#this is more of a self reference than anything else

[shanastoryteller]

Congrats on finishing See Something Say Something!! I checked the notification of the first AO3 email sent out and you initially planned on five chapters.

Would you say that the ending changed considerably since you started in October? Or has that stayed the same?

thank you!

it stayed the same lol. while my fics getting wildly out of control and becoming way longer than i anticipated is pretty common, i'm pretty much never changing overarching plot when this happens. the story that i become interested in telling is typically the story then i end up telling

almost every story can be made shorter or longer. it's less about what happens and more about how that information is conveyed. things that really tend to affect writing length are perspective and breathing room

the shortest fic i have on ao3 that's not part of a series is You Were (Not) Meant For Me (posted 11 years ago, jesus T_T). the premise is that claudia was a witch who intended trained stiles to be a witch and she arranged his marriage to laura hale, the future hale alpha. this is a traditional pairing as talia's husband was also a witch married to talia in service of the pact. except claudia died before she could train stiles or tell him about the engagement. stiles starts learning magic after scott is turned. derek falls for stiles and feels like he's betraying his sister by loving him, betraying stiles by not being the alpha he deserves and not telling him about the arrangement claudia made, and hates himself the entire time, but not enough to stop himself

that's a 100k fic easy

it's 1,696 words

it's extremely limited perspective (derek's) and it's made up only of limited snapshots of moments with very little context. there's no seeing what's happening, only told, which i think would quickly grow boring if it was longer and if the real point of the story wasn't derek's self hatred and how he fails to deal with it. that's the part of the story that isn't told, really - derek does think explicitly that he hates himself, but we're also seeing it in the way he talks and thinks about himself and the people around him

by contrast we have survival is a talent, which is obviously my longest fic. we're over 500k and we've got quite a bit to go

perspective doesn't just refer to character pov, but audience pov - are you being told a story, or are you experiencing the story? this is also tied into breathing room. there's no wrong way, i've done both and will do both, but one certainly requires more words than the other in my experience

siat is told only through draco and harry's perspective, but it's all happening in real time. the audience is being taken along for this story. the thing is that that things in real life don't all come tumbling one after another, not all questions have immediate answers. when depicting character growth and a plot unfurling, i think it's really important to include breathing room to give the audience time to feel that growth and change. i'm stricter about this with siat than anything else i've written, probably sometimes to its detriment. i want you and the characters to have time to feel the effects of emotional revelations and plot hints. i want you to have the time to question and wonder about things the same way the characters do

one time a friend criticized the good place for including the portion where they were alive again on earth because it wasn't as interesting as being in hell, but i disagree. we needed that breathing room both to live with the effects of character growth of going through hell and to have time for the effects of their actions on the plot to settle before they moved forward again. i stopped watching agents of shield because we weren't given enough breathing room - there was never a chance to see the characters not in crisis, the world was always ending, ect. the alchemyst book series has the first like 3 books taking place over a day and a half. i got tired of it after that. there's no breathing room

a story where i gave up on the concept of breathing room was build your wings on the way down. i liked that fic, but i wanted it finished, and to do it with i think optimal pacing would have made it twice as long as it was. so i said screw it, avalanche time, everything is happening all at once right now. there's very little breathing room there, which i think doesn't work too terribly in part because everything is so urgent and everyone is stressed so not being able to catch you breath sort of fits

See Something Say Something did not need to be 215k, although i'm not at all complaining. i feel very happy with how i told this story. but the basic premise - sam getting his powers early, getting involved in the large hunter world secretly from his family, and dean feeling misplaced and worried about how much sam needs/wants him - could have been told a hundred different ways and all would have pulled it off, so to speak

i considered doing the the entire fic from dean's pov (as a sam girl i love his pov because all he thinks about is sam and he's so insane about it) which would have effectively cut out basically the first five chapters. i thought exploring the slow realization of what's going on purely from dean's pov, with the audience having not insight would have been really interesting, just like what I did in dumb luck or good ghost with dean slowly figuring out that sam didn't die in the crash. another thing is the inclusion of all the side characters which i did to make the world feel rich and real, but we didn't need all these outsider povs to get the basic point across. very rarely is something vital being conveyed by an outsider pov, but it reinforced and adds to the main characters. i also initially didn't have wincest, which obviously added a ton of words. i loved exploring dean's self hatred and fear and sam's obliviousness, but bringing them to a place of ignorance to acceptance to happiness is a lot longer of a journey than just dealing with dean's propriety love as an unhinged co-dependent older brother. again, i'm sticking by all these choices, i made them because i thought it was the best way to the tell the story i was most interesting in telling, but my point is that you didn't need them to tell this particular story

it was also how i told the story. we spend a lot of time wallowing in character's emotions, especially dean's and sam's, but the others as well. part of this fic is convincing you that these two brothers should fuck, actually, and doing that effectively is going to take some time, especially at this point in their lives when things are pretty normal. comparatively, fucking your brother after starting the apocalypse is pretty small potatoes. i wanted you to understand these people, to feel what they were feeling, to not feel that it was inconceivable that jess would be willing to share her boyfriend with his brother, to buy all their relationships with each other in a way that isn't purely based on convenience

part of the reason i wrote dumb luck or good ghost before see something say something was that i felt i needed a firmer grasp on who the characters are before getting into who they were and who they could be - especially john, who i feel is exceptionally difficult to write without over excusing his actions or over villainizing them. the reason john doesn't get a single pov in see something say something is that while he's a motivating and underlying factor in much of the story, the story isn't about him. it's about the effect he has on those around him, and i didn't want to sully the pureness of that effect by introducing his internal dialogue, regardless of how persecutionary or absolving it would be. it's just not about him. it's how he responds to others and how they respond to him in turn

anyway! this is another example of something ending up longer than expected, but yeah. the plot of see something say something didn't change much from posting of the first chapter and my stories rarely do - i have plot points in siat that have been there since i posted the first chapter that are still relevant and happening. "harry and draco just. cut dumbledore's fucking hand off" my beloved

[lesbianalanwake]

Severance S2E3..... I'm chewing through drywall:

-- Natalie referred to the Board as "it"..... it? it??

-- speaking of that: Natalie? are you good?? how literal is the concept of speaking for the Board? Natalie??

-- Milchick packing away the box of paintings (and it doesn't quite fit.... girl....), and Cobel driving away from Helena's invitation to speak to the Board (sleeping in her car.... where is she driving to)..... obsessed with them and everything they do, actually. enemy of my enemy please god 🙏

-- Devon and Gretchen meeting the innie version of someone they love, and seeing how innocent/lost/earnest that person is, how they echo the person they know but less closed off and worn down..... Devon's face when she said Mark's a good egg, and Gretchen's face when Dylan G said he would make her proud..... oh I'm chewing through drywall AND glass. (the stark contrast to the contempt that Helena's father shows towards Helly..... ough)

-- the unhinged conversations between Cobel and Helena..... careful flat affect and measured tone while simmering with cold rage. makes me wonder if it's a "raised by Lumon" thing, which makes me wonder about Miss Huang and her impassive mannerisms..... Miss Huang get behind me. Dylan worrying about her.... 😢

-- Dr. Asal Reghabi's first in-person appearance: beat a man to death with a bat. Dr. Asal Reghabi's second in-person appearance: unsevered Mark's brain. what WILL she do next. how long did she work for Lumon? going to make a tentative guess that it might have been for quite some time, because she's got those funky off-putting ways of saying things, but she emotes a bit more than, say, Cobel. so maybe more of a Milchick type

-- Lumon wanting to edit Ricken's book.... trying to absorb and rewrite every part of the narrative in order to control it. a dumb out of touch self-help book, but it meant something in an environment stripped of most anything else, just like Miss Casey's "wellness" sessions meant something to the goat people. scraps of some kind of meaning, and now getting twisted and taken away. I am actually sick in the head over it

-- we have GOT to get a copy of The Body Keeps The Score down there to them next

-- that has to be Helena because 1) we don't spend time with her that isn't driven by another character, and 2) Irving's instincts. and girl must have studied the security footage closely because she's got a lot of Helly's mannerisms.... but not all of them, and so much of what she does is stilted or subdued. even the register of her voice isn't quite right. studying Britt Lower's microexpressions and body language under a microscope like who ARE you

-- Reghabi talking about 5 brain waves while the macrodata files emphasize the number 4..... chewing thoughtfully on it..... the input survey also has 5 questions. is this anything

-- also pondering how Reghabi says the only way for Mark to get information in and out of the severed floor is through reintegration. locked down tight with code detectors, and an afterimage is too ephemeral, but information is encoded within the brain, and that can't be locked down so tightly despite every effort to control it.... you carry it with you.... the body keeps the score

[cuteniarose]

So I… completely forgot I was tagged in this 😅 In my defence, January was one hell of a month and I didn’t get one moment of peace, so we’re finishing this off now!!

Words written (published or not, WIPs totally count too!!):

It’s rather hard to calculate just how much I wrote because a lot of it is in the form of (often unfinished) snippets sent through DMs that are impossible to keep track of, but I tried my best to compile the word counts of all my finished pieces together (yes, only finished, the rest don’t deserve to be counted), and it comes out to roughly 69054. Not as much as I would have liked, but it’s something, at least. Better than pretty much all previous years, as far as I’m aware.

Smut scenes:

Actually finished? Two. I’m horrendous at writing smut. I really wanna get better at it because I cannot keep relying on Kat to provide it for me, but since I’m aroace I have absolutely no frame of reference and everything I write feels stiff and awkward and not hot at all 😭😭😭 Maybe it’s an “I wrote it therefore it’s bad” kind of thing, maybe a “can’t get turned on by my own writing or imagination” kind of thing, idk, it’s sucks either way :/

New things I tried:

Smut writing, I’m pretty sure? Also just romance in general (if the singular kiss between Jia and Aiza counts lmao). And more serious introspection, which was… 90% of what I wrote this year tbh

Fic I spent the most time on:

AIDIB, hands down. I still wake up in a cold sweat thinking about it sometimes, I hate that goddamn thing. Don’t get me wrong, I can recognise that it has its good parts, but ffs I’m 100% I lost 20 years of my life writing it. Kat, the rest few instalments of UtOS are on you, I don’t even care

Fic I spent the least time on:

Not counting the Avatar Sapphic Week chapters, probably a tie between Out in the Garden and The Winter Solstice? I basically spedran writing both of them within like… two days of my self imposed deadline. I was definitely possessed by Lev Nikolaevich Tolstoy in those moments, don’t even try to convince me otherwise

Favourite thing I wrote:

Either Where Land Meets Sea or nobody’s son, nobody’s daughter. There are parts I hate about both so I can’t really pick a favourite

Favourite thing I read:

I don’t read fic lol. Does Tomorrow Was the War count??

Writing goals for next year:

Actually finish something for once you lazy piece of shit (/lightheartedbutnotreally). For a more serious answer, write at least the first chapter of my Haya fic before March 1st, complete the remaining 5 ASW prompts, and finish and post my translation of Tomorrow Was the War HOPEFULLY before my exams bc I can already tell this summer will kick my ass once again. Not aiming for anything else because I’ll just end up hating myself for missing the mark, let’s be real

Year-End Writer's Roundup: 2024 Edition!

thanks so much for the tag @sweetorangepoptart!! i had to wait to actually do this until i finished the last fic i wanted to post for the year, so now it's time for the roundup!

i'm honestly not sure who to tag, so if you see this and you wrote anything this year, feel free to do it and say i tagged you!!

Words written (published or not, WIPs totally count too!!):

let's not even get into my WIPs there's so many lol. going by just published works, i wrote 73,234 words!! honestly crazy to think about!

Smut scenes:

three! all in their own standalone works. doing the math, that means my smut fics alone take up about 1/3 of my words written this year haha

New things I tried:

i've written for lots of ships for the first time this year! in fact, i believe all the ships i wrote for are the first-time ships for me, which is always very exciting

as well, i tried a slightly different writing style than usual in my fic i'm glad i get forever to see where you went. i really enjoyed writing like this, and i can definitely see myself doing it again in the future!

