#and is it worth it to just save one person?

[birdsbeesknees]

This is for people feeling like this living with conservatives! I am not a professional in psychology. This is just from personal experience.

- Find as many ways to not be around the “home” conservatives. That being the ones you live with or are connected too. Wether or not you wanna avoid the ones outside of that is up to you. For me it’s easier cause it’s like “sweet freedom on a stick I don’t give a damn I am ALIIIVE” when I’m on my own. Obviously avoid the alt right. If you have a car you can get a job to save money to move out, go to the library, go to a park, all kinds of stuff. If you don’t, I’m assuming you’re probably a minor, but for my folks that are adults I’ll leave you with some other stuff after this. For the minors, sign up to as many school activities as you can. Band is all year round and gay as hell. Most sports are seasonal though. Also stay at friends houses, and if you’re grades are good enough you can be an after school tutor. For my adults with no car, try getting a bicycle, or a friend with a car. Also you can read fantasy of fiction novels a lot. I know that sounds weird but they really do suck you into other worlds. Also see about living with someone else if you can.

- Get as many distractions in your life as possible. And make sure they’re healthy. Reading, writing, running, birdwatching, sewing, making music. Make it a challenge to get as many things in your life that distract you and make you happy. Bonus points if they make others happy.

- Journal your feelings out. Find some healthy way to express your feelings. And make sure you’re doing it a lot so it doesn’t back up. Also if you’re being really real in this expression make sure you hide it like SUPER well from the home conservatives. And I mean really really well. Like writing your diary in a language they don’t know well.

- Make sure you have people around that love you for who you actually are. Have their numbers written down on paper in case your device gets taken away. Make friends that see you for who you are and love you. Go to events that you think will have people like that there.

- Make sure you’re doing the baseline things where you live with your folks to keep them from getting angry. Chores, keeping up with schoolwork, whatever it is.

- Don’t ever bring up any political topics around them, at least don’t do this if you know they’re not gonna change.

- Never argue, just confront or politely disagree. No name calling, assuming how they feel, or telling them how they feel. Avoid arguments on the whole, just confront. As in healthily tell them there’s an issue. If they get rowdy stick to what I said about no name calling and all that other jazz. And stay CALM.

- If you hear them talking about you behind your back, only listen in if it’s for your safety. If not I stick to this motto “it is not worth it in this lifetime or any others” because it’s really not.

- Do whatever possible (no matter how far away a move out is) to save money to move out. Save up money in general tbh. When I say whatever possible though I don’t mean harm yourself or others.

- Don’t risk coming out unless you’ve moved out or if they’ve changed FOR SURE. I repeat, do not come out to them while living with them unless you know they’re completely safe. Which if you’re reading this all the way through probably not.

- Remember that their opinions aren’t the be all end all. That you’re not completely alone and there’s a whole world out there on your side. There really is.

Again I am not in a lot of trumps main communities he targets hate towards (although I am in some) and I’m also not a professional in psychology so if any of this was problematic please let me know.

I hope none of you disappear in the coming days. Seriously don't do anything that can't be undone.

[niilue]

—when vi finally speaks, it’s not just her words you hear, but the weight of everything she’s too scared to lose.—

part i.

cw: female reader, vi x reader, angsty, jealousy, emotional hurt, hurt-comfort, vi’s emotional struggle, vulnerable vi, mention of caitvi's relationship, slow burn, spoilers s2. this is long writer's note: guys this is long!! i didn't even know how to do this part, i tried to make it as canon as possible to vi's character, and remember this is fiction, not hate <3-

vi didn’t move immediately after ou left. she stood there, in the middle of the alley, listening to the sound of your footsteps fading away and feeling like with each one, something inside her broke a little more. your words still echoed in her head, louder than any punch she had ever taken in the ring.

"why are you acting like this is personal?"

she had said those words reflexively, without thinking, in an attempt to protect herself. but now, as she remembered them, all she felt was a sharp pang of shame. she had seen the pain in your face when she said them, had felt the weight of your emotions and how your words had been filled with anger and something deeper, something vi couldn’t quite understand.

"why did it matter so much to her?"

it was the only question she could ask herself as she stood there, motionless. she had faced fights, betrayals, even death, but she had never dealt with something as confusing as this. she had never had to look at someone and realize she didn’t understand what they were feeling.

caitlyn approached, breaking the silence with a tone that seemed to carry more judgment than compassion.

“vi…”

“not now, cait,” vi replied automatically, with a harshness that wasn’t aimed at her, but at herself.

but caitlyn didn’t stop.

“vi, you have to let her go. it’s clear that this… whatever it is that’s going on between you two…”

“you don’t understand!” vi raised her voice, turning toward caitlyn. her eyes were red, full of frustration and something caitlyn hadn’t seen in her before: fear.

caitlyn raised her hands in surrender, but the damage was already done. vi felt the explosion of emotions inside her, a chaos of unanswered questions that pushed her to act, to move, even though she didn’t know where to go.

"why does she care so much?"

vi started walking aimlessly, her footsteps echoing in the empty streets of zaun while her mind raced. the image of your face, of your eyes full of tears and pain, wouldn’t leave her alone. you had said you were nothing, that you would never be anything, but even so, your words had been full of something more: broken hope, a love that seemed too strong to ignore.

"why does she look at me like that?" vi thought, clenching her fists. she wanted to hit something, wanted all that noise in her head to stop. but she couldn’t. your words were still there, like an echo that wouldn’t fade.

“i never asked her to stay,” she muttered to herself, her voice heavy with self-defense.

but as soon as she said it, she knew it was a lie.

vi stopped in a dark corner, leaning against the wall as her breathing turned erratic. the streets around her were empty, but inside her, everything was full of noise.

“she’s the one who decided to stay,” she whispered again, trying to convince herself. but she couldn’t.

every time she tried to come up with an excuse, your image came back to her mind: you, taking care of her on the days when she didn’t even want to get off the floor. you, following her steps even when she yelled at you to leave her alone. you, looking at her like there was still something in her worth saving.

"why did you do it? why do you care so much?"

vi closed her eyes, her hands trembling as she tried to recall every word you had said. you had mentioned the darkest moments, the days when she punished herself in the ring, the days when alcohol was her only companion.

you had said you were there. that you had always been there.

vi felt something inside her break. you had been there, yes, but she had never seen it that way. she had never allowed those things to matter because… because if she did, she would have to face something she wasn’t ready to feel.

"why did you do it?" she murmured, as if speaking to you, though you weren’t there to hear her.

the answer came slowly, like a current breaking through the chaos in her mind. you hadn’t done it for her. you had done it because it was what you felt. because you wanted to save her, even when she didn’t want to save herself.

"you took it personally because it was always personal."

vi felt the air leave her lungs. it wasn’t just that you cared. it was that you had always seen something in her that she couldn’t see in herself. and now that she finally understood, now that the pieces were falling into place, you were gone.

she closed her eyes tightly, letting her head fall back against the wall. tears began to stream down her cheeks, hot and silent. she didn’t try to stop them.

"i’m such a coward."

that was the only conclusion she could come to. you had been there, enduring her worst, taking care of her when no one else would, and she had ignored it all. and when you had finally laid your feelings bare, when you had exposed the full weight of what it meant to love her, vi had responded with doubt, with silence, with words she now knew she should never have said.

"why are you acting like this is personal?"

because it had always been personal.

─ ⋅ ⋅ ⋅ ──── ♡ ─── ⋅ ⋅ ⋅ ──

vi turned the corner into the alley and saw you. you were sitting on the ground, arms wrapped around your knees, with your hair falling over your face, hiding your eyes. she knew you’d been crying. she knew because she recognized that posture, that way of curling up when the pain consumes you and you don’t know how to keep going.

vi took a deep breath, forcing herself to take a step toward you. then another. and another. her boots echoed softly against the damp ground of the alley, but you didn’t lift your head. not until she finally spoke, her voice low and tense:

“i’m here.”

those two words made you lift your head, though slowly, as if every muscle in your body weighed too much. your eyes, swollen and red, met vi’s, and she felt something inside her crack at the sight of all the pain she’d caused.

“why?” you asked, your voice broken but sharp enough to cut deeper than any shout.

vi swallowed hard, looking at the ground before forcing herself to meet your gaze again. her hands trembled at her sides as she tried to find the right words. but there weren’t any.

“i can’t leave you like this,” she admitted at last, her tone so low it was almost a whisper.

you laughed, but it was a bitter, joyless laugh. “you couldn’t leave me like this? that didn’t seem to matter when you let me spill everything i was feeling, and you didn’t do anything.”

vi pressed her lips together. she couldn’t defend herself from that because it was true. she had left you alone, not because she didn’t care, but because she didn’t know what to do with what she felt. because she was afraid.

