#this is in fact the kind of core strength i dream about but lack the willpower to have
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alasarys · 2 years ago
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mitzuliina · 2 years ago
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Exhaustion is a strange creature, one I have come to tolerate far more than one should tolerate a being with the sole purpose of slowly smothering one in apathy and bleak acceptance. It is vicious in the way it gnaws at the core of oneself, tearing up every scrap of strength one musters from uneasy rest, stealing all the quiet moments one stole oneself from racing thoughts. It is a battalion that batters at ones defences day in and day out till all that is left is the longing of nothingness. Despite this, I’ve tolerated it, embraced it even. Because at least it is a feeling. Some concrete marker of my own failing as a productive member of society. A symptom to treat. Exhaustion makes visible all the things in my life that are not. It is in its own way the catalyst that made me question my sense of self or lack there of.
For a long time, probably from when I first learned about it in my early teens, I have believed in the concept of “kintsugi”. Repairing something broken with gold or silver lacquer to make it more beautiful than before.
For years I’ve thought of myself as a vase that could be endlessly repaired with a bit more lacquer. That each “new” iteration of me would be more than before. Whatever that “more” was in my mind at the time. But then there should also come a time to let go, to thank the object for its service and lay it to rest. Maybe too many repairs and reworks would make a self more akin to a taukumogami, a sentient object, than a new “me”.
Maybe instead of burning my limited resources into remaking something that was already flawed from the start, I should just take its core at its purest level to build something all together new and my own. Wouldn’t it be freeing? To decide on a path you could not conceive for you to begin with? But again, you must remember the exhaustion. When you have already spent every asset you have, how exactly are you to remake yourself?
My spirit yearns to be authentic to me, but I feel as somewhere along the countless recastings and repairs I’ve misplaced “me”. So much so that descriptors I know to be true feel disingenuous or hollow. Whatever voice this vessel carried is lost to the constant need to be “more”. The more i think about this loss of self, as if all my parts have been replaced and I am no longer nothing else but a cheap replica. I find that rather than facing whatever it is that is causing me such existential distress, I would rather hide. Again I am beset by the constant need to isolate, to hide deep in some forgotten forest or mountain range and live the life of a solitary hermit. It finds me every autumn, this feeling. Yet this time it screams to be acknowledged rather than ignored. Its call is beyond my time, my resources or my independence, I cannot heed it as much as I would want. Still it screams for this unrealistic solitude.
As if all this time, instead of a vase, I’ve been but a caterpillar. Instead of layering myself in precious metals, I should layer myself in silks and cocoon. In this sense maybe my exhaustion with all its nagging negative aspects has been pointing at a solution my mind has been too hellbent to consider. Towards the simple fact that I need to rest. That it would be okay for me to dissolve into nondescript gene soup and reform anew with fresh goals and wishes.
I don’t think, despite all these late night revelations, that I am at a point that I could proceed tp cocoon, even if I would benefit from it. After all I have no idea how. For the last seventeen years I’ve had a singular goal of becoming a commercial artist, so realizing that it’s not something I have a healty outlook with is kind of jarring. I still believe art is my dream career and I want to pursue it but maybe I should start by relearning what art means to me. And even before that reinvention, there are a lot of other physical and mental hurdles I need to overcome.
I am a sum of all of my parts but this doesn’t make me consumable or a machine. I have run out of room to grow in my old mindset and ways. In all of this I’ve recovered a shard of a person that has self worth, however how little, and I think that even if I cant be a moth yet, I want to cultivate that shard. For the time being, I am still exhausted. I am forever gold and silver veined from my experiences. Parts of my past selves will live in new forms or in peoples old memories. I am both the vase and the caterpillar and maybe just accepting that for now is enough.
Someday I will be something, but it is okay that that someday is not today and that that something is yet unknown.
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sluttbuttsstuff · 3 years ago
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Hucow!AU Part 5 (FINALE!!!)
WOOHOO!! It’s finally Bruno’s turn, I saved best boy for last.  All parts combined in gdocs are 29 pages total, this is def the longest thing i’ve written in over a decade!! I hope you enjoy, and look forward to whatever i decide to write next
thanks, and enjoy!
as always. credit goes to @dark-side-blog2 for the wonderful hucow! au
WARNINGS: not sfw, yandere, duncon, noncon, sleep fucking, force feeding, manipulation, dark themes, afab reader, she/her pronouns, all characters 18+!!
After taking care of Narancia and tucking him into bed, Bruno returned to your room once more.  You slept like the dead, worn out from a long night.  Bruno smiled proudly, you had been wonderful for them.  Each bull, you had accepted their love, their passion, their essence and earned your place in the herd once again.  It filled Bruno with such joy, knowing that you were the perfect mate for them, for all of them.
You were caring and kind for Narancia, playful and fun for Mista, calming and gentle for Fugo, accepting and attentive for Abbacchio.  And for Bruno: you were everything.  For so long, there had been a piece of the puzzle missing in his life.  He had a family with no mother, no children.  
Bruno had met you first in a very dark part of his life-his herd was beaten, driven from his home in fear, on the brink of death with no hope.  And then, you had appeared, an angel hidden away in paradise, offering safety, shelter.  Much more than that, even, with a little bit of convincing, and a lot of planning.  He would have his family, his children, and you.
Bruno knew how to play the long game, how to strategize and manipulate, but he only did it for good reason.  He had to, you were too prideful, too stubborn to realize how much you needed him.  You were running a giant farm several acres large by yourself, no employees, relatives or neighbors to help.  Bruno couldn’t have that,now could he?  He and the other bulls took over the hard work and heavy lifting-eventually, after a lot of hemming and hawing from you.  Bruno managed to talk you into it; it was beneficial for both of you, a way for the bulls to earn their keep and for you to get some help.
The bulls helped with Bruno’s plan as well, in their own ways.  Mista put his cooking skills to use, making you healthy meals infused with lackweed (Mulgeo, a plant that encouraged your body to lactate) and pills that increased your sexual urges.  He’d even been adding charcoal to your meals to cancel out your birth control; it wasn’t necessary, Bruno had gotten rid of your birth control months ago while you were asleep, but Bruno appreciated it nonetheless.  
Narancia had gotten you to warm up to them very quickly, being as innocent and naive as he was, and Bruno was able to use him to display his parenting skills.  Yes, Narancia was a grown bull, and mostly treated as such, but he was still the youngest, and hard not to spoil.  Plus, the way you seemed to light up when Bruno would baby Narancia- it was clear your maternal instincts were awakening.  Good!  It was excellent practice for your own children.  
Fugo was admittedly the most awkward around you, it wasn’t really his fault, though.  He had the least experience out of the bulls with women, but Bruno could tell his true feelings about you.  So, he encouraged Fugo to show his strengths to you; mainly his brain.  There was an old tractor collecting rust that needed repairs, and you had lost several crops last season due to lack of irrigation. Fugo was able to repair them, thanks to researching some books and some help from you.  Plus, it was one less job for you to do, and another reason for you to depend on them.  Bruno knew Fugo was nervous, but Bruno was certain he’d be a good mate and husband.  He would make their children very smart.
Abbacchio could be a little rough around the edges, it's true, but he clearly had a soft spot for you.  While he would smack Mista and Narancia around when they got on his nerves or got ornery, you he respected and let a lot slide.  Bruno had seen you tug on his tail (admittedly by accident) , elbow him (after a funny joke), and even put flowers (that he was allergic to!) in his hair!  Abbacchio had taken it in stride, and even defended you when Mista’s teasing or the other shenanigans went too far.  Plus, Abbacchio’s skills as a lockpick let them sneak into your house when you were away or sleeping.  Very useful indeed…
 Bruno knew he had to share you, as much as he wanted you for his own.  He couldn’t hurt his herd, his brothers, who loved you almost as much as he did.  So Bruno was patient, he let them have their turns first, keep the peace….
But Bruno couldn’t wait any longer.
The timing had to be perfect, to ensure he had the best chances. He had snuck into your home months before, stealing and disposing of your birth control, and destroying your refill prescription.  Thankfully you were too busy and preoccupied to make a new appointment with the doctor for new medication, which Bruno appreciated greatly.   Digging through your trash, he was able to record and determine your cycle, in order to find out when you would be most fertile.  He would allow his herd many things,including you.
But his child would be first.
Letting the others go first- he allowed it before you were truly in heat.  They didn’t know why, but were grateful nonetheless, eager to claim you. 
He pulled back your blankets, after making sure you were deep in R.E.M. sleep.  Birds started chirping as dawn rose outside, but you were dead to the world.  So much, in fact, that when Bruno pulled back your bed sheets you didn’t so much as flinch.  You were still nude, too tired to put your pajamas back on last night; Bruno admired the early morning light glowing on your body.  Bruno kissed down your face and body everywhere the sun touched, relieved you were still asleep.  Bruno made note of every bruise and marking on your skin to treat later that morning, as he went lower and lower down your body.  Spreading your legs, you tasted divine.  You were definitely ready, too: now would be his best chance. 
 Licking the others out of your core, he heard you quietly whimper- he paused, waiting for you to stir, but you eventually drifted back to sleep.  You always were cute when you slept, the way you would sometimes talk in your sleep or kick your legs “Running.”  Bruno had learned a lot observing you, and intended to learn a lot more from you today.  He cleaned you out with his tongue and prepped you thoroughly-maybe it was petty of him, saving you all for himself, but Bruno was the alpha bull, and the perfect mate for you.  That’s why it was so important to not just get you pregnant, but pregnant with his children.  It’s what you, the both of you deserved.
Once Bruno was certain you were ready ( you were still soft and wet from last night, and pleasantly warm against his tongue and fingers)  he leaned over you, pulling your legs up against his shoulders into a mating press.  It terrified him how easily you slept, how dangerous it would be if his herd hadn’t found you.  What if someone else had found you before them, taken you like this in your sleep?  It worried him so, that’s why he had to do this, claim you and protect you from any rivals.
  Bruno stroked your cheek, before pressing inside.  Finally, after all this time, he was inside of you, warm and wonderful and all his.  You squirmed in your sleep,but otherwise accepted him without complaint.  Bruno was so happy he could cry, he settled for kissing your  shoulder as he pushed into the hilt.  Bruno couldn’t hold his urges back any longer, he thrust into you again and again, hitting against your sweet spot.  You cried out in your sleep, jumbled noises Bruno convinced himself were his name.  In this position, he was able to reach so deep, force himself as far inside as he could reach.  
His grip on you tightened, feeling the strain of the position, the slap of his balls on your ass fueling his desire more.  But it wasn’t enough, he had to make sure you felt good too.  He suckled your chest, licking your nipples the way he had seen you enjoy.  Your pussy was so wet he was able to rub slick onto your hard throbbing clit, careful to rub the raw skin gently. 
“Y/n, I’m so thankful to have found you, finally we can make our dreams come true~” Bruno whispered to you, desperate for you to know the feelings he’d held back for so long.
“I can hardly hold back with you; I’ve been waiting so long for this, and I can tell now that so have you.  Don’t worry, I’ll take care of you, we all will.  Just give in, you can trust me.”  Bruno pleaded, close to the edge.  Bruno grit his teeth, it was about to end, all too soon.  Bruno wasn’t ready, he wanted to stay like this with you forever.  Relief washed over Bruno as he heard you cry out in release, tightening around him and bringing him to release.
“I’m cumming, y/n.  Please, accept all of me!”  He gasped,spilling his seed inside.  Tears Bruno had held back spilled down as his emotions overcame him, something he would only allow to happen while you couldn’t see.  He was certain this was the right thing to do, now more than ever.  You were his, all of theirs, safe and protected. 
 In the next months, you would become full with child.  Naturally, you would have to stop manual labor-which would be fine, you could depend on your sturdy bulls to run the farm for you.  And then when you had their children, you would need to raise them. Obviously, you had five capable mates to help you; taking turns feeding them, staying up on long sleepless nights, teaching them right from wrong.  So many precious memories to be made with you, Bruno could 
hardly wait.
As Bruno turned to leave you to rest, he saw you start to rise.
“...Bruno?”  You called weakly, and Bruno was by your side in an instant.
“Y/n?  What’s wrong, you’re up so early?”  Bruno asked, concerned.  
“...It’s hot” you groaned, reaching out for him.  Bruno’s heart fluttered, you called out for him.  He felt your forehead; admittedly sweaty, but not necessarily from illness.  
“You are a little warm.  Let’s get you out of these sweaty blankets and cleaned up.”  Bruno helped you out of your sheets, and ran to get a damp washcloth.  He returned quickly, sitting on your bed and wiped the cloth over your body.  Your body flushed, and whenever you thought Bruno wasn’t looking, you would glance over at him.  Bruno smiled to himself, you really were spoiling him this morning-he couldn’t be more delighted.
“Are you feeling any better?  You should take it easy today, you had a long night.”  Bruno said as he washed your stomach.
“Umm, yes, im-ahh!”  You jumped, as Bruno’s wash cloth reached your nether regions.  
“Relax, bella, It’s important to clean this area as well. We don’t want you getting sick now do we?”  Bruno continued, unfazed by your reaction.  You fidgeted a moment longer, but considering all that had happened, you relented.  What more could Bruno do to you?
He toweled you off quickly, patting you dry and then headed to your closet.
“Let’s find you something extra comfortable to wear today, shall we?”  Bruno asked, flipping through your hangers.  What a shame, most of your outfits were utilitarian and industrial, not befitting a mother to be.  
“Oh, Bruno, you don’t have to-”  You began, but Bruno cut you off.
“Here we go, perfect!  Ah, and this shade of lavender will look lovely on you!”  Bruno proclaimed, holding up a flowery sundress made of soft cotton.  Very comfortable, but not the best for farm work.  Bruno couldn’t be stopped though, grabbing some undergarments for you    (how did he know where you kept them?) and helped you sit up in bed.
“Let’s get you dressed, as much as I love the thought of having you nude all day, nothing will get done around the farm with the boys fawning over you.”  Bruno chuckled, sliding socks onto your feet for you.
“Bruno, please! I can dress myself!”  You pleaded, trying to pull away, but Bruno stopped you with gentle but firm hands.  
“Bella, please-let me take care of you the way you’ve taken care of us.  It’s only fair, isn’t it?”  Bruno smiled, tugging your socks up to your ankles.  He held a white pair of panties out for you, “Step in, dear, one foot at a time” You groaned, turning an adorable shade of red Bruno loved, but did indeed let him slide the panties up and onto you.  He convinced you to skip a bra today (Bruno wasn’t completely selfless) and slip into the sundress, snug as a bug.
“Much better!  Now, do you want to see if you can get some more sleep?  You didn’t get many hours of sleep last night, and your body must be very sore.”  He asked you, stroking your cheek.  “Well, maybe later, but-”  You began, only to be interrupted by your growling stomach.  Bruno chuckled, “Ahh, of course, let’s get you fed shall we?”  he winked, placing a hand on the small of your back and escorting you to the kitchen.
You tried to make yourself breakfast, really you did, but Bruno wasn’t giving you any leeway this morning.
“Please, Bambina, let me cook for you.  You always make the rest of us meals, and I’m not completely hopeless in the kitchen.”  He told you, sitting you on a kitchen chair, rolling up his sleeves.  True to his word, he was decent in the kitchen-more than decent, in fact.  Bruno fried up a pig’s worth of bacon, crispy and fried with a sprinkle of cinnamon.  Eggs, sunny-side scrambled and over-easy, just a little bit runny and fresh from your henhouse.  And the cru-de-ta, a mountain-pile of fluffy home batter pancakes, smothered in homemade syrup and creamy smooth butter dollops piled on top.  Bruno piled your plate to the brim, sure to give you only the crunchiest bacon strips and roundest pancakes, with plenty left over for the boys.  It was a miracle the other boys hadn’t woken up yet, but you supposed they were still wiped out from the night before and needed a little more rest.  
Bruno didn’t mind one bit, enjoying the one on one time with you he rarely got.  Sitting patiently for him like a good mate, letting him clean you, dress you, even feed you. Bruno was determined to spoil you, so you would never want for anything other than him again.  Looking around your plate, you asked Bruno, “Sorry, but you forgot to grab a fork and knife.  Would you mind?”  
Bruno smiled, unblinkingly, “Oh no, I didn’t.  Open wide~”  He cooed, stacking a silver fork full of your breakfast.  You looked at him incredulously, “Seriously?”  
Bruno didn’t relent, smile unwavering, “You wouldn’t turn down all my hard work and this delicious food, would you?”  
You wanted to argue with him, you really did.  For every inch he gave you, he took a mile, and it was starting to be humiliating.  But for whatever reason, Bruno always made you cave.  Besides, after everything you’d been through, he’d never hurt you, always gentle and caring.  So, against your better judgement, you sheepishly opened your mouth for him.
Bruno lifted the fork into your mouth, watching your lips close around his fork.  You savored the buttery rich flavor of the pancakes, the spongy texture bouncing lightly in your mouth as you chewed.  To say it was delicious would be an understatement; you were starting to consider letting Mista and Bruno handle mealtime more often.  Bruno bit the corner of his lip, watching you eat your meal.  You wanted to pout, not give Bruno the satisfaction of knowing you enjoyed being babied like this, but you couldn’t help smiling as you swallowed bite after bite, opening your mouth and even leaning forward.  Each bite was better than the last; the salty sweet bacon grease and runny eggs soaked into the pancakes, soaking up the flavor medley and sending your palette into overdrive. 
