#this is one of the most romantic animes I’ve ever seen and it isn’t even a romance anime

[duckyfann9871]

VILLAINS>>> heroes

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

[saylor-twift]

“he loves you, but he would never say that to your face.”

“-but he would never admit that.”

“-but he would never tell you.”

???

Are you sure? I am an avid tumblr stalker, and I’ve read so many things on silly little hat man in my time. I’ve seen things that tore my heart to pieces, that patched it up, that made me want to rip my guts out and throw up, that made me feel on top of the world.

And yet this is the one thing that bothers me so very much. I know, everyone has their own interpretations and opinions on different characters. So let me share my own.

The Wanderer is such a deeply written and intricate character, strung together with deep fears and insecurities, tragic backstories, and a beautiful story of change, healing, and moving forward. (I hate hate hate it when he is forced down to the level of nothing but oversexualization and “uwu sexy anime boy”, but that’s a conversation for another time.)

I’m sure if you’re reading this, you’re probably acquainted with Wanderer’s backstory, so I’m not going to explain. A lot of shit happened that made him who he is, and ever since the events of Irminsul, he has taken on a new path that he cannot go back on. Not like he’d ever want to. He said it himself, he never had any intention of returning to the Fatui. (And also- why choose to go backwards when you’ve got such a nice path set ahead of you?)

Anyways, point is, he’s changing. Notice how I said changing. He’s not changed, he’s just starting to. He’s getting there. Which brings me back to my argument. In the case that Wanderer ends up with a partner, things are certainly not going to be like a normal relationship. (He’s got plenty of red flags, don’t even try to deny it. But he’s a fictional character, so I suppose we can let this one slide.) Is he going to make the first move? That depends on if you make him desperate enough. Otherwise, it’s all on you, babe.

He’s not going to take it well. He’s going to deny it as hard as he can. You don’t love him, how can you? He is the furthest thing from loveable as you can get on this godforsaken planet. (His thoughts, not mine) But he certainly loves you, and, albeit with some likely pressuring assistance from Nahida, he’s come to terms with that terrifying knowledge.

“But he wouldn’t admit that to you.”

STOP. STOP RIGHT THERE.

Here is where my controversial opinion comes in. Most people tend to portray Wanderer as this cold, cut-off, aloof and irritable man, even in a relationship. And before you say anything, no, I absolutely do not think he would be the lovey-dovey, sappy, overly caring and romantic type. He’s not on either end of the spectrum, but I do think he’s somewhere in the middle (but probably leaning towards the former side).

Love is so, so very scary to him. And downright unknown. He’s traversing into uncharted waters here, give him some space to figure things out. That being said, he’s testing these waters. He’s not going to say he loves you at the beginning of a relationship. He has to make sure this thing is going to work. Your relationship is a newly built bridge, and those three words are the heavy cargo passing through. Without a strong foundation, the bridge is going to collapse, no questions asked. The only problem is, it’s going to take a long, long time to build that bridge. It’s going to be more expensive, more time consuming, and cost more materials than you had originally bargained for.

But that cargo can’t sit on one side of the bridge forever, can it? No, it has to get to the other side at some point. So if you have the patience to give your time to this bridge, the cargo will find its way to the other side. The foundation may wobble, the planks may shake, but the bridge isn’t going down.

He loves you, and he would admit it out loud. He would say it to your face. Just maybe not as soon as you want it. It’s going to hurt, and you’re going to wonder if he actually cares for you or not. Fear not, because if you pay attention to those little things he does when you’re not looking, it will feed you those little crumbs you need till you can finally be satiated when the full meal is done cooking. He mends things for you, things you had given up on because you’d never have the time nor energy to do it yourself. He cooks, and surprisingly, it’s always your preferences. He collects things that remind him of you, some he keeps out of embarrassment, and some he leaves on your bedsheets whenever you’re not home.

He’s been hurt, abandoned, and betrayed far too many times to immediately let himself fall into something as complicated as a relationship. He’s going to be distant, you’re going to disagree, probably fight a bit. He’s just seeing how far he can bend the lines, how much you really want him. (red flag maybe!! but he’s working on it, it’s going to be okay. mayyyybe you can look past just this one…) If you won’t leave even if he does this, then he thinks, maybe you’re the one. Maybe fate decides to treat him benevolently for once.

And when you finally, finally get to that point, he’s going to drown you so deep you can never get out. He’ll say he loves you, does everything in his power to make sure you never forget it. (no, he’s not going to read you love poems in the moonlight and call you darling. sorry if that’s your thing, that’s not who he is.)

This relationship will never be perfect, but relationships never are. Just as long as the two of you are willing to be patient with the other and get through your differences and clashing personalities, you are going to mold together perfectly. And even if he doesn’t say it often, (which he probably won’t. he’s certain you know it. why repeat something already ingrained into your mind? he doesn’t use those words lightly), it’s not like he’ll never say it. He won’t leave you in the dark for too long. He loves you, don’t worry. He’ll say it, but he prefers to show it.

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[fangirlingatstuff]

Hi ive seen your work, thank you for keeping the epic fandom alive 🙏🙏. I’m not sure if you do nod but if you do could you write headcannons about him, like the mandrake ones. Thank you!!

Awww thank you for liking my work!! 😊😊 I found the lack of content for Epic saddening and had to do something about that lol

I can definitely write some hcs for Nod, I’ve had a few asks about him that I havent gotten to writing yet because he’s not someone I write much for but this is a good way to start!

Nod General and Romantic Headcanons

General

I feel like the movie didn’t emphasize this enough but Nod isn’t just a good flyer, he is one of, if not the, best.

I imagine he’s been on the back of a bird ever since he was little. Flying with his dad or with “Uncle” Ronin when they weren’t off fighting boggans, or even riding with other leafmen when his dad wasn’t around.

Nod probably grew up around leafmen his entire life, being in the barracks or following his dad around while he was on a shift. The other leafmen and women took to him like he was family and he was always seen with another soldier if he wasn’t with his mom or dad.

Probably was friends with other soldier’s kids and they got into all kinds of mischief, mostly bugging the older soldiers.

The day his dad and Ronin left for a seemingly routine recon mission, his dad left with a kiss to his mom and a ruffle to his hair. There was a tension in the air, unspoken acknowledgment between the adults that this time was different than before, but Nod didn’t bring up that he could see that.

When Ronin came back alone, with nothing but his father’s helmet and many bruises and cuts, Nod didn’t shed a tear.

He took the helmet as Ronin explained that his dad wasn’t coming back this time and stared at it in understanding, his face falling.

Nod didn’t even need Ronin to tell him that his father was gone when he came up to the door.

Nod was little when it happened so Ronin had taken charge of him early, but that didn’t make him any less rambunctious.

For a while, Nod was quiet, that was until he grew old enough to be unsupervised and all bets were off. It got especially bad right before Ronin started training him as a leafman. His behavior was actually the reason why Ronin enlisted him, because he was getting into trouble.

Loves animals. Wants all the pets, give him five minutes and he would’ve had Ozzie on his back kicking his leg.

Finn is sort of like his older brother and when they are both off duty, Finn takes time in annoying Nod, usually by messing with his hair or playfully shoving him.

Romantic

Goofy freaking tease. If he’s even half an inch (or whatever the heck tiny people use to measure height) taller than you, he’s calling you short forever now.

Is constantly holding things out of your reach or blocking your way, if you have to do something or need something, by principle he feels like he has to prevent you doing or getting whatever you need.

Cheesy dorky pick up lines. He has an entire index of them, sometimes he will go alphabetical. Finn has a list of his most used ones.

He will be taking you on flights all day every day. Hope you aren’t afraid of heights.

In all honesty though, he would be so excited to share his love of flying with you. He’s good with birds and would love for you to like flying as much as he does. If you don’t, thats ok, but he will give you puppy-dog eyes when you tell him you don’t want to fly today.