“i didn’t know how to react,” she confessed, her voice still tense. she took another step toward you, though you didn’t move. “i don’t know how to handle this… how to handle you.”

your brows furrowed, your eyes shining with a mix of disbelief and anger. “and what does that even mean, vi? what the hell does that mean?”

vi took a deep breath, her hands trembling as she ran them through her hair, tugging at the short strands as if that would help her think.

“it means i care about you,” she finally said, and though her voice was low, every word came out with an intensity that seemed to fill the entire alley. “it means you matter to me more than i know how to handle.”

the weight of her words hung in the air between you, and vi lifted her gaze to yours, searching for some sign that it wasn’t too late. but there was no response on your face, only a mix of emotions she couldn’t decipher.

“if i really mattered to you, you wouldn’t have done this,” you said, and your words were like a direct blow to her chest.

vi clenched her fists, but she didn’t look away. she knew you were right. but that didn’t make it any easier to face.

“it’s not that simple,” she admitted, her voice trembling slightly as she tried to hold herself together. “not after what happened with caitlyn.”

the mention of her name made your expression harden, and vi noticed.

“what does she have to do with this?” you asked, though you knew the answer might not be what you wanted to hear.

vi closed her eyes for a moment, letting the weight of the truth hit her before forcing herself to speak. “cait… made me believe i could trust someone again. that i could be more than a broken fighter.”

your chest tightened at her words, but you didn’t interrupt.

“and then, when things got bad, she left. she hit me, insinuated i was a monster, and walked away,” she continued, her voice cracking slightly at the end. her eyes filled with something you hadn’t seen in her before: fear. pure, absolute fear. “it wasn’t just what she said or did. it was… that she made me think something i’d never believed was possible. and then she took it away.”

vi’s shoulders slumped as she exhaled, as if she’d been holding her breath for too long. “i don’t know if i can trust someone like that again. i don’t know if i can let myself feel that again.”

her words fell over you like a weight, but you didn’t let your expression change.

“then why are you here?” you asked, your voice filled with pain and defiance. “if you can’t trust anyone, why do you keep coming back to me?”

vi lifted her head quickly, her eyes locking onto yours with an intensity that made your heart skip a beat. she took another step toward you, this time lifting a trembling hand, though she didn’t touch you.

“because it’s different with you,” she said, and though her voice was quiet, there was something in her tone that made it sound louder than any shout. “because you saw me when no one else did. because when i wanted to destroy myself, you wouldn’t let me.”

vi lowered her hand slowly, her shoulders sagging as her voice softened even more. “but you scare me too. because with you, i can’t pretend. and i don’t know if i’m ready for that.”

the silence that followed was deafening. you could see the internal struggle in her gaze, the way she was caught between wanting to move forward and the fear that kept her anchored to the past.

finally, you let out a shaky sigh, turning your eyes away. “then i don’t know what you want from me, vi.”

vi pressed her lips together, her eyes filled with something that looked like a silent plea. “i want to try. even if i don’t know how.”

your chest ached as you listened to her, but you couldn’t just give in. not after what you’d seen, after what you’d felt hearing her call her “cupcake” as if nothing you had done for her mattered.

“this doesn’t erase what you did, vi,” you said, your voice low but firm, trembling under the weight of the emotions you had tried so hard to hold back. “it doesn’t change how i felt when i saw you call her that, like… like i didn’t mean anything to you.”

vi blinked, her face contorting into a pained expression. her lips moved as if she wanted to say something, but you raised a hand, stopping her before she could start.

“you don’t get it, do you?” you continued, your words laced with restrained anger. “it’s not just the nickname. it’s what it represents. it’s how it makes me feel, like everything i did for you wasn’t enough.”

vi opened her mouth, but her voice broke before any words could come out. finally, she took a deep breath, forcing herself to respond. “i didn’t mean for you to take it that way. it wasn’t because you don’t matter to me.”

“and how am i not supposed to take it that way, vi?” you shot back, taking a step closer to her, letting the intensity of your words fill the space between you. “you always say you don’t know how to handle this, but it seems so easy with her.”

vi shook her head quickly, her eyes filled with something that looked like panic. “it’s not easy with caitlyn. it never was.”

the mention of her name made your teeth clench, but you forced yourself to let her continue.

“with her it’s… it’s different,” vi admitted, her words clumsy but honest. “cait was always… what i thought i needed. someone who made me feel like i could be more than what i am. but with you…”

she trailed off, her gaze dropping to the ground for a moment before meeting yours again.

“with you, i feel exposed. and that scares me because i don’t know if i’m made for something like this.”

you stood in silence, your breathing shaky as you processed her words. the anger burning in your chest still lingered, but there was something in her tone, in the way her hands trembled at her sides, that made your defenses start to crack.

“that doesn’t make it hurt any less, vi,” you finally murmured, your eyes shining with tears you refused to let fall. “but at least now i know why.”

vi nodded slowly, swallowing hard as if admitting all of this had drained every ounce of energy she had. she took another step toward you, her voice lowering even more.

“i want you to trust me. i know i don’t deserve it yet, but i want to try. i want this to mean something.”

for a moment, the weight of her words filled the space between you. it wasn’t a perfect promise. it wasn’t an immediate solution. but it was something.

you took a deep breath, looking away for a moment before locking your gaze back onto hers. “then show me, vi. because if you ever make me feel like i’m not enough again… i won’t stay.”

vi nodded again, more slowly this time, and though her eyes still held uncertainty, there was something new in them: determination.

you didn’t say anything else. you turned toward the alley’s exit, your footsteps echoing softly against the ground as you walked away. vi didn’t stop you this time, but she didn’t take her eyes off you until you disappeared into the darkness.

she stayed there, motionless, her chest tight and the words she wanted to say stuck in her throat. she knew that this time, words wouldn’t be enough. she knew she would have to show you that you could trust her.

for the first time in a long time, vi felt like she had something to fight for.

[hawkinsbnbg]

Eddie who used to be a person with SUD decided to go running whenever he felt like relapsing, which slowly became his new habit. One that helped him control the impulsive urge to use again.

And Steve was right by his side, rising early and making coffees with him, challenging him to a new goal every day, and being his personal cheerleader who wore tiny running shorts and worn-out band t-shirts taken from Eddie’s closet once upon a time.

(Eddie was usually so distracted by the sight of Steve’s thick hairy thighs and peachy ass that he barely noticed the road ahead, which, more often than not, led to Steve having to save him from running into trees and poles during their jogs.

Eddie, despite always panting like a dog by the time they finished, still managed to show Steve his gratitude in their shower.)

They started small by running 1-2 miles per day, and then eventually, Eddie built up his stamina and could last longer, going toe-to-toe with Steve in their morning routine.

Steve was so proud of Eddie not only because he had made it so far, but also because he had stayed strong and true to his goal during the whole time, and refused to let a few step-backs be the reason to give up.

As for Eddie, he just wanted to be better for both himself and his boy. Withdrawal was a bitch but Steve’s happiness was worth all that sweat, pain, and trials. And, Eddie supposed, his own happiness was as well.

And if doing exercise every day earned Eddie the strength to throw Steve around and carry him wherever he wanted, then it was just an added benefit they both deserved.

[3rizu]

Kwon and his Girlfriend

A/N: Trust Kwon isn't dead🎀

Boyfriend!Kwon that loves holding you as he sleeps. Every night you’d go to bed next to him and he’d wrap his arms around you, you absolutely loved how he seemed to love cuddling with you.

Boyfriend!Kwon who loves you to death and has always scared people away, especially because he seemed like a guard dog standing behind you as he stared down at the person infront of you. Though as soon as you looked back he was back to the sweet boy you know and love.

Boyfriend!Kwon loves touching your skin not in a sexual way, he just loves the feeling of your skin under his fingertips. He’d be propped up on his elbow while you lay on your back giggling as he touched you.

Boyfriend!Kwon that always trained hard and the reason was so if anyone dared to hurt his sweet girl, he'd surely have their head on a stick in a few minutes.

Boyfriend!Kwon who's face looks like the color of a tomato when you’re sleep talking and keep mentioning him. He thinks you're dreaming about some guy trying to ask you out but you keep rejecting him and mentioning Kwon who's called “Pretty boy” according to you.

Boyfriend!Kwon that plans on marrying you as soon as the both of you are older. Who would he be to not marry you? An idiot is what he would be if didn't. So though you didn't know he was already saving up for when he'd buy the prettiest ring for the prettiest girl in his life.

Boyfriend!Kwon who did the things that other guys would call silly. He'd make sure that your every “silly” need was tended to, if it meant taking off your heels because you were too tired to do it yourself he’d do it. if it meant waiting a couple seconds while you took pictures of the pretty looking food he didn't mind as long as it was you.

Boyfriend!Kwon who doesn't mind you putting makeup on him or doing a skincare routine on him. (he didn't need one since his skin was already flawless) He didn't even mind when you asked if he could watch Disney princess movies with you.

