#this is my favourite one by far

[conjectureand-gloom]

“Sir, please. I can leave the army, I can leave. Anything but this sir, please,” Laurens begs, voice cracking. “Don’t let Alexander be punished for my own sin.”

“I can’t do anything to stop this, Laurens. Don’t you understand this?” Washington stands, slamming his hands down onto the table. “I cannot do anything. You’re dead.”

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[hinamie]

alongside someone like you

[sparrowdoodles]

Fabian hit me!

[kraftykelpie]

Rebellion era Cody, how I visualized him during his bounty hunting days, before and during being with Obi-Wan(based off the fic series called "codywan on tatooine" by Serie11)

Edit: ao3 author is here! Credit where credit is due @oathkeeperoxas

[olympain]

Happy Lunar New Year!

[chancheols]

[professorcalculusstanaccount]

People have been asking for a Chang timeline post! Chang not only represents a turning point in the politics of the Tintin series, he also represents a sense of chronology in the otherwise floating timeline of the canon. While Tintin almost never discusses his past, Chang is a key part of his personal story in Tintin in Tibet.

I imagine him and Tintin being around the same age, with Chang being a few months younger.

Child - Chang had a happy early childhood being raised by his father and grandparents. He never mentions his mother when recounting his backstory to Tintin, so my main guesses are she either passed away or his parents separated before Chang was old enough to remember her. His father and grandparents taught him how to cook from an early age, and taught him the importance of solidarity and community, lessons Chang will hold onto the rest of his life.

Early canon - Chang is orphaned. This sudden loss causes him to act out. He turns to picking pockets and causing general mischief until an orphanage takes him in. Chang learns a lot of skills just to survive - he’s stealthy, he’s street smart and pretty decent at climbing. His experiences as a street kid taught him to be wary of authority.

The orphanage provides a brief period of stability until it is swept away in a flood. Until this point, Chang has felt pretty powerless in his life so just goes with the flow, so when Tintin drags him out of a river he doesn’t think twice about going along with him to break up a drug ring in The Blue Lotus. Going on this adventure with Tintin imbues him with a sense of empowerment and purpose he never felt before.

Student - The Wangs adopt him pretty quickly after he busts the drug ring with Tintin. It’s a sudden change he struggles to adapt to, with the Wangs being wealthy academics and Chang coming from a working class background there’s a significant culture clash.

Tintin leaves just as quickly and rarely contacts Chang, even as his journalism career takes off, leaving Chang lonely and heartbroken. Chang tries to send him letters but doesn’t know that Tintin moved out of Labrador Road.

Having missed out on education for a bit Chang struggles with school. He feels unworthy of the opportunities the Wangs try to provide him with and a part of him feels they only adopted him because they were dazzled by him taking down that drug ring, an achievement he increasingly feels he will never live up to again. He struggles with mental health issues, but finds solace in photography, his portfolio getting him a place at university despite his bad grades.

Young adult - In an attempt to try and help Chang’s mental wellbeing the Wangs decide to send Chang off to visit his uncles before he starts university, only for Chang to nearly perish in a plane crash in Tibet. Ironically, it’s this near death experience that shakes him out of it. Chang has a renewed enthusiasm for life, taking to travelling, dance and photography. Didi trains him in some basic martial arts so Chang can fend for himself.

Tintin makes an effort to stay in touch after having nearly lost Chang. The two repair their friendship, and Tintin has him stay at Marlinspike when Chang studies in Belgium for his second year of university. By the time Chang comes around, he’s had a growth spurt and has been working out - Chang is pretty haunted by his skeletal state from his near death experience in Tibet, so has been making an effort to recover.

After helping Tintin with a case, Tintin gets him a job at his paper as his photographer. Being Chinese he faces challenges in the workplace, and he uses his charm to be as personable as possible. Unlike Tintin, he frequents quite a few staff parties, and ends up pretty popular!

A couple of years later, Chang tries to unionise the staff at the paper. He and Tintin are outed as a couple and the two of them are fired.

Middle aged - After fighting fascists with the Marlinspike team during WW2 Chang and Tintin settle down in Belgium, with Chang scraping out some freelance photography work and a part time job at a portraiture studio. War in China causes them to lose contact with his adopted family. 

While Tintin grows more cynical, Chang accepts the chaos of the world and mellows out a lot. He tries to be a supportive partner and makes extra effort to stay in touch with his uncles and cousins.

Elderly - Chang uses his skills in photojournalism when he gets involved in political activism. He and Tintin are finally able to reunite with Didi and his children in the 70s.

[childrenofcain-if]

D + MCs who do ballet? Classic they were a punk, they did ballet trope 🤭

How would it go if D somehow stumbled into MC dancing alone at a studio?

the music echoed softly through the studio, a haunting piece by rachmaninoff played on piano, filling the wide, empty space like smoke. it wasn’t the kind of music meant for performance—it was private, introspective, full of cascading notes that fell like raindrops on the skin.

you stretched your arms upward, your fingers trembling slightly before melting into the next move, a slow arabesque. the floor beneath your feet seemed alive, absorbing your every step and breath, your body moving as though the music was stitched into your veins.

the studio smelled faintly of resin and varnished wood, and the walls were lined with mirrors that reflected you in endless variations—an infinite string of dancers chasing one another in ghostly synchronization. the barre stretched along one side, but you weren’t touching it. you were in the center of the room, spinning lightly on the ball of your foot, every motion deliberate and delicate.

you were a swan, or at least that’s what you told yourself, gliding across the floor with a mixture of grace and control. but there was something raw beneath the practiced movements. dancing alone always brought out a part of you you couldn’t quite name, something wild and unpolished that made your heart beat a little faster.

outside the studio, D was grumbling to themself, rifling through their sheet music with a kind of irritated intensity. their classical music class had been predictably boring, full of lectures about bach’s counterpoint and unnecessarily complicated homework assignments.

