered#and referenced by the characters because thats how people are!! they dont just have stuff happen to and around them and then never#bring it up again!! but they also dont constantly go ''remember when we did xyz?'' stuff just comes up naturally if it makes sense#for it to do so. and i think thats so fucking incredible and admirable#AT's flavor of weirdness and comedy and raw emotion is something so wonderful and perfectly aligned with how i like my stories#and it really does have a vibe that is unlike anything else. i am going to cry thinking about it#like the closest thing i can think of. and lord forgive me but im being genuine in terms of vibes closest thing i can think of that#i've experienced at least is dsmp. in the way that there are things that are so fucking dumb and strange and things that are so gut#wrenchingly emotional and beautiful and simple and often those things are intertwined. its stupid and weird and funny and sad#its silly its dark its fun its tragic#something about both of them just feels like a representation of the human spirit in its purest form to me. they impact me the most#because they represent all sides and experiences of existing#idk. but ive always felt like this even before i got into AT again. i said a while ago if dsmp was made into a show it would HAVE to#be an adventure time style cartoon. and every time i see fanart drawn in the AT style or whatever it makes me so happy even now#ANYWAYS. sorry to derail but i really have missed the vibes of the dsmp and in a weird way AT felt a lot similar and i really love that#FUCKKKK not me getting emotional over the indominable human spirit. im gonna go saw my legs off BYE I LOVE ADVENTURE TIME#serena.txt
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yellowocaballero · 2 years ago
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SHAZAM SHAZAM SHAZAM pls tell us about billy batson. ive only ever seen the movies o great comic knower
Very very very VERY far from comic expert (that's brawltogethernow) but I have read a lot of Shazam. His history is actually really, really fascinating and involves more than one lawsuit that really defined very early comics. I'll focus on one thing, though.
There are two Captain Marvels: One from the 1940s to around 2013, and one from 2013 til now. The Captain Marvel you're familiar with (who is named Shazam) is from 2013. He's a more realistic, grounded character. He was created to be pretty much the polar opposite of his original version. The best summary is to say that the Wizard chose Billy Batman 1940 because he had the purest heart, and the Wizard chose Billy Batson ~2013 because he was there. My personal 'best' Shazam story is the "Shazam: The Monster Society of Evil" graphic novel by the guy who made Bone. It's good because it's for elementary schoolers yet acknowledges this small child as homeless. Which, don't get me wrong, you shouldn't always do. My personal favorite is the 1970s ones.
As some background: Otto Binder was the creator/main writer of the very early Captain Marvel comics. He was by far and away the best writer of the early Superman Silver Age comics, because all of his comics were batshit insane. Shazam has a complicated and legal history with Superman, so the 1970 run was a super fun high camp tongue in cheek reinvention of the best Silver Age stories.
So the 1970 Captain Marvel comics are insane.
I can't even summarize them without sounding crazy. Basically the conceit is that Captain Marvel, Captain Marvel Jr, and Mary Marvel (Billy, Freddy, and Mary) are having 1940s Golden Age Adventures when they get somehow in suspended animation and are basically time travelled to the 1970s. This don't bother them too much. Why would it bother them. Nothing bothers these people. Nothing. I don't think anybody experiences a negative emotion in these comics. Not bc they were twee. Bc they were insane.
Many of the comics basically had three shorter comics inside it: one Billy story, one Mary story, one Freddy story. Interestingly, they all had different art styles, artists, types of story, genre, etc. Billy's stories had a cartoony art style with very over-the-top and silly plotlines that involved supervillain bad dudes. Freddy's art was slightly more realistic and was slighty more grounded, but still had some classic Marvel indescribable scifi that can best be summarized as that one meme panel people have seen where Sivana recites a science equation that lets him walk through walls. Mary's stories were much more realistically drawn and featured the most banal shit, like her starting a club with her friends. Somehow Mary Marvel gets involved in those.
Sometimes they worked together and did superhero things and fought bad guys. The average fight looked like this:
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Billy was a twelve year old who lived by himself, in his own apartment, had his own radio show, a full-ass job, a whole thing as Captain Marvel. He paid fucking taxes. Everybody knew this and nobody cared. He's the most affable, good natured kid on the face of the planet. Nothing bothers him. Nothing. Nothing bothers any of these people. Sivana shows up and he's BIG MAD so he's creating another death ray and Captain Marvel shows up like "Oh you rascal! Time to punch this and go back to helping my friend eat his infinite Jello."
He has a friend named Talky Tawny, who is a talking tiger wearing a suit. He also has a friend named Sunny Smiles, a person of indeterminate gender who everybody falls in love with, for unexplained and unknown reasons. Not to be confused with Freddy's friend Gregory Gosharootie, the "World's Dullest Mortal", who is so boring that nobody notices him and he keeps accidentally comitting crime. There is also an old guy named Uncle Marvel who pretends he has superpowers, which they all find funny so they just roll with it. Freddy is a disabled orphan who has to sell papers on the street corner to make a living. Mary lives in a middle class suburban home with loving foster parents. It never once seems to occur to Mary's parents to adopt Billy, for Freddy to live with Billy. Everybody is happiest this way.
I do think this is partly why a good Shazam comic has to be aimed at the 6-12yo demographics. They have to be for small children, because Billy is living a complete and utter power fantasy that only a ten year old would think is a good idea. He's a kid, and he doesn't have drag parents or a lame family, but he can turn into Superman, and he can also do magic, and everybody loves him and thinks he's the nicest person, and his supervillains are Dr. Doofenschmirtz and a worm, and his supporting cast is like okay my sister if she HAS to be involved, but also my best friend who is a paperboy! but cool because he's disabled, and….
Look, you could engage with that seriously. You could go "holy shit this is a homeless child". That's fine. That's what they do these days, and that's what they did in the movies. Nothing wrong with that. Take the story more seriously.
But also they don't give a worm the electric chair in those stories, so.
To actually give some commentary on these comics: these comics really love people. I've never seen comics that were so entrenched in their community. The kids just know everybody they meet on the street. Freddy delivers paper up and down every block, so an average story for him is just talking to a butcher or baker or old man or grumpy housewife and helping them out with some batshit problem. Mary's a sweet girl who's always starting clubs with her friends and taking on neighborhood projects. Many Billy stories involve one of his many friends falling into some trouble and Captain Marvel helping them out - or just exploring some fun with Billy hanging out with Sunny Smiles, who is a person of indeterminate gender who for some reason has magic love brainwashing powers -
This isn't the biggest #Shazam take, but I think a good Shazam story stays grounded in that. These are poor street kids who love Fawcett City so damn much. They love fighting their supervillains, but they love helping out the random guy off the street with their problems even more. Way more so than Spider-Man or a lot of other guys, I think of the Marvel family as the friendly neighborhood superheroes. They're both larger than life and street level. They're Superman level powers but they just use the powers for wrapping up their hijinks. Isn't that nice? Aren't you tired of going apeshit? Don't you just want to be nice?
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moss-selfship · 1 year ago
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GUSH ABOUT IZUTSUMI DO IT NOW THIS IS A THREAT
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You dont need to tell threaten me with a good time. Look, i get that i talk and reblog izutsumi here alot, like its my thing, thats my wife etc etc. but just...i dont really have proper words to describe just how much she means to me. Ive tried to find them, Looked for them in the various love story quote twitters i follow, try to pull them from the creative aspects of my mind with poetry, even try and maybe spy something from other peoples posts. But i cant find anything, i cant find genuine words that can describe how much she means to me and how much i love her. I can do my best with poetry and art, thats when it feels the closest. I understand why the poets of old would write sonnets and poems and plays for the people they love, why artists would do massive murals and carve brilliant statues of the people they love. and sorry for the incoming tangent. Because art? art is perhaps the closest man will ever come to speaking the language of the gods. Because creation is what the divine do, it is there specialty. To create is to speak the language of the divine in the best way our feeble human souls can manage, and so to create for the sake of love? Why that is man trying to speak in the language of gods, for i believe that in this language one can find the words to describe true love. Im not a religious man, far from it in fact. And my words ascribe to no particular religion, and just like my words are not bound to any specific religion, neither is creating. Humans have always created, every culture, every religion, every race, every instance of humanity has created. Because the act of creation is a universal human experience, it is something imbued into every single person. From the youngest child to the oldest soul, we are all drawn to creating things. Art, music, stories, it is part of humanity to create. For humanity, whether it realizes it or not, is always chasing a taste of divinity. And so i try again and again, using my art and my words to try and speak that tongue of the divines. Hoping to unravel its ancient and cosmic secrets, so that i may finally speak the words i have long sought and truly and genuinely express my purest adoration and love for izutsumi.
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livisart · 8 years ago
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@casfree 👌👌👌👌
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suitboxers · 7 years ago
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WIP of my piece for the @standbymezine~
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allyvampirelass29 · 4 years ago
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When Good Fathers Take BAD Roads
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When Good Fathers Take BAD Roads A NOS4A2 Review By: Allyssa J. Watkins
The Wraith screams, racing breakneck with demon speed A wicked black flash, gone and there like smoke Ferrying passengers three, wearing the faces of ghosts What shadows chase you, Charlie, accompanied by those you love the most? Are you going to kill your darlings On this, the Road of No Return? Tires squeal and rubber burns A pathway forms more nightmare than real A knife ripping through reality, tearing at the tragic seam The road to Christmasland is paved in screams Your daughter transformed, while you ignore your wife's haunting cry Hold on, Good Father, for the ride of your life.
HOLY SMASH, and MERRY FREAKING CHRISTMAS!!!!! "Good Father," was the ride, the MIND TRIP of my LIFE, as chilling, as it was thrilling, screaming unyielding into the drastic extreme, blinding light, and drowning darkness, happy and horrible, beautiful, and brutal, and it was a ride I only just barely survived. This is me, breathing heavy, adrenaline pumping, my legs giving out, kissing the ground, and yet, I have never felt this conflicted, torn up inside, about anything I've ever seen, drawn transfixed to the effervescence, the beckoning dream, and yet eviscerated by the looming, blood-dripping grin of the abject HORROR. What the HELL just happened!?
