#this is all a positive btw!!!

[4giorno]

something in dead boy detectives that surprised me was how much the horror aspects of it actually HIT. like the time loop with the killer dad was so hard to watch and even tho it isnt strictly horror related, edwins scream for niko was so harrowing it made me physically sick

[moonlightmagical]

my favourite thing about the fucking vulture dimension is that the preview for next episode has just no mention of it. like we return to the thistlespring tree and then it’s back to school for more good ol teen shenanigans. there is drama and plot happening completely unrelated to the fact that there is a whole dimension for vultures (or this specific vulture?) that are pissed as hell about this 3 year long teen friend group bit. and there’s a battle set/maxi already made. i feel like this is all just a mass hallucination, what the fuck do you mean this episode ended with the bad kids going to the vulture dimension.

[reasonsforhope]

Where can I find Free Palestine protests and Ceasefire protests?

A super international and continually updated list of actions can be found at Samidoun: Palestinian Prisoner Solidarity Network's:

Calendar of Resistance for Palestine 2024

They list events by date, then alphabetically by country, then by city - and it's common for them to have dozens of actions listed for a single date, especially on the weekends.

The United States especially often has 40+ events on a single day, especially on the weekends.

Events are posted with links to the event info posted by whoever's hosting the vast majority of the time.

Look blow the read-more for a list of many of the countries that have been on this protest calendar, in alphabetical order, since I know so many websites/lists of actions are country-specific

*Obviously this isn't the only good source of listings for protest events - there are many others. This is by far the biggest/most international roundup I've found, though, so I started with this. If you know another good place for finding ceasefire protests/events, please feel free to add it in the notes, bc I'm planning to put a bigger roundup together once I find enough other sites

Countries that Samidoun has listed/does list protests for include (in alphabetical order):

North America:

United States

Canada

Mexico

Puerto Rico (listed separately in anti-colonial solidarity)

Hawai'i (listed separately in anti-colonial solidarity)

Europe:

Austria

Belgium

Bulgaria

Denmark

England

Finland

France

Germany

Greece

Hungary

Iceland

Ireland

Italy

Netherlands

Norway

Portugal

Romania

Scotland

Serbia

Spain

Sweden

Switzerland

Wales

SWANA Region (Southwest Asia/North Africa)*:

Bahrain

Iraq

Jordan

Kuwait

Lebanon

Palestine

Tunisia

Turkiye (Turkey)

*Samidoun notes that "We know that these events are mainly international and that the Arab people are marching everywhere for Palestine – we will be honored to add more Arab events whenever we are informed!"

Asia:

Bangladesh

India

Indonesia

Japan

Malaysia

Maldives

Pakistan

South Korea

Africa:

Kenya

Mauritius

Nigeria

South Africa

Tanzania

Tunisia

*Duplicating North African countries (well, Tunisia) here from the SWANA list btw

South America:

Brazil

Colombia

Chile

Peru

Venezuela

Australia and Oceania:

Aotearoa (New Zealand)

Australia

[gejnialnie]

hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D

+bonus:

look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-

(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)

[ukegenius]

silly little doodles

whys it all fiddauthor i just noticed that my bad

also polaroid doodles is inspired by the fic " I am Sorry , My Hadron " by DexChai on ao3 please give it a read it is very very good fiddauthor angst might do more drawings based off / pulled from this fanfic its simply peak

[crimson-roots]

i looove being a mcyt fan. scrolling through this shit and someone will just refer to any one of those male 40 year olds as she/her. they dont even change the design most of the time. woke future

[linktothefags]

If you're a boy/man I love you so so much. You're not worse than other genders, you're not evil, you're not inherently sexist, you're wonderful. You're so very cool and cute and handsome and gorgeous. You're a lovely person and you're doing great in life and you are loved. Don't forget that.

[lefaystrent]

Patton being alone on Thanksgiving and going, "Well this won't do at all," and sending out invitation cards to all of his neighbors in his apartment complex to come join him for the holiday, have a home cooked meal, and offer a safe space to celebrate for anyone else who may not have anywhere else to go. He doesn't know his neighbors, and maybe it's a long shot, but it's the thought that counts!

Fastforward to Turkey Day and five guys show up on his doorstep, all of them strangers to each other, but each of them having read the invite and going, "Why not?"

[galaxyinacup]

Would you/ have you ever drawn Flower Ranchers fanart? (Jimmy×Tango×Scott)

I have drawn them before and I have done so again for you all!!!

I was originally just going to repost my previous art of them but my bestie gave me this banger idea for them and I needed to get it out there! (Also that art is like a year old now)

I've grown fond of snowbugs... they are so pretty!