“this is ridiculous,” they muttered as they stuffed the papers into their bag. “who cares how many times he modulates in a fugue? it’s like professor khan wants me to suffer.”

they were halfway down the hallway when the faint sound of music drifted to their ears, a piece they didn’t recognize but which tugged at something in them nonetheless. it wasn’t from their class, wasn’t the droning lecture about sonatas or fugues. this music was alive, sharp and sweet like glass catching sunlight.

D slowed their steps, distracted, and when they passed by the glass window of the studio door, they nearly walked into the wall.

they stopped. then they stepped back.

their gray eyes widened as they caught sight of you moving across the studio, your body arching and spinning in time with the music.

you weren’t even looking at the mirrors, weren’t watching yourself at all, as if you didn’t need to see your reflection to know you were beautiful. your hair was pulled back, a few strands escaping and sticking to your neck, and your face was focused, serene.

for a moment, D forgot to remind themself to breathe.

you didn’t look real, not in the fluorescent light of the studio or the sterile smell of the building. you looked like a painting, like something fragile and otherworldly that didn’t belong in the same space as the chipped tile floor or their scuffed sneakers.

“god, they’re unreal,” D muttered under their breath, and then snorted at themself. “get a fucking grip, rook.”

but they didn’t move away. instead, they opened the door slowly, slipping inside without a sound. you didn’t notice them at first, too lost in the dance, and D leaned back against the wall, their arms crossed as they watched you. their usual smirk softened into something unreadable, their practiced nonchalance dulled by the quiet awe in their expression.

when you finally stopped, mid-pirouette, and turned toward the mirror, you caught sight of their reflection. you jumped slightly, your chest rising and falling as you tried to catch your breath.

“D?” you said, your voice breathy with surprise.

D pushed off the wall and took a few steps toward you, their smirk reappearing like a reflex.

“don’t stop on my account,” they said, their tone teasing but warm. “i was enjoying the show.”

your cheeks flushed, though you tried to hide it by rolling your eyes. “flatterer. how long have you been watching?”

“long enough to know i could never do that spinny thing,” D said, gesturing vaguely to the space where you’d been dancing.

you blinked at them, caught off guard, before laughing. “the spinny thing? you mean a pirouette?”

“sure, whatever it’s called,” D said, stepping closer. “i kind of wanna learn it.”

you hesitated, eyeing them skeptically. “you’re not exactly the most... graceful person, D.”

“hey,” they said, placing a hand over their chest in mock offense. “i’ll have you know i’ve got excellent rhythm. i just… don’t use it for dancing.”

you snorted but relented, gesturing for them to follow you to the center of the room. for the next few minutes, you tried to teach them the basics—how to balance, how to turn without tripping over their own feet.

D was, predictably, terrible. they stumbled more than once, their movements awkward and stiff, but you didn’t seem to mind. you laughed, the sound light and unrestrained. honestly, it didn’t seem like D cared much about looking foolish in front of you.

“i think i’m doing it,” they said at one point, wobbling precariously as they attempted a turn.

“you’re definitely not,” you said, laughing so hard you had to clutch your stomach.

“harsh,” D said, grinning despite themself.

but then, as you were correcting their stance, their hands brushed yours, and something shifted. the laughter died in your throat as D turned to face you fully, their gray eyes suddenly serious.

“you’re fucking amazing,” they murmured, their voice low.

before you could respond, they cupped your face in their hands and kissed you, their lips soft but insistent against yours. you froze for half a second before melting into the kiss, your arms wrapping around them.

the barre was behind you, cool against your back as D pressed closer, their hands slipping from your face to your waist. the kiss deepened, and for a while, the rest of the world fell away—the music, the mirrors, the studio. it was just you and them, tangled together, desperate and unthinking.

when you finally pulled back, breathless, you looked at them with wide eyes.

“what’s gotten into you?” you asked, half-chuckling.

D smirked, their forehead resting against yours. “i just couldn’t resist you, my sweet swan.”

you rolled your eyes, though there was no heat behind it, and pulled them into another kiss. when you finally broke apart again, D leaned in close, their breath warm against your ear.

“for the record,” they murmured, “i’m a much better performer in bed.”

you groaned, pushing them away playfully. “now you’ve gone and ruined the moment.”

“and yet, you’re still with me,” they said, grinning.

you shook your head, grabbing your bag and slipping your hand into theirs. together, you walked out of the studio, the music still echoing faintly behind you.

[bluegiragi]

konig is very good for ghost and soap in the soapbox saga finale <3

read the full comic (29 pages) on patreon!

[astronite13]

day 17 ♪

[toniodarling]

oh wow he’s such a great architect!!

[electricpipeorgan]

If his first scene in the series hadn't immediately made me fall in love with him, then it would've been here. The perfect warmth in his face and voice (as well as just the wonderful writing & choreography for him) is just too gorgeous j-j

I had no idea this man would be so warm and adorable from just looking at his portrait in the pilot

[starflungwaddledee]

participated in a "species swap" challenge with starstruck a little while back where i took some prompts to see what she might look like as a few other familiar faces!

once again posting this one as @kirbyoctournament propaganda...! trying hard, it's the final push in the final round!! can she do it?? you can vote here to help! aaa!!

[sysig]

Those wacky skeletons ♥ (Patreon)

[novuit]

Bnuy Engerland for the soul :)