#this is obviously also becoming a tag

[frustratedpker]

I can't believe I added "Stefanologist" to my bio

[rassebers]

So, who's paying?

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[cent-scratchnsniff]

doodle i made when talking about lobcorp to people. i dont think they see me the same anymore after playing lobcorp and rambling about it

[dead-girl-tells-stories]

I have another idea for a story, but I once again don't know what to write, so I'm building a skeleton.

It's a DC x DP x ML crossover. Damien, Marinette, and Danny are triplets born into the LoA. From birth, they were taught to not see each other as siblings but as rivals for Ra's attention. When they were five, they were dipped (more like dropped) into the pits for the first time. Danny never comes back out. The second time was when they were six. Damien and Marinette came back from a mission gravely injured. Marinette doesn't come back out. Damien becomes the sole heir.

As one can imagine, Danny and Marinette aren't dead but simply taken to where they were needed at the time. That being said, things for these two characters go mostly according to their respective shows after they integrate into society. With the exception that the two of them are more competent and don't fight like rabid raccoons. But things take a dark turn when they turn sixteen.

Marinette

. After finding out that his father is Hawkmoth, Adrien is unable to carry the weight of being the holder of the cat Miraculous, as he doesn't want to fight his father and gives it to Ladybug. He promptly moves to the States to further his modeling career. Marinette, unable to find someone else worthy to be the holder of the cat Miraculous, stores it away and becomes the sole hero of Paris (with occasional helpers). But because of this, her two lives get more intertwined, and she is forced into a corner where she has to choose between being Ladybuy or Marinette.

. But she doesn't get a chance as Hawkmoth is dethroned and replaced by an even greater threat. She is forced to take on the persona of LadyNoir. Her life crumbles as she tries her hardest to balance her life as a hero and a person. She tries to save everyone but someone always ends up getting hurt. Whether it be her as Marinette, clinging to what little of her life is left. Or her as LadyNoir, with no choice but to watch innocent civilians die because she couldn't think of a better plan that could've saved everyone.

. It gets to the point where she makes an unforgivable wish. But every wish has a cost. She only finds out the price when she is forced to stand behind an invisible wall and watch as her life replays before her eyes, the film slowly burning away till there's nothing left. She cries as she falls into an ocean of familiar Lazarus green.

Danny

. Danny's life is also crumbling around him as he struggles to separate his human life from his ghost half. But after becoming the Ghost King, things only became more complicated and even more dangerous as more ghosts started coming through the portal to challenge him for the crown. And while he would really love to give it away, the guys that kept fighting him for it are very clearly evil. So he has to keep fighting, winning, and solidifying his position as the King of the Infinite Realms. But with every win comes a newfound power. Power he doesn't want. Power that scares him.

. It gets to the point when Danny has to drop out of school. He wasn't even scoring double digits anymore so what was the sense of keeping him? But Danny couldn't stay home either, it was too dangerous as his ghost and human halves were slowly becoming one. And his parents' obsession was slowly becoming a threat to him. He thought he had the solution. He was going to shut down the portal and leave Amity Park.

. It was perfect really, as no ghost portal meant no ghost. And he couldn't be vivisected if neither the GIW nor his parents could catch him. He talked the plan over with team phantom and they reluctantly agreed. The ghost portal is destroyed, and Danny leaves Amity and files over Elmerton and a few other towns. But after flying for a while, Danny gets to a sort of border where nothing meets... NOTHING. On the other side was just an infinite void. Nothing.

. Danny slowly realizes that in this world, all he knew was Amity Park. He never actually traveled or went on field trips. Never went to visit extended family nor did any visit. No one 'new' ever came to Amity Park because they were all just nearby. He learned no relevant history besides Amity Park because there was nothing outside of Amity Park. When the realization had finally set in the world began to crumble into the void and it became a race against him and the void.

. Danny knew that he was fast but the void was faster, and before he knew it he was back in Amity. He was going to warn them and try to save as many people as he could. But saw something in their eyes. They already knew. Danny watched how teary eyes and big smiles, everyone and everything he loved crumbled into the void, fading into nothingness.

Scientists across the galaxy, the universe even, often theorize about how everything came to be. Well, it didn't start with a bang, that's for sure. 'Well then how did it start?' you might ask.

Well..., it started with some tears and a scream.