 Bruno loved every minute, watching you let your guard down for him, licking up syrup from your chin, even letting him wipe your cheek clean with a napkin.  Your stomach puffed out as you ate through your meal, it excited him to know he did that to you, and that your stomach would soon be even more distended and full with his baby.  Your plate was nearly clean, but you didn’t think you could eat another bite.  Bruno had given you so much already, and it was all delicious and rich, and had no more room.
“Please, Bruno, I’m full to the brim.  I’m sorry but I can’t eat anymore.”  You groaned, clutching your stomach.  
“Oh please, just another bite, bambina~  you’ve done so well, you’re almost done.”  He cooed, forking the last bits on your plate.  You tried to excuse yourself, but Bruno stuffed it into your open unsuspecting mouth.  You nearly choked on the utensil forcing your way into your mouth, a sugary syrupy mess that was starting to nauseate you.  It was too much, too rich, but Bruno held your mouth shut.
“Please, y/n, you have to eat more.  Think of our children, won’t you?”  You froze, as you remembered everything that had happened last night with a wave.  You looked at Bruno, mouth still full and ready to vomit.  His gaze tore into you, more serious than he had been all morning.  In fact, the last time he looked at you like that…
Bruno rubbed your back, as your eyes watered and spilled over.  Poor thing, were you already having morning sickness?  No worries, it was only natural; he would take care of you. You were having trouble breathing, not sure if it was the food or the panic setting in.  
“Come on Bambina, you’re almost done.  Just swallow it all down, you can do it~”  Bruno hissed, as he plugged up your nose.  Bruno sighed, watching your eyes bug out; he didn’t want to be harsh with you, but what other choice were you giving him?  You needed to follow his orders, that’s how he kept you safe and happy.  “Now, y/n”  
Despite the lump in your throat, you had no choice but to swallow, the lack of oxygen making you gag.  How could you forget who you were dealing with?  How could you let him take advantage of you again and again?  You wiped the snot and tears from your face, catching your breath.  You flinched as a familiar hand reached out and grabbed your chin.  Bruno turned you to look at him, his face calm and smiling as if nothing had happened.
“There, Bambina, that wasn’t so bad was it?  You have to let me take care of you, okay?  We don’t want you hurting yourself do we?”  He asked, voice soft and patronizing, like he hadn’t just force fed you against your will.  You wanted to run away, but didn’t know where to go.  It didn’t help any as you heard footsteps coming down the stairs.  
“Yo, y/n!  You’re up already?  I thought we wiped you out last night!”
“Guess we’ll have to try harder next time.”
“Are you okay, y/n?  You look ill.  Maybe you should go back to bed.”
“Ohh, it smells so good!  Did you make breakfast for us, y/n?”
You were surrounded.  No way out.  Five strong angry bulls that had taken over your life, your home, even your body.  You couldn’t trust them, not any of them.  There was no escape.
“What’s wrong, bella?  Are you crying?”
“Don’t cry, y/n!  There’s nothing to worry about, we’ll take care of you!”
“You can count on us, y/n.  We’re mates, after all.”
You were trapped.
Trapped.
Trapped.
 You opened your mouth to scream, but it was no use.
It’s not like anyone would hear you, anyways
END
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oskarwing · 3 years ago
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I really wanna talk about the parent child relationships in Midnight Mass
I’m not sure if I’m good at writing this sorta Meta but here goes nothing. Very many spoilers follow.
Let’s start with the adults: 
First we have Erin who suffered so much at the hands of her mother and later because of her mother’s abuse. We don’t get much detailed info on Peggy Greene but from what we can gather she was a lot like Beverly Keane, who seemed to idolize her (though that probably got easier for her after Peggy was gone), in her self-righteous over-pious manner. She just happened to be Beverly with an alcohol problem and a daughter who she could take all her anger at life for not working out her way for God loving her just the same as everybody else out. The dove scene is really such a good scene. But Erin was stronger than her mother, stronger than the abuse that was about to repeat itself and when she found out that she would have a child of her own she left and tried her best to give her kid a better life than the one she had. And she found the strength I think with the help of the same God her mother most likely used as legitimation for her abuse (don’t get me wrong I believe it was Erin’s own strength but she also clearly found something in religion that helped her gather it) and it helped her to carve out a path for herself and her unborn child.  
Sarah’s relationship to her parents is such an interesting one because we get to see the end of it. The man who she believed to be her father has been dead for a long while and her mother is suffering through the late stages of dementia. And Sarah showed up for it. As a doctor she most likely knew what would be happening as soon as Mildred started to show the first symptombs but she wasn’t going to leave her mother. That kind of care for an elderly parent shows something that is proven in Mildred’s character time and time again: She is a very devoted parent and the love between mother and daughter flows both ways in every scene they are in together, after the birth of her daughter her world turned around Sarah and she loved her with all she had. There are a few scenes that show that Mildred’s understanding of the duty she felt towards her family came from the old values of her time. She wouldn’t have taken off with John and their child not for a lack of love but because in those times, in catholism still at least where I’m from, you can’t just marry a priest. You can’t just have a child with a priest eventhough you’re married and then fuck off with him. As a woman, as a wife and mother you have to stand with your husband, stand with your child and you have to stop running after fantasies I’m sure Mildred had. I’m saying this all from her perspective btw, I don’t necessarily think running away with John, in the way he wished to, would have been good for Sarah but honesty might have been and her old fashioned values were also what kept her from being truly honest with her daughter.  To John on the other hand Sarah is a fantasy, a dream he couldn’t reach. His daughter, his baby, so close and yet so far away getting to watch her grow into an adult but never being able to really be her father as in her Dad instead of her priest. And it’s painful to him, he clearly loved Mildred, loved Sarah but he was also kinda selfish in his love that in the end took Sarah away. At first he isolated his child by starring at her giving her the creeps and the feeling that she had done something wrong that he knew she was gay and dissaproved and then he took it upon himself to ‘cure’ Mildred in the same way he was. Sarah wanted to take care of her mother wanted to be there for her in those final months and John decided it was up to him to give Mildred a youth potion to make it so she’d never die. And with that he took away from Sarah what is without doubt a hard but for many people a very important last part of the relationship between child and parent. John was a complicated man and would maybe have been a great Dad he certainly showed a lot of fatherly love for his altar boys but he couldn’t have the family in the way he fantasized about and in the end it was that fantasy that made him act the way he did.   
Riley Flynn causes his parents a lot of pain. Him killing that girl in the beginning, his alcoholism, him simply not liking the place, the home they build for themselves through hard work causes the Annie and Ed so much pain and financial loss and you can see how tired they are, how much guilt they feel for failing their son. Ed calls out his own guilt and says that he doesn’t belive it could be Annie’s fault because ‘your mother’s a saint’ but what I truly love about Annie and Ed Flynn is that they both aren’t saints. As a mother Annie is very much overprotective and suffocating, wanting to keep her children on crocket island and hating the notion that they might leave her, even though she is kind and sweet and loving. And while Ed seems rather checked out as a father but he is the more honest parent, never talking down to Riley and telling him as it is, telling him about the pain he caused him while also admitting to the guilt he feels. The Flynns are flawed people even in their religious practice (I think the way Annie speaks about Ali showing up at church when Hassan seemed to be nothing but nice to her spoke very loudly to the fact that Annie is rather misguided sometimes) but they are good people at the core of it and their parenting might have been part of Riley’s way into alcoholism but it wasn’t only them. There were things they couldn’t change and things they had no influence over like his heart being broken by Erin running away, the sort of people he went out on parties with and so many other things...  Yes, they may have shaped their son in a way that made him vulnerable to addiction and the party scene of the stock and tech market and brought him to the point where he killed a child but it doesn’t happen through parenting alone and they also shaped him in the good ways. Him not losing himself when Pruitt changes him, him being brave enough to warn Erin, him standing up for what he believes in those things were also shaped by Ed and Annie. They are one of the best example of flawed but good hearted Christians I have seen in recent media and their portrayal was one of the most heartbreaking ones. 
Now the kids: 
Let’s start with Leeza. Little Leeza Scarborough who before it comes to her wonder gets treated with pity and overprotectiveness from her parents and the island community at large. Leeza was injured by Joe Collie transforming him into the island’s villain and her into the ever present victim.  What happened to her is without a doubt horrible and I understand why Wade and Dolly started to become these overprotective parents, why they were so easily sucked in to John’s and Bev’s scheme. Their little girl was almost taken from them eventhough Wade is the mayor, one of the most powerful people on the island he had no influence over what happened to Leeza even was the one who took her out that day and what followed the accident was as we can gather from their conversation with Sarah a lot of pain and financial burden though they say they would have done it all over for Leeza. In fact a lot of places in crockett island are wheelchair accesible and I am sure that Wade as mayor made it so (I can’t really imagine that a small place like the island was very inclusive though I may be wrong).  After Leeza is healed they don’t want to question in don’t want to think about what might have been the cause for it. In fact they stop questioning anything after that point, after Leeza walks again they are completely vulnerable to Bev’s manipulation and them letting that happen, them just going along with everything, Wade protecting John after he kills Joe long after Leeza forgave him and with her forgiveness send Joe on a better path is what in the end makes them lose her. Because Leeza isn’t that little victim who needs pity and help, she is a strong minded, strong willed young woman with a lot of wit who similar to Erin finds strength in her faith but in a way that isn’t devotion without question and when the Easter vigil is held she doesn’t follow her parents eventhough she loves them deeply. She forgives them I think, because that’s what Leeza’s character is about in it’s core but her parents were two of the instigators behind what happened on the island, without Wade’s protection John and Bev couldn’t have come as far as they did and they put their trust in them because they loved their daughter so much they didn’t stop to question if maybe what made Leeza walk again was also a bad thing. 
Ali and Hassan don’t have it easy and I as a white person really can’t speak much on the racism and religious discrimination they face.  I can say this I think: The first line spoken about Ali before we even really get to look at him is “You didn’t invite Aladin” and already sets us up for what both of them know: They are the outsiders. Not only because they just moved to the island but also because in their faith they are different from their peers and religion can often be a community building event for people before it is anything else. Ali starts balming his father a little for that, for not trying to fit in more with the community, for moving after his mother’s death and then not trying to be closer to the people around them and for the pain all the pain the two of them went through before Crockett island. It isn’t oly peer pressure though of course that brings Ali to St Patrick’s. Sure, Ali wanted to be part of the community but also desperately wanted to believe that there was a devine power who could if he just did it (it meaning faith) the right way he might find a way to avoid the pain of his parents. Hassan knew that and he warned him that that wasn’t how it worked. Hassan was a protective Dad and maybe he overdid it from time to time but his worries were never without reason, his need to keep his son safe from a world that hated him for a crime that happened when he wasn’t even born yet never unfounded and him wanting to make sure his kid kept the memory of his mother alive never anything but the wish of a griefing man and loving father. In the end when they pray together there is peace in them. They face their ends with the dignity Ali’s mother would have wished for and they face it as father and son. While Beverly the true religious terrorist of the story burns away without it. 
Warren is the youngest Flynn and it is never directly stated yet omnipresent that his coming of age happens in the shadow of his older brother’s mistake.  Annie warns him away from drinking when he goes out he in fact doesn’t drink. He never drinks because of what his brother did.  Warren would have been 12 when Riley killed that girl and so he would have seen and felt what his brother’s actions did to his parents fully without being yet old enough to maybe see the nuance.  Annie and Ed probably try to right the wrong they believe to have done in parenting Riley with Warren and that’s a lot for a kid. I do think it’s pretty usual that parents of multiple children especially when there’s a larger age gap try to do better with the younger children, but that isn’t fair is it?  Warren is his own person not a second chance to do it over.  And yet seemingly he does what is asked of him. He’s alter boy, he’s charming and helpful and sweet, he doesn’t drink (even when he does smoke pot) and he helps his father where he can with his work.  But in the end he feels guilty because he thinks he wasn’t enough and says at that last dinner he would have been different if he had known he wouldn’t see his family again. But Leeza is right they know and they love him and Warren deserved to not be perfect all the time. 
Littlefoot saved Erin and Erin payed her back with all the love she had. She was never born but she gave her mother the strength and willpower to leave.  In her speech to Joe Leeza said he reached through time and took things from her she didn’t even know she had yet.When Erin left her husband she reached through time and saved Littlefoot from a childhood like hers and when John gave Erin the angel’s vampire’s blood he reached through time and took away her child, a child who would have been loved and cared for. A child with an amazing mother and probably a great step-dad.  Littlefoot’s story is tragic because she never got one. 
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wolfsneedles · 3 years ago
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DanyMonth2021 - Daenerys Targaryen 30-Days October Month dedicated to Dany.
Day 2 : Fav Quote, Moments.
( I have so many and im late to this but this is one of my because they highlight her inner childlike nature curiosity, and simplistic and modest views on life and memories that is in her core she only desires a red door house and freq dreams of it and remembered it later and a lemon tree but more importantly a family and a commoner life where she again dreams in adws of comman woman and man who had been being intimate with each other. This also kinds of points to the fact that her righteously ambitious nature is not the only aspect of her and neither could she be someone who wants to only do everything alone or sacrifice or die alone points that people hurl at her. Most imp thing abt quote is her loss of and lack of privileges as compared to other children of lords and ladies who are born and adorned with love and honour but dany...never experienced the basic natural forthcoming love at her childhood and so far has literally been sold and displaced from one place or house to other. I like how she also sees a father figure in ser willem, someone id love to know more about, like she sees in no one and she remembered such beautiful and imaginative and colorful details of her house in braavos. Her not being raised and born as royalty or children of royalties in entire asoiaf shown are raised like is also biggest turmoil and quite saddening if you compare her to other children and people. She was robbed of basic things including a childhood and love and care and prestige as she says that ser willem used to call her little princess, shows how she as last targaryen exiled child of once glorious dynasty, and their last scion quite literally had never been raised whatsoever or given that status or lived like you do live when you belong from influential families. Maybe thats why i love her views and revolutionary thoughts in books because she wasn't really only raised among maesters and septas and other children of her age she might like to play with, she was only for brief moment enjoyed the time with ser willem until he died and they were again displaced, chased, mocked, ran after, and cycle repeats. This is important to note because she in beginning of her life is the most underprivileged character who had to live among people which was also conditional (ilyrio might be rich and all but he sold her along with viserys and didn't always have good thoughts about her), most of her patriarchy influence was one big torture and ball of pain until we see she is freed from them at last in the end of AGOT and brings back dragons. that marks her journey of strength and independence and living unconditionally though, not all times since ruling in mereen also came with consequences ofc. But Dany as character with bad childhood still is the least sympathized with character if we compare her to stark children and others too. She is gaining now what others had for yrs before their downfall began and the one reason majority dont find it easy tk sympathize with her is because so many skim her backstory not really delving deep that they were raised in scrapes and poverty and in sewers too apart from Ilyrio's mansions. and they had to sell their mothers crown which is very symbolic because they sold the last dear memory of them. In Asoiaf others start having downfall but Dany goes in opposite direction because before books mention or we can actually sympathize with her, the stuff happened to her in childhood is not synchronized or explained in POVs too. we get flashbacks and little bits and it should be enough to know she suffered as child a lot. Thats why i attach this quote because it is very sad and points to the true nature of her from inside. She cried for a red door and not having a house with red door. The line that "door closed for them forever" is also so sad considering they were again on run now. She isn't literally given a privilege and power, she had to bring it back through her own sheer strength unlike nobles getting it from being born in family. The post-rebellion was harshest i can only imagine on Dany.)
—————— Book Quote ——–—–——————
She remembered Ser Willem dimly, a great grey bear of a man, half-blind, roaring and bellowing orders from his sickbed. The servants had lived in terror of him, but he had always been kind to Dany. He called her "Little Princess" and sometimes "My Lady," and his hands were soft as old leather. He never left his bed, though, and the smell of sickness clung to him day and night, a hot, moist, sickly sweet odor. That was when they lived in Braavos, in the big house with the red door. Dany had her own room there, with a lemon tree outside her window. After Ser Willem had died, the servants had stolen what little money they had left, and soon after they had been put out of the big house. Dany had cried when the red door closed behind them forever.
- Daenerys, AGOT.
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nenithil · 3 years ago
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About Hans and Shadis, and their insight on humanity(1)
Hans is often regarded as too pure and naive, or doesn't that understand human nature(comparing to Erwin or Armin), has unrealistic illusions about human beings and over-idealized.She even rejects selfish desires, this impression particularly comes from C71, when she scolded Shadis: To give up the individual and dedicate the heart to the public, it's like that,isn't it?
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It's a very powerful scene. At first glance, I also feel a kind of frightening moral cleanliness from their words, but combined with other plots, I don't think so.
On the contrary, I began to think that her eyesight and response to people's mind are very sharp. She has usually appeared very joyful, it's not because she is naive or only looked at the good aspects of the world, or really had a very happy life,but because she focused on objective work and generally would not be distracted from those kinds of nonsense.
There are many descriptions of this kind of things in smartpass. For example: In  "crimes inside the wall", Levi mentioned that the Survey Corps often cooperates with some members from aristocracy in gray areas for financial needs: "There are not a few rich men who make use of criminals... For example, smuggling or assassinating opponents in trade. They are too professional to be tracked. Even if they are unluckily caught, they could just deny that they knew it. Before, there are some just  soldiers who tracked them down. Finally, they found that the behind the scenes was actually the sponsor of the corps. Similar events emerge one after another." Eren was very angry when he heard this, which made Levi even wonder if he said too much to youngsters. He went back to discuss it with Hans. Hans replied: "If it's something you will know sooner or later, it doesn't matter whenever you say it." "Teaching new people what's reality is an important task for senior superiors! I don't think you did anything wrong, Levi."
