#this is just my side hobby!

[intotheelliwoods]

Gonna ask this to a few people that inspire me, but how do you take inspiration from things without feeling like whatever you make is just bad in comparison? Or like a downgraded version of the thing(s) that inspired you?

(If this is too negative feel free to delete/ignore, I'm sorry)

Oh gosh this is such an interesting question since, I dont think I really have feelings of thinking my version is bad? Or that I am just a copy?

I am honestly just grateful my work became as popular as it is in the first place haha- low expectations going in to begin with. That and, I am very aware my art style isnt as defined and polished as other peoples styles, but I have come to terms with this! And hey the improvement in my own artwork over the past year is a massive trip if you go back through some of my older stuff- I am improving, slowly.

I mean, 2AL started by complete accident, and was "inspired" from me wishing the Leos from OMO or MNMC would hug it out already- but if you were to compare 2AL to one of those, they are very different. Hell even comparing OMO and MNMC, same starting point, but still very different.

I think my only advice to other people trying to make an AU is to try and find some core theme/idea and work around that, rather than gather a bunch of little things from other sources you like into a big pile. Find some key message to start up a base with.

[loganslowdown4]

One puppet episode later—

I’ve been here *counts* 6? YEARS??

[taihaole1111]

it’s from s1e7

When they found something hard against their thighs and their phone wasn't in their pocket

oh my…

[myokk]

Leo🫶

[flwrkid14]

Damian Wayne’s LPS Collection – It’s Not Playing with Toys

Okay, so imagine this: Damian Wayne has a secret Littlest Pet Shop collection.

Not because he likes toys, of course—don’t even dare suggest that to him—but because they’re tiny animals. And we all know Damian has a soft spot for animals. If he can’t have a real shark, lion, or eagle in Wayne Manor (not that he hasn’t tried to convince Bruce), he compensates by collecting their miniature versions.

Each animal has a name. Every. Single. One. They all have distinct personalities too. His tiger, for example, is named ‘Asad,’ and it’s fierce but gentle. His dolphin, ‘Iris,’ is curious and stubborn. There’s a black-and-white shorthair named ‘Sable’ who bears an uncanny resemblance to Alfred the Cat (and might just be his favorite). Damian has meticulously thought up their likes, dislikes, favorite foods, and even specific ways they “interact” with one another.

But here’s the kicker: Damian refuses to admit that these figures are anything remotely close to toys. No, no—he collects them. They help him stay in tune with animals he respects but can’t keep. He’s not playing with them, he’s “accompanying” them.

Example? Damian shows up to dinner, Sable tucked into his jacket pocket. When Dick raises an eyebrow, Damian coolly explains, “No, Grayson, I am not playing with toys. She is merely accompanying me at dinner. I find her presence comforting.” Dick tries to hide his smirk because, seriously, it’s so Damian.

Deep down, though, these LPS figures give Damian something important. They allow him to be a kid—in a way he’s always struggled with. Sure, he’ll never admit that, and yes, he might even find the act of “playing” with figures completely beneath him. But these tiny animals let him indulge in a bit of imagination, something he didn’t have much of growing up in the League. It’s quiet. It’s personal. And it’s something that brings him comfort in a world that can often feel too big and too serious for a boy his age.

So if you catch Damian in the Batcave with a mini lion figure on the desk while he’s working on mission intel? Just know he’s not playing. That’s ‘Shahir,’ and he’s only there for… company.

[dottybot]

Destress scribble from today.. Thinking about those old mcm head vases, and the Potential..!

[anghraine]

It's honestly kind of funny to me that catapulting into Kirk/Spock shipping has launched my usual "meh, not into jealousy as a metric of romantic love" shipping tendency out the window and instead I'm genuinely charmed by the extent to which they reflect the same unhealthy seething jealousy.

This is most obvious with Spock, but you'll get McCoy joking about Spock falling in love with a computer (not an android, a stationary computer) and McCoy being A Normal Guy Joking About His Friend Having a Hobby is immediately contrasted with Kirk's barely repressed jealousy (you can all but see him thinking "time to talk another computer to death" while McCoy just laughs at his own joke about it). Kirk gets more and more generally insecure until Spock publicly declares that, while he does like an efficient computer, Kirk is irreplaceable and he doesn't want to serve anyone or anything else, and Kirk looks like he's about to kiss him on the bridge.

(Kirk still talks the computer to death, btw, for plot reasons. But big "Edith Keeler must die" energy.)