Fic I spent the most time on:

i think that title has to go to my fic Likewise, as it sat half-finished in my drafts for... honestly most of this year i think

Fic I spent the least time on:

i can't say 100% for sure, but i think my fic Something Nice. it was written for yangvik week, and it was quite literally written the same day it was published. i did that several times during the week, but as this one's word count is a bit lower than the others, i think it's most likely the one i spent the least time on

Favorite thing I wrote:

ughhhhh this is like asking me to pick my favorite child. i love them all!! but if i had to choose, i think i need to go with The Push. i am honestly so proud of this fic, and i actually go back and reread it quite frequently. it also became popular beyond my wildest belief, and was sort of my jumpstart into the yangvik ship/fandom. the response to it helped give me the confidence to write seven (and counting!) more yangvik fics!!

Favorite thing I read:

actually this is like having to pick a favorite child. how can i possibly choose when i read not only lots of fic, but lots of good fic?? i've gotta choose multiple lol

anything by my lovely mutual @katkastrofa, i legitimately can't choose any specific one to focus on because they're all so incredibly written! Ruby by KingWuko; i love all your wuko fics but this one in particular gets me every time! and outside of the atla fandom, i've been really enjoying this owl house fic on ao3!

Writing goals for next year:

honestly? just keep writing! writing fanfiction has honestly been incredibly helpful for me while i'm in college. seriously, my mental health is always so much worse when i'm not writing. even if i don't publish it, writing is so good for my brain. so i want to keep up with it as i go into the new year!

i've also worked on a loose writing schedule for the upcoming year - i'm not holding myself to it super strongly but i really am going to try and follow it! it's just a way to help me focus more on individual fics and know when i want to try and finish them. that way i can do things like publishing fics for friends' birthdays and participating in more fandom events!

and last but not least, a semi-writing goal that i have is to host another wonderful yangvik week! the 2024 event was amazing, and since it ended even more people have found it and expressed interest, so i 100% would like to do it again. and if i do it again, this time i'm going to try and write for all seven days! considering i wrote for six last time, it seems pretty manageable lol

----

thanks again for the tag! this has been a great writing year for me, and i can't wait to see what 2025 holds!

[mestos]

CoAi moments in the old DetCo Games (part 1)

idk if anyone else knows this but detco does have a bunch of games ranging from Gameboy colour all the way up to nintendo switch era. around 3~4 years ago a friend at the time and i went through and watched some playthroughs and i vividly remember thinking that the DB focused games were so CA heavy ...

The gameboy advance games were especially impressive, they had full voice acting and animations plus the cutest pixel sprites

(The Greatest Partner - The Old Magician and the Playing Cards Mystery) (GameBoy Advance)

first, context. the plot of this case is that while the DB were visiting a theme park (it's sort of a weird fusion of a zoo and an amusement park...) a magician that they went to see gets a phonecall where his grankid gets held hostage. the magician gets a heartattack from the shock and is sent to hospital, leaving the DB to figure out what it is that the kidnappers want from him.

when they're splitting up, haibara says she's going to sit this one out, but conan asks her to go with him

(conan's voice is very gentle throughout this whole game, actually. he's very sweet to the kids, which is twice as effective bc he asks her to come with him so gently.)

(and she didn't mind at all ;) )

(haibara's voice here is very gently nudging.)

(ai says this. she's very calm. the music has a romantic, relaxing vibe lowkey but i might just be delusional)

its worth noting that they spend this moment at the park going back and forth about the case.

case in point:

i already mentioned this, but depending on the director on the anime conan's aggression or snarkiness changes per episode as well as his parental instinct towards the kids. but he spends this game acting very sweet towards the detective boys and haibara.

since this is a coai moment list i wont include it, but there's a scene where he comforts ayumi while she cries and its very worth watching if u need a reminder that conan/shinichi canonically can be very kind towards the children and cares for them despite everything

anyway, next scene is SUPER CUTE, but the kids stick their nose in danger after fooling conan, leaving him to save them and they all take turns saying they believed in him—especially, because haibara told them to.

(should note—he says the first line in a soft, relieved way, and haibara has a very teasing tone while he fondly says her name. it drives me crazy.)

haibara actually leaves the group at this point in the game to go meet with agasa, so there arent any more moments for this case. the other two cases in the game are The Masked Knight Murder Case (with Conan, Ran & Sonoko) and The Greatest Partner (with Kogoro and Ran, no Conan). not really interested in those so that's all for this

the next game that has a DB focused case is in The Great Deduction of Three People—where you can play as Ai, Heiji and Conan. i'll cover that in a diff post since this is already so long

[liauditore]

Equally Invalid

[lilyeon]

im behind on so many lns rn

need to catch up on:

Tamer 6

S-Rank 10-11

TRPG 7-8

Saint 5

Hazure 7

One Step 5

Strongest 5

Wise Man 10

Bofuri 10

Banished 10-11

Magic 7

i think that's it? still a solid chunk tho. bofuri 10, s-rank 10, and trpg 7 are all half-complete because i started them and left to do other things and forgot to finish them so i'll probably knock those out first. i've got a draft waiting on One Step 4 so i'll pick up 5 as well to put those together. that should keep me occupied for tomorrow before Magic 7 comes out, and the rest should keep me occupied for the next 2 weeks before Banished 11 comes out.

what i wouldn't do for another volume or several of Goodbye Otherworld right now, though. ugh

[imaginedisish]

Modern Love (Logan Howlett x Fem!Reader)

A/N: Hey y'all! Here's something short and sweet. This is based on a request, so I hope the requester enjoys :) No song references here, but "Modern Love" by David Bowie seems appropriate. It's 80s, New Wave-y, and we're in an arcade in this fic, so it fits.

Summary: The team goes out to an arcade, and Logan is his usual grumpy self...but his soft spot for you is more clear than ever.

Warnings: Suggestive content (would totally write a second part with some true smut), tooth rotting fluff, friends to lovers, kissing, cursing, f!reader/afab!reader, grumpy!Logan, Jubilee is a cock block LOL, def some grammatical errors, I think that's it.

Word Count: 1,685 short and sweet indeed

“I do not want to be here,” Logan complains, rolling his eyes as the team strolls into the arcade. 

Jubilee skips inside, twirling with excitement. “Well, that’s just too bad, Logan!” She calls, running over to the arcade’s version of Dance Dance Revolution. Kurt is laughing, following at her heels. “Because everyone else is going to have a great time!” 

“Gambit’s winning big tonight,” Gambit says, taking Rogue’s hand in his. “Gambit’s winning chere a prize, he is.” Rogue blushes, letting Gambit pull her to one of the fake slot machines. 

Jean and Scott walk over to an older machine—Pac-Man or something similar, probably. Storm and Charles head towards the seating area near the snack bar in the back, leaving you and Logan to yourselves. Of course. You’re alone with Logan. The person you want but you know you can’t have. 

You’re friends—just friends. You’ve accepted that he’ll never see you as anything more, but it still hurts. 

“So…” You say, trailing off as Logan looks around the arcade. “Not your kind of place, huh?”

“Not particularly,” he says back, his eyes finding yours. You can’t help but smile at that stupid, grumpy look on his face. “You like this shit?” He asks, smiling back at you. 

You shrug your shoulders, noncommittal. “I think you’d have fun if you tried,” you say, nodding towards the crane machine, and walking over. You can hear Logan’s footsteps against the carpet, following you close behind.

You peer into the glass, looking at all the stuffed animals filling the machine. Your smile widens when you spot the cute little turtle in the back—green and brown, wide eyes, and extra plush and round. Logan leans against the machine, arms crossed tightly against his chest. “Which one are we going for?” He asks. We—you can’t help but replay the word in your head. There’s a “we” in this. You and Logan. 

You point to the turtle in the back row. “We’re going for that one,” you say, and his eyes find the green little thing. “Isn’t he cute?”

He shakes his head, grinning ear to ear, his grumpiness seemingly gone now. “Sure, princess, sure he is.” 

Your breath hitches in your throat at the sound of the familiar pet name. You lean down to put a quarter in the machine, trying your best not to overthink the situation. The crane starts up, whirring to life, giving you three tries to win the stuffy. 

You maneuver the crane to the back row, just above the turtle. “Do you think that’s good?” You ask, looking towards Logan. But he isn’t looking at the machine; he’s looking at you, smirking. “What?” You ask, narrowing your eyes incredulously. 

“You’re cute when you concentrate,” Logan says, his smirk unwavering. You can feel the heat rising to your chest as he peers into the machine. He nods, his eyes finding yours again, changing the subject before you can respond to his comment. “Looks good to me.”

You swallow nervously, pressing the button on the top of the stick, sending the crane down to the stuffy. It grabs the turtle, holding it up. It looks like it’s going to make it, but it falls in the center of the glass box. You groan, annoyed as the crane moves back to position. You try again, bringing the crane to the center of the machine, just above the turtle, and dropping it again. The silver claws grip the plushy, but it’s a bad grab—the turtle slipping right out of its grasp. 

 “Fucking rigged,” you mutter, moving the crane over the turtle for the final time. “This is it,” you say, looking at Logan. He’s suddenly shifting closer to you, standing behind you and pressing his front to your back. His arms rest on either side of the crane machine’s controls, caging you in. 

“Much better view from here,” he whispers at the shell of your ear. You’re distracted by how close he is. You can smell him—tobacco and pine and musk. “Let’s see if it works, princess.” This is too much. Far more than you can possibly handle. 

You take a deep breath, your eyes surveying the crane’s distance from the turtle carefully, and you press the button. The crane drops, grabbing the stuffy, and picking it up successfully. “Yes!” You say, looking back at Logan. His face is inches from yours. You can feel his breath fan across your lips. Your noses are so close, brushing together softly. He leans in, lips parted. 

“Game over!” A robotic, automated voice rings out, the crane whirling back into position. It snaps you back to reality, and you look inside the machine. There, off to the side just next to the machine’s drop box, is the turtle. 

“Shit,” you mumble, shoulders slumping with disappointment. You know it’s just a game, and you are an adult after all, but you can’t help the frown that forms across your face. “I really wanted him. I was gonna name him Bernie.”

Logan chuckles. “Bernie?” he asks, and you nod. He’s centimeters away from you again, leaning in. “Don’t sweat the loss, princess. You’re cuter than that little thing is anyw—"

“Look what Kurt and I got with our tickets!” Jubilee is suddenly in front of you, a stuffed, sparkly blue dinosaur in her hand. She’s tugging you away from Logan and across the arcade before you can protest. “You gotta dance with me!” You look back at Logan, who’s standing alone in front of the crane machine, arms tucked against his chest. 

Have fun, he mouths. And good luck. He winks at you as Jubilee whisks you off to Dance Dance Revolution. You let her pick the song, and you struggle through the round, your feet tapping to the beat. You and Jubilee are a laughing mess. You know you look absolutely ridiculous, but it’s fun. 

And yet, your mind still wanders to Logan. You think about how close he was to you, the way his lips practically brushed against yours—the ghost of a kiss. You think about the way he caged you in, pressed against your back. You’re so distracted that you don’t even realize how badly you’re fumbling all the moves; you don’t hear Jubilee calling your name. 

“Hey!” She shouts, finally bringing you back to reality. The round is over; you missed the entire second half of the dance. “Where’d you go just there?” She asks, concern hidden within her smile.  

You look over to the crane machine, expecting to see Logan, but he’s gone. In fact, you can’t find him anywhere. “Sorry Jubes, but I gotta go see about something,” you say, stepping off the platform. 

Your eyes search the arcade. Gambit and Rogue are at the ticket redemption counter, picking out a big stuffed bear. Kurt is fooling around on one of those motorcycle racing games. Storm and Charles are—uncharacteristically—sharing a soft pretzel, while Jean and Scott share a milkshake. Everyone is here and accounted for except Logan. 

That is, until you notice the puff of smoke in the corner of the glass door at the front of the arcade. You smirk, walking towards the entrance and pushing the door open. 