Okay, breathe, Ally...... So much to say, and yet my mind is a trembling mess of disparity, driven in the Wraith to the edge of madness itself!!! First off, can we just marvel at the enigmatic force, the sheer brilliance, and other worldly acting prowess that is possessed by our Mister Zachary Quinto!?!? I am CONVINCED he is an actual Strong Creative, and has graciously drawn us all in, in order to witness him build his inscape, and speak actual MAGIC!!! Besides being a catastrophic kind of handsome, the dark allure that you long to destroy you, striking your eyes, and stealing your heart, making you his happy, breathless victim, Zachary shifts effortlessly between dream and nightmare, being beautiful and terrifying, waltzing between both, with a passion that will leave you shell-shocked.
This episode is so hard to analyze, because it possesses both the brightest, happiest, most achingly euphoric scenes of the series, while also the creeping, darkest hours I have ever known. It begins like a splashy, champagne, Downton Daydream, Our Beloved Charles, delighting and igniting our passions, with his adorable antics, donning a pair of matchstick fangs, and we all heave a lovesick sigh, longing so to be the girl in his arms, that he's playfully pretending to bite. You will ALWAYS be My Nosferatu....... I whispered it along with her, watching the joy pierce through the calm dark of those perfect eyes, and all I want is to be her, his wife, Mrs. Manx. I was so excited, so impressed by this coy wink to NOS4A2's own parent material, the original 1922 silent film, “Nosferatu,” upon which our mad fever fantasy is based, that I broke into the biggest grin, shaking my head at the pure genius of it. Charles' distaste for the picture, and scoffing opinion, mocking it, calling it ridiculous, was a pure, tongue in cheek, joy, and I'm still trembling from when he said, "Love Bite." Ooooh, and the scene in the bedroom was so intimate and beautiful, as Charlie and Cassie share their dreams for the future, along with a dance and a passionate kiss, as some wonderous news is revealed. The family Manx is to become three, with a little sugar plum named Millie!!!
I wept when Charles held his daughter for the first time, as I realized THIS is where his obsession with Christmas began, as he received the greatest gift of them all. Every time he "saves," a new child, he gets to feel it all over again, in the glow of the coloured lights, and the tinkling bells of the music, what it's like to be a father, and to be loved, unconditionally by a child. He gazes at her with the purest, most profound love, even while his Father in Law, treats him perfectly horrid, openly degrades him, and yes, in one heart-stopping moment calls him a vampire!!! I was SPEECHLESS!!! His bond with his daughter is so powerful, and endearing, I sobbed, the most joyous tears ever I have shed, watching him tuck his beautiful little girl into bed, and soothe her fears in the flash of a lightning strike, both of them carefully constructing Christmasland in their minds, never knowing they would find it beyond the realm of lost dreams. I felt so happy I thought I could die, so moved by this tender scene, so oblivious as to what lay in wait......... as we twisted slowly around the corner.........
It was jarring enough, flashing between these idyllic Currier and Ives scenes, all luminous oil paintings come to life, to Charlie's decaying, autopsied, Frankenstein creature, shuffling, groaning, bleeding, through the living world. And yet, that was rather interesting, the ghastly contrast between Charlie's wonderful life, and the re-animated husk of his gruesome death. I especially loved his joyride in the stolen zebra print car!!! That was hilarious!!! However, the turn that I knew was coming, that I dreaded, was far more stomach-churning, and desperately frustrating than I could have ever prepared myself for.
Again, Zachary's acting was mesmerizing, every expression, every wild look in his eye, was so beautifully, and breathlessly performed, but for me, it was the writing itself, that went screaming off the rails. Charlie goes from the perfect husband, the most charming, and doting father, to difficult, suspicious, and accusing, for seemingly no reason at all. The way he spoke about his first wife in Parnassus, I expected to see her become the begrudging, bitter ball and chain he made her out clearly to be. But Cassie's sins are few and far between, and her punishments, and especially her disturbingly MORBID end, are unjustified. She tries to be practical by asking Charlie very politely if she should get a job, to which Charlie responds with unprovoked venom, with the same malice as if she'd revealed she'd been unfaithful. Thus begins, this odd new trend of Charlie continuously overreacting, entirely out of character, and blaming Cassie for everything going so wrong, actively wanting to hurt her, even selling off her mother's priceless heirlooms. My head hurt, my heart broke, and my GOD something was rotten in Christmasland!!! I realized then, that this whole episode has the faintest cyanide taste of audience manipulation.
"Good Father," seems to serve the single and sole purpose of turning the audience against Charlie Manx, and I could feel the force of the plot, trying to shift my mind in that unnatural direction. I could see the clever scheme at work, the writing on the wall, as they must have thought....... They love him too much........ Let's give Charlie his BITE back. Let's take this beautifully unique, nuanced, wounded, enigmatic, anti-hero, and make them love him even more, show him in all the tenderness, and affection they have so long craved, let them fall in love with him all over again, and then........ let's make them hate him, see that he is beyond saving, the incarnation of the purest evil. Let's ruin him, and that's how we'll ruin them. WHY!? This is the question that has kept me up in relentless frustration all week. WHY spend all this time, crafting this fascinating, deliciously intricate character, learning the pains and joys and hopes of his life, just to laugh it off, and say, oh no, Charlie Manx is a monster, and you're wrong for liking him!? To them I say, "If loving Charlie Manx is wrong....... I don't wanna be right." Because in spite of the blood curdling atrocities, and my tearful horror in the face of such plot, I can't not LOVE Charlie Manx.
What I have always loved about NOS4A2, is the way it flirts with the elements of horror, skirting teasingly around the sharp edge without fully going there. The final scene however screams full speed ahead into that sickening foray, and I was left trembling, terrified, sobbing stricken with just that. HORROR.
"Charlie, STOP, you're going to kill us all!!!"
"On that, My Dear, we are agreed."
While I was confused as to whether it was his intent to kill them all, drunkenly crashing his Wraith, or if he knew what terror would transpire on the way to Christmasland, this was a ride none of them were coming back from. Its gut-wrenching, frightening images, are matched only by its lack of even a semblance of sense. Charlie watches, excitedly, as his darling daughter's teeth fall out in a bloody display, absorbing her youth, her lifeforce, transforming her into a soulless vampire, and he doesn't so much as bat one of his gorgeous eyelashes, as his child kills and feasts on her mother's flesh. Yeah, I know........ MORBID. I was also bewildered as to how the car turned Charlie into a vampire of youth, and Millie into one of blood. Also, call me crazy, but....... Does not one first have to die to become a vampire?
But even more a glaring folly, no way in HELL would Charlie EVER kill his family, his sweet baby, no matter how bad things were with Cassie. Wouldn't it make SO much more sense for him to steal her back, and thus wouldn’t he come to see kidnapping synonymous with “saving,” a child, if Millie was the first one? Instead of having him try to kill them all, if that even was his dark intent, I would have had Cassie and Charlie fighting in the car, and Charlie, distracted by the quarrel, swerve, losing control, accidently crashing the Wraith. Cassie would be too far gone, but through his connection to the car, his Wraith would fight to save him, even if it meant borrowing a little siphon of his own daughter's youth.
Yeah, hey, let's talk for a quick sec about The Wraith. We know Charlie's life is connected to this mysterious car, but what we didn't know was how he acquired it........ until now. I don't know about you guys, but having Charlie simply purchase it, felt cheap to me, like it took away the magic of the fated knife, that he was always supposed to have. Bought. Sold. Done. NO. I didn't like it, and it never proved evident of the bond between Charlie and his Wraith. I would have had him find it, since he couldn't afford a new car on his own, a carcass, old, disused, rusted, and lovingly restore it, nurse it back to health, to life, until it shined. Charlie has a relationship with this car, a supernatural tie, and to me that would have been so much better, so much more meaningful than him pawning his wife's valuables to buy it. Meaning anybody could have done the same. One thing I LOVED about that scene, however, was seeing our dear Charles in his resplendent royal blue and blood red Chauffer's garb for the first time ever!!!! What a sneaking joy!!!
That's the thing about this episode, it's a dangerously mixed cocktail of anti-depressants and alcohol. There's so much to love, so much to hate, and so much to work over and over, trying to figure, until the point of insanity!!! I LOVED everything between our Miniature McQueen and young, hot, plaid clad Charlie, (HELLO SYLAR, am I right!?) and my heart STOPPED when I saw him over Wayne's shoulder, my pulse on pause, as they talked, and Charlie tutted disapproving, at the boy having never had a Christmas, not knowing who he was, who his mother was......... The suspense, the tension, was riveting.
I don't know how I feel about this impressive effort, trying to get me to despise Bing less, by having him say propaganda like, "I thought I was so big, because I had too much sad in me." That broke my heart, and it was infuriating, because I didn't want to feel any sympathy for him. No NOS4A2, you cannot try to turn me against My Magnificent Mister Manx, and in the same space, try to get me to like Bing CREEPER Partridge!!!! The scene in the graveyard was exceptionally well done, and I'm still shivering from the hushed thrill in Charlie's voice as he whispers. "He needs saving, Bing Partridge, don’t you agree?"
"Good Father," was an even more thrilling prospect as a title to me than, "Bad Mother," because I always knew it was true. Although, in retrospect, one is more inspired brilliance than the other. Can you still be a good father, and watch proudly as your young daughter becomes a monster, devouring her mother? Can you still be a good father, and leave your daughter, after she thought you were dead for eight years? Charlie is a good father, that went down a BAD road, and has forgotten the way back, although he still dons every surface appearance, as such. I did like when he made Millie apologize to his new charge, and curtsy with a begrudging welcome, spoken through her gritted teeth. That was adorably paternal, and one hundred percent Charlie!!!! However, as a whole, this episode persists as the mystery I can't solve, making me feel every emotion possible on the human spectrum, drinking in the dream, blissfully intoxicated, and sobbing uncontrollably, terrified out of my mind, the next.
Charlie may not be, "The Good Father," he once was, but a glimmer of it shines like a forgotten ember in his obsidian eyes, and despite the glaring conclusion this episode emphatically urges you to make, I still hold that there is good in Charlie, and that he can be saved. I also think it speaks revelations toward labels. Vic is no more a scarlet letter branded Bad Mother, than Charlie is a Good Father. There is good and bad, hero and villain, in all of us. It just depends what roads we're willing to take.
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sanguineascent-blog · 5 years ago
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JOJ issue 30
The Institute of War itself has fallen under suspicion after Prince Jarvan IV and Katarina Du Couteau came forward yesterday with evidence implicating the Institute in conspiracy. Jarvan and Katarina reportedly followed an evidence trail left by General Du Couteau to conclude that the Institute may have been directly involved in sparking the war between Noxus and Demaciain Kalamanda.