Tries to impress you all the time with his swordsmanship and status as a leafman, apparently he heard that people “like a guy in uniform” so he’s laying that on thick.

Even though it is when he isn’t trying at all that he impresses you the most, you won’t ever tell him that. He’s too cute when he’s talking about how to train a bird or fit a saddle and you could listen to him for hours.

That isn’t to say you aren’t impressed by him as a leafman. His agility is crazy and seeing him train or fight is a feat in itself. Just make sure you stay safe and he’ll let you watch him work all day.

Ronin teases the two of you. So does Finn. Nuff said. Finn likes to embarrass Nod in front of you.

“Oh have I told you about the time when Nod got scared by a caterpillar?” “FINN!”

Ronin encourages this, he’s the one that started it after all.

[ecivons]

Kiruko’s Gender Identity

Short rambles and hcs about Kiruko and their gender

Spoilers up until where the anime ends (Ibaraki Facility)

Everything below is my personal interpretation and not necessarily what the author is intending *thumbs up*

I find it interesting that no matter what lense you try to view it through, Kiruko is trans.

And before I go on, I’m gonna warn u in advance that I’ll be using he/she/they for Kiruko/Haruki no matter the interpretation because it seems like Kiruko themself doesn’t seem to care about what gender they are referred to as or outwardly seen as

For one Kiruko’s gender experience aligns w the experience of a trans man. Kiruko is a male (Haruki) stuck in a female’s (Kiriko’s) body. This interpretation is the most obvious bc Kiruko says it themself multiple times. The only reason why people might deny they’re trans is because Haruki actually gets to experience living a cis life as a boy.

And ig this is what makes it easy for ppl to accept the fact that Kiruko’s (Haruki’s) gender identity isn’t aligned with their body’s sex.

((Funniest thing about this is that I’ve seen homo/transphobic anime bros praising the brotherly bond between Kiruko and Maru whenever they have moments together that could be seen as romantic.))

My personal interpretation is that Haruki is actually a trans girl. It might be confusing to get, especially bc Kiruko tells Maru over and over again that she is a man on the inside. But to me, this seems more like something she says just because she acknowledges her original cis life and she doesn’t want to be the object of or doesn’t see herself as deserving of Maru’s affection

I interpret Kiruko as transfem because Haruki’s love and obsession with his sister could be seen as a form of gender envy, and I kinda see the feeling Haruki gets after inheriting Kiriko’s body as like,, gender euphoria even if he doesn’t realize it. ..umm ignoring the obvious implied romantic feelings Haruki has towards his sister lmfao.

It’s not an uncommon experience for trans people to want to become a person they love/admire/respect (who happens to be the opposite gender) and eventually realize that they are trans because of it.

Haruki tells Maru that he’s gotten more confused than ever about his identity. But the ending of this arc reads to me as Kiruko realizing and coming to terms with the fact that they want to let go of their past as Haruki— their old body and life, and enjoy living as they are now.. as Kiruko whether it be a girl, both or nothing at all.

[2manythoughtz]

Damon Vs Stefan, But They’re Both Toxic

One of the most popular debates on the internet ever since the first season aired is: which Salvatore brother is the best love interest? But is it really up for discussion?

(before reading, this is only my opinion based on my knowledge of the series, I'm not trying to hate on the characters or the series)

Most movies and series have their fanbases discussing many topics which can lead to real divisions among fans. The hottest topic you can ever discuss with another fan is probably what’s the best ship (romantic couple) or love interest.

The biggest example is probably the Twilight Saga which has people still arguing whether the best love interest is Edward or Jacob.

Speaking of supernatural romance, The Vampire Diaries is still to this day one of the most popular TV series, with eight seasons and two spin-offs, it quickly became revolutionary.

Seeing how people still talk about it, I wanted to compare the Salvatore brothers and explain why they’re both terrible choices. To do so, I will focus on both of them singularly so that, even if you haven’t seen the series or you don’t remember it that well, you can understand my point of view.

Stefan

I’ve seen so many people arguing that Stefan is the best love interest because he’s “the good one” and his love for the protagonist, Elena Gilbert, is so pure. 

While I can see why one would think that he’s not as “evil” as his brother, I wouldn’t say that he is good. In fact, I think he’s just as bad as Damon on so many levels.

But let’s take it from the start. We meet Stefan immediately in the first episode, he’s portrayed as this mysterious, good-looking and emotionally unavailable guy who was extremely acclaimed in every 00s movie. He’s enrolling in the same High School as Elena, and we can see right there that he’s not like any other boy in that school.

In fact, he’s a vampire and he’s decided to study there just to meet Elena. Why, you would ask. Well, because Elena looks exactly like Stefan’s old lover Katherine. Funnily enough, a few seasons later we find out that Stefan never truly loved Katherine, they had their share of fun and he cared for her, but once he realized what she had done to him, he immediately resented her. 

Elena and Stefan fall in love and they help each other whenever something goes wrong, which happens very frequently. Because of that, they get separated and their love slowly fades away as they break up after a year together. 

Elena gets with Damon, but we’ll talk about that later, and Stefan has some up and downs before falling in love with Caroline. Their relationship is peculiar in a way, at first they both push each other away, then get together, then push each other away again and then get back together again. 

Spoiler alert: Stefan dies in the end as he decides that he wants to sacrifice himself to help Elena and Damon live a happy life together as they wanted. 

So, as you can see, he seems like a very gentle and honorable guy, but there’s more to be said about him. 

Stefan is a ripper, he can’t control himself around blood and ends up losing his humanity as he slaughters and eats every human along his path. He’s known for killing entire villages, spreading chaos and fear. Sure, one might excuse him because later on it’s revealed that he got that gene from his mother. 

But let’s put it this way. For Stefan blood is like alcohol for an alcoholic, they may not know what they’re doing when they’re drunk but that still doesn’t excuse their actions, the same goes for our vampire. 

Stefan is a hot mess as a vampire, he’s a ticking bomb and only has two regimes: he either feeds on animals, which results in him being way too weak, or he drinks blood and goes crazy.

Not to mention, the young Salvatore isn’t exactly an angel. He’s done many wrongdoings throughout the series but they’ve all been forgiven just because he’s Stefan and everyone likes him, only in the last season he finally realises everything that he has done once he becomes human, a big foreshadowing of his death in the end. 

He’s still manipulated and killed people because they were getting in his way, but maybe that doesn’t really count as toxic seeing as most characters in TVD do so without any problem. 

So let’s talk about his attitude throughout the 8 seasons. Stefan has had a few love interests after Elena broke up with him, that wasn’t necessarily his fault since he had been compelled by Niklaus to turn off his humanity, but even after regaining his humanity, he seems off and distant. 

After Elena, Stefan is confused and doesn’t really know what to do. But just as he was about to get over her, his brother gets sucked into another dimension (so much happens in TVD, so I hope you can keep up with me) and he decides to just leave everything behind and get a new life and a new girlfriend.

That doesn’t go too well since the girl dies soon after, he was never really into her and never opened up about anything with her. 

So later on he realizes that he’s in love with Caroline, what a surprise, but the two of them cannot be together yet. Once they actually become a thing (it takes a while), Stefan’s first love appears and Caroline is very jealous.

Does that stop Stefan from running away with his first love and having a relationship with her as soon as he’s in danger? Nope, he does leave Caroline without saying anything and spends years with his first lover. 

Not to mention, as soon as he gets back in town he gets dumped by the girl and he goes back to Caroline. She accepts but tells him that he can’t run away from her anymore.

He kind of runs away again? He proposes to her but he’s also wanted by the Devil to work for him, so he turns off his humanity and leaves Caroline… again. 

See a pattern here?