[colorful-bees]

Volo's friendship story in the Trainer's Lodge is so interesting to me because it seemingly contradicts his usual way of thinking. He asks to take a commemorative photo with you in the event that the world disappears, obviously referring to what he wants to eventually accomplish in the future.

And I can only wonder why he does this. His exact words afterwards are, "Please remember me as you've seen me during our time together." He plans on erasing the world to build a better one, as per is goal in P:LA but the idea that he would want you to remember him as you knew him, someone who was simply friendly and nice to you, goes against how he views relationships with people. There's no transactional value to taking this photo with you nor is there for him wanting you to remember him fondly.

Volo is overly nice to people to get what he wants out of them, that's kind of his thing. You see it with the protag in P:LA, you see it with Jacq and Trevor, and later with Lear in the Mysterious Stones chapter. He likes to get in people's good books so that he might get something out of it later. But what does he want out of you in this interaction? What is he hoping to gain by telling you to remember him the way he is now? He plans on destroying the world and so... he asks to take a photo with you? I can only imagine that he wants it for himself since if the world disappears, you won't even be there to remember him in the first place. He plans on destroying the world and you won't even be there and yet, he still asks you to remember him.

I don't think Volo necessarily lied when he said, "It's just a matter of using them before they use you." Those were thoughts inside his head, he has no one to lie to there; that's what he truly believes. However, I do think there's a disconnect between the kind of person Volo is and the kind of person Volo believes himself to be.

I think maybe he does love his Pokemon, maybe he even wants to be your friend. I don't think he knows that though. His genuine view of himself is that he feels no love or care for others and relationships are just a means to an end and that is mostly how he comes across when showing his true colors. But he has moments that don't quite line up with that. He wants you to remember him fondly. He considers Pokemon tools and yet, there's that photo of him and Togepi. It's these two moments that make me question things. He looks after Togepi and in return, Togepi sticks by his side; that's their trade-off, what they both get out of their relationship. But the photo is what throws me off. If there wasn't even a little bit of love for Togepi, why does that photo exist? Why did he take it? Volo in this same conversation says, "Photos are wonderful things! They allow you to capture and isolate the best moments!" Why take a photo with something you don't love? Why consider that one of your "best moments?"

Volo honestly believes that he doesn't love his Pokemon and that he's no one's friend. That isn't a mask he's putting on, that's who he thinks he is and I can only assume that the reason for this is due to whatever event happened in his past that set him down this road to begin with. But he has these small moments that contradict that view of himself. Volo does have a capacity to care for his Pokemon, to have friends. I just don't think he realizes that. He's incapable of recognizing if he loves or even likes someone in a genuine way; so caught up in viewing every relationship like it's a barter or a trade that he has no idea that he can care and that maybe, at some points, does.

[lunarharp]

revamped looong mermaid orufrey au :')

[oceanwithouthermoon]

remember how when saiki was crushing on satou and wanted to talk to him, instead of yk.. actually talking to him, he found out all of his interests and displayed his own interest in those things in front of him to try to get him to notice him??

yeah, now imagine him doing that when he has a crush on anyone else..

hes such a silly and awkward teenage boy i love it, like buddy you CAN just talk to your crush, you dont have to try to get him to "notice you.." but hes too silly and awkward so thats like the most he would ever do and would still probably think that that counts as flirting

im just... wondering about how saikis terrible silly flirting tactics would translate if his crush was on one of his FRIENDS.. like someone he could actually be around and would see and talk to him.. would he just like be trying to impress them ?? moving toward them more ?? adopting more of their mannerisms and interests maybe ??

imagine that like EVERYONE in the group would notice it, but it wouldn't be like "omg saiki is flirting" it would be more like "omg why is saiki being extra awkward and talking more" because hes so painfully unclear about his intentions but hes usually so quiet and unassuming that this would be such a stark contrast to his usual behavior...

[hercarisntyours]

greek mythology nerding out over the connections with elita and orion (they aren't good ones in greek mythology terms but still indulge me)

so like obviously Elita combines into Orthia yada yada yeah BUT ORTHIA AND ARTEMIS HAVE CONNECTIONS IN GREEK MYTHOLOGY (there's a lot to it but in summary Orthia = Artemis blah blah same person) and I'm sure everyone knows that Artemis is Orion's (supposed) lover

SO BASICALLY ELITA IS ORTHIA WHO IS ARTEMIS WHO'S LOVER IS *ORION*

[jacksprostate]

Treatise on why No, the doctor just giving the narrator of Fight Club (full name) his requested sleep medication or sending him to therapy would not have Fixed Him

Firstly, saying giving him the insomnia meds would’ve fixed him ignores the reason he has insomnia in the first place. He is so deeply upset by his place in society that he literally cannot sleep. Drugging him to sleep would not change that. That, of course, is the easy, quick response.