Logan leans against the brick wall of the building, cigar in his mouth. His head turns towards you, and he immediately takes the cigar out, dropping it to the ground and extinguishing it with the heel of his boot. 

“Hi,” you whisper, standing next to him. 

He looks down at you, smiling widely. “Hi.” He’s leaning in again—so close—and a shiver runs up your spine. “Cold?” He asks, shrugging out of his leather jacket before you have a chance to answer. He helps you into the jacket one arm at a time, his eyes drinking you in once it’s on, trailing up and down your body. “Looks good on you,” he hums. “Way better than it does on me.”

You shake your head, letting your shoulder brush against his. You look over at him and suddenly notice something green and round in his hand. “What’s that?” You ask. But you already know. You recognize the little brown spots and the wide eyes. 

Logan smirks, lifting the turtle up. “Couldn’t let you go home without him,” he says, holding it out towards you. 

“No way!” You shout, ignoring the turtle and throwing your arms around Logan’s neck. It’s instinctive, natural. He tugs you in closer, his arms wrapping around your waist. “Thank you so much,” you mumble into the crook of his neck. “I can’t believe you ended up playing a game at an arcade.” 

“I’d do anything for you,” he whispers against your temple. The sudden vulnerability of his words makes your heart tighten in your chest. You stay like that for a while, his lips ghosting your forehead, your chests pressed together. You finally lift your head, looking up at Logan. 

“Lo?” You whisper, and his gaze meets yours, flitting between your eyes and your lips. He drops the plushy onto the bench next to him and walks you back into the brick wall, caging you in, hands on either side of your waist. 

He leans in. “Yeah, pretty girl?” He brings one hand to your hip, gripping gently. “What do you need?”

“Y-you,” you stutter. “I need y—"

His lips swallow your words, fitting against yours like a puzzle piece. The kiss is slow, languid, but you can feel his need in the way he moves against you, hands slipping underneath the borrowed jacket and your shirt to explore your skin. His fingertips drag along your back, relaxing you into his touch. 

“Maybe we should get out of here,” Logan mumbles against your lips. 

Your heart flutters in your chest. “But what about the others?” You ask, nodding to the arcade.

Logan smirks, stealing another kiss. “All the more reason to get back to the mansion before they do.”

“But how are we going to—”

He grips your waist, tugging you towards the parking lot. “I took my bike, pretty girl.”

Oh?

Oh. 

tags: @ilysmdovie12 @prettyseaveins @spiderset @figsnpassionfruits @silversprings-mp3 @movhoney @wittyjasontodd @theasiaabattoir @fanfic-writing-barbie @manipulatour @pedrohoe04 @derbygracie

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on

[tarotsoul]

ghost in the wind — part one

summary: all your life, your presence had been nothing more than a faint kiss of a breeze—nothing impactful, nothing worth noticing. so why did it hurt so much when that remained the case after moving to prythian?

warnings: a bit of angst, feelings of self-hatred and worthlessness, brief mentions of sexual assault

word count: 3.8k

series masterlist

“No.”

There was no room for argument in Nesta’s tone, no room for anything other than agreement or else she’d reign the Hells on all of them. Her mate be damned, she would not leave the mortal lands without you. Not again.

“If we take her,” Cassian gritted his teeth, “I am inviting her husband to wage war on our kind if he so chooses.”

Nesta bared her teeth. “Rafe is nothing but a coward and a sorry excuse of a man. What kind of war could he wage? If she stays, then so do I.”

Cassian blanched at his mate, his teeth grinding. They were only supposed to have stopped through for no more than a week, to ensure things in the mortal lands were restoring to somewhat of the normalcy they once had before the war.

He blinked at Nesta, noting the way she bore her feet into the solid ground, as if planting herself there like a tree weaving its roots into the soil. He knew the love she had for her cousin, her only friend, as she’d once told him. The guilt she’d felt when she first left the village, left you, hadn’t eased in the slightest.

Perhaps this was the reason she insisted on joining Cassian on this third-grade mission. He cast a quick glance over her shoulder to the small stone house you were occupying, and closed his eyes to ground his breathing.

“We can’t just bring her back without consulting Rhys first.”

Nesta rolled her eyes. “Screw Rhys. I’ll deal with him myself if I have to. She is my family, Cassian. My friend. Every night, he beats her and abuses her and takes from her what she will not willingly give. She is coming back with us.”

Cassian took another grounding breath, the iron will in Nesta’s eyes granting not even a fraction of negotiation. There was too much going on right now, too much to sift through to rebuild their city and legions.

But Nesta was right, and despite not knowing you, he couldn’t stomach the idea of leaving a vulnerable soul with a monster who took and abused like Rafe did. Especially not when he saw the pain on his mate's eyes for her cousin.

“Ten minutes. Tell her to pack necessities only. We will need to leave within the hour if we wish to be gone before her husband returns.”

Nesta didn’t cast him a second glance as she turned and sprinted into your home. You scrambled back from the window, heat painting your cheeks that you’d been caught watching them, straining your ears for a sliver of their conversation, to no avail.

She said nothing of your snooping, only grabbed your hand and dragged you to your sleeping chambers. “Pack only what you need. You’re coming back with us.”

You blinked, lungs seizing the air you tried to breathe. Leaving? For the Fae lands?

“Ness,” you tried, but she held up a slender hand to cut you off.

“Don’t. I made the mistake of leaving you behind before. I won’t do it again.” She couldn’t look at you. Not at the bruises marring your skin, or the split lip you’d earned yourself two nights ago for leaving an unwashed pot in the sink.

So you didn’t think twice about the consequences of being caught fleeing. You didn’t think twice at all as you stuffed minimal clothing into a satchel along with a photo of your beloved mother and the worn journal you kept hidden beneath the mattress.

Nesta allowed you a moment to compose yourself as she returned to her mate just outside your home. Home. As if you could ever have truly referred to it as that. This was not a home. You hadn’t had a home since your mother passed ten years ago. Since you married Rafe and your whole world fell apart.

You had prayed. Prayed to whatever out there that would listen. Hoped and hoped that one day your salvation would arrive, that you’d be finally spared from the misery you’d been subjected to for so long. From the pain and terror and loneliness.

You hadn’t realised you were absentmindedly twisting the iron band on your ring finger until the small stone in the centre scratched at your skin. That Gods damned ring that bound you to the monster you called your husband. That iron cage that kept you as his possession instead of his love.

Yet the fear… the fear at the idea of removing it sat far too heavy in your chest. The fear of him finding you, punishing you. But he wouldn’t find you, you knew that. Rafe would never dream of crossing that veil into the Fae lands. And even if he did, you were sure he’d be eaten alive within the first breath he took in that world.

When you met Nesta and Cassian outside, they both had a satchel of their own on their shoulders; stuffed to the brim of bread and cheese and skins of water they’d raided from the kitchen.

The General nodded at you once as you approached. You wondered if you’d done anything to offend him, or perhaps he found this—you—to be an unnecessary burden to him and his day.

“Thank you,” you managed to utter, and both he and Nesta felt the pure relief and gratitude in your voice.

Cassian’s resolve softened, a sympathetic gleam in his eye and he hated himself for a moment for even considering leaving you here alone.

“It’ll take us half a day to reach the wall,” Nesta began, unmoving from Cassian’s side. “When we pass, Azriel will meet us at the border in Spring. Cassian cannot fly the both of us.”

You couldn’t help the apology that slithered up your throat. “I don’t mean to be a burden—“

But it was Cassian who growled in response, “You are not. You are family, and we don’t leave family behind.”

You walked for hours, legs sore and tired and throbbing from the stamina you lacked. But you didn’t want to stop, to ask for a break. They were kind enough to have brought you, you needn’t add any more time onto their already long journey.

So you kept your mouth shut and willed your legs to move, one in front of the other. Hours passed and you could feel that familiar panic rise in your stomach. Nightfall was approaching, which meant Rafe would surely be home by now…

You didn’t want to allow yourself to think of that. Of what he was doing after finding the home empty with nothing but your wedding band on the dresser, the only proof you ever even existed in that house.

It was Cassian who made the call to stop for a break, as though only now remembering how weak a mortal body was compared to a Fae’s—or in his case, an Illyrian.

Nesta had told you many things about her family in Prythian; the members of the Inner Circle, the beautiful city of Velaris and all the wonders it had to offer. Despite the relief you felt for leaving, the anxiety of entering the Fae lands was unmatched to anything you’d felt before.

You rested for only thirty minutes, the three of you eating your way through an entire satchel of food and two skins of water. Perhaps Nesta and Cassian were as tired as you were, though you figured not.

And by the time you reached the wall, night had surrounded you in complete darkness, nothing but a ripple in the air to suggest you had met the end of your homelands.

It was opaque for the most part, but the air seemed to glimmer and fold, as if you were looking magic dead in its face. You allowed your fingers to reach shakily for it, a fearful thought stopping you from making contact.

You turned to your cousin. “Will it hurt?”

She took your hand. “No, though when we pass through you’ll need to stay as close to Cassian and I as possible. Your scent—it’ll be a beacon to all sorts of creatures that roam freely within the Spring.”

Nesta shrugged off her jacket and handed it to you. “It’ll somewhat mask your scent. Just long enough until we meet with Azriel.”

You shoved your arms in the jacket as you put it on over your own and took Nesta’s hand again. Her eyes met yours, something akin to relief and sorrow flickering in her gaze. You didn’t want her pity. And it cleaved your heart into two knowing that you could never do anything to repay her for this, to express just how far your gratitude stretched.

Cassian and Nesta took three steps forward and as you followed, the air rippled around you…you breathed in the new life and second chance you’d been given.

But nothing could have prepared you for what awaited on the other side of the veil.

The first and only thing you saw were a set of sharp, gleaming white teeth before you were shoved to the ground with a hard thud, your head hitting against soft grass with a thump.

Snarls and grunts and shrieks surrounded you, and in the time it took to regain your bearings, Cassian and Nesta were sheathing their daggers once more as the…thing that had attacked lay dead on a field of daisies.

With eerie calmness, you assessed the creature. It was huge, twice the size of Cassian and about four times the size of you. Dark black fur covered its body and ruby red eyes that lifelessly stared into your very soul.

For some strange, obscene reason, you couldn’t bring yourself to look away. Not as you breathed in the fresh soil beneath your feet. It felt as though your world had been turned on his axis, as if only now could you see clearly.

Then you heard it, a distant swooshing in the wind. You angled your neck toward the noise, eyes not needing to squint in the darkness as the stars illuminated the sky so beautifully.

Your brows furrowed, but you did not look away. “Something is coming.”

Both Nesta and Cassian followed your gaze then, stepping closer to your still body. The figure came closer, your initial thoughts of it being a large bird being dismissed as a pair of wings much like Cassian’s, only larger, flipped through the midnight air.

You smelt him before catching his face. Pine and wood and parchment. Mint. There was a hint of mint and something sweet like cinnamon as the glorious Illyrian landed swiftly onto the grass.

Azriel.

You remembered him, the Shadowsinger. Silver streaks of the moon casted across his brown skin as he approached swiftly, those dark and languid shadows moving across his form and snaking the earth until they halted at your feet—assessing.

“So glad you finally joined the party.” Cassian said in greeting, though Azriel paid no mind to the tone his brother offered.

Those shadows wrapped around your ankles softly, slinking your skin as they felt you out. You felt something then, a tug in the air that seemed to pull the shadows back to Azriel’s towering form.

That was when you looked at him, breath stolen from your lungs. He was beautiful. A warrior, that you could tell. Solid muscle covered every inch of him, dark black hair that sat messily on his head and swept down his forehead and brows. Hazel eyes met yours, his lips parting—no doubt at the state of your bruised face.

He was beautiful when you’d seen him previously on his brief visit to speak with Lucien… but now, it was as though you were seeing him truly–with so much clarity in your gaze it almost blinded you. Everything about this land did. 

“There are more coming, so unless you want a fight, I suggest we leave.”

His tone held no room for argument, yet he spoke in an unrushed drawl, as if these creatures were the least of his concern. He was as large as Cassian, daggers strapped to his leathers, so you supposed they likely posed little to no threat to him and his skills.

