#this is her growth moment

[dafukdidiwatch]

I'm laughing a bit because she's being super super honest inside of a dennys bathroom stall right now, but I clocked it. It's her confessional booth. I don't know if she's catholic, but she's being honest and expressing herself in the privacy of a stall confessing to the person on the other side. This is as close as she can to feel safe religiously in a secular situation

[poorly-drawn-mdzs]

License to Kitty.

[ohtendril]

The column began because I felt powerless in my own home.

[copypastus]

So that hofas bonus Ember chapter huh.

I wish Tamlin and Nesta built a casual friendship.

It's such a missed opportunity! They were both assigned penance eternal by the IC over their relationships with Feyre with no road to redemption. In acosf they were both on a shame spiral. You'd think this would be a like calls to like moment! Opportunity to recognise that just coz Rhys's friends hate you doesn't make you a bad person!

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[livelovecaliforniadreams]

#Devi Coming Full Circle

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[crownspeaksblog]

I'm so disappointed with eloises behavior in episode 6, especially her last scene with Penelope. i honestly don't even know if the story wants me to be frustrated with eloise for turning on Cressida or agree with her, because I'm absolutely so frustrated with her! She seemingly has no regard for why did Cressida claim to be lady whistledown, she immediately assumed that Cressida will ruin her family, she immediately regretted their friendship and called her a viper and I'm watching all of this, thinking "what just happened?!!"

What a frustrating direction to go with eloise, it would make more sense and it would be more interesting if she was conflicted between wanting to help Cressida escape her situation and not want penelope to lose lady whistledown even though she hurt her and her family, instead she just went "fuck Cressida, I'm team penelope now"

This is the most frustrating thing that has ever happened in this show especially since I'm not sure if it's bad writing or I'm supposed to think that eloise is wrong, especially since the scene feels sincere..

Maybe the remaining episodes will change my feelings but for now, I'm incredibly frustrated!

[nellasbookplanet]

Do I actually think Imogen is going to turn on the party? No. I don't think it’s any more likely to happen than I did Fjord releasing Uk’otoa, or Caleb returning to Trent and the Vollstruckers.

Given the nature of the game, any character turning fully dark is unlikely, seeing as it would take them away from the party for a time or potentially even turn them into an npc, replaced by a new pc. So far the only time we've gotten close to seeing something like it happen was Yasha siding with Obann, which could only happen specifically because Ashley was gone from the table for a long time (it was also the product of mind control, not an active choice to turn dark, and as such still doesn’t really count as a pc turning on the party in my eyes).

But the possibility is there. The seeds planted. Travis has talked about how, after he threw the falchion away, he briefly considered having Fjord leave the party and retun to the coast and Uk’otoa. Liam has mentioned that, early on, Caleb returning to work for Trent was a very real possibilty. It can happen, if the players and narrative are open to it.

And now, canonically, Imogen is desperately and understandably searching for a reason not to have to fight her own mother. She is, however briefly, questioning whether the Ruby Vanguard might have a just cause. Much as she hates it, she also feels the allure of the power Ruidus gives her. Her closest ally is someone who has repeatedly assured she will stand by her no matter what she chooses, even after she voiced the possibility of letting Predathos get out. None of these parts of Imogen are evil, and all of them are understandable and deeply rooted in pain and ostracization, but they could very easily be turned into justification, were she pushed enough.

The seeds are planted. Again, I don’t think it will happen (she seems firmly against the evil plan when reminded of how evil it is), but there’s certainly nothing strange or hateful about engaging with and being interested in the darker possibilities as presented in canon. It isn't character hate to acknowledge that Imogen has the potential to go dark, much as Fjord and Caleb and Yasha. To me, it’s what makes her character interesting. I want to see her clash with the party, whether because she’s desperate to save her own mother or because she’s high off the power of Ruidus and lured in. I want to see Laudna have to choose between the world and her promise to stand by Imogen no matter what. I want to see the fallout, the slow healing and redemption and coming to terms with bad choices. I eat that shit up, and if it doesn’t happen in canon I'll probably go read some fic about it to get my fix.

[greenerteacups]

Have been actively resisting re-reading lionheart lately because my reading list is sooooo long and reading time is soooooo limited, so I was extremely excited to learn about M+G Readings! I’ve listened all yesterday evening while doing chores, and I keep finding myself going back to Hermione having to pretend Draco, Harry, and Ron are girls when discussing her friends with her family. I can’t help but wonder if she made up just really horrible feminine versions of their names to help keep her from slipping up??

On the same note, it has been so much fun to go back to book one just to see how much your babies have grown and matured! They were all such little shits (affectionately) except for our sweet harry, of course.

Hello! Yes! M+G's podfic is a superlative piece of fanwork and the talent involved is off the charts. As someone with zero experience in the field of audio mixing, the whole process reads like magic to me.

The elder Mrs. Granger (not to be confused with her daughter-in-law, Dr. Granger) is, of course, always delighted to hear about her granddaughter's various adventures with Harriet, Veronica, and Darcy.