And in smartpass about Eren: When she first met ERen, she performed  psychological investigations on Eren, asked him about his dreams and made some comments, which showed that she at least knew psychology well. She even said to Eren: "Apart from the fact that you can shift into a titan, you seem to be an ordinary kid,  Eren." "I mean, at least, I don't feel some violent nature from you, like what they discussed in the court." It doesn't really matter whether Eren is an ordinary child, but Hans's words could greatly comfort Eren, who was regarded as a monster, anxious and self doubted at that time. What she said would make him feel closer to the Corps.  She made her comments on him on practical purposes, not to show her judgment.
This reminds me of her comfort to Mikasa in the Manga during "midnight sun". In order to prevent Mikasa from snatching injection,  she expressed her understanding and closeness to Mikasa's pain and told her, "but we have to move forward".
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she accurately saw that Mikasa was not really that kind of people who only cared about the life of her own friends, totally disregarding for the lives of others,but was just unwilling to let it go for the moment. So she chose comfort rather than admonishment.
She don't need much cover up with her words, but always enter the truest part of the heart.
We can imagine  what will happen,if she criticized Mikasa for "only caring for personal desires and ignoring the interest of public"and asked Mikasa to" give up her personal feelings and devote yourself to mankind ",as any critics did in some forum. She can stop Mikasa  not only because of her kindness but also her wisdom.
In smartpass:Shelter from the Rain :Hange&Jean,she also showed her interest and understand of 104: "At present, people who can make calm judgments are very valuable." Hange said this because she had come into contact with the "power" of Jean's contemporaries,and she knew that they could not be controlled merely by giving orders as a superior. "Armin is smart, and he's always been self-abase about his lack of strength... I think we have to get him on our side..."
There are a lot of details like this in smartpass. Even for Erwin, who is generally considered the most enigmatic, Hange offered a rather unique perspective in his  personal interview:
Hange: Charismatic, unshakeable faith, he would not mind sacrificing himself or others for the goal…well, he tries to maintain that kind of outer appearance. Hange: He might not be too happy if I say too much out loud. What I told you just now, it might be something that he shows to the public…however, even if you were to peel off that appearance, you still wouldn’t be able to see his true personality. That’s my personal opinion about it. H: Even so, he is someone that we can trust. If we leave the situation to Erwin he will evaluate it, and we therefore rely on the commander. If he wasn’t trustworthy, he would have been stabbed in the back. This is not something that is only limited to a commander though.
She haven't idealized Erwin so much, but regarded his appearance as  "shows to the public,"  she confessed her doubts about his true personality and haven't even overestimated his morality,or selflessness, as Levi did. She just said pragmatically that if he would make the right decisions, I would trust him
In her own interview, she said: Erwin’s active support of my research has been very helpful. And I’ve heard that he also has doubts about how this world was formed?
She thanked Erwin for his support and then without further comment, but she clearly caught the core desire of Erwin: doubts about how this world was formed
If regardless of smartpass, she also showed her sharpness towards humanity many times in the manga: C52 her threat to Sannes:
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She accurately summarized the reasons that ordinary people would use to make excuses for doing evil.
This is also why she can quickly come up with a ferocious plan to deceive Sannes into confession. She knows their kind well
Similarly, in C60, when facing journalists who wrote false news and slandered their dead subordinates, she also showed tolerance for weakness of human, and performed her skill of getting closer to others.
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She may have succeeded in persuading Fregel,who would rather live a miserable life, in similar way (the manga doesn't describe it in detail, and I doubt even Isayama doesn't know how to write.
She is regarded as an "over idealistic" commander, but she still said such words:
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Her words have described Hizuru's intention to monopolize resources, which can only be inferred by herself. At the same time, she also speculated that countries regard eldia as a scapegoat to maintain their domestic unity. It shows that she has basic insight and understanding of politics. Particularly, if compared with Armin:
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... well, I don't know why Isym wrote like this. Armin is  not like a naive kid to ask suchquestions. I regard it as a simple emotional vent. Here I can even understand why Eren showed such a disdainful face,Lmao
Hans obviously won't believe Mikasa's words, which are indeed too simple, but their kindness did give Hans some strength, or positive feelings, making her focus on what she can do - surveying and understanding the world, striving for friendship with others, rather than what can't be changed- all countries are selfish, they deceive citizens and don't mind doing harm to others in order to maintain their "rule".
PS: the plots that I like most about Mikasa in manga almost are with Hans. I'm happy to guess that Hans gets along well with individual having this kind of character (like Levi)
These are my views on this side of Hans. She can see and master the complex and dark side of people skillfully, although she still tends to look at the good side of them. She treats other as human-being with their own weakness and  uniqueness. She would not judge others without considering the specific situation
So about C71, I think what she said to Shadis was not because she is too naive, or being so strict with others to ask them to give up their personal desire, but because of the special relationship between them.
TBC..
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legendaryjellyfishfest · 3 years ago
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When Luffy decided on each of his crew.
With the release of episode 1000 I decided to finally put together the post I’ve been wanting to for a while.  Each of the moments I feel Luffy “decided” each person was going to be part of his pirate crew.  Something we’re shown in chapter one is really important to him.
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His crew is something incredibly important to him; without it he’ll never complete his dream of becoming King of the Pirates.  Over the years I’ve seen people list when each person joined the crew.  The manga even has chapters titled when each member joins so it’s easy to track. But I haven’t seen a breakdown of when and why Luffy decided on each of his crew.  I’ve narrowed down each moment I feel Luffy felt he had found a perfect addition to his crew.  This is a long one so for the sake of people’s dashboards I’ve put a “keep reading” to compact things.
1: Zoro
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When Luffy first meets Zoro he’s willing to have him join, but he’s hesitant to ask him because he’s unsure if Zoro is really a “bad guy” like he’s heard all day.  He’s aware of Zoro’s strength; Luffy even sorta compliments Zoro’s perseverance by admitting he’d starve to death fast in Zoro’s place on the stake. To this point though he only knows Zoro as “bad.” It isn’t until after the incident with Helmeppo and Rika that Luffy sees who Zoro really is.
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You can see the relief on Luffy’s face that Zoro is a good man.  He may be gruff and abrasive, but at his core he’s a kind man. Then he learns of how Zoro got on the stake, by saving Rika, and he decides that he’s not leaving Shells Town without Zoro.  But the rice ball scene is the moment I feel Luffy chooses Zoro. 
2: Nami
What’s funny about Nami is that at first Luffy wants nothing to do with her.
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A common thread of these moments is that Luffy is an incredible judge of character, and I think this is a good example of that.  He’s incredibly wary of Nami.  It’s not until he finds out she’s good at navigation that he entertains sailing with her.
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After she reveals she has no interest in being a pirate, and in fact hates them Luffy begins to half heartedly asks her to join. She then sells him out to Buggy, and he takes the offer off the table. It’s not until well into the party Buggy throws that we get these two moments.
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Feeding Luffy is the surefire way to get into his good graces, but notice how he says it.  “I guess I’ll let you join my crew.” He guesses she’s good enough because of this, and she might be crew worthy.
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But this is the key moment. When Nami falters on Buggy’s order to kill Luffy.  This is before the Chouchou moment where Nami herself sees what kind of a man Luffy is, and what treasure means to him. As far as she knows he’s just an annoying wannabe pirate, and if she doesn’t fire that cannon she’s dead.  But she lacks the resolution to do that.  Luffy picks up on it, and as you see calls her out.  I don’t see it as mocking, but rather he’s trying to educate her on what it means to deal with pirates.  Because he’s decided right here that she’s his navigator.  And she needs to learn the lesson he did at a young age watching Shanks. 
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And that’s something that leads into Arolong Park and then her really joining, but that’s something for another post.
3: Usopp
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The second Luffy realizes that Usopp is the son of Yasopp he was never going to leave Syrup Village without him. He even says Yasopp is one of his favorite members of Shanks’ crew. So it’s very obvious this is when Luffy decides to bring Usopp with him.
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4: Sanji
Figuring out when Luffy decided on Sanji is also fairly easy. He openly tells the audience so here.
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Luffy sees with his own eyes what kind of chef/person Sanji is right here.  No mater who the person is Sanji will feed them.  We later find out why feeding people is so key to Sanji, but Luffy doesn’t care one bit.  All he sees is someone that will provide no questions asked. Not only that, but someone that enjoys feeding others.  I don’t want it getting mixed up that I think it’s cause Luffy just wants someone to feed him, but it’s more like he can tell that Sanji is someone that’d cook for even someone he hates; because he’s a cook and that’s what they do.  A trait only one other chef at Baratie shares, Zeff, the others do it because it’s a job.  One they enjoy yes, but just a job.  To Sanji it’s very much more than that as we see.
5: Chopper
There’s two moments I decided worked with this, but they are kind of hand in hand.
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The other moment is when he flat out says they have to have Chopper join because he’s cool.  This though is where we the reader, and Luffy, See just how important life is to Chopper. That even though it makes things harder for those that are in the castle, the lives of these snowbirds are just as important to him.  It’s what gets Luffy to actually think about Chopper as more than meat. And once he does we get this.
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Chopper is cool, and he is now a crewmember.
6: Robin
Another easy one to pinpoint.
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Robin asks, and Luffy accepts. She’s not the most trustworthy at this point. Literally only a few days ago she was an enemy.  But once again Luffy is an incredible judge of character.  While he doesn’t know why she saved him multiple times; Robin did take the time/risk to save him. So to Luffy she’s a good addition to his crew.  Plus her logic makes sense to him so why not?
7: Franky
Probably one of the hardest ones to explain considering how antagonistic things started with Franky.  Hell even deep into the events of Enies Lobby Luffy still kinda hates Franky.
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He lets it got in order, and passes on the rescue of Robin to Franky.  A responsibility that Luffy would give to no one else but someone he trusted.
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But here is where Luffy figures Franky could be a good addition to his crew. Notice his phrasing “Great!!!! He was a good guy after all!”  He was already considering asking him, but Franky gets the additional bonus of being a good guy.  The Franky family, and Iceberg may both ask Luffy to bring Franky on his ship.  But similarly to Sanji; he won’t force anyone to join even though he’s told it’s the only way to get Franky.
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Luffy actually seems shocked that he’d need to force Franky to join. 
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This is the moment Luffy knows Franky will be part of his crew, because Franky does want to sail with them and the Sunny, but he just needs the excuse.
8: Brook
I really don’t think I need to say much about this one.
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The literal second Luffy meets Brook he knows he’s got to be part of his crew. And surprisingly Brook is the first person to just say “Yes”. A reverse of Robin’s in a way. The others all refuse at one point or the other.  Brook has other complications to joining, but this isn’t the post for that.  This is all also before Luffy realizes how perfect Brook really is.
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He finally gets his long awaited musician for the crew. Is it no surprise why Luffy fought so incredibly hard to get Brook to be on his crew? After all:
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A musician was the role Luffy wanted to fill after navigator, and cook at the very beginning of his journey.
9: Jinbei
Last but certainly not least.  The one Luffy(and readers) waited for the longest.  This was probably the hardest one for me to place. Post timeskip it kind of comes out of no where that Luffy askes him.  It makes sense why, but what was the moment during it that convinced Luffy to ask Jinbei?  That’s when it hit me.  The moment isn’t during the Fishman Island arc.  It’s the Post Marineford arc.
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Luffy is at his lowest.  His literal breaking point.  The moment Moria warned him about.  His crew is lost.  Ace is dead.  There is nothing left. But wait. There’s Jinbei. To remind Luffy that though they may be separated, they are not gone. He still has his crew.  It can’t be understated how important this is for Luffy.  He was ready to give up before Jinbei got through to him. By reminding Luffy of what he still has; Jinbei guaranteed himself a spot on Luffy’s crew. And I’m very well reading into details that aren’t really there, but notice Luffy’s fingers. He’s counting his crew’s numbers.  At that point counting himself there are only nine Strawhats, but Luffy is holding out ten fingers.  Because he’s counting Jibei as one, but he can’t ask yet.  Not until the rest of the crew is back together. And once the Strawhats (including Jinbei) are together what happens?
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Luffy finally gets to ask the question he’s been holding in for two years.
And that’s it.  Thanks for reading my ramblings if you’ve made it this far. Episode 1000 was amazing, and seeing the flashbacks of all the crew leading up to the big group shot is what spurned me on to do this finally.  It’s something I’ve wanted to do for a while now.  I just figured I’d wait till post Wano for a potential 11th Strawhat to drop this, but I can always add that afterwards. Once we get a clear idea of who it may or may not be.
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hopeymchope · 3 years ago
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Persona Lite with Fire Emblem sprinkles on top
I’ve been addicted to Tokyo Mirage Sessions #FE Encore on my Switch for the past few weeks, and I’m getting close to wrapping it up. I figured it’s high time I talked about it a bit.
The game that would become Tokyo Mirage Sessions (TMS) was first announced as “Shin Megami Tensei x Fire Emblem,” which is absolutely not a good way to describe what this became. 
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This title led so many people astray.
What comes to mind when you think of (mainline) Shin Megami Tensei games? An apocalyptic or post-apocalyptic setting. First-person-perspective battles. Negotiating with demons. Battles against deities. TMS contains a little bit of the third thing on that list, and none of the others. 
What comes to mind when you think of Fire Emblem? Medieval-era settings. Permadeath (either optional or mandatory). RTS-style combat. The famed “weapon triangle.” Support conversations. TMS contains the fourth thing on that list, and none of the others. 
But let’s be honest here: For most people (especially Westerners), the first thing you think of when you think about Shin Megami Tensei isn’t even the games with “Shin Megami Tensei” in the title. It’s the Persona series! They’ve grown far more popular than their parent franchise at this point.
So I suppose it was natural that TMS is, at its core, a “Persona Lite” game. The darker edges of Persona titles are removed in favor of something more T-friendly, but the basics are all there: A group of teenagers in modern-day Japan discover a strange alternate dimension that they can access which also gives them the ability to summon supernatural powers/entities. When people start to go missing in this other dimension, it falls to this group of teens to unite and save the day, ultimately leading to them discovering the reason why this alternate world has been bleeding into modern Japan in the first place and, in the end, saving humanity from annihilation. That’s totally how Persona works, and it’s also totally how Tokyo Mirage Sessions works!
However, instead of summoning Shin Megami Tensei demons as “Personas,” the heroes of TMS summon Fire Emblem characters that are “Mirages.” Each character is permanently linked to a single Mirage, so there are no “Wild Card” characters here. However, you can level the characters’ mirages up to make them take on new forms and new abilities. FE fans will notice that all of the characters here are from the Falchion/Tiki/Shadow Dragon stories - the two Marth adventures (Shadow Dragon/Mystery of the Emblem) and the semi-recent 3DS hit Awakening.
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For some weird reason, all of the Fire Emblem “mirages” wear helmets, masks, or other face coverings 100% of the time. The only exception is Tiki.
The lack of the darker themes in many Persona games and the fact that there’s no “Wild Card” to manage is what makes this, in my opinion, more like PERSONA LITE. And then you get your Fire Emblem backup characters to serve as extra flavoring. The characters we meet from Fire Emblem are rarely the focus — you spend most of your time with the teen heroes — but they still manage to show off their unique personalities and carry in a load of FE fanservice. (The good kind of fanservice where it’s full of references and nods to the continuity of the series, I mean. Not the other kind where it’s softcore porn.)
Fire Emblem fanservice was one of the biggest delights for me here. If you’re looking for any SMT/Persona characters to pop up and link the continuity together, you can stop looking because they aren’t here. But if you want to see specific characters from the three source FE games pop up here, a metric ton manage to do so. For example: Tharja (from Awakening) creates two golems for training purposes, which she names Bord and Cord after the pair of heroes from Marth’s era. And then the actual spirits of Bord and Cord possess those golems. So naturally, they start bickering and fighting. It’s delightful. 
So yeah, there’s plenty of nods for FE fans to appreciate even if your favorite characters are taking a back seat to a bunch of teenagers. Fire Emblem fans will recognize the heroic mirages, the enemy boss mirages, the weapon triangle weakness/strength system and lots of musical cues. On the flip side, Persona fans will recognize the story structure, the magic spells the characters wield (things like “Mazio” and “Diarama” and “Rakukaja”), the common enemies you encounter and cameos from a few of the more famous demons found on signage around Tokyo. Sadly, there are no familiar sounds or music pieces borrowed from SMT/Persona that I noticed.
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In addition to the main story, there are also “Side Stories” for your party and side quests from various NPCs. The whole game lasts around 50 hours even if you aren’t trying to 100% it.
And while the music here is mostly pretty good — especially the Fire Emblem themes — I really wish we’d gotten some Persona-style tunes in here. Persona soundtracks are absolutely killer and everybody knows it. I wanted to hear some Shihoko Hirata, some Lotus Juice, some Yumi Kawamura, some Lyn Inaizumi. Alas, that never happens. Sad face.
