#this is obnoxiously long ha

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[tangledinink]

For the Swanatello fam: what does everyone miss most about Donnie during his lake-induced absences?

for donnie, leo will gladly give every scrap of patience and grace and gentleness he has. he doesn't mind explaining things. he doesn't mind telling his brother the same things over and over. he doesn't mind it when donnie forgets or doesn't understand or needs his help to remember or process things.

but he misses the banter. the back-and-forth. the stupid fights and pranks and 'you said's' and 'i told you so's.' and, perhaps a bit selfishly, he misses when he didn't always feel like he had to be the bigger person for him. he misses when he still had the space to be childish and immature and petty towards his twin, and it wouldn't hurt either of them the way it tends to now.

[ swanatello ]

[senselessalchemist]

officially summer or something

[surreal-duck]

Can I possibly ask who your most recent OC is, if you are still open to talking about your OCs?

of course!!! honestly i dont think ive made any new ones in particular since last year? with the amount i have atp i kinda go back and forth between new and old ones kjsdgkjsdhgs but i guess rafi and naomi would be the most recent that i actually do somewhat draw on occasion because otherwise a good chunk of them are just. kind of concepts i bounce around in my head jksdgjkhsdgsh

i do have this from some time ago though that never really went anywhere

[ruvviks]

Nathan Dixon is lead STEM developer of the Union environment and Team Bravo special ops agent of MOBIUS. He is one of the youngest recruits of the shadow organization, having been forced to join them after he killed his parents at age 16; and now, nine years later, he is looking for a way to destroy MOBIUS once and for all– if that is even possible.

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed, @swordcoasts

[nikatyler]

Ross on fire is a canon event you can't interfere

[inkyweenus]

Thinking about time travel and all the secrets Lu Guang is keeping. And how long he's been keeping them.

And also what his limitations are... because I don't think he knows as much as he thinks he knows.

I've got a lot of thoughts and a lot of questions. I tried to organize them in the hopes to maybe work out some ideas, but it got a bit... Much. Weigh in if you have thoughts because...I'm clearly vibrating in place wanting to talk about this. But anyway, here we go.

How is the present affected by future dives into the past? (Alternate timelines or pre-determined track)

This section is basically me asking a lot of questions that might just be writing holes or maybe not and we just don't find out for, like, 6 years. And that's fine. I'm here for it, I just need to sort out all these theories in my head.

In S1E9, LG looks into the surveillance photo and sees CXS on the solo dive. Is this because CXS was currently in the photo? Is it because CXS had already done the solo dive and so LG was seeing the affected photo? Is it because CXS was always going to go into the photo, so LG saw the past that always was going to be?

When Liu Min called from Xu Shanshan's phone, was it because CXS was always going to set up the meeting? What if CXS hadn't come to that conclusion and didn't reveal himself in Shanshan's body? Would the call have never happened? Does Lu Guang allow this huge "deviation" because he saw it was supposed to happen? Did he lie about what he saw in the photo? Was his elevated concern in that moment he claimed was about CXS's potential mental state while of going into his friend's potentially dying body actually about CXS starting the game? Is he just as clueless as everyone else and now everything is spiralling?

Chen Xiao. Chen Xiao, Chen Xiao. Oh man. "Nothing will be affected" my ass Lu Guang. Pretty sure you created an entire person that didn't previously exist from that mission. Sure, all the people that were supposed to die in the earthquake died, but Chen Xiao did NOT have a wedding ring on when he came to the photoshop to hire them. He was a miserable man with regrets he couldn't move past, including missing his "first love." Now, I get that first loves have a lot of weight, but he's like 30+ and so desperate... this is not a man who looks at his wedding ring with care and sings his son to sleep. But he becomes that. Where did that child come from?!?

Just because the 12 hours after the photo are the same doesn't mean that the 12 years after it are. Lingering resentment--or the lack thereof-- is a strong shaping force. Also. Chen Xiao's lack of regrets from a successful mission means that he never would have hired them to dive in the first place. So to make it full circle, Chen Xiao "returns" to the photo shop (for the first time?) to have CXS develop the photos he took himself on the camera he saved from the wreckage...And, I have to assume from the implication of a new timeline, THAT is how they get paid for the job. How much are they charging to develop film? Was it worth it??

Does LG even know about this kind of change? Is it just too far out of his range to see? He didn't seem to know about Emma until he saw the news, so maybe he's limited in what he can see, but he found that article pretty fast, so maybe he knew something was happening. It's hard to know.

What are the extent of LG's powers? Is he from the future?

He always says not to ask about the "past or future." I assumed this meant the future of the past that CXS was currently in, but what if he also means the future of the present that we're currently seeing? Can he see the future of the present he's in now?

In season 1, he knew that CXS would appear as himself when he dove into the surveillance camera footage. How? It was obviously CXS's first time doing that, but maybe not LG's. If it was his first time, how did he know?

We recently learned that he can see the present through surveillance footage the same way he does looking at footage of the past. Does this mean he can also see 12 hours into the future? It's 20:44 when LG unlocks Chen Bin's phone, so it's probably around 21:00 when he uses his powers. Does he know how things will unfold? Does he see the twins moving through the building? Does he realize there are two of them?