Boyfriend!Kwon who knows your worth and wouldn't dream of ever hurting you so badly that he’d lose you. Kwon swears on his life he’d never mistreat you in any way, and boy does he really stick by that. He was the most kind, loving, sweet and gentleman you had ever known.

Kwon to you was a big softie. Though you'd seen him fight or spar, you know that side of him would never be directed at you. Kwon loved you so much and though he was a troublemaker her wanted stupid enough to lose you.

[askshivanulegacy]

The "child" in the womb belongs to the mother. It's literally part of the mother's body. Because all people inherently have full autonomy over their bodies, she gets to decide everything that happens to her. It's not the federal or state government's business or choice.

The mother makes an enormous health and life-impacting sacrifice to birth a child. It's the level of bodily trauma that you simply cannot force a person to undergo unwillingly. Only the person in question can make that choice. Just like you can't order a person to experience torture to save another person's life, you can't force a mother to give birth if she decides it's not for her. Only she gets to choose. Life isn't a movie and she's not obligated to be a hero.

It's that simple.

You can go ahead and believe that it's "morally wrong." Your beliefs are up to you. But they also don't play a role. She can still do what she wants. It can be "wrong" (to you) and she can do it anyway.

She can do it out of fear if she wants. I would not consent to life-altering torture to save someone I don't know. That sounds horrible! No way. Yes, I would be afraid. So what? I'm allowed to be afraid, just like I'm allowed to do whatever I want to my body for whatever reason.

That inherent right exists and it doesn't matter what anyone thinks about it. You can have your opinion, and it doesn't change anything.

But also, your "statistics" on the "vast majority of women being afraid or greedy" are wrong.

And also, it wouldn't matter if they were correct.

Bodily autonomy is independent of and agnostic from morality. Morality does not apply, least of all from some random person. What's right and wrong is up to the one person involved, which is the mother.

No one needs to sacrifice their health and well-being for another person. Not even a child! That child is not more important and does not have more rights than a fully developed and accomplished adult. If anything, the adult is worth more because more has been invested into them to make them into the incredibly worthwhile and valuable life they are today.

You don't sacrifice that for something undeveloped.

But you know, if the father still wants the child, he can have it. It'll be up to him to figure out how to keep growing the clump of cells, but that's not the mother's problem when she's withdrawn her consent.

Here’s the thing I think conservatives don’t understand: I don’t care what someone else does with their own body.

You wanna get surgery or take medication to make you look a certain way? Okay. I don’t care

You wanna ctrl+alt+delete that clump of cells in your uterus. Sure. I don’t care.

You wanna use meds to block a natural aspect of your body’s system? Alright by me. I. Don’t. Care.

I don’t care because it’s not my body

“But what if they regret it?” So? Let them regret it. That’s their choice to live with.

“But what if that baby would have grown up to cure cancer?” Kinda short sighted on God’s part to only put that potential in one baby, yeah? (Also … you can’t cure cancer, but that’s a level of nuance for a different time)

“But what if they want to use that function in the future?” Funny thing about meds: you can just stop fucking taking them and things usually go back to normal.

I DON’T CARE WHAT ANOTHER HUMAN BEING DOES WITH THEIR OWN BODY! I don’t care 🤷‍♀️ it’s not my body so why should I have a say in it?

The choice is not “being left up to the states instead of the federal government”, it’s that the choice is being taken away from individuals.

Why the fuck to they care so much what other people do with their own shit??

[toothlespoggers]

U don’t understand. He’s a Nindroid. He has a soul. He has ice powers. He’s TRAUMATISED. He does not value his own life. He is borderline suicidal. He is SOFT. And he loves people too much. But OUgh he’s actually a little fucked up even tho he’s calm and calculated Caus he toucheda forbidden stick and it made voices in his head and then he was like a genocidal murderer for like 60 years and he had no memory of anything and then he was dragged out of that situation and nobody even asked if he was ok and he never questioned that because he’s lived his whole life with the expectation that he’s fine and he’s got everything under control and he doesn’t even know what mental health awareness is because no one ever talked to him about it because no one ever asked if he was okay, not physically but mentally. Because even if people cared no one ever thought he was not okay, and so Zane never thought he was not okay so he’s lived his life for probably a hundred years or so by now, always moving forward and never addressing his problems or traumas or demons, which is DESTROYING HIM, from the inside out. He has absolutely NO SELF WORTH. His entire existence is based around his role as a ninja, he has been trained from when he was a “teenager” that his worth is based around his ability to preform, that the most important thing is to save lives and the world and stuff. Which it is but like he’s never been allowed to do anything else and on the rare occasions he and his friends relax they immediately get scolded and told to keep fighting. He’s never had a sick day. He literally sacrificed himself to save the world. He rebuilt himself, and immediately the next opportunity he gets, he sacrifices himself again, and he tries to do that over and over and over again because that’s his job he states that he is expendable! He says that multiple times. He always volunteers to take the hits because his view on his humanity his person hood is so WARPED, that he believes he has less value than a human. That he is a TOOL. To be used by those around him because people sure, they’ve treated him with kindness on many levels but it’s kind of shallow when they never care enough to prevent him from getting hurt, they use him, he almost dies, they fix him and then put him back into the line of fire. His entire worldview is based on fighting.

The only person. Who has ever asked if he is okay and treated him like a human being. Is a STUPID GOSH I LOVE HIM BUT JES SO DUMB. FROG MAN and Zane is SO NOT USED TO IT that he has to repeatedly inform. This man. That he is in fact. A robot. Because he expects that to change the way people interact with him. He’s a machine, he doesn’t need a break, he’s built to serve a purpose. But frog man, does not listen.

Frog man is kind, frog man is good.

FROHICKY TRIES TO PLEASE ZANE SO MUCH THAT HE GIVES ZANE A FROHICKY PLUSHIE. SO THAT ZANE CAN VENT HIS FRUSTRATIONS AT THE PLUSHIE. SO THAT HE WILL FEEL BETTER. AND ZANE SAYS “I do not experience heightened emotions.” see see this this proves one of my points urghhhguugh FROFFS BARKS GROWLS HE DOES. WE ALL KNOW HE DOES, ANY NINJAGO FAN WITH EYES CAN SEE THAT ZANE EXPERIENCES HEIGHTENED EMOTIONS. HE JUST KEEPS FUCKING LYING TO HIMSELF AND OTHERS BECAUSE HES GOT THIS ROBOT MINDSET EVER SINCE SEASON 3 HES JUST BEEN ENTIRELY CONSUMED BY THE IDEA THAT HE ISNT HUMAN AND SO HE HAS TO BE DEFINED BY THAT IDEA. He has so many inconsistencies all relating to this weird brain he has this weird weird robot brain it’s SO INTERESTING. I WILL BE GATHERING INFORMATION AND I WILL BE MAKING A FULLY RESEARCHED FULLY COHERENT RANT ABOUT ZANE IN THE FUTURE. BUT RIGHT NOW I HAVE OTHER STUFF TODO BUT URGHH THIS CHARACTER MY BRAIN IS TINGLING SO MUCH URGHH

[rnadett]

I have an extremely wild theory about the ending...

So...

PLEASE DO NOT READ ANY FURTHER IF YOU DON'T WANT ME TO >>>POTENTIALLY<<< SPOIL SOMETHING FROM THE FINALE!!!!

I WARNED YOU!!!

I'm not going into too much details, since I don't have too much time because of my work. 😭

So let's start with Ekko:

We already know that the key character of Act 3 is him, whose unique ability is to turn back time. From the previous part, we also know that Jayce has tried to kill Viktor before, but every time so far, he has failed.

I think what Jayce and Ekko are trying to do in ACT 3: comes from the same root, but in very different ways – much like how their characters have always been, with parallels to each other throughout the series from the beginning. (the poster above is also telling)

We’ve also seen countless scenes from Act 3 that were quite significant hints... I haven’t pieced all the anchor points together yet, but my theory is that many characters will die in the final ARC — including Ekko, who will most likely make one last attempt to rewind time so the sisters can succeed.

We already have this screenshot from Reed. And It's from s2ep9. Behind Ekko it's some kind of machine, I believe it's a time machine, but not for rewind seconds, but for more... So much more. And they built it with Heimerdinger together.

This environment and this machine also appears in these scenes from the trailers:

Also in the recent teaser Vi says this.

I mean c'mon, It can't be more obvious than this at this point.

Also I noticed something while I rewatched this trailer:

https://youtu.be/Sl-xmZTH6GE?si=rW5vFHJUWm0ECD6p

Parallels and flashbacks were deliberately included. I think those will be the key points for the time travel.

The fate of the characters from a dramaturgical perspective... Well, I think many main character will die, What will make the stakes of the siblings' success even more important.

Yeah... Almost ALL characters except the sisters.