Jarvan IV, who had not been seen outside the castle since his return to Demacia, emerged yesterday to deliver an address to Demacian citizens and representatives from the Institute of War. Onlookers were shocked, however, when Katarina Du Couteau emerged at the prince's side. "We feared that the famed assassin had targeted Prince Jarvan," stated Myras Thell, a soldier of the Dauntless Vanguard, "We attacked, but Commander Garen put himself in the path of our blades to defend her!"
The prince reported how he and Katarina recovered a coded rubric in the Ivory Ward from agents of Noxus suspected in the murder of General Du Couteau. Katarina, with the aid of a letter her father had left before his disappearance, was able to decode the rubric. Its message directed them to a hidden room beneath Demacia's prison, a place once used for secret meetings between Noxian infiltrators during the old wars.
Within the meeting room, Jarvan and Katarina discovered a series of documents hidden by General Du Couteau himself.
The General had been monitoring a series of transactions related to the DSS Excursion, the Demacian ship supposedly sunk by Noxus last year. "My father believed that Noxus was being set up for political disaster, so he took it upon himself to discover the truth behind the attack on Demacia. The transactions and orders were placed by a list of names that, according to my father's notes, lead nowhere. These people simply do not exist," stated Katarina. "But he had tied their point of origin to the Institute of War."
Jarvan and Katarina's further investigation had revealed that these names, suspected to be aliases one or more operatives in the Institute, were used again in orders for arcano-seismic charges from Alowicious Chucat shortly before the collapse of the Demacian mine in Kalamanda. Similarly, another alias was used for the purchase of Nyzer poison from Zaunite traders shortly before the death of Thom Garvin, the prisoner suspected causing the mine collapse.
"If this evidence stands," Jarvan stated, "then someone at the Institute manipulated the situation between Demacia and Noxus, pitting us against each other in Kalamanda. That is why we must stand together until the League itself answers for this injustice."
By Jarvan's direct order, Katarina has been placed under the personal protection of the Dauntless Vanguard. League Champion Talon, who was observed during the presentation of evidence, has disappeared, and many Demacian citizens assert that Jarvan has put them in danger. Demacia has erupted into heated debate regarding the collaboration between the prince and a representative of Noxus, but Jarvan IV himself has returned to the confines of the castle and has not commented further.
The Path We've Tread
The events in Kalamanda and Prince Jarvan's claims
Aria Breker reporting from Demacia
Citizens of Demacia, yesterday we witnessed our crowned prince come forth at the side of Katarina Du Couteau, a champion of our most hated enemies, against the Institute of War itself. I have witnessed chaos in the streets before the castle and I have heard whispers of dissent at my ears. My fellow Demacians, I plead for a moment of peace. Let us consider what we have heard and reflect on what we have seen—from the very beginning.
• 1 July, 20 CLE – The DSS Excursion, a Demacian cargo ship, is lost to piracy. Magical resonance at the ship's last known location implicates the use of necromancy.
• 13 July, 20 CLE Following the discovery of precious mineral deposits and two nexuses within the village of Kalamanda, the League and all major city-states send representatives for research and mining purposes. Competition is fierce.
• 25 January, 21 CLE – In Kalamanda, a Demacian mine collapses. The body of a Noxian soldier surrounded by arcano-seismic charges is discovered nearby, suggesting Noxian sabotage.
• 24 February, 21 CLE – A captured Demacian soldier named Thom Garvin confesses to planting the evidence implicating Noxus in the sabotage of the mine. Before the investigation into Garvin's testimony is complete, he is found dead by Nyzer poisoning in his prison cell.
• 1 July, 21 CLE – The leader of the Noxian High Command, General Boram Darkwill, is assassinated while on the road to Kalamanda.
• 22 July, 21 CLE - Open warfare erupts throughout the village between Demacian and Noxian military forces.
It is no secret that Noxus will never cease in their tireless efforts to sabotage Demacian honor, but I must ask this: what did Noxus have to gain in an assault upon the DSS Excursion? What use can necromancy serve in an attack at sea? In Kalamanda, too, we witnessed a series of escalations in tension between Demacia and Noxus. When the Demacian mine collapsed by sabotage early this year, the arcano-seismic charges discovered in the wreckage were of Noxian design, and the death of Thom Garvin by Nyzer poisoning was easily attributed to our enemies as well. Yet if the purchase of both of these things has been traced back to Institute of War itself, have we been manipulated?
In conclusion, there is merit to the Prince's claims, and by rallying against the measures he has taken—collaboration with Noxus—we violate our prime duty as citizens of Demacia. If the Institute of War has acted against the whole of Valoran, justice must be served. We stand behind our leaders in the face of all treachery, even treachery on the part of the League of Legends itself. We are the right and just, and we remain united behind Prince Jarvan IV.
In the pursuit of justice, we must be resolute in our search for the truth. May our resolve be unwavering and our righteous wrath unforgiving, but may we never strike without cause.
Demacia: now and forever.
Swain returns to Noxian High Command
Master Tactician gains support in the midst of conflict over Grand General's successor
Kaldera Carnadine reporting from Noxus
The turmoil in Noxus following the death of Grand General Boram Darkwill intensified this week when Jericho Swain returned to High Command. Upon his arrival, the Master Tactician gained the immediate support of Noxus's prominent military figures, positioning him as the strongest rival to Keiran Darkwill for leadership of Noxus.
The seat of the Grand General has remained vacant since the death of Boram Darkwill. Over the past weeks, the controversy over Darkwill's succession turned to outright hostility. Many of Noxus's notorious and powerful soldiers stepped forward in an attempt to lay claim to the title. Thus far, none have remained alive long enough to maintain control over the city-state.
"It's becoming a bit of a bloodbath, certainly," commented Chancellor Malek Hawkmoon. "But this is a Noxian contest of strength in its purest form. It is difficult for any aspiring General to prove himself without war. Those who try their hand for the Grand General's title do so with Noxus's oldest tool: raw strength."
Keiran Darkwill, the late Grand General's youngest son, remains one of the more ruthless aspirants in this dispute. He has successfully thwarted several assassination attempts, struck down his challengers, and rallied significant support behind his name. Only Darius, one of Noxus's most respected and feared Generals, has earned as much of a following within High Command as Keiran Darkwill. Many predicted the two would inevitably clash and that the victor would rise to the throne. Upon Jericho Swain's return, General Darius forged an immediate alliance with the famed Master Tactician.
"Strength was once the very backbone of Noxus," General Darius told High Command, "yet we have become plagued by weakness. In Jericho Swain I see a man with the power to cull the weak from Noxus and unite us under one banner—and united we shall conquer once again."
"No one expected an alliance like this," Chancellor Hawkmoon stated. "High Command is now more divided than ever between Keiran Darkwill and Jericho Swain, and weapons are drawn on both sides. This is a Noxus we haven't seen in years—the beast has awoken."
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yuckitup-jwd · 5 years ago
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Historical people answer the question - Why did the chicken cross the road?
Douglas Adams: Forty-Two
Earnest Angsley: To be HAYELED! in the name o'Jayeeezus!
Marcus Antonius: The evil that chickens do lives after them, the good is oft interred with their bones.
Any Philosophy 101 Professor: Why not?
Any Calculus Professor: The road, if expressed in the form (y2-y1)/(x2-x1) is approximate for cases where lim(y2-y1)/(x2-x1) as (x2-x1) -> 0, is represented by the derivative, or rate of change, of the road with respect to the chicken, such that the value of the chicken may be assumed equal to the value of (y2-y1)/(x2-x1), for small values of roads.
Jane Austen: Because it is a truth universally acknowledged that a single chicken, being posessed of a good fortune and presented with a good road, must be desirous of crossing.
Aristotle: To actualize its potential.
Neil Armstrong: One small step for chickenkind, one giant leap for poultry.
Arthur, King of the Britons: What do you mean? African or European chickens?
Paul Atreidies: What name have you for the chicken shaped stain upon your road? That shall be the name that you shall call me!
Lord Baden-Powell: Because as a Chicken Scout, it needed the Road-Crossing Merit Badge.
Bilbo Baggins: Oh what I wouldn't give to back in my nice, warm Hobbit-hole! I hope I never have to lay eyes on such a thing as that chicken again!
Baldrick: It had a cunning plan.
The Band: To take a load off....
The Bandit, in The Treasure of The Sierra Madre: "Chickens? Chickens? We don't need no stinkin' chickens!"
Clive Barker: He was drawn to the road, and he didn't so much cross the road as the road crossed him. And once across, the chicken entered into a frightening void, filled only with the screams of a thousand agonized souls. The hands of doom reached out of the blackness, strangling the chicken, smothering him, suffocating him. He could not escape, as no one who crosses the road can escape. He was now a prisoner of the Cenobytes, doomed to an eternity of pain.
Roseanne Barr: Urrrrrp. What chicken?
The Beatles: To be free as a bird!
Lavrenti Beria (ex-head of the KGB): This is a State Secret -- we have informants everywhere.
Bill The Cat Ack. Thpppbt
Blackadder: Queenie: Because I told it to. Percy: To acquire a hunk of purest green Lord Flasheart: To DOOOOOOOOO IT!
Lucien Bouchard: So that it could be SEPARATE!
Ben Bova: To be reunited with beautiful grey-eyed Athena, the woman he has loved for all of time
Brisco (Law and Order): For A Bagel
Bruce, Bruce, Bruce, Bruce, Bruce and Bruce: To grab a Fosters and get away from the poofters!
Buddha: If you ask this question, you deny your own chicken-nature.
Archie Bunker: I don't care what them there chickens do, as long as they stay on THEIR side of the street!
Bugs Bunny: What's up, cluck?
Robert Burns: Fair Fa Your Honest Sonsie Face Great Chieftain O' The Chicken Race The blackened road 'ahind ye said Ye best run quick ere ye be deid!
George Bush: If it did it was out of the loop
George Bush: (again) It could see the thousand points of headlights....
Rhett Butler: Frankly my dear, it didn't give a damn!
C3PO (1): Sir, may I remind you that I am fluent in 6,000,000 forms of communication and this chicken has not... shutting up, sir.
C3PO (2): Sir, according to my calculations, the odds of a chicken successfully navigating a road are 3,750 to 1 against.
Caesar: It came, it saw, it crossed.