But with regard to therapy? The biggest flaw is that it ignores a central tenet of the book. Part of what tortures the narrator and drives him to invent Tyler is that his feelings about this collective, systemic issue are constantly reduced to a Just Him thing. His seatmates ask what his company is. He’s the only one upset at the office. He gets weird looks if he says the truth of what he does. People will do anything in their power to pretend he is the issue, as an individual, because it is far scarier to consider the full implications of the systemic issues implied by what he is saying. Everyone treats it as if the issue is him, so he goes insane. He does anything to get someone to say, holy shit, that’s fucked up, what you’re a part of is wrong. In an attempt to feel any sort of vague sympathy and catharsis, he goes to support groups to pretend to be dying, because then at least people don’t habitually blame him for his anguish. 

Saying therapy would fix him ignores that his problems are not individual. They are collective. It’s the reason the entire story resonates with people! Something deeply, unignorably wrong with society, where people would rather blame you for bringing it up than try and address it, because it feels impossible. I don’t blame people for this, really, because it IS scary. It’s terrifying to sit and feel like you’ve realized there’s something deeply, deeply wrong, but if you say something, people will get mad at you since it’s so baked into everything around you. Or, even if they agree, it’s easier to deal with the dissonance by pretending it’s individual.

And it’s not like that’s not the purpose therapy and medications largely serve, anyway. Getting into dangerous territory for this website, but ultimately, the reason the narrator was seeking medication was because it’s a bandaid. A very numbing bandaid. For these very large, dissonance causing problems, therapy does very little. Medications do what they always have, and distract you with numbness or side effects. It’s a false solution. He is seeking an individualized false solution because he has been browbeaten with the idea that this is an issue with him alone, when it's plainly clear it's not. 

Don't get me wrong. Obviously he has something wrong with him. But it's a product of his situation. It is a fictional exaggeration of a very real occurrence of mental illness provoked by deep unconscionable dissonance and anguish.  There is a clear correlation between what happens and his mental state and his job and how isolated he is. 

The thing is, even if he were chemically numbed, I do think he would’ve lost it regardless. Many people on meds find they don’t fix things. For reasons I’ll get into, but in this case because even if numbed or distracted, once you’ve learned about deep, far reaching corruption in society, it’s very hard to forget. Especially if, in his case, you literally serve as the acting hand of this particular variety. He’s crawling up the walls. 

So why do people say this?  Well, it's funny I guess. Maybe the first time or whatever. But also, often, they believe it, to a degree. Maybe they've just been told how effective therapy and meds are for mental illness, they believe wholeheartedly in The Disease Model of Mental Illness, maybe they themselves have engaged with either and have considered it successful. Maybe they or someone they know has been 'saved' by such treatments. 

But in all honesty.... What therapy can help with is mentality, it's how you approach problems. For issues on a smaller scale, not meaning they are easier to deal with my any degree, but ones that are not raw and direct from deep awareness of corruption; these are things that can be worked through if you get lucky and get an actually good therapist who helps build up your resiliency. But when your issue is concrete, something large and inescapable? It's useless. At best it can help you develop coping mechanisms, but there is a limit for that. There is a point where that fails. To develop the ability to handle something like this requires intense development of a comfort with ambiguity and dissonance and being isolated and a firm positioning of your purpose and values and and belief in wonder and all the other shit I ramble about. The things that the narrator lacks, which lead him to taking an ineffectual death knell anarchist self-destruction path. Therapy, where the narrator is, full of the knowledge of braces melted to seats and all the people that have to allow this to happen? It fails. 

And meds — meds are a fucking scam. We know the working mechanism of basically none of them, the serotonin receptor model was made up and paid its way into prominence. We have very little evidence they're any better than placebo, and they come with genuinely horrific side effects. Maybe you got lucky. I did, on some meds. On others? I don't remember 2018. The pharmaceutical industry is also known for rampant medical ghostwriting, and for creating 'off-label' uses for drugs that have gained too many protests in their original use, then creating a cult of use to then have 'grassroots' campaigns for it to be made a label use (ie, legitimize their ghostwritten articles with guided anecdotes). 