For example:

Caitlyn... I think Caitlyn may not die by Ambessa's hands but there is a possibility. But either way she will die. But one thing for sure: her final act will paves the way for the siblings to succeed. This makes her redemption arc finalized. Ambessa also planted this idea in Caitlyn's mind. Sacrifice . (Maybe the only thing truly worth learning from Ambessa about leadership, though not in the way Ambessa intended it to be understood.)

And for Vi... Yeah, she will watch yet another person she loves and cares about die. The Arcane writers seem to enjoy making her suffer....

Since the story revolves around the two sisters, they will finish the story, as they started.

THE LAST DROP

So the final scene probably will be about the sisters and the final sacrificing. Many say, Jinx don't need a redemption, but I think everyone deserves one in one way or another.

.

.

It has been hinted - or a fact from episode one that Jinx/powder ruins everything. She got her second name because of this. It's her character.

“Vi always used to say, I can fix anything... Before I broke everything.”

But why is it like this? What is it based on?

I think the 'last drop' will be foreshadowing of the first season, where she tried to save everyone, but nearly everyone ended up dying.

Why this would be any different?

I think what moslty form Jinx is how many people 'believe' in her.

Jinx and Powder, as appeared in a methaphore in Season 2, Episode 6, symbolize a coin with two sides. Both sides exist within her, but which side prevails depends on the events that unfold.

In Season 1, Episode 3, Vi allowed her heart to be influenced by the protective love she felt, which prevented her from trusting her sister.

That's why I believe that this will not just be Jinx's redemption, and not only will it rewrite her story, but also Vi’s. Vi, whose personality is so protective that she often doubts everyone else - (including Caitlyn), will have to learn to let go of this feeling and trust others, even if it means there's a chance her sister might die.

So what's my prediction?

So, if I wasn’t clear enough, (since English isn’t my native language and there are so many things in my head at all once that I want to express but I don't have time for more 😭)

My theory is that the siblings will eventually bring everyone back to life, but it will come at a cost, and I think Jinx will be the one to make that sacrifice.

But her death will not be a sad thing from her perspective, she will be finally free from the burden and suffering she felt, also she will be free from her demons as well.

.

.

As for the fate of the other characters I mentioned here, I can’t say for certain. Unfortunately, due to the 10-image limit, I couldn’t attach more visuals, but I believe Ambessa will die at the hands of the Black Rose. This is foreshadowed quite well in the intro: first, we see Ambessa crushing the rose, then a petal falls, but we don’t actually see her destroy it completely. Later, we see her daughter stepping in to take her place, reaching for the same rose while petals are scattered on the right-hand side, symbolizing Ambessa.

I think this story arc will continue in future *Arcane* series.

As for Sevika, it’s pretty clear that Viktor will transform her after her death and bring her back to life. That’s how she’ll end up with another cool new arm. (The new Sevika poster is literally titled “Armed and Ready,” by the way.) She’ll probably try to incite the Undercity against Piltover again, which is why we see in the trailer that Piltover is fighting Zaunite civilians.

My other theory for Sevika (Or a continuation of the above, perhaps a combination of the two. ) is that Singed will make her a new prosthetic to her... And it’s also possible that through Singed Savika will side with Ambessa.. Since Ambessa is very good at seeing what people need and how to manipulate them, she might offer Zaun's independence in exchange for her help.

From Corin Reveck’s side – He will succeed in bringing his daughter back to life (Orianna), and I think this is no longer in question... After nearly everyone in the series has suffered the consequences of his actions, directly or indirectly... One might hate this character, but he is the perfect example of someone who would do anything, sacrifice everything, and set the whole world on fire (and does) for the love of his daughter. He is fully aware that he has become a monster, but he doesn’t care.

From Viktor's perspective... I'm not sure what his story will be. Perhaps the fact that they’ve saved each other’s lives multiple times with Jayce will become a symbol that ultimately, they will end up taking each other’s lives together. At some point, there was a possible foreshadowing of this when the creators depicted a "Memento Mori" between the two characters in season 1, when they were at the place where they tried to jump separately. A "Memento Mori" is an optical illusion where the combination of various elements forms the image of a skull, symbolizing death and the transience of life.

Overall, please take all of the above writing as just a theory; many parts may not turn out this way, and in fact, nothing might happen as I’ve suggested. Have fun!

And yes, I know my post turned out quite long despite saying I don’t have time, but believe me, if I did have time, it would be about six times longer, with all the references and every thread detailed in full.

[aventurineswife]

helloo, may I req platonic blade,jing yuan,dan heng and moze with a teen!reader who is like sirin from honkai impact 3rd?

“You can destroy everything in your path, but you can never destroy what lives inside you”

Tags: Blade x Reader, Jing Yuan x Reader, Dan Heng x Reader, Moze x Reader, Teen!Sirin!Reader, Platonic Relationships, Mentorship, Emotional Struggles, Inner Conflict, Vulnerability, Angst, Personal Growth.

Warnings: Mentions of pain and emotional turmoil, Inner conflict and rage, Destructive thoughts (brief), Themes of vengeance and loss, Mild language.

Blade stood motionless, the broken sword in his hand reflecting the dim light of the underground hideout. His eyes narrowed as he watched you, a figure consumed by inner turmoil and rage. Your expression flickered between innocence and something far darker, a complex mix of vulnerability and an undeniable thirst for vengeance. Blade recognized it instantly—the hunger for destruction, the same fire that burned within him.

“You have a choice,” Blade said softly, his voice devoid of emotion. “The path you’re walking leads to nothing but despair. I know this better than anyone.”

You glared at him, eyes flickering with frustration, before your voice cracked, “I don’t care. The world deserves to burn.”

Blade tilted his head slightly, observing your inner conflict. “Burning it all down won’t make the pain go away. Trust me, I’ve walked that path.” he muttered, glancing down at his fractured sword, a symbol of his own lost humanity. He could see the darkness in your eyes, but also a hint of something more—something worth saving.

“You’re not alone in this,” Blade said, a rare softness in his tone. “But don’t let your anger consume you. You’ll end up like me. A weapon without a soul.”

Jing Yuan leaned against a pillar, the soft glow of his golden eyes observing you as you paced restlessly. The weight of the world seemed to sit heavy on your shoulders, and the way you clutched your hands, as if holding back a storm, was telling. Jing Yuan's reputation for his foresight and calm demeanor preceded him, but he could still sense the conflict beneath your hardened exterior.

“You seem troubled,” Jing Yuan remarked, his voice slow, measured, as always. “I know what it’s like to carry the burdens of the world, but you need to understand one thing: you’re not alone.”

You stopped and turned sharply, eyes blazing with unspoken words. “I don’t need anyone. I’m stronger alone.”

Jing Yuan’s expression softened, but there was no pity in his gaze—only understanding. “Strength is not always about being alone, my young friend. Sometimes, it’s about learning to rely on others. Even the greatest warriors rely on those who walk beside them.”

You looked away, clearly struggling with the idea. Jing Yuan could sense the unresolved anger in you, a mirror of the feelings he had fought to keep in check for centuries. “I know it’s hard to trust,” Jing Yuan continued, his voice a little quieter. “But don’t let your pain isolate you. It can only make you weaker in the end.”

Dan Heng sat silently on the edge of the Astral Express, staring at the vast, starry expanse. Your footsteps were soft, almost hesitant, as you approached him. He didn’t look up immediately, but he could sense your presence—tension hanging thick in the air.

“You’re avoiding them,” your voice broke the silence, a directness that took Dan Heng by surprise. He finally looked up, his expression guarded, though his dark eyes betrayed a certain wariness.

“Not avoiding,” Dan Heng replied coolly. “Just staying out of trouble.”

You smirked bitterly, stepping closer. “Seems like you’ve been doing that your whole life.”

Dan Heng’s gaze hardened. “You know nothing about me.”

“I know enough,” you retorted. “You hide behind your responsibilities, your stoic face. You think running will make things go away. But it doesn’t.”

Dan Heng stiffened, and for a moment, his calm mask cracked. He had seen too much of himself in your rebellious defiance—too much of the pain he had buried deep within. “Running won’t solve everything, no,” he admitted quietly. “But it can keep me from destroying the things I care about.”

Your eyes softened for a brief moment before you turned away. “Yeah, I get that. But maybe you don’t have to run forever.”

Dan Heng’s gaze lingered on you. “Maybe.”

The room was quiet, save for the faint sounds of your breathing as you sat, your back pressed against the cold stone wall. Moze stood in the shadows, watching you with a cold, calculating gaze. He had been sent to observe, not to interact, but there was something about you that drew him in.

“You’re restless,” Moze said, his voice low and devoid of emotion. You flinched, not expecting the intrusion into your thoughts.

“Yeah, so?” you shot back, sharp and defensive. “What’s it to you?”

Moze stepped forward, his expression unreadable. “Restlessness doesn’t serve you. It’s a sign of a broken mind. You seek control, but you can’t control what’s inside of you.”