In the end, as I said, he sacrifices himself for Damon and Elena… right after marrying Caroline. 

Now, I’m not saying he’s the worst person in the whole series, but I must admit that his relationships were all very weird and superficial. He never really got in-depth about his feelings with anyone a part maybe from Elena. He always sacrificed himself for Elena, which was cool when they were together, but after breaking up my question is… why? He gave up on his brother when he thought he was dead, but never gave up on his ex-girlfriend? 

Let’s see it from Caroline’s point of view. Her boyfriend took his sweet time to realize that he liked her, he left with his first lover, proposed and then immediately un-proposed since he worked for the devil, he had a full debate about whether he should’ve married Caroline and after marrying her he basically kills himself for his ex… 

As I said, I don’t think he’s exactly good. I personally think that he’s very toxic in his ways, we just learn to ignore it throughout the series because he’s always painted as the best brother. But to be fair, even if he had stayed with Elena things wouldn’t have gone any better between his blood problems and tendencies to sacrifice himself for anything. 

Damon

Let’s talk about the older brother.

It’s fair to say that most people love Damon even if he’s the bad boy, or maybe they like him because of that. 

I honestly think that he’s had a big character development in the first 3/4 seasons, but after that, it got really boring and repetitive. At least, unlike Stefan, he learned to value himself and those around him. 

Damon is presented to us as this jerk and heartless older brother whose only goal in life is to torment Stefan for everything he’s done to him. That promise gets forgotten very quickly in the series, but that’s a different topic. 

I personally cannot stand Damon in the first 2 seasons. He’s so exaggerated in every way, he’s made out to be this big bully who kills without remorse and sleeps with everyone. 

He literally kills for no reason if not for fun, but everyone gets over it very easily, if not for a few times when they kind of point out to him that he’s not the best person ever, but what really ticked me off was the way he treated Vicky and Caroline.

Vicky’s death is something spoken about every season with her making an appearance every single time. So many things would’ve changed if she hadn’t died! And Caroline… well, I just felt sorry for all the abuse she had to endure and that everyone ignored once she became a vampire.

Can we also talk about the fact that Damon is like 25 (ignoring the fact that he's been alive/dead for 170-something years) and sleeping with Caroline who’s 17 while having a crush on Elena while she’s also 17? Yikes.

He’s very determined to find Katherine, his only true love who is later revealed to be a traitor and a liar. Everything Damon has done to get her back means nothing and the worst part is that Katherine has always been in love with Stefan and Stefan only. 

Once his love dream gets destroyed, he focuses on Elena full-time. He seems to be dependable on his love interest, meaning that he lives his life based on that only. 

And his personality doesn’t really change when he turns off his emotions so there’s not much to compare him to, if anything it just makes it worse because it means that he’s always so bloodthirsty and perverse in a sense. 

He doesn’t really have any relationships other than Elena and Katherine, he does hook up with many people throughout the series but it’s nothing more than sex most of the time, except for a few women he befriended.

The only good development he had was about caring for his friends other than his girlfriend. But that doesn’t cancel the fact that he was willing to kill and actually killed Elena and Stefan’s friends for nothing. But yeah, there isn’t much to say about Damon since his main problem is killing people here and there and his obsession with his love interest.

But even that doesn’t stop him from sleeping with other people while being deeply in love with Elena or Katherine, although this is a bigger problem in movies and series, cheating is so normalized that people don’t even think about it anymore. While one could discuss that he didn’t really cheat since Katherine was allegedly blocked under a church and Elena was asleep and couldn’t wake up. But is it really a good excuse? I mean, if his love for her was so deep that he wanted to become human and spend the rest of his life with her, shouldn’t he only want to sleep with her?

As per toxicity, in his relationships, he’s pretty stubborn and easily irascible. He’s Stefan’s opposite, so while he’s understanding and open to confrontation, Damon tends to think that his opinion is always correct and there is no other way until proven wrong, and even there he won’t admit that his idea wasn’t the best. I think it’s safe to say that he has some anger issues, every time he has an argument with someone or feels threatened he goes rogue and unleashes his anger on people. 

He’s not the nicest but as I said, that doesn’t mean much. He might not be as nice as Stefan but that doesn’t make him worse, to be honest. 

So in conclusion I don’t think that there’s a better choice, both brothers helped and ruined Elena's life in many ways. Both of them had this superhero complex and wanted to sacrifice themselves all the time, they could’ve just come up with another idea or something half of the time but they didn’t. And every time Elena got in trouble it was mostly because of them, because someone wanted to get revenge on what they did in the past or simply to hurt them and she was the perfect way to do so. I’m also pretty confused by the fact that they fell in love with Elena just because she looked like Katherine at first, Damon’s infatuation is plausible since he was head over heels for that woman, but Stefan? He never really loved her, so why approach Elena in the first place?

Like most stories with supernatural characters, vampires are not the healthiest partners. Stefan or Damon? That’s not an easy decision, but not because they’re both amazing people, although they did care for Elena till the end. They’re both toxic and difficult to deal with but maybe that’s exactly what made them so memorable and acclaimed by fans. No matter how cold and scary they could seem, they had a sweet side of them with the people they really cared about.

Which brother do you prefer? Let me know!

[prettysymbiosis]

I’ve been trying to get these thoughts out for days but basically I feel like the unifying theory of s16 (as I see it) is a conscious exploration of the dichotomy between sunny as a classically bold and brash pee pee poo poo comedy and sunny as a thoughtful, nuanced and subtle show about flawed people and also about itself, at times (by that I mean the meta isn’t always about macdennis or the other characters but about sunny itself - win an award, clip show, big mo, etc). the trailer actually captures this dichotomy well through the dialogue clips and animations, as well as the pinned comment which said “get ready for a whole lot of subtlety.” it’s still so baffling to me that sunny can simultaneously read as one of the most loud, obnoxious, unsubtle shows ever on television, OR it can be so subtle and allegorical in the writing of later seasons that most viewers would think people like us are crazy for reading so much into it even though we’re really not. this kind of self-reflective flavor is another product of the rewatch/podcast project which has been almost universally agreed to have had a very positive effect on the writing.

anyway having said that, I want to just share my notes on the first two episodes without trying to edit them too much. I’m bolding the points that I personally haven’t seen anyone else mention yet and putting a 😎 next to ones that evoke a Classic Sunny VibeTM because that’s important to the experiment of this season.

the gang inflates

macden fun/domestic/DUMB again 😎

something something never committing to the couch when it was absurd not to and it ended up costing them so much macdennis blah blah

dennis hanging up on dee was so funny to me oops 😎

and the WHOLE dee (as a character and specifically the female character) thing about being minimized to an absurd degree. I like to think the bog was a turning point for dee and the show is gonna do better by her now hopefully by recognizing her plight in a more serious way, like the way the guys have been doing?

are mac and dennis…… you know…… like for real??? as many have said, it could totally be revealed kind of retroactively to undercut the shock and be like “honestly we’re surprised you didn’t notice sooner” I feel like that is something rcg would do. suggestive clues:

“I don’t wanna talk to you about–” “a TON”

or is dennis like well that’s news to me jealous vibes??

“I figured you were man” ??