The DSM itself is basically a marketing segregation plot. It's an attempt to legitimize the disease model by isolating subgroups of symptoms to propose individualized treatments for subgroups that are not necessarily all that separate. But if the groups exist, you can prescribe more and different medications, no? Not to mention, if you use the disease model, you can propose that these diseases are permanent, or permanent until treated, considered more and more severe to offset and justify the horrific side effects of the medications. Do you know why male birth control doesn't really exist? Same reason. They can justify all the horrible side effects for women, because the other option is pregnancy. For men, it's nothing. 

And they're not bothering to invent new drugs without side effects. When they invent new drugs it's just because the last one got too bad of a name, or they can enter a new market. Modern drugs don't work any better than gen1 drugs. They still have horrific side effects. At best, the industry will shit out studies saying the old one was flawed (truth) so they can say this new gen will be better (lie). They're doing it with ssris right now. 

Fundamentally, the single proposed benefit of any of these drugs is that they numb you. To whatever is torturing you. It's harder to be depressed if you can't feel it, or if you just can't muster the same outrage. Of course, there is people who find that numbness to be helpful, or worth it. But often, it's stasis. For the people who have problems that can be worked on, it serves as a stopgap to not actually work on said problems. The natural outcome of the disease model is stagnation for those whose need is to develop skills and resiliency. It keeps them medicalized and dependent on the idea that they're diseased and incapable. Profitable. Stuck in the womb. 

I’ve been there. It’s easier, to wallow, and resist growth because it’s difficult and painful and unfair and cruel and you can think of five billion reasons to justify your languishing. But don’t listen to anyone who tells you you’re just permanently damaged, no matter how nicely they word it, no identity or novel pathologization, no matter how many benefits they promise, especially if they swear up and down some lovely expensive medications with little solid backing and plentiful off-label usage and side effects that’ll kill you. Some days it feels like they want us all stuck in pods, agoraphobic and addicted to the ads they feed us to isolate the markets for the drugs they’ve trained us to beg them to pump us with. Polarization making it as easy as flashing blue light for go, red like for stop, or vice versa. I worry about the kids, for fucks sake. That’s a bit dark and intense, and I apologize. But I want you (generic) to understand, there is a profit motive. Behind everything. And they do not mean well. They do not care about your mental health or your rights or your personhood or your growth. They care about how they can profit off of you.

For those struggling with immovable, society problems, like the narrator grappling with how his job fits into and is accepted by society while his rejection and horror in the face of it does not, it can work about as well as any other drug addiction. Your mileage may vary. From what I've seen, recovering from being on prozac for a long time can be worse than alcohol. They put kids on this shit. They keep campaigning for more. Off label, again. A pharmaceutical company’s favorite thing to do has to be to spread rumors of someone who knows someone who said an off label use of this drug helps with this little understood condition. Or, in the case of mental illness, questionably defined condition. And like, damn, I know I'm posting on the 'medicalization is my identity' website so no one will like all this and has probably stopped reading by now, but yall should be exposed to at least one person who doubts this stuff. Doesn't just trust it. Because I mean, that's the thing right?

It's so big. What would it mean, for this all to be true? Yeah, everyone says pharmaceutical companies are evil and predatory and ghostwriting, but to think about what that really entails. Coming back to the book, everyone knows the car lobby is huge and puts dangerous vehicles through that kill people. What does it mean if the car companies all hire people to calculate the cost of a recall and the cost of lawsuits? No one wants to think about the scale that means for people allowing it or the systems that have to be geared towards money, not safety like they say. Hell, even Chuck misses the beat and has the narrator threaten his boss with the Department of Transportation. And shit, man, if every company is doing this, you think Transportation doesn't know? That they give a fuck? You're better off mailing all the evidence to the news outlets and hoping they only character assassinate you a little bit as they release the news in a way that says it's all the fault of little workers like you, not the whole system. Something something, David McBride, any whistleblower you feel like, etc. 

So I don't blame you, if your reaction is "but but but, that can't be right, people wouldn't do it, they wouldn't allow it" or just an overwhelming feeling of dread that pushes you to deny all of this and avoid thinking about it. Just know, that's in the book. That's all the seatmates on the flights. That's all his fellow officemates. It's easier to pretend, I know.