In fact, as far as vocal tracks go, you’ll only be hearing the performances of the main characters. See, the story this time revolves around a group of teens who are hired by a talent agency to become young starlets of the stage and screen. You meet plenty of pop idols, a cooking show host, aspiring actors, and those who do combinations of the above. There’s a lot of focus on the Japanese entertainment industry, and it’s mostly a very positive portrayal about how hard teen stars work to reach their dreams and how fulfilling it can be when they express themselves through their artistic pursuits. Speaking as someone who legitimately does not care one iota about the idol industry in Japan or Asia as a whole, I’m very happy that these characters managed to remain likable and their pursuits stayed enjoyable throughout. No one here is an ultra-deep character, but no one here is a total cipher, either. I’m additionally thankful that the vocal songs are another highlight of the soundtrack alongside the FE tunes. 
The last thing I’ll bring up is the “Sessions” mentioned in the title. It’s a battle mechanic wherein striking an enemy with a weapon or element they’re weak to will enable other characters to start jumping in with follow-up attacks. At first, it’s just one or two follow-ups, but by the game’s end, you might be sitting there for 15 or more consecutive strikes on an enemy after you initiate a “Session” of follow-ups. The greatest quality-of-life improvement built into this Switch port is that you can turn on “Quick Session” to make these attack animations much shorter and more rapid than they ever were in the Wii U original. I never had to play that one, but I can’t imagine I’d have much patience for constantly triggering 15 attack animations with every round. SO glad I don’t have to sit through that.
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This is just a two-strike Sessions, so it won’t last long enough for you to take a beverage break.
So yeah, there’s a lot for RPG fans, Persona fans, and most of all, Fire Emblem fans to dig in “Tokyo Mirage Sessions.” And since we already covered that Danganronpa fans are apparently predisposed to enjoying Persona and Fire Emblem, that probably means that YOU, dear reader, are likely to dig this game as well. 
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makeste · 5 years ago
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the mortifying ordeal of being known... and rejected
or, how to create a self-fulfilling prophecy and get yourself stuck in a hole you’re too scared to try and pull yourself out of (by Bakugou Katsuki).
here is an observation: Bakugou often processes/hides/disguises fear...
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uncertainty...
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and even grief/guilt...
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as anger.
the why, obviously, is because like most humans, he’s afraid of opening up and being vulnerable. but this post isn’t really about discussing the why. rather, it’s about the natural conclusion we can draw from this: that if the majority of Bakugou’s anger is in fact just his way of covering for his “weaker”, more vulnerable feelings, his doubts and fears, then that says a ton about Bakugou’s relationship with the one person he has always displayed the most hostility and aggression towards throughout his life.
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so let’s talk about Bakugou’s actual feelings towards Deku.
disclaimer: I am not a therapist, or someone with any kind of psychology expertise; I am just a person that likes to read manga and think too much about fictional characters. so please keep in mind that even though I might not preface every single sentence here with “I think...” or “in my opinion...” obviously these are still just my guesses and interpretations and they may very well be wrong! the only one who knows for sure is the guy over in Japan drawing doodles of sentient flowers in his spare time, and I can’t very well ask him, so for now this will have to do.
so Katsuki and Izuku were childhood friends. let’s take this all the way back to the start. here we have two very young children who are introduced to each other at an age when they’re still young enough to have absolutely no secrets. they’re young enough to have not yet learned to be shy or self-conscious, or to downplay their enthusiasm so as not to let others know they care. kids that young don’t hide anything. they don’t lie or deceive. they don’t have agendas, and they assume that others don’t either. it is, in short, a very pure type of relationship in the sense that it’s honest and uncomplicated, that it is exactly what it appears to be at face value. their personalities are fully out there with no attempt at reining anything in. Katsuki witnesses the full force of Izuku’s boundless hero-worshipping energy and enthusiasm. Izuku witnesses the full extent of Katsuki’s relentless confidence and Peter Pan cockiness. both boys see each other for who they are in their entirety, and accept each other.
this is a fundamental bond. there is trust built between the two of them at a critical, formative age. it’s a relationship formed so early on that it’s likely that neither of them can actually recall a time before they met the other. they are and have always been a constant in each other’s lives. they’re a lot like siblings in terms of that kind of closeness and complete understanding of the other, both the good and the bad. in fact I’d say that Izuku’s use of “Kacchan” (and Katsuki’s automatic acceptance of it) isn’t that different from a younger brother’s use of “Niisan” for his older brother. it’s very revealing of the type of relationship they have. and that includes the typical sibling squabbles as well. it’s very much a relationship that’s taken for granted; there’s no filter, no effort to hold back, no attempt at trying to tone down their behavior around one another. there is whining and bragging and squabbling and name-calling and tears, just as much as there is cooperation and respect and trust. because at the end of the day, the assumption is that the relationship will endure no matter what, so they can go at each other as hard as they can and it doesn’t matter. the other one’s presence is just a given. that’s the kind of relationship that this term “childhood friends” really encapsulates, I think.
what I am trying to say here is that although it’s often viewed by fandom as an imbalanced relationship at best, and a toxic/broken one at worst, I think this is an incredibly important bond to the two of them. this is a relationship that has deep, irreplaceable value. the value lies in being known without having to suffer through the whole mortifying ordeal part. in the absolute, taken-for-granted surety that the other will always be there; in the constant, reassuring, and familiar presence; and in the security of knowing where they stand.
and what that in turn all means is that when four-year-old Bakugou Katsuki is struck by the thought that this relationship is being threatened, that the status quo may not always be quo, that the bond he’s come to rely on may have been built on a crumbling foundation, the emotional response which we are actually seeing here is not anger.
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it’s fear.
this is the person who knows him better than anyone else does, and who, knowing all that, has always seemingly found something to admire in him. this is the person who’s always followed him no matter what. this is someone who looked up to him and believed in him, and whose belief and admiration perhaps more than anyone else’s filled him with pride and confidence. so the sudden fear, however ridiculous or unfounded (because at the end of the day he was just a preschooler, and that’s important to remember -- the fact that this fear, misplaced as it is, was based off of a scared four-year-old’s logic, and was incredibly real and overwhelming to said four-year-old), that Katsuki might lose this relationship -- or worse, the fear that the relationship was never real to begin with and was based on a lie and was unreciprocated and he was being strung along and laughed at behind his back the whole time -- is absolutely crushing to him.
because what he realizes in this moment is that in some ways, Izuku is already better than him at being a hero. and this realization, along with the fact that Izuku tries to help him and Katsuki misinterprets that as a gesture of pity or scorn, leads to a sudden cascade of other disastrous fears, including (1) the fear that Izuku is a sudden obstacle to his dream of becoming the number one hero, (2) fear that Izuku is looking down on him and not taking him seriously, and (3) fear that he won’t be able to catch up, because he doesn’t understand this mysterious quality that Izuku has, because that something isn’t physical strength, and that’s the only thing he’s ever considered up until now. and the one thing he does understand is that whatever it is (hint hint, it’s actually heart, and the determination to save and protect others), it’s something he himself lacks.
these are the fears which rise to the surface in this instant, and the fears which Katsuki is on some level at least aware of, and subsequently these are the fears which actually get confessed during Deku VS Kacchan Part 2 and are finally addressed. so all this is stuff we more or less already knew. 
but here’s another thought: I believe that this whole time, there was actually a fourth underlying fear which has actually been at the core of all those other fears from the beginning, and which has stayed with him this entire time, and which is such a profoundly upsetting thought to him that he refuses to consciously acknowledge it at all, and yet at the same time also reconstructs his entire personality around it. and that fear is simply this: that Izuku is going to leave him behind.
that’s it. he fears being left behind and discarded by the one person who has always been there. and yeah, okay, I do realize that this is a particular take that will probably have some people going, “uh, what” and gesturing towards THE ENTIRETY OF BAKUGOU’S BEHAVIOR TOWARD DEKU THROUGHOUT THE WHOLE SERIES and raising their eyebrows. and look, yeah, I get it. the fuck kind of fanficcy, melodramatic “deep down the two of them were closer than anything” take is this. “you’re telling me Katsuki’s absolutely reprehensible behavior toward Izuku for a full ten years of their lives had less to do with him being full of himself and hating on Izuku for being quirkless, and more to do with him being sad and fearful and upset over the thought of losing his closest friend?”
but... yeah. that’s exactly what I’m telling you. because for starters, his reaction is about 50 times too over-the-top for it to be anything else. but because also, his reaction to this one fear is so starkly different from the way we’ve seen him react to all of those other fears. usually, when Katsuki is faced with a challenge, he has a very specific response:
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so why, then, would his reaction toward Izuku throwing down the gauntlet be any different? hell, we’ve seen how he reacts toward people that are stronger than him (Todoroki), and towards people he thinks aren’t taking him seriously (again, Todoroki), and it’s completely different from how he treated Izuku. his entire personality shifted from being cocky and confident and nearly always having a grin plastered on his face, to him being hostile and defensive and antisocial and almost never, ever smiling. in fact he doesn’t ever really seem be happy at all.
so yeah. this is my take. he fears being left behind. it’s not just that he fears losing to Izuku; it’s that he fears losing Izuku. because of course he does, because given the significance of that bond as explained above, that’s the natural thing to fear. the two of them have always been together. he’s never not had Izuku there. and so he might bitch about it and act like he doesn’t care about it, but in truth it’s because he fears the loss of it so much that he lashes out defensively -- no you can’t push me away, if you even try I’m going to push you away first so you can’t hurt me.
because that’s what it is, isn’t it? bullying Izuku every time he gets too close. telling him over and over again to stop following him, and to not try and get into UA. Izuku, from his perspective, is looking down on him, so at the end of the day it’s just easier for him to convince himself that he doesn’t even like Izuku, that he’s just someone who’s in his way, and that Izuku isn’t the one leaving him behind, fuck that, he’s the one who’s going to leave Izuku behind. that it’s his choice. it just hurts less. fear as anger, because anger is just easier to deal with; anger gets you fired up and helps motivate you; and anger doesn’t leave you feeling as hollow inside. or at least it can help distract you from that feeling.
so. this is all pretty goddamn miserable, all things considered. and so it goes for the next decade of their lives. except Izuku never does go away. and then one day he goes and saves his life, and from there on out we basically know the rest.
fast forward to the present! or I guess technically three months ago, since as of chapter 257 the present is now Late March/DAWN OF THE FINAL DAY (24 HOURS REMAIN), apparently, and what I actually want to talk about now is the internship, and its impact on their relationship as seen since then.
I’ve already talked about the internship’s general impact on Katsuki in a previous essay, so I won’t really get into it at length again here, but basically the short version is that I think (or am at least hoping) that over the course of this whole thing, Katsuki finally started to broaden his perspective to be a little less self-focused. and as a result of that, I think that seeing Endeavor’s broken relationship with his family, and in particular watching Endeavor apologize to Natsuo and tell him “you don’t need to forgive me” (and Natsu being all WELL YEAH, I WASN’T GONNA) was kind of a much-needed kick in the pants for him as far as making him realize that his relationship with Deku, newly renovated and given a fresh coat of paint after the whole Ground Beta fight, and finally starting to look a bit like its old self again after all this time... maybe isn’t actually quite as sound as he thought it was.
and isn’t that a fun thought. because here they were finally starting to fix that shit after all this fucking time. after a decade of constantly worrying about Izuku surpassing him and passing him on by, he finally realized that this fear was unfounded the whole time... only to subsequently realize that there’s another reason now why that relationship might still be in jeopardy. that being the small fact that, oh right, Katsuki has been a straight up dick to him for the past ten years. oh shit.
this is something he never once thought about before. because previously he was too blinded by his own fears, and his conviction that he was the one being looked down on, and that Izuku was the one who instigated everything. and then once he finally realized he’d gotten it wrong, I think there was a delay before it finally hit him just how much hurt and harm he actually caused, simply because he’s not used to examining things from anyone else’s perspective other than his own. and then there’s also the fact that this entire time, Izuku has never once really shown any kind of lingering bitterness or hostility toward him in spite of everything. in fact he’s been seemingly overjoyed to finally have that friendship rekindled again, and he’s been more admiring toward Katsuki than ever.
in short, I’m pretty sure that up until very recently, Katsuki has just sort of been taking Izuku’s forgiveness for granted. just assuming that he already had been forgiven, even though yeah, okay, he was pretty bad. he just had no reason to think otherwise, because Izuku’s personality is so kind and accepting and understanding that he never even showed a hint of harboring any kind of bad feelings toward him over it. not to mention that all of the really bad stuff happened so long ago -- going on two years now! -- and Izuku has never once said anything about it! and so Katsuki, being the dumbass he is (and also subconsciously wanting to avoid the guilt, no doubt, because hoo boy, that is not a pleasant emotion at all), just sort of assumed that it was all right. that they were past it.
but... is that actually true? are they, really? or is he just telling himself that because it’s what he wants to think? after all, he did recently learn that he interpreted every single one of Izuku’s actions pretty much 100% wrong for about a dozen years. so fair to say he might not be so good at reading him. and, well... what he did to him was really bad. he was really fucking awful. regardless of how generous and kindhearted Izuku might be, Katsuki really has no right to just expect forgiveness, actually. he has no idea what kind of feelings are actually lurking there beneath that freckly surface. just look at all the resentment Endeavor’s kids have bottled up toward him for what he did. and maybe Izuku is only trying so hard to get along with him now because of what All Might said, about how the two of them are supposed to try and learn from each other. and isn’t it possible, and maybe even likely, that deep down he actually hates him as much as Natsuo hates Endeavor?
so there’s the bitter irony: Katsuki spent a dozen years believing that Izuku spited him, and trying his best to push him away so as not to feel the hurt of being spited, only to finally realize that the enmity between them was all in his head, and that in truth, he was the one driving the wedge in between them and chipping away at the cracks the entire time. that in reality he was the one doing the damage. that the thing he was so afraid of was never actually a real possibility until he brought it into existence, but that it does exist, now -- the possibility that their bond really might have been destroyed. and that it’s entirely his fault. that he created his own demons and dragged them into the light.
so now he’s afraid all over again, except that this time, he has absolutely no idea what to do. if he tries to push Izuku away again, he’ll only bring about the worst-case possible outcome that much faster. not to mention that he already played that song for more than a decade, and if there’s one thing it taught him, it’s that he hates that tune almost as much as the alternative.
so then what he should do, clearly, is apologize. that’s the right thing, obviously. the heroic thing. and I don’t think he’s incapable of moving past his pride in order to do it. and on top of that, I think he probably wants to apologize because he actually is sorry! but I do think there is something else that’s currently holding him back. and that something, once again, is fear.
Katsuki is normally one to face his fears head on. in fact, I’ve previously gone on record as saying that he would apologize without hesitation once he realized how badly he fucked up, because he’s not one to shy away from accepting responsibility no matter what the consequences. but now, though, I think that I was wrong. it’s not that he doesn’t want to take responsibility, or that he doesn’t think an apology is owed. rather, I think I underestimated just how great this one, last, biggest fear of his is. the fear of that possible rejection. the idea that Izuku might not accept. that he might say no. that it might simply be too little, too late.
it’s the one thing Katsuki has never been able to face. the fear that started this all to begin with. it’s the one fear that has shaped him since his childhood, and the one fear that he stands frozen and powerless against. the fear of having the one person who’s always admired him no matter what revealing that in truth, he doesn’t. the fear of having all his deepest doubts and fears confirmed. if he isn’t seen as redeemable or worthy to Izuku, who knows him best, who’s seen him at both his highest and lowest and understands him to a degree which one else does, not All Might (whose approval, by the way, also runs through Deku and which he also stands to lose) or his parents or teachers or his other friends... if he’s seen as beyond forgiveness by him, then that’s a blow he can’t recover from.
so now he’s stuck here in this precarious position with Izuku where he doesn’t want to take a step backwards again, but is too afraid to try and move forward. which brings us to the current chapter, where for the time being it seems like he’s decided to simply embrace the status quo, which in his mind is “rivals.”
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so he’s leaning hard into that now, and simply pretending like things between him and Izuku have already been fixed, without actually taking the steps necessary to really move past it, because in the end it’s just easier. and I think that he will continue as is until that status quo either becomes too difficult or painful to maintain (i.e. the guilt becomes too much to bear), or until something happens to finally trigger a boost of courage in him, or a realization that he needs to stop being selfish and own up to his actions.
but eventually that will happen. and I think he knows that deep down. if nothing else, this is something that’s currently standing in the way of him becoming the number one. he has no right to ever call himself a hero if he can’t even muster up the courage to apologize, and to accept whatever consequences may come with that, just as Endeavor did, even if it potentially means being shut down and cast aside. he has no right to expect or demand anything else.
but at the end of the day, Katsuki is still only human, and still a young one at that. and he has only just gotten his friend back. and I can tell you right now that Izuku is not the only one who feels relief and even gratitude at being able to have a “normal-ish” conversation with the other after all this time, regardless of whether or not Katsuki might deny it. and really, there’s no rush. he’ll have to face it soon enough, and he knows.
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but for now, this is nice.
