#this is about the only thing i consistently tag

[victormcdicktor]

PLEASE STOP AND HELP! The Abeer Family Needs Your Support!

The Abeer family is suffering in Ghazzah. Since their displacement they've been living in a frail tent which fails as a shelter and only serves to trap in smoke from the fires which they use to cook.

Ashraf Abeer's parents are both in their 60s, and have become very sick. Ashraf's children are also sick, including his newborn son who's contracted severe fungal rashes which they do not have the resources to treat.

They have no food to eat and no formula for Ashrafs newborn son. No clothes or blankets to protect them from the cold, no medicine for their illnesses, not even diapers.

In order to help them survive this horrible genocide and eventually evacuate, they need to raise €50,000. So far, they have only raised €3,246 and have had no donations in the last 3 days. Please help them however you can. Donate if you're able and share their campaign; every contribution helps.

VETTED HERE (79)

TAG LIST (DM me for removal)

@whisperingmedows @e @rykerpuppy @renmemberme @t0w0bey @teddycuba @yogurtcake2000 @uchorusa @imp-panada @irunkefir @insufferablepilled @ichor-arrows @passion2lovvers @awesomepeoplehangingouttogether @dirkcapitationn @fatalbloomsinmoon @nabulsi @90-ghost @el-shab-hussein @aria-ashryver @northgazaupdates2 @sar-soor @flower-tea-fairies @palestinegenocide @gazagfmboost @palestine-info-uncensored @heba-20 @aces-and-angels @fairycosmos @greenpinkstraw @ibtisams @radicalgraff @r4ms3yy @thestrugglerrr @shug888 @decolonize-the-everything @fototingobug @gaza-evacuation-funds @g3wgaw @greydrits @gainnecorpse @gasfuzbj @hamsterdads @himbo-noxx @heijegerkannibal @juliccardi @jvstcallmespade @kk3o2 @katylokk @keff-fr @literallyneurodivergentandaminor @lenaeeessshhh @la7ma-mafrooma @lutielutik @certified-dentist @cemetaryvampire @chemautopsy @cryptid-catnip @vetted-gaza-funds @vantisanjo @blu-berriez @neptunerings @neatleaf @meit1

@fancysmudges @brokenbackmountain @mothblossoms @aleciosun @fluoresensitive @khizuo @lesbiandardevil @transmutationisms @schoolhater @timogsilangan @appsa @buttercuparry @sayruq @malcriada @palestinegenocide @sar-soor @akajustmerry @feluka @tortiefrancis @flower-tea-fairies @tsaricides @riding-with-the-wild-hunt @visenyasdragon @belleandsaintsebastian @ear-motif @kordeliiius @raelyn-dreams @troythecatfish @theropoda @tamarrud @4ft10tvlandfangirl @queerstudiesnatural @northgazaupdates2 @skatezophrenic @awetistic-things @baby-girl-aaron-dessner @nabulsi @sygold @junglejim4322 @heritageposts @chososhairbuns @palistani @dlxxv-vetted-donations @illuminated-runas @imjustheretotrytohelp

(sorry for the randomness of the tags, I just used what popped up. If anyone has advice on how to make a good taglist please tell me)

Thank you for reading! Please reblog! 🦊💚

[aventurineswife]

Could I request Aventurine with a s/o that gives weird names to her pets? Calling one of her cats Clawdia, her rabbit Foofoo, etc.

Odds and Affection

Summary: Aventurine is charmed and amused by his partner’s unconventional names for her pets, like Clawdia the cat and Foofoo the rabbit. Despite his initial skepticism, Aventurine finds himself endeared by her whimsical personality, which brings a lighthearted warmth to his life.

Tags: Aventurine x Female!Reader, Fluff, Established Relationship, Playful Banter, Domestic Bliss, Pet Shenanigans, Lighthearted Moments, Mutual Affection.

Aventurine had always been the epitome of sophistication. His charm and presence were magnetic, and he knew it. A man who lived for the thrill of a gamble, he often sought out high-stakes situations where only the most calculated moves would lead to a reward. However, there was one thing that consistently threw him off balance — his partner’s odd penchant for naming pets.

It was a typical evening, with the warm, dim glow of the lanterns flickering in the cozy living room. Aventurine, dressed in his signature attire, reclined on the sofa, his long fingers lightly tapping against the armrest. He was lost in thought, his eyes gazing out the window, watching the city’s lights twinkle below.

You, on the other hand, were lounging on the floor, your focus on the small army of creatures that had taken over your shared space. The small cat, Clawdia, was playfully swatting at a dangling ribbon, while Foofoo, the rabbit, hopped around with an eager energy, its fur bouncing as it made its way through the room.

