#this is literally just a rough sketch lol

[fruityfroggy]

Not sure when I’ll actually finish this so have a WIP of weird little tooth fairies

[temeyes]

[OC] new cod oc drop!! meet Aria!! she's ghostsoap's gf that they found in the middle of nowhere

[bramblesnbones]

IT’S VI’S BIRTHDAY

[achillean-knight]

I'm not gonna indulge too much in my Undertale AU on Tumblr, I am gonna just keep it private as I do wanna keep my main focus on my FNAF AU, but here y'all go

It's a little rough, but people really liked my Mettaton AU design so I wanted to desperately draw him :')

It's not the best, but I wanted to draw something today.

[cravingstudyvalidation]

gloomy challenge 5.11.2023

have been doing maths for the past 5hrs and probably will continue until midnight😵‍💫 tried out the new matcha ice cream and it was just meh 4/10.

[thebirdqueen]

It is the 11th already here so it counts

Happy birthday Cloud McStrife

[Click for better quality]

[rosenclaws]

Different Side of the Track || 50's Greaser!Logan smut

summary: All your life your parents had created the perfect image of their daughter that you were forced to fit into but when you went off to college and came back with a degree they were nothing but ashamed. Claimed that it wasn't a ladies place to be educated like that. So why not ruin their good family image even more and sleep with the older hot and mysterious man with a motorcycle.

warnings: MINORS DNI, SMUT, fem!reader, breast play, doggy style, rough sex, dirty talk, unprotected sex, borderline abusive family, sexism, harassment from a group of assholes, violent Logan.

wc: 4.6k

halloween masterlist || join my discord!

a/n: It's my birthday! So to celebrate I wrote this fic because I couldn't get the idea out of my head and god he's hot. Also I didn't really try to do proper 50's talk because I'm lazy and I cannot handle all the research jaldfk;s. This ended up a little angstier than normal, as my fics usually do lol. The ending isn't my favorite but I tried im sorry asdfjkl. Okay anyways I really hope you like it!

You truly hated this town. College was a breath of fresh air and while it wasn’t always easy, it was better than home. You got your degree, proudest day of your life. Even if your parents didn’t show up. Even if you had to smile in the picture by yourself, watching everyone else celebrate with their families. Your parents never understood your want to go to college.

You thought they’d be proud but if anything they were ashamed. They think that a woman pursuing higher education was unladylike. That a woman's place was to stay at home and take care of the kids. They were embarrassed of you, refused to acknowledge any of your achievements.

You wished you could have stayed in your college town but then you got the letter. Your grandmother had passed and you needed to come home. You were heartbroken. Your grandmother was the only one to support you, and helped you when you worked countless hours at the diner to pay for it. She celebrated when the acceptance letter came in and she gave you the biggest hug when you left.

Coming home was a no-brainer, needing to be here for her funeral but now you’re stuck at home with your parents and life is miserable. You were counting down the days until you could get out of here again. You spent as much time as you could out of the house.

Going to work, dreaming of another life. Doing literally anything you could to stay out and away from your parents. That’s how you found yourself here. Taking midnight shifts at the diner to stare at the man sitting at the counter.

Logan. It was sewed onto the patch on his jumpsuit. You don’t even know his last name but you do know that you want to know everything about him. He worked at the mechanic shop right across the street. He was dark, brooding, mysterious. He didn’t talk to anyone. Just ordered one black coffee and sat there with the paper. This was a small town and you had never seen or heard of him before.

“You’ll catch flies if you don’t shut your mouth there pumpkin.” You feel a hand on your jaw and you swat it away. Betty, your coworker was grinning like a madwoman. She was a sweet old lady who has worked at this diner for longer than you’ve been alive.

“Oh hush.” You look down at your order sheet. Sketches of your patrons fill the empty sheets. Mostly drawings of Logan.

“I don’t blame you sweetheart, he’s a dreamboat if I’ve ever seen one.” She sighs dreamily as she looks at him.

“Who is he?”

“Not sure, rolled into town one day. Plenty of rumors, though, say that he was an army guy. Some say that he’s running from the law.” You gasp at the idea.

He couldn’t be a convict could he? You’d never met anyone like that. Though, you feel yourself grow curious instead of fearful. Your whole life you lived in the perfect world. Perfect family with a lot of money and a perfect reputation to uphold. You got the perfect grades, had the perfect friends and still your life felt anything but perfect. You craved something more, needed it. You couldn’t live the rest of your life as someone's housewife. That wasn’t your dream.

“Looks like he needs a refill..” Betty nudges your arm and pushes you forward. You eye the apple pie sitting in the case and steal a slice. No better way to get a man to talk than give him pie right? Clearing your throat you head over and put on a smile.

“Hi Logan.” He looks up from the paper with his usual stony face. A beat passes and he doesn’t speak.

“This is for you, on the house.” You place the pie down in front of him. You shift nervously in your spot as you pour coffee into his cup. He’s never told you his name, does he think you’re a freak or something?

“It’s on your uniform, you know. Your name.” You wince at how horribly awkward this feels. He looks down.

“That supposed to be me?” He grunts out. You tilt your head in confusion before following his gaze. Your guest checks with drawings all over them. Drawings of Logan. You slam your hands down and stuff them in your pocket.

“No! I mean, yes but it’s nothing. Just drawings I. I’m sorry.” Logan just looks at you and you walk off in shame.

Mentally kicking yourself as you sulk back to the kitchen. Betty takes over serving him as you silently wait on the remaining people. By the time your shift is over your back aches and you’re still replaying that moment in your head.