“I’m getting a little concerned about our nut”

“you truly have no reason to be sleeping with frank”

they specifically put a lil reaction shot of dennis after mac says “that’s a lotta blowin” a la the lil grin in gets romantic and, well, I just think that’s a choice that was made

“it’s not homophobic” is that so?????

when mac is like “you think we got rid of our furniture too soon/that the business plan won’t work” it’s kinda like no it’s not the committing to what they have, it’s that mac still has big denial problems and dennis can’t work with that… maybe? but so does dennis tbh

in a show-meta sense it’s like, we should be less worried about whether the gay gay-ass love story will alienate people and more worried about how these characters are too ridiculous to even let the love story play out effectively. they need mental health days if we are ever to have nice things

it’s possible mac denying his reaction to the allergy has to do with his body dysmorphia?

also it occurred to me that maybe part of why rob is clean-shaven this season is so they could do those prosthetics more easily?

those handprints though…. I hate everything

oh also just the bed scene. its existence

the zoomed in neck touch of course

“I’m not going to do it!” “..okay” dennis keepin his cool :)

mac’s shirt! COOLER HEADS PREVAIL

just the sheer silliness of inflatable furniture - is there some metaphor here lol?

in a general sense could inflates be taken to mean flanderizes? also maybe it’s just implied but I noticed I hadn’t actually seen anyone mention inflation as a sexual kink and like, that was part of the intention right? if so, 😎

charlie “uhhhhhhhh… yep.” poor charlie :( he doesn’t want to live in a maze (like a rat)

“well then you’re just like being a predator” :( so here for charlie calling out bullshit with frank and mrs. mac and even his own mom so far in these first two eps

charlie just giving up and yelling in frustration which is kinda what bonnie does in ep2 (and ep3 based on trailer)

the gross horny male objectifying thing 😎

rob put his whole pussy into this episode

charlie saying “I don’t get why he doesn’t take me seriously” and dee saying “that’s gotta be maddening” 🙃

cats in the alley my loves 😎

gluing dee a pillow on the wall <3

“consider it an offering” “of war??” this says so much. must everything be a conflict?

charlie’s hair looks so crazy and good in the sleepover scene and also he’s so smart

charlie asks frank to “return everything to the status quo” by the end of the episode, sitcom style. full reset, no progression. except charlie is asking that frank not endlessly take advantage of the fact that mac and den can’t figure their shit out, not totally push dee out just because it’s easy, not make light of the trauma charlie has from what happened to him. all that stuff IS the status quo! so what is he really asking for? this is one of the bits of writing that I think is also about the show as a show, and how they’ve approached these dynamics forever. 

it’s funny that people are saying this season is such a return to form because it is, but it’s also so much more self-aware of what that form is/was and how deeper elements can coexist within it. they’re really walking with a foot in both worlds here and they’re doing it well. love this for them and for us, the people who know what it’s always sunny in philadelphia is REALLY about

“we’ll take you to the hospital, and they’ll have nuts. and you can– you can die there.” hahahah

[jjsstars]

feel safe — posted on my ao3 | 1.7k word count

|| tags : pre slash theo/scott, theo has a bad past, melissa mccall & theo raeken, theo is part of the pack, angst

Theo’s hands shake by his sides as he stands outside the McCall household, having already knocked once on the door, only once. If nobody comes then he’ll climb back into his car and drive to the woods and park somewhere random to sleep, he doesn’t want to push anyone to let him stay with them. He still doesn’t feel right about calling himself part of the pack, they’ve all assured him, even Stiles, that he is now. That he has earned his spot and has changed for the better.

The door creaks when it opens to Melissa standing at the threshold, she’s in pajama pants and a loose long sleeve, Theo suddenly gets scared he woke her. It’s only seven o’clock but maybe she had a long shift at the hospital and turned in early, he’d feel awful if her sleep got interrupted by him.

“Theo? Scott isn’t in right now, is everything alright?” She’s really asking if anything supernatural happened, it hasn’t. The town has been quiet and fairly normal since everything that happened ended.

“Everything’s okay, I was just..” His heart rate spike, he feels dumb for asking this, for wanting more from Scott and his family when he’s already taken so much.

“Do you think I could sleep on your couch tonight? Or- or the floor, I’m not picky, and- and it’s okay if you say no. I can sleep in my car, I’ll be fine, I don’t want to pressure you or anything-.” He stops when Melissa’s face falls to something Theo’s only ever seen her direct at Scott or Stiles, it’s motherly.

A concerned crinkle in her brow as her lips press together into a thin tight line and her eyes turn softer, bigger, worried. Theo doesn’t know what to do with this look being directed at him, his own mother, his real one, never showed this much emotion on her face. It was always stone cold stares and disgusted tsks at Theo and Taras actions, the women never had patience for children, neither did his father. Theo squirms under the gaze of Melissa before she’s pulling him inside by his shoulder.

“I was just watching a movie if you want to join me, or you can wait for Scott in his room.” He nods along silently as he toes his boots off at the door, his parents weren’t good at the whole maternal thing, but they taught him house manners.

“What are you watching?” There’s a blanket thrown atop Melissa’s lap and a cup of tea with steam still spilling off the top on the coffee table. Theo’s careful not to bump into the table as he sits himself beside Melissa, not too close, but enough that his nose can pick up on the fresh lavender lotion she has on. She must’ve just sat down when he showed up.

“The princess and the frog.” She says and leans to retrieve the remote and a book from the table, her book has a card sticking out of the top, she’s halfway through it. The cover is a navy blue with gold letters, it’s cursive and Theo can’t quite catch it from this angle, but the book looks old and worn so it must be good. He assumes it’s something romantic, he remembers Scott mentioning his mom reading a lot of “cheesy” romance novels.

“I’ve never seen it.” It’s animated which isn’t what he was expecting but it’s a pleasant surprise. Animated usually means it won’t be something scary, that’s what Lydia told him at the last pack movie night, they watched some superhero movie that Malia and Stiles wanted to see, Theo doesn’t remember most of it since he fell asleep halfway through. He just knows he prefers the non-scary movies, he’s seen enough horror and gore in his life, he’d rather watch something with a happy ending.

“Really? It’s a childhood classic.” He isn’t sure how to tell Melissa that he hasn’t seen most ‘childhood classics’ and that it doesn’t stop at just movies. He hasn’t read the books the others talk about, hasn’t seen the shows and movies, never had the toys and accessories they mention. His house was never made to fit children, that’s how he sees it at least. His mother and father always had guests coming over and didn’t have time to clean up toys that Tara and Theo left lying about, and they didn’t have time to change the channel from a kids show to something adult. Theo and Tara were left to their own devices and told to stay away from the guests, to not embarrass their parents. Theo remembers spending a lot of time drawing and listening to Tara make up story’s from thin air.

“I haven’t seen a lot of movies.” Theo’s missed out on a lot of pop culture, more than he’d like to admit, but he’s trying to catch up and cue into things that the other teens talk about. Lydia said they’d watch Ariel, a movie she was obsessed with as a child and Theo hasn’t seen, so that way he could understand the songs she sings under her breath when she works with her hands. The pack have been kind about Theo’s lack of knowledge in certain things, the same way they’re kind about things Malia misses, he appreciates it more than they’ll probably ever know.

“Scott mentioned something like that. I think you’ll like this one, everyone does.” He nods along and looks at the Tv, Melissa has her book open and he doesn’t want to seem rude by staring at her as she reads.

“What’s it about?” The characters and art style are upbeat in a way, a simple color palette, it’s easy to tell this is a kids movie.

“A princess and a frog.” A small laugh comes from both of them. Theo likes how easy it is to talk to Melissa, to smile with her, it reminds him of when he talks to Scott. He never realized how much Scott’s like his mother but now that he’s sitting beside her it seems obvious.

They both have a warmth to them. It bleeds into their house, Theo always feels comforted and mellow in the McCall home, there’s never any worry about having to perform or keep up a reputation when he’s here. It even smells like home, a soft and sweet smell, none of the sour and harsh smell from his parents house. It doesn’t reek of strong chemical cleaners or three sprays too much of an expensive perfume, instead he’s hit with the scent of Scott and Melissa. It’s natural, gentle, no lingering tension or blood rapidly cleaned off the walls. He sinks into the feeling their house provides, the safety and security that he can put his guard down.