You clenched your fists, your shoulders tense. “You don’t know anything about me.”

Moze raised an eyebrow. “Perhaps not. But I know what it’s like to feel trapped by your past. To be consumed by the things you’ve done and the things you’ve lost.”

Your anger flickered in your eyes, but there was something else—something vulnerable, buried deep. Moze could see it, and it troubled him more than he cared to admit.

“Pain is a part of life,” Moze said, his voice steady. “But it doesn’t have to control you. You can choose to let it define you or let it go.”

You didn’t respond, but the silence between you felt different—less tense, perhaps, more thoughtful. Moze didn’t expect you to understand right away, but sometimes, it was enough to plant a seed.

[dogsplayingpoker]

Ok weird it wasn't letting me reblog this properly. Anways hiiiii

I did read it (over a year ago when i reblogged this) and that isn't what I said, or my criticism of his point and, overall, the neo-liberal ancient-contemporary comparative perspective that Devereaux is routinely writing these articles in. It would be silly to be fully Pro-Rome, sure, but I'm not really accusing him of that persay. I do still think his general perspective is a silly and factually inaccurate one and disagree with it, so I therefor disagree with the arguments he makes starting from this perspective. In particular, I think that no matter how much he claims to actively be against it, Devereaux and the many historians that follow his same playbook end up: 1. romanticizing (I previously said "admiring," which may have been where we got mixed up) Rome by claiming it was a ghastly horrific slave state (true) while also being unable to help from looking to "the good parts" with a kind of breathless nostalgia, and here, overtly for guidance. This is of course a pretty common issue for classicists, unfortunately, including professors of mine that I've generally really respected. Usually the "good parts" = freedom of religion in occupied territories, civil rights afforded to slaves (+the way that pre-Race slavery functioned differently in general), and exactly what Devereaux says in the title of the article, i.e. their "Notion of authority" being likened, often, to a gentle but firm father figure who knows whats best for his children. It is absolutely hilarious to me how often historians, even ones that claim to have left-wing values, can believe in the noble pater familias rule of the romans with a smile and a tear in their eye. Does anyone else here remember 'the white man's burden'? Did anyone see that weird tucker carlson speech where he talks about daddy coming to spank the disobedient little girl that (assumably?) was supposed to be the Biden government? Anyways. Writers try to isolate only that there was religious self determination (in occupied territories of an expansionist empire), that they Ruled the horrible violent imperial war machine Fairly, and then don't even hide the fumble when they get to the slavery part, proudly saying YEAH, they were ENSLAVED, sure, and that's BAD, BUT........ This all ties into issue two, or the underlying issue:

2. Devereaux is a liberal American historian that is either unable to appreciate the full context of the country he lives in OR is actively obfuscating it AND/OR accepts it and thinks its just peachy outside of a few stubborn issues like police brutality and the like which he thinks can be handled in a vacuum by throwing enough good old fashioned liberal values at them. He fails to view issues from a systemic lens and therefor thinks anything he doesn't like is a weird flaw coming from some outside source. In that article (and I can't find this specific article again on Foreign Policy to pull examples from, I'm sorry) he was trying to 'learn from rome' for the sake of America. Even if he's saying Rome was a heavily flawed society, he is saying our empire can still learn a good thing from their empire. I disagree with that. I disagree with the empires staying empires in the first place, or that empires are things worth saving, or that they're even possible to save. My argument is also that we should actually definitely not look to Ancient Rome for advice on law enforcement, or indeed any of our policies point blank period. I personally think this kind of Rome-USA compare and contrast exercise is always fnny because the writer also never seems to reckon with how much we already, fundamentally, ARE Rome-- in all the worst ways, and in the ways he's claiming we can 'learn' from them. We already have. We've been romanticizing and following in their footsteps very intentionally the whole time, just as others were inspired to follow in ours in a horrific timeline of gore and human atrocities. Devereaux, per his website, is really into classical liberalism, liberal democracies, private property, free-market capitalism, and John Locke. (https://acoup.blog/2024/07/05/collections-the-philosophy-of-liberty-on-liberalism/). We simply have really different perspectives on politics that also inform how we view and would choose to write about things as historians.

I think this quote from that blog post on liberalism is especially funny in context: "And of course Cicero himself never fully absorbs the implications of his philosophy: a wealthy Roman slave-holder, it never occurs to Cicero that perhaps he daily violates the natural law by keeping people in bondage." Devereaux himself never fully absorbs the implications of his philosophy: a white well-to-do professor in an elite seat within American Academia, it never occurs to Devereaux that perhaps he daily violates the individual freedoms of liberalism by rationalizing and hiding away the dark parts of a fundamentally unjust empire relying on the slave labor of prisoners, the indentured servitude of sweatshop workers worldwide, the slaughter and subjugation of millions of in the global south and the underclasses within the empire itself, and the theft and hoarding of the world's resources. But okay. Cicero bad, John Locke good. Got it. My argument would of course be that they are both bad, both equally ignoring the reality of the society they lived in and their places within it. Devereaux is starting his argument from an already catastrophically flawed point of view that forces him to look past things like 'context' whenever it becomes inconvenient. He has to say in the post multiple times that like yeah, sure, Locke's view of who counted as a "person" worthy of having things like "rights" was, um...narrower than ours today, but he was still correct because I like him (and it's totally different from how other people cited, like Cicero, were incorrect hypocrites). Ignore the slavery and colonialism, same old same old, it is still correct and not at all laughable to claim that the United States was a nation formed on a defining principle of inalienable freedoms for every single person. He mentions that those things were obviously bad but doesn't see them as truly conflicting, more as growing pains. He even says the founding father's misogyny and racism (towards the enslaved specifically: indigenous people, and therefore the ACTUAL founding principles of the US colonial empire, go completely unmentioned) "[...] represented betrayals of the principles that otherwise document: the crime was common, the hypocrisy was special." American exceptionalism who? Obviously if he was saying we should instate a more 1:1 ancient roman government that would also be ridiculous. But my point is that he's asking the wrong questions about the society we have and what's wrong with it in the first place. He is often wrong about Rome and near-universally wrong about America.

Despite Sparta’s reputation for superior fighting, Spartan armies were as likely to lose battles as to win them, especially against peer opponents such as other Greek city-states. Sparta defeated Athens in the Peloponnesian War—but only by accepting Persian money to do it, reopening the door to Persian influence in the Aegean, which Greek victories at Plataea and Salamis nearly a century early had closed. Famous Spartan victories at Plataea and Mantinea were matched by consequential defeats at Pylos, Arginusae, and ultimately Leuctra. That last defeat at Leuctra, delivered by Thebes a mere 33 years after Sparta’s triumph over Athens, broke the back of Spartan power permanently, reducing Sparta to the status of a second-class power from which it never recovered. Sparta was one of the largest Greek city-states in the classical period, yet it struggled to achieve meaningful political objectives; the result of Spartan arms abroad was mostly failure. Sparta was particularly poor at logistics; while Athens could maintain armies across the Eastern Mediterranean, Sparta repeatedly struggled to keep an army in the field even within Greece. Indeed, Sparta spent the entirety of the initial phase of the Peloponnesian War, the Archidamian War (431-421 B.C.), failing to solve the basic logistical problem of operating long term in Attica, less than 150 miles overland from Sparta and just a few days on foot from the nearest friendly major port and market, Corinth. The Spartans were at best tactically and strategically uncreative. Tactically, Sparta employed the phalanx, a close-order shield and spear formation. But while elements of the hoplite phalanx are often presented in popular culture as uniquely Spartan, the formation and its equipment were common among the Greeks from at least the early fifth century, if not earlier. And beyond the phalanx, the Spartans were not innovators, slow to experiment with new tactics, combined arms, and naval operations. Instead, Spartan leaders consistently tried to solve their military problems with pitched hoplite battles. Spartan efforts to compel friendship by hoplite battle were particularly unsuccessful, as with the failed Spartan efforts to compel Corinth to rejoin the Spartan-led Peloponnesian League by force during the Corinthian War. Sparta’s military mediocrity seems inexplicable given the city-state’s popular reputation as a highly militarized society, but modern scholarship has shown that this, too, is mostly a mirage. The agoge, Sparta’s rearing system for citizen boys, frequently represented in popular culture as akin to an intense military bootcamp, in fact included no arms training or military drills and was primarily designed to instill obedience and conformity rather than skill at arms or tactics. In order to instill that obedience, the older boys were encouraged to police the younger boys with violence, with the result that even in adulthood Spartan citizens were liable to settle disputes with their fists, a tendency that predictably made them poor diplomats. But while Sparta’s military performance was merely mediocre, no better or worse than its Greek neighbors, Spartan politics makes it an exceptionally bad example for citizens or soldiers in a modern free society. Modern scholars continue to debate the degree to which ancient Sparta exercised a unique tyranny of the state over the lives of individual Spartan citizens. However, the Spartan citizenry represented only a tiny minority of people in Sparta, likely never more than 15 percent, including women of citizen status (who could not vote or hold office). Instead, the vast majority of people in Sparta, between 65 and 85 percent, were enslaved helots. (The remainder of the population was confined to Sparta’s bewildering array of noncitizen underclasses.) The figure is staggering, far higher than any other ancient Mediterranean state or, for instance, the antebellum American South, rightly termed a slave society with a third of its people enslaved.