Joseph Campbell: In primitive cultures, we can find many such examples of the chicken motif that cannot be dismissed as mere coincidence. For instance, I am reminded of an old Navajo legend in which a buffalo crosses a stream to "come" to the other side -- an obvious negative language devised to prepare tribesmen for a transcendental experience. Similarly, the Hindus believe in savanaya, or a sacred cow that leaps over a chasm on Thursdays. Through metaphorical interpretation, we are led to realize that all examples suggest an attainable higher state of consciousness like that of Nietzsche's ubermench, or superman, as outlined in his novel "Thus Spoke Zarathustra."
Albert Camus: Seeing that an indifferent world lied on all sides of the road, the chicken knew it would be absurd not too cross, and for that moment, the chicken knew what it was to really be alive. It was if the bird had been asleep its entirely up until this choice was put before him. So, with a newfound determination and a smile, the chicken valiently crossed the road only to be put out of its mercy by an eighteen wheeler.
Candide: To cultivate its garden.
Johnny Carson: Let me tell you, it was so cold at that farm... Ed McMahon: How cold was it? Johnny Carson: It was so cold, that the chickens were mugging the sheep to get wool for sweaters!
Raymond Chandler: Across these mean streets a chicken must go who is not himself mean, who is neither tarnished nor afraid. He is the hero; he is everything. He must be a complete chicken and a common chicken and yet an unusual chicken. He must be, to use a rather weathered phrase, a chicken of honor - by instinct, by inevitability, withough thought of it, and certainly without saying it. He must be the best chicken in his world and a good enough chicken for any world.
Charlie X: Because it didn't want to STAY....STAY....STAY....STAY....STAY...
Cheech (or Chong): Just to be there, man.
The Chicken: I am crossing the road to block traffic as a protest against ..." (thump).
Commander Chikotay: I'm not sure but I can find out. That chicken is my animal spirit guide.
Noam Chomsky: To manufacture consent
Tom Clancy: The Mark 84 gargleblaster that the chicken carried, at the heart of which was an inferior ex-Soviet excimer laser system, had insufficient range to allow the chicken to carry out its mission from this side of the road.
John Cleese From Fawlty Towers: Manuel from Barcelona: "Que?" Basil: "You know, a chicken crossing the road...." Manuel: "Que?" Basil: [looking it up in a dictionary], "Un Pollo..." Manuel: interrupting, "No, No we out of chicken.." * WHAP!!*
John Cleese: Because it was very silly.
John Cleese: (again) This isn't a chicken license, you know! It's a dog license with the word "Dog" crossed out and "Chicken" written in in crayon.
John Cleese: (#3) This Chicken is no more. It has ceased to function. Bereft of life, it rests in peace. It's a stiff. If it wasn't nailed to the road it'd be pushing up daisies. It's snuffed it. It's metabolic processes are now history. It's bleeding demised. It's rung down the curtain, shuffled off the mortal coil and joined the bleeding Choir Invisible. This is an Ex-Chicken.
Bill Clinton: What?
Bill Clinton (again): The chicken was persuaded to cross the road by the Democratic congress. It is now returning to the middle of the road
Joseph Conrad: Mistah Chicken, he dead.
John Constantine: Because it'd made a bollocks of things over on this side of the road and figured it'd better get out right quick.
Alastair Cooke: Good Evening, and welcome to Masterpiece Theatre. Tonight, we present the epic British drama "How The Chicken Went," based on the 1843 novel by Herbert T. Poultry, and adapted for the screen by Joanna Drumstick. Starring Susan Hampshire as the Chicken, and Anthony Hopkins as the evil and unrepentant diner, Borstrom, this elegant period piece explores the mores and morality of a society in which ordinary chickens had to face their destiny of crossing the road to meet their fate at the hands of the monied upper classes, regardless of their own ambitions or desires...
Shiela Copps (Deputy Prime Minister of Canada): BECAUSE I SCREAMED AT IT REAL LOUD!!!!!!!!!!!!!!!!
Sheila Copps: Okay, I know that the chicken promised it would cross the road if the Liberals failed to eliminate the GST, but it was a stupid promise to make and the chicken deeply regrets ever making it. However, the chicken will not be crossing the road because to do so would cost tax payers $500,000.
Sheila Copps (a few days later): Alright! Alright! The chicken will cross the road like it promised. But it'll be right back again. Now leave me alone.
Howard Cosell: It may very well have been one of the most astonishing events to grace the annals of history. An historic, unprecendented avian biped with the temerity to attempt such an herculean achievement formerly relegated to homo sapien pedestrians is truly a remarkable occurrence.
Jacques Ives Cousteau: Zee cheecken, unaware of zee dangare beehind heem, crosses zee street. Weezout warning, zee Porsche strikes, and zee balance of zee nature ees maintained.
Stephen R. Covey: When the chicken and the road can work together for the win-win, the result is synergy!
Jean Cretien, Prime Minister of Canada: "It wasn't a chicken, you know, it was an Inuit carving of a loon. But the RCMP should have been there anyway..."
Aleister Crowley: Because it was its True Will to do so.
Salvador Dali: The Fish.
Stephanie Daniels: It was the turtle's day off.
Darwin: It was the logical next step after coming down from the trees.
Commander Data: I do not know. Although I have compared all of my 437 billion data points relating to chickens and roads, there is no possitive correlation between the two.
W. Edwards Demming: But is one chicken crossing one road of statistical importance? Only once we have established an historical baseline of chickens with respect to roads, with calculated upper and lower control limits, can we make that determination.
Arthur Dent: Are you sure the chicken is from Beetelgeuse, and not from Gilford after all?
Jacques Derrida: Any number of contending discourses may be discovered within the act of the chicken crossing the road, and each interpretation is equally valid as the authorial intent can never be discerned, because structuralism is DEAD, DAMMIT, DEAD!
Rene Descartes: It had sufficient reason to believe it was dreaming anyway.
Descartes (again): The chicken was merely a machine and was crossing due to the deterministic nature of the universe.
Emily Dickinson: Because it could not stop for death.
Bob Dole: Do you know that before that chicken had gotten across the road, its cellular phone was ringing and there was a lawyer on the other end asking if it would like to sue the city for not putting up a traffic light.
Bob Dylan: How many roads must a chicken travel down, before they call him a man?
E.T.: Chicken, phone home
Ecclesiastes (1): For every fowl, there is a season. A time for garlic, a time for sage...
Ecclesiastes (2): This bird is meaningless.
Wyatt Earp: Well, chicken, are you gonna do something, or just stand there and bleed?
Eeyore: If it did. Which I doubt. Not that it matters.
Albert Einstein: Whether the chicken crossed the road or the road crossed the chicken depends on your frame of reference.
T.S. Eliot: It's not that they cross, but that they cross like chickens.
Harlan Ellison: Because he had no beak and must scream.
Emergency Medical Holographic Doctor on U.S.S. Voyager: Maybe it was trying to state the nature of a medical emergency.
Ralph Waldo Emerson: It didn't cross the road; it transcended it.
Epicurus: For fun.
Basil Fawlty: Oh, don't mind that chicken. It's from Barcelona.
Sybil Fawlty: BASIL! Why is there a CHICKEN in my hotel?
Dr. Johnny Fever: To escape from the Phone Cops!
Fiver (from Watership Down): Don't you see it? The sky has turned to blood, the field has turned to fire... THE CHICKENS! DON'T YOU SEE THE CHICKENS?
Gerald R. Ford: It probably fell from an airplane and couldn't stop its forward momentum.
Sigmund Freud: The chicken obviously was female and obviously interpreted the pole on which the crosswalk sign was mounted as a phallic symbol of which she was envious, selbstverstaendlich.
Robert Frost: To cross the road less traveled by.
Barney Fyfe: Now Andy, let me tell you a thing or two about chickens. Chickens cross roads in those other counties, but not here in Mayberry. No chicken crosses no roads in Mayberry without Deputy Fyfe knowing about it!
Gandalf: O chicken, do not meddle in the affairs of roads, for you are tasty and good with barbecue sauce.
Bill Gates: For the money
Frank Bunker Gilbereth: To minimize its therbligs
Jim Gillis: The chicken crossed the road to show the gophers it could be done.
Newt Gingrich: To get to the RIGHT side of the road.
Newt Gingrich (again): The chicken had to cross the road, because, bogged down by the incredible debt burden, it was no longer able to fly.
Newt Gingrich (III): It was safety pinned to one of those damn punk rockers!
Ira Glasser (ACLU): The chicken maintains an absolute privacy interest in information as to whether or why he or she may have perambulated the thoroughfare.
Johann Wolfgang v. Goethe: The eternal hen-principle made it do it.
Sir Charles Grandiose: As surely as the golden hairs turn to silver, as surely as the sands drift silently through the slender neck of the hourglass, the last sunny days of summer flee soundlessly under autumn's chilly embrace. And with those last days of that warmest and most joyful of seasons, left the road's edge the sprightliest young chicken ever a Baronet did see
Hercules Gryptyppe-Thynne, (All-around Public-School Cad): That's not a chicken! It's a clever disguise, inside of which is Count Jim "Thighs" Moriarity.....
Gary Gygax: Because I rolled a 64 on the "Chicken Random Behaviors" chart on page 497 of the Dungeon Master's Guide.
Hamlet: Because 'tis better to suffer in the mind the slings and arrows of outrageous road maintenance than to take arms against a sea of oncoming vehicles.
Thomas Hardy: The road was black, the sky was white (and so were the feathers) as the bright red mark on the top of the chicken's head gleamed in the twilight. It was a pure chicken and it was doomed.
Mike Harris, (Premier of Ontario): Like evrything else in this province, it was facing the axe.
Paul Harvey: And now... page two... a chicken... attempts to cross... the street... yes... the street... and is... run down by a... Buick! The Buick Roadmaster with it's powerful perfomance and elegant style! Yes... that poor chicken... hit by the Buick... it's true... it's... true... and speaking of true... your local True Value Hardware Store...
Hegel: Only through the synthesis of the dialectical chicken and road could the spirit transcend the experience of crossing.
Robert Heinlein: Because with the freedom the chicken was given, it was the chicken's responsibility to do so.
Robert Heinlein (again): The more widely dispersed chickens are throughout the Universe, the better the long-term prospects for the survival of the chicken species.
Werner Heisenberg: We are not sure which side of the road the chicken was on, but it was moving very fast.
Ernest Hemingway: To die. In the rain.
Hippocrates: Because of an excess of light pink gooey stuff in its pancreas.
Doug Hofstadter: To seek explication of the correspondence between appearance and essence through the mapping of the external road-object onto the internal road-concept.