“Can you winnow?” Nesta asked.

It wasn’t lost on you how overlooked you were, despite being the reason for his presence. But like most of your life, it came as no surprise to be somewhat invisible. Cast aside. Unnoticed.

Azriel shook his head. “We’ll need to fly to the border between Autumn and Winter, from there I can winnow us back to Velaris.”

Cassian nodded, reaching for Nesta. “We’ll go first, make sure the area is safe. Follow us in five minutes.”

Nesta looked at you, a silent conversation between you both.

You’ll be okay?

I’ll be fine. If you trust Azriel then so do I.

No other words were exchanged when Cassian hauled Nesta into his arms, spread his magnificent wings and shot to the skies. You watched until they were a mere dot beside the stars before returning your attention to the Shadowsinger who was already offering you his.

“It’s nice to see you again, Y/N.” He said politely.

You wondered if he’d remembered your name from your first and last encounter almost a year ago, or if when Cassian sent word for aid he’d reminded him of it.

Either way, you offered a timid smile. “You too, Azriel. I apologise for troubling you with this. All of you.”

He shook your apology off. “It’s no bother. Are you hurt anywhere?”

You knew he wasn’t referring to bruises and cuts you already adorned. It seemed as though stepping through that veil gave you more clarity, more understanding of silent thoughts and everything else around you.

You shook your head. “No.”

“Good.” He nodded, and those shadows threatened to reach for your ankles again.

Azriel didn’t pull them back this time, only took a tentative step closer. “I apologise, they’re no threat. Not to you.”

You nodded, gaze upon them as they slinked further up your body and wrapped softly around your arms. Azriel almost bristled at the way you remained so calm. He wondered how much about him and his family you knew. He supposed Nesta had told you much through letters and such.

You didn’t reply, couldn’t bring yourself. You knew how deadly the Inner Circle could be to their enemies. And yet these shadows touched you with more softness than your husband ever did. You didn’t let that thought show on your face.

“Everything feels different on this side of the wall,” you admitted, a little breathless.

Azriel remained looking at you. “Everything feels…clearer.”

You waved the shadows off your body gently, silently shooing them back to their master.

“I’ll need to fly you like Cassian did to Nesta,” he began. “Are you afraid of heights?”

You didn’t know the answer to that. But the thought of being held by him the same way Nesta was by Cassian… that thought scared you. And not because it was Azriel, but because of the sheer closeness and intimacy that was needed for it.

You swallowed it down. “No… I don’t think so.”

He nodded, taking another step closer with an outstretched hand. “You can close your eyes if you wish, and I’ll fly slowly, I swear.”

You heard it then, the pattering of paws on the grass, of claws digging into the soil and snarls of breath into the night. You looked to Azriel, eyes a little wilder than before. He nodded, as if he already knew what you were about to say.

He held out his hand further for you to take, and you took a hold of his marred skin, calloused under your softer palm but you didn’t balk, didn’t pull away as you got a clearer view of the scars that adorned him.

Azriel hoisted you into his arms, cradling you to his chest. “The take off will be harsh, make sure you hold on tight to me.”

And he wasn’t lying. Azriel bent his knees and shoved his full weight into the earth before you both shot into the starlit skies. You didn’t close your eyes, you wanted to see everything this world had to offer. A world that was always at your fingertips but never accessible until now.

The wind seemed to whisper to you, gently caressing your bruised skin and promising a better life. A new life. As though the elements welcomed you home. 

It was only moments of uphill force until Azriel evened out and began a steady speed through the clouds. His scent enveloped you, almost overbearing as it encompassed all of your senses.

You worried for a moment then. If his scent surrounded you this way, you wondered how badly yours did to him with such heightened senses. You tried to hold your breath for longer than usual, tried to steady your heartbeat, afraid he’d hear it.

“Are you okay?” He murmured against the shell of your ear. Because even though you tried to mask it, he could sense your every feeling, your every tremor and sigh and sob.

Tears streamed down your face as he flew you both north toward the border between Autumn and Winter.

“Thank you, Azriel.” And you thanked him and thanked him and thanked him. Until your voice grew hoarse from the sobs and you let yourself realise that you were finally free.

Finally safe. 

In the transitioning week of being escorted to the Night Court, you had hardly spoken to a soul. For the first two days, you appreciated the silence, the safety–basked in it, even. Nesta had shown you to your room in the House of Wind, an incredible home built into the walls of a large mountain that overlooked the city of Velaris. 

“Should you need anything,” Nesta had said softly, “ask the House, it listens.” 

And she had been right. The first night, you thought of a hot bubble bath and a gentle breeze had sifted through your sheer curtains, guiding you to your personal bathing chambers where a hot bath had been drawn, scents of calming lavender and jasmine coating you. 

You only saw Nesta twice after that, once when she brought you some of her favourite romance books and again, two days later when she told you Feyre and Elain sent their love and well wishes. 

She’d had the family's healer, Majda, check you over for any untreated injuries, and when she came up short she offered you a few tonics for the discomfort and encouraged you to rest before sending you back on your way.

You shouldn’t have expected more, shouldn’t have longed for more. You supposed Nesta had done her part enough–saving you from Rafe and bringing you here. And yet, despite the House tending to your needs and the souls of the romance novels…you felt just as alone as you had in the mortal lands. 

You hadn’t seen Azriel since either, nor Cassian. You didn’t have much right to ask after them, to thank them again. They had their own lives and roles to fill, you knew your rescue had been nothing more than another third-grade mission to them. 

By the fifth day, the realisation had begun to sink in. That you’d been moved from one lonely home into another. Perhaps that was the course your life was fated to take–alone, unnoticed, nothing more than a ghost in the wind, nothing worth acknowledging. 

You wrote your thoughts into your leather-bound journal, the only form of release you had for these dark emotions. Yet every time the pen lifted from the parchment, you felt heavier than you had before. 

You were yet to leave your bedroom, often sitting at the window seat that overlooked the lights of the city, wondering what life awaited down there. Wondered if you’d ever get the opportunity to explore it. Nesta had mentioned that the House was warded from winnowing, the only way out was to fly or descend the ten thousand stairs. 

But you couldn’t fly, and you wouldn’t make the steps down either. You weren’t a prisoner, you knew that. But Nesta had done her part, saving you, bringing you to her and Cassian’s home. You were not her responsibility, not anyones. 

Yet, you couldn’t help but feel trapped, restricted. Moved from one stone building and into another. Perhaps that was what finally made you venture out of your room, barefeet padding across the cool floors.

You followed the winding staircase to a lower level, noting the ornate furniture that decorated the large space. A crackling hearth caught your attention, so inviting and warm in front of a plush couch. The House seemed to beckon you to it, a gentle breeze against the backs of your bare legs and it made your short nightgown sway. 

Following it, you sat on the couch and a thick blanket materialised and draped itself over your legs at the same time a steaming mug of tea and a new romance novel appeared on the table beside you. 

You smiled softly, warmth spreading in your chest as you thanked the House. 

An hour or so had passed, not that you were for certain, but the House remained silent. Nothing but sips of your tea and flipping of pages could be heard along with the crackling of the hearth. 

For a moment, you felt at peace in your own company. Completely content for this time to sit and read and know you wouldn’t receive a beating or worse for it. You stretched out your back, stifling a yawn as a pair of soft footsteps greeted your ears. 

Your eyes widened, an unnecessary apology already on the tip of your tongue, though for what you weren’t sure. That had become the norm for you, apologising for your every breath. 

But it was not Rafe that stepped out of the shadows, of course not. It was Azriel, in all his glory, wings tucked neatly behind his back and you counted the seven blue siphons that adorned his leathers. 

“Azriel,” you breathed, a sheepish smile on your face. 

Finally, some company. Someone to acknowledge your presence and to perhaps converse with. You shuffled on the couch, making to put your book down but all Azriel did was give you a terse nod in greeting and a thin smile before walking down the hall and out of your sight. 

It shouldn’t have hurt as much as it did. You should be used to this by now. You were used to it. But you couldn’t control that tiny thread of hope in your chest that things could be different. That you could be accepted and wanted and noticed. 

For the eighth night in a row, you were left in the dark with nothing but the crippling loneliness and aching of your soul to keep you company. 

a/n: thank you for reading!! this is the first instalment of this mini-series that i literally got the idea for two days ago lol. it'll be around 5/6 parts, smut will come and a few twists you won't expect!! unfortunately i'm unable to get my old page back (rhysazriel), which means most of my previous writings have been lost but i'll likely repost the ones i have saved in my google docs in the late future (plug!az being one of them)

if you enjoyed it, please consider giving it a like and reblog, your feedback is always appreciated!! <3

[swiftdove]

collateral damage

pairing: rio vidal x agatha harkness x fem!reader

summary: after being stranded by your ex-lovers, you've found a new life, hoping to finally move on. unfortunately, fate just doesn't seem to be on your side.

content: angst, allusions to smut, sapphic yearning

a/n: i'm obsessed to say the least

You should've known.

From the moment Agatha stepped foot into your pitiful excuse of a store, you should've slammed the door shut. For years, you'd been reeling from the wounds inflicted by your so-called lover. If you could even call her that. Never, did she once, refer to you as anything other than her 'pet'.

You supposed the name was fitting. You were practically a dog, groveling at the ground she walked on. Hoping, begging, praying, dying that she wouldn't leave. 

Then, without a trace, she vanished from your life, set on her next twisted mission. You had simply been a means to an end, a brief footnote in her life. 

It didn't help that the only other person you cared about, Rio, had followed in Agatha's absence. They'd left you alone, desperately trying to piece together the shattered remains of what you once had. 

Sometimes, you wondered. You wondered if they ever felt guilty about what they did, and if they ever thought of you from time to time. Then, you scolded yourself for even daring to believe that the Agatha Harkness and Rio Vidal would have the time of day to care about you. You had drowned in that pit of self-deprecation for years, slowly re-learning how to live without them. 

And just as you thought you were finally free, the wretched witch came back, pulling you back under her spell. If it were anyone else, you would have said 'no'. But it wasn't just 'anyone else'. It was Agatha. You weren't sure where this sick, borderline-obsessive love for her came from. You had left it to depreciate in the back of your mind, where you would have preferred for it to have stayed.

Unfortunately, Agatha had had other plans.

It was stupid. You hated yourself for it.  You hated that tiny spark that you felt when she said your name, that familiar warmth in your chest when she came close. You would've given anything to stop the feeling.

If only Agatha knew. Throughout her long, melodramatic speech about the rewards of The Road, all you could do was stare at her in disbelief. The promise of being with her, even if it were for a short while, was enough to have convinced you. If you had known, back then, that Rio would have been joining you, you would have eagerly accepted the offer without hesitating.

But then again, time had cast a golden glow over your past relationships. You hadn't remembered how unwanted you had felt in their presence, how much they hadn't cared about you.

Sat around the warmth heat of the fireplace, your gaze lay wistfully on the two women. Situated across from them, you felt more distant to them than you had when you were alone.

"I have a scar," Rio suddenly spoke, glancing over at the coven.

"No, you don't," Agatha shot back, almost instantly. 

Your ears perked, waiting for Rio's next words.

"Yes, I do," Rio replied, glancing over at Agatha, her solemn gaze worth a thousand unspoken words. It was their dynamic, their silent conversations, that left you feeling like a second-choice. The feeling settled into the pit of your stomach, which you desperately tried to keep from coming back up.

"A long time ago, I loved someone." Rio shot another pointed look at Agatha. "And I had to do something that I did not wanna do, even though it was my job. And it hurt them. She is my scar."

If you had the choice to go deaf right there and then, you would have chosen it immediately. Although, you knew it wouldn't stop the sharp pain you felt in your heart. Seeing them together was enough. 

"I have to go stretch my legs," Agatha said, walking away.

Just like she used to walk away from every problem in her life. Like she did with you.

You couldn't bear it. One more second in their presence, and you were sure you would have thrown up.

"Same," you replied quietly, walking in the opposition direction to your past lover. 

