#this is just a super long in depth story of my first

[saiintvalentiine]

three dog night

Summary: three dog night - a night so cold that it would take three dogs to keep warm.

It's the longest night of the year. It's the coldest too. Something escapes into the depth of the forest, and Wato is about to find out an unfortunate truth.

Word count: 3,081

Notes: heavily inspired by stories of the Korean gumiho, I bring to you: my insane ramblings that I'll be passing off as a Christmas gift for you guys. This is a real mess so you'll have to super suspend your disbelief for it. Warnings for gore, violence, and death. Feel free to point out any SPAG errors, b/c this is unedited af. Enjoy.

The cold feels good. It's painful on his face, biting his nose and chapping his lips. But his heart, missing its pearl and as black as the night sky, beats easier in the freezing temperatures.

The hunger is the only thing keeping him upright.

He has no idea how long it's been since he escaped the facility. Time moves like sludge in the winter, white flakes on his white hair on a white world, with only the white moon watching between the pines. It can't have been more than a few hours.

There's a man walking. He's walking through a forest alone, which is strange and dangerous, but the man smells like liquor. It travels through the air like a whip crack, his tail puffing up in subconscious disgust. A rotten liver. But the man’s heartbeat is strong and hot and loud, and he is oh so hungry.

Even in his current state, it's easy to crack the man's skull open with a rock. His body gags, tries to bring his pearl up only to come up empty. Pearlless. A dud. He doesn't care. He descends upon the body, tearing through fabric and flesh all the same, and finds the still-beating heart between splintered rib bones. The first bite is too hasty, splatters blood all over the exsanguinating corpse and his face and clothes, but the hunger dulls— it's not about the blood, after all, although it does soothe his throat. He eats every scrap of muscle until his breath starts to run hot enough to fog in the air.

The liver is, in fact, rotten to the taste, but he eats it anyway. None of the other organs entice him, speak to him, demand his teeth on their sanguine surfaces. He contemplates taking the man's shoes, but as he licks his hands clean, he decides he's taken enough. The body would dissolve away soon enough.

He struggles to stand up, snow sinking and melting with the warm blood. He's still hungry. He gags again, coughs out a spray of sparkling black. No pearl. Just the starry darkness on his chest. If he doesn't keep eating, he won't last, not without a pearl.

He tries to wipe the blood off of his face, but he can't see if he's making any progress. Burying his hands in fresh snow, he rubs it into his face, pointed ears flicking to catch any suspicious sound.

He stands up, bare feet padding through the snow in a staccato. His face is wet and cold, globs of pink snow dripping down from his cheeks. He doesn't really know where he's going, just that he is, and that he needs to eat again.

It's the longest night of the year. If there's one drunk, there's a hundred. He'll eat again or he'll die, and he can't die so soon after breaking free, so he will eat again.

Wato is pretty good with the cold. It doesn’t bother them as badly, wolf blooded as they are, but it’s still cold as fuck out here. They heard someone say it was going to be the coldest night of the season tonight, which they’re not too sure about, but it feels like the coldest night of the season so far. Though—

Wato’s memory has been spotty lately. They’d never say that their memory was the best, but it had never been so bad. They’re not even really sure what they’re doing in this town surrounded far and wide by an old growth taiga. This is, maybe, they think, the town where Wifies has his big ole escape room warehouse. Craning their head, Wato spots the looming shape of the bulky building, taller than most of the buildings in town but smaller than the spruce trees. Wato’s been there a few times, helped make a few rooms. Checking their chat, it looks like that’s exactly what Wato was doing here. The last message in Wifies’s chat is from Wato announcing they’d arrived.

Memory problems are no joke. Wato really needs to get onto fixing it. It's just a bad season for that kind of thing, with daylight hours so scant and time already stretched thin.

Walking through town feels like walking through a shut-down movie set. Everything is quiet, the only movement coming from a bar Wato passes with disinterest. The snow dampens all sound, freshly laid though the sky is clear now, so low and quiet that even their ears struggle to catch much. There’s a clear border where the town ends and the forest starts, and Wato stands on the threshold. Digging through their pockets, they’re thrilled to find their box of cigs and lighter. Popping the box open, they snort. One cigarette is left, flipped around.

“It’s my lucky,” Wato mutters, pulling it out of the box and flipping it back over the right way.

Holding the correct end in their mouth, they struggle with their lighter for a few moments. It sparks but doesn’t light, and the wind isn’t helping. Through the sharp, grating noise of the sparkwheel failing over and over, they hear. . . something. It’s quiet, but it sounds like someone panting or breathing heavily. Their ears flick, angling towards the forest. Glancing over, Wato doesn’t see much, but the treeline is thick and dark. They pocket the cigarette and lighter.

“Hello?” Wato calls out. “Is there anyone out there? You okay?”

The noise stops. The crunch of snow takes over. Someone with a notable limp from the sound of it.

“Hey, if you need help, there’s still places open in town,” Wato calls out.

Their suit and loafers are ill equipped for the snow. At least the streets are salted. They’re not going into the brush if they can help it. There’s movement, tree branches shaking and shedding a thin layer of snow. From behind an ancient trunk, a white head with pointed white ears appear— and then red, staining the tangled tips and neck of—

“Wifies?!”

Wifies— it can’t be Wifies, Wifies has dark hair and soft, folded ears that are only mottled with small spots of white. But it’s Wifies’s face, gaunt maybe, eyes the wrong color, a shimmery violet-gold instead of deep dark brow.

Those violet eyes dilate. The pupil eats the iris up until he looks more right. Wato takes a step towards him, slow, since they don’t want to startle him if he’s hurt.

Wifies books it in the other direction.

Wato doesn’t think about it; they make chase. They’re not sure if it’s concern for Wifies, or an unfortunate trigger of their prey drive, but it doesn’t matter. They can’t just let Wifies (maybe Wifies?) go if he’s hurt. The scent of blood is thick, tangy, easy to follow, and Wato lets their nose guide them to weave between trees.

The limp is even more noticeable now that they can see him, along with the absolutely drenched state of his clothes, with both blood and water. Even in their horrible shoes, they catch up to him easily.

“Wifies! Slow down!”

He might say something like no, but the air whipping past them both destroys all sound. Wato hates to do this, but they can’t think of a better solution. Bracing their shoulder, they speed up and ram right into Wifies’s back, knocking him flat. Wifies goes rolling, like a white and grey bowling ball, crashing into the stump of a felled tree. Wato cringes as they slow down.

“Sorry! I’m sorry, I didn’t know how else to stop you!”

Wato slows down, crouching in front of Wifies, body winded from the chase.

“Wifies—”

He darts up and hisses, all animal instinct and fear and sharp, sharp teeth. Wato doesn’t flinch. This. . . Imposter Wifies? Is clearly some kind of fox, tail puffed and ears pinned in fear. Wato can out run him if need be. Foxes are sly but he’s already hurt and slow. He struggles to climb over the tree stump and away from Wato while keeping eye contact.

“You’re not Wifies,” Wato says. “But you look like him. Who are you?”

“I don’t want to hurt you,” he says, voice crackling, sounding just like Wifies, a non answer. “I like you. You were nice to me. But I’m hungry, and I don’t want to hurt you.”

What?

There’s a crack. Both Wato and the fox snap to attention. The wind that cuts through the trees is blowing away from both them and the noise, so Wato can’t smell anything about what it might have been. The fox shifts until he’s behind the stump, and Wato can tell he’s getting ready to run again.

“Your leg’s busted,” Wato whispers, still staring into the depths of the forest. “Where are you even gonna go?”

“I need to eat,” the fox says, then again, “I need to eat,” and then he spirals, hysterical but quiet, “I need to eat, I need to eat, I need to eat.”

Another crack. The fox scrambles back. An arrow whizzes through the air, burying deep into the top of the stump at an angle. Wato jumps away, and the fox scuttles like some kind of prey animal behind a tree.

“Did I get him?”

It's disorienting seeing Wifies, the Wifies that Wato knows, come into the clearing, while the fox that wears his face sits only a few feet away. He’s holding a crossbow and is wearing a lab coat that has to be doing absolutely nothing for the cold.

“Did you just try to shoot him?” Wato says, processing what just happened.

Wifies glances over, void eyes sucking in the bright moonlight like blackholes.

“He stole my face, Wato,” Wifies says, a black ear twitching. Wato can’t help but flick their own ear out. “Plus, he’s not some innocent little fox.”

“He’s already hurt.”

“Oh? Did you get that eating your first real heart, 24?”

The fox gags. It’s a disgusting noise, like he’s trying to drag something up and out of him, but nothing happens— at least Wato can’t hear him throw up or anything of the like.

“No pearl, no heart, no name,” Wifies notches another arrow in his crossbow, and Wato feels their hackles rise. “And a stolen face. Make this easy for me, 24.”

“I’m not going back,” the fox says, snow crunching as he retreats.

“Wifies, what’s going on?” Wato inches closer. “I was here today. We were working together. This is—”

“I was hoping you would’ve left already, because prolonged exposure makes you hard to control,” Wifies sighs, pulling something out from the inner pocket of his lab coat. “But I guess I can work with a few more hours of exposure.”

Wato sees the mask. It’s the Omz Mask, the one they had to pry off of Ken’s face. How the fuck was it here? Why did Wifies have it? The crossbow is pointed at Wato, mask held out casually.

“Put it on,” Wifies says.

“Do you even know what you’re holding?” Wato asks, stepping back. Wifies matches them step for step.

“I know. Put it on.”

“No.”

The crossbow fires, and Wato dodges, but it manages to clip their shoulder. Harming radiates off the wound, blurring their vision. Wifies notches another arrow.

“What the fuck is wrong with you!”

“Put it on.”

Jesus fucking Christ, what has Wato gotten into? Their eyes dark around, trying to find— something! Anything! A wisp of red circles behind Wifies.

“I won’t,” Wato says, voice rising. “What’s gotten into you?! Put the fucking crossbow down. That mask is dangerous, Wifies, it destroys the psyche of whoever wears it, did you hear what it did to Kenadian?!”

“It was Kenadian’s blunder that allowed me to get to it in the first place. He’s the fool who—”

A branch cracks across Wifies’s temple, thick and dark and wet. Wifies is felled, though he manages to trigger the crossbow on his way down; it sinks into Wato’s thigh, and Wato falls back onto the snow with a scream. The fox lifts the branch again, shaking, sleeves sliding down, and Wato’s focus comes in and out, but the fox is bludgeoning Wifies as best as he can. It's sickening, and Wato feels bile rise in their throat.

“Stop,” they cry out. “Stop!”

The fox stops, dropping the stick and looking at Wifies.

“I need to eat,” the fox says. “I have no pearl. I need to eat.”

“What the fuck are you talking about?”

Wato is willing to believe that this is all some kind of horrible feverish nightmare as the fox drops down on his knees and begins to tear through Wifies. He digs into Wifies's back and rips him apart, blood scattering like snowflakes in the air and stringy muscle melting into powdery white. The sticky haze of pain from his leg, the dizzying realization of where his memories may have gone, being threatened by someone they thought was a friend, and now a fox plucking a human heart out and eating it like it’s an apple— it’s all too much. Wato tries to crawl away.

“What the fuck, what the fuck,” Wato says over and over again, because they need to say something to the sight of a— they think it's a kidney? They don't know, they're not familiar with internal organs. “You're eating him, what the fuck!”

“He has it,” the fox whispers between bites of viscera. “He has to have it. He likes trophies. Where is it?”

Through the fox’s scratching and digging around, he finds “it”, Wato guesses, because he makes a thrilled chittering noise and holds something small and round to the light.

“My pearl,” the fox says, opening his mouth and dropping the pearl in.

The strangest thing happens, though Wato isn't sure if it's the strangest thing to happen tonight. The fox straightens up and his face brightens. Wato hadn’t realized, but this whole time, the fox’s breath hadn’t been visible until now. It rises like steam off his face, and he shudders. He then continues to loot a dead body he just cannibalized.

Wato is still unsuccessfully trying to get the fuck away when the fox stands up and stalks over to them.

“I like you,” the fox says, like he’s trying to remind Wato’s muddled mind.

“You just killed a guy! A friend of mine!”

“He was going to put the mask on you,” the fox kneels and grabs Wato’s ankle. “Stop moving, I’m gonna get the arrow out.”

“I’m going to bleed out if you do that!”

“Nah.”

Nah? Nah?! What world is Wato in right now? The fox straddles their calf.

“Stop it,” Wato bares their teeth, trying to growl through the nausea.

“Wato!”

Wato snaps up to look at the fox, covered in gore, stained ears to tail in red and pink, and doesn’t know what to say or do or feel. The fox wipes a bloodied hand through the snow, then wipes it on the back of his own sweater, and then places a potion bottle in the snow next to Wato’s hand. Their suit is heavy with melted snow, clinging to their skin and numbing their senses.

“I need to get this out,” the fox says, bracing his newly “cleaned” hand on Wato’s thigh next to the arrow’s barrel. “And you’re going to drink that when I do.”

“Are you fucking delusio—”

The fox yanks the arrow out of Wato’s leg, and Wato chokes on their words and collapses onto their back. The arrow is tossed away and the fox swirls the potion in Wato’s sightline.

“Drink,” the fox insists, tipping it into their mouth.

Wato only struggles for a moment, until the taste of melon convinces them to swallow. It hits their system like a wave, the wound on their arm closing first, and then the pain in their joints disappearing next.

The fox stops about halfway through the potion. He puts it back in the snow and scrambles off and back to Wifies’s body. Wato sits up, panting, watching the fox take the Omz Mask in hand.

“Wait, wait,” Wato grabs the potion, their leg still bleeding. “What are you— you can’t take that!”

“I like you,” the fox says, taking a step back, then another. “But I don’t trust you.”

“Please, just— don’t go, explain to me what just happened?”

The fox hesitates, and Wato drinks the rest of the potion, finally able to stand up again as the arrow wound sews shut.

“No,” the fox decides, turning around and running.

“What the fuck,” Wato freezes.

Wifies’s body is here, but the fox killed him, so it’s— fuck. Wato curses and follows the fox. Even with the head start, the fox still has a bad leg and the tang of blood trails him like a ribbon. Wato only realizes where they’re heading for once the silhouette of the warehouse breaks through the treeline, the fox zig-zagging between trees and around the northernmost wall of the warehouse. He cuts around the front, and Wato hurries— they have no idea how to get into the warehouse if the fox locks the main entrance, and they don’t have anything to break in with right now.

Rounding the corner, Wato has to stop and catch their breath, because the fox is gone. Checking the warehouse door, it’s unlocked. Wato doesn’t want to go inside. What they want is for their inconvenient memory loss to be convenient for once, and forget whatever the hell just happened, and leave.

“Wato?”

Turning around, Ken stands behind them in a puffer jacket and beanie.

“Wato! Are you okay?” Ken rushes over and grabs Wato’s arms, inspecting them with an increasingly furrowed brow. “I haven’t heard from you in two weeks dude, what’s going on?”

Wato doesn’t know what to say. Their legs hurt, their lungs are filled with pins and needles, and their head can’t stop replaying the decay of their night.

“It’s a three dog night out here,” Ken mutters, shivering. “Can we go in?”

“You have no idea,” Wato replies. “And you will not fucking believe what’s happened to me.”

The sharpened smell of blood is gone, like the fox hadn’t cut through here at all, but Wato knows that can’t be true. The sky is still dark and the night still has legs and Wato has seen more than they know what to do with. It all presses against their mind.

They say the only thing they can think of.

“Ken, I think I’m in trouble. I need your help.”

[supersoakerfullofblood]

Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!

[vaadazen-codes]

How To Get Started Making Visual Novels

Wanna make a visual novel? Or maybe you've seen games like Our Life, Blooming Panic, Doki Doki Literature Club, etc. and wanna make something like that? Good news, here's a very basic beginners guide on how to get started in renpy and what you need to know going in! Before you start, I highly recommend looking at my last post about writing a script for renpy just to make it easier on you!

LONG POST AHEAD

Obviously, our first step is downloading it from their website

thankfully, its right on the home page of their site. Follow basica program installation steps and run the program. I highly recommend pinning it to your task bar to make it easier to access.

From there, you're met with the renpy app, it's a little daunting at first but let's talk about what all these buttons are for.

Projects

This part is simple, it just lists the current projects in the chosen directory. You probably won't have any in there of your own. You should still see Tutorial and The Question!

Both of those default projects are super helpful in their own ways, i highly recommend testing out the tutorial and playing around with it just to get comfortable with some of the basics.

Create New Project

The first step to actually making your game into a game!

You'll be met with a prompt letting you know that the project is being made in English and that you can change it. You can click Continue.

From here, you'll be asked to input a project name! Put in your games title, or even a placeholder title since this Information can be changed later! (this is also the title the folder will be in your file browser, be sure to name it something you won't overlook)

Now we get to choose our resolution!

If you have no idea what to choose, go for 1920x1080! This is the standard size for most computer monitors and laptops, but it will still display with moderately decent quality on 4k monitors too!

You can choose 3840x2160 as well. This is 2x the measurements of the default, with the same ration. These dimensions are considered 4k. Keep in mind, your image files will be bigger and can cause the game to have a larger size to download.

Now we get to choose our color scheme!

Renpy has some simple default options with the 'light mode' colors being the bottom two rows, and the 'dark mode' colors being the toop two rows.

You can pick anything here, but I like to choose something that matches my projects vibes/colors better. Mostly because depending on how in depth you go with the ui, it minimizes the amount of changes I need to make later.

Click continue and give it a minute. Note: If it says "not responding" wait a moment without clicking anything. It can sometimes freeze briefly during the process.

Now we should be back at our home screen, with our new project showing. Let's talk about allll that stuff on the right now.

Open Directory

This just opens that particular folder in your local file explorer!

game - is all the game files, so your folders for images, audio, saves, and your game files like your script, screens, and more.

base - this is the folder that the game folder is inside of. You can also find the errors and log txt files in here.

images - takes you to your main images folder. This is where you wanna put all of your NON gui images, like your sprites, backgrounds, and CGs. You can create folders inside of this and still call them in the script later. EX: a folder for backgrounds , a folder for sprites for character a, a seperate folder for spirtes for character b, etc.

audio - Takes you to the default audio folder. This is empty, but you can put all your music and sound effects here!

gui - brings up the folder containing all of the default renpy gui. It's a good place to start/ reference for sizes if you want to hand draw your UI pieces like your text box!

Edit File

Simple enough, this is just where you can open your code files in whatever text/code editor you have installed.

Script.rpy - where all of your story and characters live. This is the file you'll spend most of your time in at first

Options.rpy - Contains mostly simple information, like project name and version. There aren't a ton of things in here you need to look at. There is also some lines of code that help 'archive' certain files by file type so that they can't be seen by players digging in code however. Fun if you want to hide some images in there for later or if you just dont want someone seeing how messy your files are. We've all been there

Gui.rpy - where all of the easy customization happens. Here you can change font colors, hover colors, fonts, font sizes, and then the alignment and placement of all of your text! Like your dialogue and names, the height of text buttons, etc. It more or less sets the defaults for a lot of these unless you choose to change them later.

Screens.rpy - undeniably my favorite, this is where all of the UI is laid out for the different screens in your game, like the main menu, game menu, quick menu, choice menu, etc. You can add custom screens too if you want, but I always make my own seperate file for these.

Open Project - this just opens all of those files at once in the code editor. Super handy if you make extra files like I do for certain things.

Actions

last but not least, our actions.

Navigate Script - This feature is underrated in my honest opinion, it's super handy for help debugging! In renpy you can comment with # before a line. However, if you do #TODO and type something after it, it saves it as a note! You can view these TODO's here as well as easily navigate to when certain screens are called, where different labels are (super great if your game is long, and more. It saves some scrolling.

Check Script (Lint) - also super duper handy for debugging some basic things. It also tells you your word count! But its handy for letting you know about some errors that might throw up. I like using it to look for sprites I may or may not have mispelled, because they show up in there too.

Change/Update GUI - Nifty, though once you start customizing GUI on your own, it isn't as useful. You can reset the project at any point and regenerate the image files here. This updates all those defaults we talked about earlier.

Delete Persistent - this just helps you delete any persistent data between play throughs on your end. I like to use it when making a lot of changes while testing the game, so that I can reboot the game fresh.

Force Recompile - Full disclosure, as many games as I've made and as long as I've been using Renpy, i have never used this feature. I searched to see what it does and this is the general consesus: Normally renpy tries to be smart about compiling code (creating .rpyc files) and only compiles .rpy files with changes. This is to speed up the process since compiling takes time. Sometimes you can make changes that renpy don't pick up on and therefore won't recompile. In these cases you can run force recompile to force it. Another solution (if you know what file is affected) is to delete that specific. rpyc file.

The rest of your options on this right hand side are how you make executable builds for your game that people can download to extract and play later!

Sorry gang! that was a whole lot of text obviously the last button "Launch Project" launches an uncompiled version of the project for you to play and test as you go! Hang in tight because my next post is about how to utilize github for renpy, so you can collaborate easier!

[thyme-in-a-bubble]

the pained peace treaty

fused with the foe, chapter one

a/n: oh wow, i have no idea how to introduce this beast of a story except to say hi, hello, welcome! i really hope you enjoy this story, as well as the rest of the trilogy, idk if i've ever gone as in depth and all out with any story as i have with these.

summary: “now, everything is already set into motion, so we don’t have time for any of your theatrics,” not looking you in the eye, he frostily told you, “you are to be married. A carriage has just arrived a few minutes ago to pick you up and transport you to Eflorr.”

warnings: king!steve rogers x reader, fantasy AU (monsters, but not much magic), original fantasy world, enemies to lovers, arranged marriage, slow burn, innocent!reader, abusive father (like super bad. he is a garbage person), wedding, blood, injury

word count: 4813

∼ gentle reminder that feedback, but especially reblogs are the way you support writers on here ∽

series masterlist | next chapter

info about the world | maps | pinterest board | playlist

masterlist | join my taglist

“Your majesty, I must warn you, if, gods forbid, our people come to discover the great lengths you’ve been willing to go in this disagreement over the past two decades, they might start an uprising. And if you keep going, then it’ll turn into a full-blown war and you know our kingdom wouldn’t be able to survive that, not with them. Our city’s walls may be high, high enough to keep out any beasts that may wander this far south, but it wouldn’t keep them out. You know better than most how people from Eflorr are. If you don’t wanna lose your crown, one way or another, then I’d strongly advise that we come up with some peace treaty.”

“I know, I know…” King Ivan leaned back in his gilded throne with a huff, the quality of his voice was as thin as his towering frame, “a trade I think should suffice.”

A different advisor then timidly pipped up, “but our mines ran cold ages ago, what could we possibly offer that would be satisfactory?”

Not lifting his cold gaze, the king stared at a fixed spot on the marble floor as he said, “I know one thing the king lacks that we may be able to provide for him… a wife.”

“A wife–,” both of the men’s eyes grew wide, “but do you mean–, your majesty, she is your only daughter, are you certain this is the fate you want her to have? Those people are barbaric! If one of the dangers that rule the north doesn’t get to her first, one of their citizens surely will. Sire, what if history repeats itself?”

“Then let it do so. In fact, perhaps this could have been her purpose all along and I just didn’t realise it. Couldn’t see past my own rage to grasp how useful she actually could be…”

Sharing a nervous glance, one of the advisors asked, “should we send for her? See if she agrees with the plans?”

“No, I’ll tell her when the time is right. Wouldn’t want her to do anything stupid and ruin the one good thing she could ever provide,” finally lifting his stony gaze, the king commanded, “make the arrangements, I’ll see to it that she doesn’t ruin it.” 

Deep within the opulent halls of the gilded palace, standing grand and safe behind Ingorn’s tall city walls, twisting up towards the clouds, up in a window in the western tower, there you sat. 

Book in your lap, you leaned back against the small pillow you’d propped behind you to make the wide windowsill more comfortable. Small paper butterflies hung from strings above and some dangled so low that the childhood craft that still decorated your window trickled the crown of your head. Flipping the page, your fingertips brushed down over the illustration that appeared in the agricultural tome you’d found in one of your brothers’ rooms. 

As long as you put it back before Angus returned then you’d probably be good. And if he were to somehow notice, then as long as he didn’t rat you out to your father then it would be alright. Both Angus and a few of the others that were closer to your age, Oliver and Francis respectively, were always a bit of a gamble whether or not they would do such a thing. They didn’t always have the same spirit as the eldest pair of your older brothers, Xavier and Callum. 

You missed them so much your heart ached. The older they got, the longer their diplomatic missions seemed to stretch out, making the quiet palace that much more lonely in your solitude. 

A knock then suddenly boomed at your door, causing you to jump edgily in your seat before you slammed the book shut and nervously stuffed it behind the firm pillow. 

“Come in!” you called out, swiftly straightening out your dress that had crumbled around your legs at the comfortable seat. As the door to your room slammed open, the figure that stood in it caught you by surprise, “Father–, oh, hello,” you straightened your posture that much further at his arrival. 

Skipping over any niceties, King Ivan simply stated, “you need to pack up your stuff.”

Your brows knitted into a fierce furrow, “what?”

“Not everything, of course,” he cast a cold glance around the room though didn’t take a step to enter it, “just the things you are particularly attached to.”

“I’m sorry, I don’t understand,” your head lightly shook from side to side, “where am I going?”

When his eyes finally gave you the time of day, it swiftly dropped to the floor as a heavy sigh flowed from his lips, “why do you have to be the spitting image of her…” the muttering was unfortunately just loud enough for your ears to catch. His disappointment was always just loud enough for your ears to catch. When he entered the room and you moved to get up, he swiftly said, “stay seated, Y/n,” before he planted himself next to you on the wide windowsill, “now, everything is already set into motion, so we don’t have time for any of your theatrics,” not looking you in the eye, he frostily told you, “you are to be married. A carriage has just arrived a few minutes ago to pick you up and transport you to Eflorr.”

“To Eflorr?” your gaze grew wide, “you wish for me to marry someone there?”

“Not just someone, you are to marry their king.”

“I–… I–…” your chest rose and fell rapidly beneath your rosy dress, “but father, you can’t–, I can’t go live with the people who killed mom.”

“We don’t know if they actually murdered her. But I do know that you did,” his glare locked upon you as he let himself seethe, “if you hadn’t been born then she’d still be alive,” the fact that the only thing he blamed more for his late wife’s untimely demise then the kingdom she’d perished in was you, remained a point that the sovereign had never been shy about sharing with you for as long as you could recall, “your duty is to protect and serve this land, this crown,” your eyes naturally fluttered up to gaze at the twisted gold balanced upon his head, “if you don’t go through with this, then those savages will come pillage and ruin your home. You are, regrettably, the very last hope this kingdom has of survival. You have no choice, Y/n. This marriage is the only thing that can stop a war we would never survive,” exhaling slowly, he then dominantly nodded in a concluding fashion, “pack your stuff, you have an hour.”