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amelia · 3 years ago
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related to that last ask but now i actually have a question! what are your favourite episodes for amy as a character? (sorry if i’m pestering you btw you don’t have to answer right away ❣️)
it is absolutely never a bother for me to talk about amy pond!! gosh though this is a Question. okay. i did interpret this as episodes that are my favorite for the lens of My Understanding Of Amy instead of favorite pond era episodes as a whole if that makes sense? under the cut bc i got long as i tend to do
i think my number 1 has to be the big bang, because it really is just like. okay, pond era absolutely runs into the problem of frequently making stories/episodes that should be centered around amy's emotional journey actually about somebody else — but the big bang is all hers. it is all on her! she's leading the show SHE'S the one in the pandorica SHE'S the one who remembers the doctor into existence it is HER choice to say goodbye to leadworth and continue to travel completely without remorse SHE IS THE HERO. it goes from "time can be rewritten, he'll find a way" to AMY being the one who finds the way. rory and river and the doctor all of course get their Moments but it's unquestionably amy's spotlight moment the whole way through
i have also ALWAYSSS been obsessed with starless universe amelia and the way that she still believes in stars in a world where they DON'T EXIST the power of her mind and the conviction of her beliefs is a CORE TENET of amy's character, the doctor has NOTHING to do with it!!! it's just who she is !!! best character of all time <3
other things about the amy's writing in this episode i love: the line "the universe pouring into her dreams every night," space florida outfit <3, ok i obviously do not love this but i think so much about amy talking about the doctor at her wedding and her mother is still like "NOT THIS SHIT AGAIN… i thought the psychiatrists FIXED her" like once again !!! a UNIVERSAL CONSTANT that amy is the one who believes in things nobody else does and is LOUD about it and is RIGHT !!! (let's kill hitler tried to retcon this but it simply won't work on me ❤️ just like anything else about the let's kill hitler flashbacks ❤️❤️❤️), OKAY DOCTOR DID I SURPRISE YOU THIS TIME? <3
number 2, i think, is the eleventh hour itself? like it's just… i've rewatched it so many times and it's still the most captivating character introduction i have ever seen. i know i'm biased but i love it so much. her introduction as a clearly neglected seven year old girl (constantly think about the deleted line that has her talking to aunt sharon and saying "you're not supposed to leave me, i'm seven!" WOOF) who's not afraid of anything except for the crack in her wall… she has drawings up all over her house of burning houses, she draws smiley faces into her apples bc her mom used to do that, she can cook for herself way better than i could at seven, and she desperately just wants to leave. but when the doctor tells her he'll be back in five minutes, amy is already so used to adults leaving her and breaking their promises that she doesn't believe him. but he makes her believe anyway. and he doesn't come back.
and all of the rest of her character hinges on that introduction — of course she has to believe him, he was REAL, nobody can take his realness away from her even if she is the only one who believes. but he also left her all alone for so long, just like everyone else who was supposed to be there for her did, so what good does that to her? so yeah of course she grows up angry and bitter and hiding those layers of hurt deeply under the surface, scorning all attachment and serious relationships because she knows she can't trust them. she outwardly distances herself from her childhood self by changing her name but she IS still just such a child inside.
she's not ready to settle, to grow up, to become what everyone in her tiny village wants her to be, thinks that she should be — so when she gets the chance to GO, of course she takes it. but she's also not just going to let the doctor off the hook for [gestures] her entire life, you know? the exchanges "people always say that" "i'm not people, do i even look like people?" | "people always have a reason" "do i look like people?" "Yes." always just GUT ME. she may trust him but it's NOT a blind trust, it can't be.
number 3 has to be the beast below it just makes me SCREAM how good that episode is at really developing amy through her compassion for other people — right from the start she sees that kid crying and she thinks the doctor must ignore stuff like this all the time, and she says that she could never do that. she's learning and intuiting leaps and bounds about the doctor with everything he says to her — which is another one of my favorite amy character traits, the way she is SO quick to pick up on things about other people and analyze them. everything that she picks up about the doctor allows her to KNOW what to do to save the star whale, allows her to be confident in the fact that the star whale wanted to help the whole time. the choice is IN HER HANDS she IS THE HERO <3 as she always should be. you couldn't just stand there and watch people cry! all that pain and misery and loneliness and it MADE IT KIND. i don't care how overused that quote is it still HITS !!!
um. number 4 is the girl who waited but my very specific headcanon-ridden interpretation and cutting out all that garbage "rory's the most beautiful man i've ever met" "defying destiny causality the nexus of time itself for a boy" bullshit. idk there's so many terrible things about this episode but it also gave me so much to think about when it comes to amy it's on my mind a LOT. one thing i think about is the way it parallels amy's first abandonment by the doctor — not just in the obvious sense but in the way that she's actively fighting for her life in a hostile atmosphere, but nobody else SEES it as a hostile atmosphere. the two streams facility is leadworth like it really is. and what adds a more chilling component is the way the handbots signature line is "do not be alarmed, this is a kindness" — like all the people who were trying to convince amy she was crazy throughout her entire childhood really thought they were doing her a kindness. they thought they were helping her. but they were killing her. because she wasn't made for that environment.
beyond that i am just obsessed with 36-years-later amy she is an icon she is a legend she is the moment i don't care! every mean thing she said about the doctor and rory was absolutely deserved and in fact she should have been so much meaner! she is SO SMART she makes her own SONIC PROBES OUT OF CAMERA PHONES the fact that she even was able to SURVIVE THAT LONG and in COMPLETE isolation and still retain her own mental faculties is just insane to me it speaks so much about her insane mental strength oh my god it makes me sooo emotional i am tearing up a little typing this right now.
i just am always THINKING about the line "there he is, the voice of god. number one lesson: survive, because no one's coming for you. you taught me that" it says SO MUCH about her. oh my god older amy didn't want to die she'll be kicking and screaming and fighting til the end… i fucking hate this show and picking and choosing when paradoxes should apply OLDER AMY DESERVED TO LIVE
number 5 is probably the power of three but my own very headcanon infused interpretation of it. because it's like. the ultimate miscommunication/misunderstanding that exists between amy and the doctor coming to a head. where amy in 7.02 is like "i can't not wait for you, even now. (…) we think you're weaning us off you" (that line always makes me slow exhale … the phrasing of the doctor as a drug) and the doctor keeps insisting that's not true, "you'll be there until the end of me" "or vice versa" (and they have that loaded held stare and you know they're both thinking about what he said to her before he left in the god complex…)
but it's not until this episode where amy starts to actually believe he means it. at the same time she's spent so much TIME preparing for the inevitable moment where the doctor says goodbye and doesn't say hello ever again that she's not willing to fully hope that the doctor really means it when he says that he would never leave her permanently on purpose. and i love that this episode gives amy a lot of space to verbally communicate her emotions because the later pond episodes SORELY LACK THAT. and amy tells him, don't be nice to me, don't stop coming around just because you think that's the kind thing to do. even though she says herself that she doesn't know if she can have "both" — she knows that she can tell the doctor to stay, in her own way, and that he'll listen.
ideally they would have just gone off traveling together forever after that and the angels take manhattan did not happen but unlike what the doctor says about amy, i don't ever get what i want 🙃
also, this episode gave amy friends that weren't rory or the doctor or river so i love it for that on principal <3 i know amy had fun being the bridesmaid at laura's lesbian wedding. and kate!!
( i do hate that this episode ends with that conversation between brian and the doctor. i hate brian as a character and i will forever. won't get into this right now but OUGH )
honestly this list is kind of wobbly and might change if you asked me in a month so i'll just rattle off other favorite episodes / moments real quickly: the good night minisode (it counts!), RIVER SONG DIDN'T GET IT ALL FROM YOU SWEETIE (timeline frozen amy my beloved!), "i remember it so it happened so i did it," vincent and the doctor specifically when vincent tells amy that he hears the song of her sadness…. ow, i could write a whole other essay about amy's choice and how it is so much more complex than people give it credit for but this post is already so goddamn long
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cartoonfangirl1218 · 4 years ago
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The Owl House zodiac signs
I decided to match zodiac signs with TOH characters because why not. Info from https://www.astrology-zodiac-signs.com.
Luz: Libra
Strengths: Cooperative, diplomatic, gracious, fair-minded, social Weaknesses: Indecisive, avoids confrontations, will carry a grudge, self-pity
Likes: Harmony, gentleness, sharing with others, the outdoors Dislikes: Violence, injustice, loudmouths, conformity
They are in a constant chase for justice and equality, realizing through life that the only thing that should be truly important to themselves in their own inner core of personality. They will be inspired by good books, insurmountable discussions and people who have a lot to say. ibra representatives are highly social and put their friends in the limelight, but sometimes raise their expectation bars too high, but will often help others understand the other side of their personal conflicts and trouble with other people.
She enjoys being taught about new things and enjoys talking about herself and her personal interests, just as much as she likes sinking deep into her partner’s life. She is charming, intelligent, and finds solutions to problems that arise along the way with certain ease.
Eda: Sagittarius or Aries.
Strengths: Generous, idealistic, great sense of humor Weaknesses: Promises more than can deliver, very impatient, will say anything no matter how undiplomatic
Likes: Freedom, travel, philosophy, being outdoors
Dislikes: Clingy people, being constrained, off-the-wall theories, details Freedom is their greatest treasure, because only then they can freely travel and explore different cultures and philosophies. Because of their honesty, Sagittarius-born are often impatient and tactless. The fun-loving Sagittarius enjoys making and spending money.
Aries
Strengths: Courageous, determined, confident, enthusiastic, optimistic, honest, passionate
Weaknesses: Impatient, moody, short-tempered, impulsive, aggressive
Likes: Comfortable clothes, taking on leadership roles, physical challenges, individual sports
Dislikes: Inactivity, delays, work that does not use one's talents
Aries rules the head and leads with the head, often literally walking head first, leaning forwards for speed and focus. Its representatives are naturally brave and rarely afraid of trial and risk. They possess youthful strength and energy, regardless of their age and quickly perform any given tasks. They are continuously looking for dynamic, speed and competition, always being the first in everything - from work to social gatherings.  They are tolerant of people they come in contact with, respectful of different personalities and the openness they can provoke with simple presence. Their circle of friends needs a wide range of strange individuals.
Independent and ambitious, an Aries often knows where they want to go at a young age, separating from their family a bit early. They will take on family obligations when they need to be taken care of, never refusing more work as if their pool of energy is infinite. They live in the present and aren't that focused on the future, and this can make them irrational and hasty when it comes to financial decisions. Still, they seem to always find a way to earn money and compensate for what they have spent.
King: Leo
Strengths: Creative, passionate, generous, warm-hearted, cheerful, humorous
Weaknesses: Arrogant, stubborn, self-centered, lazy, inflexible
Likes: Theater, taking holidays, being admired, expensive things, bright colors, fun with friends
Dislikes: Being ignored, facing difficult reality, not being treated like a king or queen
Aware of their desires and personality, they can easily ask for everything they need, but could just as easily unconsciously neglect the needs of other people in their chase for personal gain or status. Leo is generous, faithful and a truly loyal friend, born with a certain dignity and commitment to individual values. Tuned to themselves for the most part, they tend to become independent as soon as possible. Still, a Leo will do anything to protect their loved ones.
Willow: Taurus
Strengths: Reliable, patient, practical, devoted, responsible, stable
Weaknesses: Stubborn, possessive, uncompromising
Taurus likes: Gardening, cooking, music, romance, high quality clothes, working with hands
Taurus dislikes: Sudden changes, complications, insecurity of any kind, synthetic fabrics
They are loyal and don't like sudden changes, criticism or the chase of guilt people are often prone to, being somewhat dependable on other people and emotions they seem to be unable to let go of. Still, no matter their potential emotional challenge, these individuals have the ability to bring a practical voice of reason in any chaotic and unhealthy situation. People born in this sign are loyal and always willing to lend a hand of friendship, although they can be closed up for the outer world before they build trust for new social contacts they make. Many of their friendships begin in childhood with a tendency to last them a lifetime.
Gus: Gemini Strengths: Gentle, affectionate, curious, adaptable, ability to learn quickly and exchange ideas
Weaknesses: Nervous, inconsistent, indecisive
Gemini likes: Music, books, magazines, chats with nearly anyone, short trips around the town
Gemini dislikes: Being alone, being confined, repetition and routine
They are fascinated with the world itself, extremely curious, with a constant feeling that there is not enough time to experience everything they want to see. Gemini's changeable and open mind makes them excellent artists, especially writers and journalists.
Lilith: Virgo
Strengths: Loyal, analytical, kind, hardworking, practical
Weaknesses: Shyness, worry, overly critical of self and others, all work and no play
Virgo likes: Animals, healthy food, books, nature, cleanliness
Virgo dislikes: Rudeness, asking for help, taking center stage
This is a sign often misunderstood, not because they lack the ability to express, but because they won’t accept their feelings as valid, true, or even relevant when opposed to reason. Their goals and dreams still have strictly defined borders in their mind. People born with their Sun in Virgo are very dedicated to their family and attentive to elderly and sick people. They understand tradition and the importance of responsibility, proud of their upbringing and everything that made their mind be as dominant as it is.
Amity: Scorpio or Capricorn
Strengths: Resourceful, brave, passionate, stubborn, a true friend
Weaknesses: Distrusting, jealous, secretive, violent
Scorpio likes: Truth, facts, being right, longtime friends, teasing, a grand passion
Scorpio dislikes: Dishonesty, revealing secrets, passive people
They are excellent leaders because they are very dedicated to what they do. Scorpios hate dishonesty and they can be very jealous and suspicious, so they need to learn how to adapt more easily to different human behaviors.
Capricorn
Strengths: Responsible, disciplined, self-control, good managers
Weaknesses: Know-it-all, unforgiving, condescending, expecting the worst
Capricorn likes: Family, tradition, music, understated status, quality craftsmanship
Capricorn dislikes: Almost everything at some point
Capricorn speaks of each natural chain reaction of fear, Immersed in their secrecy, they face the world just as they are – brave enough to never run away, but constantly afraid of their inner monsters. Capricorn women are ambitious, persistent, responsible and reliable. She only wants to find someone to make her smile, and can’t wait to open up and feel the real pull of emotion that makes her warm up to the possibilities that lie in the future. It will take some time for her to lower her guard and feel safe and comfortable enough to show just how sensitive and caring she can be when she is in love.
Edric and Emira: Aquarius
Strengths: Progressive, original, independent, humanitarian
Weaknesses: Runs from emotional expression, temperamental, uncompromising, aloof
Likes: Fun with friends, helping others, fighting for causes, intellectual conversation, a good listener
Dislikes: Limitations, broken promises, being lonely, dull or boring situations, people who disagree with them
Aquarius-born have a reputation for being cold and insensitive persons, but this is just their defence mechanism against premature intimacy. They need to learn to trust others and express their emotions in a healthy way.
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threadsketchier · 5 years ago
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So I saw the prequels prior to the Originals and it always bothered me how Luke got dumped on a death planet of Tatooine considering the state of that environment and shot that when down in the previous films while Leia got a life of privilege. I was hoping Bail would argue against splitting the twins. I obviously knew why it had to go that route because it had to align and follow up with the Originals. I guess it came off that Luke wasn’t really wanted...?
I already wrote a ficlet somewhat addressing this misconception.
Also, frankly, I’m getting kind of tired of rehashing the same issue - why do people keep assuming that the Larses don’t matter and don’t have a right to be in Luke’s life just because they live on Space Australia?  Why do their feelings not count just because they’re low-to-middle-class moisture farmers who don’t live in a palace on Space Switzerland-Utopia?  Why the fuck do people assume that Luke wasn’t wanted just because the Organas have a personal preference that was obviously previously established before shit hit the fans and they wanted a daughter and Bail, as a senator and Viceroy - essentially co-leader of his planet - is a fucking rational guy who understands the necessity of making hard decisions dictated by logic over emotions?
The twins weren’t just “split up because that’s how the movies have to go,” it does make internal sense within the narrative that it was safer to hide them in vastly separate locations to prevent both of them from being discovered at the same time and thus lost together, or for their latent Force bond to make them a psychic target if they grew up together and established it, acting like a beacon for Vader and Palpatine and any minions of theirs.  It sucks, it’s painful, it has awkward consequences for them later on when Leia’s a bit too loose with her lips, but that’s why these movies have a tragic backstory.  It has to suck real hard before it gets better.
Does it seem crazy that Leia wound up raised in such a screamingly obvious position as daughter of a then-Imperial Senator and princess of a highly prominent Core world being trained to follow in her biological mother’s footsteps and become a senator herself, thus occupying a very exposed role in the Empire, right under the Emperor’s and Vader’s noses?  Yeah.  But also remember that the Superman/Clark Kent illusion can actually work in real life.  Assumption is a powerful thing.  Your average Joe Citizen would assume that someone as otherworldly as Superman, an alien with the ability to fly, strength to bench-press skyscrapers and jumbo jets, heat vision, and other amazing things, would never stoop to living as a normal, humble, inconvenienced human being.  It’s not merely the hiding behind a pair of glasses and hunching over a little with a nerdy tone and habits - it’s the entire idea that a Clark Kent could even exist in the same person of Superman.  They don’t understand that he was raised as a human and actually desires this life, and doesn’t feel the need to lock himself away permanently in his dope Fortress of Solitude and never interact with the very people he wants to save and protect.
Vader was lied to by Palpatine about the nature of Padmé’s death, but there was no disputing that she actually died.  In his crushing despair, Vader accepted with heaps of self-flagellation that his child was dead.  He didn’t even know he had two children.  In his mind, whenever he saw Leia - surely they were in each other’s circles at least at a distance before Rogue One and ANH - even if she reminded him of Padmé six ways from Sunday, he would not assume she was his daughter, because as far as he was concerned his child was dead.  The OT establishes that latent Force-sensitivity also does not automatically make two related Force-sensitives consciously aware of each other until they mutually know one another as being related and Force-sensitive, so not even torturing Leia revealed this to him.