“See you tomorrow Betty!” You say as you put on your coat.

“Hold on dear, this is for you.” She hands you a napkin and winks. Confused, you open it up to see messy handwriting. 

Thanks for the pie doll

-Logan

Logan has come by every night since then. Ordering one black coffee and you sneak him whatever pie is left. Sometimes it’s apple, other days it’s pecan. Today’s pie is pumpkin. Just in time for the fall season. He’s still a man of few words but he’s always polite. Pays and says thank you with that handsome voice of his. You’ve gathered some information on him. Mostly from the town gossip.

The group of boys, greasers who would often come by and cause a ruckus, idolized him. He drove a motorcycle, fixed cars, and smoked like there was no tomorrow. In some weird way he’s become their parental figure. Not that he really gave a shit but he worked with them at the shop and he took care of them when he needed to. He strolled in again today. This time he looks at you and throws you a wink. It’s a little routine the two of you have now. Not much talking but it’s nice. You think you’ll be able to get him to open up soon enough.

“Thanks doll.” Logan says as he sits on the worn stool. You hand him his coffee and pie, already prepared just the way he likes it.

“So, do I get to know your last name yet?” He smirks and takes a sip of his coffee.

“How about you fetch me a napkin first. Then I’ll think about it.” You roll your eyes playfully and he smiles. The door jingles and you hear the sound of obnoxious laughing. You look up to see the jerkiest looking boys you’ve ever seen. They wore letterman jackets that seemed too small and talked too loud.

One of the boys, a blonde guy who seemed vaguely familiar whistles at you. You hold back a scoff as you walk over to their table. They’re looking you up and down with a gaze that makes you shiver. Absolute jerks.

“Hey sweetheart, why don’t you be a good girl and get us some milkshakes.” You clench your jaw as you jot down their order.

It dawns on you that you know exactly who that guy is. David Scott. He was in your high school class. Quarterback, the popular guy every girl in school wanted, and the worst human being you’ve ever met. He was nothing but a no good bully. It seems fitting he’s never truly moved on from this town as he was dumber than a bag of rocks. Logan catches your eyes as you head back to the counter. Preparing their order and trying to tune out their annoyingly loud voices. Before you head back with their order you top off Logan’s coffee.

“You know drinking this much caffeine can’t be good for you.” You say.

“And yet you’re still serving me.” He shoots back. You shrug your shoulders and smile, he’s got you there.

“Hey! You done serving grandpa over there.” Logan growls and his grip tightens on his cup.

“Ignore them, they’re nothing but a bunch of idiots.” You say under your breath. You bring the tray of drink over and set them down.

“Anything else?” You ask through gritted teeth.

“Nope.” David whispers something to his friend before moving his hand and spilling his shake all over you and the floor. His friends burst out laughing and you bend down to clean up the mess. Counting down the seconds until they leave. You’re too focused on cleaning to hear David whisper to his friend.

“Watch this.” You hear the stool fall and suddenly you’re pushed to the ground.

“Get off me!” You turn around and see Logan holding David by the collar of his shirt. Teeth bared and a dangerous look in his eyes.

“Logan!” You scramble to your feet as he shoves David into the booth.

“Think you’re funny bub? You’re lucky she’s here or I’d beat you to a pulp.” He growls, eyeing his friends who are now cowering in fear. You stand stunned as Logan seems to command the room.

“I’ll give you ten seconds to scram or I’ll make good on my promise.” He rolls up the sleeves of his jumpsuit and grins. You’ve never seen a group of boys in so much panic.

“And don’t forget to pay.” Logan says with a smirk. They throw down more than enough money and bolt out the door.

“Thank you, you didn’t have to do that.” You say softly as Logan seems to calm down.

“Fuckin’ idiots.” He shakes his head and gently pushes you away from the mess.

“Broken glass doll, gotta be careful.” Silently the two of you clean up the mess, him scooping up the glass and you cleaning the table.

You watch carefully as he handles the glass, watching to make sure he doesn’t cut himself. You see a piece of glass slice his hand and you hurry to the back to get a band aid. However when you come back the cut is gone, maybe it was just strawberry? The clock strikes 4am and the new waitress comes through the door, relieving you of your duties. He waits for you to clock out and walks you out the door.

“Thank you again Logan.” He just shrugs and lights a cigarette.

“Let me walk you home.” He offers and you accept. The walk is silent as you head to your home. You eye his cigarette and he notices. He holds it out to you and you take it. Taking a puff and immediately coughing it back up. Logan chuckles as he takes it back.

“Never smoked before?” You shake your head and he just smiles. Figures.

You’re much too sweet to have done anything bad. Just looking at the houses around him he knows that you’re as high society as they come. When you reach your house Logan stands on the sidewalk, watching as you walk up the driveway. You look at your door and then turn around to hurry back to Logan. Leaning in you kiss his cheek and he almost drops his cigarette.

“Bye Logan.” You bite your lip as you slowly walk back. As you walk through the door you hear him call to you.

“Howlett, my last name is Howlett.” 

Your sweet night with Logan turned sour the minute you woke up. Your parents were down at the breakfast table. Scowling with disappointed looks on their face. Oh great what else is new.

“You need to quit.” Your dad says and you laugh.

“What?”

“Do you know how embarrassing it is for us to tell people you’re working at a diner? You come home smelling like smoke? It’s insulting the family!” Your mother hisses and you feel tears well up in your eyes. You knew they were cruel but to hear those words from your own mother. It hurt.

“I am an adult, I don’t have to listen to you anymore.”