-

He isn’t sure how much times passes but he’s shaken awake by somebody’s hand on his shoulder. His head is leaned against Melissas shoulder, her sleep shirt is velvety on his cheek, he can hear every even breath she takes and hear how she murmurs something to whoever is standing in front of them. Theo doesn’t want to move, he likes being close to someone like this, it’s tranquil, something he doesn’t get to feel often. He wants to savor it.

“C’mon Theo I’ll take you upstairs, you can sleep in my bed.” Scott, his brain recognizes. His arms outstretch to Scott without a second thought, he thinks he’d die if anyone else saw this, but Scott only laughs, he sounds just like Melissa.

Arms wrap around Theo quickly, one hooking under his knees and the other around his back, Scott hefts him up with ease. It’s no surprise with his werewolf strength, Theo thinks Scott would try to carry him even without it. That’s just the kind of person he is, the kind of person Theo wishes he could be. He admires how Scott always tries to help his pack, even back when Theo was under the influence of the dread doctors, he still saw through the haze of their control and had respect for Scott. For how he acted, talked, he always had so much regard for people's emotions and wanted to find the correct way to solve a situation, not just a way, but the one that took into consideration everyone’s feelings and how they’d be impacted by it.

“Scott?” He asks once they reach Scott’s bed, he can feel how Scott stops at the bed frame hitting his shins.

“Yeah Theo?” All the attentiveness in the world shows in McCalls words, two simple words and Theo feels his chest go tight. How can someone care for him like this? After everything, he doesn’t deserve to be cared about, yet Scott does.

“Thank you.” Theo could spend a decade telling Scott thank you for everything he’s ever done and it wouldn’t feel enough. There’s nothing that could fully portray how much Scott means to Theo, how much value Scott’s come to hold.

“I’ll carry you to bed any day Theo.” It’s spoken like a secret, a whisper tone, so delicate Theo can’t help but cling his arms harder around Scott. His face tucks into Scotts neck, breathing him in, reminding himself that this isn’t some big dream and that it’s real.

“You make me feel safe, your house and your mom and just, you. I’m not afraid when I’m here.” He uses the same whisper that Scott did in hopes that Scott will take in every word. Theo can’t believe he’s being so vulnerable, so fragile, he thinks Scott understands.

“I’ll always be here to protect you.” Scott moves to lay them both down on the bed with Theo still held in his arms, like breaking the position would just be too painful. Theo appreciates it, and how Scott starts to scratch his hand up and down Theo’s back, it’s absentminded and Theo can tell Scott doesn’t realize he’s doing it. He just is, always giving that extra level of care.

“I know.” It’s the truth. He does. He always has, even when things were messy and Theo was the one in the wrong, Scott still would’ve protected him if he needed it, it’s not a question for Scott. He’ll always protect people who need it, Theo loves him for it.

[darktr1ad]

NSFW Alphabet* || Austin Sommers

I’ve never seen an Austin Sommers nsfw alphabet and he’s severely underrated, so here we go lol. Also this is directed towards a male partner since Austin is gay.

A = Aftercare (what they’re like after sex)

After sex Austin would probably be filled with ideas for writing a lot of the time, and would rush to write down whatever is on his mind. He strikes me as the type of guy to joke a lot after sex as well, so he’d probably say something like “that was the best sex I’ve had in years!” And ruin the romantic mood, but it’s okay because you love him.

B = Body part (their favorite body part of their partner’s)

He loves your neck. Maybe it’s because he’s a vampire, but you always catch him staring at your neck, even in a non-sexual way. Whenever you guys have sex, you’re left with hickeys on your neck afterwards. Sometimes you even let him bite your neck with his sharp teeth if you’re both feeling freaky that night.

C = Cum (where they like to cum)

Though Austin hates admitting it, he likes to cum in his pants. He’s a kinky guy and finds it humiliating, so when you take charge you keep this in mind. But if he’s the one topping that night, he likes to cum in your mouth. Sometimes when he’s working you suck him off in a teasing way, because if Austin works for days on end you’re both going to be sexually frustrated. He always makes you swallow it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He writes about your sexual experiences sometimes in detail when it’s something he really wants to remember. He’s always been super open with you about his kinks, and vice versa, but Austin likes to look back on your experiences together when he has a night alone and jerk off to them.

E = Experience (how experienced are they? do they know what they’re doing?)

Austin has a lot of experience, more than he wants to admit. After he got on the pill he found himself to be way hornier than normal. Living in a town where most of the population is gay, it wasn’t ever too hard for him to find a fuckbuddy for the night. He knows exactly what he’s into, and also what he isn’t into.

F = Favorite position (this goes without saying)

Austin loves doggy style. As cliche as it is, and out of all the other positions he’s tried, it’s always been the one that turns him on the most.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

It can go both ways. Sometimes on a night where the two of you have been drinking a lot, both of you will be laughing and cracking jokes during sex, but on other nights you’ll fuck each other like rabid animals.

H = Hair (do they like hair pulling?)

Austin isn’t opposed to hair pulling, but he’s never been a huge fan of his hair being touched. If you ever suck him off though and you go teasingly slow, he won’t hesitate to grab a handful of your hair and make you go faster.

I = Intimacy (how are they during the moment? the romantic aspect)

Surprisingly, Austin is a very intimate guy. He always likes to set the mood before hand, maybe lighting a few candles, or some inscence. A lot of times you guys will just do it in the dark, though. Drinking alcohol also makes him horny, so he’ll usually pour you both a glass of wine beforehand.

J = Jack off (masturbation headcanon)

Like I said earlier, he keeps stories of the things you both do together, so if he ever jerks off, it’s always to those. He’s never been a fan of watching porn. You’re usually home though, so if he’s ever horny he just fucks you.

K = Kink (one or more of their kinks)

Austin is probably the kinkiest guy you’ll ever meet. Some of his biggest kinks though are whipping, blood, overstimulation, and threesomes. He’s always open to trying things.

L = Location (favorite places to do the do)

Anywhere in your house. There probably isn’t one spot that you guys haven’t fucked in there. It makes it hard to have guests over because nowhere is safe, honestly. But his favorites would have to be on the couch, or on the floor.

M = Motivation (what turns them on, gets them going)

Wine and teasing. If you give this man a glass of wine and palm him through his pants when he’s trying to work, it will probably turn into a long fucking session. There isn’t a moment where he isn’t horny, but wine just accelerates the feeling for him.

N = No (something they wouldn’t do, turn offs)

Austin is literally open to almost anything. The only thing he refuses to try again though is guns. They’ve always made him anxious, and he doesn’t understand gunplay or how it turns anyone on.

O = Oral (preference in giving or receiving, skill, etc.)

He loves when you suck him off. Austin hasn’t ever been the biggest fan of doing it to you, but he never asks you for it, you always just do it to him spontaneously which drives him nuts.

P = Pace (are they fast and rough? slow and sensual? etc.)

He goes rough. Rough sex is such a turn on for him. For a lot of people rough sex isn’t something that would get them going, but with Austin he knows all the right places to touch you and fuck you in.

Q = Quickie (their opinions on quickies, how often, etc.)

Nope. He hates quickies. If you get Austin going, you two will be fucking for hours on end. He likes to see how many times you two can cum in one session.

R = Risk (are they game to experiment? do they take risks? etc.)

Austin has pretty much tried everything already, but if you come to him with an idea, or something he for some reason hasn’t ever heard of, he’d one hundred percent be game.

S = Stamina (how many rounds can they go for? how long do they last?)

At the very least, Austin will cum twice in a session. He can go up to about five or six. You’ve never seen anyone cum as much as he does, you don’t even know how it’s possible.

T = Toys (do they use toys?)

Sometimes. He owns a lot of toys, but he likes to use random objects around the house. Like if he’s tying you up, instead of using rope, he’ll use the belt from his robe.