But I’m going off on a tangent.  Let’s break this down:
Tatooine is nothing but a source of anguish for Anakin and his personal loathing for the place made it ideal as a hiding place.  And no, I’m not just haha joking about sand.  He was a slave there and buried his mother there after slaughtering an entire village of natives he knew in his heart that he shouldn’t have.  It holds nothing but misery and failure for him.
Yes, Tatooine is abso-fucking-lutely a galactic cesspit.  It’s ruled by the most vile mob boss in the galaxy, is rife with nasty wildlife that’s out to kill you, and is haunted by the troubles brought about by strife between colonizers and the native population.  It is indisputably a dangerous place.  But it wasn’t Tatooine that killed the Larses.  It was the Empire.  Just because they look like Soft Folks™ doesn’t mean they were - Owen and Beru knew how to take care of themselves, and they certainly knew how to take care of a child in this environment.  They survived to middle age just fine, and would’ve kept going if it wasn’t for those fucking stormtroopers.  Just because they didn’t live a life of luxury also doesn’t mean they were dirt poor either.  When we meet Luke in ANH, he’s a healthy young lad who still has the privilege to fuck off with his buddies around his farm duties.  Life may be tough but it’s not squalor and deprivation for him.
But honestly, even if they WERE dirt poor, they’re still Luke’s family, and they very obviously loved him.  I almost feel like I shouldn’t have to restate it, but I will: Owen and Beru loved Shmi, and upon hearing that Anakin died and left behind a baby son, why wouldn’t they be moved and compelled to take Luke in, and why wouldn’t they deserve to have the chance to raise him in their memory?  Even though they’d be sad that Luke was orphaned, they might even see this as a blessing to be able to raise Shmi’s grandson and Anakin’s son.
As much as he bitched about chores as a teenager, Luke learned damn valuable skills growing up on a Tatooine moisture farm that, coupled with the Force, saved everybody’s asses at the Battle of Yavin, and went on to make him an ideal squadron leader.  Wealth and privilege are not always the best foundation, or at least certainly not the automatic one, for a person to learn good character either.
The Organas are human too.  Faced with a difficult choice, they decided to take this poignant opportunity to fulfill a dream they’d been deferring for some time.  Sometimes parents wish for a specific child, and that’s their prerogative (except IRL they don’t actually get to pick, they get whatever kid they gestate).  If they’d taken Luke and let Obi-Wan take Leia, we’d be having the same argument about Leia growing up on Tatooine.  There was no inequality in this decision.  Bail and Breha wanted a daughter, there was a daughter present among the twins, so they chose her.  This does not mean they valued Luke any less.  Since the twins couldn’t be raised together for their own safety, it might as well have come down to a coin toss.  Bail isn’t evil for exercising a shred of his personal emotions and desires in a situation where he otherwise knew he’d have to restrain himself.  Also, he’d be smart enough to respect the fact that both children had actual family elsewhere in the galaxy and wouldn’t think any less of the Larses just because they live on Tatooine.  The only way his decision would be careless or heinous was if he knew Luke was being taken to people who were abusive or so destitute they couldn’t even care for themselves, much less a third person, and he did nothing about it - but we know this is not that situation.
How do you feel about non-wealthy people living in harsh places here on Earth raising their children?  Would you expect all the rich people in the world to go take those children away from them and adopt them just so they could grow up “privileged” instead?  Think about how that sounds for a moment or two.
Honestly, if Bail had tried to argue about taking both twins because he felt taking Luke to his legal family on Tatooine was “cruel” or “neglectful” because of the planet’s “risky environment and poverty,” I’d hope either Obi-Wan or Yoda would have enough sense to smack him upside the head for being so thoughtless as to insult these people for being seemingly beneath him.
There is more to life than money and power/prestige, and Leia’s upbringing wasn’t all it was cracked up to be.  She was no pampered, air-headed royal spending her days sitting idle being hand-fed space grapes while her “poor” brother ate sand cookies.  She had to undergo intensive academic, political, and physical training from young childhood in order to prepare her to become a covert Rebel agent while she was still a teenager, as if being a child senator wasn’t already stressful and demanding enough.  Sure, she never lacked for anything, but that is an incredible amount of responsibility to saddle on someone who wasn’t even an adult yet (like her bio mother).  Luke was blessed with far more freedom and peace in his childhood than his sister.  And him living on Tatooine with his father’s surname wasn’t nearly as dangerous as Leia existing within the heart of the Empire while actively engaging in Rebel activities that could have cost her her life, even without getting into the whole “daughter of Anakin Skywalker” business.
Also, just because we joke about Tatooine being Space Australia doesn’t mean every single day of Luke’s childhood was THAT eventful.  It was more likely 80% dull farm life and 20% mayhem, and that 20% would be mostly Luke’s fault for being a crazy nut like his parents and getting himself into trouble he could have avoided in most cases.  In other words, growing up there might not have been nearly as “deadly” as we make it out to be.
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crossdressingdeath · 4 years ago
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You know, as someone who is gay and has... more experience in abusive relationships than I ever wanted... hearing people talk about how unhealthy WangXian is upsetting. I know I can’t speak for everyone, but in my opinion WangXian is something more queer people need to see. And people calling it abusive when it isn’t is actually counterproductive when you think about it.
Like, I’ve had to play the guessing game of “Do my friends and family have a legit reason to be concerned, or are they secretly homophobic?”. Not a very fun game. You already have people online saying that gay relationships are sinful/toxic just by existing. Just seeing people misinterpret canonically gay couples as toxic/unhealthy just because the relationships isn’t perfect is going to make people not take actual claims on legitimate toxic/unhealthy fictional couples seriously.
I’ve seen so many people try to say that WangXian is either toxic or a stereotypical yaoi couple, and I just think “are we reading the same novel? what translation are you reading?”.
“Forced Gender Roles/Het Coding” – you mean how LWJ typically does more feminine chores, while WWX is more skilled/knowledgeable with traditionally masculine chore? Like in his dream, where LWJ is literally a housewife while his a busy husband?
“Stereotypical Seme/Uke dynamic” – not even mentioning the fact this isn’t yaoi (it’s danmei) and therefore, theydon’t really fit that genre, I really doubt it? Like, WWX is the one who decides nearly everything in the relationship. Regardless of what LWJ wants, he won’t push WWX into anything. In fact, WWX has to encourage LWJ to talk about what he wants/likes. Really, thinking about, WWX is kind of the one in charge.
LWJ might have WWX beat in terms of pure physical strength, but if you think LWJ could win in a fight without WWX letting him, then you clearly haven’t been paying attention. May I remind you, without golden core, WWX took on multiple armies? And the one that killed him only won because he let them. They technically didn’t even kill him! MXY’s body means WWX has a golden core now - he’s not as strong physically but he can work on that - he’s still stronger in every other aspect. It’s basically impossible for LWJ to overpower him.
“Rape/Noncon” - Where? There are two moments where LWJ crosses boundaries... but only one of those moments is an actual boundary crossed. Every other intimate moment that happens, LWJ makes certain that WWX is actually enjoying himself and consenting.
The infamous kiss. A lot of people misinterpret this as something the author threw in because it was “hot”. In actuality, this kiss is important for multiple reasons. While WWX isn’t upset by this kiss, LWJ clearly is. This moment is what causes LWJ to stop trying to force WWX to go back to CR with him – it’s this moment that makes him realize if he continues down this path, he will end up like his parents. This moment is the start of major character growth for LWJ, allowing him to become a better man, one that WWX can actually love wholeheartedly without any regrets. It’s this moment where he decides that he can’t just take little things from WWX anymore - he has to try a different approach to help him, and accept that WWX might never feel the same way (obviously he’s wrong). Like, the impact this has is huge, and it’s another reason why LWJ refuses to mention his feelings to WWX - he doesn’t want to force him ever again. So he won’t. Not even by having WWX agree to be with him out of graditude.
The other boundary crossed is when LWJ spanks WWX during sex. The narration makes it very clear at that moment that it’s not okay, that WWX is uncomfortable and doesn’t like it. And it stops, LWJ moves from it after some nudging from WWX. After the event, they have a serious talk where WWX makes it very clear that while he enjoys a lot of things, LWJ can’t do that ever again of he wants to continue being with WWX. LWJ could have argued, could have said that since they were under the influence of the incense burner, he shouldn’t be blamed for his actions. Instead, he swears never to do anything like that ever again.
This is so important! The message this sends is so important! This whole scene is saying that, no matter what kinks you might have or how kinky you are, your boundaries deserve to be respected. You don’t have to do something you’re uncomfortable with just because you’re kinky and your partner likes it. How can anyone read that and think it’s supporting rape?
Also... if I’m being honest... I actually thought CQL had a more stereotypical Seme/Uke dynamic than the novel. WWX is so much weaker and less observant/cunning... couple that with the fact the he’s not only not even a little guilty of his crimes but he’s actually made into a poor victim with lot of fainting into LWJ’s arms... yeah, he comes across much more like a uke than in the novel. LWJ is also so much more of a stereotypical overprotective seme too. Then there’s the whole thing lack of consent someone else mentioned, with how WWX forces LWJ to drink/how LWJ tricks WWX into marrying him (so he literally did the thing his father did that the fandom finds so unforgivable?). I like CQL, but a huge chunk of those fans are kind of obnoxious and toxic... and hypocritical I guess.
So, I just wanted to rant after seeing so many posts on this topic. I’m just really annoyed. I don’t even know if this makes any sense.
That is an excellent point re CQL. I’ve thought about how they weakened WWX and dumbed him down (presumably to make him more of a victim), but not how that affects his dynamic with LWJ. Also I do want to acknowledge that there is dubcon in the novel; the first time they have sex LWJ is drunk to start and we don’t know when exactly he sobered up. But like... that’s not exactly uncommon in romance novels. And the show has WWX forcing LWJ to get drunk against his will and LWJ marries WWX without his knowledge or consent, which... really isn’t better, especially as the novel does have discussion about how what they did was kind of a mess with consequences and them having to discuss it, which the show... doesn’t. In fact the novel takes consent as a far more important thing than the show does to the point of it being a central theme that the show lacks.
Yeah, I have to say that people insisting that Wangxian (specifically novel Wangxian) is super unhealthy feels like the double whammy of “Ewwwwww gay people who aren’t unrealistically perfect” and “Ewwwwwwwww a woman writing gay romance”. I mean, I seriously doubt that if one of them was a girl and/or the story was written by a dude and nothing else changed people would react anywhere near as vehemently towards it. Like... it seems interesting that the version people are insisting is healthier is the censored idol drama where they aren’t actually in a relationship and the people in charge mostly seem to be men, that’s all I’m saying.
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nissakii · 4 years ago
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How similar are Hinata and Deku?
In a previous blog post I covered the similarities between Bakugo and Oikawa, finding out that both of those characters actually share more traits than visible at the first glance.
You can read it here, if you didn’t read it yet.
This time I will continue with another Boku no Hero academia meets Haikyuu comparison!
Deku also known as Izuku Midoriya and Hinata Shoyo, what makes them so similar?
Role model figure
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In real life as well as in many stories the common role model figure is present, which the person that is the core of the story looks up to.
Both Midoriya and Hinata have that kind of person that they look up to in an unnatural and almost shackling way, that drives them to become much stronger and grow out of their weaknesses.
First of all we have Midoriya whose greatest role model and aspiring dream to become like him is Toshinori Yagi, the eighth holder of One for All.
Even before becoming his successor and inheriting the power of One for all himself, he always looked at videos on repeat of his favourite hero and role-model.
In his room as well as later on in season 3 when the U.A students moved into dorms, you can see Deku’s room filled with posters, figures and various other articles of him, making it more than a simple I look up to this person.
On the other hand we have Hinata Shoyo who overly admires the Little Giant, someone he feels connected to by their background.
Unlike Deku who found his role-model much earlier in his life, Hinata found his role-model figure around the end of elementary school.
He admired him for being such a strong Volleyball player despite his lacking height and amazing jumps that made Hinata wonder if he could do the same, and so Hinata started his path as one of the shortest middle-blockers being even shorter than the Little Giant as coach Ukai stated.
In the Karasuno team he even gets the shirt number 10, that used to be the number of the little giant and like Deku you can see the parallels between the successor and role-model.
Both of them try to step into the footsteps of their role-models as close and in the same way, being shackled down by the fact that they are chasing to become them instead of developing an individual playstyle from the get-go.
Another thing is that they are the two people who seem to be a little bit obsessed with the idea of becoming the next one after their role-model that you cannot see in any other character of the specified series, making them blind to their own weaknesses and potential as an individual, as well as their influence on their environment.
Off mode
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We all know that people who are overly passionate get into their thing and suddenly switch modes as they keep babbling and showing you the world they love so much.
But as soon as you move them out of their field of passion they tend to immediately become a whole different person, as if you pushed the off-button.
This trait can be seen especially with our two young men.
Hinata who is naturally energetic and cheerful is much more nervous and easily frightened when not playing Volleyball, at times he can be even socially-awkward when it comes to certain people like girls, upperclassmen or elders.
Even Oikawa, who he challenges in season 2 indirectly or talks cheerfully about how strong he is on the court, becomes a threat that scares him into shivers when meeting in front of the bathroom outside of the court.
Also he has the habit of throwing up or using the toilet before a match, making him much more fragile, sensitive and overly-anxious when not being in the game, even more than the usual anxious characters like Asahi or Yamaguchi.
Same goes for Deku, he is someone known for his easily intimidated and jumpy personality.
While he can talk clearly and loud when in a fight or in his hero mode, he usually stutters and mutters his opinion while becoming nervous, avoiding eye-contact and fidgeting with his hands.
Here it doesn’t matter if it’s the intimidating childhood friend Bakugo or the cute considerate Uraraka, even some other students who approach him naturally make him jump and stutter sometimes.
Eyecatcher
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Despite their looks and seemingly low presence when compared to their peers, both Hinata and Deku always manage to focus everybody’s eyes on them, due to several positive as well as negative reasons.
Let’s start with the positive reasons on both sides.
Hinata surprised everyone with his seemingly never-ending stamina and crazy jump-ability, making everybody focus their eyes especially the first time they see it.
Combined with Kageyama’s setting technique, the freak duo quick is one of the things that people still gape at when they see it several times.
As mentioned Deku in his off-mode is someone of not much presence, but when he fights and talks seriously, he can make everyone look at him for being one of the view who possess the essence of a true hero.
He rather sacrifices himself to save anyone he can save, fully aware of his own inability power-wise in some situations.
The first one to act as well in a dire situation.
His attacks are always progressing, surprising, combined with his analysis skills and observation his quick judgement and ideas make him unpredictable and worthy of an opponent.
On the negative side, Hinata sometimes focuses too much on jumping and getting the ball, making him seem scary and reckless, also bumping into his own teammates.
After a long time of pressure he tends to become more easy to read since he is not on the brain side of things and purely acts on instinct and his trust in Kageyama.
His opponents focus on him, block him and can see when something is wrong immediately in Hinata’s expression.
Deku is also known for acting reckless, people view him as useless in fights  despite his analytical skills and strength.
This stems from his will to even sacrifice breaking bones and injuring himself in a fight to a point where he is immobilized.
An example would be the sports festival in season 2 where he indeed caught people’s eyes but in the end was viewed as crazy and reckless due to his fighting behaviour.
Judged by the cover
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Like mentioned in the paragraph before, people underestimate Hinata and Deku.
Hinata for being short and Deku for several reasons, one would be that he used to be quirkless and can’t use his quirk properly another would be his shy and “wimpy” personality.
Yet they both always impress both allies and enemies with their outstanding power when they are serious about something.
Being mocked at the beginning of the battle just to make their enemies and allies wonder what more they could be hiding when doing their thing.
Therefore do not judge a book by its cover, since even a short middle-blocker can outplay you and even the former “wimpy” kid can become a more outstanding hero with an amazing quirk.
Helping hand
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For the one who longs to be a hero it may be simpler to explain since it is immediately shown in the first episodes.
One of the very  reasons why Deku was chosen by Toshinori is the fact that he is the first one to help and lend a hand, pushing his own life into the background while doing so.
Even when he was quirkless he rushed to the scene to save his bully and childhood friend Bakugo while he bore the risk to be kept hostage or get killed in the process.
In many other scenarios it was seen that when everybody, even much stronger heroes and aspiring heroes froze, Deku was the first one to rush in and fight for others.
Two big cases would be Kota in season three when both were almost killed by a villain, despite Kota offending Deku and even hitting him… where it hurts.
The other one in season four when he was adamant of saving Eri, even facing Overhaul who injured and killed so many with his quirk already and almost getting eradicated by Eri’s quirk if it wasn’t for him breaking his bones constantly.
In other cases he also cheers up his friends and classmates, may it be due to his nerd-talk or just him being so innocently kind.
As a parallel we have Hinata who is not a hero, but a Volleyball player yet in many scenes we can see him cheering Kageyama up, adapting to his pride by making it look like teasing.
In other cases he even tells him there is nothing to fear since he now has Hinata, giving him a safe space to move in.
Other cases would be him talking to Nishinoya to get him back in the team, as well as Asahi and cheering up Yamaguchi when he missed his pinch serve.
He all does that in a way that doesn’t make the other person feel pitiful but in his own way.
For Yamaguchi as example he told him next time he would get ten points back for sure or that they both get ten points each, and that he won’t lose to him being on the court.
With that he makes Yamaguchi feel like a threat , stealing his place on the court which results in Yamaguchi having the feeling of actually having potential and belonging to the team.