“As long as you’re living here you do. Now go down and tell them or I will.” Your father stands and stares you down. You feel so fucking helpless. It’s true. You’re stuck here and the money you’ve saved up isn’t enough to get out of here just yet.

You storm out of the house, letting the tears fall once you’re out of their view. The walk to the diner is miserable. You don’t want to quit, you like your job. Tears fall as you tell your manager, apologizing and leaving with your tail tucked between your legs. You hated this. You longed to be free and now you’re trapped at home.

Sitting on a bench outside of the diner you let yourself cry. Not wanting your parents to see any sign of weakness from you.

“Hey, everything okay doll?” You look up and see a blurry Logan from your watery eyes. He’s got grease and oil on his face and suit. Wiping his hands with a rag.  You shake your head and Logan sits next to you.

“My parents made me quit.” He scoffs in disbelief.

Oh Logan knows all about your father. He wasn’t sure until last night but once he saw your house he knew exactly who your family was. Flaunting their money and status to spit on those lower than them. He serviced your fathers car a few times. Adding pointless upgrades. On the bright side he charges him double and your father doesn’t even bat an eye.

“That’s bullshit.” Logan says angrily. You’ve told him about your life. How disrespectful your parents are. How stupid they can be, anyone should be proud of their daughter getting a degree but they think it’s shameful. You’re smart, pretty, a real perfect girl.

“I don’t know what to do.” You say in such a defeated tone.

“You can always spend time at my work, don’t know if it’s the kind of place you’re used to hanging around but-” He gets cut off as you lunge at him. Hugging him tightly as you seek comfort in his arms. He freezes but slowly places his arms around you. Your perfectly crisp and clean dress was now dirty by his hands but you don’t care.

“I owe you so much Logan, you’ve been a real life saver.” You don’t want to let go. He’s toned, even with the jumpsuit over him. He’s strong and his arms are so warm and welcoming.

“Don’t worry about it doll, can’t stand to see a pretty girl like you so upset.” You lean up and kiss his cheek again. He grins as you scoot closer to him. Suddenly he pushes you back. You’re confused until you see your father pulling up next to the diner. Oh god did he see anything?

“You quit?” He asks, glaring at the dirt on your dress.

“Yes. I quit.” You say unhappily but he doesn’t care. He shifts his eyes to Logan.

“What happened there?” He says accusingly, you know your father wouldn’t hesitate to threaten Logan despite Logan being much stronger. It’s the egotistical nature of him.

“She fell, I caught her.” Logan lies so easily. Your father hums and drops it to your relief.

“I need you to look at my car tomorrow, something’s wrong with the brakes.”

“Got it.” Logan says casually and you can see your father roll his eyes. He drives off leaving the two of you on the bench.

“Say, why don’t you come by with your father tomorrow. I’d be happy to show you a few things” Logan offers, a flirty tone to his voice.

He walks off before you can respond, needing to get back to work. You throw the idea around in your head as you head back home. There’s no denying that Logan is hot. Really hot. He’s everything your parents hate. Lower class, older, doesn’t care about their status. It would drive them insane if you started to hang around a guy like him.

Though you don’t want to just use him to get back at your parents. You really do like him. It’s a win win in your head. Smiling to yourself you already start to pick out your outfit for tomorrow.

Ready to cause a little chaos. 

Your father didn’t understand why you wanted to come with him but you gave him so stupid excuse and he bought it. Your father pulled the car in and threw the keys at Logan. You resisted the urge to roll your eyes but Logan does it for you. Despite Logan being much more knowledgeable about cars, your father still talks down to him. It’s rude and classist and you hate it.

“I’d like to stay, you know, make sure nothing goes wrong.” Your father scoffs but leaves you be.

“He’s real lucky I don’t punch his lights out.” Logan mutters as he pops the hood of his car.

“I’m really sorry, you don’t deserve that.” Logan shrugs. He’s used to it by this point.

“Don’t worry your pretty head about me.” He leans over and kisses your cheek.

He wipes off a seat for you to sit on and you watch him work. There’s something about the way he moves that’s just…attractive. His muscles strain in his jumpsuit, sweat drips down his face. And the noises, god the noises. The grunts when he moves something heavy. Then he does the unthinkable. He unzips his jumpsuit, taking off the top half and tying it around his waist. Leaving him in just a white tank top.

Now you really have a show. You don’t know how much time has passed and you don’t care. Slowly the garage empties as people head to lunch until it’s just you and Logan. Logan can feel your eyes on him. In fact he loves it. Your cute face is staring at him like a piece of meat. He can see you shift on the leather stool. He can smell how bad you want him. It’s desperate, almost pathetic how badly you want him. He stands up, making sure to flex his arms as he sets down the wrench. 

“You alright doll, you look a little hot?” Logan feigns concern as he steps closer to you. Placing his hands on the workshop table. Caging you in.

“I’m okay.” You eye his chest shamelessly, eyes traveling down to the bulge in his suit.

“Yeah? I don’t know…” He slowly takes your sweater off. Leaving your arms bare and your cleavage on show for him.

“I’m not sweet doll, not gonna treat you like a good girl.” He growls in your ear and you whimper. Oh you need him bad.

“I’ll break a sweet thing like you, but something tells me you want that.” You grab his face and smash your lips to his. It’s messy and dirty, teeth knocking against each other as you fight for dominance. Logan slips his hands under your dress, lifting you up to the workbench and stepping in between your legs. Your hands are locked in his hair. Tugging hard as he deepens the kiss. He groans into your mouth. His hands rip your dress at the top. You gasp as his lips trail down your neck leaving sloppy wet kisses until he reaches your boobs.