U = Unfair (how much they like to tease)

He doesn’t tease you ever, really. Austin likes to get right to the point. However, if the roles are switched, you tease him almost all the time. He hates it, but since he isn’t the one in charge there’s not much he can do about it.

V = Volume (how loud they are, what sounds they make, etc.)

He really isn’t loud during sex, but sometimes he’ll force out a few moans just for show. If you’re ever fucking him, though, he whines a lot which you love.

W = Wild card (a random headcanon for the character)

He always has his sharp teeth out during sex. You find it super attractive, and so does he. If anyone else saw it, they may be super confused as to what is happening.

X = X-ray (let’s see what’s going on under those clothes)

Austin is definitely seven or eight inches long. He has big dick energy.

Y = Yearning (how high is their sex drive?)

His sex drive is pretty high.

Z = Zzz (how quickly they fall asleep afterwards)

If you’re both sucking and fucking during the middle of the night, he may fall asleep afterwards but it’s rare. Normally you always fall asleep right after, but Austin is up most of the time. If he drank a lot beforehand though, he will fall asleep as soon as you guys are done.

[twistedtummies2]

Year of the Bat - Number 22

Welcome to Year of the Bat! In honor of Kevin Conroy, Arleen Sorkin, and Richard Moll, I’m counting down my Top 31 Favorite Episodes of “Batman: The Animated Series” throughout this January. TODAY’S EPISODE QUOTE: “All I wanted from you, dearie, was a little friendship! That would have cost you nothing!” Number 22 is…Birds of a Feather.

Much like Catwoman, the Penguin was a villain who was slightly shortchanged in the Animated Series, some would argue. Which is ironic because, in my opinion, the Animated Series gave us probably the best and most definitive take on the character there’s ever been. Why? Well, as I’ve said in the past, it’s because I feel the Penguin in this show sort of had a little something for everyone: in the first three seasons, he was depicted with a design inspired by the Danny DeVito version from “Batman: Returns,” due to a studio mandate by Warner Bros. His personality and methodology, however, was what you might call “Classic Penguin,” with him acting as an eccentric (but not deranged) gentleman thief. In the fourth season, things changed: now the Penguin had a more “Classic” design, making him appear more human and less grotesque, but his role as a gangster operating out of the Iceberg Lounge was more in line with the “Modern Penguin” most people are more familiar with today. So, no matter how you preferred your Pengy – more classic, more modern, more human, more monstrous – you kind of had your whole cake and could eat it, too. Despite this, most of Penguin’s appearances essentially just used him as the villain of the week, so to speak. He was never really the focal character, just a supporting rogue, or the chosen antagonist. This isn’t necessarily a bad thing, but it did make him feel a little less interesting when compared to a lot of other villains in the series. One grand and glorious exception to this rule, however, has stood out over time: a somewhat more obscure episode entitled “Birds of a Feather.”

The plot is a classic “Villain Reform Episode,” as the Penguin vows to go straight…and actually means it! He genuinely wants to turn over a new leaf and start a new life. Unfortunately, he finds this to be more difficult than he expected…and his endeavors are only made more problematic by the introduction of a young lady named Veronica Vreeland. Veronica is a good friend of Bruce Wayne’s, and became a recurring character in the series; she’s a rich and somewhat spoiled socialite, whose privileged existence does lead to conflict…but her heart is usually in the right place, all the same. (Think of her as SORT OF like Charlotte from “Princess and the Frog,” from you Disney fans…just…way less hyperactive.) In this episode, Veronica – under some peer pressure from other wealthy friends of hers – begins to form a bond with Penguin, under the pretense of eventually inviting him to a big party she’s hosting.

Veronica is not doing this out of the goodness of her heart. The intention is that Oswald will be “part of the entertainment,” able to embarrass everybody that Veronica doesn’t like, and amuse everyone else. He’s essentially being treated as a clown, and he doesn’t even know it. All the while, Penguin starts to form romantic feelings for the young woman…and Veronica’s conscience starts to get the better of her, as she starts to form an affectionate attachment towards Penguin, as well. Of course, this being Gotham City, this can only lead to anything EXCEPT a happy ending. What’s great about the episode is the duality of its twin leads, and the way they get along. Penguin puts on the airs of an overblown aristocrat, but he’s not treated as a member of the social elite at all. He lives in squalor and is seen as a laughingstock at best, and a menace to society at worst. You truly feel bad for Penguin, because of the way he’s being treated, and because he is so totally sincere in both his desire to change and his hopes to befriend Veronica, or even gain her love. As for Veronica, while what she’s doing is horrible, not only does she see the error of her ways, but you’re given the impression that she’s really doing this to try and be “hip with the cool kids,” more than any innate malicious desire on her own part. Both are flawed people, but both are also not totally wicked in this story; the problem is simply that their desires clash, and by the time either could pull out and save face, it’s far too late. While Penguin was a great villain and had many fine antagonistic roles, it’s this episode that really cemented what a good character he truly was, and it remains something of a cult classic story for the series. It’s not as renowned as tales like “Heart of Ice” or “Mad Love,” but it’s definitely got a lot of fans, and I am certainly among them. Again, this is another episode where I feel bad for placing it so low, but hopefully the ones to come will not disappoint.

Tomorrow we move on to Number 21! Hint: “I’m a civic-minded citizen, with a lot of time on his hands!”

[anotherwonderfullife2]

Revisiting AnWL’s Original Bachelors

Before I state my own opinion on the bachelors, I’d like to address this:

So with everything else in AWL, the game’s original three bachelors (Rock, Gustafa, and Matthew) have received a facelift and slightly updated dialogue/cutscenes. I’ve seen a lot of back and forth online on whether people liked the big changes made to Matthew and Gustafa’s appearance (Rock’s appearance changed very little from 2004 to now) and I, for one, welcome our new(old?) bishie overlords. To really put this topic in perspective, I think we gotta keep in mind that when Another Wonderful Life came out, it was more-or-less 98% the same as A Wonderful Life, just with a re-skinned female PC and male marriage candidates. I have the strong suspicion that Gustafa, Rock, and Matthew (Marlin in the OG) were never originally designed or written with the intention that they would become the hottest bachelors in a female-led game. A lot of this can be seen just by comparing them to their female counterparts - all of the bachelorettes (aside from Nami) have a traditionally cute appearance and warm personality. The bachelors don’t follow this pattern as rigidly. Matthew is stand-offish, if not outright rude; Gustafa isn’t handsome; and Rock is.... well, flakey?

This isn’t to say the bachelors didn’t have their own charm at all. Rock shows his inner heart of gold on occasion, and is always honest. Matthew is a hardworking man just trying to contribute to his sister’s farm, and dealing with his own baggage. Gustafa is light-hearted and easy to please.

I think their facelifts in the most recent game just signals Marvelous’s commitment to appeal to more players within their target age range. Gustafa and Matthew look younger and bishie. Rock’s dialogue has him slightly more sympathetic. I don’t think these changes could be considered bad at all - just a sign of different times, with Marvelous understanding their players better.

Anyways, on to my opinions on the latest version of each of the three original bachelors: (I’ll give Gordy, the new bachelor, his own post later!)

Matthew is the first I wanted to talk about, because on the outside, he’s definitely changed the most. Gone is the bad-boy 90s delinquent hairstyle and demeanor that seemed more fit for a shonen manga than a farming sim - now he’s an office-worker bishie, but still struggling to make his own way in a new village, just like in 2004. Unfortunately, his updated looks don’t save him from his crappy attitude. One of his first rival cutscenes is him yelling at you for simply trying to carry on a conversation with Cecilia. You only get, like, two sentences in before he jumps down your throat. Ugh. That on it’s own way enough to discourage me from continuing to pursue him as a love interest. It’s just obnoxious and possessive. Would you believe this guy is 32 and still acting this way? In traditional fashion, other NPCs don’t call him out on his behavior, even Vesta, who knows how ‘he can be about Cecilia’ - and you’re just supposed to put up with it. I’m not sure if further cutscenes eventually remedy any of this, but his behavior is off-putting enough that I didn’t care about finding out.