[alexanderwales]

My web serial, Worth the Candle, has been adapted into a webcomic. This was thanks to my agent, who I have a great fondness for, since without him I would have to spend time trying to make connections and call people and do a bunch of work that I don't know how to do and am not good at.

I was offered the chance to write the webcomic, but declined, mostly because writing Worth the Candle had taken four years and was pretty draining, and was a story that I feel like I'm done with, minus some editorial stuff, answering fan questions, and the odd bit of promotion. So my level of involvement is that I get the pages as they come in, make some comments on them, and generally just give feedback which they are free to ignore.

So let's talk about some of the adaptational changes! You can read the first three issues on Webtoon here, or the first eight issues if you're willing to pay, and the books start here, but I'll assume that you haven't read either, and there won't be substantial spoilers because I'm talking about stuff from the very beginning. Actually, I guess there will be some spoilers, but later on, and I'll mark them, mostly having to do with some foreshadowing that the webcomic does which I didn't do.

(I licensed the rights to make the webcomic to WebToon and took my money upfront, they didn't ask me to write this post, I have not actually asked the artist/writer why they made these changes, it's just me guessing and commenting, for fun. Edit: My agent has informed me that I'm mistaken, I do get a cut. So apologies for the misinformation, and hooray for me, I guess I signed the contract ages ago and just forgot the details.)

Character Design

Here's how Juniper Smith is described in the books, ch 2:

I won’t belabor my physical description. My friend Greg had once said that I looked like someone had chosen ‘default’ for every option in the character creator, which I’d tried to laugh at but cut kind of deep. I wasn’t handsome, I wasn’t ugly, none of my features were very prominent, my eyes were blue, my hair was brown, average build, average height … After Greg had made his comment at one of our D&D games, my nickname had been ‘default’ for a while, at least until I stopped pretending to find it funny, and even after that my friends would use similar lines to trash talk me, saying that I was “the most generic man alive”, “a white bread with skim milk motherfucker”, or “the human equivalent of vanilla ice cream”. Not that I was any less of an asshole to them.

This is how he looks in the comic:

I would more or less give this full marks.

In terms of other aspects of character design, Juniper is here given a black shirt with a red symbol on it rather than the stock white t-shirt he's wearing in the opening chapters of the first book, probably in the interests of adding in some visual variety. On the page, it's perfectly fine that every person in the first 50k words is wearing basically the same stock outfit. In a visual medium, I do think that you need that pop. I do think it's interesting that Juniper is wearing the same clothes in the classroom as he is on the plane, implying that when he transmigrated his clothes ... came with him? I don't know.

The other major character of the first section is Amaryllis, who is a major character in the entire work. Here's her description in the book:

Standing by a workbench, among various car parts, tools, and cans of unidentified fluids, was the most beautiful girl I had ever seen.

I’m not really sure what protocol is here, in terms of prose. I mean, I don’t want to sound like a creep, so maybe I should stay as generic as possible and tell you about her dark red hair pulled back in a braid, the glacial blue of her eyes, how starkly alert she looked as she peered over the parts in front of her, or her grease-smeared clothes. Save for her eyes, I wasn’t really focused on any of that. My mind was consumed by tracing her curves, the shape of her chest in her blood-stained t-shirt, the fullness of her lips and the delicate way she had them parted -- and yeah, it was pretty fucked up that the splatter of blood on her shirt wasn’t worth rating much of a mention. I was consumed with staring at her and thinking how gorgeous she was, until I noticed that she was having a powerful effect on me, at which point different parts of my mind were given over to marveling at the sensation of being so attracted to a girl, and others were still focused on her.

Imagine that someone spent a few years studying your likes and dislikes, running through video of your every private moment, somehow surreptitiously hooking up EKGs to measure your physiological responses without you knowing. Then imagine that they sat down with that data and the best photo manipulation artists in the world and made the absolute perfect picture to cause your heart rate to spike, a jolt to run up your spine, butterflies in your stomach, and a cold sweat on your palms. Then imagine that they did this again, over and over in slight variations, until they had a full 4K 60fps 3D movie to show you. That was what it was like watching her.

And here she is (as she's introduced) in the comic:

Aside from the change in clothes, which in the book are the same white t-shirt and blue jeans that everyone else is wearing, Amaryllis has a scar on her face, of unknown provenance. This was probably added for visual variety, but I do find scars to be very fetching, and in one of the early versions of Worth the Candle she did have one (patterned off a woman with an extremely attractive facial scar I had met, the kind of facial scar that looked like it was applied by a Hollywood makeup artist specifically to give a touch of the exotic and mysterious, except she was a just a Midwestern mom).

And of course Amaryllis was always going to be an adaptational challenge, because the books are told through Juniper's eyes, and she's The Most Beautiful Girl in the World to him, and conventionally attractive to everyone else. Juniper tries to be normal about this. But if you're in the visual medium, you have to show both how Juniper feels and how she actually looks, and attractiveness is just so incredibly personal. My wife and I get in these kinds of discussions a lot, where she'll think someone is good-looking and I'll say "him?" or vice versa.

I think the above panel in particular is a good middle ground, a glamour shot that snaps back to the reality of their first meeting:

(The void gun she's holding there is much different from the one described in the book, not something cobbled together from spare parts and void equipment, but this is another very minor change that I would assume is meant for communicating immediately that this is a lethal weapon, and there's probably not a place for explaining how and from what it was cobbled together, which is also under-explained in the book for reasons of pacing.)

Story

I've read the first nine episodes, and overall, it's hewing very closely. There are a few bits in particular that stand out to me in how they're handled.

Spoilers for later in the series follow, I guess.

These are the opening lines of the webcomic. This is much stronger foreshadowing than I used, and I like it. Part of Juniper's backstory is that he's been deeply depressed and self-destructive, and he's slow to open up about this with other characters or the reader. The "it" that he couldn't go through with is, then, suicide. In the books? This comes very very late. Juniper being depressed after Arthur's death is brought up after the first major arc, halfway through what's now Book 1, and gets more explicit as the books go on, eventually getting to Juniper talking about his attempted suicide with people and grappling with it like ... almost halfway through?

I don't know what the plans for the webcomic are, but my guess is that they're setting up for much, much later on in a way that I didn't. This was always a background element, something that informed Juniper's character, not so much the suicide attempt as the feeling that came after, this understanding that yes, he did want to live, a heady, energizing kind of "I guess I don't have the way out that I thought I did" sort of thing.

So I take it as a good sign that this is the opening line. It points toward them understanding where they're going.

One of the other major adaptational changes is that they signpost Arthur's death with a memorial on his desk:

When I was getting pages, this was one of the first moments where I was like "yes, this is a good change, visual storytelling to replace my walls of text, flows and offers indirect information". I am very happy with the adaptation thus far, and stuff like this is what I love about adaptation in general, the need to grapple with the strengths and weaknesses of the medium.

Content Rating

Worth the Candle gets grim and dark in places. It at least attempts to grapple with serious things. The webcomic is rated Young Adult, and I'm not sure how they're going to handle the later stuff, but I can talk about how they're handling the stuff now, and what I think it means overall.

First, there's a lot less swearing. Worth the Candle in its entirety uses the word "fuck" ~1200 times. Granted, this is over the course of 1.6 million words, so a fuck density of one every 1.3k words, and some of those are in the verb "soulfuck" rather used descriptively, as exclamations, etc. My personal feeling is that this doesn't matter basically at all. I don't think I notice when someone isn't swearing unless they're using corny substitutions or trying to get cute with it.

Second, the violence is toned down in that YA way, where they're still showing much of the same things, just not with the same level of visceral detail. When a Marvel comic has someone thrown into a wall, they're no blood or snapping of bones or mangling of bodies, at least if it's a comic at a certain rating (I have definitely read some edgy 90s comics that do go hard on the violence). I think, overall, that this isn't my preference, which might be obvious from the way that I try to write fight scenes and such. But I'm also sort of inured to this toning down of violence, since it's omnipresent.

Third, there's the sex stuff, and ... well, it hasn't come up in the webcomic yet. I think I laid out my reasoning for why I think sex scenes should be written/included in Why to Write a Sex Scene, but the brief version is that sometimes you're showing how characters relate to each other, what they think of each other, and the sex scene shouldn't always just be something that's skipped over and left to the reader's imagination, because things happen, there are moments of communication, it can and does develop a relationship in the moment rather than after the fact. Plus a little titillation is, in my opinion, usually good.