I'll still leave my other art of them under the cut, as well as close ups of this one:

[xinganhao]

so i just finished the hhu soccer manager fic AND LET ME TELL YOU THE THE GIGGLE LIKE SCREAM I LET OUT ON THAT LAST CONVERSATION WITH CHEOL ??!:£: god, you are really spoiling me :”) i think you should know that your account is like the daily paper for me atp and i get really excited when your notifs appear because that means i can giggle to myself while reading your work hihi

HELLOOO i love u so much!?! ( ╥ω╥ ) i am also giggling & kicking my feet (horrendously down bad!) for soccer captain seungcheol so i offer you 🤲 the panel that didn't make it (a text from seungcheol -> wonwoo) (b/c of course he would go to his vice captn) & a nice little somethin somethin <333 user totomoshi u are so very dear 2 me

[bugboybuck]

i've noticed a recent increase in people making buck afraid of spiders in fic and i'd just like to say ur all an affront to my url. the man who GIGGLED while pulling a giant tapeworm out of a guy's ass. flirted during it, even.

[fumifooms]

Quick Falin analysis. Congrats on her going along with her loved ones’ wishes becoming explicitly canon and not subtext btw!

Thinking of it, becoming a chimera and literally being puppeteered around by the will of the dungeon and its lord is such an… Explicit visualization of her demeanor in life of letting others’ wants and whims dictate what she does and where she goes. Shows the most extreme & worst version of it, of where that could lead her down the road. Dunmeshi loves often showing that with everyone, with the winged lion warping even the most selfless well-intentioned desire into something intense and destructive.

If Faligon is her retreating into that comfortable role of just on-pilot mode following what others want, that’d be an interesting angle too. Because we see like with the dragons fight at Thistle’s house that the monsters CAN act rebellious, meanwhile Falin was just so on board with the commands she got ever since she got transformed.

Chimera Falin doesn’t have a strong will? Oof

I do also think that Thistle is something that her nursing reflexes latch onto easily, when it comes to comforting and protecting others. It’s unsure how much of her is dormant as Faligon, or how being bound to the dungeon and the dungeon lord’s will affects her, but it’s undeniable that she acts with care when it comes to Thistle. On one hand, she fights ferociously for him, when protecting him or even just sent out to scout, but you can’t really say she’s being assertive either, not when she doesn’t complain or act when he eats all the berries and she’s hungry. She’s still that silent, sidelined guardian, only now very, very literal.

I never bought the angle that chimera Falin mostly represented her repressed anger at the world personally, like yes now she’s loud and big and imperfect, but again, socially she falls into the same pitfalls, it’s just that now she’s top dog, below just one person, and so she’s allowed to be aggressive with everyone else. If anything, it’s the dragon soul pushing her to want more, making her act out, giving her a taste of how it feels to be powerful, carefree and impossible to oversee, but it couldn’t be called catharsis I think. In general, she seems more passive with a "as long as I have what I love, everything else can go burn for all I care" mentality rather than actively(or repressedly) angry to me. Not that she couldn’t have complex feelings over being lonely and cast out either of course, but personally I never got the sense that she resents the world or society at large. I do feel like the dogs treating her like she was at the bottom of the hierarchy also shaped her a lot

Not only cast out by other kids and classmates, but also treated as someone that can be disrespected and roughened up by the dogs at home. She was really pushed into that go with the flow, make yourself scarce and quiet attitude. She’s never really been allowed to hope for better, or to have a dream of her own, her life path being decided for her by others. Besides with Laios, everything she learned everywhere in group dynamics was that she was at the bottom and should be content with whatever others gave her. Maybe that’s why she was so forgiving of her parents too, because at least, to some degree they did care and didn’t want to cut contact, and she takes what she can get.

Thank you @thatsmimi for the fantranslation of the new leaked content, the opening and ending pictures in this post. Their original post about it is here, and as mentioned it is not the official translation.

[aishabellasbigblogofeverything]

I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.

[astralmlm]

making a positivity post because i really need some of this today. hair loss is natural, hair loss is a neutral trait. Trans people who are going through pattern baldness are hot and sexy, we are doing our best and we are cool and funny and hot. you are not lesser for losing hair, people will still find you attractive and want to be around you with hair loss or not. you are hot shit dont let a lil bald spot stand in your way!

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[comfort-character-central]

Imagine holding your f/o as they find comfort and tranquility in your embrace. Rubbing their back, kissing their forehead, running your fingers through their hair. Doing what you can to reassure them that you're here, and you always will be.