It was only until the warmth of the fire was long gone, that you felt the tears sliding down your cheeks. 

Breaking down into sobs, you brought your knees to your chest, burying your head inside. You shouldn't have come. You should have said no. 

It seemed as though fate was constantly punishing you, tugging at your heartstrings until they threatened to break. You hated that a part of you wanted to hurt them. Just enough, so that you too would have left a scar. But you knew you couldn't do it. You wouldn't. Not after they shared, so intimately, their past with you, letting you devour every fiber of their being.

You knew why they were the way that they were. That's why it hurt so much to watch them, again and again, fall victim to their pasts. That's why you could never leave, knowing how much pain they had endured, knowing that their wounds ran too deep to ever heal.

Sympathy was a knife, stabbed straight into your back when they left you to dry.

"You good?"

You'd been so deep in your emotions, you hadn't noticed the dark shadow looming over you. Swiveling around, you were met with a pair of manic brown eyes.

"Rio," you exhaled, quickly wiping away your tears. "Yeah, I'm fine."

Rio shook her head softly, pushing her tongue against her right cheek. Her fingers trailed up your leg, sending shivers down your spine. 

"Come on, now," she lulled. "You never were much of a good liar."

"Maybe I've changed," you replied sharply, pulling away from her touch.

Rio's grip tightened, her fingernails digging into your thigh. "Maybe you have," she replied dismissively. "Is that why you never called?"

You scoffed, turning away from her piercing stare. "No. We're not doing this - this wasn't my fault. You and Agatha left without saying a word to me. Call me crazy for assuming you were done with me."

"Now there's the Y/N I know," Rio bit back. "Always jumping to conclusions."

You rolled your eyes at her. "What does it matter anyways? You seem perfectly fine without me. I didn't seem to have left a scar."

"Is that what this is about?" Rio questioned, a taunting grin tugging at her lips.

You refused to dignify her question with an answer.

"Aww, was our little baby feeling left out?"

A mocking, cruel voice rang out in the air, one that you knew all too well.

"Fuck off, Agatha," you snapped. You were hardly in the mood to deal with her heartless jests tonight.

"Someone's forgotten their manners," Agatha remarked, her voice laced with venom. 

Rio chuckled, her grip still deathly tight on your thighs. You could feel the blood seeping out of your skin, onto her fingers.

"I wish I could have forgotten you instead," you retorted, unsure where this newfound attitude was coming from. 

"Now, now. Don't get too cocky," Rio warned, although the grin on her face said something entirely different.

You bit back a scoff. "What's this, anyways? Last time I checked, you both hated each other."

The Green Witch shrugged. "We both share a common interest."

Refusing to take anymore of this, you made a move away from them, eager to escape Rio's death grip. Unfortunately, the two witches were unwilling to let you get away so easily.

"Don't," Agatha cautioned, her voice alone enough to stop you in your tracks.

"What do you want?" you snapped, finally turning towards her.

Your eyes narrowed as Agatha's smile turned into something sinister.

"You," she replied definitively. 

You laughed sarcastically, barely believing what was happening right now. "Are you fucking kidding me? You left me. You can't - I - don't you think we're too far gone now? I mean, you left me wondering where the hell you -"

"We didn't want to leave," Rio interjected.

"Then why did you?" 

"We cared too much about you to stay," Rio explained, gently interlocking your fingers with hers. "It would've only have hurt you."

"Well, you hurt me either way," you replied bitterly, flinching at the coldness of the witch's fingers.

Rio sighed. "I know. I know we did."

Exasperated, Agatha tilted your head up with her fingers, forcing you to look her in the eyes. "Pet, we're sorry."

"Well, sorry doesn't cut it anymore. Not in my books," you snapped, wrenching yourself out of their grasps. "And don't call me that. I'm not your pet."

Without looking back, you walked back towards the fireplace. Unbeknownst to you, the two witches you left behind were hardly satisfied with your answer.

"She's forgotten who she belongs to," Rio murmured, staring into the back of your head.

Agatha tightened her jaw, shaking her head. Her eyes met Rio's, a knowing smirk playing on their lips. 

"It looks like we'll have to teach her a lesson then, hm?"

[elodieunderglass]

On the topic of the monarchist animals I'm just really curious. What makes the winnie pooh real animals bourgeois? It's not like they own much more than the others. Do they just have bourgeois energy?

(In reference to my addition on this post; https://www.tumblr.com/elodieunderglass/748488762087047168/hold-on-lets-do-this-properly-paddington)

In the post I state that none of the stuffed/toy animals in the Winnie the Pooh series are monarchists, but that the real animals are bourgeoisie. Obviously this is tongue in cheek, but it’s still politically interesting to me because nobody ever reads Winnie the Pooh as an actual book. They just draw depressed Disney Eeyore and think they’ve done something.

Owl and Rabbit are real wild animals that live in the Hundred Acre Wood. The other characters in the story are Christopher Robin’s stuffed animals.

The “real” animals (reasonably) consider themselves to be separate from the stuffed ones, but where it becomes unreasonable is how they assume superiority and how they use this to exert authority.

(A charming response about how the stuffed animals view this: Piglet points out that Rabbit is both clever and Has Brain, and Pooh replies that this is why Rabbit “doesn’t understand anything.”)

Owl is characterised by being a bit of a fraud. The stuffed animals respect him for his presumed education and literacy, but even a preschooler understands that Owl can’t actually read. he actively deceives the other characters in order to maintain a higher social status over them. (Actually, Rabbit’s the most literate character in the Wood.) Owl gains relatively little advantage from this status, apart from his belief that he is superior and the pleasure in everyone deferring to him. A notable theme throughout the written series involves characters approaching Owl for advice, based on his self-made reputation of being wise and thoughtful, and him giving explicitly bad advice, rather than admit that he has no idea how to help. Also, they forcibly give him someone else’s house, in such a way that the actual possessor of the house (Piglet) feels he can’t speak up. Pooh immediately offers to Piglet that he move in with him, which even as a kid felt like an incredibly unsatisfactory solution to having the shyest character’s actual house given away to the character who casually lies about everything just to feel superior.

Rabbit is a grown-ass adult real wild animal. He is the social leader of a massively large family and an extended group of hangers-on (he has fifteen or seventeen close relatives, and the extended Friends-and-Relations are a sort of army); he is the only actually literate person in the narrative, so it is understandable that he feels this (although he also believes Owl can read.) literacy and Brain are considered very important in the Wood.

Rabbit believes in his own superiority and believes himself to serve as a sort of cadet to Christopher Robin. In the series Christopher Robin is the ultimate judge, and a kindly ruler; Rabbit positions himself constantly at Christopher Robin’s right hand and wants to be his enforcer. Christopher Robin, who is five and a fairly distracted God, does not really enforce anything. This does not stop Rabbit from trying to organise the entire Wood. It’s frequently mentioned that Rabbit wants to feel important, he wants to be the Boss. A beautiful, beautiful commentary on his character is when he wakes up feeling “important, as if everything depending on him… it was a Captainish sort of day, when everybody said “Yes Rabbit” and “No Rabbit” and waited until he had told them.” Fantastic!

However, we can see where this leads him. In the first book Rabbit is shown being hostile and actively anti-foreign in his approach to other people. When kanga and roo arrive in the forest - sanctioned by Christopher Robin who has received new toys - Rabbit instantly says they have to get rid of them. Like there is NO friendship in Rabbit’s heart here. There is no “god has placed a new friend in the wood so we have to get on with it.”

Rabbit’s anti-immigration stances are funny, and in-character, and shown by the narrative to be wrong and unfair. But they’re pretty unleashed.

His plan is to kidnap the baby and hold it hostage until the mother agrees to “leave the forest forever and never return.”

This is not a normal response to a new character. It is in fact fucking unhinged. Coming from the most normal-adult real animal in the story, it comes out of nowhere. “We have to eliminate them instantly. Take the baby hostage, blackmail the parent and deport them” Rabbit these are war crimes.

Anyway it’s all very heartwarming as Rabbit learns that he likes Baby Roo. (Their relationship grows warmer as Baby Roo says “yes rabbit” and “no rabbit” better than anyone else.) We never really learn why Rabbit is so violently anti-immigration that he instantly jumps to doing crimes, but it’s possible that he doesn’t like the threat to the status quo. Baby Roo, by deferring politely, thus turns out to be a valuable social inferior for Rabbit’s power base.

But in the next book we also get another new character introduction: Tigger. rabbit does not like tigger. In fact, he stops visiting Roo because Tigger lives with them. Rabbit, frustrated by Tigger’s bounciness, also decides to deliberately trick and bully Tigger in order to make him “small and sorry.” The fact that this comically backfires on Rabbit is part of the Pooh-lore storytelling style, of course, but it’s still something obvious even to the preschool audience - that isn’t how you treat your friends.

In conclusion, due to their hoarding of (social) capital and behaviors that prop up an unjustly unequal social system, I think the real animals in Winnie the Pooh are a bit bougie.

[halo-chainsaw]

Shut up i'm talking patreon only 7$!!!!!

The patreon podcast is out, and I have just finished listening to it!

I decided to write down some notes for those who are interested but do not have the patreon. It's a long one, but I picked out what I thought would be important + silly moments here n there

Podcast is recorded the morning of Dream's video (I'm sorry but not to Tommyinnit)

Tommy called his mom about the situation first, discussing about how it was awful (pre reddit post)

Harry wrote the "you can call me anything but do not call me poor" LOL

Tommy didn't watch the dream stream but read a synopsis, and he said that was enough

He's spoken to Dream privately several times (starting 2023), all his friends told him that dream was taking advantage of him, but he wanted to give him the benefit of the doubt

He has told dream to change how he acts, and dream has refused. Has had conversations like this multiple times.

Told dream in a conversation he was no longer speaking to him and was no longer talking to him after he talked to his mom. Was previously ignoring him but blocked him outright.

After his dream v quackity sketch dream sent him awful and mean messages.

Jack and Tommy are pissed off about people saying to "resolve it privately". They have tried multiple times to solve things privately, but Dream will take things public.

Jack had a 2 hour long call with dream on jack's DADS BIRTHDAY??? and it was about why he didn't like dream, and about dream's allegations.

the "Jack mentions Dream" account bothers Jack since its a bunch of indirect things, and him responding to messages rather than him just bringing Dream up.

Dream says Jack spreads rumors about him.

Jack does not think dream is a p*dophile, but he finds the situation(s) he was in wildly inappropriate.

Dream showed everyone his evidence against the grooming allegations in the DreamSMP discord. Jack said he told Dream it weirded him out, because either way, he was still messaging a fan, and it pissed Dream off.

Jack flat out calls Dream "stupid".

He's very pissed about the "unfaithful" rumor, and he's very vocal about it for a minute.

Jack reiterates the editor story with the 50 quid

They point out how the Dream ignores the George and Caiti situation, along with clipping Tubbo out of context.

"I can't believe he thought he could win by just lying. Especially when you've got a reputation of lying." -Jack (paraphrased/two different sentences put together)

Tommy says the video were for him, not everyone else. Makes a jab about Dream unable to use media literacy.

Tommy says Dream knows what he's talking about when he refers to misogyny. That there's so much more behind the scenes, that it's miserable.

Tommy says he doesn't want to do any of this anymore, that it's pointless. He says Youtube doesn't make him happy, that he doesn't fit in, and he wants to be done. He will still be posting to Youtube because he loves making videos, but he doesn't want to be part of the Youtube sphere/culture. He wants to be a proper comedian.

"I might as well go down sayin' what I fuckin' mean." -Tommy

brings up the "putting others down", Tommy reiterates how he's been very kind/warm to everyone, but if someone famous is being an asshole he's gonna make a joke about it. "That's what I've done with Logan, done to you, and what I'm going to continue to do."

Tommy calls him one of the most self indulgent and exhausting people he's ever met.

Brings up Dream calling him the internet police, he says that he's just sick of the bullshit. "When I see it, say it."

Tommy reiterates he can't do this much longer, that it's all pointless. Dream is just doing what he's been doing for years. He is not proud of dream and he doesn't respect him. Tells him straight to "Fuck off".