Another example would be Yachi.
When he heard her problem and story, even when she insisted she would be okay, Hinata literally dragged her to her mother and wanted her problems to be resolved.
He forced his help on her and due to his help she could full-heartedly become their new manager.
Troublemaker
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Earlier the negative side of the eye catcher was mentioned, concluding that both of them recklessly work hard to achieve their dreams and forget what is around them or even in front of them.
Again, Hinata fixes so much on the ball and wants to improve immediately that he forgets that there are other middle-blockers around, crashing into them.
Also when heated up or nervous he becomes easy to read and makes a lot of mistakes since he still lacks a lot of technique when it comes to his serves and receives.
He often gets scolded by Kageyama and Coach Ukai for this behaviour, they even think of him as a potential monster when gets into that mode.
Also Hinata’s habit of bumping into several of his rivals and wanting to start a fight when he gets defensive outside of the court makes him a bit of a troublemaker when nobody of the third-years are around.
It also happened that Hinata got lost several times while focussing on running faster than Kageyama or training in general, showing his naive and innocent side as he talked to Kenma the first time who was a complete stranger.
This all can be applied to Deku who basically breaks all his bones in a fight.
He attracts villains and rivals alike, due to his presence.
His reckless behaviour made him the focus of events.
Also in season three, after being released from the hospital he sneaks out to save Bakugo with a couple of students, he does get into a fight with Bakugo on the school grounds and his quirk that he inherited from Toshinori was labelled as very similar to his quirk.
Therefore Aizawa and the rest of Class 1-A, labelled him one of the trouble students.
Unyielding
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One thing both of them clearly have in common with not much words needed, an unbreakable spirit to go on with their dreams.
Even if it was shown that they both have suffered many setbacks, judgement and suffering (which they rarely show on the outside), they never stopped  working hard for their dreams, if not even harder than before.
As many people watch them, call them names and ridicule even mock them, they do not give up.
Instead, they give them that one look, which is going to show them how much they are ready to give and fight to become the person they want to be.
Fanboy
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Last but not least, fanboys.
Not only do their eyes glitter and shine, as well as their voices sounding much more energetic, no they do not hide the fact how amazing and admirable they find the person in front of them.
May it be villains, heroes, teammates or opponents, nobody is safe from a little smooth compliment.
Their respect for the person in front of them is big and they do not underestimate or ridicule them at all.
Deku always analyzes his allies and enemies, noting their strength and technique until he breaks out into a mutter concert he cannot stop.
He does not hold back openly complimenting and letting his inner fanboy out, even flushing from the overexcitement as seen in several cases at the cultural festival arc and sports festival arc.
A case where Deku complimented a Villain would be in season four when he finally beat Gentle and told him he was the hardest opponent he fought yet and that he thinks he made the right decision when he turned himself in.
Hinata is not much more different, unlike Deku who in general analyzes Hinata simply sees things as they are and just is amazed by them like a child.
He even rushes over telling the person in an unknown excited mix of japanese and his own description of sounds, how cool and amazing they actually were and if they could teach him.
One example would be Nishinoya and his rolling thunder, another one is Bokuto’s feint.
Just like Deku even with an opponent he doesn’t hold back as seen in season one when he first saw Oikawa play in the inter-high preliminaries along with Nishinoya, he even gave him the name Grand king and talks highly of him as he keeps saying he wants to play against him.
Some opponents are even irritated when he directly tells them during a game or after how amazing they were.
For now this is all for our favourite tangerine and cabbage boy.
Did you see any of these similarities before?
Do you have more that weren’t mentioned here?
Drop it in the comment!
Now let me take a sip of my- wait who knocked my tea off with a volleyball?!
-Makii
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wri0thesley · 5 years ago
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Hi Nat! Could I please get “You don’t even know how lucky you are. I protect you and provide for you. Don’t act so ungrateful.” for Diavolo or Prosciutto. Thanks!! c:
For the Yandere Prompts how about 45 with Diavolo?
well. clearly something about this prompt brought out the diavolo fuckers. 
warnings: not sfw. non-con/dub-con. violence. yandere. kidnapping. 
The cage is gilded, but it's still a cage.
You know by now that Diavolo is not a kind jailer. You know that when you speak out of turn, or misbehave, or beg for your freedom (in any way), Diavolo's eyes narrow and his touch becomes rough and angry. He grabs your arm so hard his fingertips leave bruises, or pulls your hair so hard you wonder how he does not rip full hanks of it from your scalp.
"Look at all of this," he hisses, motioning around the villa - the expensive, beautiful furniture and the windows with their stunning views and the doors that all lock behind him and you are never allowed the keys to. "This isn't good enough for you? You still want more? You're an ungrateful little bitch."
The snarls and the insults don't wound you like they used to. Diavolo has twisted every one of your insecurities - ones you didn't think anybody but you would ever know about - and used them to pierce through your outer shell a hundred times. He's brought up failed relationships (that you don't know how he discovered), self-doubt, your fears and your hopes - and he's brought them up when he's spitting anger and venom at you until you wonder if he can actually look into your mind.
They hurt, of course - part of you (a quiet, desperate part you don't want to acknowledge) craves Diavolo's approval more than anything else. Soft fingers instead of slaps. Gentle words instead of hisses. The soothing feel of lips across your forehead and mouth when you ask for it, instead of seized from you as the man physically pins you beneath him. You try to force the needful, aching part of you away as best you can.
That's what Diavolo wants. You to break under his regime. You to cling to his knee and press your tear-stained face against his expensive trousers and tell him you would do anything to please him - that you're thankful for what he's given you.
You are not thankful. Not for the expensive silks, and the beautiful jewelry, the villa that you'd never even have dreamed of living in. Not for his occasional barbed-wire compliments; "You're so pretty when you're not struggling. See how much better things would be if you just gave over? I could make you perfect, tesoro. All you have to do is obey."
And it's this - your lack of appreciation for the fact you're nothing more than Diavolo's prisoner - that drives him wild with frustration and anger.
You don't remember what it was this time. Whether you'd begged him to open a window, or whether you'd scorned the expensive lingerie he'd brought you, or whether you'd shrunk away from the persistent way he reached out for you - what it is really doesn't matter. All that matters is that you had done it, rejected his gifts and him by extension.
And there are few things he hates more than your ingratitude.
"You don't even know how lucky you are," he'd hissed out to you, wrenching you from where you'd sat, pinning you with strength no mere man should possess on the floor between his knees. You'd struggled against him, but all it had done was drive him wilder and angrier with his rage. He had pinned your wrists above your head with one hand, his eyes wild with fury as you'd struggled hopelessly against him. "I could make you nothing."
One hand, tearing down the buttons of your dress, exposing your chest and the underwear that he buys you (all sexy black lace and silks - nothing like what you'd choose for yourself. But you're not permitted that choice any more.) Even the underwear is not spared his rage, and suddenly your chest is bare and one hand is squeezing hard enough at your breast to bruise, calloused thumbs and fingers pinching your nipples until you feel tears bead in the corner of your eyes. You squirm beneath him, desperate to get away from his prying fingers and his wandering hands and the way he's looking down at you, like you're a piece of meat that he finds unsatisfactory.
"I protect you and provide for you," he whispers, his voice a venomous hiss - and whilst you can't argue that the second part of the sentence is true, the first seems like a bare-faced lie as he rips your skirts, keeping your body prone and vulnerable beneath him. You do not feel at all protected, subject to the way Diavolo is looking at you and treating you and with the knowledge hanging over your head of what he's going to do.
"Don't act so ungrateful," he whispers, and he shifts against you and you feel the hardness of his cock in his expensive slacks digging into you and you feel panic rise hot and sour in your throat. It's not the first time - you know it will not be the last time - but you can't help but want to struggle against him and delay the inevitable.
"Please," you whimper out, "I'm s-sorry--"
"Not as sorry as you will be, prediletto," he says, his voice grim - and fingers are prying beneath the lace of your underwear, thumb rubbing over your clothed core to coax some slick from you. Your body squirms beneath him - but he's had you in this position too many times for you to make a real attempt. He's learnt your body by heart - the pressure to apply, the places to touch you, and though you're halfway on the path to sobbing you can already feel the wet spot forming on the black lace. "See? Your body knows what you want. Your body knows to submit."
"D-Diavolo--" you whimper, the name sticking in your throat. It's the wrong choice. Calmly, almost as if he knew it was coming, you feel the sharp sting of a hand across your cheek.
You don't know how he does it. The hand on your wrists is still there. The hand coaxing more wetness from you, preparing you for his cock, is still there (if anything, you feel more damp, more needy, hotter and hungrier - but you try not to think about that. Thinking about how your body is screaming out for him as the rest of you is screaming out to get away from him always leaves you helpless and confused). But the sting and the warmth on your face is unmistakable.
"You haven't earned that right," he says, calmly. Your underwear is being slid down your thighs. "You will call me Don, or Imperatore, or Signore - or you will find your pretty mouth too busy to call me anything."
You nod, helplessly, as he shifts and your thighs are pressed apart, open and wanting. Diavolo's eyes travel downwards hungrily, taking in the tatters of your dress and where your legs are lewdly open, displaying the glinting wetness of your sex in the bright airy light of the beautiful villa he keeps you in.
It feels wrong, for something this sordid to happen in such beautiful setting. But Diavolo is shameless, and you are spread beneath him in the middle of the day in a huge, empty house - where, if you scream, nobody will hear you.
It doesn't stop you begging, as he calmly reaches for the fly of his trousers. You whimper out nonsense about how you're sorry, how you'll be good, how you're thankful for everything he does for you - you even pepper your impassioned pleas with 'Signore' and all of the other things he loves being called. It does nothing for you. That full mouth is simply twisted to one side in an arrogant smirk and he murmurs, his voice so low it feels like he's speaking directly into your head;
"You'll be more thankful for my cock." Your face burns red, but he leans in, and - sure enough - the head of his cock presses against your damp folds. "In fact . . ." He lets go of your wrists, unconcerned now his hips are pinning you beneath him that you'll be able to give him any kind of a struggle. He cups the side of your face in a move that's disgustingly tender. "You will thank me for my cock. Do you understand, troia?"
Your eyes are filled with tears but you nod, even as you feel the slow, inexorable stretch of Diavolo entering you. He's big. He's done this before, but you're always surprised by just how red-hot the stretch of him pressing his length within you is - the way that it sends shocks of heat and need through your entire body. Your breath comes out in a wheezing gasp as he demands;
"Tesoro? Don't you have something to say?"
"T-thank you," you manage, your vision blurring at just how it feels to be filled. You don't understand how this happens! You can be desperate to get away from him for hours, but when he's inside you, you suddenly feel as though he's been teasing you and driving you to the brink of utter need for just as long. It's as if he stops time, but only for you - as if he stops time only to touch you and set you aflame with need for his cock.
"What are you thanking me for?" He murmurs, his voice gritty at the edges. You can see the fire of enjoyment in your eyes as he looms above you, bottoming out against your slick tightness, his lips in a smile in a way that you only ever see when he fucks you.
"F-for your cock!" You whimper out, needy, as he pulls out and slams his length back in again, satisfying an ache that's come on quicker than a hurricane. Your fingers come up to helplessly cling to him, and he does not stop you - the rhythm he falls into is punishing, but you can't help but find it not quick enough. Not to sate the beast that's somehow running amok inside you. "Please! I n-need your cock! I-- ahh--"
One hand slides between you both, teasing the swollen nub of your clit with practised movements. It does not take long for you to feel your thighs shake, your body tremble, the heated ball of tension in your stomach coil and spring - and you come around his cock in pulsating shivers, needful whimpers, desperate tears.
You coming does not mean a cessation of his desire upon your flesh. You have been pinned underneath him for hours before, his stamina never decreasing, his eyes bright and wide and almost demonic as he drives you to unwanted peak after unwanted peak, until you're sobbing against him in an overstimulated mess and you feel like you will die if you come even once more.
You never do die.
Your body's aftershocks make you tremulous beneath him, your body quivering - but the shivers are quick to build into a whispering lap of waves against the shore, more certain and intense with every thrust of the hard cock inside you. As you feel another peak begin to build, he chuckles breathlessly, and looks down at you.
A finger drags down the side of your face, tracing the shape of your lips, forcing your mouth open so his thumb can slip between your open mouth and gently tease the tip of your tongue.
"Tesoro," he murmurs, "you are so lucky to even be alive. Never forget . . . if you're not acting grateful enough for me . . ." The finger trails down, over your chin, to your throat and where your pulse is beating wildly against the surface of your skin. "Well. There are always others who would jump at the chance. You're lucky that I enjoy you so much."
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rosethornewrites · 4 years ago
Text
Fic: the thread may stretch or tangle but it will never break, ch. 14
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Relationships: Lán Zhàn | Lán Wàngjī & Wèi Yīng | Wèi Wúxiàn, Lán Zhàn | Lán Wàngjī & Wēn Qíng, Lán Zhàn | Lán Wàngjī/Wèi Yīng | Wèi Wúxiàn
Characters: Lán Zhàn | Lán Wàngjī, Wèi Yīng | Wèi Wúxiàn, Wēn Qíng, Wēn Níng | Wēn Qiónglín, Granny Wēn, Lán Yuàn | Lán Sīzhuī, Wēn Remnants, Wen Meilin (OC), Fourth Uncle, Lán Huàn | Lán Xīchén
Additional Tags: Pre-Slash, Alternate Universe - Canon Divergence, Secrets, Crying, Masks, Soulmates, Truth, Self-Esteem Issues, Regret, It was supposed to be a one-shot, Fix-It, Eventual Relationships, Angst and Hurt/Comfort, wwx needs a hug, Nightmares, Post-Traumatic Stress Disorder - PTSD, Filial Piety, Handfasting, Phobias, Sleeping Together, Fear, Panic Attacks, Love Confessions, Getting Together, First Kiss, Kissing, Boys Kissing, Family, and they were married, Bathing/Washing, Hair Braiding, Hair Brushing, Feels, Sex Education, Implied Sexual Content, First Time, Aftercare, Morning After, Afterglow, Implied/Referenced Alcohol Abuse/Alcoholism, Implied/Referenced Torture, Scars, Eventual Happy Ending, Hand Jobs, Chronic Pain, Biting, Conversations
Summary: With Wei Wuxian on the mend, Wen Qing sends him into town with A-Yuan, Lan Wangji, and Wen Ning to keep him out of trouble. They run into someone unexpectedly.
Notes: See end.
AO3 link | FFN link (no smut)
Chapters:  1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13
-----------
Wei Ying seems happy to be in town for the first time since his near-possession, cleared after nearly a week by Wen Qing. Lan Wangji is of the opinion that the surplus of radishes and need to sell them was more the reason for her clearance, along with the fact a bored Wei Ying was dangerous. 
The musical acupuncture helped him heal rapidly for someone without a golden core, according to Wen Qing. And Wei Ying had started to theorize about ways this could potentially be adapted to help Wen Ning—apparently one of the concerns was whether spiritual energy used in such a way would hurt him, or if using resentful energy could damage Wen Ning’s control. He didn’t feel ready to experiment just yet. 
There was only so much Lan Wangji could do to keep Wei Ying distracted once he was recovering, though the tidy rewritten notes thrilled his husband. After the third small explosion while he worked on the Compass of Evil, Wen Qing decided he’d do less damage selling radishes with Wen Ning in town, and insisted they take A-Yuan with them so Granny could rest.
Damage is a perhaps relative idea, when a fake Yiling Laozu disciple sets up shop next to them to hawk his counterfeit wares. 
Lan Wangji is surprised when Wei Ying finds the whole thing amusing, and says nothing when he steals the charlatan’s Compass of Evil, replacing it with a radish. Truthfully, the theft satisfies him; it grates on him to hear the lies gossips spew, to see people slander his zhiji for their own gain. 
The day is otherwise long, with Wen Ning too shy to effectively call attention to their radishes. Adorably, A-Yuan is a bit of a help there, enthusiastically calling the attention of young women who find him adorable (but at least purchased radishes), but he grows bored easily and needs redirection. 
It doesn’t help that Wei Ying keeps rubbing his hand over his collar with a dreamy expression, which more than once leads  Lan Wangji to recite the Lan precepts mentally lest he act inappropriately in public—Wei Ying is wearing his ribbon at his crown, so that restraint is absent. 
Under his collar is the evidence of his lack of restraint—a bruise in the shape of Lan Wangji’s teeth. 
He is careful, on the whole, given Wei Ying bruises easily in his unhealthy state, bruises that take too long to fade for Wangji’s comfort. But with Wei Ying straddling his lap and moaning obscenities in his ear, moving his hips just so, as he was tasting the sweat on his collar, his control had broken. 
At the bite, Wei Ying had come with an exultant “yes!” Their stomachs slick with it between them, his nails scraping at Lan Wangji’s back, clenching so hard around him his vision whited out with the force of his own orgasm. He can’t think about the bruise without remembering. 
Wei Ying likes the bruise, to Lan Wangji’s mortification. Likes being marked by him, little reminders of their every day.
“I know you’d never really hurt me, Lan Zhan,” he’d said, his voice filled with a trust Lan Wangji didn’t feel he deserved. “And I liked it, in case you couldn’t tell.”
Watching Wei Ying rub it here in town is a special kind of hell, him at arm’s length and too far from their bed. 