Sherlock Holmes: It crossed the road because it was going to catch a train at Victoria Station at 3:15, to Edinburgh. And how did I know that? Observe, Watson, the patina of dust on the chicken's feathers, which indicates that it had been spending time in a library, reading about Scotland. And observe also that it was humming "Bonnie Lassie" as it waited to cross. Finally, and most important, observe the train ticket marked Edinburgh, stuffed under one wing, and the fact that Victoria station was where the chicken crossed the street, and finally that the only train to Edinburgh this afternoon is the 3:15....
David Hume: Out of custom and habit.
Saddam Hussein: This was an unprovoked act of rebellion and we were quite justified in dropping 50 tons of nerve gas on it.
Lee Iacocca: It found a better car, which was on the other side of the road.
Dr. Jack Van Impe: Well you see, here's the really exciting part, if we were to look at Revelation 17:3 we will see that the Whore of Babylon rides on a scarlet beast. A scarlet beast! What this means is a Rhode Island Red. And the truly glorious thing is that this beast, this Rhode Island Red, this CHICKEN has crossed the road EXACTLY as was prophesized in the Bible and this is all a sign, Revelation 17:3, that we're living in the End Time. Hallelujah! And if you would like more information on the significance of this chicken crossing the road as all part of God's great plan then send me $50 and you will recieve this set of video tapes along with a copy of my recent book "Chickens: fowl beast, or foul beast?".
John Paul Jones: It has not yet begun to cross!
Carl Jung: The confluence of events in the cultural gesalt necessitated that individual chickens cross roads at this historical juncture, and therefore synchronicitously brought such occurrences into being.
Franz Kafka: Dieter, now in the form of a chicken, was running from the government's torture machine. The machine, an instrument of death, slowly obliterated the souls of its victims. Dieter was alone. He was running for his life, his insignificant life.
Immanuel Kant: The pure transcendental concept of the road, having been deduced a priori and without dependence on intuitions, is given in the mode of the chicken as an end in itself, while crossing the road as a hypothetical imperative, namely, as acting towards some end allowed by Reason.
Casey Kasem: And now here's a hot new number from a hot young band whose drummer was so tragically killed in a freeway accident, it's The Hen House Flock singing "When You Gonna Crow?" hitting the charts at number 23!
JFK: The chicken chose to cross the road in this decade not because it was easy, but because it was hard.
Obi Wan Kenobi: To follow old obi wan on some damn fool idealistic crusade.
Jack Kerouac: The chicken hipster, high on tea and the soul groves of Charlie (the bird) Parker, strolled aimlessly on the road looking for his dharma.
Soren Kierkegaard: The chicken is dead. The road is nothing.
Colonel Kilgore: "I love the smell of chickens in the morning"
Martin Luther King: It had a dream.
James Tiberius Kirk: To boldly go where no chicken has gone before.
Ralph Klein: Because we gave it a one-way bus ticket to B.C.
Mark Knophler: How come Chickens got Industrial Disease?
Mark Lane: There is new, irrefutable evidence that the chicken did not act alone.
Gary Larson: Don't ask me. I am retired. Stan Laurel: I'm sorry, Ollie. It escaped when I opened the run.
Timothy Leary: Because that's the only kind of trip the Establishment would let it take.
John Le Carre: Because it knew, at the core of its being where none could ever reach, that its only course of action now that its cover was blown wide open was to try and slip away into the grey, foggy, bleak evening before Smiley came, accompanied by his silent shadow Peter Guillam, asking questions for which there could never be answers.
Dr. Hannibal Lector: So I could eat its liver, with some fava beans and a nice chianti .......thththththththth.
Leda: Are you sure it wasn't Zeus dressed up as a chicken? He's into that kind of thing, you know.
Foghorn Leghorn: To get to that damn Dawg, Boah!
Gottfried Von Leibniz: In this best possible world, the road was made for it to cross.
Vladimir Lenin: It is not the chicken's road. It is the PEOPLE'S road!
David Letterman: And the No. 1 reason - fricasee!
Rush Limbaugh: Beacuse of those damn bleeding heart liberals, trying to save one stupid bird while thousands of jobs are being lost. Dave Lister: Because of the smegging space corps directives.
Any Late Evening News Anchor: The chicken crosses the road. Film at 11:00.
Abraham Lincoln: Fourscore and seven eggs ago, our forefeathers...
Logan (Law and Order): To buy a plaid tie
Jack London: To answer the call of the wild.
H.P. Lovecraft: To futilely attempt escape from the dark powers which even then pursued it, hungering after the stuff of its soul!
George Lucas: Because the Force was with it.
Machiavelli: So that its subjects will view it with admiration, as a chicken which has the daring and courage to boldly cross the road, but also with fear, for whom among them has the strength to contend with such a paragon of avian virtue? In such a manner is the princely chicken's dominion maintained.
Marvin (the paranoid android): "Here I am, brain the size of a planet, and you ask me why the chicken crossed the road? I could tell you, but I really don't think it's worth while."
Marvin the Paranoid Android: Here I am, brain the size of a planet, and what do they ask me? Why did the chicken cross the road? As if their pathetic cerebelums could even comprehend my answer. Chickens, don't talk to me about chickens... they're SO depressing.
Karl Marx: It was a historical inevitability.
Karl Marx (again): To escape the bourgeois middle-class struggle.
Groucho Marx: Chicken? What's all this talk about chicken? Why, I had an uncle who thought he was a chicken. My aunt almost divorced him, but we needed the eggs.
Groucho Marx (again): This morning I shot a chicken in my pyjamas -- and lemme tell ya, that chicken ran out of my pyjamas in a second!
Jackie Mason: Whaddaya want, it should just stand there?
Perry Mason: Cross the road you say? But how can you be sure? No one else would have known the chicken crossed the road except for the real killer!
Dr. McCoy: How should I know? Damnit Jim, I'm a Doctor not an ornithologist!
Marshall McLuhan: The Road is the Medium. The chicken is the Message!
Gregor Mendel: To get various strains of roads.
A.A. Milne: I imagine that if I thought very hard I shouold come up with a reason. (also applicable to Winnie the Pooh)
John Milton: To justify the ways of God to men.
Indigo Montoya: It too pursues a man with six fingers on his left hand.
Michael Moriarity: To annoy Janet Reno.
Jim Morrison: To break on thruough to the other side, I am the chicken king
Ralph Nader: A chicken on a road is unsafe at any speed
Sir Isaac Newton: Chickens at rest tend to stay at rest. Chickens in motion tend to cross the road.
Jack Nicholson: 'Cause it (censored) wanted to. That's the (censored) reason.
Nietzsche: Because if you gaze too long across the Road, the Road gazes also across you.
Col. Oliver North: I do not recall any such events. I had no knowledge of these occurrences.
Peter Norton: It was a virus and it saw me coming...
Richard Nixon: That part of our conversation was accidentally erased.
George Orwell: Because Big Brother was watching to make sure that it did cross the road, although in its heart, the chicken never did.
Thomas Paine: Out of common sense.
Michael Palin: Nobody expects the banished inky chicken!
Emporer Palpatine: Foolish chicken! Only now, at the end, do you see the head-lights!
Dorothy Parker: Travel, trouble, music, art / A kiss, a frock, a rhyme / The chicken never said they fed its heart / But still they pass its time.
Patsy: Oh, F*&% the chicken. Run it over and lets have a drink.
Gen. George S. Patton: To get those yellow bellied chickens outta here.
General George S. Patton (again): The way to win a war is not to cross a road for you country. The way to win a war is to make some OTHER poor chicken cross a road for HIS COUNTRY!
Wolfgang Pauli: There already was a chicken on the other side of the road.
Frank Perdue: How the heck do I know? Do I look like a chicken to you -- don't answer that.
Marlin Perkins, on Mutual of Omaha's Wild Kingdom: Watch, as the chicken mauls Jim yet again...
H. Ross Perot: I'm crossing. I'm not crossing....
H. Ross Perot2: Crossing the road is that chickens primary concern! PRIMARY concern!
H. Ross Perot3: Chickens and roads, I'll tell ya what it means! It means 4 trillion dollars of dafficit, it means the end of our infrastructure, it means... look at this chart!
H. Ross Perot4: Let me tell ya, it's all about NAFTA. This chicken represents your job, and this road represents the Mexican border...
Jean-Luc Picard: To see what's out there.
Jean-Luc Picard (again): Because it's shields were down and it had no other options left...
Piglet: Because ch-ch-chickens are such very s-s-s-small animals.
Plato: For the greater good.
Edgar Allan Poe: Quoth the chicken,"Nevermore!"
Emily Post: When a chicken is confronted with a road, it is only proper for the chicken to stand erect, turn to face the road, look both ways and cross... remembering to send a sincere thank you letter within one month of the event.
Elvis Presley: You aint nothin' but a chicken, crossin' all the roads!
Psalms: Yea, though I walk through the valley of the shadow of death, I will fear no road!
Pyrrho the Skeptic: What Road?
Monty Python: For Something Completely Different
Dan Quayle: "chicken" C-H-I-K-E-N "chicken"
The Red Queen: Who cares? Off with it's head!
R2D2: beep bleep be deep birp whirrrrrrrrr!
The White Rabbit: It was late!
Ayn Rand: The chicken crossed the road in order to get away from the flock that is stifling his creativity.
Ayn Rand (again): If not for the intransigently independent vision of that first chicken, none of the other chickens would have been able to cross the road. And they condemned him for his acheivement!
Ronald Reagan: I don't recall. What was the question?
Georg Friedrich Riemann: The answer appears in Dirichlet's lectures.
Pat Riley: The chicken crossed the lane in less than 3 seconds, so a "fowl" should not have been called.
Rimmer: Aliens!!!
General Jack D. Ripper: To maintain the purity of its precious bodily fluids.
Geraldo Rivera: Stay tuned as a panel of chickens reveals the shocking truth.
Tom Robbins: Well you see, that chicken was a special chicken who was a descendent of a parrot family that once built pyramids for tourist pharohs. This chicken liked the other side of the road whose shamanic whispers beckoned Anastasia, the parrot, like the popped cherry of a ritually consumated white wedding. That's the meaning of it all, baby!
Oral Roberts: He couldn't raise the $10,000,000.00 so God called him home.