I also enjoy Kirk's horror/outrage at Leila Kalomi and her obvious gloating over "taking" Spock from him in the docility sex pollen episode and Kirk's willingness to do or say anything to get Spock back vs Spock bleeding intensity throughout "Requiem for Methuselah" as Kirk falls in love with Rayna, then Spock numbly listening to McCoy's speech about how he can never understand the glories or agonies of romantic love triangles or passionate love before waiting for him to leave and then wiping Rayna from Kirk's mind. Just two bros who are totally normal about each other!

[quietlyblooms]

alright, friends, it's time for a lil heart-to-heart.

for quite a while now, i've struggled with feeling like the rpc is an actual community. there's a few things that contribute to this feeling, but it mostly comes down to a lack of interaction and visible interest. sometimes i feel very one-sided in my interest and attachment to my mutuals bc when i see their ooc posts or headcanons, i like them or comment, yet this isn't reciprocated by everyone. i can usually guess who i'm about to see in my notifications, and to be absolutely clear, i'm very grateful for those people!! it's a handful or two of you, but it could be just one and i'd be grateful. it's not about numbers whatsoever but rather growing uncomfortable that not all of my mutuals are all that interested in my character or me.

i write on here to share the excitement of creating with other people. i write on here to create together, too, but i'm also here to share characters and ideas and lore with people i know are happy to hear me ramble. i'm just getting to the point in which i'm questioning how many of you are actually happy to listen, and that's just not a good feeling at all. i'm not a mind reader, y'all. if you don't tell or show me that you care about the things i talk about or even about interacting, there's no way for me to know. eventually, i'm going to question why you're following me if i never see or hear from you, and eventually, i'm going to softblock and move on. that's the only way forward i see right now because i just do not feel comfortable on my own blog. i feel like i'm retreating into this quiet bubble to avoid discomfort, and it really sucks. it's killing my muse.

i'm not perfect. none of us are, and we can't be online at all times to catch every little post. but if we're a community, then we should be supporting each other when we can and liking headcanons, liking/commenting on those lil ooc posts that remind us our writing partners are humans with lives outside this site, reblogging their promo posts, sending in that meme they've reblogged even if we're nervous to reach out first -- if we're a roleplaying community, then we need to act like it. " community " implies connection, and a connection doesn't really begin when you follow each other. it begins when you reach out, even if it's in some small way.

tldr: i think we can all do better to support our mutuals and to connect, and i'm going to softblock people rather than continue to feel unsure where i stand with my mutuals. i won't start until sometime next week, and i won't make one of those " like this to remain mutuals " posts. they're not helpful to me, if i'm honest. if you're worried, just reach out. i'm literally a 4'9'' gremlin who sleeps with a m.unchlax plushie -- i promise i'm not scary despite this post uvu

[halfbaked00q]

okay as an admitted did-not-watch-NTTD'er who got, like, all of their info from uhh recappers, the wiki synopsis, the specific clips with Q I watched, and whatever I osmosis'ed from fics.

I finally watched the beginning of NTTD at @prismatic-bell's nudging. And I was like. Okay wait. wait wait wait. This is... well-written? And shot and directed & acted?? In a hollywood movie lmao?? Like. The way it's set up w Madeleine's backstory, and then the Bond & Madeleine stuff that does a much better job of establishing their relationship, the goooorgeous wide shots.

I admittedly was rather "I close my eyes I do not see" to a lot of canon - coming from partially a comics fandom background I'm very aware, well-versed, and well-practiced in the 'canon is your pick-and-choose buffet no need to feel like you have to 'respect' the 'sanctity' of 'canon' esp when it's Bad (like it contradicts other canon or you can just Tell this character was Not Written Well and it's like, here's what it could be that is better)' - and from opinions I saw on NTTD I was expecting to be very pick & choose about it.

But okay, wait. wait wait wait. It works. The beginning at least which I watched. Works. Like, it establishes a key character moment for Madeleine that Explains Everything about her behavior, actually - like she just like Bond is actually also very traumatized & has been locking it down/deflecting it vs processing it, and the whole like Vesper thing is (to me) very obviously her misdirecting Bond away from her own Goin Thru It. I can see how it can read as very suspicious to Bond esp with everything else but it, like, is a Narrative and Makes Sense for her character and Works. wild.

Even the Bond stuff makes a ton of sense. Like, when I hadn't watched it and was going off second & third hand information, one of the things I was hrrrm ?? about was the. How do you get from the guy who says "I miss you" at Vesper's grave, to the guy who put Madeleine on the train. The man who, even after finding out Vesper betrayed him, still wanted to save her? Would... send Madeleine away? In what, a fit of pique? Surely he's more of a "run to me and I will handle it" if it turns out not to be true or a "if it is, I'll handle it" kind of guy.