Tommy would talk to Jack, unsure if what was happening with Dream was odd/bad or not. He's a little relieved that it's in the public eye now.

Jack talks about how everyone on the server is talking against him, that no one is defending him. They've all known he's awful.

Tommy says he felt close to Dream, so he struggled with seeing the bad actions he had done. He felt skewed/manipulated.

Tommy tells a story about back when he was 14, he would annoy people in Hypixel by lobby spamming. One day he heads into a streamer's chat that he looked up to and said hello. the streamer, who was about 20 at the time, tore into him, calling him the R slur and many other horrible things. He said he felt heartbroken and shaken up. "Shit like this just happens along the way, and it's miserable, but like- for me, I just keep remindin' myself "this isn't the first time I've done this"."

Jack tried to make his disassociation as public as possible, he had told Dream to his face (during the allegations) in the DreamSMP discord that he did not want to be associated with him anymore.

Talks about how people still group DreamSMP members with Dream, and how they think every member is bad due to Dream's actions, and he's tired of it.

He doesn't like how public everything is, but he's glad people can finally see that they don't like Dream.

Tommy, from now on, is telling everyone how he feels. He's going to be blatant. (if that's what i understood from a comment he made)

Jack is still shocked that Dream chose that moment of all things to jump in. They have made comments here and there but Dream never said anything.

Jack talks about a part in his stream where he says something along the lines of "I'd understand this type of outburst if we had been bullying im for weeks and weeks. But we haven't been. Nor would that make it okay." And then someone on twitter said "Jack just admitted that they'd been bullying Dream non stop for weeks and he's proud of it!!!!" Jack says he can't believe people's ability to misinterpret.

Tommy saw Tubbo dissecting Dream's stream for 7 hours and knew that was the point it was becoming ridiculous.

Jack blatantly calls out how Dream uses manipulation tactics in how he speaks to the public. Tommy calls it painful for him to watch because it's what Dream had done to him and others in private.

Jack goes back to Dream's stream, talking about their phone call together, about how it was disingenuous and weird to bring up publicly. He says there are things he can't talk about publicly that formed his opinion.

"I just think he's like an impossibly self-indulgent, selfish man, who thinks everyone's on his own time." -Tommy

Jack thought Dream was purposefully being negligent in the way he would speak, and while he still is, he is seeing that a lot of it also comes from Dream not being able to pick up on social cues and norms. Though, he also reiterates that it doesn't excuse his awful behavior.

"I don't get how he can't listen to anyone else." -Tommy

Both of them have talked to Dream multiple times about how he acts and he never listens. Not even just them, they say "We all have really tried", which implies more members of the SMP or other personal friends.

"He doesn't seem to feel very much empathy for the pain he's caused, and if I was in his shoes- I don't know where his guilt is." -Tommy

They talk about his inability to apologize and how they can't understand it. Tommy gets a little heated. Dream has given them empty apologies and goes to do the same things again. They talk about how he doubles down over and over until no one sides with him, that's when he apologizes.

Jack calls Dream dismissive, and how its obvious that he doesn't care.

Tommy implores the audience to not imagine these dramas as Youtubers doing it, but to imagine their friends doing these things. Youtubers are not above others, there's no difference. The only difference is responsibility.

Jack points out how it's odd that they decide to post these things. It shows that they just double down on their awful actions.

Tommy ends by saying he doesn't want to continue this, but if there are things that need to be said then they will be, but on the Patreon.

Jack says he is done as well, that he's done with all his serious points, but he will be making jokes here and there. He won't be joking about rumors, but things that actually happened.

"Anyway, back to writing!" "Guys, let's all get back to coding."

[teamred]

obvious

✩‌ merchant!qimir x acolyte!reader | fluff | angst | humor | 2.3k

SUMMARY | during an evening of drinking with qimir, he strangely asks if you've ever thought about dating your master.

WARNINGS | kissing, drinking, implications of a spicy time post-story

RATING | teen+

NOTES | again this is probably outside of canon but all i can say is ilq (i love qimir)

///

In the lower level of Qimir’s newest target of a store invasion, several drunken bottles of alcohol and used shot glasses clutter the front counter. You sit across from him on a high stool, as if you were a customer to his bartending. 

Which wasn’t quite far off, since he was the one who poured and bought everything for you tonight. Qimir had called for a celebration; you had successfully raided a small village nearby, seizing all valuable goods and leaving no witnesses behind. You did it for yourself, but also for your anonymous master–the same one Qimir serves. 

While you are your master’s dedicated pupil, Qimir’s tasked with being your resourceful guide. He follows you across the galaxy, always having anything you need at your disposal and knowing where to go, who to find, and how to concoct everything from anything.

Sure, he may be clumsy and occasionally overly inquisitive, but you’ve grown to like him. 

So much that you're retelling the time when a female Gungan tried to fight you in a cantina on Tatooine.

“And so, it turned out they thought I was the one who stole her ex-boyfriend, but it was the human at the table next to mine!”

Qimir breaks into a smile and nearly spits out the lomin ale in his mouth. After a fit of coughing and swallowing his drink, he shakes his head fondly. He seems truly amused and fully relaxed, though perhaps mostly due to the alcohol.

A few beats pass. It's a comfortable silence at first. 

But then he starts playing with the stem of his bottle, and the air slowly begins to shift. It shifts entirely when he asks the next question–

“Why aren't you like this around him?” 

Him referring to your shared master. 

The mixture of spicebrew, lomin ale, Corellian wine, and whatever else you had has lowered your filter completely. You answer frankly, folding out your fingers to list the reasons. 

“Firstly, he needs to get me drunk. Secondly, he’s not you, Qimir. And third, disregarding everything I just said: how do you know I'm not?”

“Am I wrong?” he presses, his eyes fixed on you as he raises an eyebrow and takes another swig of his drink.

“I mean, if he eventually shows his face to me, maybe I could. But until then…” 

Nonchalantly, you lift a shoulder and down the rest of what’s in your cup. After finishing, you lean back onto the counter, resting your chin in your upturned palm, and wait for him to fill your cup again. 

And so he does, but Qimir becomes uncharacteristically pensive. Eyes focused on serving you, rather than on you. After pouring your drink, his playfulness with the bottle turns into a tight-fisted grip. Maybe drunk Qimir was more somber. Quiet.

“Maybe…” His voice drops to a lower, deeper register than you’re used to, his eyes avoiding yours as his mouth tightens. An index finger rhythmically taps against his bottle, like a dooming countdown. “Maybe he’s not sure if you’re loyal enough to see his face.” 

The sudden slamming of your cup against the counter breaks his demeanor, and he’s back to being his usual, easily-startled self. 

“Well, that frustrates the shit out of me because I respect him!” you cry, almost yelling at him. 

Qimir’s gaze sharpens, giving you his entire attention, and you stare back resolutely. Readying yourself, as if confiding in him might reach your master’s ears, wherever he may be. Hell, he probably was listening with a device somewhere on Qimir, on you, or within the store.  

“I obey him. I've killed for him. I’d do anything for him,” your voice slightly wavers, but you push on. “I am literally devoted to him with every breath in my body.” 

There’s a sting in your eyes, but you refuse to let yourself show weakness, even if it’s just Qimir in front of you. Bringing the cup to your mouth, you let the burn scald your throat, drowning any trace of sadness or frustration. 

You chug for some time. After a while, Qimir lifts a hand, but you abruptly stop drinking and interject with a tired chuckle and small smile; he awkwardly drops his hand. 

The serious moment passes swiftly with a twinkle in your eye. You silently thank the alcohol for that.

“Although, maybe that's half a lie.”

In the corner of your vision, you catch the intrigued quirk in Qimir’s eyebrow, along with a flicker of anger. Barely noticeable, but it’s there, and you wonder why he would be angry.

You waggle a finger. “Keep this between us, but”—you lean in closer and drop your voice to a whisper—“I'm probably more devoted to you than to him.”

You exchange a glance, and the expression on his face shifts from seriousness to amusement, the flicker of anger completely dissipated. He mirrors your earlier stance, resting his chin in his palm. 

“That's only because I help you all the time,” he says, granting you a soft smile that reaches his eyes. 

This is a rare moment from Qimir, so you try your best to commit it to memory. Remembering his warm glow, the crinkles around his eyes, and how close he is to you. So close that the hint of the alcohol in his breath brushes your face, but it’s not as strong as you thought it would be.

“Well, there's that…” you admit, nodding, and you break eye contact as you say–

“But you're also my friend, Qimir.”

You barely breathe the last few words out in a whisper, almost as if you were ashamed to say it. But you aren’t–worry merely runs rampant as you fear rejection or something of a similar shade, despite it being just a platonic confession. 

“I am?” 

His reaction causes you to peer back at him. He draws his head back with a tilt, and you’ve never seen him so puzzled before. There’s a brief pause as he gives it some thought, his eyebrows furrowing in contemplation.

Then, he nods his head and his lips curl into a crooked, almost cocky, grin. 

“Huh. I guess I am.”

You clutch your chest in jest and muster your best puppy-eyed frown. “Ouch, if I knew this relationship was that one-sided, I would’ve asked him for another one of his followers to replace you.” 

The glimmer in his eyes reads as good-natured, but the blatant flexing of his grip against the edge of the counter says otherwise. 

“You wouldn't.”   

You push back, jutting out your chin and getting close to him again with a flash of a smirk. 

“Oh, I absolutely would.”

You stare at each other, holding your ground. 

But then he breaks the little game when he slightly drags his lower lip between his teeth, followed by a fleeting glance towards your mouth.

Your breathing hitches. 

In an instant, the moment shatters when Qimir clears his throat and pulls back.  

“Do you…” Qimir begins hesitantly, his thumb absentmindedly rubbing a random spot on the counter. He inhales deeply, almost as if he’s steeling himself, then continues, “Have you ever thought you and him could be, like, something more?”

“You mean…” You squint, searching for the right words. “...have I ever thought about dating my master?” 

“Mm-hmm.” 

You raise an eyebrow and stare blankly at him. 

“You've met him, right? We’re talking about the same guy?”

Before he answers, he sips again from his bottle. You become entranced by Qimir’s Adam’s apple as it bobs with each glug. Maybe these thoughts were being filtered through beer goggles, but if Qimir wanted to know about your current ranked dating choices, he'd probably be at the top of your list. 

A soft pop sounds as his lips detach from it. The word kissable flashes through your mind. 

“I mean, I know he's not really the talkative type but–”

“But what if he's butt-ass ugly?” you blurt out in a screech, pressing your hands into your cheeks in your drunken state.

“He is not butt-ass ugly,” Qimir cuts in, more defensively than you expect. 

You drop your hands and chortle loudly, so much that it echoes throughout the store. In disbelief, you grin ear to ear. 

“I thought you said you haven't seen him before!” you say, holding out an arm. 

“I—I didn't. Haven't! I haven’t,” he stammers, raising a hand and shaking his head. He runs a hand through his disheveled hair. “But why must you assume he's ugly?”

You groan, shaking closed fists and tapping them to your forehead. “Why else wouldn’t he take off that stupid mask?” 

You glance up, seeing Qimir’s nostrils flare as he opens his mouth, but you quickly cut him off. 

“And why would I like him that way anyway? All he does is just bark orders and share wise, yet oddly cryptic, phrases.” 

“Hey, so do I,” Qimir retorts, flicking the tip of your nose with his finger. The force he uses makes your nose sting a bit, but you’re sure he didn’t mean to flick you that roughly. In response, you ruffle your nose petulantly. 

You could definitely get used to being like this with Qimir more often. 

“Yeah, but you’re not as cryptic,” you point out, “and he’d be lucky if he was half as handsome as you, Qimir.”

You lightly touch his arm, expecting him to bask in your compliment, but he catches you off guard with a chuckle instead. 

“Why are you laughing at my compliment?” you ask, somewhat hurt.

“I'm just enjoying your company, my”—he hesitates for a second, as if catching himself from saying something else, before meeting your gaze—“my friend.” 