Oral Roberts (again): And I said to the chicken: "Put your claw on the screen! Put your claw on the screen, upon the hand of Brother Oral, and you shall be healed. Make a love offering of $50 or more, and then touch the screen. And that chicken did put his claw on the screen. And the power of God, in his infinite wisdom and mercy, flowed through me and out through that television set, and that chicken was healed *PRAISE GOD!*. And then that chicken, stricken for so many months, rose up and walked across the road. But, since he had forgotten his love offering, God never warned him about the 30 ton semi barreling down on the crosswalk...."
Carl Sagan: To see the billions and billions of stars.
Col. Saunders: It Ran, Suh! I offered it a coating of 11 herbs and spices and it ran, Suh! So I shot it, Suh, shot it while it was trying to escape, suh!
Sappho: For the touch of your skin, the sweetness of your lips..
Jean-Paul Sartre: In order to act in good faith and be true to itself, the chicken found it necessary to cross the road.
Arnold Schwarzenegger: It was going back...
Mr. Scott: 'Cos ma wee transporter beam was na functioning properly. Ah canna work miracles, Captain, wi' no dilithium crystals left to speak of!
Agent Scully: There simply must be a rational, scientific explanation. Chickens don't just "cross roads"
Neddy Seagoon: WhatwhatwhatwhatwhatwhatwhatwhatwhatwhatwhatwhatWHAT?
William Shakespeare:
1: This is the road of chicken's discontent, Made ignoble abbatoir by this half-ton truck... (Richard II)
2: Bring me no more reports, let them fly all; 'Til a chicken remove to other side of road I cannot taint with fear. What is this chicken? Was he not born of hen? The spirits that know All fowl consequences have pronounced me thus: "Fear not, MacNugget; no chicken that's born of hen Shall e'er lay beak upon thee." (Macbeth)
3: If it were done, when 'tis done, then 'twere well It were done quickly: if the crossing Could scoot across the dotted line, and catch, Beyond passing car, sidewalk; that but these feathers Might be the be-all and end-all here, But here, at this corner of street and avenue, We'd cross at the light to come. (Macbeth)
4: To cross, or not to cross? That is the question, Whether 'tis nobler in the mind to suffer The wheels and axles of the city's mass transit Or to take flight against a sea of motorists And by opposing, end me? To cross, to peep No more! And by that peep to say we end The chickhood and the thousand fender-shocks That chicken is heir to. 'Tis a perambulation Devoutly to be wish'd. (Hamlet)
Homer Simpson: ohhhhhhhh Chicken.....
Bart Simpson: It's outta here, man!
Mrs. Slocum: Now look what you've done, there's chicken all over my pussy!
Kenneth Starr: In view of President Clinton's dealings with the Tyson Poultry Company, the matter of the chicken crossing the road is under investigation for its possible connection with the Whitewater affair.
George Steinbrenner: Because I offered him a $4 million contract.
George Steinbrenner2: Because I fired him!
George Steinbrenner3: Because he's now my new manager.
George Steinbrenner4: Because I fired him again!
Dr. Suess: See the end of this document for the full Dr. Suess version.
Sisyphus: Was it pushing a rock, too?
B.F. Skinner: Because the external influences which had pervaded its sensorium from birth had caused it to develop in such a fashion that it would tend to cross roads, even while believing these actions to be of its own free will.
Mr. Spock: It was not logical for the chicken to do so, but I have frequently observed that the behaviour of chickens is not logical
E.E. (Doc) Smith: Your humble narrator can barely do justice to this climactic event that rent asunder the fundamental ether of space itself, as the chicken, embodying all that is good and hard and straight and keen in the Avain world, fearlessly approached, bridged, and conquered the road for Civilization.
Socrates: To pick up some hemlock at the corner druggist.
The Sphinx: You tell me.
Joseph Stalin: It was clearly a conspiracy. Take all the chickens out and shoot them. At Once!
John Steinbeck: The road baked in the relentless summer sun as the chicken, looking about, began to cross. It stopped occaisionally to peck at a grass seed that had become lodged in a crevice in the cracked macadam. The chicken reached the other side, then began making his way to the Salinas, which lay muddy and turgid in the July afternoon, all the while thinking of the cool shade by the river and how good the can of beans in his bedroll would taste tonight.
Ben Stone (Law and Order): Because the defendant made it, sir.
Oliver Stone: He went back, and to the left. Back, and to the left. Back, and to the left. Back, and to the left. Back, and to the left. Back, and to the..
Dr. Strangelove: Because it could not afford to be caught on the wrong side of the road-side gap.
John Sununu: The Air Force was only too happy to provide the transportation, so quite understandably the chicken availed himself of the opportunity.
Grand Moff Tarkin: Fear will keep the chickens in line, fear of this thoroughfare!
Tim "The Toolman" Taylor: This here bird'll cross that road in no time flat, now that I've made a few "special modifications! We've added the Binford 7100 Multi-Purpose power unit, which I've souped up by adding a United Aircraft PT-6 jet engine - Urrgh urrgh urrgh! Heidi, bring out the chicken, please....
Alfred, Lord Tennyson: So that it could sail beyond the sunset.
Old Testament: And rooster and hen were married. And rooster did begat chicken. And chicken did cross the road.
New Testament: He among you who has not crossed roads, let him cast the first egg!
Margaret Thatcher: There was simply no alternative!
Theodoric of York, the Medievil Barber: Because of an imbalance of bodily humors caused by an elf or small toad living in the chicken's stomach. What this fowl needs is a good bleeding. Dylan Thomas: To not go (sic) gentle into that good night.
Hunter S. Thompson: Why the &*%$#@ not?
Henry David Thoreau: To live deliberately ... and suck all the marrow out of life.
Tiggr: Because that's what chickens do best!
Tiggr: (again) That's the wonderful thing about Chickens, Chasing Chickens is FUN FUN FUN, And the Wonderful thing about Chickens Is that when crossing streets they RUN!
Tim, the Enchanter: It's got wings that... and a beak that... good god man, look at the bones!
Brian Tobin (new premier of Newfoundland): It followed the cod....
J.R.R. Tolkein: The chicken, sunlight coruscating off its radiant yellow- white coat of feathers, approached the dark, sullen asphalt road and scrutinized it intently with its obsidian-black eyes. Every detail of the thoroughfare leapt into blinding focus: the rough texture of the surface, over which count- less tires had worked their relentless tread through the ages; the innumerable fragments of stone embedded within the lugubrious mass, perhaps quarried from the great pits where the Sons of Man labored not far from here; the dull black asphalt itself, exuding those waves of heat which distort the sight and bring weakness to the body; the other attributes of the great highway too numerous to give name.
Thomas de Torquemada: Give me ten minutes with the chicken and I'll find out.
Anthony Trollope: Why, to avoid Mrs. Proudy and Mr. Slope, of course.
Mark Twain: The news of its crossing has been greatly exaggerated.
Darth Vader: Because it could not resist the power of the Dark Side.
George Washington: I cannot tell a lie. I was going to chop it with my little axe, so it crossed the road.
Mae West: 'Cause I invited it to come up and see me sometime.
Jerry White: Why does a chicken cross the road only half-way? So she can lay it on the line.
Walt Whitman: To cluck the song of itself.
Robert Anton Wilson: Because agents of the Ancient Illuminated Roosters of Cooperia were controlling it with their Orbital Mind-Control Lasers as part of their master plan to take over the world's egg production.
Major Charles Emerson Winchester, the Third: What do you two-bit quacks know about chickens? Did you learn about them in medical school, or did you just read the comic book?
Ludwig Wittgenstein: The possibility of "crossing" was encoded into the objects "chicken" and "road," and circumstances came into being which caused the actualization of this potential occurrence.
Wittgenstein #2: There are indeed things that cannot be put into words. They make themselves manifest. They are what is mystical.
Wittgenstein #3: What we cannot explain we must pass over in silence.
Tom Wolfe: Kesey, muscles rippling under his shirt, a mysterious smile on his face, surrounded by the Merry Pranksters, placed the chicken at the road's edge. The chicken paused at the edge of the road, looking this way and that, and then rending the air with a tremendous, "ba-BAAWWWWKKK!" bolted across the road, its disheveled wings flapping uselessly about, leaving a trail of feathers and dander that, whenever two-ton chromium steel, 300 horsepower tail-finned symbols of Detroit's and America's supremacy passed, would swirl in a miniature version of a cyclone like the ones Mr. and Mrs. America see on the TV news every evening when he's come home from work and she's setting the table for dinner, both only half paying attention to the cyclones that devastate midwestern cow towns on sweltering summer afternoons. And the heat, dander, tornados, asphalt, tail-fins and the sweat of Mr. and Mrs. America as they move mechanically in their daily routine like the figurines in one of those huge medieval clocks on some cathedral in some European town, moving in the same way, every hour on the hour, it was all summed up by the "ba-BAAWWWWKKK!" of a scampering chicken accompanied by the "skritch, skritch" of its feet.
William Wordsworth: To have something to recollect in tranquility.
Mr. Worf: I do not know, Klingon chickens do NOT cross the road.
Molly Yard: It was a hen!
Yoda: Crossing the road makes not a chicken great
Henny Youngman: Take this chicken ... please.
Zeno of Elea: To prove it could never reach the other side.
STAR TREK CHICKENS CROSS THE ROAD TOO
Chakotay: Whatever its reason, whatever its goals, we should respect its right to cross the road and seek its own spiritual awareness.
Neelix: Actually, Captain, I'm not really familiar with the chickens in this system. But--if you can catch it, I can cook it.
Riker: I don't know why, but I do know how: with pleasure, sir.
Garak: To get to the other side? Of course not! Do you realize how ridiculous that is? I'm sure it was a simple matter of its farmer expelling it from the coop for...embezzling eggs.
Odo: I don't have the slightest idea--and I don't particularly care...but then, I've never understood you ornithoids' need to engage in such pointless behavior.
Quark: Now really, why would I have bribed him to do it so I could make a tidy profit in the station pool? Besides, all I know is that chicken tastes just like tube grubs.
Q: Wouldn't you like to know? Too bad your puny human brain wouldn't be able to comprehend the answer.
O'Brien: Well, it's nothing a good pint or two won't fix.
Uhura: Shall I open hailing frequencies so you can ask it, sir?
V'Ger: To join with the Creator.
Sulu: To get back to San Franciso; it was born there.
Troi: It was running...running away from...no, escaping...oh, Captain, it was fleeing from such -pain-!
Kira: I bet those damn Cardassians were after it!
Picard: Dammit, that's not for us to answer! It's his fundamental right as a sentient being to determine the time and manner by which he travels towards his goals!
Dr. Bashir: I suppose it wanted to play some darts.