The great thing about writing webfic is that no one can stop you from just including three solid chapters of hardcore pornography in the middle of your story. I have never done that, but I could is the point, and I would only get complaints from people who have no power over me. That same freedom doesn't exist here, and ... yeah, it makes my heart sink a little bit.

Fourth, there's some of the more mature content stuff, the topics that might not be broached. I don't know how they're handling that, so I reserve judgment, but I think my opinion is probably going to be "well, you do what you have to do", and if my version of the story is superior because there are no brakes, then I can be smugly superior about that.

Conclusion

This is already a fairly long post, and there are a few other things that I could have remarked on, but I think this is all the most interesting stuff.

Alright, just one real quick: Arthur is adaptationally more attractive, though this is also how Juniper sees Arthur and I think by the standards of webcomics, this is actually sort of necessary. Most of the flashback cast is not described until much later on, and by then you kind of know and understand them from the things they've said, if you can keep track of them. Many of the flashbacks are nearly disembodied. But if you're showing Arthur early, then the first impression he's going to make is in his appearance, and that really anchors people.

So overall, I am happy with the adaptation. There are challenges ahead, and I'm thankful that I'm not the one who needs to tackle those challenges.

[poetry-protest-pornography]

This is very rambly-y because I am very tired, so bear with me, but I can't stop thinking about Jack and Joker.

Specifically, about Jack and Joker and the absence of choice

Do I wish Jack had time to confront Joke's absence from his life and feel that pain, absolutely (I argue that he got to speed run that experience in that moment right after Amma said he'd been taken, but it would have been infinitely more satisfying to have it drawn out. To find a shirt left behind, or an empty place on a table)

I wish he'd had to sit with that, and feel that grief and regret, and gone to bring Joke back to him only to find him missing.

I wish Joke had time to get angry, and that Joke's self flagellation had been given more acknowledgement and resistance than Hoy and Arun trying to stop him from physically hurting himself, because Joke has spent most of his life taking all the blame for every wrong thing, and I don't think anyone has ever told him that they shared or took responsibility for a wrong that Joke felt culpable for (with the exception of his dad, when he apologized at the school, which Joke immediately shut down and minimized and emphasized his own fault).

BUT

So much of this show is about the choices we don't have, and how we live in the space between those choices we don't get to make. The friends we make and keep, the little joys we find, the family traditions we keep up with.

The stories we tell ourselves to get through each day (here I'm thinking about Joke and his forgiveness campaign, and Jack and his 'this is for my grandma and my community' narrative, and Save and his 'i have to do this for Hope' that lets him justify his bad acts, and Tattoo trying to make something useful, and Hoy believing in the good of his friends, and Arun adjusting his whole life to fit into this new family, and Rosé telling herself she's a good person and not like those 'other' rich people, and Amma just loving her grandson and all her bonus grandkids).

And, crucially, Joke is one of the only characters who we see making choices that he isn't forced into by circumstance. (Sort of, but that's a whole other thing)

He chooses to be a thief to try to help expose corruption (and to get his parents attention, but that doesn't work until it does).

He chooses to help Jack, and when that has bad consequences for Jack, he chooses to turn himself in.

Joke chooses to pursue Jack in order to apologize -- he devoted 5 years of his life to the sole purpose of atoning.

He chooses to help Tattoo and Hoy. He chooses to live with these people and become a part of their lives. He chooses to work for forgiveness. He chooses to give up everything, if it means Jack is happy.

He chooses, and he still loses. He still hurts himself and the people he loves.

And Joke deserves to be chosen, this time.

He deserves to be fought for, and to be told that his pain matters. He deserves to know that he is worth choosing.

And I get that it feels like we might not see that -- that Joke might not get to hear that.

BUT

I think the show has left space for all of that.

I think that Jack -- Jack and all their friends -- coming for him means something.

Jack claiming him as his boyfriend, immediately and without hesitation, while defending him, means something.

The two of them facing Boss together for the first time, instead of coming at it from different angles and keeping secrets from each other while trying to solve The Boss Problem, means something.

I have not been disappointed by this show (hurt deeply, yes, but not disappointed!) and I don't think that they'll do it in the last episode either.

I think we saw Jack realize it was time to step up and give Joke the unwavering support and devotion that he gave to Jack, and that we are going to get the emotional payoff that we -- and Joke -- deserve, and that our happy ending will be emotionally satisfying and cathartic for us as an audience, and for these characters who so deeply deserve it.

Joke wants to move forward with honesty, and that doesn't just mean no lying; it means sharing what you're feeling, something they've both struggled with, and both promised to do better with. And both failed at.

But we've still got a whole episode left to see them choose each other, and to make sure that Joke knows he is loved as he is, and for Jack to get to apologize, and I think we're going to get it.

[babe-a-yaga]

What was done to Isseya is one of my personal biggest upsets with this game. I loved her in Last Flight. She's a genuinely interesting, complex character, and given the themes of mistakes and regret present through Veilguard, it makes TOTAL sense for her to make an appearance! What makes no sense at all is for her to be reduced to a two dimensional villain with no clear motivation who's just...doing exactly the thing she fucked up in life? Except worse? I'm gonna summarize the events of last flight for the folks who haven't read it;

The first griffin Isseya put through the joining was already blighted in battle, and dying from it. Quickly. Griffins are extra sensitive to the Blight and any attempts made to join them resulted in the animals going berserk and tearing themselves, and anyone else in range, to pieces to get away from what was now in their veins.

In a well meaning, but misguided effort to save one of the animals she loved, she used blood magic to alter the griffon's mind, to convince it the Blight in it's system was just a regular cold, and it didn't need to fight it, then put it through the joining.

It worked, but it changed the griffon. Made it stronger, fight harder. More difficult to handle. The griffon ultimately went out in a spectacular blaze of glory, and people didn't know what she did, just that she did SOMETHING, and that griffon did ten griffons worth of damage on it's way out.

The fourth blight was far worse, far longer than any of the blights we have witnessed first hand. I think it lasted like 15 years? And it was going badly for Thedas. They ordered Isseya to do what she had done to the first griffon again as a last ditch to stand a chance at I *think* Starkhaven (it's been a little bit since I read last flight, so I'm sketchy on dates and what battles were fought specifically when). She hated doing this, but it was orders, and it was exploit this handful of griffons or watch the world die. She's a warden, she signed up to stop the blight at any cost. In war, victory. In death, sacrifice.

By the time her brother Garahel slays Andoral, she's had to blight a number of griffons, and the constant blood magic use has massively accelerated the blight in her own body. Her brother garahel is this golden haired pretty boy beloved by everyone who looks upon him, and Isseya looks so much like a ghoul at this point people are uncomfortable being in the same room as her. Even though this is completely due to her service to the wardens.

Then, the remaining joined griffons start going mad. And then it starts to spread to the other, non-joined griffons. In using blood magic to convince the griffons the blight was just a disease, she had caused it to become one. A contagious one.

It's one of the most interesting examples of how dangerous blood magic actually is we ever see. We're just told over and over "blood magic bad, slippery slope to killing people. Bad. Even if you use your own." And we never really see explicitly why it's an inherently dangerous form of magic until this.

Back to Isseya though. Garahel's lover's Griffon had a clutch of eggs sired by Garahel's Crookytail. Isseya, knowing there was no stopping what was now in motion with the griffons, set out to do her one last act of penance. She took, and purified those eggs, hid them in a ward that kept them in stasis, so that they might only hatch once the griffons were gone, and this disease had died with them, so they might have a chance. And then she hid the clues to their location, and begged that whoever find them not let them be used by the wardens again.

And then she went on her calling.

These are not the actions of a villain. Isseya EMBODIES the warden principal of sacrifice. But it isn't glorious battle rewarded by a quick death alongside an archdemon for her. It's death by inches, by blight, knowingly and willingly accelerated in her own body to stop it from consuming the world. Sacrificing her ideals, the animals she loves, her brother, Garahel. Isseya gives it all for the wardens, to end the blight, and is not thanked for it or remembered kindly.

And she did everything she could to seed the slightest bit of hope, that both in spite of her and because of her, griffons might return to the world, as free creatures.

Her Veilguard arc feels like really egregious character assassination, and I wish she had been given an ounce of the sympathy that other characters had been given. It made sense for her to be here, thematically, mistakes and regret, and good intentions still leading to bad ends, but she deserved the same opportunity for forgiveness and/or redemption that Solas, Mythal, Cyrian, even Illario got.

Isseya was done dirty by Veilguard.

[hollowed-theory-hall]

If the age restriction was done away with, do you think Harry's name would have been picked for the tournament at 14?

Maybe.