He's obviously been up to something this whole season: watching the clock, hiding photos, opening up stitches without much physical effort beyond using his powers... 🤔

My current crack theory is that LG reopening his stitches while using his powers to watch the fight is actually related to him escaping and/or jumping off the boat to free CXS. I'm not sure how because it's definitely more than 12 hours between the events, but something is up.

It's not surprising to me that CXS and Wang Juan were controlled through touch. The moment Li Tianxi reached out her hand to shake CXS's I yelled at my TV. It looked too similar to LG reaching out to start a dive.

And I yelled even louder when she made contact

CXS can dive on his own and LG can see into a photo on his own. The physical touch only connects their minds, it's not necessary to activate the powers. Could LG touch CXS and communicate telepathically without diving into a photo if they had an activation touch? Does LJ need a time travel element to get into CXS's head?

I think Li Tianchen's powers at least are touch related because when he touched Xixi, CXS lost his connection with LG. But I think there may be something else going on with the twins. I'm just not sure what I think yet. We wouldn't know if one was possessing the other because their eyes are the same.

How do the powers manifest, and what does that mean for Lu Guang's backstory?

I think we saw the moment when Li Tianxi and/or Li Tianchen acquire powers. Was it a predisposition that unlocked during a highly traumatic moment or did it just manifest somehow from an extreme desire to take control of the situation?

Li Tianxi was a child who wanted to communicate and be present but felt trapped in her over stimulated body. Li Tianchen was a boy with strong ideals and a sense of protectiveness... without the strength of an adult body to follow through with that protection. While they were holding the photo, huddled together in close physical contact after Tianchen's head injury, one of them or the combined force of them was able to 1.) take over their mother's body and 2.) blank out Xixi's mind to the point of cutting CXS's connection with LG and eventually the whole photo. But something went very wrong along the way. Maybe some signals were crossed.

CXS is a highly empathetic person. He feels so much for everyone and wants to connect with people emotionally. And his powers reflect that. We know CXS has probably at some point had a strong enough desire to go back in time, if anything to see his parents.

What, then, do the circumstances look like for a logical, emotionally reserved--but deeply caring--person to acquire powers to see snapshots of the past? What would drive him to want to change the past so much that he manifests these powers?

We know CXS had never done a dive without LG before he temporarily went rogue in S1E9... because he didn't know he could do it until he tried.

We know S1E1 isn't the first time they dive. CXS nags LG about having heard the rules a hyperbolic amount of times. So the powers aren't new at this point. But I don't think they both had powers before they met. So how and when did they get their powers? Was it when they met? When they travelled abroad? After some accident or something?

LG just shows up in CXS's life unannounced. Twice. And that's how they got close. Was it just the random fated meeting of soulmates as per fiction standards or did LG intentionally seek out CXS for more timey-wimey reasons? Did meeting LG activate CXS's powers? Did they experience something together to have compatible abilities? Did LG already have his and teach CXS how to manifest his own? How much did LG already know before he picked up that basketball?

I have this other crack theory that I absolutely hate and don't want to be true at all and almost certainly isn't, but, like...what if if LG and CXS are actually the same person from different timelines. Like LG is a version of CXS that doesn't get to have familial love and maybe experiences too much trauma, and he goes back in time to give himself some semblance of a home and a set of rules to hone his powers without altering the timeline that he's actively changing. They're intentionally written to be two halves of a whole, and there's been more than one joke made about LG being a ghost or not existing. I hate it. But it's in my head.

One last question for today... because I have to wonder:

Who makes the rules?

Has LG just read enough books to feel knowledgeable about how time travel works? Is he from the future trying to maintain a desired outcome? Are they following the rules of a third party who's orchestrating the flow of events from a distance? Are they... Leaving their fates to the ones who aren't in control?

[ohitslen]

Let Vash drink next season I beg your honor

May I pitch this idea: Stampede Vash is the kind of drunk that won’t even think twice when saying things like this then deny all the allegations right after. Hence, him always backfiring at WW when he’s already far gone and Nick isn’t really sure how to take any of the things he answers with

[sirenium]

I try my damn near hardest to avoid shipcourse on this blog. However, I have so many qualms with the anti side of things that I need to say something.

If your first inclination after seeing someone explore fiction is to call them a pedophile (as an insult, no less!), abuse enabler, and/or urge your followers to mass report them, you are a problem. Maybe it's because I grew up during the golden days of fandoms, where ship and let ship was the norm and not whatever this shit is, but it's bizarre to see people get cancelled for being a proshipper. I just don't have it in me to care about what people do to that fictional child. It's none of my business.

I've noticed a trend from antis of anything: anti radqueers, antishippers, anti hazbin/helluva etc, and it is that their arguments are extremely self centered. 'It's romanticizing MY abuse/trauma/condition!' as if that stranger on the other side of the screen couldn't possibly have similar trauma etc and copes with it differently. "It triggers ME!" then don't actively seek out that material and get mad at the creator. It's a 'me! me! me!' mindset.