The Grand Nagus: Stupid chicken! You don't cross the road all at once! You sneak across it quietly, without anyone noticing! (Inconceivable!)
Sisko: I don't care -why- it was crossing the road! All I want to know is -why- it left the coop! So it wanted to "get to the other side"--there is only -so far- that my tolerance will go!
Barclay: Uh, chicken?!! Where?!!! C-c-c-ommander, did I ever mention my problem with small feathered things?
Gul Dukat: Well, that's a very interesting question...I'm sure we can work out some kind of arrangement to obtain that information that will be to everyone's satisfaction.
The Borg: Crossing the road is irrelevant. It will be assimilated.
Hugh the Borg: Maybe it wanted to be my friend.
Geordi: Well, wherever it's going, I'm sure it'll be there in an hour or two--but any later, and it'll be absolutely impossible for it to make it.
Jake: To check out the babe that just came off that transport!
Gene Roddenberry: To boldly go where no chicken had gone before.
Kes: It was remembering back to the times when its ancestors crossed roads all the time! They lost those abilities because they stopped using them!
Wesley: I'm not sure, but I can figure it out if I reroute these systems and reconfigure the warp field and run a complete internal whootchacallit on the computers and...
B'Elanna: I'm sure it felt suffocated by all the [BEEP] regulations of [BEEP] Starfleet and just couldn't stand it any longer!
Worf: I don't know. KLINGON chickens do NOT cross roads.
Spock: Fasincating, Captain, it seems driven by a beam of pure energy.
HoloDoc: How should I know? No one tells me anything around here! I didn't even know we added chickens to the crew! All I know is that it would have been nice, BEFORE the chicken went off to the cross the road, if it had remembered to turn me off!
Data: The chicken, in observing that it was on the opposite side of the 20th century Terran paved roadway, was aware that its immediate goal should have been to traverse the distance without interception by an kind of combustion-propelled personal transport vehicle, but I am unclear as to why any kind of domesticated fowl should desire to perambulate upon a conveyance normally reserved for the usage of...yes, sir.
Sarek: Sometimes my logic fails me where chickens are concerned.
Dax: To get to the other side. Kurzon might have disagreed with me, Tobin I'm sure wouldn't have had a clue,and then there's...
Tuvok: That's not a question we'd prefer to hear from a senior officer. It makes the junior officers nervous.
Dr. Crusher: Maybe since he couldn't make the other side to get to him, -he- had to get to the other side....
Dr. Soran: His heart just wasn't in it. (Scenes of chicken torture with nanoprobes have been edited out.)
Scotty: Because she couldna take much morrrrrre.
Charlie X: Because it didn't want to STAY...STAY...STAY...
Kirk: You chicken bastard, you killed my son...YOU chicken BASTARD, you killed...my SON...you CHICKEN bastard....youkilledmy...son!
Bones: Dammit, I'm a doctor, not an ornithologist!
Tasha: That depends...was it fully functional?
Chekov: It must have been on its way to assist in saving my life for the billionth time..did I scream this time?
Khan: With my last breath I spit at the chicken...
Harry: I don't know, it's my first mission.
Paris: Well, I think that...say, that's a lovely shirt you're wearing.
Harvey Mudd: Chicken? I don't remember any chicken. No no no, there's been a terrible misunderstanding.
Crewman in red suit: "Captain, this chicken seems to have crossed the AAARRRGGGGHHHHHHH!!!!!"
Nurse Chapel: Oh, Spock, I fixed you your favorite Vulcan plomeek and chicken soup!
Lwaxana: Oh, Jean-Luc!
Janeway: Its primary goal was no doubt to get back to the Alpha Quadrant...and it probably misses its dog.
Dr. Suess:
Would you, could you cross the street On your two small chicken feet?
I would not, could not cross the street On my two small chicken feet. Across the road I will not scram Even though a fowl I am.
Would you cross it in Japan To flee Godzilla and Rodan
Not in Japan Godzilla and Rodan I would not, could not cross the street On my two small chicken feet. Across the road I will not scram Even though a fowl I am.
Would you cross the road and cluck And jump to avoid the speeding truck?
Not with a cluck to avoid a truck Not in Japan Godzilla and Rodan I would not, could not cross the street On my two small chicken feet Across the road I will not scram Even though a fowl I am.
Would you hop across the road As though you were a garden toad?
Not across the road as though a toad Not with a cluck to avoid a truck Not in Japan Godzilla and Rodan I would not could not cross the street On my two small chicken feet. Across the road I will not scram Even though a fowl I am.
Would you cross it in the night Lit by passing car headlight?
Not in the night With car headlight Not across the road As though a toad Not with a cluck To avoid a truck Not in Japan Godzilla and Rodan I would not could not cross the street On my two small chicken feet. Across the road I will not scram Even though a fowl I am.
Please dear chicken give it a try For across the road you can not fly.
Alright! Alright! I'll give it a try For it is true, chickens can't fly. Hey! It's not bad, infact it's neat! I truly love to cross the street. Across the road I LOVE to scram. I cross the road, a fowl I am.
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wits-writing · 7 years ago
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Dark Nights Metal #6 (comic review)
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Here we are, the climactic finale to Dark Nights Metal by Scott Snyder and Greg Capullo. Earth has sunken into the darkness. The heroes all defeated or on the verge of defeat by the Dark Multiverse’s army of nightmares and Dark Knights. Every stop needs to be pulled out to even have a chance of containing Barbatos. Seeing it all play out is a ton of fun and worth the buildup of the 5 previous issues.
From here I’m diving headfirst into spoiler-territory to discuss how Metal wraps up and my few gripes with the finale.
[Full Review Under the Cut]
Two narrators are present in Metal’s finale and the shift from one to the other marks the turning tide of battle. It starts with The Batman Who Laughs observing Barbatos’s moments before victory and discussing how this all started with Carter Hall’s journals. He monologues about this to his captive audience, the chained figure from The Wild Hunt. He notes how all the heroes have been laid low or are being overwhelmed by their forces. However, the tide begins to turn are Wonder Woman calls out a war cry to the other heroes present and all of them get back up to continue the fight, including Plastic Man making a big show of his involvement after five issues as an egg. The turning tide of battle finalizes with three key events; Detective Chimp and the heroes who were scouring the multiverse arriving with multiple alternate Batmen as back-up striking at Barbatos, Kendra Saunders facing Carter to remind him of his heroic life as Hawkman, and finally, Wonder Woman diving into the World Forge to retrieve Superman and Batman. When the Trinity emerges, they’re all armed with the key to stopping the Dark Multiverse, the tenth and purest form of the metal that binds all creation, Element X.
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From that point, the final battle plays out with the heroes having everything they need to facedown Barbatos and his forces at Challenger Mountain in Gotham. Capullo draws the final battle admirable with a lot of control to the chaos that could be present. FCO Placencia’s colors keep the heroes in brighter focus to contrast Barbatos’s appropriately darker forces, with Hawkgirl as the only one occasionally getting lost in the shuffle since she’s still wearing her darker outfit from her brief time fighting for the other side. With new journal entries from Carter Hall taking over the narration, the final battle is one satisfying payoff after another as everyone gets a moment to shine. Batman punches a Joker-dragon in the face and rides it through the skies over the battle, while using the properties of Element X to arm the rest of the Justice League. The other Leaguers each take out their Dark Knight counterparts in one strike each. Carter Hall finally snaps out of it and rebels against Barbatos. Hawkgirl strikes a fatal blow against the bat-demon. Finally, Batman has his final showdown with The Batman Who Laughs before the Jokerized Dark Knight can enact Barbatos’s backup plan to snuff out the multiverse’s light, with some unexpected help from someone who hasn’t been seen since the Dark Days prologue, the Joker.
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As the Clown Prince of Crime puts it, the last thing The Batman Who Laughs, a dark reflection of the idea that Batman always wins because he’s prepared for anything, would ever expect is to face down Batman and Joker at the same time.  It’s a smart move on Snyder’s part to make this Batman’s big moment of triumph in the story, to defeat the darkest of these twisted Bruce Waynes, while keeping the ultimate universe saving of the finale as a collaborative effort between the entire Justice League. Their victory comes from using Element X to channel everyone on Earth together, freeing them from the Dark Multiverse’s influence and affecting the fabric of creation enough to open up the multiverse beyond the Source Wall at its edge.
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Metal has mainly been defined by comic book readers as a book containing a ton of wild imagery. Though there is plenty of that to spare, what surprised me most about this finale is that it brought everything back around into a single satisfying theme. The events of this story were truly set off by Batman letting his fear of the unknown control his actions, it’s what drove him to steal Nth Metal artifacts while keeping the reasons secret from his fellow heroes. That unknown future also defines something the forces of the Dark Multiverse profess many times over the course of this event, that all roads (i.e. all futures) lead to darkness. It was by trying to pre-emptively stop that darkness by himself that Bruce fell right into its trap and by accepting help from his longtime friends that they all escaped it to fight back.
The epilogue closing the story out, drawn by Mikel Janin, Alvaro Martinez and Raul Fernandez with James Tynion IV joining in as co-writer, spells out some of Metal’s consequences. The denouement takes the form of one of my favorite superhero comics tropes, the Justice League all enjoying a dinner party together to reflect on what they just went through. The artistic shift from Capullo to the epilogue’s team reflect the end of the chaos that’s been happening in Metal since issue one, since the art is not as chaotic or stylized in the final pages as the rest of the event. We get some brief hints at things to come in the DC Universe, contextualized as Carter Hall’s catalogue of visions he had while in the thrall of the Dark Multiverse, and most of it’s not too surprising if you’ve been following DC Comics news for the past few months. The focus is on setting up for Scott Snyder’s upcoming tenure on the main Justice League book, which will be preceded by the four issue No Justice miniseries in May. But all of that is small potatoes compared to this event ending on the heroes rocking out to the musical stylings of Damian Wayne and Jon Kent, with Alfred backing them up on drums.
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If this is just a taste of what Snyder has in store on Justice League, I’m sold hook, line, and sinker. But this finale still has issues, like how Element X could potentially be read as too easy a fix for the conflict or how the person The Batman Who Laughs had chained up this whole time was just some random Monitor, referred to as the Over-Monitor, and not specifically Nix Uotan, as many news outlets and fans have theorized. Where the Gorilla Justice League from The Wild Hunt went after their promise to help is anyone’s guess, but it’s understandable that something so seemingly random from a tie-in wouldn’t come in out of nowhere in the main miniseries.