You felt tears sting your eyes as your bottom lip quivered, “an hour? But–, can’t we wait at least a few days before I leave? Can’t I get a chance to say goodbye to at least one of my brothers? None of them are home yet.”

Regret instantly washed over you as your father’s nostrils flared angrily. Seizing your arm in a bruising grip, he yanked you close as he hissed, “you listen, and you listen carefully, you little brat. You have been the bane of my existence ever since you took your first breath. You took away the love of my life. You don’t deserve a goodbye, you don’t deserve anything. Do you think I got a goodbye when your mother suddenly went into labour on that diplomatic mission? No. All I got was you. Not another son, but a living, breathing reminder of what I lost that day,” your eyes squeezed shut as your cheek tingled at the memory of his strikes, “now, be a good girl and go wet his prick, give him a few babies, do anything he’d fucking please, so that him and his barbaric army doesn’t come here and slaughter everything you know and love.”

“Your highness, are you cold?” the high-ranking warden sitting across from you in the carriage noticed the shiver that your body couldn’t seem to shake. 

Tearing your eyes off of the scenery along The Emerald Path that the narrow window granted you a view of, you glanced back at the warrior. The brown hair he had practically tied off at the base of his neck blossomed into a dark beard. A bare palm clasped over an inked one in his lap as you met his gaze and said, “no, I’m–…” in truth, you were scared, so scared that you were trembling like a leaf, but you couldn’t tell the foreign king’s advisor that, too much weighted on your shoulders, you couldn’t screw this up, “no,” glancing back out of the window, you only stared a moment at the sparse cottages that slowly came into view on the rolling hills before you turned your head again and let the nauseating nerves control your words, “pardon me, Barnes, is it?”

“Yes, your highness?”

“Sir, how much further till we get there?” your quiet voice echoed within the carriage, “it’s just–, it’s been days.”

“Oh, not long at all,” he shook his head lightly, “actually,” the knight leaned forward in his seat and cast his glance outside, “if you look out the window now, right there,” a small smile tugged at his lips as his finger shot up to point, “that river, that means we’re getting close to Borün city.”

As the river then suddenly curved before the dirt road, the clomping hooves of the horses that hauled the coach resonated as they trotted over a stone bridge. 

Twisting your head, you glanced out to your right and spotted farmlands curve over the rolling hills that swiftly blossomed into thickets and towering flora you’d only assume was the southern perimeter of The Noll Woods. Books about this kingdom had been banned in your homeland for as long as you could remember, but even though you were essentially going in blind, you still weren’t completely ignorant when it came to the dangers that called that sprawling forest its home, not that you were an expert in the slightest, but your brothers had from time to time told you tales of the monsters who dominated in this part. From giant and twisted insect-like creatures, to mischievous pixies, to even the rare dragon, those stories had always been your favourite. Apart from the rare occasion where Callum would share stories with you about your mother. Being the eldest, he was the only one who truly remembered her. 

Instinctively, your fingers fluttered up to fiddle with the opalescent stone that hung from a chain around your neck. In the middle of the milky jewel was a small rune engraved into it. You had no idea what it meant, but your fingers had still traced the carving countless of times before as it had hung from your neck for as long as you could recall. It hadn’t been till you were a ways into your teens that you’d come to discover that it had belonged to your mother. 

Casting your glance out the other side as you passed a tall watchtower, behind the wide city stables unfolded a port town so quaint that it surprised you. Over the small valley of gabled roofs towered a central tree, and beyond all of that, the sparkle of the sea caught your eye, a sight you’d never beheld before, haven not only stemmed from a landlocked metropolis, but also not haven been permitted to leave your room as much as your heart had desired. 

“This is Eflorr?” you asked as the carriage began to roll up the winding path to the stone castle that loomed on the cliff, granting you a new view of how the river that you’d crossed slid through the city and spilt into the ocean.

“This is Eflorr, your highness,” the corners of his lips twitched at the sight of how wide your curious eyes were. 

“It’s–… it’s–…” your stare danced over the lush ivy that climbed the solid towers, “not what I expected…”

“What did you expect?”

Tearing your gaze away from the window, you blinked, “oh, I didn’t mean–,” suddenly worried that your shock had come out sounding rude, “I just–… I don’t know a lot about this land,” in the few tales you’d heard about this place, there had been a running gag that the people of Eflorr had lived so close to the dangerous beasts that called this part of the continent their home that they too had turned into monsters, “it’s just different than I imagined.” 

Ascending the jagged hill and passing through the front gate, it opened up into a wide courtyard before you felt the carriage finally roll to a stop. 

The wagon creaked gently as Barnes stepped out first, though when his boots were firmly on the cobblestone, his frame twisted as he reached an outstretched hand back for you to grasp in support of your own exit. Ever so apprehensively, you slid your own palm into his as your other twisted in your long skirts before you slipped out of the carriage. 

Letting go of his gasp, the soldier's low timbre washed over you as your head tilted back to take in the vast stronghold, “his majesty, unfortunately, couldn’t be here for your arrival as there was a bit of a dryad problem further up north he had to take care of,” you gaze tore away from the fort and fell upon him, “but I assure you he should be back in time for the wedding.”

“Oh, alright,” you breathed, unsure if that fact made you feel better or worse about the entire predicament.

“If you’d like, I can give you a brief tour of the castle,” he offered as he led you towards the main entrance into the castle proper, “or if you’re exhausted after the journey, then I can just show you directly up to your chambers.”

Offering him a polite smile, you nodded, “a tour would be lovely, thank you.”

He only briefly went over the buildings surrounding the courtyard you’d entered into, as they were mainly designed as barracks and various other facilities for the local wardens, though the horses that stuck their heads out of the royal stalls in the corner did catch your eye before you moved on inside. 

Barnes’ voice echoed in most of the chambers he showed you in the castle’s western wing. The vast stained-glass windows that were in the ballroom for instance took your breath away as you saw how the light streamed through them and warmed up the room with glittering little rays of colour. 

Behind the great halls, squeezed in between and connecting the two major parts of the fort, there you crossed through a much more quiet and lush courtyard. The pebble paths that curved around the central fountain too curled around various topiary bushes that were trimmed to perfection like living sculptures. 

Though as your guide showed you the eastern wing that crested over the foaming sea below, your curiosity got the better of you. 

“Hey, Barnes?”

Slowing his leisurely stride, he tilted his head slightly, “yes, your highness?”

“What are dryads?” your brows knit lightly together, “you mentioned there was a problem with them, but what are they?”

“You don’t know?” he glanced over at you, clearly trying to mask his surprise as you shook your head, “oh, well, they are forest spirits, nymphs,” he explained as you roamed deeper down a broad hallway on the second floor, passing many private chambers both to your right and your left, “it’s not uncommon for them to wander and bother the folks who live further up the coast. Have you never encountered one? They are not as uncommon in Obelón as most of the other creatures that thrive this far north.”

“No, I’ve never seen one…” you shook your head as a low sigh flowed from your lips, “never really seen anything…”

“Not much of an outdoorsy person?” he guessed in a light-hearted tone. 

Forcing a smile, you replied, “you could say that…” as you hadn’t been allowed to be one even if you wanted to. Passing a set of double doors that stood wide open, the sight inside made you halt your steps, “is this the library?”

Shadowing you as your feet crossed the threshold, he nodded, “yes, it is,” then pointed back over his shoulder, “and your quarters are right down that hall.”

Numerous grand bookcases stood lined up all the way down to where a tall window allowed the sunlight in and let it stream through the rows. 

“Can I–… would it be alright if I read some of them?” 

“Of course, your highness.” 

“Would you mind showing me which ones I’m allowed to read?” you briefly peeked back at him as a bubble of anxiety fluttered in your belly, “I don’t wanna accidentally read something that I’m not allowed to.”

Barnes then blinked back at you a moment before he uttered, “your highness, you can read each and every one of them if you’d like. Why wouldn’t you be allowed to read whatever you wish? They are yours after all, or will be after the wedding,” the corners of your lips twitched upwards as he then asked, “would you like to peruse the titles now or do you want to see your chambers?”

“Oh, uhm,” you tore your gaze away from the tomes and turned back, “I’ll look later.”

“Alright,” he nodded, extending his inked arm to show you the way. As he pushed the heavy wooden door open to the room at the very end of the hall, his voice rang out once more, “this is the peacock suite,” following him inside, he settled to a stop near the exit for you to explore the space on your own, “you can, of course, change anything you’d like for it to match your taste.”

“Thank you,” you breathed as you slowly made your way deeper into the chamber. It was gently divided with a more formal area towards the front where both tufted couches and a crackling fireplace stood, as well as a set of doors that opened up to a quaint balcony. Towards the left, under a swirling archway, twisted a broad canopy bed up towards the tall ceilings, warm with blankets and furs, and in the corner, by a breezy partition, stood a deep cobber bathtub.

Haven not noticed that he’d moved, you then heard as Barnes creaked the doors to a close, “if you need anything, anything at all, I’ll be right outside.”

With a loud creak, the heavy double doors opened before you and revealed the grand hall. As soft music gushed out, you nearly didn’t recognise the space from your tour the other day as it was now decorated with vibrant flowers and flowing banners that dropped down from the high ceilings above, as well as being completely packed with a swarm of people. A thin path parted the giddy crowd right down the middle towards the opposing grand door that guards opened simultaneously to yours. 

A shaky breath filled your lungs as you stared at the man crossing over the threshold. The flickering candlelight caught the honeyed shine of the locks that came down to tickle the nape of his neck. A bit darker, his short beard was full and warmed up the bottom half of his gruff features. He sure looked like a man who could slay a kraken with his bare fists, as the soft fur cloak that draped over his shoulders did not conceal his bulky physic one bit. The neckline of his indigo tunic stretched low enough for you to see the concave of his fuzzy chest and the impressive battle scars that broke up the rippling flesh. 

You’d seen the portrait of the king that hung in the hallway that stretched up towards the throne room, but to see him before your very eyes, in flesh and blood and not precise paint, was something else entirely. 

The long and embroidered train of the blue silk kirtle you wore dragged across the store floor behind you as both you and the monarch slowly stepped into the chamber to join in the very middle. 

The enchanting music stopped as you reached one another and the parted paths to either exit slowly closed as the crowd gathered and enclosed around the sacred vow that was about to ensue. 

Parting the sea of people like a divine force, an elderly woman, with a braided grey mane so long that it hit the floor, stepped up beside the both of you. 

“People of Eflorr,” the crone’s calm voice boomed, “today marks a day of unity, a day of peace, and most of all a day of love. Like a seed planted in the soil, tonight we will all witness this relationship blossom and go on the journey of growing into a magnificent tree, with roots strong enough to endure any storm, to propagate new seedlings that will watch over and shade our kingdom when yours have fallen.” 

Looking to the king, she handed him a small dagger from her belt and spoke, “blade across skin,” and he reached out for your right hand, “strike out your seedling’s love line,” your breath hitched as you felt him slice the top of your palm. Crimson blood trickled down onto his own hand as yours rested atop it, “and claim it as your own,” he flipped the blade around and handed it to you, before presenting you his own palm, open in yours. He didn’t even blink as you hesitantly pierced the calloused skin and traced the line already adoring his broad palm, “weave your lines together, so they become the same,” he then moved to clasp your hands together, his wide grip engulfed yours completely. Your teeth sank into just the faintest bit of your bottom lip at the fresh sting of your wound as it bled into his, “and may this scar serve you as a reminder, of the vow you made on this momentous day.” 

And as the last of the matron's words flowed from her lips so did the roar of celebration that erupted throughout the crowd as the festivities of the night bloomed at an instant.

The feast had been nothing short of immaculate. Countless of dishes had been spread out on the crowded banquet tables ranging from the savoury braised legumes to the sweet and shiny pies. It was an impossible task to try and taste every one of them, but an excuse you still used to stay glued to your seat and not get up and mingle with the boisterous gathering of strangers. 

As a stark contrast, you thought you only noticed the king take two bites before he rose to greet some latecomers who had arrived. Laughing and chatting with the sea of people, he hadn’t offered you a single word, barely even a brief glance the whole night. Though your gaze still followed him from your seat up at the high table as he moved through the crowd like they were all his dearest friends. 

When the moon had floated up to be high in the sky, clearly visible on the other side of the stained glass, your head had dropped down into a propped-up palm as a deep yawn forced its way out of your frame. 

“Are you tired, your majesty?” a deep timbre suddenly found your ears, a specific tone that caused your spine to straighten out at once. 

Whipping your head to your right, your weary eyes grew wide as you saw the king again at his seat, “no, I’m alright,” you hastily coughed out, “I’m so sorry for behaving like that in your presence. This party is exquisite.” 

“It’s alright, you can yawn,” you suddenly felt the need to look away now that his ocean stare was finally fixed upon you, “it’s late, I was about to retire for the night as well, so I can only imagine how you must feel. If you’d like, I could escort you back to your chambers. I’m not sure how familiar you’ve become with the castle since you’ve arrived, but even I can still get lost when the corridors are this dark and I’ve indulged in perhaps one too many goblets of wine.”

A flutter of nauseating nerves rushed within your belly, but even so, you still pushed through and forced a smile, “if that’s what the king desires, then sure, you can escort me.”

It was your wedding night. You knew what was about to happen. 

Or, actually, you didn’t quite know what the marital act entailed, but you were sure a man such as Steve had enough of an understanding to take charge. All you knew was what little you’d been told. To strip down naked, not whine or scream, and do as he tells you. 

The soaring butterflies within you only grew more ferocious as you followed his long stride throughout the castle. Out of the ballroom and through a cold stone hallway, when you crossed the bridge that linked the two wings over a part of the cliff that descended dramatically, you nearly doubled over the parapet to empty your stomach over the town of Borün that blossomed below. 

But with a shaky intake of breath, your fist closed around the silk of your skirt as you settled yourself and forced your feet to keep moving. Even as you passed the threshold into the eastern part of the castle, you still shadowed the monarch up the many steps until his broad palm held the door to your chambers open for you to enter. 

The fire had been lit while you were gone, and the room was encased in the warm glow. 

“Did, uh…” you heard the door close behind you as the king attempted a bit of small talk, “did you have a nice time tonight?” 

“I did, your majesty,” you kept your answer brief out of fear that he’d hear the tremble to your tone. 

Slowly turning his back to you, his gaze washed over the room, “are you pleased with your bed chambers?” he settled to face the balcony, the door slightly ajar to let the night breeze seep through and rustle the sheer curtains, “because if you don’t like it, if you’d rather have a view of the town then the sea, then that’s an easy problem to fix.” 

“I think the view is just fine from here, but thank you,” you answered politely as you gathered up the last bit of your courage and reached back to undo the long row of buttons that went down the spine of the light blue dress. 

When the silky garment dropped to the floor, the quiet rustle was enough to draw the king’s attention.

First offering you just a quick glance over his shoulder, he then swiftly whirled around completely, “what are you doing?”

Weaving your fingers in the thin material of your chemise, you blinked back at his stunned features, “I’m sorry, am I doing it wrong?” sure that he could already see everything through the sheer, white fabric. 

His feet didn’t move as he asked, “what are trying to do?” before he averted his gaze to the stone floor. 

“Well,” you uttered quietly, “it’s our wedding night.”

“Oh…” was all he breathed. 

“To be transparent, I’m actually not quite sure what’s to happen, but I do know it’s something,” reaching up, you took the gold and twisted circlet, that crowned your head, off and carefully sat it down on the side table to your left, “I don’t know the details, I just know that I should strip down. Do you know what we’re supposed to do?”

“Fuck,” he cursed, briefly squeezing his eyes shut, “yes I do, but, your majesty, please, keep your clothes on,” his gaze flickered back to you as you slowly began to hike up the last layer. 

“Why?” your fingers froze, “isn’t it a tradition here for us to–”

“Well, yes, but–…” he let out a strained sigh before slowly stating, “I’m gonna go.” 

A chill crawled up your skin, “…oh, I see…” you uttered quietly as he crossed the room, “did I do something wrong?”

Halting in the doorway as he ripped it open, “no, you–…” but the rest of his words crumbled as his gaze settled upon you one last time, instead letting a low sigh flow from his lungs, “sleep well,” and added nearly subconsciously just before the door slammed shut, “goodnight, dove.”

Even though a wave of relief washed over you, a sting of hurt also followed suit as the king left. 

Had you done something wrong, or did he just find you that repellent, that hideous, that he refused to perform his marital duties?

© 2024 thyme-in-a-bubble 

[vixenvoider]

I ENTERED THE VOID STATE

in this post i will explain in depth how i entered the void state and what i manifested. i will be open to questions but if you ask something that i explain in this post i won't answer it just fyi, so even though this will be long, if you are truly curious i encourage you to read the whole thing. i am sorry for any spelling mistakes or grammar mistakes that might be present.

overall story: i have been trying to enter the void for around 2 months now, and finally entered through a lucid dream. one thing i want to note before i tell my story is that i have been lucid dreaming my whole life (so if you never have, i don't know what good steps are for beginners).

the beginning: my journey started when i inadvertently came across a post about how someone else entered the void state and manifested their dream body and face. i was not into manifesting before, in fact, i actually had a problem with the whole concept of the law of attraction and didn't know there were other types of manifestation and never looked deeply into it. that being said, i have always been an open-minded person and also, a more or less spiritual person. i believe in a lot of "out there" things because a lot of said things have been proven to me (through experiences i find hard to explain so i'm not going to). i'm sharing this to let you know that due how deeply i naturally believe in such things i never really had a problem with my void concept, even though i experienced doubts (so for this area i really can't give much advice).

so after learning about the existence of the void state i searched "void state" on tumblr and skimmed some info here and there on it, what i came across included some basic methods on how to enter the void but i didn't fully understand them yet. that same night i followed a shifting guided meditation but i couldn't really get "into" it, i was a naturally anxious person who found it hard to relax so it just wasn't working, but i did see it through and try my best and i think in the long run it helped me. in the guided meditation i listened to, the person makes you walk through a door to get to your desired reality and even though the meditation didn't work, that imagery worked it's way into my subconscious and i had a lucid dream that night. i did not manifest anything that night but it was on purpose (i think). in my lucid dream i woke up in my bedroom. i looked in the mirror and decided i would change what i saw to a more desired appearance and it worked (i looked exactly like the person i was thinking of), then, i decided (with intention) to open my bedroom door and enter my dream house and it worked. at this point in the dream i thought that entering the void must be super easy since i was already basically close and could have done it there if i wanted to BUT i chose to wake up because i wanted to enter the void when i actually knew for sure what i wanted my manifestations to be. i knew i was going to want a lot if i really thought about it and i also didn't want to actually look like someone else (my whole lucid dream i was more trying to test my imagination and build my confidence). the next day i started making a void state list and writing down everything i genuinely wanted for myself.

experiencing doubts: things started to go wrong after that hahah, after my first beginner's luck(?) experience i was struggling to lucid dream (even though i've always naturally been a lucid dreamer, the times it occurs is still random and i couldn't make them happen) and meditations were only getting me so close. all in all, over the past 2 months i had 5 failed lucid dreams and several close, but failed, meditation attempts. this instilled some doubts in me, especially the lucid dreams, because apparently once you lucid dream it's meant to be quite simple but when i would affirm for the void in my dreams i would just wake up or the dream would continue.

another thing that caused me to doubt the void was questioning some of the stories on here. most of them i initially don't believe anyway because it's known there's many liars in the community and there seems to be a trend of people posting void success stories in an attempt to enter to the void (to act as if it already happened) but they technically haven't in reality yet. that being said, i did have some blogs i mostly trusted and then one day one of the blogs i trusted answered an anonymous ask about a success story and it really looked like they sent it to themselves. the reason i thought this was because the op of the blog spells a commonly used word wrong all the time but it's not a spelling mistake people commonly make (in fact, i know no one who makes this spelling mistake) but then the anon that sent them the success story made the exact same spelling mistake. it made me worry that perhaps there were no true success stories because why was this person who supposedly mastered the void bothering with sending asks to themselves to validate their blog? i mean this was all speculation but it still caused me to think.

that being said again, i still basically believed, i just wavered a little, but i definitely believed enough to keep persisting (because why not?)

the success: finally, after almost 2 months i entered the void through a lucid dream. when i realised i was dreaming i tried to make myself stay super grounded in the dream but i also thought about not taking too long since i didn't want to wake up. i did this because i realised the very first night when i had my lucid dream, i didn't get excited and try immediately, i hung around in my dream for a while and just enjoyed things (as i explained). so i wandered around the dream a bit and just looked at things, touched things, tried to feel the temperature and take note of it and then when i felt calm and not too excited i closed my eyes and affirmed for the void and entered. when i got the void i just said "i have everything on my void list" (a few times to make sure) and then stated i was exiting the void state. the void feels how pretty much everyone describes, you just know it's happening and you are pure consciousness.

what i manifested: my void state list ended up being super long and i manifested a lot of personal things that i won't share, which is what i'm sure would be the same for most people, but i'll include a list of things that others might find interesting or encouraging:

desired appearance (including body, face, height etc)

money (i came up with a plan that of how it would make sense in my country to have acquired it)

got rid of my anxiety disorder (having this was probably the most debilitating part of my life, it's also why i know meditation never truly worked for me since i could never relax and it's crazy to feel not severely stressed constantly for the first time in my life)

got rid of my autoimmune disease and fixed my eyesight (i manifested being healthy overall in general)

feel comfortable instantly, i will no longer get too itchy, feel dirty after a long day, be too hot or too cold etc. (can't really attest to this one yet but i have felt no discomfort)

dream living space and whatever bed i sleep in to always be super comfortable

opinion on the void state: overall the point is that the void state is real and you can get anything you want, getting to the void is also easy but it's just about trying to go for it and not getting discouraged. i don't want to share too much of my opinion on this because i actually find it really toxic. some people will get mad if you say you "entered" or "got to" the void because you technically are always the void, and personally, i don't find these slight changes in language to be important unless you are very sensitive to it. for me, it doesn't matter if i think about the void as something i enter or something i am because i believe it exists and that's all i need to know at the end of the day. if you want to see it as something you are, or a state or anything else, i don't think it matters as long as you believe manifestation is possible, you are the creator of your reality, you get to decide what language or thought process works for you :)

common questions: i'm going to answer some question i feel like i will get if people find this post so i'm just going to answer them here. remember that these answers are just my opinion.

question: how come people don't manifest to end world hunger, for everyone to have money, to become the next "big thing", to be a real life superhero, for everyone to be happy etc. truthfully, i think people do manifest that but i don't think they stay in this reality. a lot of people think that using the void at all means you shift your reality, idk if i believe in that, but i would have to assume the people that use the void to manifest very extreme things ultimately have to shift realities. so this would mean the reason you're not seeing these results is because these people are no longer in this reality. if you pay attention i think you will also notice that most void success stories that seem to come from reliable sources (though this is still all personal judgement) seem to be rather humble, these people just manifest to be the prettier version of themselves, to live in a nice place, to be around good people and other similar things. i think people with mostly humble desires stay in this reality and people with more fantastical desires (to be the most famous person ever, to be a multibillionaire, world peace) go elsewhere.

question: why would someone even have humble desires? i can't speak for every single person but i think it's just the desire to stick to the familiar. we want better lives but also want to feel at "home" still, i wanted to still feel like ME. maybe it seems stupid and selfish but if we really are shifting realities every time then there really is no way to actually solve world hunger anyway, it will always exist in this reality even if you or i personally go to another one. at the end of the day, life isn't fair and i am just grateful to have discovered the void to live happily and am sharing this so you can too.

question: i'm worried about the wrong people finding out about the void state. honestly, me too! but i think this falls in line with my past two answers, if someone terrible happened to stumble upon this post and entered the void, i don't think they'd stay here, they will go to some other reality more likely, so i really don't think we have to worry about someone super evil getting to the void and doing something super heinous or whatever. but honestly i do understand the worry. at first when i discovered the void i thought i wouldn't share my success story once i entered because i wanted to keep the void as quiet as possible. but just remember two things: most people do not know about the void and if they do a lot of them will give up and not persist. second, someone really evil finding it will probably leave this reality (my theory).

question: why do people not show better proof. truthfully, i don't know, for me it's because i really do want to live a private life and a lot of stuff i manifested can't be proven anyway. if i show my bank account, it could be photoshop, if i show my new face it means nothing because i revised to always look this way, i can't prove i no longer have my autoimmune disease and the list goes on. i think people with more dramatic proof also want to maintain their privacy or go to other realities. perhaps there's even been people to show dramatic proof in this reality but they had to revise that they didn't because it was a mistake.

question: do you have any overall tips? just keep persisting. and personally, i think it's okay to try several methods at once. i know some people say if you try several then it "cancels out" like, if you try lucid dreaming and it doesn't work so you meditate it means you don't "believe" lucid dreaming can work for you so then that's why it takes you so long but i think you can just tell yourself "every method works for me so i will just keep persisting". another thing i recommend trying for a few days is setting your alarm to go off at different times so day 1 is 8am, day 2 is 7am, day 3 is 9am and so forth. each day set the intention to wake up BEFORE your alarm goes off, once you successfully start waking up a few minutes before your alarm everyday this is your tangible proof that your intentions are working. this isn't really a method but more so a confidence booster that worked for me to remind myself i'm in control and powerful. if you also try this i think after a few days you will feel more confident intending to lucid dream, for your meditations to work, for subliminals to work (whatever is your personal vibe) and you will get there easier hopefully!

question: did you ever do any official lucid dreaming methods. personally the only way i ever had a lucid dream was by intending before sleeping that i would lucid dream. but methods where you wake up by setting your alarm early and going back to sleep and stuff didn't work for me. i tried but due to my anxiety i would always wake up super alert or even stressed, so i could never relax enough. but they are successful for many people so there is no harm in trying.