BUT YOU KNOW WHAT IT WAS. YOU KNOW WHAT IT FUCKING WAS LMAO. I WAS MISLED BY THE FUCKIN. BILLIE EILISH SONG LMAO. The lyrics of it make it SOUND like it's a like "you betrayed/cheated on me how could I have ever trusted you" break-up song kind of situation. BUT IT ABSOLUTELY FCKN WASN'T LMAO.

It's like. two traumatized individuals who trauma-bonded and honestly maybe should have spent time apart healing/learning themselves again before re-evaluating if they think a relationship could work, but like. they both were Goin Thru It and let themselves get carried away with it ig. And then right when Madeleine was like. hm I've been Not Dealing with this a Lot (tbh her being a psychologist probably made it worse cuz I think it made her more effective at Not Dealing With It and deflecting/misdirecting, but like. I don't think she was doing it intentionally, I think it was just a "combination of circumstances" thing. But this also works cuz I think before the like why did Madeleine push him towards Vesper again even though he said she was in his past. And it's like. She was delaying dealing with HER shit and probably unconsciously deflected his attention by poking at waht she thinks is still HIS equivalent to her baggage) where was I. Oh yeah, Madeleine is like. hm. yeah. the whole letting go of secrets thing. I. need to come clean to him...

but then all of the Spectre stuff happens.

Even the him sitting in the car thing is soooo so so. Cuz Craig absolutely put his whole pussy in the acting for this scene. he's got that like. wrong side of overstimulated so you shoot past being in the zone and instead are zoning out lowkey thing going on, mixed with the like. agent faced with a hopeless situation Observing Everything still but like vaguely morbidly amused about it, probably what's running through the brain rn is "lmao, wonder which bullet will be The One" kind of deal. And cross-cutting the shooting & wide shots with the bells was *chefs kiss* genius.

Even Madeleine not managing to tell him was well written/paced. Cuz it was very believable that she (not trained for this) was scared/shocked & couldn't get a word out. Until the "JAMES. I'd rather die than have you think I--" and then the fucking. tragedy of the bad timing. god. And then even her not just saying it later is like, it all makes sense with the way it was paced, shot, & edited. It was beaaautiful oh man. This also where I was like. damn lmao. miscommunication in a movie where it. feels like it makes sense and isn't just a stupid macguffin lol??? In a hollywood movie?? wild

but yeah this is also where it was like. hey wait. the man who, in the face of sort of a morbid (passively?) suicidal emotional blowout due to the Everything, but was able to break through it when she got through to him enough for him to look at her, and her to cry & shake her head like no, it's not true/no don't do this/please/(w.e). and go, "Okay." and take action. How does he put her on the train??

BUT. BUT FUCKING. BUT THEN. MY GOD. *Actually* watching the fucking scene I was like. Ooooh. ough ough oh god. This isn't him vindicatively cutting her out of his life "the bitch is dead" style. This is his Vesper in the elevator cage moment. He's fucking drowning in the cage but he doesn't want to take her with him. He's locking her out of the cage. god.

And the fucking. devastation on his face while he's on the platform. THAT'S HIS FUCKIN. VESPER HOLDING HIM ONE LAST TIME AND SHOVING HERSELF TO TH EBACK OF THE CAGE AAARGGGGHH BARK BARK BARK

Which, a-fucking-gain. THEN MAKES THE NO TIME TO DIE SONG. ALL THE FUCKING MORE EGREGIOUS LMAO. "was I stupid to love you was I foolish to trust was it obvious to everybody else" WHAT ARE YOU ON. THIS IS A SHAKESPEAREAN TRAGEDY THIS ISN'T FUCKIN. 'THE BITCH IS DEAD.'

God this is like when ppl are convinced QoS was Bond going on a revenge rampage when he was (1) not even rampaging (2) not on a revenge quest/storyline - that was Camille's story!!!* caveat I did not watch QoS either lol, but I did watch a video essay breaking it down which I found Very Compelling and have since incorporated it into my worldview lmao. Like, in light of me actually watching the beginning of NTTD, and then it launching into the title sequence and the song. IT ACTIVELY. REWRITES HISTORY YOU JUST WATCHED ON THE SCREEN AAAGGGHHH BITE CHOMP KILL. IT UNDERMINES THE WHOLE. ALL OF THE WORK THE FILMMAKERS DID UP TO THAT POINT IN PLOTTING OUT ACTING OUT & ESTABLISHING THE STORY TO THIS POINT.