Gustafa remains as chill and groovy as ever. He’s looking a little more John Lennon than elf/leprechaun these days, but the overall aesthetic is the same. They took his original shrugging animation away and replace it with the same generic arm-wave as everyone else, but not everything can be a victory. He has some expanded dialogue that freshens his character up a bit, and the love song he sings during the romantic cutscenes makes more sense in this translation than the first game. Gustafa was always my favorite in the first, and he continues to be so in this remake - always gentle and kind, and a good spouse and father. If only he could play more than one melody on his guitar. I just hope he bathes more often this time around.

Ah, Rock, the would-be playboy of Forgotten Valley. Still getting up at noon exactly. Still getting chased by the dog. His dialogue has been reworked to make him a little more humorous this time around, instead of mildly-annoying like before. The translators did a good job with him, and I was always interested in what he had to say, even if it was useless. Unlike Matthew and Gustafa, his design was almost entirely unchanged - his pants are slimmer and that’s it. His voice has also mysteriously deepened... though I wouldn’t put it past him to use a voice changer to try to entice the ladies. Just like Gustafa, his unique animation of gesturing with both hands was also removed for the generic arm-wave. He’s genuinely fun to talk to, just to hear what he has to say. His slacker attitude is off-putting as far as romance goes, though, even if none of the marriage candidates actually work on the farm. It’s about the attitude, people!

[parkminijiminie]

Thanks for being one of the only sane people I’ve seen discuss the leaked video. First of all it’s obviously him. No convoluted theory will convince me it’s not. Everything matches too well, and edited fake videos?? AI?? These people have clearly no idea what they’re taking about. I work in 3d animation, and it irks me when people say that videos can easily be doctored or created. No tf they cannot be 🤣 that is professional level work that requires hundreds of hours to create something so realistic! Anyway whenever videos like this come out, it’s always real. I don’t know of a single instance when a leaked video was actually fake. So anyway - video is real - but this is my take. As a long time Jikooker, I was of course pretty stunned/shocked/heartbroken but after a good night’s sleep this is what I think: that isn’t Jungkook’s girlfriend. Watch the video. I don’t think I’ve ever seen something look more unromantic. We already know that JK is a very tactile person. He hugs his friends and is comfortable with physical affection, maybe because he grew up around 6 guys who never made him feel like men cannot be platonically affectionate. In the video he isn’t digging his face into her hair, kissing her cheek, nothing like that. He’s literally grabbing her and being cutely annoying. It looks like she’s getting her stuff to leave and he doesn’t want her to go - but in a platonic way. And she looks annoyed at him too - she pushes his hands off in the video. People who say that there is a romantic connection between him and the woman means you think Jungkook is the kind of guy to force his partner into having sex with him, and do you really think he’s like that? (Again, we don’t know him, but seriously…) Anyway my conclusion is he’s grabbing her like that because they’re not anything more than friends - possibly a relative, a cousin, or something, because if they were a couple and Jungkook was acting that way, that means he’s a MAJOR asshole. And I refuse to believe that that’s the case.

Either way, I’m just curious to see Jimin’s reaction, and also to see what will happen on his birthday. I have a feeling we’ll get clarity on this situation pretty soon.

Hi 👋

I definitely agree that this video is most likely not edited or AI, and it's a real one of two people in an apartment. Despite all that I've read so far in terms of the windows of the building, the layot of the flat, and whatnot, I still think this could be JK. Of course, it is possible that it's someone else with a dog in a similar unit (maybe even the same building) , but wouldn't it be too much coincidences?

As for the natura of the video, yeah, the behavior in it isn't inherently romantic at all. The guy is hugging the girl, following her around. Maybe, as you said, he is trying to stop her flow leaving. It is also possible that she is trying to do something, and he is just clinging to her/annoying her. I don't think whoever or whatever they're doing it is fair to interpret that the guy is trying to force her physically (in general or to have sex), as you suggest. To me, it looks like they're sort of playfighting. Maybe he's tickling her or trying to touch her stomach. Technically, it could be the man trying to feel her up a bit, but it sort of doesn't look like that to me.

Whatever it is, it doesn't look like it is with harmful intention on the side of the guy, and it is obviously done between people who are physically comfortable around each other. They could be just friends or fbs. Guys tend to annoy their girlfriends like this sometimes, so that's possible. We know JK is a very tactile person, especially when he is drunk, which the guy here could be, but I don't know if he will be this touchy with a relative. It's possible, but I could not tell.

Overall, the video could be interpreted in many different ways. It's really up to the person watching it, but nothing is impossible at this point.

I do believe more clarity is on the way. Either there will be new videos leaked or a statement of some sort, even indirect. There's also JM's bday, so let's wait, observe, and see. Personally, I believe that if by any chance JK and JM are together, they will do something to dispel the doubts, even if subtle.

[csbnova]

My Personal Blue Lock Writing Habits and Drabbles

someone asked if i write with a specific mindset for each character but erm…idk what happened to the ask bc my phone hates my guts and wants me to die so im just gonna explain it here. (also an excuse for me to yap abt my pookie bears)

so obviously there are different character types and different personalities duh duh duh but to me i always have to immerse myself in the way they think. I read the bllk manga (haven’t caught up yet get off my case) but i do like to do character analysis based off of what we get in the anime/manga, the official art, and the little facts we get from the author/on bllk wiki.

i guess it wouldn’t be too far fetched to say i do indeed do my research on the guys that i write for and it doesn’t help that i actually enjoy it💀 but to me seeing chars getting mischaracterized CONSTANTLY is one of the most infuriating things EVER especially if it’s a character that i’ve been a die hard fan of. (partially why i decided to start posting my writing) like bachira’s mischaracterization is wild to experience. no, he’s not always yelling or goofing off but it is often. no, he’s not a freak(like at ALL) who constantly talks about his monster in every conversation he has. yes, he IS a sweet little guy who would probably ask to hold your hand in a romantic way even tho he wouldn’t be scared to hold it earlier in your friendship.

idk i just think it’s weird when people write the most insanely off putting personality for characters that they probably have only seen hc’s of or misinfo for.

when i wrote barou’s texts, i had to think rlly hard abt it bc i know he seems like an arrogant guy (which he is ngl) but i think that’s only when it comes to soccer. in both the anime and the manga barou could be seen multiple times having calm conversations about growth and how his abilities affect the way he plays. he’s also got two younger sisters which i personally believe could make anyone become more mature (said with experience). ive done the same with multiple characters, even with smaller details. like, in my rin fic that im writing, there’s a small detail about his favorite drink. i couldn’t just say a random beverage bc i got so upset that i couldn’t come up with a drink for him that i looked up what his favorite would be😭

yk another small thing i did was make the itobros texting styles similar to each other. sae’s includes both capitals and correct punctuation while rin’s doesn’t capitalize anything and just uses accurate punctuation (at least i hope it’s accurate). i did that to portray how similar the brothers are despite their respective differences. i also happened to know that rin would rather die than admit that and that knowledge has to be shared somehow.

idk i just hate seeing my favs being mistyped especially since it’s been happening even more recently (cough gojo fans cough) but im also a stupid nerd(yes ik those contrast each other) who’s very passionate about this so i don’t really care what anyone has to say i genuinely enjoy producing content abt characters that isn’t inaccurate or rage inducing and my one and only hope is that i get it right 🙏

anyways that’s it basically. shout out to anyone who actually read this bc i probably wouldn’t have 🔥

should i start a series? i have the urge to but idk💀

no! i am NOT posting this instead of finishing my writings… 🤥

[freddyfazbear1]

Greetings, I’m Freddy Fazbear. In this post, I will be introducing myself and how I will treat this blog. I’m quite a simple bear, though I do expect to be treated with respect. Not only am I the name of such a popular corporation, I’m also one of the only sensible people on earth despite being a mechanical machine.