[zarameraki]

♡₊˚🎀・₊✧ 𝗻𝗮𝗻𝗮𝗺𝗶 𝗳𝗼𝗿𝗴𝗼𝘁 𝘆𝗼𝘂𝗿 𝗯𝗶𝗿𝘁𝗵𝗱𝗮𝘆 . . . 𝗼𝗿 𝗱𝗶𝗱 𝗵𝗲? ♡₊˚🎀・₊✧

: ̗̀➛ read part one first

: ̗̀➛ tropes: fem! reader 𖥔 nanami forgot your birthday but he's got something special planned 𖥔 ceo x baker 𖥔 grumpy x sunshine 𖥔 she talks a lot x he listens a lot 𖥔 cold shoulder treatment 𖥔 mention of parental death 𖥔 major fluff 𖥔 sfw 𖥔 alternate universe 𖥔 super soft nanami 𖥔 close proximity

: ̗̀➛ words: 4.1 k

: ̗̀➛ notes: we're back again with fluffy nanami. honestly i shed a tear writing this one because it's just so adjfskdf. if you haven't read part one, go DO IT. RIGHT NOW. if you enjoy my work, please leave a comment, like, and reblog! thank you & ily. enjoy!

It's been a year since you took that leap, moving in with Nanami. Every day spent in each other's company feels like a fresh chapter, and the magic of your relationship persists as if it were the very first night.

Nanami, with his gentle smile and warm eyes, never tires of recounting the story from his perspective. Each time you ask, he patiently agrees to retell it, even though you've long since memorized every detail. The familiarity of his narrative only adds to the charm, as if reliving those moments helps both of you cherish the journey that brought you together.

“You invited a couple of my colleagues to your bakery's opening, and they brought back leftover cookies and pastries to the office. I grabbed some, and with the first bite, I knew your bakery was going to be my favorite. So, I asked Gojo to drive me to your city, not knowing it was going to rain that night. With no parking nearby, I ended up walking. Halfway through, it started pouring. Luckily, I made it just in time, and there you were, smiling like the sun that was supposed to be in the sky. You offered me free food and shelter, and right then, darling, I fell in love with you. It was the most incredible feeling in the world.”

Each time he finishes his heartwarming story, you can't help but be overwhelmed with emotion. Without hesitation, you jump on him with a flurry of kisses, showering him with all the love you harbor for your sweet, stoic boyfriend.

You've shared every conscious moment together since then. With Nanami now working remotely, he'd set up at one of the dining tables in your bakery, delving into meetings and paperwork. You'd plant kisses on his cheek or embrace him from behind, providing a boost of energy. Delivering his special casse-croûte and milk coffee, you occasionally found yourself feeding him as his busy hands typed away. Breaks led to stolen moments in the back room, where you'd make out like teenagers.

Once at home, you'd strip out of your clothes, shower or bathe together, and engage in domestic activities like watching television or attempting to nap, but those often evolved into extended sessions of sex.

Today, silence lingered between you two following a heated argument the previous night.

Unbeknownst to Nanami, your birthday was just around the corner, yet he had scheduled a business trip on that very day. Despite the depth of his knowledge about your past, from childhood playground scars to the dresses you wore for school dances, he seemed oblivious to the significance of the impending date.

In a seemingly nonchalant manner, Nanami had mentioned, “Darling, I'll be away on a business trip from the sixth and will return on the eighth. We can plan a picnic or head to the beach—whatever you prefer.”

“The sixth?” You had to set your utensils down, turning to face him. Your meals were typically enjoyed on the carpet, with plates on the coffee table and your favorite movies playing on the television. “You have a business trip? On the sixth?”

“Yes, that's correct.”

“Kento, what the hell? Why?”

He arched an eyebrow. “It's my job, darling. That's why. It's been on my agenda for a month. Missing it would mean losing out on a lucrative deal."

“But—” You caught yourself mid-sentence.

At that moment, you wished you could shout that it was your first-ever birthday celebration since your parents’ passing.

His birthday had been just two days prior, and you had gone all out—decorating the apartment, baking a cake, preparing a feast of his favorite dishes, buying him new cufflinks, and giving him the blowjob of the century as the cherry on top. It had become one of your cherished days together, an occasion you had been planning for weeks.

“But?” Nanami prodded.

You clenched your jaw. “But it's... you know. It's.”

“What's going on?” he asked, genuinely befuddled. “Did I miss something?”

Your lips quivered, and in an attempt to silence them, you stuffed a dumpling into your mouth, shaking your head. “Never mind.”

“Please, talk to me.”

Ignoring his plea, you continued shaking your head as he gently pulled at your shoulder to make you face him. Tears welled up in your eyes, streaming down your flushed cheeks. Even swallowing the dumpling felt like a struggle amid the surge of complaints in your throat.

“Darling—”

“Just forget it, Nanami.” You wiped your cheeks, your open hair concealing one side of your face. “You already have,” you whispered to yourself.

“Fine,” Nanami replied, casually returning to his food. It wouldn't have been a big deal if you had just mentioned your birthday, but it stung. He should know. After all, he's Nanami—meticulous with schedules, mindful of important dates, and impeccable with time management. Why doesn't he know?

“Are you joking?” you exclaimed, grabbing the remote from his grasp and turning off the movie. “That's all you have to say? ‘Fine’?”

“You told me to forget about it.”

“Yeah, I did. But that doesn't mean you actually forget.”

“I don't get it.”

“Of course you don't.”

He sighed, and you berated yourself for being so obstinate. You resented that sigh, as it made you feel like a nuisance. Yet, it was a warranted sigh, so you let it slide. “Are you upset?”

“What?”

“You are. I can't believe you're upset.” Running your fingers through your hair, you picked up your plate. “I'm going to bed before I say something stupid. Goodnight. Enjoy your trip.”

“Y/N—”

“Goodnight.”

“My love, what’s bothering you?” he asked from the living room while you dumped your dish in the sink. “Would you please just talk to me? Have I said something to offend you?” 

You walked off toward your bedroom, into your bathroom, and locked the door. Turning on the shower, you sat down on the floor, holding your knees and crying in the gap between. 

You've been ignoring Nanami ever since you woke up nestled against his chest—your body was naturally attuned to his. But since then, you've been withdrawn and moody, casting a shadow over your usual sunny demeanor. Even some of your regular customers have noticed and asked if you were unwell, but you brushed it off with a forced smile and a minor headache excuse. As you were wiping down tables, Nanami entered during lunchtime. You glanced at him from the corner of your eye, then retreated behind the counter, placing his coffee cup and sandwich a bit too forcefully.

“Thank you, darling,” he said, accepting it. “Would you like to join—” 

“That'll be ten-fifty,” you interrupted, fingers already inputting the amount without meeting his gaze. You’ve never once charged him since you started dating; everything he desired was on the house because he was your favorite regular and person. You loved him so much that you even experimented in baking his beloved pastries and added them to the menu. Yet, he forgot your birthday.

Nanami retrieved the exact change from his wallet and extended it to you. Your hand snatched it, guilt gnawing at you instantly. Pretending to open the cash register, you discreetly slipped the money into your apron instead.

“Would you like to join me?” he asked once more.

You slammed the cash drawer shut and swiftly turned, heading to the inventory room to immerse yourself in organizing as a distraction.

As Nanami waited outside, thumbs dancing over his phone’s keyboard, you couldn't help but notice his sudden shift in demeanor when you approached. Your mind raced with suspicions of infidelity, but rationality reminded you of his busy schedule now that he wasn't in the office regularly. He was too devoted to you to entertain such thoughts.

Nanami reached out his hand, but you brushed past him, burying your hands in your cardigan. Determined to celebrate your birthday, albeit alone, you headed to the nearest supermarket for groceries. You planned to indulge in your favorite pasta dish, bake fudge brownies, and allow yourself to feel whatever emotions came, whether tears of joy or sadness. Today, you'd celebrate yourself. Happy birthday to you.

Nanami followed you into the supermarket, walking beside you as he added both your and his favorite snacks to the cart. You were determined to make him pay for it all, although you knew he would insist on covering the expenses regardless. Throughout the year you had been together, Nanami never once allowed you to spend your own money. Even during online shopping, he always managed to intercept, distracting you with neck kisses until you surrendered to using his card.

You couldn't help but pout and shoot him a sidelong glance as he meticulously examined the ingredients on a bag of chips. Your gaze then shifted to the cake mix and icing packets, giving you an idea. Bingo. 

If you weren't going to outright mention your upcoming birthday, you could at least drop a hint.

Clearing your throat, you grabbed a chocolate-vanilla mix with caramel icing and deposited it into the cart. Nanami observed the entire exchange, briefly meeting your gaze with a neutral expression before returning to scrutinizing the ingredients as though they were sacred text.

Damn him! 

“Excuse me, sir?” you called, drawing an innocent elderly employee into your scheme. “It's my friend's birthday tomorrow, and I'm torn between which cake mix to choose. Could you help me out?”

As Nanami switched to a different chip bag, your frustration simmered, but the employee weighed his options, eventually settling on chocolate-vanilla. Grateful, you thanked him and strode away, the cart trailing behind.

Nanami handled the grocery payment and bagging while you observed with arms crossed.

Back at home, you kicked off your shoes, discarded your cardigan on the floor, and trudged wearily to your bedroom. The sounds of the fridge and cabinets being stocked echoed as you sprawled out like a starfish.

“Is he pretending?” you mumbled to yourself. “He must be, right? He couldn't have forgotten my birthday. No way.”

Quickly, you took your phone, dialing Satoru, his assistant. The call forwarded instantly, but his response, received a minute later, left you irritated beyond measure.

Satoru: Sorry, Y/N. Can’t take your call. Packing for a business trip tomorrow. We’re going to Thailand. Will get you a souvenir! 

Feeling frustrated, you left him on read and flopped onto your stomach, letting out a scream into the pillow. 

Skipping dinner with Nanami, you stayed curled up in bed instead. Despite his attempts to comfort you, kissing your cheeks and tucking you in, you couldn't shake the ache in your heart as you heard him packing in the closet, trying to hide your tears. 

It was well past midnight when you finally stirred awake. 

Glancing over your shoulder, you found Nanami meters away from you. The realization hit you hard: he had genuinely forgotten your birthday. A mountain settled on your chest as you watched him sleep peacefully, unaware of his oversight. He didn't reach out to hold you close or pull you into his embrace; instead, he slept facing away from you.

You wiped away the tears from your tired eyes, then got up and took your pillows to the living room, hoping to find some sleep on the couch. Instead, you found yourself captivated by the sight of the sunrise.

Meanwhile, Nanami seemed unusually relaxed as he prepared for his business trip, taking his time with his morning routine. He took his time showering, shaving, and ironing his clothes—tasks that you usually handled. He adorned himself with the cuff links you gave him for his birthday and wore the cologne from your six-month anniversary. It stung a bit, realizing how diligent you were in remembering special dates while he seemed to forget them so easily.

But you shrugged it off. 

Today was your birthday, and you were determined to make it special, even if you had to celebrate alone. Your customers were already aware that you'd be closed for the day, giving you the entire day and night, plus tomorrow, to yourself. Previous birthdays had been spent in isolation since your parents passed away. This one was supposed to be different because you had Nanami, yet he seemed to overlook its significance.

As you washed your breakfast dishes, disappointment bubbled up inside you, causing you to grip the sponge tightly. Deciding to put off the chore, you washed your hands and turned your attention to baking a cake for yourself.

Nanami sauntered into the kitchen, nonchalantly lugging three hefty suitcases. Why the hell did he need three massive suitcases? Your boyfriend had become a complete mystery to you. You scowled as he tapped away on his phone, the urge to grab it and fling it off the balcony almost irresistible. What luxury could those three suitcases possibly hold? Perhaps new dresses, shoes, or jewelry for whoever was receiving his relentless texts. With his poker-face, it was impossible to tell if it was a woman on the other end.

“Kento.” 

Nanami's head jerked up. “Yes, dar—”

“It's my birthday today,” you finally admitted. Enough was enough. You needed him to know and feel miserable for forgetting it while he was on this supposed business trip. You knew it wasn't merely business. He always took you along on such trips. Business trip, my ass. It was clear he was having an affair. “It's my birthday today, Kento.”

His mouth opened to respond, but the ringing phone interrupted him. 

You scoffed at the timing of it all, abandoning the cake mixture in the pan. “Have a safe trip.” You walked past him, slamming the bedroom door shut, and collapsed under the covers, sobbing.

Something chimed persistently in the background, prodding at your temples like a sharp stick, urging you to wake up. 

You fumbled around on the mattress, locating your vibrating phone and swiping right, still half-asleep. 

“Hello?” you croaked out.

“Oh, thank God!” panted Gojo's voice. “There's an emergency with Nanami, Y/N!”

“What?” You shot up in bed, immediately springing into action.

“We were headed to the airport when he suddenly fell ill and started vomiting!” You listened intently as you hurriedly searched through your closet for your cardigan. “I brought him to your bakery since it was closer.” Nanami did have a spare key to your bakery for emergencies. “He's really not doing well, Y/N. Please come as quickly as you can.”

“I'm on my way, Satoru! Thanks for letting me know. I'll be there in a flash. Keep comforting him and try making him some green tea if possible. I can't find anything—Where did all my clothes go?” You shuffled his suits aside and rummaged through your drawers, finding only a few undergarments but nothing else. “Damn it. Alright, I'll be there soon.”

“Of course. See you soon!”

You pushed aside all distractions and focused solely on Nanami, hastily grabbing your bathrobe to cover your shorts and tank top. Rushing to the elevator, you repeatedly pressed the lobby button, feeling your body tremble with anxiety. Your chin quivered as you bit down on your bottom lip, overwhelmed by guilt. Nanami wasn’t prone to sickness as much as you were, but your cold shoulder must’ve given him a cold. The thought made you despise yourself even more, tears streaming down your face as you hurried along the sidewalk, navigating past cyclists and ignoring the curious stares of passersby.

You entered your bakery, the door pushing open with a jingle. “Kento! Ken—”

Your words halted.

The space was decorated with a multitude of lit candles, casting a warm glow over every surface - the counter, tables, chairs, and bare shelves. A three-tiered vanilla chocolate cake adorned with “Happy Birthday Y/N” in elegant script stood proudly on a table. A trail of fresh rose petals led to a solitary chair facing a makeshift projector screen fashioned from a white bed sheet. On the screen, a paused video titled “Life In Her Eyes” awaited.

With cautious steps, you approached the lone chair, scanning the bakery for any signs of activity but finding none. Nervously, you moistened your lips and reached for the small remote with a note reading “Play me,” before settling into the seat.

With a trembling hand, you pressed play on the three-minute video.

“This is my beautiful girlfriend, Y/N,”  Nanami's voice narrated in the video, overlaying a scene where you filmed your boyfriend tossing pebbles into the ocean. “She loves to record every single moment we spent together.” The scene shifted to you capturing Nanami's reaction to Alice Vision in Breaking Dawn Part Two. “She loves feeding me if I’m busy working.” A moment captured where you sat on his lap, sharing a pastry and planting a kiss on his cheek. “She loves sunrises and sunsets.” Your camera focused on Nanami's back against the colorful sky. “She insists I hold every stray cat because apparently, an attractive man with a pet drives her wild." Nanami's expression remained composed as he gently stroked the purring white Siamese. 

“It’s the truth,” you muttered, using your arm to wipe away the tears and mucus from your runny nose. 

“Y/N loves collecting miniature figurines, plush toys, and vintage trinkets.” In a solo vlog, you showcased your latest shopping haul for Nanami, who was in Shibuya for a board meeting. “All. The. Time.” Vlog after vlog, Nanami gathered them all and edited them into snappy clips. “She has a passion for photographing meals and desserts, whether we dine out, order takeout, or cook at home.” The footage captured you filming your dinner plates and soliciting Nanami's ratings as he munched, nodded, and gave you a thumbs up. When he requested the clips, you didn't think much of it. “I haven't met anyone who cherishes life's little joys quite like Y/N.”

The fast-paced snippets capture moments of you brushing dirt off flowers, generously offering cookies to teens studying in your bakery, crafting a necklace from seashells collected at the beach, attempting an ASMR mukbang with Nanami but ending up laughing too much, sharing your collection of hair ribbons, exploring the streets of Malaysia hand-in-hand on your first abroad trip, playfully filming him exercising and flipping the camera to fan yourself and bite your lip, sharing kisses while painting on the living room floor, and him peacefully asleep with his head resting on your chest—

Suddenly, the screen goes black, displaying the title “Life In My Eyes.”

Wiping away tears, you lean forward eagerly, curious about what other scenes he has in store.

Then, your own face fills the screen, bathed in the warm glow of the golden hour, with fluffy summer clouds behind you. Instantly, you recognize the setting: the cliff in Malaysia where you once spent hours talking. But in this clip, your eyes are closed, and you're facing ahead while Nanami captures your profile.

It switched to a different scene of you peacefully asleep against his chest, wrapped in one of his soft cashmere sweaters.

Then, it transitioned to you busy in the kitchen, a smudge of flour on your cheek and strands of hair escaping from your bun.

Next, it showed you tackling household chores, applying makeup, hurrying around declaring, “We're going to be late for the airport,” or shedding tears during the finale of “Happy Feet 2,” or enjoying a quiet moment reading and jotting notes on your balcony.

“Are you recording me?” Suddenly, a clip appeared of you playing with Sumo, a cat you had instantly fallen in love with at the pet adoption center.

“Yes,” Nanami confirmed.

“Pfft. That's my job,” you replied, returning to playing with Sumo. Nanami awkwardly turned the camera around, unable to find the right function to flip screens, and winked.

Then, it shifted to a dimly lit room illuminated solely by flickering candle lights. 

It was your bakery. 

You appeared on the screen, seated with your back to the camera. You waved an arm, only to realize it was a live feed.

What the . . . ?

Confused, you turned around to locate the camera, but instead found Nanami. On one knee. Holding a red-suede box containing a diamond ring. 

You almost tumbled off your chair in disbelief.

Nanami . . . Nanami was proposing to you.

Your boyfriend . . . soon to be your fiancé. 

And you couldn't breathe.

Panic threatened to overwhelm you. 

But first, you needed to slip that ring onto your finger and shower him with kisses.

Approaching him, you dropped to your knees, gently holding his face in your hands as you kissed him. Tears mingled with your synchronized lips, memories of his touching video playing in your mind. Life, in your eyes, was simply the joys of it. But in his eyes, life was you. You were his reason for living. And he was your heart, keeping you alive.

You pulled back, nodding silently as he slid the ring onto your finger. You noticed his initials on the inner rim, and a sob choked out of you, quickly sealing the moment with a kiss. His arm encircled your waist as he lifted you up, kissing you passionately. It felt like a soldier returning from battle, your body bending back as his smile widened against your lips. Soon, you would be Mrs. Nanami. Holy cow. 

“Happy birthday, darling,” Nanami murmured softly as you tried to catch your breath. He gestured with a finger and walked over to the back of the counter. “Close your eyes for me, my love.”

You shut them tightly, wiping away the tears, and sniffled, taking a deep breath.

“Hold out your hands,” Nanami whispered.

You complied.

Something small, soft, and incredibly fuzzy settled onto your palms. 

“Mew.”

Your eyes flew open, and there he was. Sumo. It was Sumo, the kitten who had both you and your boyfriend—fiancé—enchanted with his charm. You whined about adopting him once you left the shelter, but Nanami had been practical and kept the idea aside.

“Is he . . . Is he ours?” you asked, gazing into the feline’s sky-blue eyes.

“He's ours,” Nanami replied with a smile.

“He's—Oh my goodness, I'm going to start crying again.” And indeed, you did cry, holding Sumo tightly against your heart, gazing at the radiant diamond ring on your finger, and observing Nanami wipe away a tear from his eye's inner corner. “Kento, we're getting married!”

“I know, my love.” He planted kisses on your forehead, damp cheeks, and lips. “I can’t breathe,” he whispered, stealing another kiss. “You'll soon be my wife.”

“And you'll be my husband.”

“Such a privilege.”

You chuckled, giving him a quick kiss and wrapping your arm around his waist. Resting your head on his chest, you both admired Sumo staring wide-eyed at his parents. “I don't think I've cried this much since . . . ” You sealed the mention of your parents’ passing with a sigh. 

“I broke your heart with my plan,” he rasped out. “And I apologize sincerely for it. Satoru assured me it was foolproof, and regrettably, I trusted his judgment.”

It was no surprise it was his assistant.

“Where is he, by the way?”

“Parked down the block,” Nanami replied, lifting Sumo with his large hands to place him in his carrier. “I've already packed our bags for a trip. I'm taking you to Italy.”

“Huh?”

Nanami was nonchalant as he tidied up around the bakery, extinguishing the candles. “It's just for the weekend. I've spent the past week crafting an itinerary with all your favorite spots and restaurants to visit. You'll love the hotel we're staying at.”

You were about to bombard him with a barrage of questions, but instead, you couldn't help but smile.This was Nanami, after all. He had a knack for surprising you. One minute he'd be showering you with affection, the next he'd be whisking you away to Dubai for a vacation. One minute he'd forget your birthday, and the next he'd be proposing on one knee, presenting you with the cat you'd always wanted and whisking you off to your dream destination.

“—and there's this café that sells the most delicious macaroons—”

You interrupted him by pulling him close, planting a kiss on his lips, and wrapping your arms around him. Nanami eagerly responded, one hand resting on the small of your back and the other cradling the back of your head. When you finally broke apart, breathless, you looked into his hazel eyes and said, “Let's take our time, play with Sumo, and enjoy the cake you baked.”

“How did you know I baked it?”

You shrugged. “Baker's intuition.”

Nanami embraced you, resting his chin on your head. He took a deep breath as if replenishing his oxygen supply. His fingers gently ran through your hair, soothingly rubbing your back. “I love you, Y/N,” he whispered as though it were a fleeting thought. 

You nuzzled closer to his chest. “I love you too, Kento.”

[arcanegifs]

This is the last time I'm going to be annoying about this, I swear.

A few examples of that I, a gifmaker, personally love seeing under the tags:

Analysis of said scene, show, or character, especially the long ones going in depth that span like 1000 words

People saying how crisp the GIFs look and how nice the coloring is THANK YOU. ILY GUYS. That's always huge praise for me.

Reacting with how emotional you got with the scene. How painful and emotional or how touching a scene is.

People making funny jokes, memes, comments, etc.

Literally ppl horny posting LMAO. It's super funny to read and I love seeing all the unhinged comments.

Seeing how much you loved the show and its characters

Things I don't like seeing under the tags. And these are just two very specific things:

How much you hate the show, how much you think a scene is bad, how much you hate a character, the ship, the creators, etc. or how much you dont like this ship anymore, calling a ship horrible because ____ reasons. OKAY! I get it! But I don't want to see that. Make your own hate post on your own blog! You're free to have an opinion on how much you hate something. Just do it on your own blog.

Asking why I leave out certain scenes out, why I decided to gif this scene, or not gif more of these characters. Sometimes, I'm just exhausted. I can overlook things. You guys don't know how draining making gifs can get to me, especially the scenes that are really long. But I do it because I LOVE Arcane, the story, and the characters, and the particular scenes that I make gifs of. I have my own biases too. Of course I’m making them first. Please, just make them yourself instead of complaining under the tags of my edits. Yes, I can see them.

Don’t get me wrong, I wholeheartedly appreciate everyone who supports and follows the blog. I want to make a million more HQ gifs of this amazing show, but sometimes, the very rare negativity can still get overwhelming, to the point where it demotivates you.

Arcane is extremely special to me because it's such a fantastic show, and that alone motivates me in trying to create more GIFs. Honestly, if it was any other fandom or show? I would've probably left already. Arcane is THAT great.

I know the block button is there. I use it too, but sometimes, the amount of effort and time you exert to create FOR FREE just isn’t worth it. And that’s why gifmakers and creators stop making things for fandom. It’s not fun anymore. It’s not worth it.

Some people think that making my style of GIFs is easy. Then great! Since you think so, then do it yourself and help create for the fandom too! I wholeheartedly encourage you to do it!

TLDR: Don't be rude on people's fanwork, especially when they are created FOR FREE. If you don’t like their fanwork, you can make them yourself.

[ajbullet]

My thoughts on episode 1 and 2 of Percy Jackson and the Olympians: (spoilers)

- The ACCURACY of the little Percy casting was unbelievable. They look identical.

- The SARCASM 🫶🏻👌🏻

- I’ve never been able to connect with Sally Jackson as a mother-figure in the books just because of my own rocky relationship with my mom, but the way she’s played really made me believe in her character and her love for Percy. It gives PERCY’s character more grounding and their relationship really drives the show.

- Sally just sitting in the rain with Olivia Rodrigo playing. Mood.

- “You fell in love…with Jesus?”

- The friction and “betrayal” between Percy and Grover was super interesting to see and I’m really glad they touched on that more than in the books

- I’ve been pronouncing Brunner wrong. Dam.

- Sally saying goodbye to Percy, knowing she was probably going to die 😭. Percy screaming for her.

- the Minotaur fight was awesome

- “YOU DROOL WHEN YOU SLEEP” Omg I can’t believe she said it. Leah’s delivery was different than how I imagined it but I loved it. She’s so matter-of-fact

- Again, I’ve always struggled with connecting with Luke’s character just because I felt like he was a little two-dimensional in the first book and then after that, you know, he’s evil and while I understood his motivations, I just didn’t really…care? Idk but his portrayal really helped me understand the depth of his betrayal and just how heartbreaking his story really is. I already love him more than I’ve allowed myself to from the books

- “She’s my little sister” I love their relationship while it lasts. Seeing how close they are really adds to the layers of both of their characters

- I’ve also been pronouncing Thalia wrong. Double dam.

- THE BLUE CANDY. PERCY BURNING IT NOT TO TALK TO HIS DAD BUT HIS MOM. That scene broke my heart.

- Leah. As. Annabeth. I’m going to be completely honest, Ive loved Leah from everything I’ve seen about her but I was nervous just because of how precious of a character Annabeth Chase has always been to me and I didn’t know if ANYONE, not specifically Leah, could live up to those expectations but omg I love her. Her bluntness. Her facial expressions. Her voice and delivery. Her sure movements and confidence and self-assuredbess that has come from success after success and training for so long. The way she is so unashamed to admit to using Percy and only watching him to see what he could do for HER. In her short amount of screen time so far, Leah was able to add layers to this character I’ve loved for so long that I didn’t even know where there. I never wanted her to leave the screen. My only complaint is that she didn’t have more lines. She is my Annabeth Chase. She’s not from the books. She’s not from the movies. She’s her own version and she stole the show.

- Luke saying Annabeth has a plan and that Percy will know what to do, only for PERCY TO BE FLOSSING AND PEEING AND PETTING GECKOS and trying so hard not to drive himself crazy with his ADHD and having nothing to do. I genuinely laughed out loud. Might be my favorite part.

- the fight scenes are so well choreographed.