It becomes worse when Wei Ying glances his way and catches him looking, immediately reddening as though he knows exactly what he is thinking, which makes restraint all the more difficult. He looks beautiful, blushing. But he has always looked beautiful, and Lan Wangji had previously managed restraint—that was, however, before he had acknowledged their relationship, before they had consummated. Somehow the longing, the dreams and fantasies, had been much more manageable before he knew how Wei Ying’s sweat-slick skin tasted, how he felt coming apart. 
The sale of the last of the radishes is a relief, but they still need to purchase items on Wen Qing’s list before returning to Burial Mounds. He lets Wei Ying focus on A-Yuan, who insists on being carried, and walks alongside him without touching him. A-Yuan is practically hanging backward from Wei Ying’s arms, giggling at silly faces he’s making. Wen Ning takes up the rear with the cart, where he’ll have Wei Ying sit if his strength fails him. 
He is so focused on Wei Ying beside him that he doesn’t notice Jiang Wanyin in front of them until he halts, the smile on his face freezing, his stream of nonsense conversation with A-Yuan trailing into silence. 
Jiang Wanyin does not look happy.
But, then, he rarely does. 
Lan Wangji has to steel himself, doing his best not to look at the lower dantian where Wei Ying’s core now rests. Instead he bows politely.
“Sect Leader Jiang.”
Beside him, Wei Ying bows as best he can with A-Yuan in his arms, and he can sense movement behind him that tells him Wen Ning has followed suit. 
Jiang Wanyin’s lip curls, but he just silently tosses his head in a beckoning gesture. 
He can hear the way Wei Ying’s breath quickens, the bit of perspiration on his upper lip. Can sense his nervousness over what is to come, what he has decided to reveal. Lan Wangji takes a breath to calm himself. His husband needs him steady now.
The moment Jiang Wanyin turns to lead the way to wherever he intends them to speak, Lan Wangji puts a steadying hand on Wei Ying’s elbow as they follow and receives a wan smile in response. 
Lan Wangji is relieved he is wearing the clothing the aunties sewed for him today, wearing a simpler guan Wei Ying had carved for him personally after he had expressed reluctance to continue wearing the one he had worn to befit and show his station. Wei Ying had carved two rabbits on the guan, one wearing a forehead ribbon and the other stained a darker color with leftover dye from the dock root. The craftwork had distracted him nicely for a while. 
The clothing is of a heavier weave than he is used to, but he doesn’t mind it. If the plainer clothing has distracted Jiang Wanyin from noticing Lan Wangji is not wearing his forehead ribbon, that it is woven around Wei Ying’s crown and plaited with his red ribbon down his back, it is a relief. Jiang Wanyin is not known for an even temper, and his inattention has staved off what might be an argument until they are out of public. 
Wei Ying will find the coming conversations stressful enough in private. He doesn’t need it to start publicly and draw attention from the locals. 
Despite all the rumors about Wei Ying floating around Yiling, none of the regular citizens seem to know what he looks like. Any rumors imported speak of him as a demon or monster, and so any talismans purporting to show his features show him as such—talismans Wei Ying had decorated his cave with, and which Lan Wangji has successfully convinced him to allow him to remove. As infamous and reviled as Wei Ying is, he has managed to stay anonymous outside the gentry, anonymity that affords him some safety, and Lan Wangji would rather it not be shattered by one of Jiang Wanyin’s temper tantrums. 
They are led to a courtyard, and though Jiang Wanyin first tries to close the door to keep Lan Wangji and Wen Ning out, he is able to stop this by blocking the shutting door with his sheathed sword. The Jiang sect heir must see something in the narrowing of Lan Wangji’s eyes, because he doesn’t attempt it again, instead closing and locking the door behind them. 
Aside from a single figure in a long black cloak, they are alone, and Lan Wangji is unsurprised but pleased when it turns out to be Jiang Yanli in her wedding robes and headdress, come to show Wei Ying so he is not completely left out—he has seen his husband’s pain over this, how much he misses the sister who raised him, knows she is as close to his blood as can be, and he hopes this eases it somewhat. 
Lan Wangji can feel Wei Ying’s arms drooping under the weight of A-Yuan, so he carefully takes the boy from him so he can greet his sister.
“A-Xian,” she calls him, untying the cloak and letting it fall. “What do you think?”
He’s close enough to hear Wei Ying’s breath catch, and is taken back to his disappointment over being excluded from the wedding. He himself is reminded of seeing Wei Ying in red following the Sunshot Campaign, in his underrobes after waking for a coma, the only time he has seen him in only in red. He realizes with a pang he will never see his husband in wedding robes. 
“What, she’s not marrying you.”
Jiang Wanyin’s snide tone grates on Lan Wangji, but Wei Ying responds in kind, and he recalls watching them snipe verbally at each other during the lecture in Cloud Recesses, back before the world fell apart. 
Jiang Yanli calms them, and he marvels at her ability to bring them together as they try to convince her she looks lovely in her wedding garb. 
“You’ll only believe it if he says it,” Wei Ying says, faking petulance. “Lan Zhan, what do you think?”
He had been trying to avert his eyes politely, but even Jiang Wanyin seems to be watching for his reaction, so he studies them, the delicate stitching, the fall of the layers. 
Lan Wangji wishes he could see Wei Ying in wedding robes. 
“Elegant,” he says with a nod.
“Zhan-gege, who’s Pretty-jiejie?” A-Yuan asks, twisting in his hold.
Wei Ying smiles at the boy, taking him back.
“Even A-Yuan knows you’re pretty, shijie, so you don’t need to worry.”
Jiang Yanli folds the cloak and gestures to the nearby table. 
“Come now, I’ve made soup.”
When Wei Ying sits, Jiang Yanli’s expression shifts to surprise, and he notices her looking at his forehead ribbon in his hair. She looks to him, a question in her expression, and he simply nods. Her responding smile is filled with relief, but also regret. 
He is surprised when she doesn’t address it immediately, instead gesturing to him to sit and opening the basket. He takes a seat beside Wei Ying. The smell of the soup fills the air, a scent unfamiliar to Lan Wangji, but one that reminds him of his husband. This, he realizes, must be the lotus root and pork rib soup he has heard him talk about. 
“I apologize. I only have three bowls,” she says, sounding truly disappointed. “I did not expect…”
Lan Wangji is about to demur and insist he does not intend to eat when Jiang Wanyin, surprisingly, pulls out a pouch of money.
“We can purchase a couple from the market, A-jie.”
Wen Ning bows.
“Jiang-zongzhu, Jiang-guniang, I can g-go for you.”
Jiang Wanyin frowns at Wen Ning with thinly veiled hostility that baffles Lan Wangji, but hands him some silver.
As Wen Ning flees, he wonders if it is to avoid Jiang Wanyin, or to avoid being present for at least part of the conversation to come. 
He knows Wei Ying would prefer to flee, and he strokes his arm briefly with his thumb. The smile he receives from his husband is tremulous, but he can see his determination. 
Jiang Yanli smiles at A-Yuan, her attention drawn by the movement.
“Who is this little one?” she asks, crouching slightly so she’s at the child’s height.
“A-Yuan is A-Yuan, Pretty-jiejie!”
Wei Ying shifts, catching his hand briefly and squeezing it; Lan Wangji realizes he’s decided to start here, with A-Yuan, in the multitude of revelations that are to be made. 
“A-Yuan, this is my shijie,” he says softly. “You can call her guma.”
Jiang Yanli gasps in delight when A-Yuan dutifully calls her guma.
“A-Xian, is he yours?”
She is obviously unable to take him into her arms, wearing her wedding robes as she is, but she reaches out to take A-Yuan’s hand. 
“Not by blood, but he started calling me a-die.”
He offers a wan smile to both his siblings.
“Meet Wei Yuan. Or he will be, once I’ve introduced him properly to my parents.”
“He’s a Wen,” Jiang Wanyin states.
Lan Wangji levels him with a stare, though it’s unclear in his tone how he feels. 
“He’s an orphan and he’s three years old,” Wei Ying shoots back.
Jiang Wanyin’s face softens, but Jiang Yanli looks alarmed.
“A-Xian, he was at the work camp? At Qiongqi Path?”
Her face hardens when he nods.
“The children, the civilians, all were supposed to be let go. How could they…?”
Lan Wangji stays silent, knowing Wei Ying would prefer to shield her from some of the uglier realities of the war, but is reminded of coming upon Jin Zixun shooting unarmed civilians in chains, and his lie that it was sanctioned by the Lan and Nie clans. 
“I couldn’t leave them there, shijie,” he whispers. “Wen Ning and Wen Qing sheltered us, and the others were held as Wen Ruohan’s hostages against her during the war.”
A-Yuan is watching Wei Ying quietly, with the same air of concern he had at the restaurant in Yiling not so many days ago. Lan Wangji shifts again to put the child on Wei Ying’s lap, watching as the boy hugs him.
Wei Ying manages a smile for him, then leans his head close to him and points to Jiang Wanyin.
“And the fussy gege is your shushu,” he says conspiratorially. 
“You—!” 
Jiang Yanli silences Jiang Wanyin with a look.
“Like Ning-shushu?” A-Yuan asks. “Do I call him nao-shushu?”
“That’s your Jiang-shushu,” Wei Ying clarifies before Jiang Cheng can take offense, but nearly chokes on the title and falls quiet.
Lan Wangji remembers abruptly that Wei Ying had once referred to Jiang Fengmian by that very name, and he watches his husband in concern. He has expressed feeling as though the attack on Lotus Pier was his fault, and he can see the guilt and grief Wei Ying is struggling to hold back. 
“Yes,” Jiang Wanyin says, his voice strained as though he is fighting his own emotional turmoil, ending an awkward silence. “You can call me Jiang-shushu.”
When A-Yuan does, it is perhaps the closest Lan Wangji has ever seen Jiang Wanyin come to smiling. 
Wen Ning returns with several bowls and soup spoons, an inexpensive wooden variety they have at the Burial Mounds. He tries to give Jiang Wanyin his change and is waved off.
“You can use it to get something sweet for… for my zhizi,” he says, his tone brusque. “Or a toy or something.”
Wei Ying smiles, his posture relaxing just slightly—A-Yuan’s acceptance by his siblings as their nephew has eased his nerves somewhat. But this is only the first of three difficult revelations that must be made, and arguably the easiest of them. 
Jiang Yanli serves each of them, putting a generous portion of meat in A-Yuan’s bowl, and takes a seat. She herself is not eating, likely concerned about staining her wedding robes. Instead she seems content to watch them eat.
Wei Ying alternates between himself and A-Yuan, one spoon each.
“Be sure to chew the lotus root,” Wen Ning tells the boy softly. 
A-Yuan nods enthusiastically, clearly enamored of the flavors; Lan Wangji can’t blame him. Though there is more spice than he is accustomed to, as is the norm in Yunmeng cuisine, the flavor is somehow warm and comforting. He completely understands how this soup is his husband’s favorite. 
“You’re not eating,” Jiang Yanli says. 
Wen Ning jerks in surprise.
“Oh… I was going to save this for jiejie so she could try it.”
Jiang Yanli smiles warmly.
“We will be coming to Burial Mounds, once I change at the inn. I brought enough ingredients to make some for everyone.”
Wei Ying nearly chokes on a bite of soup. She pats his back until he’s recovered.
“Wen Qing sent me a letter. We have things to discuss.”
Jiang Wanyin looks sour about this.
“Speaking of, Zewu-Jun sent an interesting letter. Said you have news to share. I’m assuming it has to do with why Hanguang-Jun is here?”
Wei Ying puts his soup spoon down and hands A-Yuan off to Wen Ning with his bowl. Wen Ning doesn’t seem surprised by this and takes over feeding him. 
He tries not to be nervous over his husband getting the boy out of the potential line of fire. He rather hopes it is unnecessary, but he has seen Jiang Wanyin’s temper.
“About that,” Wei Ying says, then pauses, glancing at Lan Wangji. “Um, well… We’re married.”
For a moment, there is stunned hurt on Jiang Wanyin’s features, but it’s quickly replaced by wrath, powerful enough that zidian sparks.
“You couldn’t even invite us?!”
Lan Wangji will not have him blame Wei Ying for that. He knows there will be enough of that when they get to the next revelation. He would rather the focus be on him.
“He did not know we were married until recently.”
Jiang Wanyin’s eyes snap to him, and he carefully keeps his gaze cool in response to what is almost a volcano. He sputters, almost too angry to speak, zidian sparking even more dangerously, leaving the scent of ozone in the air. 
“You— Without his consent?! This, from the honorable Hanguang-Jun?!”
“Jiang Wanyin!”
Wei Ying’s voice is low and cutting, startlingly powerful despite the lack of volume. It’s enough to startle his brother out of his anger, at least momentarily.
“He handfasted me in the Cold Spring cave,” he explains. “Lan Yi’s guqin was attacking me because I wasn’t Lan.”
Jiang Yanli stands and levels a look at Jiang Wanyin that somehow makes him quail; Lan Wangji only understands why when she levels it at him—the fury of a mother figure.
“Please explain, Lan-er-gongzi.”
Her voice is clipped in the same manner it was when she chastised Jin Zixun at the Phoenix Mountain hunt, and leaves no doubt that she will find a way to harm him if his explanation is deemed unsatisfactory. She is mildly terrifying.
“Wei Ying was being attacked with Chord Assassination,” he says. “The headband would afford him protection. I did not expect Lan Yi’s appearance. Or that we would bow. Regardless, I did not regret it.”
“You married him by accident?” Jiang Wanyin mutters, the rage gone and replaced with confusion.
“Lan Yi did not disapprove.”
“And you never told A-Xian?” Jiang Yanli asks.
She also seems more confused than angry now. 
Wei Ying sighs tiredly.
“Aiya, Jiang Cheng, shijie… When would he have had time? When we were searching for the yin iron? Indoctrination? The Xuanwu cave? After—”
He breaks off. His siblings look pained, remembering the fate of Lotus Pier, though they don’t know what came after for Wei Ying. Yet. 
“There was never time,” Lan Wangji agrees. “I did not expect my regard for him to be reciprocated. But now, with the danger to Wei Ying… even were it solely political, I could help protect him.”
“It’s not solely political,” Wei Ying chirps, his tone almost smug. “It’s very reciprocated—and can’t be annulled now!”
Lan Wangji can feel his ears heating. Just under Wei Ying’s collar lurks the proof of that, as he’s been acutely aware all day. He has to avoid looking at him for a moment—not out of embarrassment, but because if he does, if he sees the heat in Wei Ying’s gaze, he might lose control and kiss him in front of his siblings. 
As much as his husband might prefer the distraction, he doubts it will help much. 
“I didn’t need to know that, ever,” Jiang Wanyin grouses, making a face. 
Jiang Yanli takes her seat again, her face serious.
“A-Xian is in danger?”
Lan Wangji nods. 
“The rumors make him out to be a monster raising an army of Wen cultivators, as though he is an enemy. The truth is quite different. The lies Jin Guangshan has spread to imply he disrespects Jiang Wanyin were meant to isolate him. They want the amulet.”
“Wait, what’s this about me not respecting Jiang Cheng?” Wei Ying demands, clearly affronted.
“One of the claims made after Qiongqi Path,” Lan Wangji tells him. “That you were speaking ill of Jiang Wanyin at the Phoenix Mountain hunt.”
Wei Ying looks stunned, and his gaze darts to his brother. He evidently doesn’t like what he sees, his expression shuttering. 
“I see,” he says, the words heavy in the air. “And you believed them.”
Jiang Wanyin has the decency to look ashamed. 
Jiang Yanli seems at a loss. Lan Wangji suspects she has heard none of this. Had she been aware, he has no doubt the offenders would have regretted speaking ill of Wei Ying. 
“Maybe you’re right not to trust me,” Wei Ying murmurs finally. “I’ve lied to both of you.”
The admission startles a flinch from his siblings. Lan Wangji can feel the tension in Wei Ying, like a guqin string stretched too taut, ready to snap at the slightest touch. He reaches for Wei Ying’s hand under the table and places his on top of it. He is relieved when his husband relaxes slightly, a slight tremor running through him. 
Wei Ying’s hand, when he laces theirs together, is clammy and cold, his grip tighter than normal. As much as Lan Wangji wishes he could do more, the best he can do is be here for him. 
The quiet stretches, seeming to freeze them in time, broken only when A-Yuan asks Wen Ning for another bite of soup. 
Jiang Yanli reaches forward, touches Wei Ying’s arm. 
“About what, A-Xian?”
She looks concerned and a little afraid, and the same look lurks on Jiang Wanyin’s features. They know, Lan Wangji realizes that Wei Ying has been hiding something, maybe even suspect how terrible it is. Whatever they might imagine, he knows the truth will be much worse. 
Wei Ying swallows hard, his fingers tightening. He seems to be trying to find the words, deciding how to say it in a way that might soften the blow. 
But there is no way to soften it. 
“I didn’t know how to find Baoshan Sanren,” he admits finally.
------------
The conversation is a lot longer than I expected it to be, and this is a good stopping point, even if it is a bit of a cliffhanger. This went in directions I didn’t always expect, in part because Jiang Yanli is terrifying.
Lan Wangji has feelings about Jiang Cheng. They’re not always the nicest feelings, but he has them regardless. It’s ok, because Jiang Cheng has similar feelings in return.
It might take me a bit to pick this up again. I’m participating in the WangXian Lunar New Year gift exchange, so I’m working on my piece for that and putting my other fics on hold for a little while. Also, the new semester just started, and I’ve probably fielded about 50 emails from panicked students today alone.
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