Who are you?

If you don’t know who I am, then you must be out of your mind. Are you really that underground you don’t recognize such an iconic design? I’m Freddy Fazbear and I don’t take kindly to idiocy.

What do you stand for?

Isn’t it obvious? I’m a man, or bear, of pride and strength. I stand for many different things, but I like to believe what shines out the most is my heart. I am passionate and I love passionately, not in a necessarily romantic sense. My heart defines me just as other parts of me do.

My interests, desires, dislikes, hobbies, traits, and values will always be what makes me me. Why should I have to stand for one thing? Do you think all I do is live everyday singing to children I’ll never seen again? That’s quite dull.

What’s your dream?

That one day, I can finally escape this prison that was unwillingly set for me. I think everyone deserves freedom, even if you may have been bad in the past. While there are some exceptions, being locked up and caged to a wall never released an animal of their ferocity. So, why do it to a human? Or even a robot? Or ghost, if you will.

If all humanity ever did was take and take and take, expecting that to improve the wrongs, then humanity in it’s entirety was never going to be better than that one person they’re depriving. If someone took something of value to you, whether it was your freedom or an object of some kind, would you return to them with kindness in your heart? Would you relieve yourself from your box of spite in this time apart from what made you you?

What inspires you?

A rather silly question. Nothing. When all you’ve known in life is stand, stare, perform, you never get a chance to live a life worth living. I can’t find an ounce of control in my own establishment because I am permanently stuck in this husk of a body.

That is part of the reason I’ve made this blog. To help me see more, learn more in the short time I have left.

Anything else?

I don’t appreciate being rushed. But, I stand by any and all of my beliefs and thoughts. I am not going to succumb to anyone because they may be wary of one thing or two that makes me who I am. If you can’t learn to respect, no one will ever respect you. Who says you’d even deserve it, though?

Quick Blog Rules

If you’re going to comment or reblog anything with extra comments, be sensible and logical. Idiocy is a curse that weighs many down from their potential, I don’t want to deal with mental 10 year olds.

Respect me and I will respect you. I suggest you fear me, I am not your typical person and will do anything in my power to enhance that weakness in your mind you may refer to as “strength” despite knowing you’d never even reach the first step of the ladder. If you can’t order a meal in a restaurant on your own, don’t even try arguing with me.

Don’t be anti-animatronic. Do I really need to explain?

Don’t fucking interact with my blog if you’re Phantom fucking Freddy. Goddamn son of a bitch, I’m gonna fucking find a way to suck your damn ass into a vacuum like those bitches from GhostBusters.

You don’t like my interests. Not sure how often I’ll use this blog or what it’ll be for, but if I have something to share, be. Fucking. Civil.

If you’re gonna ask me anything or PM me, don’t be a douche. I may not take idiocy well but disrespect and hatred? A much different deal, but really? Is it any different at all? Why would you waste time trying to bring someone down when you could be productive instead? Are you that pathetic or is it truly just your low intelligence making all the decisions?

Don’t try to state you’re me. It’s pretty obvious you aren’t.

Celebrate any and everything that has to do with me. You may call it narcissism, I call it self-respect. If you aren’t the one constantly cheering for yourself, who will? Learn to take pride in everything you do. Did you just finish making a cheese sandwich? Celebrate your low skills. Did you just watch a kid get beaten down by their bully and do nothing to help? Celebrate your independence.

Don’t expect anything from me. I may be open to almost everything you lot have to throw at me, but that doesn’t mean I’m going to be anything predictable. If you want something from me, be patient and maybe before you die, you’ll have the chance to bask in that victory. If not, learn that not everything will go your way.

Don’t talk to me about my personal issues or “bad behaviors.” How I am and what I do is my business, it will never concern you or anyone that isn’t me. When you read the newspapers that dramatically explain how I’ve killed a night guard, will you take that knowledge as truth without confirmation? How can you believe something you weren’t there to witness? How can you truly live life if all you do is assume and believe? I may have killed a few night guards in my lifetime, but that is nothing but a hobby I partake in. So ask yourself, does having an interest make me a bad person?

Extra

I have many thoughts and will share them. If you can’t deal with that, perhaps this isn’t the blog for you. Perhaps even… the world isn’t the place for you. I couldn’t imagine going my life and avoiding others’ opinions because of one little thing. Disliking things is over.

Don’t fuck with me.

If I ever begin to act like a lunatic or simply just stupid, get onto me. Either it’s not me (Foxy fucking taking my computer) or I have finally reached a breaking point I cannot escape without proper support.

Don’t come into my blog if you’re a weirdo. I don’t use the term weirdo lightly or any of the words that fall into how I’m using it. Though I’d prefer any form of discourse off my blog, this is not what that is. These are real world issues and I would like for any of you fucking insane maniacs off my one source of comfort. That being said, pedophiles, zoophiles, racists, lgbtphobes, anti-religion, irl shippers, anti-self diagnosis, and more that fall into this category, STAY THE FUCK OFF MY PAGE.

That’s all for now. Don’t be afraid to interact, do be afraid of how I respond.

[randomslasher]

Okay so this image just popped up on my fb feed with the caption “if Belle had never found the castle” and while it’s amusing and all it got me thinking: I’ve seen plenty of versions of this story where it’s like Belle and the Beast don’t fall in romantic love but they love one another as friends, etc., so like...

what if Maurice was kept long term but instead of being afraid, he eventually starts to sort of see through the beastly exterior and realizes he’s basically dealing with a spoiled child, and his Dad Mode kicks in and he starts actually behaving like a parent to the Beast? Like “Now listen here young man, you have plenty of room, and you can see I’m cold; why wouldn’t you put me in a decent room? Didn’t your parents ever teach you about the importance of hospitality?” and “Okay here are some lessons on table manners” and “it’s important to say please and thank you.” And maybe even some Maurice-specific dad lessons, like something in the castle is broken and he starts working to fix it and he teaches Beast how to identify various tools. “I need a set of needle-nose pliers, do you have any? No, those are round nose pliers. Here, let me show you how to tell...” and soon the Beast and Maurice are doing all sorts of DIY and invention stuff around the castle. Maybe it doesn’t even fix itself in a shower of fancy sparks or anything, maybe they just make it nice again slowly with some home improvement Dad style projects. And the beast just kind of slowly becomes less beast like over time as he learns to be a reasonable human being with some decent parenting. 

Idk I guess Disney’s animated version of Maurice doesn’t lend itself as well to this idea because he’s kind of an absent minded man child who needs a parent himself, but if you had a more competent dad-type I could see this working. I never saw the new version, how’s Kevin Kline’s dad energy? Though actually I just realized maybe having a spoiled child to take care of instead of Belle would force Maurice to step up and be a more attentive parent too, so we could have another character arc in that direction. Like “I never really had to discipline Belle because she was always well behaved and/or my wife took care of it until she died but you are clearly throwing a tantrum and I am going to call you on it,” or “I never really learned to cut hair but you could use a trim, your fur is pretty matted in some spots, let’s see what we can figure out here,” and “I don’t really know, my wife and then Belle did most of the cooking, but maybe this sentient oven can teach us how to make oatmeal or eggs at least?” The servants can step up too and help out, and teach Maurice how to do parent things, and eventually Beast starts seeing him more as a father figure and the love isn’t romantic, it’s between a father and son, but like...romantic love isn’t like the ‘top version’ of love or anything, so why not? Not sure what I’m talking about now, this idea has wandered off on me a bit, but anyway.