Like, how the goblet chooses a champion has nothing to do with age. The age restrictions were added by Dumbledore with his age line. The goblet only cares to pick out the "most worthy" champion:

An impartial judge will decide which students are most worthy to compete for the Triwizard Cup, the glory of their school, and a thousand Galleons personal prize money.

(GoF, ch12)

is a measure we feel is necessary, given that the tournament tasks will still be difficult and dangerous, whatever precautions we take, and it is highly unlikely that students below sixth and seventh year will be able to cope with them. I will personally be ensuring that no underage student hoodwinks our impartial judge into making them Hogwarts champion

(GoF, ch12)

Tomorrow night, Halloween, the goblet will return the names of the three it has judged most worthy to represent their schools.

(GoF, ch16)

"Most worthy to represent the school", now worth could be measured in a bunch of ways, but let's take this quote at face value and assume it means everything. That a champion would be a decent person who is very magically talented. As in, judging on character, intelligence, and magical skill/talent.

At 17, Harry would be picked no questions asked. He's magically capable, he's clever, he's a great guy — he is the perfect champion.

The question is if a 14-year-old Harry would be considered by the goblet more magically skilled and worthy of competing than Cedric. To that, I think the answer is yes too, actually.

Maybe it's because I love Harry a ton and am, therefore, biased, but he can resist the imperius at 14 and cast a patronus at 13. He can cast intuitive magic to rival adults at 14. His accio charm in the first task was incredibly magically impressive. Even if Barty/Moody wasn't helping him, I guarantee Harry could've gotten past the obstacles in the 3rd task as easily as any of the other champions.

Additionally, I think Harry is a nobler person than Cedric. I will remind you Harry chose to tell Cedric about the dragons on his own accord because he wanted things to be fair:

Cedric still didn’t know about the dragons . . . the only champion who didn’t, if Harry was right in thinking that Maxime and Karkaroff would have told Fleur and Krum. . . . [...] “Cedric,” said Harry, “the first task is dragons.” “What?” said Cedric, looking up. “Dragons,” said Harry, speaking quickly, in case Professor Flitwick came out to see where Cedric had got to. “They’ve got four, one for each of us, and we’ve got to get past them.”

(GoF, ch20)

While Cedric Diggory, the poster child for just and fair Hufflepuff house, gives Harry way less helpful information and he does it as a transaction — as returning the favor and not because he thinks it would make things fair:

“Listen . . .” Cedric lowered his voice as Ron disappeared. “I owe you one for telling me about the dragons. You know that golden egg? Does yours wail when you open it?” “Yeah,” said Harry. “Well . . . take a bath, okay?” [...] “Tell you what,” Cedric said, “use the prefects’ bathroom. Fourth door to the left of that statue of Boris the Bewildered on the fifth floor. Password’s ‘pine fresh.’ Gotta go . . .

(GoF, ch23)

Also, there's a reason Harry stays behind in the second task to make sure all the hostages are saved, he's the noblest competitor there. (Maybe because he doesn't care about winning as much as the others, but still).

So, yes, I think, if the age line wasn't there and Harry's name was placed in the goblet, I think he very well could've been chosen by the goblet as a champion. I think he's more than worthy.

[spiderb00]

Game Strategy - Manon Bannerman

Manon Bannerman X reader 

Synopsis: Your girlfriend sabotages you on the laser tag. 

Genre: Fluff  

a/n: I love Manon, I had this draft saved for so long, but I got sick and only managed to finish it today, so, here it is. <3 

The bright lights were contagious, we were all agitated and impatient waiting for our turn to enter the room. The teams were separated, and we were all talking and teasing each other. Unfortunately, my girlfriend, Manon, and I were on different teams. Manon led a team with Daniela, Lara, and three other friends of ours, while I led a team with Sophia, Yoonchae, Megan, and two other friends.   

I loved Manon, but all she knew how to do since we decided on the teams was tease me. She wouldn't stop talking for a second, and honestly, I'm too passionate to just not pay attention to every word of teasing that comes out of her mouth. 

"Baby, you know I'm not going to go easy on you, don't you?" Manon said, approaching and pretending to fix my vest.  

"I don't need you to take it easy beautiful, I'm going to win anyway." I said as I pulled her by the waist.   

"Ew, get a room." Daniela says, interrupting our moment and getting laughs from everyone.  

Manon looks at me with a smile, I'll never understand what I did to deserve this woman.  

"How about a bet?" The girl with pigtails says as she puts her arms around my neck.   

"A bet, uh?" I ask as I rest my hands on his waist.   

"Uhm... If you win, you can choose how we end the night..." She says with a smile on her face. "But if I win, you'll have to do everything I want."  

"Anything?" I ask, wondering if it's worth accepting or not.   

"Whatever goes through my mind." Manon says, now as she runs her fingers through my hair and tilts her head waiting for my answer. 

"It's okay, I'll deal with it. You're going to lose anyway." I say, hearing her giggle and walk away as the Laser tag employee says it's our turn to enter.  

When everyone is in their positions, the vests glow indicating that they are working and we all start to move, the adrenaline makes it seem like it's all or nothing, at least for me, in the face of the bet I accepted. 

I still couldn't get hit, but I had already shot Lara and one of the guys on Manon's team. As I passed by I saw someone behind a wall shooting Megan, as soon as the person came out of hiding I could see that it was my beautiful girlfriend. I ran for cover, I could hear Manon's footsteps following me and when I saw it, I was totally cornered.  

It turns out that apparently I had run to a place of no exit, Manon who was now in front of me gave a victorious smile as she slowly approached.   

"I told you you would lose baby." The girl says as she points the gun at me, making me mirror the movement.  

"I can shoot you first, and then you'll lose." My hand was seriously shaking now.   

"You wouldn't do that to me baby, you love me too much for that." Manon says as she puts her hands on my neck, gently caressing the back of my neck and making me a little nervous. 

"I... I can shoot..."   

"But you won't," she says as she looks into my eyes and moves closer to my lips. "Kiss me." 

"You're going to kill me one day." I say as I drop the gun and wrap my arms around the girl's waist.  

Her lips were soft, sweet and kissing her was the best thing in the world, I could stay there for the rest of my life. My hands were on her waist and as much as I wanted to take them down a little more, I had in mind that we were in a public place and it was a miracle that we were not caught. Anyway the moment didn't last long, we were torn from our own little world with a loud sound.  

As I looked down, Manon's gun was pointed at me while my vest was glowing, indicating that I was out and that the match was over.   

"I told you you were going to lose." Manon said with a smile on her face, her hands going down and intertwining with mine.  

"That's not fair, you distracted me, you basically cheated." I said as I let her drag me out. 

"Relax, big baby. I won, but you'll like what I have planned as much as I will." 

--------------

the people working at laser tag watching Yn and Manon through the cameras

[azrielgreen]

I wanted to write this before I read today’s surprise (🥹) chapter of SS to say… 

I’ve spent the last couple years knee DEEP in interdisciplinary trauma theory, with a focus on literature (suffice it to say, ya girls read a looooot of trauma depictions) and I just wanted to let you know- your depictions of trauma hit such a sweet spot for me both academically and personally. 

I’ve read and lectured on multi-award winning novels that deal with trauma in such a careless way that I have lifelong vendetta’s against their crusty-ass authors and the lectures I gave were essentially a 45 minute roast. It’s a pretty open secret that people who’ve experienced trauma are drawn to study it/depict it/explore it through art so…also suffice it to say, I’ve got some personal dogs in this fight 🫡. 

You write undoubtedly graphic and challenging trauma but a big key difference is that, for me, there’s a palpable and rich seam of care that runs through all your work. There is a lack of authorial judgement meaning you can craft fully realised characters that, despite sometimes grotesque actions, never completely escape feelings of empathy or sympathy. 

Have I finished chapters and had to go outside and do a lap of my building to work off the feeling I might puke? For sure. Did I also feel that way the entire time I was falling in love with my partner because big feelings make me pukey? Also 100% accurate. Do I LOVE reading shit that makes me feel that way KNOWING there’s the Jane Austen safety-net of happy endings? Absofuckinglutelyyyyy 

I love that you write purely for an audience of one, I think that makes your work that bit more engrossing. It lacks that self-consciousness so much writing has where you can feeeeel the writer is always trying so hard to convince the reader it’s worth reading…you don’t need to convince YOURSELF so you save a lot of time and awkwardness and we all benefit besides. 

Basically, you’re a babe of the first water. I felt compelled to tell you all this because I think everyone could always do with hearing what a gift they are, especially when they share something so rare and special with strangers. 

Thank you xx 

Please everyone take a second thread this if you can because this is the encapsulation of why I share what I write. This means the fucking world to me. Today was so hard for me, I've been sick and couldn't write and had no sleep at all but this really truly made me feel warm inside. Thank you, darling. Thank you so much💜💜💜

[ozcarma]

Does anyone else feel like the incinerator gun chair room from Zero Time Dilemma would have better fit C Team instead of D Team