- CLARISSE. She’s too pretty. I can’t hate her. And her ELECTRIC SPEAR. When it broke and she screamed, I got chills.

- The trident.

- Annabeth KNOWING Percy was Poseidon’s before anyone else cause she’s “always 6 steps ahead”

- People already keeping such important info from Percy “for his own good”

- “You are Poseidon’s son” “No, I am Sally Jackson’s son!” Might just be my favorite line. It’s so true. She raised him. She sacrificed everything for him. She loved him and cared for him and taught him that he wasn’t broken, he was singular, a miracle. She died so that he could live.

- Sally Jackson is parenting goals

- The way Percy instantly changed his decision to go to the underworld as soon as Grover told him his mom could be saved. Their relationship is unmatched

- Walker Scobell is already pretty well known, but I have a really good feeling his popularity is going to skyrocket after this show. He is such an amazing, dedicated actor. I know exactly what he is felling 100% of the time.

Overall, I absolutely loved it. In two episodes it’s become a comfort show that I can’t wait to continue watching!!

[frenchkanna1808]

Why Midori is such a breath of fresh air or how to actually write a Villain.

So the awaited essay, the winner of the FrenchGremlin polls of laziness finally has come! It took some time but it’s finally over. If your choice didn’t get chosen that’s okay! I’ll repost a new poll with old and newer options. Please reblog this one i put a lot of time in it, it's like, five pages long over a silly goose. Also sorry for the grammar i sucks and i'm not native. So let’s begin:

(also here is the link to the video format)

So first let’s make things clear, What IS a villain?

“A villain is a character whose evil actions or motives are important to the plot.” That is why I do want to make a difference between a villain and an antagonist, an antagonist is a character who are a plot devices that creates obstruction to the protagonist. That means that a villain is forced to be an antagonist while an antagonist is not forced to be a villain. For example shin is an antagonist but not a villain, he is driven by selfish desires which are themselves fueled by fear anger and loss, he is the protagonist of his own story and is a sympathetic character despite it all, and Midori is just a bitch. Midori falls under multiple stereotypes of villains. Such as “the mastermind”, “evil incarnate” (lmao),”related to the protagonist” etc. Midori is evil, there is no denying in this, he is purely evil, and he doesn’t have a sad weepy backstory, he doesn’t feel empathy towards other, he is a despicable piece of shit who ruined so many lives. I won’t list everything but here is a list of his crimes, murder, assault, domestic abuse, grooming, verbal abuse, and torture, crimes against humanity lmao, stalking, violent crimes, and participation in a cult. And his worst crime is being a pussy bitch of course. So now that we have put the bases up let’s really begin.

Hollywood has a hate boner against villains and I hate them for that.

Recently Hollywood decided that pure evil bad guys is actually a bad thing, so now they decided to do stupid side story with them, to give them ”””depth””” since I guess how could we like those villains since they are bad. A great example of this is the Disney remakes which I loathe so much oh god I hate them. So first they did a maleficient it was okay honestly, then they did a freaking cruella movie where her mom gets killed by Dalmatians, that’s not a joke, in the peter and wendy movie that nobody saw they decided to have made the captain hook be a lost boy who was abandoned by the lost boys and peter, oh also they decided that PETER CUT HIS HANDS OFF AND LEFT HIM TO DIE BECAUSE HOOK WANTED TO SEE HIS FAMILY. They are going to do a freaking mufasa movie, in no time I can’t wait to have a Ursula movie where it’s discovered that ariel killed all of her family in cold blood or something’s. So you might say what’s the problem? I mean isn’t that supposed to make the story more interesting. No, no it doesn’t, because first they take all of the character personality traits and throw them in the bin, second they are supposed to be the vilain in a musical animated movies, I am not against complex villain, I love them, but by doing this, the original character doesn’t exist anymore. Just create original content with new interesting characters instead of doing stuff like this. Also it’s kind of funny than in all of those interpretation they take all the fun and sucks it out, what do I mean by fun, the gayness, Disney vilain are fun because they are camp, they are fabulous extravagant extra in all the ways possible, and that’s the reason we liked them. Not every character needs something super deep, like “my family was burned down at the stake and my dog was eaten by my ex”, sometimes we just like bad fun people, they are the story, and Hollywood hating them so bad just bothers me a lot. Also now the new thing is to not have a villain at all which can works in some narrative but not all of them, it gets boring after a while. In the past people were angry that villains are bland, but now I kind of miss it. While I will critique villains who have no purpose outside of being evil that’s dumb, like for example Voldemort is bland like white bread because his only motivation is being evil, but evil people do exist compared to what some Hollywood writers think, they should know. So that’s why I will put a difference between evil villains and villains whose only purpose is being evil; we loved Disney villains but they still had motivations, goals, reasons that to them a least were worth everything. World domination isn’t enough, why do you want world domination, what is the true reason deep in your heart, is it an inferiority complex, is it a savior complex fuelled by xenophobic beliefs.

That is how to write a pure evil villain, evil people exist all over the world, but I have never seen one who doesn’t have they own reasons to be so bad, it doesn’t excuse their actions nor really explains them. We do not want justifications we want explanations. If you are justifying evil behavior then do it, but don’t claim that it is a pure evil character. A pure evil character can be fun, can be interesting, he can be deep, it’s all about balancing all of their traits to truly make them greats. Which is why midori succeeds while current villains fail. Current stupid remake/spin off try to justify the behavior because they feel like this is what the audience wants, but it’s not what we need. So I will defend to the grave evil villains.

Creating an evil villain doesn’t make them boring guys.

Why the heck does big budget movies have either the blandest protagonist or the blandest villains sometimes both, like I said evil people do exist but comically evil character only works in satire not in a serious multiple millions of dollar movie. Example that boring ass avatar movie, the one with blue people, none of the characters are interesting the villain is one note. The lords of the rings also suffers from that, but I don’t care because the protagonist are so awesome that sauron being personality less doesn’t matter. Also sauron is more of a force of nature villains so it’s not the same. The recent kingsman movie has a bland one note villain, there is nothing entertaining, funny, about him he’s just evil, borrrrring. Every Disney remakes depiction of the characters are boring. I just feel bored out of my mind. Atla one of my favorite shows of all time has a main villain that’s kinda one note, Ozai, but he is actually intimidating guy, azula is the superior character, but I wouldn’t consider her a villain she is an antagonist though. I honestly don’t get why Hollywood thinks that just creating a character with no personality and whose only goals is to be evil is good.

So back to midori for a second, here is my question, when midori was on screen did you ever feel bored? Never right! Because despite midori being an evil character he has an actual personality, he’s fun, you want to punch him in the balls. Because midori has other personality traits than evil, midori is petty, childish, extremely intelligent, controlling, a natural manipulator, he is a trickster, he doesn’t seem to get some social norms, he is narcissistic, easily angry, and fears death etc See how I counted a lot of traits, traits that in other character would works, midori has positive traits, and I think that is the best thing nankidai could have ever done, midori has traits that a regular person could have. Which is why if I put midori in any settings his character would work.

Example, instead of a death game the cast is under the sea to discover the insane wildlife and supernatural stuff happening, what would midori do in this situation? Well he would very passionate about finding all of what’s happening, he’ll do anything to find out, even sometime sacrificing others, not only will he try to find what’s happening, but he is also going to try to find a way to make this discovery favour him in the end. Or let’s imagine it’s a vampire situation, where a vampire attacks  the city, midori would try to stop it, not because he cares, but to experiment on them to get their biology and finds the real secret of immortality since he fears death.

Here is my second advice, after creating your character try to imagine them in another completely different situation, like normal life, or a fantasy world, ask yourself the question what would they do in that environment? If you can find a real complete explanation of their actions then yes your character has multiples dimensions if not try thinking about it again. Some example of questions I do want to point out are some like “if my character had all the power in the world what would they do first or”, “if my character had only a day left to live what would they do”

Why is Current media incapable of creating good threats like bruhhhh.

Okay so first of all let’s talk about stakes in a story, let’s say you are watching a slasher movie, slowly the cast gets slimmed down and people die in horrible ways, that should set stakes right ? Well if the villain is an absolute buffoon who makes the stupidest actions and decisions in the world, you wouldn’t feel intimidated at all because despite what the filmmaker might try to say the plot armor will NEVER make a character intimidating. It’s just like a detective character who just seems to know everything without a thought, well you won’t really fear the character failing. Worse is the the final girl, who is for some reason always escaping the slasher guy by pure luck every time, she is shown as incompetent but still she survives, which make the villain seem completely incapable so now you feel nothing.

To avoid this filmmaker often use techniques such has unpredictability, I mean good I mean good ones, for example instead of immediately seeing whose going to survive because the black guys always dies first and the virgin white woman is the last survivor, change the status quo, make us think that this character is obviously safe while they actually aren’t at all. Or actually make them menacing by SHOWING to the audience how horrible dangerous they can be. Which is why SHOW DON’T TELL is so important, telling us how dangerous someone can be only to see them get beaten to death at the end of the movie makes us feel nothing.

Midori felt like a impossible person to beat, he is smart, had twenty plans in advance, even in situation where the cast felt like they might have a chance he was always armed, just like the gun he promised to use or the rocket punch. When they felt like they were finally advancing, he put obstacle in their ways, such as the collar game or the moment he put the collar on explode mode for  ranmaru. The entire point in the murder game was to make time pass, it took a long time for the cast top realize that this whole time they were losing precious time not realizing that the dummies were the real problem. The characters that made you feel the most hopeless were the dummies, if you won by killing midori they would die, but if you lost you might lose people you love (keiji or gin). It felt hopeless because they were no solutions in the end. That creates tension so that creates stakes. If we were told how dangerous unpredictable sou was then it wouldn’t hit the same, we are shown that he is that terrible. There is a scene ingame where bbg shin ai tells us that midori tortured and like to destroy people. That’s exposition so TELL, but do you why it works, because we are SHOWN before his behavior. Midori felt unbeatable, so the fact that we were shown his weakness such has his petty behavior, hatred of minors, and fear of death, for the first time it feels like there is a chance that we might survive this. And still after he isn’t shown has an incompetent buffoon, he is one, but the narrative doesn’t show us that he is.

What is also consider is good to make the audience feel actual stakes is to first really develop well the main characters, how can we feel worry for a character if we don’t know them, the audience need to feels emotional connection to the main cast to actually care. You can use things such has moments where there is nothing special happening just character talking getting to know them. Make us feel why we need to care about them possibly losing, instead of being indifferent. Or I don’t know maybe make an entire spin off game where we get to have the cast talk to each other and seeing dynamics between character that died early to get them a chance to shine and make their death even more tragic, or even make mini episodes of characters who only got a single chapter to show off their characteristic, to get us to know them better? But that’s just a silly idea of course, wink, and wink.

My favorite thing about Midori is that he is actually pathetic, like really pathetic, but weirdly realistic?

Midori is the most pathetic character in the cast, yes more than shin, shin is leagues less pathetic. No I’m not saying that midori is not intimidating or scary, I would piss myself if I saw him. He’s a scary guy. But if you look at him more closely you can see that he is a baby brat in a big boy suit.

So let’s start by something clear, Sou Hiyori clearly displays antisocial behavior, or in common terms he is a psychopath/sociopath, this illness is very badly seen in medias, I am not saying that people who lacks empathy like him are inherently bad, he is, a lot of people with antisocial behavior actually suffers a lot and have a difficult life. Sou real issues is not his antisocial behavior, it’s his narcissism and god complex. Sou feels the need to HAVE CONTROL over others, he like the feeling of being in power, he sees the rest of the world has beneath him, toys for his pleasure. He says that he “really like humans” because despite it all he seems to put himself in a different categories than regular people, they are beneath him. When he loses control his calm and cool behavior disappears and we see his true face, a grown man who has throws a tantrum like a baby. One of the best representation of this is midori views on the cast:

Midori hates kanna, like no jokes he has beef with her, a fourteen years old, actually he has beef with a lot of people in the cast. Midori views emotional people has weak, people who are loving optimistic as beneath him and useless. He preferred when sara was cruel and horrible, that’s what he loved about her, he liked seeing her scary emotionless side. But Kanna, kanna is everything he hates. A crybaby who not only puts the group in harmony, is a source of hope in general, is the reason he near got to have closure with shin (killing him), he views kanna as “not fun shin”. We have many proofs for this, if you type the word kanna kizuchi he says this: “Poor Kanna'd weep! I think a more worthless name would be better for someone like me” He mocks her, but also himself (I’lll come back on this later), he calls her worthless. Also in the electric charge minigame, when he can choose who to shocks he chooses two people in particular, kanna who he hates and hinako who ruined his fun by giving the cast a chance in saving ranmaru. But he does also says mean spirited stuff to other people, qtaro and gin. He also says some sarcastic comments about nao and joe, saying that it’s such a shame that they died so young. But you might say why kanna especially? Because he is a petty baby who is jealous of kanna, Yes jealous, of kanna, a fourteen years old. Because he feels like she stole his hubby wubby shin away from him…. God I hate him. And you know what that make him a pathetic idiot, after the scene where kanna beats his ass, he’s all mad and like “uhh I’m going to pout I wanted you to cry like a lot, now I’m gonna cry”. An that’s actually god, because it humanize him, he wants need thoughts, he isn’t one note, and that’s the most important!

Sou is a villain but before that he is a character, a fully developed character, and THAT’S WHAT MAKE HIM GREAT, Sou works because he works realistically, I mean if you forget the robot part, it’s easy to imagine a narcissist man child who needs to feel in power towards other, so his main prey are young vulnerable people.Which leads me to my next point:

Sou is a failure like really, and we aren’t sad for him.

Sou failed everything he worked on, he failed to get the paper from alice, he failed whith shin since he had to leave earlier than he thought he would leave, because of his mistake he lost his position in the death game, then he failed to kill gin or keiji, and then he died like an idiot losing his cool and acting like a toddler. And he knows it that why he is a bit self-hating (he should be). And yet none of us feel any sympathy towards him, why? Because sou is one of the most despicable guy in existence. He is a disgusting pervert, sadistic asshole, and abusive narcissistic cunt who thinks he is better than everyone. From the bottom of my heart I hate him sooooo much he is literally the character I hate the most in existence. He abused shin, ruined keiji’s life, traumatized the entire cast, literally assaulted sara like he physically assaulted her. He mocked nao and joe and kugie life as useless. He is an obsessive jerk AND I HATE HIM. And you know what…… It’s good. Like I actually feel a lot of emotions when I think about him, he fuels me with anger and disgust, and if your characters can make me feel that much rage then you did it, you created an actual perfect character. Hiyori is such a shit person that I think about him a lot, writers shouldn’t be scared to make a character such hittable assholes, example bojack horseman in bojack horseman is the vilest man on earth and I love it, because I genuinely hate him. Just like I genuinely love kanna, like really I really love her, I in the same time despise midori so bad. We hate him because he is horrible to good people that WE KNOW AND CARE ABOUT, not random npcs. There is a lot of… disgusting implications in his story with shin that I will not talk about it makes me really uncomfortable right now. SO HERE IS A VERY TACKY TRANSITION TO TALK ABOUT WHY I HATE JUNKO FROM DANGANRONPA.

Junko is boring, that’s it, she is boring, not funny not interesting, she is a fetish, she is the biggest Mary sue on earth, she is a gross character made to make fun of people with disabilities and queer people. Her only traits is being crazy, that’s it. I wouldn’t call midori that crazy actually, he’s methodical calculated, and precise. Crazyness is a term for people who aren’t in control of their actions and delusional about reality, sou is not crazy, he knows what he is doing, he is in full control, while characters like shin should actually be consider crazy, like shin is actually crazy but sou isn’t.

Conclusion:

Sou is a breath of fresh air, because nankidai had the balls to write an actually interesting deep and threatening character AND make him a villain. He didn’t fall into the trap of making him have a sad backstory or good motives, sou is just selfish, that’s all he is. He make him a fun entertaining guy who you absolutely hates, he made him threatening and at the same time a complete doofus. He made him humane and pathetic.

But the thing that make me love nankidai the most is this

The fact that he actually killed him that takes courage as a writer to just end a character THAT WAY, which is why midori will never come back alive he is forever dead. And that take a lot of talents as a writer to just take one of the most important characters and just get him drilled to death in the anus, like dammn nankidai you are a savage. That fact alone makes him one of the best characters in game, I hate him as a person, but has a character he is a masterpiece.

Though Kanna could solo him

this was posted as a video on my blog this is mainly so people who don't want to stay there reading a 24 minute video of my stuttering can have a bit of quiet

[angellwingss]

Wasn’t going to go on a big rant but you know what since that other post is gaining traction yeah I think I will. So big long rant under the cut. Lolll

I feel like. A lot of people might tell me ‘it’s not that deep’ but to me it is that deep.

I don’t have a problem with JayVik or it’s shippers like. At all. I just think some of them are à really good demonstration of like. Every bad thing when it comes to fandom ever LMAO.

Once again I am (supposed to be) writing a whole big long essay about this already so I will try and keep this kind of short and sweet and it might be a bit lacking but wtvr.

I think a lot of JayVik fans tend to be white queer people. Someone left a tag on my OG post that said basically ‘my take is I’m a faggot and I don’t have to care about a character if I don’t want to’ and no hate to that person cuz you’re right, but this is exactly the kind of stuff that made me make that first post.

I feel like a lot of white queer people have an issue with seeing outside their own identity? If that makes sense? This is seen time and time again with the way some of them behave when big movements happen online, some have a tendency to centre themselves and whatnot so i think it’s kind of the same thing.

It makes total sense that a queer person would prefer queer ships and would prefer JayVik over MelJay, that is not a crime. But I do think part of that is because they can’t relate/identify with Mel or see themselves in her like they can with Jayce or Viktor.

I hate to also make it about feminism but i think a lot of you guys are super like. Male centred, like just in your attraction which once again, not the issue not a crime. But i think it’s also why CaitVi, which is a canon queer ship, although popular is still not quite as popular as JayVik despite being canon. Women fetishizing gay men in fandom is not something new, which I think might play a small part in it- I’ve seen a lot of people especially back in s1 infantilizing Viktor and acting like he had no agency or independence and that he NEEDS Jayce to take care of him (that’s another thing. Ableism(looks at you with my eyes)) and they also do the same thing with Jayce where they act like he had 0 agency with any decisions he makes and that he’s like a big dumb baby who doesn’t know anything politics. Hey, guys. That’s a grown man.

My main issue isn’t that people prefer JayVik over MelJay it’s just that some shippers demonize Mel to an insane degree, blame her for getting in the way of their ship (this is also happening right now with Maddie- there’s a leak going around saying that she gets with Caitlyn and people are so upset that this character is getting some INSANE hate and I feel like that’s the same thing going on.)

they blame her for ���stealing’ Jayce etc etc like. Idk. You don’t have to ship MelJay but I wish more people would appreciate Mel just as a character- imo she is super interesting and has a great story but she’s only ever seen and ‘the other woman’. I’ve seen people say she isn’t like, well characterized and that her story entirely revolves around Jayce which. Yeah she’s definitely heavily involved with him in s1 but she’s clearly got a lot more going on than just that and you would know that if you GAF 🗣️🗣️

for just being. Who she is. I think Mel deserves more attention just in the fandom and it’s just frustrating. People making memes about Jayce going insane over Viktor leaving but like. Mel also just got fucking kidnapped guys. His lover has just vanished without a trace why is nobody also talking about that !!!! Why can’t he care about both these people at the same time !!!!!!!

Anyway I’m not nearly well equipped enough to talk more in-depth about like. Any of this but I do think the demonization of Mel and refusal to see her relationship with Jayce as it is can often times be boiled down to racism like straight up. And also things like the fetishization of gay men in fandom and just things like that are sometimes what can lead to female characters- even the well written ones to be shelved and pushed aside in favour of their male counterparts.

Obligatory ‘not all JayVik fans’ obviously a lot of you are awesome, shouldn’t have to say this. If I’m not aiming for you, you shouldn’t be getting shot.

[lemonisntreal]

My thoughts on Sing: Thriller! [finally]

I just want to vomit out some of the things on my mind because ohhh my god, do I have THOUGHTS-

Also! Link here to the short, for the people who want / need it 👍

NO WAY

THE BASTARD LIVES???

THE MIKE FANS WERE ACTUALLY RIGHT????

It wasn't just copium!

Kinda off topic, but this is getting me thinking on how different sized animal's seats are priced. Because they only grabbed one ticket I think, so I think they're literally sharing a seat [WHICH IS CUTE]. But does this mean that bigger animals need to buy more than one ticket? Or are all the seats just ridiculously big? Or am I crazy?

Also thinking of that one scene in Spongebob where Plankton gets sat on by Bubble Bass 😭

Tiny blurry Mike hehe looks like found footage

RAHHHHH

RAHHHHHHHH

Me when I see my fav for 2 seconds with zero speaking lines

Nana is eating also holy shit

EATING 👹

Also Eddie guiding her by the hand is sweet, I love their relationship so much aaywusjhisajhajk

He has such an obviously better relationship with her than he does his actual parents and I'm eating it upppppp

The "How hard can it be to fix a stupid tire anyway???" line was so aggressive, I'm taking this as character development !

She's an actually amazing actor in-universe and I love that

Meena Sweep

Also this set is clean as fuckkk- also a lot more realistic, but still very not LMAO

Also he's DOING A JIG AAA

The crunchy version is for my enjoyment specifically

HOLY SHIT I WAS REFERENCED /j

Also also.

Both GMO and Alice in Wonderland were really short plays from what we see, but I actually do think that this isn't how it actually goes in canon. When they're on the bus in Sing 2, the script looks pretty thick for one. And two- why would anyone pay for tickets for 4 minutes of show?

Like it just makes sense, you gotta understand my reasoning.

They couldn't put the whole 2 hours of play in the actual films, but I like to believe that's actually how it goes

That there's some story and depth to it as well [💀]

Reference. For later.

THE WAY HIS FACE SCRUNCHES DUDE DUDEUDUED

Meena Gunter and Ash are absolutely partying in the back bro

I wonder how often Meena finds herself in cars. Because like there's size, but also we know she just takes the bus everywhere. I don't think her family has a car, they all feel like they utilize public transit instead

Cars that are modified for bigger and smaller animals are probably more expensive and not mass-manufactured either

Not just height but weight limit is also something that needs to be kept in mind. Elephants are like a few thousand pounds.

I think it's just easier to have modified public transit rather than modified individual cars for that kind of load. I bet public transit has way more funding in the Sing universe because of this need too. Because there's also Rhinos, and Hippos, and Giraffes-

I'm getting lost in the sauce again.

HER NOSE SCRUNCH

She was AT that door. First one there, bouncing with excitement. Adorable. I wish Clay had speaking lines with her in this AGH

REFERENCE.

girl what the fuck are you doing here, your ass was NOT invited ‼️

The Infection AU would go CRAZY

Somebody needs to make that rightttt now, actually

I'm giving it some thought right now and how with a few tweaks this could be cool. Like I'd definitely make it so there were different phases, like the MLP AUs. And I'd keep the hivemind thing definitely, because I think that adds an extra terrifying aspect to it

Probably make the ooze stuff look more messy, eyes would be leaking the stuff, mouth.

Idk I'm just spitballing LMAO

The dog from under the table is actually terrifying

Rare sighting of angry Meena

ALSO WHY-

I have a complaint.

Why were they dancing.

For a full minute. With nothing.

No singing. Just instrumental. It dragged on for so insanely long. Like that's my one complaint about this short, is that the pacing is just absolute dogshit after they all get possessed. You can give me a Thriller reprise without making it look super awkward and boring. Why couldn't this have been a cool chase scene instead? Like actually keep up that tension you established?? Because like Crawly and Buster are just STANDING there now, and it's just like-

And then the actual chase is over so fast

Man.

HE'S SO STUPID LOOKING I'M GONNA CRY [positive]

the Borb....... [Buster orb]

I hate the "it was all a dream!" trope but I can't really be mad

I saw it coming from a mile away, and I'm honestly glad because it means that this isn't canon and we don't have to deal with random zombie shenanigans in the actual lore

Or maybe not because Crawly was literally possessed at the end but whatever. Not canon.

My final thoughts are that this was really solid! I feel well fed and very happy to get some new content of the sillies. I will most likely be drawing lots of Thriller stuff because WOW were some of those shots pretty. Overall, critically? C+ short [mostly due to that minute of almost nothing happening]. But my enjoyment level puts the grade at a B+ for me so [B is for Biased].

[gremlinmodetweeker]

Bellowing Bull Calling Home

Please forgive me for not posting any stories in a hot minute! I've just been super busy and tired. I had a whole issue with my meds (thankfully it's been sorted out) and since I'm so angry I wrote something about König getting mad. I really like the idea of being yelled at by this man, so once I get to 500 followers, I might post some snippets of smut.

Also, I'm thinking about opening a Kofi soon. I don't make much money, but it would be a good place to post some more... Interesting drawings, so to speak. I could also take some comissions if anyone is interested. However, I'm not sure yet. I'm just floating the idea.

Anyways, enough about me! Time to read König getting mad because that's super hot.

TWs: König yelling and insulting recruits, slight allusions to degradation kink, allusions to a horrible government secret contained in a suitcase (you never learn what it is)

Wordcount: 4.1K

Art from This Post

Story below the cut

Bellowing Bull Calling Home

 Normally, visiting König at work was a laughable concept. A PMC base was no place for a simple civilian such as yourself, yet here you were with König’s (supposedly) very important briefcase that he’d been directed to hold close to his chest for the foreseeable future. You’d begged König to let you read them, but he had simply laughed you off and changed the locks on the briefcase again. He then politely hid it out of view to keep you from trying to break into it. You had no intentions of doing so, but apparently whatever was in there was important enough for König to go to such lengths to protect it.

Unfortunately, by hiding the suitcase to keep it out of sight and out of mind from your curious fingers, König had forgotten about it entirely when he left that morning. You wouldn’t have known were the suitcase not sat proud and regal on your humble dining room table.

Sipping your drink and leaning against the counter, you realized you had the perfect opportunity to try and hack the damned thing open. Whatever was in there had König muttering darkly under his breath and leaning away from your touch. Those accursed documents were driving a wedge into your relationship the size and depth of a canyon. Of course, you knew the case was tamper-proof. You knew that if you so much as cracked it open as much as a millimeter, it would most likely set off some sort of alarm if a proper code wasn’t punched in the top. You had the strange feeling, based on the hefty weight in your hands, that the case wouldn’t even so much as dent if you took a simple butterknife to it.

You swung it back and forth as you left the home, the weight of your relationship hanging with the suitcase in your hand. Making your way to the main gates of the base.