The way he says friend hangs in the air, carrying an unspoken weight. He shakes his head, as if brushing off a thought, and laughs awkwardly. “I’ve gotta get used to that.”

Surprisingly, he continues to dwell on the subject of you and your master. “I mean, if you really think about it, the guy's probably lonely. Probably also likes you a lot more than he lets on and–”

“Okay, stop.” You hold both hands out. “Why are you trying to set me up with him?” You gasp, “Oh, my god–is he your brother?” 

“Wow, time flies by so fast!” Qimir exclaims dramatically, quickly getting up from his stool and practically tripping on his own feet. “It’s getting late, and I’m gonna head to bed. Good night!” 

In the blink of an eye, he’s already darting upstairs to his temporary bedroom. 

“Qimir, answer me!” you call out. “Is he a distant cousin? You must’ve seen him before if he’s related to you.” 

“Good night, my friend!” he hollers back.

“Qimir, get back here!”

“Sweet dreams! And drink some water before you go to bed!” 

Even in moments like these, Qimir still manages to have the final say, his words always laced with the utmost care for you.

///

A few hours go by, the moonlight shining strongly in the night sky. In the comfort of your makeshift bed nestled in one of the corners of the store, you toss and turn aimlessly. Your mind replays everything with Qimir from the last few hours.

And then realization hits you like a sack of duracrete bricks.

You bolt upright up from the bed and switch between muffling a scream in your pillow and smacking it against your face. 

How could you have been so blind to how obvious it all was?

Throwing aside your covers, you carefully and quietly tiptoe upstairs. 

At the top of the stairs, with the help of a few burning candles nearby, you peek at the sight of Qimir snoring softly on his side, arms flopped in different directions; it warms your heart.

You approach and take a seat on the empty side of his bed, summoning courage to gently trace the contours of his face, following the sharp lines of his jaw. He stirs awake moments later, turning to face you directly. 

“Hey, what’s up?” Qimir mumbles groggily. He rubs his eyes. “Everything all right?” 

“Qimir, can you pass a message onto my master?” you ask urgently. 

“Right now?” he groans in annoyance, sitting up. “Can't it wait until morning?” 

“No, I'm sure you can pass it on now. It’s a pretty simple message.” 

You lean in. It’s a quick kiss as your hand rests on his arm. It has to be quick, or else you might change your mind. 

Plush lips press against yours. It’s still and tense for a beat, and then he replies with a slight kiss back. He’s the one who breaks away first, but he leans his forehead against yours.

“Uh, I… You want me to kiss him?” he asks in confusion. 

You slide your hands to the nape of his neck.

“If you mean kissing yourself, then yes, Master.” 

Like flipping a switch, Qimir’s demeanor transforms into something entirely else. His presence intensifies, exuding confidence and strength you’re unused to. His eyes darken, locking onto yours with a gaze that can penetrate your soul. 

His rich, deep voice returns from before, now tinged with authority.

“Took you long enough, my acolyte.”  

This Qimir—your master—moves swiftly with urgency. His grip on your body is firm, almost possessive. His kisses are passionate, his tongue exploring your mouth with fervor. 

“Told you I'm not ‘butt-ass ugly,’” he mumbles, almost growling, between kisses. You giggle, but your giggle quickly turns into a moan as he presses his body firmly into yours.  

“And my mask isn’t stupid. I'll have you know it saved me so many–”

You silence your master with another kiss, focusing on the present and pushing aside debates that could be saved for later.

For now, all you want is to remain in the comfort of his bed, letting the night truly begin, marking the beginning of what your master and you have unknowingly long awaited for. 

[milkoomi]

⋆˚࿔ a new canvas means a new you 𝜗𝜚˚⋆

a mini series on the art of becoming a better you

previous chapter

chapter two — THE ART OF SELF CONFIDENCE

i’ve touched on this topic before, but i wanted to do more of an in-depth deep dive into it! self confidence isn’t just about how you feel about your physical self, but it’s also about how you feel about your mental and emotional self; how you feel about your soul and the aura that surrounds you. self confidence can start at your physical self, like your looks, your style, etc. but reaching a true, deeper meaning of having confidence you have to dig deeper into your mind, heart, and soul.

references on self confidence:

“a guide to building confidence” - by me!

“study yourself to become confident” - thewizardliz

“the ultimate guide to becoming confident” - alessya farrugia

“rewiring your subconscious: guide to becoming your dreamiest self” - @glowettee

“building confidence” - @goddessinnerglow

ᥫ᭡. different types of confidence

in alessya farrguia’s youtube video, she discusses the 3 different types of self confidence: physical, social, and authentic confidence. i highly recommend watching her video! she makes really phenomenal points in her discussion!

i’d like to highlight some key points she made in her video:

physical confidence: “stop comparing your behind the scenes to everyone else’s highlights.”

social confidence: “confidence isn’t thinking ‘i know someone will like me’, it’s ‘i know it won’t bother me if they don’t’.”

authentic confidence: “true confidence means trusting yourself”

but i’d like to add mental & emotional confidence. the mentality that you have and how you feel about yourself plays a huge role in self confidence. having a mindset that makes you feel secure and having emotions toward yourself that are positive will help you become more confident. it also helps, immensely, to be in a headspace that makes you feel comfortable being you, that brings you joy, and that brings you peace. being able to have a good relationship with your own emotions can uplift you!

mental confidence:

destress & decompress — when your mind is weighed down by stress, you start to feel overwhelmed. that overwhelming feeling can cause your mind to break down and make you think that you won’t be capable of recovering from that stress. it’s important to manage your stress and remind yourself that you are capable of overcoming anything that’s causing you those feelings! stress is one of those things that make you feel like everything is impossible, but that’s only a feeling. it’s like having a bad dream, while you’re experiencing that dream it might feel too real and sometimes it may even be scary, but then you wake up and you realize that you’re safe. think of stress as just a bad dream, the feeling is only ever temporary and as soon as you manage it/overcome it you’ll be safe again. and, as a bonus, once you overcome that stress, you feel more secure within yourself and you’re reminded that, yes, everything is going to be okay and you are more than capable of overcoming those feelings!

practice mindfulness within yourself — “mindfulness is the practice of paying attention to the present moment without judgement.” with that being said, practice paying attention to yourself without any judgement. focus on how you’re feeling, what your current thoughts are; focus on you without judging yourself. learn to accept yourself as you are within that present moment and try to steer away from making quick, negative judgements about yourself. yes, you can judge yourself, but do so in a way that’s productive! judge your mental and emotional state, are you in a headspace that is ideal to you? judge your health, do you feel like there needs to be any changes in your lifestyle, diet, or activity level to better your body in a healthy manner? judge yourself, is there anything about yourself that you still need to work on or are there characteristics of yourself that you take pride in?

emotional confidence:

emotional intelligence — this is key to gaining emotional confidence. i recommend this video by The Glow Up Secrets Podcast on youtube! the host brings up so many wonderful and insightful points on becoming emotionally intelligent! being able to self-regulate and to understand exactly what you’re feeling can help you gain confidence in yourself. people will always pride themselves in their intelligence, so let being emotionally intelligent be the intelligence you pride yourself in!

ᥫ᭡. self-acceptance

people have this idea that self-acceptance is just settling for who you are, and well, that’s not really the case— at least in my eyes. learning to accept yourself as you are now will make it easier for you in your self improvement journey. we all want to become the “it-girl/person”, but a lot of us will look for quick fixes or even go towards trying unhealthy habits. allowing yourself to accept who you are right in this moment can be a first step towards becoming the person you strive to be.

accept your insecurities. accept your failures. accept your body as it is right now. accept your faults. then take all of that acceptance and turn it into a learning experience for yourself. learn that your insecurities only become insecurities because of that negative self-talk. learn that you cannot grow without any failures. learn what exactly it is that your body needs to become healthier and better for yourself.

accept yourself, then learn from yourself.

ᥫ᭡. manifestations & affirmations

we can make our dream selves become the reality. there’s so many amazing posts here on tumblr about manifesting, so go look into them! if we believe it, we can have it. you have to believe that you have confidence. you have to affirm yourself that you are confident. people, myself included, talk about “faking it til you make it”, but when you really think about it, the more you repeat these manifestations and affirmations the more it starts to feel true and real to yourself.

this also ties into positive self-talk. we have to speak to ourselves kindly, we have to uplift ourselves in a world that brings us down. talk to yourself with grace, gratitude, and genuine appreciation. you have gotten yourself through countless hardships. sure, there were probably people who helped you out on the way, but at the end of it, it was mostly your own doing that got you to a better place. so appreciate and love that about yourself!

grab a journal and write down all your manifestations and affirmations daily. writing it all down is like setting it in stone. be consistent, and soon enough all that you want for yourself— including self confidence— will come into fruition.

ᥫ᭡. take pride

think of it this way: no one can be you. people can try to imitate you, but they can never truly be you. take pride in how you look because no one has features like yours, take pride in your work because no one worked the way you did, take pride in your accomplishments because no one worked in the same way that you did to achieve those things; take pride in yourself. as cheesy and cliché as it all sounds, there’s literally no one else who is like you.

ᥫ᭡. find a deeper understanding for yourself

this point is heavily inspired by thewizardliz’s video “study yourself to become confident” (linked in the beginning of the chapter). i just want to reiterate her points and expand on them a little bit! her beginning statement includes: “once you know who you are, no one can tell you anything”.

i feel like we all understand ourselves to a certain degree. but understanding yourself on a deeper, more personal level will allow you to truly feel confident. in her video, liz talks about understanding and even studying ourselves to understand what we like/dislike, what we accept/don’t accept, etc. and i genuinely feel like she brings up a really great point in doing so!

we, as humans, feel like we know what we want for ourselves rather than actually knowing what we want for ourselves. we feel like certain people bring us joy, we feel like certain hobbies make us happy, we feel like we understand ourselves. but, in reality, most times we don’t actually know those things about ourselves.

people we surround ourselves with

we think that certain friends/partners bring us joy because we’re taught, sometimes unintentionally, to allow people to make us feel like we have to conform to them and their wants and needs. we don’t know that some of these people in our lives might actually be bringing us and our confidence down.

hobbies people partake in

we think that doing certain things, like drinking or hook-up culture, make us feel happy or satisfied with ourselves. but we don’t know or we’re not aware of how those hobbies, or even habits, might be destroying us physically, mentally, and even emotionally.

behaviors we accept

we think that if we accept certain behaviors that we’ll get more people to like us or get brownie points with a specific person, but we don’t know that accepting bad/poor behavior diminishes our strength and respect for ourself.

this all takes us back to chapter one: THE ART OF LETTING GO. the toxic people we surround ourselves with unknowingly, the hobbies we take part in unknowingly, the behaviors we accept unknowingly; that all needs to be let go of!

we have to truly understand ourselves and truly know exactly what we want for ourselves to gain the confidence we long for. without knowing yourself, you won’t understand how to find and feel genuine self confidence.

ᥫ᭡. final notes

at a certain point, confidence should feel like it comes naturally, but to even get to that point there’s a lot of work that needs to be put into ourselves. especially when a lot of us start off with almost no confidence at all, it can be extremely challenging to even wake up in the morning and think, “i can do this”. you have to be willing to put in the work for yourself. you have to be willing to have patience with yourself. you have to be willing to advocate for yourself. you have to be willing to do all of this for you, and you alone. you can be confident— and confidence will come to you! you’re more than capable of doing so, babe. believe in yourself like you would believe in someone you love and care for.

with lots of love, juno 🌷

[i-cant-sing]

Yandere Batfam x reader who cant feel pain

HEhehehe i just remembered a disease and I just had to write about a reader with it x yandere batfam.

Have you guys heard of CIPA? Its "Congenital insensitivity to pain with anhidrosis" which is basically a genetic condition when a patient cant feel pain to any noxious stimulus and can also not sweat, and yall are probably like "but SNoWWW, that doesnt like a diSEase. More like a superpower!!!" um no. You need to be able to feel pain or else you wont know what part of your body has been injured and get help before its too late. You could have thumbtack plunged in your foot and u wouldnt know unless it got infected and u probably saw ur foot changing color.