But think about, how the response fits in with the themes of the book. The story, as a movie too. What drives the narrator’s mental breakdown? How would you handle being in his position? How would you handle being his seatmate? It’s easy to say you’d listen. But have you? Have you had any soul wrenching betrayals of how you thought society worked? How about a betrayal by the thing that promised to be the fix of the first? Can you honestly say you wouldn’t follow that gut instinct, saying follow what everyone says, that person must just be crazy, evil, rude, cruel, whatever it is that means you can set what they said aside?

For a lot of people, they can do that, I guess. Set it aside. Reaching that aforementioned state of managing to cope with the dissonance and ambiguity and despair is very hard. The narrator made the Big Realization, but he couldn’t cope. He self-destructed. Even when people don’t make the big realization consciously, they’re already self-destructing. It’s hard to escape it when it feels easier than continuing anyway. When it feels like the only option,

Would therapy fix the narrator of Fight Club? Would meds fix the narrator of Fight Club? No. He knows too much. All meds will do, by the time he’s in the psych ward, is spiritually neuter him. A silly phrase, but really. Take the wind out of his sails. 

Is he fixed if he doesn’t try to blow up town? If he just shuts up and settles in and stops costing money? If he still can’t cope with the things he’s unearthed? Do you see how this is a commentary in a commentary in a commentary?

Fight Club is an absolutely fascinating story because of this. The fact that it addresses the fallout of knowing. The isolation. The hopelessness. The spiral that results from a lack of hope. This is, I think, what resonates most with people, even if not consciously. Going insane because you’ve discovered something you wish you could unknow. It’s a classic horror story. Should our society be lovecraftian evil? I don’t think so. 

Do I think changing it will be easy? No. Lord knows a lot exists to push people who make these sorts of Realizations towards feelings of individuality and individualized solutions and denial and other distractions and coping methods. And to prevent people who make One realization from expanding on it and considering further ramifications. Fight Club itself gets into this; the isolation of men being a strict part of the role society shapes for their sex leaves them very vulnerable to death fetishes, in a sense, and generally towards self destructive violence. It helps funnel them away from substantial change and towards ineffectual change. Many things, misogyny, racism, serve to keep people isolated from one another, individualized, angry, and impossible to work with. Market segregation; god knows even appealing on those fronts has become such a classic ploy that companies do it now, the US military frames its plundering that way, etc. 

I’ve wandered a bit but ultimately, my point is this: Fight Club is a love letter to the horrors of critical thinking, and the importance of not falling into the trap of self destruction and hopelessness in the face of it. The latter is why Tyler was an anarchoterrorist instead of anything useful. The latter is why it was a death cult. It’s important to work through the horrors of critical thinking so you can do it, and stand on the other side ready to believe in each other. It’s worth it.

[enigmatic-enigmas]

TMA OCs!!

Tom, Eddie, and Lucas- three Avatars who serve the bloodier entities. Affectionately known as the 'Blood Boys'

[hellogoodbyeitsme]

Broke: Damian is bad at being a Robin because he's too violent

Woke: Damian is bad at being a Robin because he's afraid to hurt people

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[cordycepsbian]

should we tell her the truth...?

[sidesteppostinghours]

pulps law is that whenever i get insane enough about something, i will inevitably attempt to make a persona 5 au, regardless of whether or not i am successful at it.

[i-will-physically-fight-you]

6. “Not to be dramatic, but I’m back from the dead. Hope y’all missed me.” With Virgil and Remus?

Title: On a Stormy Sea of Emotion

Word-Count: 1.7k

Summary:

"Not to be dramatic, but I'm back from the dead. Surprise!" Remus shoots a pair of finger guns, droplets of blood spraying out from his finger tips, "Hope y'all missed me."

The cloaked figure, the target of his finger guns, does not move. Their facemask, elegantly carved to mimic a raven, stares Remus down apathetically.

Remus laughs, clasping his hands behind his neck as he leans against a building that makes up the alleyway of their standoff, "C'mon, old man. I clawed myself out of the grave and this is how you treat your 'beloved son, departed from the earth too soon?'"

OR: a Superhero AU featuring Jason Todd coded-Remus.