“Clawdia, don’t claw the rug, darling,” you said absently, your attention never wavering from the playful creatures. “Foofoo, no eating the plants again. I’ll never get them back from you.”

Aventurine’s lips quirked into a half-smile as he watched the scene unfold before him. His gaze flickered between the pets and you, his heart swelling with affection, though he couldn’t help but chuckle.

“You know,” he said with a bemused tone, “Clawdia and Foofoo aren’t exactly… conventional names for pets, are they?”

You looked up from the floor, an innocent grin spreading across your face. “What? You don’t like them? I think they suit them perfectly.”

Aventurine’s lips twitched. “Clawdia, really? And Foofoo?” He leaned back, his arms resting comfortably behind his head. “Are we to assume their personalities match their names?”

You leaned over to scratch Clawdia behind the ears as the cat purred happily, then you gave Foofoo a gentle pat on the head as the rabbit hopped toward you. “Well, Clawdia’s a bit dramatic, always getting into things. And Foofoo,” you paused dramatically, “is just so fluffy and cute. I think it suits her bubbly personality.”

Aventurine raised an eyebrow, clearly amused but still intrigued. “And what about the others?”

You giggled, sitting cross-legged on the floor. “Oh, you know there’s Sprinkles, the hamster. She has a thing for… snacks. And then there’s Mr. Pickles, my turtle — I’m sure he’s plotting world domination in his shell.”

Aventurine’s eyes softened with affection as you continued to list the eccentric names, his previous skepticism giving way to an endearing warmth. "I see... so it's not just their names that are unconventional, but their very essence."

He chuckled quietly, running a hand through his hair. "It seems they’re in good hands, though. You bring a certain… whimsy to them."

You smiled brightly, holding Foofoo up to his eye level. "Just like I bring whimsy to you?"

Aventurine leaned forward, his hand lightly brushing against your cheek, his eyes glinting mischievously. “You have a way of making everything around you more... interesting.” His gaze shifted to the animals. “Though, I admit, I never thought I'd find myself so charmed by a rabbit named Foofoo and a cat named Clawdia.”

You leaned into his touch, your voice softening as you gazed at him with a tender expression. “I’m glad you like them… and me.”

Aventurine smirked, a playful glint in his eyes. "I love both," he said smoothly. "But don’t think that means you can start calling me something silly."

You narrowed your eyes teasingly. “Oh, but what if I did? Would you mind being called… Mr. Adventurepants?”

Aventurine’s eyes widened slightly in surprise, a slight laugh escaping his lips as he shook his head. “Mr. Adventurepants, huh? Well, if you insist…”

He leaned forward, his lips brushing against your ear as he whispered, “Then you’d better be prepared for a whole new world of nicknames, my dear. You know how I am with high-stakes wagers.”

You raised an eyebrow, the playful challenge in his tone not lost on you. "I’m ready for whatever you throw at me, Aventurine. You know I always take risks."

He smiled, pulling back slightly to meet your gaze. “Well then, let’s see if you’re as daring as your pets’ names. Perhaps you can live up to the game of life... just like Clawdia and Foofoo.”

You laughed, your heart light as you gazed up at him, the comfort of being in each other’s company warming the room. “I wouldn’t have it any other way, Aventurine.”

With a soft chuckle, Aventurine leaned in for a kiss, the playful and whimsical nature of your relationship sealing the moment. Life, as always, was a game — but with you, it was one he was more than willing to play.

[justanothersyscourse]

do you tag all your tpa posts with 'suck my balls tpa'? i just want to know if I filter that tag if that means I'll be able to avoid posts about them. they piss me off so much istfg

I do! On both blogs, you can filter for "suck my balls TPA" and avoid that content!

This is a mature blog that makes filtering easy!

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[project-sekai-facts]

How are we feeling about ensekai’s emu3 translation!!! (I’m mad)

(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)

i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.

for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange

If you look for them, any fan TL of this scene will be something similar to this:

Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...

EN's official translation is this:

So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.

while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).

Here's some examples:

Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)

HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)

Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)

Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)

What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.

Yeah. I love all my friends - and they mean the world to me.

It's a better localisation than the official EN team one.

Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.

In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.

"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.

Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:

Oh, and! And! She said that playing games with Nene-chan is also super fun!

And here's Rin's line from the official EN translation:

That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).

It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.

oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.

read fan translations. they're better than what EN gives us and people put a lot of effort into them.

[shannonsketches]

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[necrotic-nephilim]

thank you for the tag, @sasheneskywalker!!!

rules: answer and tag nine people you want to get to know better and catch up with.

favorite color: it changes regularly, but currently, a dusty/greyish purple

last song: Maps by The Front Bottoms

currently reading:

Butcher & Blackbird by Brynne Weaver is my current fiction read and i *hate* it with my entire being. don't read it.