“Fuck.” He squeezes your chest roughly, purring at the feeling of them in his hands.

“So cute.” He says with a wink as he leans down and bites your nipples roughly. He promised he wouldn’t be nice and he meant it. He shamelessly grinds his bulge against your wet panties.

“Dirty girl, letting a no good mechanic touch you like this. What would your daddy say hm?” He taunts as his hands move to slip up your dress. Pulling your panties down and stuffing them in his pocket.

“Who fucking cares?” You spit out as you grind your hips. Soaking his suit with how wet he’s made you.

“Oh, pretty girls got a mouth on her.”

“Just hurry up!” You whine as you slip your hands under his tank top.

Lifting it over his head so you could get the view of his muscular body. He unties his jumpsuit and yanks it down, letting his hard cock free. To your surprise he picks you up and brings you to your dads car.

“Turn around.” He lifts your dress up and bends you over the hood of the car. His hands run across your ass, squeezing and admiring the view as he slowly grinds his cock along it. The tip of his dick slides in and you moan.

“Yeah, feels good doesn’t it doll.” He says cockily as he renders you utterly speechless.

The stretch is unbelievably amazing as he bottoms out. You whine as you feel every vein, every twitch of his cock inside of you. He’s so big. Everything about him is big. His presence, his arms, his cock. He was just big. He barely gives you anytime to adjust before fucking hard into you. Your hands claw for anything to hold onto. The hood of the car is too slippery so Logan just pins your arms behind your back instead.

“Naughty, naughty girl.” Logan huffs as he leans down to bite your ear. His pace is relentless. Pounding the words right out of you.

“Letting me fuck you on your daddies car.” He puff his chest out proudly. He’s tearing you apart on your asshole fathers car. Making you moan his name as he desecrates his car.

“Feels so good Logan. Oh god!” His cock hitting that perfect spot in you every time. Over and over. It’s unrelenting. You involuntarily shift your hips. The pleasure becomes overwhelming.

“Where are you going doll? I’m not done with you yet.” He lets go of your hands and grabs your hips, pulling you back on his cock with a bruising grip.

“Don’t stop, please don’t stop.” You beg wildly as you move your hips back to meet his thrusts.

“Not planning on it.” He tilts his head back in pleasure as he pounds into you. He feels you clenching tightly around him. Your legs are quivering under him. There’s grease smudged all over your body, your face.

You catch a glimpse of yourself in the reflection of the windshield. You’re completely disheveled, hair a mess. Makeup smeared and clothes torn. You look absolutely filthy and you love it. You can see Logan’s abs flexing as he thrusts his hips. His hands run up your sides. Taking you by the shoulders to slam you back on his cock. A weak cry leaves your throat with every thrust. Finally you break. A desperate, strangled moan as your body quakes. Shaking and rocking you right to your core.

“That’s it doll, I’ve got you.” He leans down and nudges his nose into your neck. Kissing softly as his thrusts slow just for a moment. Letting you breathe. You’ve never felt more happy in your life.

Logan kisses the side of your head as his hips grow sloppy. Chasing his release and savoring the feeling of your tight pussy squeezing him. With a loud groan he pulls out and finishes on your ass. Your eyes close as your body feels like it's melting. You can barely stand. Logan wipes you down with a clean rag, loving how fucked you appear to be. 

“I got you.” He gently picks you up and brings you to a bench. Laying his clean jacket over you as you will your legs to stop shaking.

“You alright?” He’s got a devilish grin on his face as he redresses himself. Somehow it’s like he’s back to normal while you’re wrecked.

“Perfect, oh my god you’re amazing.” You lean back into the bench and sigh happily.

“What the hell is going on here?!” You shoot up and see your father storming towards you angrily. You’re a mess and you don’t think Logan can lie his way out of this one. He’s angry. Really angry.

“You are nothing but a disappointment and you have been ever since you were born! A disgrace to the whole family! To the town! Doing such horrible things with the likes of him.” He snarls as he points at Logan. You’re stunned into silence.

“I have the right mind to never let you out of the house again you ungrateful little-”

Logan steps in front of him and he tries to hit Logan right in the face but fails miserably. You gasp as Logan pushes him against his car. You watch as boney claws shoot from his hands. Your father squirms in fear as the tips of his sharp claws grow closer to his neck.

“Shut the fuck up.” Logan growls.

“You’re a real fucking dick and a sorry excuse for a father. If I ever see you come near her again I’ll fucking kill you.” He lets go of your father and watches as he runs away. Yelling about mutant freaks. Logan turns back to you, a cold look settling on his face when he sees your face. Now you know his secret.

“You’re a mutant.” You say in awe. To his shock you reach out for him instead of running away.

“I am.” You admire the claws, how amazing.

“Beautiful.” His mouth gapes open as you pull him closer.

For once someone is looking at him like he’s normal, like he’s not a freak of nature. He longs for this but he knows your dad won’t go down quietly. He’ll tell the whole town.

“Look doll, you’re too good for this town. You’re too good for me.” He brushes your cheek softly.

“I can’t stay here anymore and you need to go home. Pretend you never met me. You’re a smart girl and you have a bright future ahead of you.” Logan takes his hand away and walks away.

“Logan!” You throw off his jacket, you're limping slightly but you refuse to let him go. He’s quick on his feet, already shedding his work clothes for his normal ones. A leather jacket thrown over his tank top. His motorcycle is out back. He’s got a backpack already packed and ready to go. Like he was waiting for this moment to happen.

“Take me with you!” You stand in front of his bike.

“What?” He asks in disbelief.

“Please, I hate this town. I have money saved. I can help but please don’t leave me.” You move closer to him, taking his hand in yours.