Overall, Metal is a solid event comic and one of the best of its kind in years. It’s been a ton of fun and I’d highly recommend this to anyone, so long as they don’t mind getting thrown into the deep end of how crazy superhero comics can get.
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riceydrew · 8 years ago
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Ye S, im p sure this is one of the purest things ive ever drawn
@princeasimdiya12
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ask-the-yugoslavbunch · 8 years ago
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🌺 with a flower crown
//purest thing ive ever drawn omg. the red ones are supposed to be carnations, the national flower of Slovenia.
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maneuver2012 · 5 years ago
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America, the Covid, and the World
“Then I saw a beast rising up out of the sea. It had seven heads and ten horns, with ten crowns on its horns. And written on each head were names that blasphemed God.”
What is the beast with seven horns that rose from the sea as what was said in Revelation 13:1? I believe it is the Statute of Liberty with seven horns. Seven rays from a halo, which evoke the seven seas and the seven continents. In her left hand, the Statute of Liberty carries a tabula ansata inscribed JULY IV MDCCLXXVI (July 4, 1776, in Roman numerals), which is the date of the U.S. Declaration of Independence. There are words that inscribe the following: “give me your tired, your poor, your huddled masses yearning to breathe free.”
America was a place first discovered by Columbus. It was already a free land by the Native Americans. And it was the land where freedom was stolen due to greed of mankind. Think about what happened when the pilgrims arrived from the Mayflower. They searched for justice and freedom from the religious prosecution that was common in England during that era. It resembles the prophecy written in Revelation 12:14, which states the following: “but she was given two wings like those of a great eagle so she could fly to the place prepared for her in the wilderness. There she would be cared for and protected from the dragon for a time, times, and half a time.” It was in the new land where people were able to serve God in truest and the purest manner. However, even the purest hearts are drawn to darkness and the pure goal was later corrupted by greed as it was prophesied in Revelation 13:11 that “he [who] had two horns like those of a lamb, but he spoke with the voice of a dragon.” As time went by a religion other than puritan beliefs were prosecuted and men were enslaved into slavery and death. The land of freedom and hope for some became the land of horror and despair until The Emancipation of Proclamation in 1863, which was after the Civil War. However, the Civil War was not a war to ensure that the new land would live up to God’s Will as it was a heavy price paid to satisfy the greed to have greater political power and influence over the great nation as Jim Crow laws continued and racism even continues till this day. It is needless to say that the sacrifice of the Civil War was indeed successful as America grew into a great nation. After the world’s two most tragic wars, America prospered. The economy bloomed and New York Wall Street is the center of the world’s business transaction. However, the prospering economy comes to a stale due to Covid-19.
The Book of Daniel gives a good illustration of the Civil War, a war between the king of the north and the king of the south. It is said the king of the north shall be victorious over the south and shall rule all nations.
And at the time of the end shall the king of the south push at him: and the king of the north shall come against him like a whirlwind, with chariots, and with horsemen, and with many ships; and he shall enter into the countries, and shall overflow and pass over. He shall enter also into the glorious land, and many countries shall be overthrown: but these shall escape out of his hand, even Edom, and Moab, and the chief of the children of Ammon. He shall stretch forth his hand also upon the countries: and the land of Egypt shall not escape. But he shall have power over the treasures of gold and of silver, and overall the precious things of Egypt: and the Libyans and the Ethiopians shall be at his steps. But tidings out of the east and out of the north shall trouble him: therefore, he shall go forth with great fury to destroy, and utterly to make away many. And he shall plant the tabernacles of his palace between the seas in the glorious holy mountain.
Revelation 12:40-44
However, the Book of Daniel also says in chapter 12 verse 45 there will be a time when the king of the north shall come to an end and that “none shall help him.”
It is not because nobody wants to help the great nation. Due to the circumstance, it seems that nobody can help the great nation. But what bothers me the most is the following verses.
And I heard, but I understood not: then said I, O my Lord, what shall be the end of these things? And he said, Go thy way, Daniel: for the words are closed up and sealed till the time of the end. Many shall be purified, and made white, and tried, but the wicked shall do wickedly: and none of the wicked shall understand, but the wise shall understand. And from the time that the daily sacrifice shall be taken away, and the abomination that maketh desolate setup, there shall be a thousand two hundred and ninety days. 12 Blessed is he that waiteth, and cometh to the thousand three hundred and five and thirty days.
Revelation 13:8-12
If Daniel did see the future and if the Bible is the prophecy of the world to come, then Covid-19 might be more serious. “The end of all things.” The number 1290 days and 1359 days is dreadful. This means that the antidote that could cure the virus needs another decade or so to be introduced to mankind, which may, in fact, reduce the population of mankind. Then would be the time when Nostradamus prediction might be real, where he prophesized that the following:
There will be a twin year (2020) from which will arise a queen (corona) who will come from the east (China) and who will spread a plague (virus) in the darkness of night, on a country with 7 hills (Italy) and will transform the twilight of men into dust (death), to destroy and ruin the world. It will be the end of the world economy as you know it.  
Then again, historians believed that the world was a big continent because there were artifacts that were discovered in places that were impossible to travel due to seas. And scientist explained that the world was one big piece of the continent that was spread into several pieces due to plate movements. However, I doubt that the world was one. From the very beginning, the world was as it is now- seven continents, where earthquakes were common. Before our world, the world of the past also developed at a rapid speed, and the world was able to communicate and share their culture due to the globalization we now see today. The world of the past and the world of the present and its attempt of globalization is an attempt to restore the great Tower of Babel. The reason why the Tower of Babel had to be destroyed is that humanity not only shares good but when humans gather together they also shared more evil than good. And Covid-19 can also be explained as God’s attempt to keep His people away from one another. It is His Will to protect humanity from doing evil because the more we are distant from one another the less we compare ourselves from one another and the less greed we shall experience. It is His Will to once again disperse all humanity to refrain them from doing evil. And the world shall once again degenerate to its rudiment form. All evil shall vanish once again and the humans shall rejoice in the Garden of Eden as their New Jerusalem until mankind meets another mankind and open its eyes to evil, then all the pain and sorrow of this world shall repeat once more, where this world will need another Christ for salvation and redemption and where this world will meet another fury of God to protect themselves from the great evil. Because in this world there is no such thing as Satan, devil, serpent, or Lucifer. It is all but a fantasy and illusion created by mankind and God's mercy in allowing humans to believe such things exist in this world. Within us there is good but within us is the evil- our own Satan and our own Lucifer. Our very soul and our hearts are the very incarnations of the tree of good and evil as the tree itself the symbol of our state. Furthermore, in the Bible, it says that Lucifer and his followers were banished from heaven. Lucifer and his followers represent mankind. Mankind is Lucifer. It is time not to point at some non-existing devil and blame the devil for the wrongdoing. It is the vile doing of man, the evil that always coexists in all human hearts, which leads mankind to further be exiled from the Garden of Eden. When taking a further step in doing evil, such as committing murder like Cain, the Bible shows us that such beings will not only be perished from the Garden of Eden but they will further have perished from the world they are living as outcasts. It is our choice to make the decision to be good or bad. Nobody could make such a choice. I guess the mechanism is the same as that of Aladdin and the Genie. The God who we serve cannot make someone fall in love with use. Our God cannot kill nor could our God save. God cannot suddenly make the bad into the good as how God cannot suddenly make the good into the bad. God cannot kill nor can He save but He can express His fury and his joy in a way no man could ever understand. Best not to test His Patience nor underestimate or overestimate His Being.
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sherryfundin · 7 years ago
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Monsters Are Real!!! Bitter Moon by Alexandra Sokoloff @AlexSokoloff
OMG..Alexandra Sokoloff did it again in Bitter Moon, Book IV in the Huntress/FBI Thriller series.
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Goodreads  /  Amazon
MY REVIEW
I had received several books of this series and loved them so much, I binge read all three. So apt this book comes after the others. I think I got a lot more from it, because I am totally engrossed in how Cara came to be a vigilante.
In Bitter Moon, Cara relives her tragic past and it is brutal, horrifying, terrifying, and haunting. The insight into her motivation makes me see evil in its purest form. It’s no wonder she takes her revenge as a vigilante on all the users and abusers. The atrocities committed on defenseless children by family, friends, strangers, they need a guardian angel and Cara will fight to her dying breath for herself and for them.
Roarke has walked away from the FBI because of his conflicted feelings about her. He is lost, isolated, confused…As he tries to find answers for himself, Roarke tracks her past. He walks where she walked, meeting some people she knew, gaining insight. The nun simplified if for him, he is on a mission.
Can evil be drawn to a particular person? Can someone attract the bad through no fault of their own?
It is frightening and horrifying as I read of her past and know these things really happen, that the depravity of humans are going on right now. I am at a loss for words with an overwhelming feeling of hopelessness.
I love Cara and don’t know how she can have a happy ever after, but I so much want it for here. If any character I have ever read about deserves something good in her life, Cara does. She is dogged by evil, she never quits, never gives up, willing to take them out one by one.
She runs from IT, but IT follows here everywhere she goes.
Monsters are real!
Research? If half of what Alexandra Sokoloff has written about rape and trafficking, the women and children, throwaway kids, the predatory people out there is true, we should all be afraid. It may be easier to turn the other way, but you never know when EVIL might come for you.
I had wondered if there would be more, because the rest of Cara and Roarke’s story needs to be told, and I am so happy to know…there is.
There are so many great quotes, that I had to share a few of them.
“Look too long into the abyss and the abyss looks back into you.”
“Fear the wolf, or be the wolf.”
“Bad men need nothing more to compass their ends, than that good men should look on and do nothing.” John Stuart Millshad
Alexandra Sokoloff had me wound so tight, I felt like I would explode. My emotions were all over the place and I did breathe a sigh of relief…and regret…when I was done. The characters have captured my heart and I miss them as soon as I close the ‘cover’. Stay safe everyone, I’ll be back.
I voluntarily reviewed a free copy of Bitter Moon by Alexandra Sokoloff and these novels will be sitting on my reread shelf!!!!
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  5 Stars
Read more here.
MY REVIEW LINKS FOR ALEXANDRA SOKOLOF
Huntress Moon
Blood Moon
Cold Moon
I love these gorgeous covers.
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You can see my Giveaways HERE.
You can see my Reviews HERE.
If you like what you see, why don’t you follow me?
Leave your link in the comments and I will drop by to see what’s shakin’.
Thanks for visiting!
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