And now yall are like "but SNoWw, the anhidrosis part, where u cant sweat, sounds nice! who would to look like a sweaty pig in this age????" NO! Sweating is a necessary physiologic phenomenon because it lets your body cool down as it releases heat. If you dont sweat, you'd overheat and DIE!

Okay now that we've covered the basic info, lets get into it:

So, Batfam finds out about reader when she's just running into danger with little to no care for self preservation, and they dismiss it as you being just another dumb teen wanting to be hero and "change the world". Time passes by and Bruce is impressed by your passion and decides to take you under his wing.

It isnt until months later that Bruce discovers something odd about your behaviour. You were standing in the kitchen with the rest of the batkids, laughing and having a good time when he saw Dick had pulled out a hot pan of cookies from the oven and placed it on the aisle. The pan slipped, and without thinking, you had grabbed the hot pan with your bare hands very calmly and placed it back on the aisle, without so much as a hiss of pain or even a sweat.

And now that he thinks about it, Bruce has never seen you sweat. Not during training, not during summer, not even when after you ran laps around the mansion.

With a quick search on the Internet, he finds out about the disease and of course its Dick who he confides in first about his suspicions. Soon, the rest of the batfam has heard the rumours and now they're all watching you keenly to see if its true.

But Jason is the one who tests out the theory quickly by spilling some hot tea on your hand when you were busy talking to Tim about the importance of sleep. The room goes dead silent as they watch your hand turn red, yet you fail to react. It took you a few seconds to realise that they're all looking at you, and when you follow their gaze, it takes you a few seconds to react.

Or fake a reaction.

You shriek, pulling your reddening hand as you run to the sink and run it under cold water, your mind trying to come up with an excuse. But you know its too late when Bruce's hand comes to clasp your shoulder, pulling you away from the sink as his eyes examine your injured hand and... you.

"Bruce I-"

"I know, Y/n." He gives you assuring nod, carefully bandaging your hand as you sat in his office. "You have CIPA, hm?"

You looked down. Why bother lying? He's Batman, he'll find out anyways.

Bruce lifted your head and smiled gently at you. "Its okay. I'm not disappointed in you. I just... you could've told me." You shook your head. "If I did, you would've treated me differently... like a freak."

He sighed. "You are different, but I would've never treated you like a freak. You're not a freak. If anything, between us, I'm more of a freak than you." He was talking about being a hero, but you giggled at the thought of him referring to being a rich dude who cosplays in spandex.

Bruce cupped your cheek and smiled. "I promise, no one will treat you like a freak. But we will have to take some precautions for your safety."

-

He lied. You've never felt more like a freak than you do now.

Every single day would start off with Dick waking you up and sticking a thermometer in your mouth because he needs to make sure that you're not overheating, even though Bruce has set a thermostat in your room that he controls and he's programmed it to turn your room temperature change by the hour.

Then Dick would start checking you all over for any bruises or injuries, even a scratch, that you may have caused yourself in your sleep. Originally, Damian was the one who had a whole checklist as he examined your body, but that all ended the moment you smacked him when he asked you to lift your shirt. Dick would just have you go and check yourself in the bathroom and trust you when you said you're all good. Also, you're much nicer to Dick than you are to the rest of the brothers (its his puppy dog eyes and that sweet voice that compels you to do as he asks. He's just too nice.)

Dick would then lead you to down for breakfast with the family, where Alfred already has your glucometer out because of course, they must check your blood sugar level every day, lest they find out you're diabetic or something. Only then would you be served your meal, which is a highly nutritous, perfeclty seasoned, balanced dish because they want to make sure you dont have any vitamin deficiencies (because how would they know???? you dont feel pain). But you cant eat just yet. No no, whichever brother is closer, most often Jason, will first taste your food to make sure its not too hot to consume (because you dont realise you've burned the roof of your mouth that one time when Tim ate a slice of pizza that was fresh out of the oven and huppahhuffpuhh the morsel out). Jason would then give you the go to eat and you finally do. You make sure to finish the whole plate (because otherwise Bruce will make note of it and then interrogate you "medically" why you didnt feel like eating all of it?)

After breakfast, while the rest of the batkids get to go to school and work, you dont (because Bruce thinks that your immune system could be weak and he cant risk you catching any diseases from the outside.) No, you get a special trip to the infirmary where Bruce and Alfred do a more thorough medical check up, taking your vitals, JOTTING IT DOWN, while Alfred hooks you up to an IV drip of vitamins. And even though they go to such extents to ensure that you're healthy, they still take you to a skilled doctor once a week for regular check ups. Bruce wanted to keep the doctor in the house to do daily check ups, but you talked him out of it that you dont want to feel like a lab rat who has her blood taken every day. Once a week is fine, Bruce.

Once the medical check up is done, Bruce would then take you with him, either to Wayne enterprises where you sit in his office as he imparts you "business education that no school can teach you." which you believe because... well he has managed to triple the Wayne wealth even after his parents death. If he's working from home, then he'll let you accompany him in his home office where you can either read a book he chose for you (because Bruce prefers to homseschool you himself) or do a puzzle/case he created specifically for you. If he's working in the batcave, then he'll let you tag along but you can only work here by brainstorming or doing some computer research, but in no way are you allowed to ever go on field and fight. No, not since your last incident.

Just 2 months ago, you were patrolling with Jason (because Bruce refused to let you go alone now. He just wont risk it) and you encountered some bad guys who were a little more well equipped than you two had expected. A fight broke out, and in the process you got hurt badly. Of course, you didnt realise it because you didnt feel any of the punches or the bone fracturing. Jason could only look at you in dread as you smashed your head against the villain's head until the guy passed out, all while your nose bled, you were covered in bruises from top to bottom, AND you had a bone sticking out of your arm.

"Jay? I think I'm hurt?" You asked as blood coated your teeth.

After that, Bruce forbid you from going out on the field altogether because you just dont know when to stop. If it werent for bones sticking out or blood dripping down your face, you wouldnt know that you've been injured.

Anyways, at lunch, almost everyone has returned from work/school and you get yet another balanced meal (temperature tested by another brother). You're now scheduled for some exercises, usually conducted by Damian (under Dick's supervision because otherwise, you'd just be smacking that devil's spawn.) You guys use the gym in the basement, where Damian makes you run on the treadmill for some time, during which he does not take his eyes off you once because he needs to know when he should stop you, especially since you dont sweat or are even huff. If he didnt keep time, you could probably run for a long time and not realise that your legs or lungs are begging you to stop and take a break. As you hop off the machine, he's immediately taking your temperature. He does it after every exercise he makes you do.

After that is done, you spend time with Tim who likes to have you try on little gadgets that should "help you feel pain", but so far, he hasnt had any luck (but he doesn seem to be doing good in disguising trackers in your daily wear things). Oh and Damian loves to join in because he gets to sneak up on you and prick you with needles to help Tim see if your sensory pathways work. They dont, but you dont need your pain receptors to detect Damian coming up behind you as you smack him when he tries to prick you.

Then dinner is served, and then you're ushered straight to bed where Dick, or more often- Bruce has you do a self check like the one Dick does in the morning, but Bruce also makes sure to check your eyes to see if you "accidentally scratched your cornea" or whatever, tucks you in, tells you that he's so proud of you for how youre handling this and that you can come to him anytime, for anything. He kisses your forehead, wishes you goodnight, and leaves.

Half an hour later, Jason sneaks into your room with the goodies- junk food and video games. You two have the strongest bond because Jason is the one who treats you the most normal, and Jason does it partly to piss off Bruce but partly because he cares about your mental health. He knows it cant be good for you to be cooped up in the mansion under supervision like a bird in a gilded cage.

So sometimes, he sneaks you out of the mansion and takes you out on late night rides on his bike. You can even watch him fight villains, but you're sat far away and can never interferre.

Unfortunately for you two, this sneaking out will have to end because Bruce had recently decided to set up some cameras in your room because he wanted to make sure you slept well without any abnormal breathing patterns. Bruce hopes he doesnt have to use restraints on you, because he's not blind. He knows you're uncomfortable with this intricate routine and knowing your impulsive self, you'd probably break your own bones to get out of these restraints. And then he'll be forced to use sedatives and he really doesnt wanna rely on drugs... he likes your company when you're not droopy.

And as Bruce had anticipated, you broke down. You finally tried to leave, and he could see the color draining your face as you realised that there is no leaving.

"Why isnt the door opening?" You asked Bruce, as his four sons slowly surrounded you.

"You dont have to run away, Y/n-" He tried to calm you down but you flinched away, eyes wide as you looked at him like he was going to harm you.

"Bruce, why isnt the fucking door opening?" Your voice trembled, shooting him teary glare before focusing your eyes back on the boys who were closing in on you.

"You're meant to stay here, inside, where its safe." He answered, heart aching at the alarmed stance you took, your fight-or-flight was going to kick in. He took another step towards you, hands raised in surrender. "We can keep you safe-" thats all it took for you to bolt as the boys began chasing you. Realistically, you knew you couldnt escape them but something about their intensely concerned calls for your name had you jumping out of the window.

Glass shattered and sharp shards embedded themselves in your skin and feet, but you didnt react to them. No, your brain wasnt screaming in pain, it was screaming for you to get out!

Adrenaline pumped you to run into the dark woods surrounding the mansion, but you were soon knocked to the ground by Dick, who cushioned your fall by placing you on top of him as his hands wrapped around your form like a cage. "Y/n, calm down and listen-"

You began thrashing in his arms, screaming in agony. "Let ME GO! YOU'RE HURTING ME-!" Dick's arms loosened instinctively and you took that as a chance to elbow him in the throat and run, thanking some deity for letting Dick forget that you cant feel pain.

But your relief is short lived as Damian catches you and pushes you to the ground harshly. "Damian! Be careful! She could break a bone-"

"Bones can heal, Drake." Damian barked back, pulling you up before he pushed you against tree. "Let me go, you maniac-" Damian's hand clamped around your throat, making you shut up. "You're the one who's a maniac. Look at you! You've fucking hurt yourself because if your astounding stupidity!"

You whimpered, clawing at his hand wrapped around your throat. "Dami- p-please let go- you're hurting me!" You cried out, but your eyes went wide as he squeezed your throat and bared his teeth at you. "Not falling for it, dumbass." So... fooling Damian wasnt as easy a feat as it was fooling Dick.

You stopped the act and looked at him dead serious. "Let me go, Damian, or-"

"Or what?"

Or what? Or what? Did he think you were out of options? Out of escape plans?

You dont know why, but that triggered something inside you.

Damian and Tim could only watch as you suddenly slammed the back of your head against the tree. "Y/n-" He gasped in horror as you leaned your head forward before slamming it back against the hard rough surface. This time, Damian's hand that was wrapped around your neck felt your blood around his fingers.

"Its my life and I get to decide how I should live it." You sneered before raising your head again to bash it, but Damian's hand quickly slipped from your neck to the back of your head, cushioning it when you smacked it back, the skin on the back of his hand breaking as it made contact with the bark.

You pushed him away and tried to make a run for it, but Tim grabbed your wrist. You tried to pull away, but he had a death grip on it. "Y/n, stop! You need to listen-"

"Oh is that so? I think I need this." You used your other hand to punch yourself in the face (because Tim would've dodged it if you punched him), making your nose bleed. But you didnt feel any pain, and now you were acting like a super soldier zombie that has no concept of self preservation who is going through fucked up lengths to prove her point.

Your eyes caught the sight of a glass shard poking out of your thigh. "Wanna see something cool?" You pulled out the shard, not paying mind to the blood oozing out. "Y/n, stop-" Tim begged, and you saw Damian froze in the back as you raised the shard.

They didnt know what your next target was- slashing your wrists, slitting your throat, or stabbing your stomach, but fortunately, they didnt have to find out as Jason came up behind you and injected you with a tranquilliser.

Sadly, you never felt the prick or sensed the hero sneaking up behind you.

thoughts? also, what other diseases would u guys like me to write for. i just adore these cool medical abnormalities lol

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)