“I can’t live like this anymore, Logan. I’d give it all up to be with you”

“I can’t let you do that.”

“It’s not your choice. It’s mine so please, take me with you.” He wants to say no. To leave you here. It would break your heart and his but it’s what's best. But a part of him wants to be selfish. He could protect you, he could take care of you. But he fears you’d regret it eventually.

He’s overthinking and you can tell. You grab his jacket and kiss him gently. He groans as he slips his arms around you.

“Please.” You beg softly.

“I can’t promise you the life you’re used to.” He warns but his resolve is slipping.

“I don’t care.” He sighs and kisses you again. It’s becoming addicting. You’re completely addicting.

“Hop on doll,” He throws his leg over the bike and waits.

You waste no time jumping on behind him. Wrapping your arms around his waist as he revs his motorcycle. You lean into him and smile. He stops so you could say goodbye to Betty and grab a bag of clothes. He waited at the door, a grin on his face as his claws were proudly shown off to your parents.

Then he drives. Away from your horrible family and the horrible town. Your future is uncertain but with Logan, you’re confident things will work out.

He’s all you need. 

[matd0]

Hello guys

I had to take a pretty lengthy break from pretty much all social media, super sorry for just disappearing like that.

bunch of stuff happened, I moved back to my parents’ house, tried to focus on school, got kicked out of school lol, went through a pretty rough patch over all :´D

I’ve been trying to work on just pretty much getting my basic needs met every day (eat enough, sleep enough, drink enough water, shower, etc.) and even though it’s a bit of a struggle i think I’m starting to feel pretty stable and happy again. yahoo :3 !!! so yeah i feel well enough to be perceived on the internet again 👍

Since i’m currently a jobless dropout, I should have time to post more stuff i think (this is genuinely something i love, and all I rlly want is to make stuff that makes others happy so thank you all for supporting my goofy and dubiously cringy creepypasta posting)

List of things and stuff I want to do/post/focus on:

- commissions. nbr. 1 priority (unfortunately i become a bit of a perfectionist when i get paid to draw something T_T)

-reply more to asks. It’s fun and I want to interact more with people (just need to beat up the anxiety demons)

-literally just draw more.

-maybe perhaps even post about the eyeless jack AU story thing i have been brewing in my mind…….. maybe.

-also i’m trying to do artfight again this year. bit dubious how much i’ll actually get done but oh well.

Anyway, thanks for reading lol.

here's a couple of little sketches for you o7

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[cardo-de-comer]

I absolutely adore your artstyle and your characters! I'm really interested in your art process, have you ever shared info on it or ever done any speedraws?

I tried multiple times. My brain literally turns off as soon as I press the button to start recording. And there's some software issues, as I've been telling earlier in similar asks... I found the "record" button in drawpile. I use drawpile for sketches only bc I like one specific pencil brush and don't like to render stuff in it so this is a very bad and rough example lol but process stays the same in photoshop, it's just a matter of comfort for me I guess. Later I just adjusted contrast on the picture

[critterbitter]

I finally got all my brain ducks into enough of a row to send this! I just wanted to say that Tumblr recommended your art to me on a whim, and I am actually OBSESSED now lol. I had no prior investment in Submas or anything tangentially related to it prior to this (aside from liking Pokémon generally lol), but I couldn’t help but tear through everything you’ve drawn for these silly little rat children and I love them so much now!!! I wanna pick them up and shake him around like little action figures! The shenanigans and the heartfelt moments are just,, UGH so good! I have no words! Thank you for the food I am going FERAL over them <3

Your art is also high key goals for me now tbh. I absolutely ADORE your coloring and rendering style, and also they way you draw Pokémon in general?? Very animalistic but still recognizably Pokémon?? Literally galaxy brained. I’m going to SCREAM. I know you already posted a bit of your art process, but I’d love to know if you’ve got any rendering tips and/or how you get that clean but sketchy look. It looks so good I want to eat it lol.

(Also I really love the way you’ve been formatting Elesa’s dialog, with the extra lines around the letters. It really gives the vibe that her grasp on Galarian is currently shaky at best and idk, I like that you’ve managed to find a way to convey that over text. I think that’s pretty cool :D)

I SAW YOU REBLOG A WHOLE BUNCH AND IM,,, (throwing hearts at you)

Thank you so so much! I’m glad you love these terrible little guys wandering Unova just as much as I do, haha!

As a treat, lemme pull out some drafting for the mini illustrations. I usually start every snapshot with a run down of what I remember from the area, possible shenanigans encountered, and then a doodle of ideas to come.

From there, it’s a SUPER rough sketch, followed by lineart and rough color, and then cleanup!

(More thumbs and their finals below!)

At the end of the day, all my lines are VERY sketchy. I’m a lot stronger when it comes to mashing colors. That, and if you set your line layer from normal to multiply, the lines will always be automatically darker then whatever layer is placed underneath. It’s a trick used quite a bit for placing cel shadows in animation, but it’s useful for lineart in a pinch.

For colors, I like to stick to a limited pallet and branch out only after setting my primary colors. This entire series has been very experimental for me though, as you can probably tell.

As for the last bit— YES… YOU GET IT! As Elesa grows, the lines in her dialogue will start appearing less and less. It’s the little things that map the span of time for these guys.

Yippee!