[lunar-years]

S1 Keeley with a boyfriend she genuinely likes and has fun with (the first one in ages) and is maybe even starting to love, even though she hadn’t ever planned on falling in love with him, and this was only supposed to be PR, right (probably), and he isn’t even the right material for a longterm thing anyway (unless he could be?) only for him to go and break their carefully woven trust and demonstrate that he really is more the arsehole everyone else keeps telling her he is, rather than the person he's been to her (the one who, sure, has an ego through the roof, but who's also funny and kind and ambitious and brave) in one fell swoop. To have to wonder if she’s been blind this whole time to who he really is, and to be made to feel like a total idiot because of how he treated her, and then to decide firmly that no, he is good and he is trying, and then to make the choice to continue to be there for him and help him when he asks...

Late S1/S2 Keeley with a different boyfriend, and this one she's certain she loves, and he could most definitely be longterm material with only a little polishing, in fact she's pretty sure this is it, and she's going to see this man through to his shine, because he's worth it. Even as he spirals in retirement and even as they hurt each other in small ways that eventually start to add up into something bigger, she keeps believing things will get better and they both will do better, because the little life they've been building is worth it. Or it has been, up until he goes and breaks up with her and doesn't even give her the courtesy of presenting something passable as a reason, even as he's turned into a stranger before he's fully out the door. And then they're barely talking and she's heartbroken and she knows she probably went wrong somewhere in there, too, but he never told her how and she's too tired to pick apart all the whys, and she's mad at him but it's difficult to even hold space for that anger because she misses him....

S3 Keeley Jones who stumbles into another new thing, and it's not going to be anything serious (unless it could be), and she's still grieving the last one (maybe the last two?) (but this will be different, really) and Rebecca's telling her she isn't certain this is a good thing (but Rebecca never liked Jamie, either, and Jamie's turned out all right, hasn't he). Her new girlfriend flying her on extravagant dates and flooding her with extravagant gifts and making Keeley feel appreciated, like all the time she's put in is finally being recognized, makes her feel worthy of love (she only wants to be loved. she wants people to stop leaving.) Even as her new girlfriend announces their relationship to the entire office (and sure, it's a little sticky, being that her girlfriend is also her boss, and it makes Keeley feel a little uncomfortable, actually, having all those eyes on her, her employees, but she pushes it aside because Jack isn't afraid to acknowledge her, to make it known that she likes her, to stick with her, and that's something). It's something until it isn't, anyway. Until she only acknowledges Keeley where she wants to, to the people she wants to. Until she leaves, too, and takes Keeley's funding with her. And then Keeley is left to feel like the clueless one again, the idiot for not spotting it coming all along.

And she's making stupid decisions again (sleeping with exes just to get the chance to feel someone), and Jamie and Roy are weirdly close now, and isn't that just flipping great. somehow she missed that, too. And she's the one who made them both better!! they never would have turned out like this if she hadn't been pushing them towards it all along, and now they're there without her, which really doesn't seem fucking fair and definitely sucks. And she's maybe still a little (a lot) in love with both of them, but then they're demanding she choose between them like quarreling stupid schoolboys, and she doesn't even want to choose and she wants both of them at the same time she wants neither of them and then there's still the sticky business of rebuilding her firm with what Jack did still sitting so raw in her chest (and it was never that serious anyway, so why does it bother her so much? why does everything bother her so much?)

(im gnawing at my enclosure)

[ozcarma]

Does anyone else feel like the incinerator gun chair room from Zero Time Dilemma would have better fit C Team instead of D Team

[gorgxoxus]

I think the reason I LOVE part two so much, and have way way less complaints than others, is I’m a Penelope fan before a Polin fan. And part two was Penelope and Lady Whistledown’s moment. I think she was brave in part 1, but she was powerful in part 2 (as well as still being brave). Seeing her stand up to Colin was amazing, her speeches to him were top notch (especially after the wedding breakfast when she said he wouldn’t understand because he’s not a woman with little power in society).

Her with Portia and her family was amazing, and added such a nice depth to part two. Portia first wanted to support her daughter after Colin talking (yelling) to her and the stuff with Dungas, but it turned to real conversation and real respect. I believe Penelope publicly named herself as Whistledown to help her mother keep the estate first, because Cressida ended up leaving anyway. And she could’ve found a way forward with Colin without everyone knowing. Also her finding her sisters ball is beautiful, very selfless and kind. I think I’m much more happy to see her birth the Featherington heir after all the growth with her family. I didn’t really expect it to occur, and it was so beautiful.

I am so glad she got to show her absolute genius in sorting out the Queen/ Whistledown drama. When she tells Colin about Cressida knowing and he speaks over her and she’s trying to get a word in, I wanted her to own her name, power and do something for herself. I was so happy to see it happen.

[tokutaiseichan]

⚠️ HOTARUBI SPOILERS ⚠️

crazy how we went from "Haku and MC are the only one kind enough to humour Zenji" to "Zenji is a ghost and others can't actually see him" holy shit.....

[talesfromthebandgeekmafia]

Every time Aabria Iyengar steps into the dome she creates something that makes me fall in love with the wonder and possibility of ttrpgs all over again

[livelovecaliforniadreams]

Favorite Pacey/Joey Moments Per Episode: 5x4 The Long Goodbye