Pairing: parental dukexity

Warnings: Superhero AU, Death mentions, blood mention, vomit mention, implied self harm, pstd flashback, morally grey characters, angst with ambiguous ending

Thank you for the prompt! This infected my brain all last night and today, hope you enjoy <3

-

Killing isn't that hard of an action, really. There is a million ways to kill someone. Guns, knives, poison or the way Remus liked it--using your bare hands. It wasn't always the most effective, but when your target knocks your knife out of your hands--well, then you gotta go for the jugular.

Remus hums as he picks up his knife, examining it. The blood dripping from its blade landed on his gloves, coating it with a metallic stench. One time as a kid, he received a paper cut and out of curiosity, he stuck his finger inside his mouth to taste his own blood.

It just had a copper tangy taste, not very appetizing. But well, he's never tried someone else's blood, what if it had a different taste? Would a greedy drug lord's blood taste too greasy? Tainted by their lack of remorse and regard for the suffering and lives destroyed in their avaricious pursuit of wealth?

He is almost halfway to enacting on such an impulse, when something shifts behind him. He turns around swiftly, his knife meeting nothing but air. But there is something there, or rather someone.

Remus cackles, his eyes darting around his surroundings. There, in the shadows of the nearby dumpster. He lowers his knife, putting it away for now.

His heart clangs loudly against his ribcage as his ears began to clamor with a loud ringing noise. This moment has always been inevitable since the second he decided to remain in this hellish city.

Remus is many things, but he is not a fool nor is he a coward. He is exhilarated this moment has come at last. Not terrified.

"Hello daddy dearest," He calls out, "it's been a while."

His words are enough to draw out the cloaked figure from out of the shadows.

"Not to be dramatic, but I'm back from the dead. Surprise!" Remus shoots a pair of finger guns, droplets of blood spraying out from his finger tips, "Hope y'all missed me."

The cloaked figure, the target of his finger guns, does not move. Their facemask, elegantly carved to mimic a raven, stares Remus down apathetically.

Remus laughs, clasping his hands behind his neck as he leans against a building that makes up the alleyway of their standoff, "C'mon, old man. I clawed myself out of the grave and this is how you treat your 'beloved son, departed from the earth too soon?'"

He already knows the truth; maybe there was a time this man had regarded him as a beloved son. Back when Remus had been a quiet, subdued child, perfectly manageable and obedient. But that time had long passed.

"I know I probably should've stayed dead but you know me! I'm not great at following rules."

Virgil Storm, or in this case, "The Raven" still doesn't do anything. It is a little unnerving, actually. Remus had expected there to be harsh words thrown his way, or perhaps even be pinned into a chokehold by this point in the interaction.

The Raven doesn't kill. During his first bout at the whole being alive thing, that been a contentious point between the two. Yet, would an abomination like Remus count as a living being?

"And," Remus says abruptly, shifting his weight against the wall, "you can't kill me. You can try, but like. It won't work. I jumped off like a twenty story building--went splat! Like a bug, it was really messy, but I didn't die. Um, you can take a DNA sample to prove it's me--"

"Remus?" The Raven speaks at last, his voice garbled and gravelly from the voice modifier of the mask.

"Yeah, it's me. I mean, we both know Prince Boring doesn't have the guts to pull off a prank like this," Remus smirks, "I'm sure he's happy that I haven't been around to play screamo when I have the aux or fill his backpack with severed Barbie doll heads."

The Raven's cloaked figure starts staggering towards him. Remus moves to stand upright once more, his body tensing. He can take the punch, it'll hurt but it won't leave any bruises. Remus has done enough experimenting to know he can't be physically harmed anymore. At least not permanently in any way that matters.

But rather a punch thrown his way, the Raven's arms seize hold of him. Not around his neck, but around his body, as the Raven leans around him, his cloak wrapping around Remus like a blanket. He is...hugging Remus? What the fuck?

A cold pricking sensation hits Remus, spreading out through every inch of his body. But he does not move to resist the Raven's embrace.

"I'm sorry," His adoptive father murmurs, "I made so many mistakes, I was afraid but I shouldn't have allowed my fear to control me in the way that I did--"

"Aren't you paranoid?" Remus whispers, "What if I'm not actually Remus? What if I'm just a shapeshifter pretending to be him? Or--or something else?"

"But I know you're you. Do you really think I wouldn't have investigated the assumed grave robbery of my son's corpse?" The Raven counters, "I already have a DNA sample I collected from your confrontation with the Dragon Witch analyzed."