[thebearer]

Okay, I feel like Teddy would have broken bones throughout her childhood for sure. But like, imagine Carmy and reader being so worried when Teddy gets hurt each time, and like the one time when she breaks or injures something and she needs to have surgery for it how freaked they are about it and like Tina, and Richie and everyone is there waiting for her. And Teddy would totally beg Marcus to make her all the desserts for her while she recovers. Thanks! I got a little carried away, lol.

i feel like teddy, yes. like ofc she's accident prone (she's literally just a ball of energy lol) but imagine this... it's willow.

like willow is so calm and sweet, but she's so clumsy too. and for some reasons she's always the one getting hurt. mainly bc teddy is so rough with her, not even intentionally, like she's just more fearless and wild.

they're jumping on the trampoline, and teddy is going absolutely insane bc a trampoline??? fuck yeah. and she's bouncing with little four year old willow, who's trying to keep up but her sister (in classic older sister style) has double bounced her like seven times. there's a net and you're watching, warning teddy each time she gets too wild, but then it happens- in seemingly slow motion.

teddy bounces willow, who flies for a second, before falling back on her side, extending her arm to brace her fall. you hear the pop! and then a shuddered breath before willow is wailing, her arm hanging by her side, bone sticking against the skin.

you're nearly lightheaded, screaming for carmen, trying to get willow off the trampoline carefully. teddy is scared to death, of course, and is sobbing too. and carmen is so overwhelmed, walking out frantically to your scared tone and two sobbing babies.

you spend your night and most of the morning in the er, each holding a crying child trying to console them. they tell you willow's break was bad and she'll need surgery, which makes you want to cry now too. carmen looks like he might genuinely pass out because the thought of his baby going to surgery???? he's horrified. needs his emotional support pepto asap.

they get her in pretty easily, and your family and friends (most from the bear) come to see her, bring her gifts and things afterwards. willow is terrified, bright eyes just wide and skittish when they tell her she's going to take a nap and come back with a cast.

carmen opts to be the parent in the waiting room, agreeing to follow all the procedures just to keep her calm until they get her under because willow would not go back there without him.

you're smothering her face in kisses. "daddy's gonna go with you, and he'll be with you the whole time, wills." you coo, smoothing a hand down her hair. "you'll get a pretty blue cast on, and then me and teddy and everyone can sign it for you. and marcus will bring you cupcakes. how's that sound?"

willow is sniffling, shuddering breaths that have your heart breaking but agrees. carmen hugs you and teddy good bye before going with them.

you're thankful richie is there, a sentence you never thought you'd say. your thankful he brought eva to keep teddy distracted, and that he could talk to a fucking brick wall if he had to. thankful he was there to keep you distracted so you didn't keep checking the time.

willow comes back, still asleep, all bandaged and wrapped up in a sling. carmen looks like he might need to throw up, which he does, but he's relieved.

willow spends the next night in the hospital, surrounded by toys and balloons and flowers- and of course, marcus brings her cupcakes.

she gets her cast eventually, and carmen draws on it for her with a sharpie. it wasn't very good, in his opinion, a little difficult to sketch with the cast material and a sharpie but willow seems to love it. giggles loudly when he shows her the various animals he'd drawn for her.

teddy enjoys it too. especially because with the influx of "get well soon" toys, she gets to play with them too. opting to "help" willow, of course, since her arm was broken. willow doesn't seem to mind, playing with her free hand with her sister, and you're just happy she's feeling better.

[asmamal-s]

Coloring with soft colors isn't always my thing. Some Post-The end Tord and Edd comfort art ? Had a rough day, but I passed my university exam, woohoo! I Had a headcanon if Edd had these ( LITERALLY ) little hand puppets with just eyes and yarn for hair attached to the hand and that's it. Funny to think he'd use them to playfully annoy or mock his friends. Tord might find it bullshit at first, but he can't help but be amused in the end ;) I put a version without lines/sketch here too cuz I kinda like it.

Not sure if this counts as Tordedd, but feel free to tag it however you like lol.

[lemon-wedges]

Hello!!! I love your art and your style. I'd love to hear your inspirations behind how you draw and, in addition, hear a bit about your painting process (I love the impressionistic look your paintings have)

ahh!!! thank you so much ;u;

Ill tried my best to break down my thought process behind my drawing, so i hope this all makes sense aahaha

undercut cause it came out real long

SO Karl Gnass is an instructor that i took an anatomy class with. and who broke down anatomy in a way that really helped me grasp space. like space a figure occupies. and from that i think my characters feel a bit more...grounded? im not sure what the right word would be but tangible is something people sometimes say about my art.

And i do think when youre able to make a figure look like its really wrapping its hands around something it makes character interactions a lot more intimate.

heres a few under sketches i do when i start a drawing (i am trying REALLY hard not to use my nsfw ones tho those are pretty perfect when it comes to showing u anatomy RIP)

after i got the poses done ill turn down the opacity and rough sketch out details on top of these. and once THATS done i move onto lineart. and the most important aspect of this step is NOT TO TRACE YOUR UNDER DRAWING!!!! thats what sucks the life out of your work!!!!

instead you use your undersketch as a guide. ilI actually redraw the simple anatomy underneath very lightly, erase where they over lap and then add line weight variety + darken up the details.

examples of this are gonna look a little messy but. Left is the original pose i drew out with rough details. right is the drawing i do on top of it. you'll see theyre not one to one and theres some lines i didnt fully erase out when redoing the anatomy. i find my clean up has a lot more energy when i do this.

the thing about my style is that you'll notice i never actually do actual clean smooth lineart. and thats because i HATE DOING THAT SHIT. like i did learn how to do it and consistently forced myself to do it for over a year. and while i do think i learned a lot about line weight and drawing clearer. i realized? its just not for me. I like a textured brush and i like being able to see those small lines i didnt get to fully erase out because i think they look cool lol and thats ok!! do what you want forever man!!! its your art!!!