A soldier checked your ID before waving you through, getting another soldier to help make your way to your husband.

“So, I don’t know if he’ll be in his office right now, but we can swing by there first,” Horangi chirped as he followed behind you to a long, grey building that sat close to the entrance.

You passed through a series of doors under the judgemental stares of low-ranking officers as Horangi brought you down the linoleum floors to come to a plain wood door, its only decor being a brown and white plaque reading ‘LEICHENBERG’ in big block letters. Horangi flicked the back of his knuckles against the doors twice before rolling back onto the balls of his heels. He looked at the door expectantly, then to you, then knocked again.

“Sometimes I knock and he thinks he’s going crazy,” Horangi explained before turning back to the door, “what he doesn't know is that sometimes I’m walking by and I’ll knock on the door and leave before he can answer it. I don’t think he’s caught on yet.”

You shook your head tiredly. That would at least explain some of König’s strange tendencies as of late, at least. Friends like Horangi tended to shorten lifespans, so if König dropped dead on his next mission, at least you knew who to blame now.

Horangi pulled out a set of keys and unlocked the door to step through into the minimalist office. You balked at his gall, but the way the soldier swaggered through the doorway had you thinking that Horangi was far too comfortable with pushing his way into your husband’s office.

You barely got a chance to see your wedding picture on König's desk before Horangi cleared his throat.

“Whelp, looks like he’s not here,” Horangi sighed as he turned to face you, “guess I can just hand that over to him myself, if you’d like.”

You sighed, “I was really hoping to hand this over to him personally…”

“Why?” Horangi snorted, “so you can go fuck in a closet or something?”

“No!” you gasped, “I just… I wanted to see him. I never get to see him at work so, you know... I thought this might be a good chance to see what he's like at work.”

“Well who am I to deny such a fine and noble venture?” you could hear Horangi’s shit-eating grin through his mask, “if we’re gonna track down König, we gotta use plan B.”

“Plan B?” you asked warily.

“Plan B!” Horangi cheered before sauntering over and slinging an arm over your shoulder, “looks like we’re going on a goose chase today.”

“Please not a wild one.”

“It’s gonna be a wild one.”

You groaned as Horangi’s laughter echoed off the empty walls of König’s office. It figured that the one day you had to go to König’s work he’d be squirreled away into the farthest corner of the base. He had a habit of being in the wrong spot at the wrong time, which made you all the more anxious every time he was sent on deployment. It also had a tendency to haunt you in your daily life when he returned home to your awaiting arms.

Horangi trotted down the halls, conveniently pushing you past anything he considered a bit too explicit for civilian eyes and ensuring you were in front of him to prevent you from skiving off to some derelict corner of the base.

“König usually likes to go to the gym when he’s frustrated about something,” Horangi explained as he brought you from the main building to a separate section of the base. Once inside, Horangi rounded on the help desk like a tiger on a deer.

“So, Matrice,” Horangi drawled as he leaned his chin on the heel of his hand, somehow exuding smugness through his mask and sunglasses, “you wouldn’t happen to know where ol’ Col. Leichenberg is, would you?”

“Uh…” Matrice darted her dark eyes between Horangi and you, then down to the suitcase fearfully.

“König’s my husband,” you offered.

“König has a wife?” Matrice shook her dark curls as she tapped away on her archaic keyboard, “nobody ever tells me anything around here...”

“Well maybe if you actually came to the staff parties, you might get to know us a bit better,” Horangi slyly slid the dig into the conversation with serpentine ease.

“Horangi, last time I attended a KorTac hoedown you threw up in my car,” Matrice grumbled, “I’m never gonna be your DD again.”

“I don’t remember it being that bad,” Horangi snorted, then turned and muttered, “not that I remember that much anyways…”

“And that’s why I’m not your DD anymore,” Matrice scrolled through the page a couple of times before shrugging and turning to you, “sorry ma'am, but you’re outta luck here. Maybe try checking the cafeteria? It’s nearly lunch. Big boy's gotta eat."

“König would be the first out to lunch,” you grumbled after you thanked the woman. Horangi paid no mind to your whinging and simply turned you back around to head back to the main building.

“If it makes you feel better,” Horangi offered as he firmly pushed you across the road, “I think I saw him cut down on red meat the other day.”

“We’ll see how long that lasts,” you rolled your eyes. 

Horangi only laughed as he opened the door for you.

“I’m serious! He needs to watch what he eats!” you insisted as Horangi led you into the belly of the PMC.

“You know, sometimes I think about what your grocery budget is like, and then I think I'd rather go back to South Africa than have to pay your bills for a month,” Horangi chirped as he stopped you from missing a right turn, “watch your step.”

“You know it would be easier if you were the one in front,” you huffed as you swung down the bland corridor.

“I don’t like the thought of you being out of sight,” Horangi explained as he guided you around yet another corner, “König’s said some interesting things about you.”

“You guys talk about me?” you cast a glare over your shoulder at the tall Korean man.

“What else are we gonna talk about?” Horangi shrugged, “living on base isn’t exactly exciting. Dunno if you civvies got the memo, but there’s only so many times you can talk about special secret missions before it just gets boring.”

“Special secret missions?” you perked up.

“Cleaning duty assigned to whatever poor fucker got the shit end of the stick,” Horangi clarified.

You groaned, then complained, “Please tell me he doesn’t say bad things.”

“Not really,” Horangi replied, “but he tells me a little bit. Just the juicy bits.”

“Really?” you scoffed, “like what?”

“Did you actually forget your own birthday this year?”

You flushed, which seemed to be enough proof for Horangi to laugh at your humiliation.

“He told me you nearly had a heart attack when he told you,” Horangi snickered.

“Oh really?” the cafeteria came into view, “well has he told you he eats other people’s lunches as snacks?”

Horangi sighed, “I figured it was him. It’s not hard to guess that one.”

“Has he told you that he ate Stilleto’s cake?”

Horangi paused, “I thought he was a better man.”

“We both did,” you shook your head morosely, “but I guess she stole his evening snack or something?”

“Oh my God he didn’t try to justify it, did he?” Horangi groaned.

“I tried to explain it to him but he wouldn’t have it,” you pushed the door to the cafeteria open.

The massive room was empty save for a table of sergeants playing poker and a couple of officers sharing a coffee. The room was notably absent of any giant men with a propensity for malicious snacking. The warm and inviting smell of the room made you want to grab one of those dishwater coffees they served and kick up your feet, get a taste of the military experience, but the suitcase felt hot in your hands.

“Looks like he’s not here,” Horangi pointed out the obvious, “so maybe he’s outside training one of his teams? I hope not…”

“Why don’t we check?” you offered.

“But it’s so far…” Horangi trailed off weakly as you marched past him, “hey! Where are you going!?”

“To see König!” you called back.

Horangi rolled his eyes, but followed behind you regardless.

The outdoor training area had been split into three squads of men, each squad being led by a different officer. The first leader Horangi brought you to had looked you up and down suspiciously before promptly turning a shade of milk white when he spotted the suitcase in your arms.

“What the hell are you doing with that!?” the portly man squawked as he jabbed a finger at the offending black pleather suitcase.

“My husband forgot it before going to work,” you spoke softly, taken aback by the man’s animated reaction.

“Wh-König just left it at home?” the man’s pale skin was steadily flushing to a beet red the longer you let him sit with your answer.

“Can you show me where he is? I need to get this back to him,” you tried to calm him but he only grew steadily more upset.

“You’re telling me König left that suitcase in the hands of a damn civilian?” the man scoffed, “König’s an idiot, but he can’t be that stupid!”

“She’s probably telling the truth, Baker,” Horangi interjected.

Baker steamrolled over him with the grace of a bulldog chasing a rat, “So where the hell did you get that?”

“It was just on my kitchen ta-”

“It was on your what!?” Baker howled.

“Baker!” Horangi barked, finally making the man pause to let you breathe, “this is König’s wife.”

Baker’s eyes widened as his mouth dropped into a perfect ‘o’. He turned to you with a sheepish smile, “Sorry, ma’am, I… I should’ve put two and two together but just seeing a random civilian with that in their hands and… Well… You gotta understand, right?”

You tried to steel your nerves as you replied, “It’s alright! Don’t worry about it.”

“I really should apologize though,”  Baker blundered on, “I mean if I’d only known you were König’s wife I never would’ve-”

“Baker please,” Horangi pinched his nose bridge, “cut the shit. I’m really not in the mood to listen to you kiss ass for an hour straight.”

“Understood sir,” Baker snapped his jaw shut before subtly turning to you, “please don’t mention anything to König.”

“I won’t,” you assured him kindly.

“Thank God,” Baker quietly made the sign of a cross before returning back to his platoon.

Horangi dragged you along to the next platoon, quietly ignoring Baker’s inability to direct you to König. Instead you were brought before a short man with notably thick dark eyebrows, accentuating his severe browline as he scowled at his soldiers.

“G’day Horangi 'ow are what the hell is she holding,” the man glared at you as though you were but dirt beneath his steel-toed boots.

“This is König’s wife,” Horangi cut you off before you could even start, “she’s here to deliver what he forgot at home.”

The man’s dark eyes darted from you back to Horangi, “You’re tellin’ me big boy over there forgot the damn-”

“Don’t say it,” Horangi interjected harshly, “don’t you dare.”

“She don’t know?” the man whispered.

“Not a word,” Horangi’s threat was nearly lost under the shouts of men and the screams of whistles.

The man looked unnerved, but nodded along begrudgingly.

“Right, well, you’re lookin’ for the big guy?” the man glanced between you both.

“Sure are,” Horangi nodded.

“Well yer in luck!” the man’s face lit up, “big boy’s just over there.” With that, he pointed out into the distance at one big man sitting in a navy blue folding chair whilst commanding the smallest group of soldiers, no more than a squad in number. His back was to them, but it was clear it was none other than König. If nothing else, the mask on his face in the sweltering hot sun was a dead giveaway. It was a miracle you didn’t see him earlier.

“Damn,” Horangi spat, “you really think it would be easier to find him, but he’s damn good at getting lost in a crowd.”

“When ‘e’s in that chair it’s hard to spot ‘im,” the man chuckled, “now get outta my sight with that damned thing. Gives me the heebie-jeebies just lookin’ at it.”

You glanced down at the suitcase and back at Horangi.

“You don't want to know. Seriously,” Horangi muttered as he urged you onwards.

Instead of taking in the weight of Horangi's ominous utterances, you focussed on making your way to König with a skip in your step, eager to see your beloved husband. You were so eager that you didn’t notice how he tensed up as you drew close. Just as you were about to greet him, he slowly rose from his seat with a blood-curdling howl sent straight from hell itself.

“YOU!” König bellowed like a brazen bull, “JEFFERSON, YOUNG, MANDULU! GET OVER HERE RIGHT NOW.”

You stopped dead in your tracks. You had never, never, in your life ever heard König yell like that before. Sure he could curse up a wicked storm when he stunned his toe on the corner of your table, but this? This was another beast entirely. The mere thought of König yelling like this had been completely foreign to you.

“YOU USELESS ANIMALS,” König raged as he rounded in on the three cowering soldiers, “I have never, in my entire life, seen such incompetence,” König drew himself up to his full height, making even you shiver in your shoes, “and yet here you three are before me. What gives you the right to call yourself soldiers!?”

“I’m sorry sir, it won’t happen again,” the middle man’s voice quivered as he stepped forward for the others.

König’s laugh sounded downright demonic, “You’re apologizing for what? I haven’t even told you what you did wrong!”

You looked back at Horangi, who only threw you two thumbs up as he smartly backed away. You glared at his retreating form before König forcefully grabbed your attention.

“All three of you have been nothing but DEAD WEIGHT to the rest of your team. I’ve seen better performances from drunks moping up their own VOMIT!” König snarled as he drew close to the men, circling them like a hyena stalks its prey, “fucking Aziz is doing better than any of you. And Mandulu!” König clucked his tongue as the terracotta skinned man quivered like an aspen tree when König's voice dropped to a lull, “I expected better of you. You’re supposed to be up for promotion, yeah?" König leaned in close to scream, "DOES THIS PERFORMANCE WARRANT A GOD DAMN PROMOTION?” König’s face wasn’t even a foot from the man’s nose, leaning down and coating him with hot breaths from his draconic lungs.

The man, Mandulu, slumped as all fear left his body, totally replaced with encroaching shame. He dropped his head down, before tearfully admitting, “No sir.”

“THEN WHAT THE HELL ARE YOU DOING!?” König screamed.

A part of you wanted to intervene. You felt like you were witnessing a torture session with how König rounded on this poor man, but something held you back. Maybe it was fear, but maybe, just maybe… It was arousal.

You hated to admit it, but something about watching König’s muscles bulge in his neck as his mask swayed forth when he leaned down over men who easily dwarfed you excited you. You almost wished that you were in their shoes, but watching was more than enough. He was a glorious sight, rage burning like the sun as he lorded over his men like a god. He was a mountain of a man with how he held himself up above his victims. You wished to lay before him like Prometheus, let him rip you apart with his talons.

“And you two,” König spat as he turned to the others, “WHAT THE HELL ARE YOU DOING ON YOUR PHONES? What are you doing twenty feet off looking at the others while they work like ACTUAL FUCKING SOLDIERS.”

One meekly spluttered, “Sir we were just-”

“Just what? Laughing at Goetz?” you could see König whipping himself up into a frenzy as he hurled his next insults, “GOETZ HAD KNEE SURGERY THREE MONTHS AGO AND IS STILL HAULING YOUR USELESS ASSES ACROSS THE GODDAMN FIELD. AND WHAT ARE YOU DOING? PLAYING ON YOUR GODDAMN PHONES!!!”

You shuddered. If there was one thing König hated, it was soldiers on their phone during training. You gave a silent prayer for the poor men.

König stalked around them slowly, “I should have you thrown out. What would I be losing? Nothing! Not a single thing! I might actually gain something without you two dragging us down!”

The men cowered miserably. You couldn’t help but feel sorry for them, despite knowing the abuse was more than well deserved. From the sounds of it, it was a miracle König hadn’t beaten them to a pulp. Now that… That would be a sight to witness…

“ALL OF YOU,” König snapped as he finally stood to face the three men directly, “Mandulu! Give me a ten page report on all the reasons you’re still worthy of a promotion today at eighteen-hundred exactly, or you’re up for recycling. For the next half hour, you’re running laps around the yard. Maybe think how you'll structure your points, ja?” he turned to the other two, this time with a sadistic gleam in his eyes. You knew that under his mask, he was grinning from ear to ear through the fury etched into his face. “And you two!” he cackled, “give me your phones. For the next week, you’re going to be putting your phones in lock boxes. You’re going to carry those fucking boxes from the moment you wake up to the moment you go to sleep. If you’re good little boys, you’ll get your phone for an hour before lights out. Are we clear?”

“But sir, my wife-”

“I DON’T GIVE A GOOD GOD DAMN ABOUT YOUR WIFE,” König roared.

The man shrunk into himself like he’d been burned by the flames of König’s fury.

“You are to carry your phones in lockboxes for the next two weeks! Are we clear?” König snapped.

“Yes sir,” the two miserable whelps squeaked out before König finally relaxed.

The goliath finally stood straight before them, “All three of you! Dismissed!”

“Yes sir,” the three men saluted and slunk off miserably.

Just as Mandulu looked like he couldn’t be in any worse of a state, König called out, “And Mandulu?" the man raised his dark for eyes, "I’m disappointed.”

The poor man looked like his whole spirit had just been crushed to dust. His face crumpled in just briefly before he quickly turned his face and quietly left.

You watched the poor man leave with his tail tucked between his legs before turning to look at König. He was shaking his head slowly as he turned his back on his soldiers, all of whom were watching him for further instruction. He quietly turned to them, barked a couple of commands that had the soldiers scurrying into actions, then turned back to stare off into the distance. Incidentally, that was right at you.

“Ah!” König stiffened slightly as he locked eyes with you, “meine liebe! What are you doing here?”

“I brought this for you,” you held up the suitcase that had been weighing you down all day.

“Oh mein Gott,” König gasped as he rushed over, “ohhhhh mein Gott meine leibe I can’t believe you found this. I can’t believe I forgot oh mein Gott.”

“I figured you might need it,” you laughed as you handed the suitcase over.

“I knew I was forgetting something, but this? If one of my superiors saw me without this,” König shuddered, “I don’t even want to think about it.”

“Well it’s a good thing I got it for you!” you smiled brightly before scowling, “it was really hard to find you though.”

“Oh?” König put the case down and put his hands on your shoulders, “where did you think I was?”

“Well, first Horangi took me to your office-”

“Please tell me he didn’t take you inside,” König groaned.

“He did,” you chirped, “but he did knock twice at least.”

“Well that’s something,” König grumbled, “so where did you go next?”

“We went to the cafeteria afterwards,” you placed your hands on König’s hips and shifted from side to side.

“You went to the cafeteria? Why didn’t you come here first?” König scoffed in mock offense.

“König,” you cupped his masked face in your hands, “I know you too well to not check the cafeteria second.”

König sniffed indignantly but let you continue your regales of your odyssey.

“So anyways, when you weren’t in the cafeteria, Horangi took me out here to find you! It took us a couple of tries, but we got here in the end!” you lightly kissed the inside of his wrist, making him chuckle sheepishly.

“So you saw all that?” König grimaced.

“All of it,” you told him, “I feel kinda bad for them though…”

“Ach,” König scratched the back of his head, “Jefferson and Young are fucking idiots, but Mandulu is usually one of my best. I don’t know what got into him today…”

“Maybe he’s going through a tough time?” you asked.

“I really hope not,” König winced, “if he is… Well, I can’t apologize. And if he were out on the fields it wouldn’t matter, so this is a good experience. Still,” König paused as he looked off to where Mandulu left, “I hope tomorrow is better.”

“Can't you go easy on him?” you asked hopefully.

“It’s because I like him that I have to be harder,” König patted your head lovingly, “if I’m soft, he’ll never be what he wants to be. If I’m hard on him, he might get to my rank in a couple of years.”

“That fast!” you whistled, “he must really be something special.”

“I was the one who put him up for promotion,” König brought his hands back to his hils, “but… You weren’t upset by any of that, were you?”

“Not really,” you shook your head, “if anything, it was kinda hot.”

“You thought me going red in the face is ‘hot’?” König shook his head in disbelief, “you’re a strange woman.”

“It’s cool to see you when you get all angry and stuff,” you chirped, then quietly added, “it would be hot if you yelled at me like that.”

“I don’t want the neighbors to know about your kinks,” König drawled as you blushed, “but if you really want, we could always try something when we get home.”

“Could we really?” you grinned eagerly.

“Well, not like that,” König pointed over his shoulder at where the three men had stood, “but I’m sure we can figure something out. Now,” he picked up the suitcase, “do you need a lift home?”

“I’ll be alright,” you assured him, “do you need me to go?”

“I'd hate for you to go so soon. If you like, I can meet you back in my office, but as you can see I’m a bit busy just right now,” König gestured over to the soldiers hauling a massive log over their shoulders from one end of the muddy field to the other.

“Can you at least give me a kiss before I go?” you asked.

“Of course,” König laughed.

Without missing a beat, König lifted his mask up to lean down and press a kiss against your lips. He held you tight briefly, then let you step back from his grasp. His eyes shone with an undying warmth as he took in your form once more.

“Colonel König has a face!” a soldier screamed in the distance.

König closed his eyes as he let out an exasperated groan.

“They’ve never seen your face?” you asked.

“They’ve never been on the field with me,” König explained before ruffling your hair, “now go to my office. I’ll be there soon, okay? I love you.”

“I love you too,” you blew him a kiss as you walked off back to the main building.

As you did, you could hear König raging and roaring at the soldiers from behind you. You felt bad, but you knew you’d be on the receiving end of König’s rage soon enough. Funnily enough, you looked forward to it.

Story Masterlist

[tainbocuailnge]

fgo is backpedalling on a feature for the first time lmao they'd expanded the append skill system to add one that increases crit damage and one that lowers the cooldown of the first use of each skill(!) but they all still cost the same amount of super rare servant exclusive currency so if you want to unlock them all you need to roll 8 copies of your bond 15 5* servant AND also not have used their excess coins on the feature they'd already introduced to turn spare coins (that now retroactively are not spare) into grails

compensation is 120 quartz (lol) and promising they're going to refund all the coins you put into grails (which they tracked apparently?) (why not retroactively hand out coins for amount of storylocked 3* then) and make it possible to swap levels from one append skill to another (bandaid solution to the real problem being that this coin system is bogus gacha bait to begin with) (they'd promised servant-independent coins ages ago)

i do think it's interesting that this is evidently where fgo players are collectively drawing the line and making enough noise that lasengle actually has to backpedal on it. I don't have any hard statistics on player activity but my anecdotal experience is that fgo is bleeding players at this point so I wonder if they'd still have backpedalled (and with such a sizeable sum of quartz) if player retention wasn't as much at risk lately. pulling out so many collaboration characters in an unusually short timespan and an incredibly long anticipated unit like summer ereshkigal with a literal affection meter mechanic and anti-ntr features that make it so you can never use her optimally if you don't roll her yourself feels like a real desperate move on their part to get people to come back. hey you left fgo to play real games like samrem and mahoyo and tsukire right look we have water saber and aoko and ciel please come back!!

fgo has been running into the limits of its fairly basic gameplay engine for years and rolling out various bandaid systems to pretend to add more depth for as many years without addressing the real issues but since there's so many other fate games getting (re)releases lately people have less reason to care about fgo specifically, because they can just pay for one of those other games once and have a complete story experience without having to do time-limited chores about it. I joked about oberon killing fgo earlier but I think realistically it's the combination of lb6 being a story high they haven't been able to reach again + samrem releasing and mahoyosweep picking up around when people were realizing fgo wasn't gonna reach that same high again. there's less and less reason to stick with fgo because there's real complete games coming out that will give you a very similar story experience and won't make you do various time-limited chores about it

ideally this will scare lasengle into making more intensive changes but they've been so stubbornly blind to the actual problems with the game for so long I'm not counting on them actually fixing those

[merlinrarepairfest]

2024 Masterlist

And that's a wrap, everyone! With 27 incredible fills, this year's round of the Rare Pair Fest concludes, and I want to say a massive thank you to all the writers, artists, readers, and cheerleaders! <3

You can find all fills in the AO3 Collection, and also listed beneath the cut. Enjoy!

Title: like diamonds we are cut with our own dust AO3 username: SlantedKnitting | @slantedknitting Rating: Explicit Warnings: none Medium/Word Count: 5,068 words Pairing/main characters: Merlin/Elyan Up to 10 tags: canon era, Merlin’s magic is horny

Summary:

Merlin’s magic has always been sensitive to iron. When he moves to Camelot, iron becomes harder to avoid. Especially when the local blacksmith is the most beautiful man Merlin has ever seen.

AO3 link: https://archiveofourown.org/works/59524846

---

Title: Yet Another Super Psycho Love Story AO3 username: merthurianlegends | @samwinjester Rating: General Audiences Warnings: Choose Not To Use Archive Warnings Medium/Word Count: video & fic (794 words) Pairing/main characters: Gaius/Uther Pendragon (Merlin), Merlin/Arthur Pendragon (implied) Up to 10 tags: Video, BBC Merlin Rare Pair Fest 2024 (Merlin), Grumpy Old Men, GILF action, GILF, Old Friends, Friends to Lovers, Possession, Spells & Enchantments, Alternate Universe - Canon Divergence

Summary: 

Uther's bewitchment didn't quite go away, and then mister loose tongue licky-licky caught the King's eye. Maybe there's a kiss in the throne room. Maybe they run a ponzi scheme together. Maybe the goblin sees it as a perfect opportunity to get the ultimate gold (Uther's crown). The possibilities are limitless.

AO3 link: https://archiveofourown.org/works/59889388

---

Title: More Than Being Unknown AO3 username: solsprite | @jayprobably Rating: T Warnings: mild violence, internalised transphobia Medium/Word Count: 4,535 words Pairing/main characters: Leon/Merlin Up to 10 tags: trans!Merlin, trans character by trans author, everyone in Camelot is emotionally constipated, angst with a happy ending, first kiss

Summary:

“Please just—don’t tell Arthur. I’ll go. I’ll leave Camelot as soon as I can, but let me take my secrets with me. Let me say my goodbyes.” “Merlin.” Leon’s always steady voice sounds devastated, and it takes Merlin by surprise. The sheer depth of concern in it is the complete opposite of the reaction he was expecting and he finds he has to look away for a moment to collect himself. “I won’t tell a soul,” Leon continues, despite the fact Merlin can’t even meet his eyes. Sincerity bleeds into his words, the raw emotion from a moment ago seemingly in check, though when Merlin forces himself to look at Leon again, worry is etched clearly on his face. “Nobody is going to make you leave Camelot. I’m just so very sorry you’ve been carrying this alone for so long.”

AO3 link: https://archiveofourown.org/works/59918920

---

Title: Kiss me on the mouth and set me free AO3 username: GuiltyScarl3t | @guiltyscarlet Rating: M Warnings: Creator Chose Not To Use Archive Warnings Medium/Word Count: 1,350 Pairing/main characters: Lancelot/Arthur Pendragon Up to 10 tags: Episode: The Darkest Hour, Episode: Lancelot du Lac, Canon Divergence, Shade Lancelot, Mind Control, Assassination Attempt, Hurt No Comfort, Ambiguous/Open Ending

Summary:

Set in Lancelot du Lac. "These doe eyes, which have been haunting his nights since Samhain— long before that if he’s being honest—meet his own and steal his breath." or Lancelot returns months after Samhain

AO3 link: https://archiveofourown.org/collections/bbcm_rare_pair_fest_2024/works/59982856

---

Title: AVALON VOICES AO3 username: be_my_druidess | @the-king-and-the-druidess Rating: T Warnings: Creator chose not use Archive warnings Medium/Word Count: Fanfic/11,039 Pairing/Main Characters: Mordred/Morgana; Morgana, Mordred, Catrina Tregor, Uther Pendragon Tags: Modern Setting, Reincarnation, Arthur Pendragon returns, Heavy angst, Mental health issues, Romance, Morgana-centic, Wicca, Good Mordred, Mental institutions

Summary: 

Unable to cope with the loss of her brother and problems with her father and stepmother, Morgana ends up in the Avalon Mental Hospital. She leaves it with the desire to become a witch. Through strange visions, fears and nightmares, she tries to find her way and find out the truth about what is happening to her. This leads her to Mordred, a neo-druid and manager of a Wiccan bookstore.