Like. The problem of the song isn't even oh it's a limited POV thing. IT'S NOT EVEN WAHT BOND'S POV WOULD HAVE BEEN/SHOULD HAVE BEEN BY THAT POINT. Again, this is the "the bitch is dead" edit of the scene, BUT THAT'S NOT WHAT HAPPENED. THIS IS BOND LOWKEY SPIRALING AND LIKE. OVERSTIMULATED-EXTREME-EMOTIONAL-AMBUSH-IN-A-VERY-SHORT-TIME LOWKEY EMOTIONALLY SPINNING OUT. BUT THEN BREAKING THRU IT ENOUGH WHEN MADELEINE CALLED FOR HIM. TO LOCK HER OUT OF HIS SINKING CAGE. BRUH. BE SO FORREAL RN.

also lmao she clutches her torso WAY too high up, bruh that's her sternum not her belly... but ig the idea translates across still.

but yeah. god. And here I thought No Time to Die the song was just. boring & musically uninspiring. but no. it's so much worse lmao. god.

[ask-mithrun]

have you ever tried sewing/knitting/crochet?

No, i haven't.

Perhaps i can try for the sake of "new desires" but its a little too far from my prexisting hobbies so the learning curve might be seep. Some day maybe.

I never really had the reason to make my own clothing or things adjacent to it any ways, I Usually commission from professional seemstresses for my garments — i have the money for that.

[lemongogo]

< 2023 trgnz

[looney-mooney]

I’m making an animatic for the Summerstuck AU (AU where Phineas and Ferb are Alternian Trolls from Homestuck) and I’ve gotten to the part where their former lusii (fantastical white animal guardians who raise the Troll Children of Alternia, since all the adults are off doing space adventures) are thrown into the Kernel Sprites (colorful floating ghost-like game constructs that base their forms mostly off the player’s deceased loved ones, who act as guides for the players as they play the game that ends the universe and gives birth to the next one) and I’ve decided that Ferb’s former Lusus should be Steve (a kaiju chameleon in the show who Ferb is very emotionally attached to). When deciding how to portray Steve’s remains, I sort of naturally gravitated towards having him be taxidermied in Ferb’s shed.

The unintentional ramifications of this is that I have inadvertently implied that, on some cosmic level, Ferb Fletcher is a Harley.

[slightlytoastedbagel]

my brain can't make sense of it rn but please take my hand and ponder the differences between the family structure of the Shiraishi household compared to the rest of vbs.

[clowningaroundmars]

y'know what i've been thinking about lately for no reason at all?

miles42

yeah, yeah i know but. if his 1610 counterpart is a conflict-avoidant-anxious type who keeps running both physically and metaphorically to and from his responsibilities, always acting like he's got everything under control... then, would miles42 be like that as well?

would earth-42 let him do that at all?

by that i mean... i always thought that miles42 would also be the same way, a boy who always tries to sweep things under the rug and pretend everything is totally normal... until i figured that smoothing over important things that need addressing is probably the last thing he would want to do, at least behind the scenes.

he'd put on the happy mask and conceal his pain on the surface, never arouse suspicions. miles42 would undoubtedly be influenced by his uncle aaron of course

but when a dystopian police state comes marching into the streets of your neighborhood, and the corrupt govt ruling over them plunges your family into poverty, there's only so much you can paint over until the cracks really start showing. problems tend to escalate quickly under totalitarian regimes

both miles42 and aaron42 would have to reckon with surviving in a world like that, where every bill that comes in the mail could be their last before the cops come hauling them away to debtors prisons. every infraction against the law established by evil billionaires and ceos could mean prison for life in general. every rebellious act is undoubtedly at the risk of being captured by cameras posted everywhere

miles1610 was able to run away from his problems, at least for a little while at a time. what would a miles who didn't have that option at all look like?

how would he feel, looking at himself from another-- freer, and arguably better-- dimension?

[turtleblogatlast]

There’s something so intensely funny to me about Donnie loving to dance…but being the absolute worst at it

Like just looking at their scores for the dancing game, Mikey clears everyone, Raph holds his own, and Leo tried just hard enough to beat Donnie, and I find this all so dang funny

This isn’t to say he’s bad at it, we know they all have at least some skill in that area, I just like the idea of characters enjoying something but not being super incredible at it just because they like it! It’s a humanizing trait that I don’t see often

[calico-kiwi]

WE’RE SO BACK (<- finally re-found the spark that fuels them from a creative/serotonin perspective after months of it fleetingly flickering in and out)