Postcolonial Astrology: Reading the Planets through Capital, Labor, & Power by Alice Sparkly Kat is my current non-fiction read and so far, it's very good

i'm reading a lot of comics at the moment, but my main read is Manhunter (2004) which so far, is very good, i highly recommend. i'm also planning to read Midnighter (2007) and Black Widow (2014).

currently watching:

The Acolyte has been my most recent fixation so that's just on loop rewatching over and over in the background. a lot

i've been watching Pennyworth which is far better than i expected it to be, i'm really enjoying it

i also started Invincible, which i've been enjoying

idk if it counts but i've rewatched Madame Web a concerning number of times in the past few days.

currently craving: i'd kill for an Italian Cream Soda from tea2go rn

coffee or tea: tea. i used to be a big coffee person in my teens but my chronic illness doesn't like caffeine and it *really* doesn't like coffee so i just drink tea now, but i do love tea

hobby to try: the unrealistic hobby i'd like to get into a fanfiction binding, but that takes materials and resources i do *not* currently have. i think a more realistic answer is i've been meaning to get into marvel comics more.

current au: tbh the main AU i'm working on is a Lance Brunner-centric Post-Crisis fic where i'm completely rewriting his origins to make his death as Robin more significant but still something no one talks about, leading to the ressurection of Jason also reviving Lance and Jason going on his little spree, having no idea he's not the only dead Robin. i've figured out all of the backstory and how i want to characterize Lance, but the actual plot of the fic i'm still working out. i'm leaning toward Lance/Dick as a ship, but i haven't decided. i have so many notes and ideas though and i think it's funny to take a random one-off character from a random 60s comic and actually turn him into something substantial and how he'd shape the Batfamily. trust me i'm so close to infodumping about it here everyday.

i'm also working on a *really* messed up unhealthy Damian/Tim fic, where Damian purposefully breaks the timeline so Tim was never Robin and Damian was the third Robin instead. but when Bruce "dies" Damian realizes he has no idea where to start with finding Bruce so he has to go to a civilian!Tim for help, who has no idea the timeline was changed or that he was ever Robin in a different world. it's gonna be fun and fucked up and full of Damian's jealousy complex over Tim.

i don't know if i can come up with nine whole people to tag for this since i'm still new here but i can try: @searchforahero @divine-dominion @kevin-day-is-bi @kerakeriza @deepwithintheabyss

@maryshellyswife @alicemaem @justmyshittyspace @sandmanwhore and yeah that's all i got.just tagging some mutuals/ppl i see on my posts a lot!!!

[zimisnotdrifting]

Is NE Bob perhaps based on Cozy Glow? Both are evil and say golly.

COZY GLOW...

THE WAY SOME PEOPLE DRAW UNDERSWAP SANS' BANDANNA...

AND FLOWEY THE FLOWER....

These were the ingredients chosen to create the perfect AU Bob!

But DriftingZim accidentally added an extra ingredient to the concoction...

EVERYTHING ELSE.

THUS NO ESCAPE BOB WAS BORN!

[here-there-were-dragons]

i'm seeing three times as many people bitching in the tag about the very idea that someone might not like this breed than i see people actually expressing unambiguous dislike for this breed

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[faunandfloraas]

You have been sending a lot more i.n lately is there a new bias wrecker 🧐

since I've never claimed a bias, how could I have a bias wrecker

[sofastuffing]

i have a headache

[spiderwebbd]

Hello PHIGHTING fandom please accept this peace offering in exchange for letting me in your humble community

Alt version of boombox below :]

[palukoo]

I know I’ve made other posts talking about or alluding to this but like. obviously there are like the old hollywood movies in the sort of dyke subtext canon (all about eve, rebecca, johnny guitar, etc) but like. there are so many movies that like 10 people have seen but I have such a clear gay vision or interpretation for it. most of them aren’t even GOOD. and yet!!

like the great lie is the one that haunts me the most (or the women but I think that one is kind of different for me perhaps bc I’ve already talked about it here a lot or perhaps bc I think of it as being more well known and watched than I think it actually is? actually it’s probably that I think it is an overall good and well executed and entertaining movie which isn’t really true of most of these tbh). but I also think a lot about like when ladies meet, or old acquaintance, or sadie mckee, or the shining hour, or the model and the marriage broker, or a woman’s secret, or the bigamist, or craig’s wife, or born to be bad, or separate tables, or even dark victory to a degree. others too certainly those are just the ones that come to mind. for half of these it’s not even like oh these women are gay together it’s just like hey I think she’s a lesbian. and I’m right. but my genius will never be fully appreciated in my day unfortunately.