AO3 Link: https://archiveofourown.org/works/60021823

---

Title: Courage Was The Key AO3 username:RangerJedi67 | @wanderingjedihistorian Rating: Gen Warnings: None Apply Medium/Word Count: 4,337 Pairing/main characters: Leon/Morgana Up to 10 tags: Canon divergence, Siblings Arthur & Morgana, Background Arthur/Gwen, Leon & Arthur friendship, Suspicious Arthur, Protective Gwen, Determined Morgana, Competent Leon

Summary:

“Sir Leon and I wish to marry.” Morgana stood to her full height, carrying herself with surety and courage. Arthur respected that. Her words, however, confused him. Why did she and Leon wish to marry? “You what?” Uther said, tone just this side of incredulous. Squaring her shoulders, clearly preparing to dig her heels in for a fight, Morgana stared right back at him. “I wish to marry Sir Leon,” Morgana repeated. “I will marry him.”

AO3 link: https://archiveofourown.org/works/60028777

---

Title: Caged Prince AO3 username: cynthia1314 | @cynthia39100 Rating: Explicit Warnings: Rape/Non-Con Medium/Word Count: fic/11869 words Pairing/main characters: Arthur/Gwaine, (one-sided) Arthur/Cenred Up to 10 tags: Arthur Whump, Essetir Knight Gwaine, Hurt/Comfort, Explicit Non-Con Content, Referenced Drug Use, Hopeful Ending

Summary:

Arthur was forced to marry the enemy king Cenred in order to stop a war. Gwaine, never lost his father, is a reluctant knight of Essetir. Knowing the danger they're in, the two of them still fall for each other. 

AO3 link: https://archiveofourown.org/works/60030565/chapters/153162175

---

Title: Conium maculatum AO3 username: twistedshipper | @twistedshipper Rating: Mature Warnings: Chose not to warn Medium/Word Count: Fic,5,933 words Pairing/main characters: Morgana & Morgause Up to 10 tags: Post-series 2, Emotional Hurt/Comfort, The Dark Tower, Witchcraft, The Old Religion, Sister-Sister Relationships, Poison, Dissociative Identity Disorder

Summary:

When Morgause's plans to overthrow the mad King Uther come to ruin and all on account of a young boy and a flask of poison hemlock, she whisks Morgana away to the Isle of the Blessed whereby to bring her back from the brink of death, and from there to the Dark Tower to subject her to the hallucinogenic mandrake root in order to win her over to her side once and for all. All goes according to plan, and Morgause is more certain than ever of her sister's loyalty to her and her cause, except what if what she brought back is not entirely the Morgana she once held dear and loved?

AO3 link: https://archiveofourown.org/works/60034450

---

Title: sweet like honey AO3 username: kairennart (personaje) | @kairennart Rating: Mature Warnings: Choose Not To Use Warnings Medium/Word Count: Digital art Pairing/main characters: Lancelot/Arthur Pendragon Up to 10 tags: Shade Lancelot

Summary:

Lancelot's lips don't leave Arthur's as he slides his hand under the pillow and grabs the dagger. He sits up, feeling the way Arthur shifts underneath him, and with both hands drives the dagger to his King's chest.

AO3 link: https://archiveofourown.org/works/60072397

---

Title: The Talking Treatment AO3 username: PierrotPatroclus | @pierrotpatroclus Rating: Gen Warnings: None Apply Medium/Word Count: 3663 Pairing/main characters: Leon/Gwaine Up to 10 tags: Childhood friends, soulmate au, miscommunication

Summary:

They've been friends forever, but an offhand comment at a bar causes a complete re-evaluation

AO3 link: https://archiveofourown.org/works/60049156

---

Title: Figures On An Urn AO3 username: Ynnealay | @thefollow-spot Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Medium/Word Count: 2,041 words Pairing/main characters: Leon & Arthur Up to 10 tags: Some angst, Relationship Study, Character Study, Druid Raids, One Shot

Summary:

Arthur is shaken in the aftermath of his first Druid raid. Leon is there for him.

AO3 link: https://archiveofourown.org/works/60053725

---

Title: keep the windows open A03 Username: Sage_Owl Rating: teen and up audiences Warnings: no archive warnings apply Medium/word count: fic/4,806 Pairing/main characters: Ygraine/Nimueh Up to 10 tags: modern era, soulmate-identifying marks, college, weddings, not actually unrequited love, arranged marriage, first kiss, getting together, happy ending, everyone hates Uther Pendragon 

Summary:

Nimueh knows she can't ever have Ygraine in the way she wants- but that doesn't mean she's willing to lose her, either.

A03 link: https://archiveofourown.org/works/60055756/

---

Title: The Mirrhe sweete bleeding, the Ash for nothing ill AO3 username: Zorbo_Jorks | @zorbojorks Rating: G Warnings: No Archive Warnings Apply Medium/Word Count: Fic/ 1300 words Pairing/main characters: Elena/Mithian; Elena, Mithian Up to 10 tags: First Meetings, Feasts & Banquets, Pre-Relationship, Post-Season/Series 3, Cute and Happy, Horse Talk, Bonding over Horses

Summary:

It has been months since Elena has been freed of her changeling curse, and to say the adjustment to normal princess-hood has been easy would be a flat-out lie. She is still the same clumsy, blustering young woman she ever was, only now she is aware of how embarrassing that can be for her. Especially when her father is hosting a feast for delegates of neighboring kingdoms. Even more so when one of those delegates is Princess Mithian of Nemeth, who has the keen ability to fluster Elena with just a look and a smile. Oh, how can she possibly make it through the evening?

AO3 link: https://archiveofourown.org/works/60066730

---

Title: but, baby, i'm a rebel AO3 username: insane_faclon | @insane-ohwhyfandoms Rating: T Warnings: No Archive Warnings Apply Medium/Word Count: Fic, 1.8k Pairing/main characters: Elyan/Morgana Up to 10 tags: AU - High School, Party, Underage Drinking, Sexual Harassment by Cenred, Kissing

Summary:

Morgana's crushing hard on her best friend's older brother. It's a problem.

AO3 link: https://archiveofourown.org/works/60069466

---

Title: [ART] My Pet AO3 username: Mischel | @magicalmischel Rating: M Warnings: none Medium/Word Count: art Pairing/main characters: Morgana/Freya Up to 10 tags: digital art, light dom/sub, cat ears, bamf morgana, suggestive themes, canon divergence

Summary:

Merlin isn't the one who found and rescued Freya. Morgana is.

AO3 link: https://archiveofourown.org/works/60077356

---

Title: Learning to Stay AO3 username: SlantedKnitting | @slantedknitting Rating: Mature Warnings: none Medium/Word Count: 5.5k Pairing/main characters: Elyan/Gwaine Up to 10 tags: canon era, Elyan has magic

Summary:

Elyan has always had a hard time staying in one place. Thoughts of leaving always tempt him, even when he’s settled in Camelot as a knight. It doesn’t help that he always has to hide who he is and hide his magic. Then he and Gwaine grow close, too close, and maybe Elyan has a reason to stay put this time. Until Gwaine discovers his secret, and all Elyan wants to do is leave. Again.

AO3 link: https://archiveofourown.org/works/60069850

---

Title: Merlin's knight in muddy armour. AO3 username: ohmerthurcharm | @oh-merthur-charm Rating: Mature Warnings: Angst Medium/Word Count: 1,244 Pairing/main characters: Gwaine/Merlin Up to 10 tags: Merlin's magic revealed, angst, kissing, crying, escape, bathing/washing, affection, hopeful ending.

Summary:

Arthur is saved by Merlin publicly just before he gets seriously injured. The problem? His magic was revealed by his daring attempt in saving his King's life. Now he is on the run, with two pairs of footprints being tracked by the King and his men. Merlin has help and it is Sir Gwaine himself. Prompt: Gwaine has always been Merlin’s knight. By: HadrianPeverellBlack. This is for the Rare pair fest 2024.

AO3 link: https://archiveofourown.org/works/60070792

---

Title: The Green Duvet AO3 Username: pyjamacryptid | @pyjamacryptid Rating: Gen Warnings: Major Character Death Medium/Word Count: Fanfiction / 2,292 Words Pairing/Main Characters: Gwen & Gwaine, Elyan & Gwen, Elyan/Gwaine Up to 10 Tags: Merlin (TV) Season/Series 05, Grief/Mourning, Emotional Hurt/Comfort, Angst, Canonical Character Death, Relationship Reveal

Summary:

Gwen, finally released from Morgana’s curse, finds herself with a lot of mourning to catch up on. Gwaine, mourning more than he lets anyone know, finds Gwen in Elyan’s room. They talk and, maybe, begin to heal.

AO3 Link: https://archiveofourown.org/works/60070741

---

Title: Saw You In A Dream AO3 username: lavender_spice | @lesbianlefay Rating: G Warnings: none Medium/Word Count: 1.9k Pairing/main characters: Gwen/Morgana Up to 10 tags: Role Reversal AU, First Meeting

Summary:

When Morgana met a mysterious girl on her first day in the castle, she had no idea how much her life was about to change.

AO3 link: https://archiveofourown.org/works/60077800

---

Title: to hold our destiny AO3 Username: fictified | @fictivecircle Rating: g Warnings: none Medium/Word Count: 1,778 words Pairing/Main Characters: Iseldir/Leon Tags: Alternate Universe - Coffee Shops & Cafés, Modern Camelot, First Responder Leon, Iseldir makes coffee as well as moves, but this is really just very soft, First Meetings

Summary:

Iseldir serves the coffee; Leon comes back for more.

AO3 Link: https://archiveofourown.org/works/60123463

---

Title: You Should Never Know (How Easy You Are To Need) AO3 username: BeBraveDearHeart | @bebravedearheart Rating: M Warnings: No Archive Warnings Apply Medium/Word Count: Fanfiction - 8,374 words Pairing/main characters: Arthur/Lancelot Up to 10 tags: pining, closeted Arthur Pendragon, canon compliant, Arthur Pendragon Needs A Hug, Arthur Pendragon Is Bad At Feelings, Lancelot is so bloody sincere, Goodbyes

Summary:

"Arthur waited on the training field in full armour, his surcoat pristine with the Pendragon crest sewn on in shimmering thread by Guinevere (by far the best seamstress in Camelot). He held his head high and proud, shoulders back, spine straight and drawn up to his full height. He looked resplendent, and knew as much by the second and third glances that came his way from nobles and servants alike as he strode the corridors, then the grounds. Suitably intimidating then. After all, he needed the best; he wasn’t going to go any easier on Merlin’s friend just because that was who it was. The man that walked up to him gave Arthur pause. He wore chainmail and a surcoat dyed a shade of orange that ought to look garish and unprofessional, yet somehow complemented the would-be knight’s dark complexion. His deep-brown eyes and hair to match fell just above his shoulders, and his chin was shadowed with stubble kept neat. He stood half an inch shorter than Arthur, though held himself with quiet confidence. The angles of his face were statuesque and they captivated Arthur as much as any fine piece of art."

AO3 link: https://archiveofourown.org/works/60151489

---

Title: Sorting Out Shenanigans AO3 username: 429_CarCrash | @carcrash429 Rating: Gen Warnings: None Medium/Word Count: 549 Pairing/main characters: Gwen & Gwaine Up to 10 tags: slice of life, behind the scenes, Episode: s04e06 A Servant of Two Masters (Merlin), Chaotic Besties

Summary:

It’s good to have a friend to check in with when something is afoot in the castle.

AO3 link: https://archiveofourown.org/works/60250057

---

Title: Rogue Resonance AO3 username: Pearl09 | @pearlll09 Rating: T Warnings: No archive warnings, but violence Medium/Word Count: Fic: 11k, art: 3 pieces! Pairing/main characters: Morgwen Up to 10 tags: Cyberpunk AU, Dystopia AU, Double Agents, Falling in love, getting together, codenames

Summary:

Morgana has a plan to infiltrate the rebels, who have been causing chaos in the city. She hopes to gather important information Arthur and Uther can use to break the group down, but doesn't know that the rebels are actually doing more for the city than Uther ever has. Can she truly pick a side without being seen as a traitor by both groups?

AO3 link: https://archiveofourown.org/works/60667987/chapters/154915444

---

Title: friends are the ones who are there at the end AO3 username: Shana_Rose | @shana-rosee Rating: T Warnings: none Medium/Word Count: 3,725 Pairing/main characters: Mithian & Arthur Up to 10 tags: Alternate Universe - Modern Setting, Childhood Friends, Male-Female Friendship, Platonic Relationships, Emotional Hurt/Comfort, Bisexuality, 5+1 Things

Summary:

The moment she opened the door Mithian knew something was wrong. Arthur was breathing heavily on his bike, holding a bag close to his chest. “Arthur? What’s wrong?” Arthur climbed off his bike and looked around before opening the bag.' She gasped, it was full of broken glass! “My dad says we’re not supposed to touch broken glass Arthur!” - Five times Mithian helps Arthur out, and the one time, he returns the favour.

AO3 link: https://archiveofourown.org/works/60842395

---

Title: Turn and face the strange (Changes) AO3 username: Salamandair | @salamandair Rating: Teen+ Warnings: None Medium/Word Count: 19k Pairing/main characters: Arthur/Gwaine Up to 10 tags: Modern AU, Fake Dating, Pining Arthur, Happy Ending

Summary:

Against his better judgement, even though he has unrequited feelings for him, Arthur agrees to accompany Gwaine to his family’s for the weekend as his fake boyfriend. It was just for a weekend, it wasn’t a big deal. Right?

AO3 link: https://archiveofourown.org/works/60917116/chapters/155609077

---

Title: Finally I know you  AO3 username: Fighting_for_Creativity  Rating: Teen and up  Warnings: no archive warnings apply  Medium/Word Count: Fanfic, 1,863  Pairing/main characters: Percival/ Gwaine, Percival, Gwaine  Up to 10 tags: Post-Canon, story of healing, getting to know your beau, Friends to Lovers, Alternate Universe - Canon Divergence, having lived with druids Percival, Hurt/Comfort, Nightmares, Post-Traumatic Stress Disorder - PTSD, Feelings   

Summary: 

The war was over. The loss was great. Percival could not lose Gwaine too, and thankfully he didn't have to. Both men have lived through hell, and it takes time to recover from that. Thankfully, they both got it and arms they could hide from the world from in.

AO3 link: https://archiveofourown.org/works/60895162

---

Title: and underneath all that, it's you AO3 username: The_Questing_Beast | @ummyesisthisjasongrace Rating: General Audiences Warnings: none Medium/Word Count: 1787 words Pairing/main characters: Gwaine/Leon, Leon, Gwaine, Percival, Elyan Up to 10 tags: Canon Era, leon is an emotional mess, emotionally repressed, repressed feelings concealed by sense of duty, Gwaine's a little shit (canon), The Rising Sun, Knight Shenanigans (sort of)

Summary:

One thing was for sure: he would never - ever - listen to Gwaine again. Why he had ever let himself be persuaded that this would be a good idea in the first place seemed incomprehensible to him now. It must have been a temporary mental derangement on his part, otherwise he would never have agreed to come along when Gwaine had invited all the Knights into the Rising Sun after training. So there he was now, crammed on a bench between Elyan and Gwaine, taking a sip of his second jug of ale because no, of course the others wouldn’t let him leave after just one. Still it didn't seem to be enough just yet. Or: Leon is almost as emotionally constipated as Arthur, but Gwaine knows what lies behind his dutiful exterior and tries to tickle it out of him.

AO3 link: https://archiveofourown.org/works/60941803

[thefirstknife]

The Thread Unfurls Against the Clocks: Saint-14 and how we saved him

Hello. It's time. I already did one summary of how we saved Saint, but I want to go even more in-depth because I later realised that so much of this is unavailable and also happened so long ago that most people don't even know where to look for it and what to look for. I also want to address all the adjacent lore like the stuff about the Sundial and also how it all relates to the current plot.

Finally, I want this to serve as an explanation that there's something very weird going on and that the Saint we have is the real Saint. I've seen people already super resigned after this week's story, simply accepting that there was a reveal that he is truly the "wrong" Saint. I want to analyse all we have on Saint in-depth and focus on how we saved him to show the level of detail involved because I think it's important to understand things in the episode.

Obviously, really compelling lore changes can happen and work out, but in this case I'm just not feeling it, for various reasons. We'll see, but I still think this is worth putting together and that we have plenty of indications that we saved him "correctly" so to speak.

Saint is a unanimously beloved character and one that is so closely linked to our player character as well. The setup for his return was established so long ago and was kept consistent the entire time. I feel like the stuff in Echoes is almost like a culmination of it all, as well as a reminder about what we've done. We'll suffer for a bit for sure but there is no doubt in my mind that Saint will come from this safe and healed. No matter what ends up being revealed, I believe he will be fine.

Contents! Long post under. Spoilers for Echoes Act 2, mostly just in the Echoes section.

Intro

Curse of Osiris quest

Season of Dawn

What's up with the Sundial?

Echoes

Intro

I'm not sure how familiar people are with the full scope of Saint-14, but he's been a character since the beginning. We didn't know much about him at all; the first mention was in vanilla D1 in this grimoire about the Darkness, listing what various characters think about it. Saint's thoughts:

Saint-14's Position argues that the Darkness was an invading armada, an alien force of incredible - but tangible - power. Some adherents believe that this armada sprang from species rejected or discarded by the Traveler for their sins.

All things considered, he wasn't that far off! Really cool detail, but this lore was referenced in TFS, in the lore book Chirality, and especially Saint's bit:

* Saint-14's Position is the most eminently practical of the bunch, no matter how the man himself protests that such an obvious facet of the truth doesn't require a formal philosophical stance to be named for him.

There's 10 years separating these lore pieces! But they're still being referenced because there are some incredible nerds writing this.

This doesn't tell us much about Saint, besides that he's thinking in very practical terms. He views the Darkness as something that can be fought back. Note that at the start we don't know anything else about him, not even if he's a Guardian. In House of Wolves, we get this lore where the author (the Speaker) is going off about Osiris. We get a little piece about Saint; Saint-14 suggested that Osiris should become Vanguard Commander and also vouched for Osiris. This was the first piece of info that these two are familiar with each other. How far we've come since!

After that, we get his helmet as an exotic in The Taken King (though it has no lore other than the flavour text) and a little bit of insight into him with the first proper lore tab that actually features him as a character. It shows his iconic headbutt and ends with him deciding to follow Osiris to Mercury. A few little details are mentioned in flavour text on the following items, mostly quotes about or from Saint: 1, 2, 3, 4. Number 3 is interesting:

"Stand with your back to the Wall, and not even the Darkness itself will move you." —Saint-14

Remember that!

There's a few more in Rise of Iron, again, just flavour text. He's really funny here, and being his usual heroic self here. That's it for his stuff in D1. Saint-14 was some sort of historic figure, he was a Titan, he fought in historic battles, he fought against the Eliksni and he had some sort of connection with the Speaker and Osiris. He was a practical man, a warrior and a protector.

He wasn't really a full character or anything and only had a few quotes and one lore tab where he actually does something. But the stage was set! He was clearly a character they wanted to explore and they did, in Curse of Osiris.

Curse of Osiris quest

Curse of Osiris returned his helmet as an exotic item and immediately gave us hints about the expansion of Saint-14's character and where they're leading him. The lore tab on the exotic is a conversation between Cayde-6 and Lord Shaxx where Cayde-6 insists that Saint is not dead, while Shaxx is just kind of resigned to it. Cayde also notes that Saint was a "weirdo:"

C6: No one ever put down a Kell faster than he could. But man, he was a real weirdo. SX: Eccentricity was his strength. C6: Talking about the Speaker like you're related to him is eccentric. Claiming he's seen the future, that he fought Six Fronts fueled on the idea that some Guardian savior is coming? That's insane.

Wait a minute. Saint-14 claimed he's seen the future and that he believed in "some Guardian savior"? What's that about? Wink wink. Nudge nudge. To make things even more obvious, the remaining conversation is... about the Young Wolf:

SX: Belief is a hell of a thing. C6: Sure, yeah. One Guardian's going to fix everything. Kick Crota off the Moon. Make it look like us Vanguard know our head from our hindquarters. Hey, where are you going? SX: One of the new recruits from Old Russia I've had my eye on—entering the Crucible for the first time. C6: Hey, maybe they're the one. We'll call 'em Crota's End.

Maybe Cayde should've started making prophecies too! But yeah. This was the first proper hint about what they cooked up for Saint's story. Saint has apparently seen the future and believed in a "Guardian savior" and he fought for the City fuelled by this belief. Very interesting! To make things weirder, there's Saint-14's Gray Pigeon which also features some strange lore at the end where Saint addresses an unknown person:

To my inspiration. Your final gift to me I now send back to you. It will be good to see you again.

This was wild to read at the time because it clearly references something that we don't know about, but that's incredibly important to Saint. The theory was that he might be talking to us, the Young Wolf, but how?

That's where the quest comes in. Curse famously didn't have a lot of content, but it did have the post-campaign quest with Lost Prophecies. They were a set of quests where we essentially had to collect items to transform "prophecy tablets" into weapons in the Infinite Forge which was a sort of interactable area in the Lighthouse on Mercury:

There were a total of 11 of these, with the final one being to acquire the Perfect Paradox. Each weapon came with a prophecy in the flavour text and a lore tab. The final one however, Perfect Paradox, triggered a whole separate quest in two parts. In part one, we discover an old Vanguard comm signal coming from the Forest which we follow and analyse to discover that the signal is from Saint-14.

Detecting traces of familiar Light up here. Wait… Saint-14? He's been missing for decades. Saint was one of the greatest Titans who ever lived. Hero of Six Fronts. All that power and he just… vanished. The City's still looking for him.

This quest also features this conversation from Osiris and Sagira:

Osiris: If Saint-14 is lost in the Infinite Forest, it's because he came here to find us. Sagira: You can't blame yourself for every missing Guardian, Osiris. Osiris: For him I can.

If you're lucky (or unlucky, depending on how many emotions this gives you), you can hear this line from Sagira in Presage. This is where it comes from!

The quest is kinda set up in a way to make you think we'll actually be saving Saint here. We finally found his comm signal and it's leading us into the Forest. He's clearly affected the Vex and the Forest with his Light and he's fighting back. Osiris gets involved and urges us to find him. The whole thing feels like we're doing what we usually do; find a problem and fix it.

Part two of the quest continues in a similar vein. The quest is called "Not even the Darkness," btw. Remember that quote from Saint from The Taken King? Yeah. Anyway, we go back to following the trace leading us to Saint, into the Infinite Forest, this time into a simulated future. There, the Vex get alerted and summon a big Minotaur; Hagios, Reverent Mind (whose name means "sacred" in Greek, so essentially... Saint). We kill the Minotaur and then the area behind it opens; it appears to have been guarding it.

When it opens, we're treated to a bittersweet sight:

The area is beautiful, but it's a tomb. Saint-14's body is laid out like this in a pillar of light, surrounded by piles and piles of dead Vex. The Vex fought him for an unknown amount of time and they ended up respecting him; enough to create a tomb and seal his body and set a whole Vex mind to guard it, and apparently, revere it. Despite how hopeful we've been about saving him, he is dead.

As we approach his body, we take the remains of his personal weapon. Back at the Lighthouse, we use these remains and the prophecy to craft the weapon as it was; Perfect Paradox shotgun. The prophecy attached to it:

A tale that's different from the rest: the thread unfurls against the clocks. The one the Speaker loved the best must have a perfect paradox.

The prophecy is from Osiris, of course, which means that at some point when he was making them, he already knew about the strange fate of Saint-14. Not that he is dead; Osiris hoped to find him in the Forest. But his prophecy talks about time travel and a paradox. In the lore tab itself, Saint attached a letter to the gun in which he once again addresses a mysterious person. This person is now definitively identified as us:

All I have left is this weapon. The Cryptarchs say you crafted it yourself, built it out of scraps and Light and sheer will, inside the Infinite Forge. I'll make sure it finds its way back to you.

Well that's correct. We crafted the weapon in the Infinite Forge. But we only did so after recovering its remains from Saint's body, so how could he have had the gun in the first place? Almost like... there's some sort of a time travel paradox involved. This was naturally bizarre at the time; we had nothing else on Saint or any of this during this quest, just these vague baffling hints that there's more to the story. Especially since it involves our character; Saint repeatedly talks as if he had already met us. He says so in the letter as well:

I mourn that I will never reach the heights you have. To me, you represent everything a Guardian can become. Yours is a thriving City. So different from mine. My whole fourteenth life I fought to make my City yours. I never finished.

He knows that our City is thriving and that we are "everything a Guardian can become." But we've never seen him before. This was really confusing and there was also not even a promise that it would be resolved. But it felt like something that they cared about deeply.

It would take 3 years until we got the resolution.

Season of Dawn

This is a big one in general because they really wanted to be as attentive to all details as possible. Even before the season started, they released several weblore pieces to remind us of Saint and bring up some important information.

The first one was The Accolade, about Saint's past and heroic deeds revolving around saving people. The weblore focuses on explaining what his "accolades" are; aka his purple ribbons on his armour and ship. They're gifts from people he saved; tokens of appreciation that turned into a type of a ritual with Saint. If you're saved by Saint, you have to give him something purple and he will wear it with him and remember your name. It ends with Osiris shortly after we found Saint's grave. Osiris went to see it for himself, to check, to make sure. He also laments that he never asked about the ribbons.

The next one is a glimpse into the past, a conversation between Osiris and Saint as Saint hands him the Vanguard Commander title. It's a good look into how that all happened, as well as the differences in approach and beliefs between Osiris and Saint.

And then they released The Sundial weblore (TW for suicide if you're reading the full weblore. One of his Echoes does not have a good time). Osiris is found on Mercury with a machine he built, putting finishing touches on it. It's called the Sundial. Osiris built it in response to Saint being dead, the implication very much being that he intends to use some form of time travel or some other time shenanigans to change the outcome and save him. Osiris never recovered from learning that he's dead and from seeing his dead body in the tomb. The design is Sagira's, and he's also helped by Drifter, who shows up to check the math. I'll go more into the Sundial later.

Osiris wraps up his work on it and turns it on. He splits into his Echoes and enters the machine to start searching through Saint's timeline on Mercury with the intent to find the right moment with the right Saint to save him; he is specifically looking for the moment when they drain his Light.

Osiris’s Echoes scour Saint-14’s timeline on Mercury. But the corridors of time refuse to give way to the moment they need: Saint and the Martyr Mind in the depths of the Infinite Forest. The Echoes work tirelessly for weeks, then months in the space between moments. In desperation, he splits the dozen copies into many thousands more as the work continues fruitlessly.