Of course, of course Virgil already had a DNA sample. To any sane person, this might've been a horrifying realization. But for Remus, who spent ten years under the man's roof, this was perfectly normal behavior of a man obsessive enough to run around as a nonpowered cloaked vigilante.

"Remus, you have every reason to hate me or even Roman," The voice modifier pitched upwards in an odd high tone, "but would you'd be willing to come home for at least Janus's sake?"

Remus forgets how to breathe for a moment. There are many reasons why he hasn't sought out his family. He isn't sure if he is willing to accept Virgil's apology, much less risk seeing Roman's face again. But Janus is different. He has always understood Remus in the ways the others never did.

Despite Janus being Virgil's "man in the chair" as it were, he has never operated with the same morals. Remus will never forget the time some henchmen broke into their secret hideout while Virgil and Roman had been away on a mission. Janus had not hesitated to put lead directly into their foreheads.

"I'm afraid I don't indulge in the same mercy as your father," Janus had said, tidying up the mess they'd left behind, "It is my duty to preserve the safety of those I've been sworn to protect, even if comes at the lives of others."

The Raven is a vigilante that is shrouded in mystery. There are rumors that circulate the streets that the Raven is inhuman, a being that moves swiftly and strikes without warning. Some even dare to whisper about the unfortunate ends that some of the Raven's victims have met. What they don't know is that last bit is all of Janus's doing.

It's why Remus has never understood Virgil's hypocrisy. He'll turn a blind eye to Janus's actions but Remus, roughing up a thug a little too harshly? Oh no, no, no, that was the most heinous thing Remus could ever do.

(He wonders what his adoptive father thinks of his actions not only tonight, but the past few months. Isn't this everything his father feared and more? Putting aside the whole "not being dead" thing, isn't this enough to make him irredeemable in the Raven's eyes?)

"Janus?" Remus hesitates, "would he be willing to make his tea?"

"For you, I am sure he is willing to prepare a full spread of pastries along with a pot of tea. He has...missed you a lot, Remus."

Remus's stomach rumbles. He hasn't eaten in weeks--not since he realized his body technically doesn't need food to survive. But he does need Janus's pastries. Those pastries are never a want, but a necessity.

"Okay, I'll go." Remus says, craning his neck to meet the Raven's gaze, "but only because I'm hungry."

Somehow, this causes a snort from his adoptive father. The closest thing resembling a laugh that the Raven will ever do. When he is not the Raven, and is simply Virgil--sometimes the man will actually laugh. Even so, that snort is the closest thing to a laugh that Remus has heard from the man in close to a year before his death.

Remus's legs buckle beneath him, almost bringing the Raven down with him. But it's not from the shock of the old man laughing. No, it's more likely his body protesting his week long streak of not sleeping.

It seems even though he doesn't require as much sleep as before, he still requires a certain amount of it. Or at least, that is what makes the most sense in his hazy racing thoughts.

"I've got you," Virgil whispers, his words unfettered by the voice modifier, "you're safe now."

Arms gather underneath him, as a long Kevlar cloak is draped around his wiry figure. An unwanted memory drifts to the surface; a time where his kid self demanded to be carried home and the Raven obliged without complaint. Roman had trailed after them, begging to be carried as well.

Janus had taken one look at their return (Roman clinging to Virgil's back like a baby koala while Remus was cradled in his arms) and simply raised an eyebrow. But it was clear through his stifled breathing that he found the entire thing comical.

Remus doesn't want to fall unconscious. He'll deny it, protest it with a wide grin and a cackle, that death doesn't scare him. But he is terrified of pitch black darkness.

He fears a confined undetermined space that is meant to seal him away deep in the ground. He fears wood splinters underneath his fingernails as he chokes on dirt as he continues to dig upwards, driven by an urge to survive--to break out of the ground to blessed, fresh air. He fears staring at a gravestone and just laughing until he started vomiting clods of dirt.

What if Virgil is lying about Janus? What if he decides to bury Remus again, this time in a coffin made out of titanium or reinforced concrete--dooming him to a living death?

"No," He mumbles, attempting to grasp tightly to Virgil's cloak, "I don't--"

But his eyes flutter shut against his volition, and he can only hope that they truly did miss him enough; that the words carved on his gravestone were genuine and sincere.

Remus Seagrove

20XX-20XXX

Beloved Son, Brother, Friend

Dearly Missed and Departed from the Earth too Soon