See, me personally? I don't care if someone makes and romanticizes a fic that capitalizes on my trauma. I don't care what reason they have, either; whether it's to cope with their own trauma or to simply have fun, I do not care. No amount of harassment from a bunch of teenagers can change the fact that I don't care, and the fact that there are others OLDER THAN ME, someone who will be 19 in July, who condone and enforce anti views is terrible.

Creative freedom shouldn't even be a debate or discourse situation. People need to grow the hell up and get over themselves.

[skinnypaleangryperson]

You have to love when you've been putting your raw soul, suffering, and hard work into your life every single day daily and the only thing that you wake up for is your raw passion for your art and a lot of it is fanfiction, just to go on Reddit for those fandoms at the end of the day and to see anonymous people say "All I can find is terrible self-insert fanfiction" and knowing that there's a likeliness that they are referring to yours or at least one of them because mine is the longest one within the characters tag

[hirokiyuu]

look at my alternate yuu concept boy

[birbwell]

fellas I've been thinking about Sir Catface and I've decided that hes a deeply disturbed man! [confetti pop stock yay noise]

[jadedloverart]

Queen of the Damned

Summary: To live a life of purpose and to find dignity in death.

Chapter: 9/10

Check fic link for tags

[iknaenmal]

drop your address i just want to talk

[bismuthburnsblue]

ok so!!! i revisited my work from yesterday, going in and properly blocking out the style lines and strap (still up for change as i get into better fabrics but this is a lot more representative of what they would actually look like now!) (though i am noticing ive set my hemline lower- even extending it on nora, when anne's is quite high, so ill have to see how comfortable i feel with that)

i also took a bit out of the hips on the ally pattern which definitely helped with the shape (i was really just being lazy not doing this, ive used this pattern before and had to do that, i knew it was gonna be an issue)

Theres more notes on my personal thoughts on both patterns below the cut :)

same cw's as before for body image stuff :) (maybe this is silly but i just feel far more comfortable putting warnings + a readmore for corsetry)

(also! i will be doing a post properly introducing this project soon :) ive got a lot i want to say!!)

First up! both of these patterns are by Aranea Black, pdfs of these patterns are still available online but her website is gone now)

Ally is a 6 panel corset with extreme hip spring- heres what the pattern looks like:

i do think the hip spring gives a really dramatic shape, but i do worry that with my upholstery weight faux leather, it just wont sit nicely. on this mock up i had to slit my entire seam allowance at the waist to make it not tuck too badly, and that means cutting my boning channel in half (i think, still deciding details like that) i cant really afford to waste fabric recutting panels if i sew it and it does tuck, either.

(Technically i do have the option available to me to do a twin stitch like Anne's original corset actually has, but this wouldnt be traditional, and wasnt in my plan (even if i wasnt gonna have the bones in the leather layer, i like the /look/ of felled channels on the outside.) a twin stitch however would probably negate most the tucking on the waist point, as it opens it up rather than folding to one side.)

Secondly, the one gripe i have about this pattern is that big line of wrinkles below the waist- now some of this will be from the fabric and it not being worn in, but the "daily wear" version of this corset ive made before still has some of these wrinkles even now, especially over the first hip spring panel. i know theres ways to adjust the fitting to counter the ones over the hip, but those i think are largely from the way the fabrics pulling around the curve- its covers such a large area its bound to pull a little weird in places. I really want a smooth look, a clean finish is the most important thing to me, and i worry no matter what i do they will still be there.

I will say, Ally has a lacing gap designed into the pattern, which is something i want, as Anne's corset has one, and it automatically gives you more leeway in the fit that patterns without it just dont have.

Nora on the other hand is 8 panels, with the hip spring spread across a much further space. On paper it looks much less dramatic, but theoretically should still hold a significant amount of shape, just distributed over more panels.

I guess that would be my first area of concern, that the shape just isnt quite as dramatic as the shape on Ally. i really want something quite striking for this project and though pattern modifications can be made, i was hoping to not have to do too much past simples changes.

The 8 panels also means this pattern will likely eat up more fabric. if nothing else, theres 4 extra sides of seam allowance that the other does not have (though, these pieces will nest together better, so it could end up being negligible) it is a concern however, as im working on a very tight yardage.

One of the immediate positives of this pattern however is the lack of that wrinkle band like Ally has. Since this is worn as an outer layer thats a huge point in its favour, a nice clean finish is basically the top of my requirements list.

Nora also has no lacing gap, which is an issue for the reasons mentioned above (annes costume has a lacing gap, but also lacing gaps give more leeway in the fit, allowing you to be a little tighter on some days than others.) Its possible to draft in a lacing gap relatively easily, but it is something i have to consider.

Its completely arbitrary, but i also feel like the way the strap joined onto this pattern was nicer- it lined up better with the pre existing panels and i think it'd join on as a continuous piece better. again, its extremely minor, i just think its cleaner with less fiddling on my end.

I think im still thinking the same way i was yesterday, that Nora is probably the pattern thats working better for me for this, but its still very up in the air for me. i feel like theres more pattern modifications to do there, but that its probably going to be worth doing the work? but i am definitely interested in what anyone else might think!

[bedforddanes75]

born slippy i love you so much