Osiris experiences what the kids these days call "epic fail."

None of the Echoes ever approaches a Saint. They never find the right one.

Despite all the work put into this machine and all of his knowledge and skill, Osiris doesn't manage to use the Sundial successfully. He never finds the right moment and he never saves him. It's worth noting that when Osiris used thousands of his Echoes, he experienced the time and life of every single one. But for Osiris outside the Sundial, it's only been a few moments. In those few moments, he essentially lived thousands of lifetimes. And died thousands of times. I need people to understand the amount of effort he put into this and what kind of an emotional toll it had.

Completely defeated, he gives up and hides the Sundial. He moves on with his life, doing what he always does, until stuff suddenly changes, which is explored in the next weblore: Actions of Mutual Friends. Us killing the Undying Mind in the season before Dawn changed everything, for the Vex and everyone else. We essentially created a point of divergence. The Vex suddenly had to change their projections of the future; Osiris noticed this and got very concerned.

While he wasn't looking, his Sundial was found, by Psion sisters. They figure out the potential of the Sundial and work to reactivate it, which they succeed in. The Red Legion descends on Mercury, looking to use the Sundial to essentially rewrite the course of the Red War and win.

Osiris finds out and goes to Ikora, to the City, to ask for help. This is the topic of the next weblore: Desperate Times. Osiris defends his choice to make the Sundial to save Saint, despite everybody else basically trying to explain to him that the universe might implode because of it.

This is a lot of setup, but it's necessary. It all leads into what happens in the season and what the season revolves around; saving Saint. It wasn't even a secret, as they very clearly showed it right away in the trailer (best trailer they've ever done). The seasonal gameplay revolved around us using the Sundial to defeat the Red Legion and stop them from trying to figure out how to essentially change the course of history. We had to fight three different Psion bosses, one of each of the sisters, until the end, when the three of them joined together into a single Psion entity for us to defeat.

As we were using the Sundial for this, Osiris also told us about what he made it for originally. He explains a little bit about it and about his failure to succeed, then warns us against using it for ourselves, but doesn't stop us.

I told you before - I tried to save Saint-14. I bent the rules of time using a prototype of the Sundial. It allowed me to walk the corridors of time here on Mercury. But I failed. I never found Saint's final moment against the Vex. I encountered younger versions from his first mission to Mercury, among others. But none were the right Saint. The prototype Sundial still exists, accessible off the main deck. And it can still travel through Saint's personal timeline on this planet. But venture there at your own peril. He cannot be saved. I have walked every permutation of those corridors with a hundred thousand of my Echoes and found nothing. Saint-14 is lost.

Despite this, we make the attempt and then the first part of the quest starts. When we use it, the Sundial reacts. It reacts specifically to the Perfect Paradox:

The Shotgun you crafted in the Infinite Forge is reacting to the Sundial! An onboard transponder is broadcasting coordinates: a path through the Sundial, crossing two time periods. The prophecy blueprint you used to create the Perfect Paradox must have included this broadcast. If you can open up the initial chamber, I can align us to the first time period the broadcast is referencing.

The two time periods are two points in time where it's relevant that we meed with Saint. The first one is in the Dark Age, when he came to Mercury with civilians in an attempt to reclaim the planet and help the struggling population of Earth with resources and possibly old Golden Age technologies. We connect to Saint via comms. He is devastated and demoralised. He failed to protect his people and he's also under siege by the Eliksni and is more or less resigned to dying. Lucky for him, we get there in time to help him out of this situation.

After the battle, we talk to him. Our Ghost hesitates a little but then decides to do it anyway; he shows Saint the projection of the Last City from the future, to prove to him that the everything will be fine if he continues to fight and stays hopeful. We also give him the Perfect Paradox, to help him fight. The loop is set! This gun was crafted in the future and was brought to the past. In time, Saint will die with it and we will pick up its remains from his body, allowing us to craft it in the first place.

Saint-14: What is this? Ghost: The Perfect Paradox. Built by my Guardian out of spare parts and Light and sheer will to aid you.

More importantly, this is the moment that Saint spoke of to other people that made him seem crazy. As we've seen in lore from years before, Saint kept saying that he saw a thriving City and that there's some sort of Guardian savior coming and that he's seen this future. He also wrote in that letter how we gave him the shotgun and how we saved him. This part of the quest is constructed around this lore. This moment is what Saint remembered and talked about. We saved him and invigorated his will to keep going. This is why he is the way he is.

We part ways and leave the Sundial. Ghost immediately goes to check if we messed anything up and to let us know that there's one more point in time to go to:

Okay, let's check the Tower databases to make sure we didn't just wreck the entire timeline. Queuing "Saint-14"… Records state he was a former Commander of the Tower. He vanished on a final mission to Mercury in search of the exiled Warlock Osiris. Well, those are the big beats. Timeline intact. Good job, Saint. But our trip's not over. That broadcast I picked off the Perfect Paradox marked one more set of coordinates within the Sundial.

The second part of the quest started a bit later, but it doesn't waste any time once it does. We're immediately linked up to the other point in time that Perfect Paradox reacted to and we're back in simulated future, in the same area where back in Curse we fought Hagios who guarded the entry to Saint's tomb. Except now, we find Saint who has just had his Light drained from him by another Vex mind; Agioktis, Martyr Mind (note that the name is more or less in the same vein as "hagios," aka "sacred," dedicated to Saint). This is the moment Osiris was looking for, but couldn't find it, because he didn't have the Perfect Paradox.

This is the Vex mind they built to destroy Saint and we find him as his Light has already been taken. But Saint is still eager to fight and greets us happily. Unfortunately Saint is then restrained, the Vex doing everything in their power to kill him. However, this time he's not alone. We're there and we fight in his stead. We manage to piss off the Martyr Mind enough for it to now move to restrain us, which frees Saint, returning his Light to him as well. Saint then delivers the final blow to the Martyr Mind which frees us!

Saint-14: It's been a long time, my friends. I've chased your memory for centuries. You should go now. Those who could kill me are dead. You've made sure of that. Ghost: And what if the Vex take your Light again? Saint-14: Impossible. It cost them everything to build the Martyr Mind. When you crushed it, they were doomed. Ghost: You want us to leave you? You'll be stuck here for years. Saint-14: You've both done plenty. Just open the Infinite Forest gate for me. I'll meet you the long way around, at the entrance. Saint-14: What's a few more years of fighting Vex?

Saint decides to stay in the Forest and wait until we open it from the outside for him, in the future. This is how he leaves in the right time, instead of too early for his timeline, so nothing else is really affected. He waits it out and then exits the Forest at the time of Season of Dawn. This gives us one of the shortest but also the best cutscenes ever. As a note, in the cutscene, when Saint leaves, the Forest gate looks new, like from Mercury's past. This is because of the Sundial's effects on the surface of Mercury at the time, splitting the surface through time, so the Forest gate looked like it's from the past, but it's not. It's present day Mercury.

When we report this to Osiris, to say that he's amazed would be an understatement. I often quoted this from him, especially when people were being weird about Osiris and claiming he doesn't like us or whatever:

In his youth, he talked often about the Guardian who inspired him. I should have guessed it would be you.

We've done the impossible. Literally. The quest is called "Impossible Task." Osiris did everything and he couldn't do it and he lost hope that it would be done. But we did it, because we created the time loop; a connection with Saint that allowed us to use the Sundial in a way Osiris could not.

Saint has been saved! After this, he settled in the Tower. He had a series of minor quests and errands, the best one being the quest for the Devil's Ruin exotic which featured a really long and funny conversation between Saint and Shaxx. Another one is obviously the Corridors of Time quest which is genuinely cannot be compared to anything else as it was a community puzzle of epic proportions. An article that showcases just a little bit of how bonkers it was.

The important part of it is that the culmination of the quest featured us finding our own grave and Saint narrating a eulogy for us. This is important to us now for two reasons: 1) on our grave was a sword, a sword we received as an actual item in TFS, directly from the Traveler to fight the Witness 2) it's possibly a different timeline. The second one is unclear because we simply can't know when we die, but the eulogy specifies that the sword was shattered in the final confrontation where we died. Our current sword is chipped, and it wasn't when we originally got it in the campaign. So either this is a different timeline where it didn't shatter or this isn't that confrontation when we die and it will shatter at some other point in the future.

In this post I also noted how the music that plays in our grave scene and the music that played in TFS when we get the sword is the same. A very clear and deliberate choice. This is a very cool link to Season of Dawn that they brought back over 4 years later.

With the Corridors of Time puzzle ending and the Corridors closing, that concluded the Saint stuff. He was finally saved and he could rest in the Tower! And we know everything that has happened since.

Okay. So...

What's up with the Sundial?

We don't know! But I want to get into it because it's one of those things that they made sure to hint about, without fully explaining it so obviously every weird nerd online (me) wants to figure it out.

Back in The Sundial weblore, there are some peculiar and never explained details about the Sundial that have been kinda concerning and just intriguing to think about. There are a few lines essentially saying that whatever is at its core, it's not good. First is Sagira's:

“That work was theoretical! If the Vanguard find out what you did to build it—“

What did he do to build it? No clue. The infamous core is described only as:

He turned to look at the fluctuating glow of the exposed chronometric core.

When the Drifter shows up, he immediately reacts to this, fairly negatively which makes things more ominous since Drifter tangles with a lot of weird and bad stuff himself. So if he's disturbed about this...:

Drifter walked to the central spire and put his ear up against it. “This core…” he said, leaning close. His eyes darted back to Osiris. “It’s whispering.” Osiris’s expression didn’t change; his arms didn’t uncross. “We’ll seal the core away. I understand the ramifications.” “Good luck keeping that contained. Not something I would bargain with, hotshot.”

The core "whispers." Osiris understands the ramifications. They're both so frustratingly vague so the only thing we're left with is this ominous vibe of something bad being at the center of the Sundial.

This whispering, alongside a few other concerning descriptions and implications of the Sundial is mentioned in yet another weblore that I only briefly mentioned earlier because it wasn't relevant to Saint stuff; Sisters. It's about the Psions finding the machine.

The Psions could somehow feel the Sundial. Or perhaps just the effects it had on time on Mercury, even while it was powered down and hidden.

“Small disturbances,” said oldest Ozletc, the wisest. “Little currents in this timeline. Can you see them, sister?” “I can taste them,” said second-born Tazaroc, the hungriest of her sisters. “I can feel the edges.” Third-born Niruul, the quietest among them, reached her hand out to test the air. “As can I,” said she. “And something else. The source is disguised. The technology is Human, but refined. Surprisingly so.”

They also note the whispering, as well as its potential:

A strange device shimmered into existence around them. They looked up the length of an enormous, golden spire. “It whispers,” said Tazaroc. “Then block your ears,” said Ozletc. “Do you see the potential in this?” “Chaos,” said Niruul. ��No,” said Ozletc. “Opportunity. See how it tugs at the fabric of our time? Can you see the seams?”

They also make the strange comparison to the OXA:

“It is so clear,” said Niruul, reverent. “An unobstructed glimpse into what was and what will be.” “Not the troubled ramblings of a mad thing, like the OXA,” said Tazaroc.

The Sundial offered something more and better than the OXA ever could, implying, perhaps, that these machines have something in common; possibly something beyond simply Vex technology. My insanity about this has been going on for a long time and also helped with the TFS CE lore. A bit of a tangent, but also possibly related, depending on what the core is.

Furthermore, Osiris refused to tell Saint about details of the Sundial, including remaining vague about its core in this weblore:

[u.2:13] One is a manifestation of Light. The other… reserved for Taken Kings. Better suited for traversing the Sundial because of what lies at its core. [u.1:14] One day you’ll have to tell me exactly what you and the Guardian did to bring me back. [u.2:14] We did what we had to. Trust me.

So what is it? Well, we know:

It whispers (very obvious and easily detected, both by Drifter and the Psions)

It's something bad (Drifter's reaction to it is uncharacteristic for a man who tangles with the Taken for a living and deals with strange dangerous artifacts all the time)

Osiris' Echoes are better suited for the Sundial because of its core, and Echoes are something "reserved for Taken Kings." Bizarre way of saying it to avoid explaining it

Similar to the OXA, and possibly any other time/prediction machines based on Vex tech (because the OXA itself is confirmed to be more or less the same as the FWC Device, for example)

To recharge it, we needed to feed it Light. This is particularly concerning with what Osiris says about it: "The Sundial is my greatest creation and my greatest regret. What I had to do to forge it I can never take back. As a result, it has components that consume Light. And if you're serious about operating it again, you'll need to feed it. Nothing is free. Ever."

What this points to, to me at least, is Darkness. The core is a Darkness artifact of some sort, merged with Vex tech. This only gained more proof to me with all the new lore about the Darkness and how it governs the mind and memory, especially when the Vex are involved. To the Vex, the future is memory. Merging Darkness artifacts with the Vex might be able to create dangerous time travel machines or machines that displace consciousness through time and timelines, like the OXA and the Device, allowing the user to "predict."

To make things even more convoluted (and me more insane), there's an almost perfect explanation for what this artifact might be. So perfect that I feel like it's too good to be true, tbh. It's a Nezarec relic. I will now list everything that connects this:

It would explain the Darkness artifact. Nezarec's relics were full of Darkness and were being used by utilising that Darkness

Drifter's involvement and experience with it. Hell, the Drifter may have even provided this relic to Osiris, since he had one and did not particularly enjoy having it, which was detailed in Lightfall when they showed us how he got it. Plunder was also rich on this, showing us that the Drifter immediately recognised the relics and understood what they were.

Whispering. Darkness in general has a whispering thing; the Veiled statues, the Witness, the old stories about Dredgen Yor, there's a lot of whispering going on here. But it's really super connected to Nezarec. His relics were whispering to us in the H.E.L.M.. The glaive? Nezarec's Whisper. Another disciple also called him a "whispering Nightmare." All of Root of Nightmares armour lore has it as well, with Nezarec tormenting his victims with whispers; for example here, and here, and maybe even here. I could go on. He's the whisper guy. Literally, Nimbus called him Mr. Whispers.

Psions. The Psion sisters found and reactivated the Sundial... Somehow. They especially were able to almost instinctively locate it despite Osiris hiding it well enough. The Psions also needed quite a lot of time to activate it again and admired the complexity of the encryption, despite it being human, so we can't really say that they found it easily because Osiris' did a poor job of hiding it. Were they drawn to it? Were they drawn to it because of its core? Psions are inherently linked to Nezarec. It's been confirmed back in Lightfall, but also curiously mentioned again in TFS with the Lost Ghosts quest (timestamped here). I'm definitely hoping for some Psion content in the future but this is fairly interesting in this context. Season of Dawn was really the only proper Psion-focused storyline.

Osiris' coma. His coma appears to have been somehow paracausal. At least strange! The scans were showing that he has "no residual activity" in his brain, despite us having lore from his POV showing us that he had a very vivid and visceral activity. He was able to feel some external stimuli, but was mostly drifting through strange visions, seemingly hopping between his... Reflections. Or possibly Echoes. His final thoughts here are also of the Sundial; as if his mind was somehow stuck in there, or lost, trying to find his way out of it. This could just be a consequence of his memories constructing something for him to experience so obviously it's just cycling through what he knows, but...

Waking Osiris up from his coma happens with the use of Nezarec's relics. An important point to note here is that this wasn't so much about it being Nezarec's relics; it had more to do with the inherent Darkness they consist of and Darkness can help the mind and consciousness move or awaken. However, given all of this and given his POV from the coma and the possibility that his mind might have been stuck somewhere with his Echoes in the Sundial, if the Sundial's core is a Nezarec relic, then a Nezarec relic had more chance to bring him back. It's such a perfect connection that I feel insane thinking about it and it feels like I'm constructing a fanfic, but also. I think it's worth considering. Cutscene of him waking up + article from Bungie that details on the whole idea of waking him up with Darkness and why that's important for understanding Darkness.

I have to mention the other theory, especially in comparison with all the above to try and illustrate why it never made sense to me and that is the popular theory that the core of the Sundial is an Ahamkara bone and that the Sundial worked on wish magic.

I'm not quite sure why this was even a theory to be honest. Even back in the day of Dawn, this never really resonated with me because it seems that the only reason this was a theory was Drifter saying "not something I would bargain with" and... Possibly whispers? Obviously a lot of things can whisper, and Ahamkara have been also mentioned doing so, but I don't find this significant to Ahamkara enough for identification just through that. I also don't think that one mention of the word "bargain" is enough either. Many have bargained with Darkness too. There's simply an overlap between Darkness and Ahamkara here, but there are also other pieces that are more closely linked to Darkness like eating Light. We could go even further, if we're considering Ahamkara; we could also consider Worm Gods, for example. The point is that several things can fit here, but I feel like there's overall more things pointing at Darkness.

What gets me the most is that they alluded to this in Season of the Wish, in what seems fairly obvious as disproving this theory to me. Riven and Osiris talk:

Riven: Isn’t it unfortunate your City hunted down all of my kind, Osiris? You might have wished for Saint-14’s return from the Forest. Osiris: And have him trade the Vex’s torment for yours? Riven: Perhaps you simply didn’t want him back badly enough to pay the price. Osiris: Save the bait for someone naïve enough to take it.

I talked about this earlier, but there's several layers of why the moment I heard this, it sounded like it's here to disprove Osiris using an Ahamkara. First, Ahamkara wish magic would be felt by Riven. If Osiris put an Ahamkara into the Sundial, then he did use wish magic and she would know about it. In that case she would not have said this; perhaps she would've teased him about using her powers to save Saint, but that would be a completely different sentence.

Second, Osiris is well aware and wary of wish magic. He knows that had he done so, he would've probably put some form of torment (wish magic backfire) on Saint. This, to me, indicates that not only did he not do this, he didn't even consider it as an option.

Third, if Osiris had an Ahamkara bone and was considering to use it, he could've just done so without building the Sundial. Why bother with the machine if you can just instantly make a wish and the wish doing exactly as you want? Obviously with a caveat, but still. It would've worked right away. Perhaps the Sundial was an attempt to contain the backfire, mixing wish magic with Vex tech to try and prevent the whole thing from going backwards, but even then; Osiris knew there are possible consquences.

And fourth, even if he did all that, it just didn't work, which would be quite uncharacteristic for wish magic. It's paracausal; it should override any Vex tech in the Sundial. If he made a wish, he should ask for a refund! The Sundial worked only because of the paracausal loop we created with the Perfect Paradox and it had nothing to do with anyone's wishes; definitely not ours.

One interesting thing for this theory is the way they said how similar wishing and simulations are. It happened in Wish and now again in Echoes. Here's a freebie for the Ahamkara theory enthusiasts.

Personally though, I simply feel like there's much more connecting and sensible explanation with it being a Darkness relic, rather than Ahamkara.

HOWEVER. The truth is that we simply don't know. I am personally more into it being Darkness (and Nezzy specifically), but I could be wrong and the Ahamkara theory could be proven correct somehow. Hell, it could be something completely different. It could also be nothing; as in, we will never know because they won't tell us because it doesn't matter.

And technically, it doesn't! Nothing really changes if this doesn't get answered. I want that to be clear. This isn't some sort of lore breaking detail. But you know. The nerds would love to know. I really wanted to get into this now that we've had a resurgence in interest about Saint and how we saved him.

Echoes

Okay, so why this monster of an essay? Well, because Echoes revolves around Saint and the Conductor trying to convince him that he's the wrong Saint. That Osiris acted out of grief and pulled a random Saint from the timelines, that he's simply satisfied with what he got because he couldn't get his original Saint because that Saint died.

Saint is convinced in this; that he's some sort of an aberration in the timeline, a simulation or a copy or just the wrong Saint from the wrong timeline. Even an error that must be corrected.

And I simply think that people are too quick to jump to the conclusion that this is the story being told, especially because of the radio message this week where we're shown that Saint and Osiris suddenly have different memories. But I feel like people have already forgotten the other radio message, from week 1. You know, the one where Saint and Osiris talk about their memories and the memories match perfectly:

Saint-14: Osiris. Do you remember when we knew? Osiris: Knew what? Saint-14: That we were meant to be together. There was one moment... though, it took us time to get to it. Oh, but our Hunter Vanguard, so smart, Tallulah... she knew before we did. All our little squabbles and bickering. She saw it first. Osiris: it, uh — ah, well, I was — obtuse. Stubborn. I couldn't recognize my own emotions. Then, Tallulah told me to.. "Be serious". Saint-14: Haha! I remember. So yes, she told me later. Was good laugh. Osiris: Well, I'm glad you found it so amusing. Saint-14: Who could not look back and smile? And I remember your smile, then. So knowing, and so full of our future together. Osiris: What brought these memories on? Saint-14: Hmm. I think about others who will have those same moments now that they know they will a future free from the Black Fleet. Now they have a chance to find love and be happy, like us. We can look behind, but also forward. We cannot see what is coming, but we know it is good. Osiris: You're certain? Saint-14: About us? Yes. Since the beginning. Now, and always.

We have this memory as a lore tab as well. I think this was given to us deliberately, to show us that Saint and Osiris have identical memories and that Saint's memories were never in question and that their history is perfectly aligned... Until he got yoked. Something changed when he got yoked, not when he was saved. This is a new development, which tells me that the Conductor did something to him, rather than Osiris saving the wrong Saint. Because until now, this was never a problem. Saint never had discrepancies in his memories before, with anyone he ever interacted with.

If we take a look at the whole story of how he was returned, it's beyond clear that Osiris was very fixated on saving his Saint, not a random one, and that we went to great lengths to do just that. We only ever interacted with one Saint, the same one, and we linked each other with the Perfect Paradox. It cannot be any other Saint, even with the existence of other timelines. This Saint and this Perfect Paradox are ours, from our timeline, the originals.

However, other timelines do exist. And some entities can access them. The Vex are obviously first on the list. Characters like Elsie and Osiris have also seen them. And clearly, the Conductor should be capable of this as well. It's beyond clear now that the Conductor is Maya Sundaresh. Maya, who was simulated 227 times by the Vex and had those 227 copies of her wandering the Vex network and different timelines.

If the Conductor knows where to look and how, she could see these timelines, including these other Saints, and she could've fed Saint false information while he was yoked. Implanting memories of other Saints perhaps, or something similar.

I know a lot of people weren't there for Dawn, let alone Curse. There's a lot of information about Saint here and a lot of really interesting clues from the past about what's happening now. It's also really interesting how many little details have been transferred through the story over time, showing that this is a plotline they care about very much and want to make sure doesn't get messed up.

There's probably a lot more stuff we could get into for speculation and explanations because there's still more stuff that plays a role in this. The Infinite Forest is a big one, and I suspect the Perfect Paradox is as well, as we're likely to get it next week or the week after as part of the story. Because it should be relevant to the story! It's an inherent part of Saint's story and why he's with us now in the first place.

So what's really going on? We're not entirely sure yet, but assuming that the Conductor is correct and that her messing with Saint is revealing something about Saint's legitimacy is I believe wrong. I think she's using him as an experiment and that she's messing with him, and by extension, with us as well. There's no way that we've had a "wrong" Saint this whole time and that nobody ever had any issues with him. That nobody had any discrepancies between memories with him. Not Osiris, not Ikora, not Shaxx, not Saladin, not Zavala or anyone else Saint interacted with since he's been back. As I mentioned, literally the first radio message shows us Saint and Osiris with matching memories.

It only started after he was yoked. Which means that the yoke and the Conductor did something to him, possibly shown him some other timelines or fed him false information.

Can't wait to see where this is going. I'm not sure how much this Act will cover and if we'll get a resolution to this right now or if it will stretch to Act 3, though if it doesn't get stretched, then I wonder what will the draw of Act 3 even be. Possibly just dealing with the Conductor? I'm very excited. This episode being so focused on Saint and Osiris and the whole throwbacks to Dawn and other past content has been really good. I'm enjoying it very much, this is my entire jam. I had high hopes for Echoes and so far it's been going great.

I'm super excited to see how they solve this and what comes of it and how much of this information will be relevant. And of course, if it will end up being correct! Because as much as I have my theories and as much as I'm convinced that there's something off here and that our Saint cannot be the wrong Saint, I could still be wrong. Looking forward to finding out!

[pedrointofolklore]

Rosebud

pairing: joel miller x f!reader

summary: carnations bloomed when you saw joel. too shy to admit your feelings, but too overcome to not, you began leaving flowers at his doorstep. 

warnings: very brief but graphic depictions of violence, mentions of death/grief, tragic backstory, emotional processing, reader is a loser who falls in love in two seconds, lots of metaphorical language, swearing, mostly just self-indulgent fluff, joel is soft, big age gap (reader is in late 20s), no smut, no use of y/n (reader has a nickname), jackson era.

word count: 6k

a/n: hey y’all. i’m delving into the world of fanfiction writing and i’m tentatively posting this as my first story. this story by @army-author is what inspired me here—i read it years ago and loved the concept ever since. i also super don't know much about flower gardening so apologies for any inaccuracies.

Your earliest memory was sitting in the garden with your mother one September. You were small then, no more than three years old, covered in soil and some residual stickiness from whatever fruit you’d just devoured, watching with a curious eye as your mother pruned her roses.

When you thought of her, you thought of that garden. In your memories, it was a labyrinth. Flowers, shrubs and vines overflowed the yard. You used to fear getting lost in the brambles, but at some point, you started to crave their thorny embrace.

It was a pink rose, so bright and intense, like a painting come to life. She shed the thorns, tucked it behind your ear and pinched your chubby cheeks. That was the first time she called you ‘Rosebud.’ Nobody ever called you anything else.

You couldn’t have known then that you were just a few Septembers away from losing her.

She died on the first day, in the centre of the garden. Your lasting memory of her was your father driving a pair of garden shears into her jugular. She collapsed to the ground, blood as dark as a crimson rose pooled around her as your father wept over her lifeless body. You sprinted inside and threw up.

She died a stranger. You didn’t understand what was happening to her then, but you understood that she was gone before the shears even entered her neck.

It haunted you for the next twenty years—but that person was not your mother. 

Whenever the wound opened, and that memory came flooding back, you closed your eyes and thought of her as she truly was—kind, gentle, passionate. You recalled her soft smile, her musical laugh, the books she read, the flowers she loved.

When you were a kid, you thought of her as the sun that kept those flowers alive. As you grew older, she became the sutures that kept you from falling apart.

You knew your father had no other choice, but you could never quite look at him the same. Still, he was all you had, and he kept you safe until the day he died.