Also before i move onto painting ill show you this neat little trick. you know those more "loose" drawings of mine that feel more gestural? the begining process is exactly the same. the difference is i use a chunkier pen and try to see how much i can simplify details + just feel out the energy of lines

NOW PAINTING.

man. where to even start.

the thing about painting is that its an entire different set of skills that need to each be honed on their own and will slowly build up together. ill break it down like this.

VALUE, COLOR, and TECHNIQUE

I've said this on another ask before but you'll notice ill do a lot of black and white sketches. and i do that to practice choosing how to group values.

like this example. how light is laios' wolf coat compared to his skin? or kabrus skin color compard to laios coat. when do you want to really push the contrast of light and dark and when do you let values be closer to each other when you DONT want attention

the next step from this is adding a light source.

and when you're working in black and white its a lot easier to pay more attention where you want your light/how its gonna look like hitting youre characters and how far youre gonna push your shadows.

and you know if you get good at this you can play with limited color palletes

this is literally just be picking out blues and hitting the bottom with the gradient tool to light it up

NOW COLOR

is a lot harder and also very subjective. I do a ton of impressionist studies where i just color pick the fuck out of a piece to see what colors masters used + knowing the history of paint and what colors were available during that time period. +knowing what colors = what mood + knowing what colors to use when you want to be more realistic vs when you want to lean into more stylized+ what colors YOU specially incline towards + AHHHHHHHHHHHHH

its a lot and im actually still learning myself

But when i do a painting i collect a LOT of refrences of the kind of mood i want my own painting to feeling like. I've show the first example in another ask before but heres one from my latest labru too

WHen i actually start a painting tho they look like this. The top drawings are just flat colors with a simple outline of where i want the light to be hitting. like in my value studies im just trying to get the idea down, seeing what values need to be darker vs what is lighter. and how the light source covers the character.

figuring this out in the begining makes the rest of the painting so much easier because youve essentially made all the big compostion decisions NOW. from here you can start playing with colors.

my second stage, youll see with drawings at the bottom, is when i start using my texture brush to lay in extra shadows and just play with variety.

and then? i start rendering

that would be TECHNIQUE

And well....thats also something thats gonna be very subjective.

With my own style im not interested in rendering everything to perfection. Im trying to figure out how to texture hair/skin/clothes in ways that make them feel like the materials they are while also showing the energy of my brushstrokes.

I dont zoom in while i paint btw. everything i do is zoomed out so i can see the entire drawing. it helps me not tight up my strokes while also letting me build up all areas of the painting equally. the only time i zoom in is when im lining out the eyes/mouth of a character. and yeah. it drives me insane doing this because ITS SOOOOO Tempting to obsess over paint 1 area forever then zoom out and see that nothing matches lol

The other thing about my style of painting. Is that im not gonna use the exact same formula for every piece. like this isnt cell shading. you can have an idea of how to texture skin/clothes/hair and sometimes it looks great and beautiful in one painting and then it looks like shit in another. ive overhauled a lot of paintings multiple times because what i thought would work doesnt and ive had to force myself to explore and play with my brushstrokes. and you know? i wouldnt have it any other way. it means none of my paintings are gonna look alike! and i think thats pretty cool :D

ill leave you with this in the end. a painting im in the middle of doing and debating to overhaul cause im just not feeling the strokes. who knows what ill look like in the end

anyways i hope this helped a little? even if you look at all this and go. IM NEVER GONNA DRAW LIKE THIS BOZO ahahah

BUT I WISH YOU LUCK ON YOUR OWN ARTS :DDDD

[almost-nostalgic]

Marcille let me know that my usual style wasn't going to cut it, and instead I resorted to colour pencils.

A rough sketch, but I enjoyed it. I don't think of myself as good with colour, but it's definitely fun to use. I have a bad habit of making colours look muddy and gross... I have banned myself from using my usual black pen on this, because I know I'll go overboard. I'm very bad at making things look soft with black ink.

Personal life below the cut.

I have a job interview on Tuesday for a receptionist role. Turns out some place kept my resume from 3 months ago, so I guess it's good to know that the hundreds of job applications I sent out aren't just going in the bin. I haven't had a single call or email back for a job since Feb, so it's exciting, but nerve-wracking. After I quit after 3 days at my freight forwarding job, I feel a bit useless. I had a commission from a friend, but obviously that doesn't mean a shiny new career as an artist has begun lol.

I'm not sure that a receptionist job will be the right fit, but I really should give it a shot. People always tell me I'm great at customer service and that I'm charismatic, but it really drains me. Hopefully, a receptionist job will be more emails and waiting around rather than constant face to face customer service. I'm really good at interviewing, but I just can't stop myself from promising too much of myself. I have a bad habit of giving 100% of my energy to a job, which is a great way of being sucked dry and burning out.

I also can't say I'd be good at just sitting around either because I always feel the need to do something if I'm working. I remember working in the bakery and my boss literally volunteering to have me for as many hours as I want and to pretend to look busy because she had an excess of hours to give to employees and refusing because I couldn't handle busywork. I'm sure I can find a balance somehow...

[andypantsx3]

do you have any tips or advice for being more confident about your writing / avoiding the comparison trap on here? /gen

Hello my love!! Oh my gosh, I have a zillion and one thoughts on this subject. Please excuse how disorganized this is but I am so happy to word vom at you lmao.

I think to start with, it depends on what you're comparing: whether it's the work itself or the metrics surrounding it! I will start with the work itself, and move on to talking about metrics if that's cool.