It was your mother’s leather-bound notebook that kept you going. She listed every flower she could think of, and wrote the meaning next to it. That notebook went with you everywhere, all across the country. Every new species you came across, you found it in the book, memorised its meaning, and crossed it off your mental checklist.

Flower seeking had to be the most frivolous thing one could do at the end of the world, but it kept you close to your mother, and gave you some semblance of purpose. Each new flower felt like something blooming inside you—your own secret garden that grew from the depths of your soul.

Carnations bloomed when you saw Joel.

He first came to Jackson in December with a girl by his side. They were gone by the next morning, but you saw him. He was coming out of the bar, tugging his coat back on when you spotted him through the crowd of carolling townspeople.

Even from a distance, you noticed the pain in him—a pain similar to yours. There was a wistfulness in his face, a longing for something he missed, and a fear so intense it seemed paralysing. He clutched at his chest, holding in the marigold that grew where his heart should have been.

You wanted to know him.

He came back that spring with the same girl, and this time, he stayed.

It was a while before you spoke with either of them. Everyone who arrived in Jackson had a tendency to be closed-off at first, and you couldn’t fault them for that. You didn’t know where they’d been or what they’d done, but you knew they’d gone through hell.

You met Ellie first. She came by the greenhouse one day, arms crossed and face vacant. Her reticence might have been mistaken for hostility if you didn’t relate so much.

You tore your soil-covered gloves off and wiped a hand over your cheek, probably just further smudging whatever dirt was caked on there.

“Hi there!” You did your best to sound cheerful, to come across as someone who was definitely okay with unexpected visitors. “What can I do for you?”

“Maria told me you might need some help around here.”

You didn’t think you needed help, and it seemed like the girl wanted to be anywhere but here. But as you pondered her, you started to recognise what she was actually getting at.

She didn’t know what to do, but she needed to do something.

“What’s your name?” you asked.

“Ellie.”

“Nice to meet you, Ellie.” You held out your hand, which she stared at for a good couple of seconds before shaking. “Call me Rosebud.”

“You’re a florist named Rosebud?” She was incredulous, and you didn’t even care that she was making fun of you—it was the first time you’d seen her smile during this entire interaction.

“It’s a nickname,” you told her, “and I'm more of a floriculturist. If you want to help me out, grab some gloves and a trowel.”

“What the fuck is a ‘trowel’?”

You spent the next few hours with her digging holes in the soil, un-potting flowers and planting them in the ground. As apprehensive as Ellie had been to begin with, it didn’t take her long to warm up to you.

The first thing you learned about her was that she asked a lot of questions.

“Why do we have to move these?”

“It’s spring. They’ll do better in the ground.”

“Why didn’t Maria show us this place when we first came here?”

“It was winter. Half the flowers had gone to shit, so there wasn’t much to see,” you replied, flattening the soil around a sunflower plant.

The greenhouse had been established before you got there. Nobody ran it, it was something for everyone to tend to, but nobody cared enough to do so. The gardeners of Jackson preferred to focus on crops that could actually feed them. But then you arrived, and you knew how to grow a thriving flower garden, and with all the bees it brought, it only helped the agriculture. It also meant that Jackson had honey.

“This one’s cool. What is it?” Ellie asked. You looked over at the plant she was settling into the ground—a grassy little shrub with white flowers blooming at the ends.

“Starwort. It means ‘Welcome to a stranger.’”

“Appropriate,” Ellie said. “I didn’t know flowers had meanings.”

“It’s called floriography,” you replied. “I have a book all about it.”

Ellie stayed until the sun began to set, leaving in much better spirits than she arrived. You were used to working alone, and you thought you preferred it that way, but she turned out to be good company. You sent her home with a starwort blossom and a jar of honey as a thank you, and told her to come back any time. You really hoped she would.

You met Joel the next morning. 

There was a knock at your door, which you expected to be Ellie back again. Instead, you opened the door to find her guardian standing on your front porch.

Your eyes flicked shamelessly over his form. He was broad, strong, with plaid sleeves hiked up to his elbows—you didn’t know it was possible to be attracted to someone’s forearms. His features were beautifully angular, especially his nose. But it was his eyes that really got you. They were dark like coffee, deep and intense. You could fall into them and never stop.

The garden you carried in your soul had never felt more alive. It was weird you hadn’t spoken yet, but you worried if you opened your mouth, the brightest, reddest chrysanthemums would come bursting out.

“Good mornin’. Sorry to bother you,” Joel finally said, with the rehearsed politeness typical of a Southern man. There was still an earnestness to him, like he didn’t quite remember how to do this but he was determined to try. “I think Ellie was here yesterday?”

“That’s right.” You internally cheered when your voice didn’t fail on you. “Is that okay? I know I didn’t get your permission. She just kind of showed up.”

“No, that’s okay. I just came by to thank you.”

“Thank me?”

“She's been struggling to…adjust, I guess,” Joel explained, “but she was in a good mood when she came home yesterday. I think being here helped her, so thank you.”

You weren’t quite sure what to say. People silently appreciated what you did for the commune, but nobody had ever gone out of their way to thank you for anything. It was a little overwhelming.

“Well, she’s welcome here any time.” You didn’t think Ellie was particularly interested in gardening, but you could see that the girl just needed to feel busy, and maybe needed some company. You were just glad she could find that with you.

“Thank you,” Joel said again. “What was your name, darlin’?”

“Just call me Rosebud.”

You expected a laugh, a mocking jab of some sort, but instead he just tilted his head and looked at you with complete sincerity. “Pretty. It suits you.”

Your cheeks were embarrassingly warm.

“Well, I won’t keep you any longer,” Joel said. Your heart fell. “It was nice meetin’ you. And, uh, thanks again.”

He started to leave, but you weren’t ready for him to go. Before you could think it through, you called after him, “Wait.”

You might have imagined it, but for a split second after he turned back around, you could've sworn you spotted an eagerness in him, like he was hoping you’d say that.

“You can come inside,” you offered, “if you want.”

He did.

Five minutes later, Joel was standing in your kitchen, leaning against the counter. You could feel his gaze on you as you moved, getting the water ready and setting out two mugs.

“How do you like your coffee?” You were already sure of the answer.

“Black. No sugar.” Yep.

You poured the coffee into a mug, absent-mindedly blowing on it as you handed it to him. He didn’t wait for it to cool down before taking a sip, not even flinching at the heat.

You opted for tea with a generous amount of milk and honey.

“Thanks for the honey as well,” Joel said. “Ellie loves it. She’s never had anything so sweet.”

“That doesn’t surprise me if she grew up in a QZ,” you replied, turning to face him with your mug cradled in both hands. “I think I cried when I first got here and they actually had sugar.”

“When did you get here?”

“Around two years ago. My dad knew Seth—you know, from the bar—got in touch with him, and he told us how to get here,” you explained. You truly hated Seth, but he did save your ass and that left you obligated to be nice.

“Your dad’s not here, is he?” Joel spoke without any particular sentiment. It was an observation, plain and simple. You didn’t mind, you just shook your head. It felt normal to talk about your dad. You missed him, but his death wasn’t horrifically tragic to you—the man had a heart attack.

“What about you? I mean, how’d you end up here?” You were nervous about prying, or accidentally chasing him away before you really got to talk, but Joel had fascinated you since December. You needed to know more.

“I was in the Boston QZ for a while, left to look for my brother, found him.” He wasn’t going to get more detailed than that. Too much had happened that was difficult to talk about, and you could see that, because it was the same for you.

No matter how much you wanted to, you didn’t let yourself ask anything more. You didn’t ask why he’d been here in winter, why he left so soon, why he came back, why he didn’t come sooner if his brother was here, how Ellie fit into all of it. You didn’t ask, and you wouldn’t ask. All you could do was hope he’d open up in time.

It occurred to you just how different Joel looked now than he did in December, and not just because you were actually seeing him up-close. His whole spirit had shifted. Back then, he’d been like an open wound, barely being held together by exposed, bloody tendons that threatened to snap at any moment. He was different now—still wounded, but no longer in pieces.

There was something else in him too. Something dormant, but always on the verge of springing back to life. A quiet guilt.

“Flowers always been your thing?” Joel asked. You were grateful for the subject change.

“Pretty much. I used to know someone who loved them. Made me love them too.”

He nodded with an unexpected softness in his expression. It wasn’t pity, or even sympathy, but a warm kind of understanding.

“I know the flower stuff seems silly,” you said, looking down into the milky beige of your tea, “but it really is useful.”

“I know that,” Joel said. “I don’t think it’s silly.”

You could practically feel your chest split open that very second. Flowers sprouted from your heart, and they bloomed for Joel. They longed to reach out, wrap him up in their stems and vines and pull him into you.

Carnations. Chrysanthemums. Vervain.

You kept your composure until Joel left. You said your farewells, waved him off, shut the door, and immediately collapsed on your couch in a lovestruck heap. It was all so dramatic, the sofa may as well have been a bed of roses.

It wasn’t just that Joel was attractive—and fuck, he was attractive—it was the way he wholly and truly respected you. Respect was something you’d had to earn from everyone else around here, but Joel didn’t need any convincing. He saw your worth right away.

He was all you thought about for the rest of the day, the evening, until you went to bed that night. Even then, your mind wouldn’t stop racing.

These feelings were big, too big. Keeping them inside hurt, but you feared letting them out would be agony. They were safest with you, blossoming into flowers in your soul, where only you knew about them.

But still, you were wide awake, consumed by the urge to do something, say something.

So you got up, pulled your shoes on, went outside and picked a flower from your garden.

Jackson was desolate as you wandered down the street. The only residents awake at this hour were those on patrol. It might have been eerie if you weren’t so wound up. 

You scanned each house as you passed by, looking for Joel’s. Your heart pounded in your chest when you found it. You didn’t need to be so nervous, the lights were off, but you kept imagining someone walking out and catching you in the act. But you’d come this far, and his front door was just a few yards away.

You climbed the stone steps with a quiet urgency, twirling the flower between your fingers one last time before dropping it just outside his door.

A single gardenia.

You were going to leave it at just one flower—you didn’t want to be weird and scare Joel off before you really got to know him. But then Ellie came by the greenhouse again.

“Did you leave a flower on our front porch the other day?” she asked, watering a yarrow seedling.

“What? Why?” You felt so lame, and so stupid for forgetting that Ellie lived there too. Your gesture was bound to get intercepted.

“There was a white flower out there. I showed it to Joel, and we figured it was from you.” It was a very reasonable thing to figure considering it was from you.

“What did Joel say?” you asked, trying not to sound as desperate as you felt.

“He said it was for him.”

“So he took it?”

“Yeah,” Ellie said. “Don’t know what he did with it.”

Ellie wasn’t nearly as invested in this as you were, but it still sounded promising. Joel had accepted the flower, maybe even liked it. The thought made your stomach feel strange, like a bunch of petals were flurrying around in there.

“Well, it was for him…” you mumbled.

Ellie glared at you in feigned outrage. “I’m insulted.”

“What are you complaining about?” you laughed. “I gave you a flower.”

“It’s wilting.”

“Fine then”—you handed her a pair of pruning shears—“go cut yourself a new flower.”

She wandered around the greenhouse for about five minutes and came back spinning a flower between her thumb and index finger. It had pure white petals and a bright yellow pistil. “I chose this daisy.”

“That’s a cosmos,” you corrected. “It represents harmony and balance.”

Ellie assessed the flower in her hand, genuinely mulling over the meaning of it, and you realised how much you appreciated her. She saw value in something you cared about. 

“What did Joel’s mean?” she asked.

“I’m actually not sure about that one.” It was a total lie, but you sounded convincing enough that Ellie shrugged it off and carried on watering flowers.

You couldn’t help yourself after that. Knowing that Joel accepted your gift made you want to do it again. And again.

So you did. Every few days, when you were sure he and Ellie were asleep, you sauntered down to their house and dropped a flower outside the door. An aster, agapanthus, camellia…

Joel never mentioned it, and you never really expected him to, but the nods and soft smiles he gave you when he saw you around were enough to let you know he appreciated you.

But Joel would never know the true meaning of your flowers. It was better that way.

Maria and Tommy’s son was born later in the spring, and your garden had never seen so many visitors. The new parents were practically drowning in congratulatory flower arrangements, and eventually Tommy had to tell you to start turning people away.

One of these visitors happened to be Joel, and he was the one person you couldn’t turn away.

Unlike everyone else, Joel came to your door first. The slight nerves he’d had the first time he came over were gone, but so was the facade of sociability. Maybe this uncouth version of Joel should have irked you, but seeing him comfortable enough to drop the pretence just made you like him more.

“I need help with something,” he said, not even bothering with a hello.

“What is it?”

“A gift for the happy family,” he spoke bitterly, like he was actively trying not to grimace as the words came out.

“Flowers?”

“Flowers seem appropriate.”

Joel was strangely upset for someone who was welcoming their nephew into the world. You didn’t know the story between Tommy and Joel, just that they hadn’t seen each other for years before Joel and Ellie arrived in Jackson, and that Maria really disliked him.

But despite his sour attitude, it was clear Joel was trying. Whatever was weighing on him, he was pushing it down and choosing to be thoughtful for the sake of his family. Tommy could deal with one more bouquet.

You walked down to the greenhouse with Joel trailing behind you, his hands shoved into his pockets the entire time. On a better day, you would have tried to make conversation with him, but he obviously didn’t need that pressure right now.

He finally spoke up when you arrived at the greenhouse. “This place has seen better days.”

It wasn’t the flowers he was talking about, it was the structure itself. The contractor in him must have noticed the rusted metal pipes holding everything together, the holes and tears in the plastic sheets, and the fact that there was almost no room to walk.

“I know it’s bad,” you said with a nervous laugh. “It was built before I got here. I don’t think they used their finest materials.”

It was always cramped in here, but Joel being so broad and having such a presence made it even worse. He was closer to you now than he’d ever been. He smelled warm, like fresh coffee and leather and musk. It made your head spin.

“So, what kind of flowers are you thinking?” You needed to change the subject before you threw yourself at this man.

“Uh...pink?”

You laughed—you couldn’t help it. He couldn’t have been more vague if he tried.

“Why’s that funny?” He wasn’t mad, but he did seem impatient.

“Sorry,” you said, fighting back a smile. “Maybe you could elaborate on that?”

“I don’t know,” he groaned, running a hand over his prickly beard. “This is why I need help.”

You felt bad for laughing when he was so stressed out. He was overthinking something that should have been simple, and it made your heart ache for him. He was looking for guidance.

“We’ll do peonies for good fortune,” you told him, “and daffodils for new beginnings.”

His shoulders relaxed as some of the tension left him. Whatever was weighing on him was still there, but this was one thing that made it bearable. 

You walked back to your house after cutting the flowers, where there was actually space to work. You expected Joel to leave then, go home and wait until the flowers were ready like everyone else did, maybe even have you deliver them on his behalf, but he stayed by your side.

“How do you know all this stuff?” Joel asked, sitting across the table from you as you worked. “About flowers, I mean.”

You never got into this with anyone, but your inexplicable attachment to Joel compelled you to open up. Whatever pain resided in him reminded you of your own. He understood you.

“My mom had this book. She wrote down the meaning of every flower she knew of, and I guess I’ve memorised it all over the years,” you explained.

Talking about her didn’t hurt like you thought it would. It was actually a relief.

“When did it happen?” You knew what he was asking.

“First day,” you replied.

He nodded solemnly. “Me too.”

This wasn’t the first time you had seen through the gaps in Joel’s armour, but it was the first time he’d made the choice to let you. You didn’t know his limits, if those two words were as deep as he could get, but you wanted to see what would happen if you just asked.

“Joel?”

“Hm?”

“You don’t seem happy about this,” you said, straightforward but still cautious.

“I guess I’m not,” he admitted, looking down pensively.

“Why is that?”

“Just don’t understand bringing a kid into all this.”

You agreed with him. The people of Jackson were as safe as they could be, but outside the walls were infected, raiders, FEDRA, and a multitude of horrors too awful to speak of. It would only take one mistake for Jackson to be completely wiped out. You wouldn’t want to bring a child into a world like that either.

But you also knew that most people who had kids post-outbreak hadn’t done it by choice.

“It’s not as if people have access to birth control,” you pointed out, stacking peonies onto a piece of tissue paper. “But I don’t disagree.”

“It’s just a lot for me to wrap my head around,” Joel continued—or maybe he was starting on a completely different train of thought. “Tommy’s the uncle. He’s always been the uncle. I’m…“

He couldn’t say it. He didn’t have to.

“You still are,” you told him. “Tommy’s still an uncle.”

Joel was silent, letting your words sink in. It was cold comfort, and maybe you shouldn’t have said it, but it was what you believed.

“Why do people call you Rosebud?” The question took you aback. It was completely unrelated, yet felt so important. He was the first person in twenty years to ask you that question.

“My mom came up with it when I was little. It’s what everyone’s called me since.”

“Doesn’t it hurt?” Joel asked. “Seems like a constant reminder of what you lost.”

It was hard having to live without her, but you never wanted to forget what you lost. “I guess I like the reminders.”

His hand absent-mindedly fell to the broken watch on his wrist, and for a fleeting moment, you were seeing the man you first saw in December. An open wound. Marigold.

“She didn’t stop being my mom,” you said quietly. “I didn’t stop being her daughter.”

And as quickly as the wound opened, it was once again sewn shut. He even managed a smile. “You’re wise, kid. You know that?”

Kid.

Ouch.

It felt like a kick to the stomach. In an instant, the carnations that bloomed when you first saw Joel all those months ago, that had been so red and vibrant, faded into yellow.

You held yourself together until he left. You finished arranging the flowers, wrapped them up, handed them over to him, said goodbye and wished him luck, then trudged over to the couch and flopped down onto it—this time in a dejected heap.

It wasn’t as if you thought you had much of a chance with Joel, but this just felt so awfully final. It didn’t matter that you were basically thirty years old—in his mind, you were a kid.

It was embarrassing. You thought about the flowers you left—a quiet admission of feelings—and prayed the couch would swallow you whole and suffocate you. 

You’d gotten it all wrong. Joel never appreciated it. He probably thought it was weird and pathetic but didn’t have the heart to tell you. You wondered why he even accepted the initial flower, and if you weren’t feeling so spurned and humiliated, it might have dawned on you that you were overreacting.

You still left a flower that night, if only to get some closure. It would be the last one you ever left him.

A red tulip.

Joel came to your door one day in July.

You’d come to expect Ellie on your front porch at least once a week, but Joel wasn’t a surprise either. You were friends now, even after such an embarrassing rejection.

Joel still never mentioned the flowers. He was probably relieved when you stopped leaving them and wanted to pretend it never happened, and that was fine by you.

Being friends didn’t help matters though. He was always rough and grumpy in his Joel way, but he was sweet too. So sweet. It felt impossible to move on.

“Hey, Joel,” you said. “Need help with something?”

“I wanted to help you, actually.”

“Me?”

“I can’t keep lookin’ at that greenhouse,” Joel said. “It’s a piece of shit.”

You had to laugh at his honesty. “You want to patch it up?”

“Was thinking of taking the whole thing apart and rebuildin’ it.”

The offer stunned you. It was so generous and so out of nowhere. Your first instinct was to say no, that it wasn’t worth the trouble, but something stopped you. It was Joel coming to you in earnest and saying he wanted to help. It felt like an insult to deny him.

You smiled warmly and nodded. “Okay.”

“When can I get started?” he asked.

Shit. You had dozens of flower pots you didn’t know what to do with. “Uh, I’ll have to empty the greenhouse first. I guess I'll bring the flowers here in the meantime.”

“Ellie and I can help with that,” Joel said. “I’ll go get her.”

You blinked at him. “Now?”

“You got other plans?”

You absolutely did not. “Ah, no. Now is good.”

“Great.”

That was how you spent your day, lugging flower pots from the greenhouse and unloading them in your front yard with Joel and Ellie in tow. It was so lovely it bordered on being painful—pink roses unshed of their thorns pierced your heart.

You let yourself imagine for a moment that this was reality. That you, Joel and Ellie were a weird, happy family. The carnations in your soul had never been more yellow, and you instantly regretted indulging in that particular fantasy.

Joel was already at the greenhouse when you went there the next morning. He was up on a ladder, and half of the structure was already torn down. Rusted metal pipes and discoloured, ripped up plastic sheets were piling up a few feet away.

“Need any help?” you called out.

He looked down at you and smiled—a real, wide smile you hadn’t seen on him before. “You know what you’re doin'?”

“Not really.”

“Then, no,” he replied. “Don’t want you droppin’ anything on that pretty little head.”

Huh?

You flushed all over, wishing your couch was here so you could collapse onto it. Less than two months ago he was calling you a kid, and now he thought your head was pretty. The thought crept in that maybe he was purposely messing with you, but you liked Joel too much to entertain the idea.

“Well, I probably can’t help with the physical labour,” you said, cursing how nervous your voice sounded. “But if there’s anything else…”

“You’re a sweet one, Rosebud,” Joel said. He had to be doing this on purpose. “You just let me do my thing, and we’ll leave it a surprise.”

You laughed. “In other words, you’re telling me to get lost?”

He grinned at you fondly. “Just trust me.”

It only took one exchange for that hope to come back to life. You tried to stop it, tell yourself he was just teasing, that he didn’t mean it that way, but it was too late. Those carnations were already morphing back into a searing red.

You wanted to come by everyday and watch him work, but you stayed away and waited for him to come to you. It only took a few days for him to show up at your door, looking infuriatingly hot covered in blotches of sage green paint.

“Is it ready?” you asked.

“It’s ready.”

You followed along behind him, keeping your eyes down so you didn’t accidentally spot the new greenhouse before he was ready for you to look. You ended up just ogling his ass, which was a decidedly better and much more pinch-able sight than the ground.

“Look now.”

You lifted your gaze, and your hands flew up to your mouth as you let out a dramatic gasp.

It wasn’t just good, it wasn’t just an improvement, it was beautiful—masterfully pieced together with timber and painted the same sage green that Joel was sporting on his clothes. And it was bigger. There would actually be space for you to walk around inside.

Joel started to panic from beside you, and you realised you were crying. “Is it the green? I can repaint it if you hate it.”

You seemed to have lost the power of speech to reassure him, so instead, you threw your arms around him and held tight. The suddenness of it shocked him, and his hands found your waist. You weren’t sure if he was about to push you away or pull you in.

“So, you like it?” he asked.

“I love it,” you snivelled into his shoulder. “Thank you, Joel.”

He hugged you back then, caging you in with his big arms and making you feel so safe. You felt a prickly sensation on your temple as he brushed his lips against it. 

Red tulips were threatening to burst out of you in droves. You didn’t want to let go, but you were seconds away from making a confession you couldn’t take back if you spent too much longer in his embrace.

You pulled yourself away, and even with the sun beating down on you, you missed his warmth.

He walked you back home, came inside when you offered him iced tea (you were out of coffee), drank it all even if it was too sweet for him, and all you could do was thank him repeatedly for what he’d done.

“Don’t have to thank me,” he said. “I wanted to do this for you.”

What did that mean?

“I’m sorry I never said anything,” Joel continued, a pink flush apparent on his cheeks.

“About what?” You knew exactly what.

“The flowers. I wanted to thank you, but I didn’t know how. I’m not used to it.”

“Used to what?”

“Kindness.” He almost winced, like it hurt to say.

“It was weird. I’m sorry.”

“It wasn’t weird,” Joel assured you. “It was…nice. Bummed me out when you stopped.”

“Sorry.”

“Don’t apologise. I get it.”

You didn’t know what to say at this point. You didn’t want to be talking about any of it, and you were about to tell him that, ask him to move on from this, until he decided to put you on the absolute spot.

“What did they mean?”

Fuck. “Hm?”

“The flowers,” he said. “You said flowers have meaning. What did they mean?”

“I actually don’t know those ones.” That harmless little lie worked on Ellie, but Joel saw right through it.

“Why are you lying to me?” He didn’t even sound angry or annoyed, just genuinely curious, and a little sympathetic.

You considered doubling-down, insisting you didn't know, but you couldn’t do that him. It was a vulnerable conversation for not only you, but Joel as well. You understood how hard this was for him, and you cared for him too much to shut him down.

But you couldn’t say it, not verbally. Instead, you grabbed the notebook that was laying on your coffee table and held it out to him. There was a split second as he was reaching for it where you imagined yourself tugging it back out of his reach, forgetting about this entire thing, but then it was in his hands and it was too late. Nothing would ever be the same.

You held your breath as he flipped through it, his eyes flicking over the words. His face gave nothing away, but his finger was tracing over something.

Red tulip - declaration of love. 

He gently shut the book and set it down, and your eyes stayed firmly on the floor, hoping if you stared at it long enough it would split open and consume you.

“Are you surprised?” You couldn’t project your voice above a whisper.

“I guess not,” Joel said. It was the honest answer, and the one you most expected. “I thought you were just bein’ nice, then Ellie kept insisting you were interested.”

That girl was smarter than you gave her credit for—and you already thought she was very smart.

“I thought there was no way,” Joel continued. “You’re sweet and young and so pretty. I’m just an old man.”

“I don’t care how old you are,” you replied.

“I’ve done a lot of bad things...”

“I don’t care what you’ve done. I care who you are now.”

You were looking at him now. He looked moved, rapt, and not at all like someone about to deliver a devastating rejection.

“And you want me?”

“Yes.”

There was a pause where neither of you said anything, but the air was thick with an unspoken question: Where do we go from here?

“Can I kiss you, Rosebud?”

You nodded, and he did. It felt like dozens of chrysanthemums, camellias and carnations all springing to life under your skin.

He was gentle in a way you never could have imagined, cupping your cheek with his palm and holding your waist with the other. It was reminiscent of the hug you’d shared earlier, and you wondered if he’d wanted to kiss you then.

His lips were rough, a little chapped, but soft in the way he moved them. This wouldn’t be how he always kissed, you were sure of that. Someday it would be messy, frantic, all-consuming. But this careful, slow movement of his lips against yours was all you needed right now. 

He wanted to be gentle with you, because he cherished you like a rosebud.

flower translations:

rose (pink) - perfect happiness

rose (dark crimson) - mourning

carnation (red) - admiration

marigold - grief, despair

starwort - welcome to a stranger

chrysanthemum (red) - i love you

vervain - enchantment

gardenia - you’re lovely

yarrow - healing

aster - symbol of love

agapanthus - secret love

camellia (pink) - longing for you

peony - prosperity

daffodil (bunch) - new beginnings, hope, good luck

carnation (yellow) - rejection, disappointment

tulip (red) - declaration of love

rosebud (red) - pure, lovely