Your Story

In terms of the quality of your work, there are a couple key things to remember!! Firstly, think it's easy to feel like so many tropes and story lines have already been done, why would anyone want to read mine? But you can circumvent this quite intentionally in your writing by thinking about what new thing you can bring to that trope or story line. And make no mistake, there is always something new, whether it's a plot twist, a unique motivator, a different character's perspective, etc.

For example, I've read and loved several merman Shouto fics, and I also wanted to write a merman Shouto fic. In the development of something in the water, I sat down and thought about what things I'd read about merman Shouto before, and how could I add to that, outside of rehashing what I'd already read. I discovered I wanted to expand on mating rituals, spend some time on the cultural differences a human and merman would inevitably have, and linger in the feeling of a tropical island because at the time of the fic's conception it was like, the dead of my winter LOL. And I do think that something in the water has turned out pretty distinct for that effort; as far as I am aware no one has written merman Shouto being wheeled into a tropical bungalow in a wheelbarrow to watch The Little Mermaid lol.

So you can always bring something new to the table! And it will make your work feel standout to you, as well, as you will be very aware of all the things you did that were unique!! You will not feel like you're just rehashing something that has already been done, you will feel like you're adding!

Also in terms of quality, I think it's helpful to look at fic writing like a growth opportunity rather than a permanent, established skill set. The "quality" of your style is not fixed, it something you actively develop by reading, digging into other people's styles, seeing how they make their writing work, and trying out some of those elements for yourself. Maybe someone has a really rich descriptive style that you find beautiful, maybe someone writes dark psychological fics that thrill you; if you spend time looking at the words they are using and how they use them, you can replicate those techniques in your own writing. You can quite literally make your own writing look more like the writing you admire by reverse engineering authors' techniques.

Conversely, writing as a growth opportunity mean you do not have to be perfect. The process of writing is the process of figuring out what works, mechanically. It's not a reflection on you at all. You don't have to write anything "good," you can publish something you had fun with, see what people react positively to in it, and turn around and take those elements forward in your next story, while abandoning the things people maybe did not love or had questions on. And rinse and repeat over and over until you do end up with something you'd term "quality."

To me at least, that thought is a huge relief. Because I can just have fun, let people say what they say, and do something different in my next story if needs must. It's like any skill set, I think. It takes time to hone but no one would call, like, Van Gogh untalented because he once started with rough and heavy pencil sketches, right?

It's the knowledge that I'm building up my future self's skill set that gives me confidence to publish, even if I'm not quite where I want to be currently! And I really hope this helps you the way it does me; the knowledge that you can do anything, write like anyone, but that it's all part of an overarching process to learn to enjoy writing like you!

Which brings me to:

The Metrics

I am just going to say flat out that you should try to ignore metrics as best you can. In my experience, metrics are absolutely no indicator of a work's quality. Some of the work I am proudest of is what anyone would consider a "flop" by note count, whereas I think some of my most trite & banal works would be considered by some metric quite "popular." And I think that way about some of my favorite fics too, one of my absolute fave fics of all time only recently broke 100 kudos on ao3 after being up for years!!

I especially think this is true on tumblr, where a work's packaging and digestibility seem to be the key elements in gaining notes (ao3 does not allow the same level of customization). Fics with elaborate headers, cute & small fonts (I am guilty of loving these), and eye-catching graphics all naturally draw attention more easily in the sea of other fics, so it makes sense why more people would tend to look at those, and subsequently like or reblog them. I also think bullet-pointed headcanons or single/short paragraph works tend to skyrocket in notes here because they're quick and easy; and that makes sense too, right? If it's easier to read of course it's likelier to be read more!

But those things mean absolutely nothing about the quality of the work within. And you can take reassurance from the fact that you too can replicate those elements if note count is what you are truly after here! You can make a video header with any of the premades on Canva! You can try different font arrangements or cool graphics. You can even write a paragraph and tag it with a bunch of different characters for maximum exposure. There is no reason to get jealous, I think, if you can do it too!!

I also think you have to be conscious of different factors at play with authors. Some authors have been around since the inception of the fandom you're in, and naturally will have had more visibility for longer than you, but that also says nothing about the quality of their work. I've been around in the BNHA fandom for four years, and by a mixture of luck and timing ended up getting to publish a lot of my work during the pandemic when more people than ever were getting into BNHA. But does that make me better than some of the newer authors joining the fandom just now? HELL no lol, if anything maybe I could be getting complacent!

And this goes for the size of fandoms and the popularity of certain characters as well!! A Shouto fic is not going to do as well as a Bakugou fic because Bakugou has like, three times the stans. A Shinsou fic is not going to do as well as a Shouto fic because Shouto has like, five times the stans lol. And a Kaiju no. 8 fic is not going to do as well as a JJK fic because the fandom size (and therefore potential audience pool) has a significant discrepancy! Don't gauge your fic's success against someone else's in a different fandom or for a different character (or honestly even at a different point in the source material's storyline because sometimes a character has a moment where they are most popular but that drops off - think BNHA Hawks in 2020/2021 vs now lol).

There is a huge variety of external factors at play that determine your exposure and audience, but absolutely none of those can ever say anything about the quality of your work. So I hope you can try to distance yourself from the need to compare your metrics to anyone else's, because quite frankly they do not mean shit.

TLDR, think the best way to overcome the comparison trap is to write a story you love and feel is unique, something you are proud of. Because no one is ever going to tell a story quite how you would, and therefore no one can ever be compared. & I hope this was helpful and addressed whatever specific area of concern you have!! But let me know if not and I'm happy to discuss more!!