#this is about fics btw

[reginamillls]

Eddie hate is exhausting tbh, would love not to see it

[pagesinmylife]

I don’t care if this comes off as cruel but you are not entitled to fanfiction. You are not entitled to podfics. You are not entitled to translated works.

Creators are not paid to make fanworks. People spend years of their lives writing fic and getting nothing in return except positive interactions. You can ask to make a translation. You can ask to make a pod fic. But you cannot demand it.

And because the only thing fanfic writers get in return for their work is positive feedback, taking away an authors ability to receive that is disgusting. Authors deserve to have full control and ownership of their works.

Fanfic isn’t a product to consume and then demand more of. Authors and creators deserve better.

[hahahalfwit]

I HATE MIRROR MIRROR IM GOIGN TO FROW UP

[bamsara]

Hey

is solar lunacy discontinued?

Nah I just stopped sharing the chapters publicly because people were being weirdly hostile about my update schedule, so rn the only people who's seen the updates is myself plus one other person. I'll prob continue to wait to share the writing tbh until I feel like its chilled out more

[eemamminy-art]

The first one of these of the new year!! Though technically I started it in December :3 Some of these are inspired by scenes in my fic (namely the bottom left and top right poses)

[eddiewithcat]

the thing that gets me the absolute most about the love confession is just . how charles responds.

like, genuinely if he didn't feel some kind of feelings for edwin, he would've let him down gently, right then and there.

but it is the fact that he said "i can't say that like, i'm in love with you back, but there's no one else, no one else, that i would go to hell for. and we've got literally forever to figure out what the rest means" LIKE.

HE IS NOT QUITE AWARE OF HIS FEELINGS FOR HIM BECAUSE HE HAS NEVER THOUGHT TO THINK ANY DIFFERENTLY/ WHAT IT COULD POSSIBLY MEAN?

also this is neil gaiman show be so fucking for real!!!

[1-marigold-1]

When your best friend is a bilblically accurate angel

They are all in the same situation guys (Yes I headcannon Pix as a watcher, since the Empires x Hermitcraft crossover hghgh)

They are three stages of one expierience

Mumbo: confused, shocked, kinda uncomfortable when around Grian in his full form, starts getting used to it

Impulse: Used to it

Sloy: Literally. Doesn't care. "You're a watcher? Cool."

Also this meme

That's the vibes I get from them

Ngl "My best friend is a biblically accurate angel" sounds like a good movie/book title

[syrasenturi]

so crazy and cool how they don't talk about this ever at all

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[ricesinspo]

☆ — 'someone finally cares about you' prompts. by @ricesinspo, credits appreciated!

— ☆ —

[★] they wrapped their arms around you - you can't remember the last time someone hugged you like this.

[★] getting pulled aside while everyone else is yelling at you. they get you like none of the others do; they know not to yell.

[★] patiently listening to all of your problems. like actually listening.

[★] ^ with no judgement.

[★] they notice whenever something's wrong.

[★] letting you cry into their arms. telling you it's okay, everything is okay - and you know it's true because they're with you.

[★] letting you cry at all; realizing you don't have to hide your tears in front of them.

[★] "in a world where people don't care about me, i'm lucky to have you."

[★] ^ and then they're like "who hurt you" / "where are your __ i just want to talk" lmao

— ☆ —

[acoraxia]

i’ve been wanting to collect official spideypool comics

[fanfiction-obsession]

Carl is big on ao3. He has one fic and it’s a 125,542 word long novel that he updates weekly about his two gay ocs and their tumultuous enemies to lovers relationship.

It’s based entirely on Perry the Platypus’ relationship with Heinz Doofenshmirtz.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[wandixx]

Seriously chaotic fashion misadventures

I realized I posted a teaser and never really followed up on it, so here is some more of that

“Hey, Dami?”

Boy hadn’t looked up from the kittens he was bottle feeding but let out a hum indicating he listened.

“I'm thinking about trying out a more girlish style. Do you think it would suit me?”

Well, Damian had no idea but if Dani wished to give it a chance, then, well, the only proper reaction was to offer his aid.

*-*-*

“Father, I require access to your rouge gallery.”

Bruce almost choked on his breakfast when his youngest made this announcement.

Rouge gallery, as his children playfully called it, was vast collection of lipsticks, which he collected to uphold his Brucie persona. Famous playboy with head constantly in the clouds couldn’t not show up with discreet signs of scandal from time to time. And it couldn’t always be the same shade. Or scent when he choose more subtle approach and used one of his more feminine perfumes.

In all honesty, he enjoyed this.

But that’s not the point, point was that Damian wanted to use it and Bruce needed to know what disaster would fall upon him if he agreed.

“Mind telling me why, chum?”

Dick, who visited Manor for a weekend, barely stifled his laughter while Tim stared at his empty coffee mug like it personally betrayed him. Cass just wore her usual knowing and mischievous smile.

Damian shifted in his chair, hands clenching on butter knife. He was nervous and suddenly Bruce dreaded the answer he was about to hear.

“I don’t see how me sharing this information would change anything. It won’t be used to cause harm to anyone but it’s necessary in the extracurricular project I just started.”

“Dami, what project?” Dick asked, voice oozing with genuine curiosity and excitement. He was almost bouncing.

“I don’t want to disclose it.”

“Is this a hero or civilian type of deal?”

Damian didn’t look any of them in the eyes, both hands clenching on his seat as he kept shifting. Bruce narrowed his eyes. Was his youngest… flustered?

“Civilian”

“Alright, great” Dick swung back with single clap, almost tripping his chair over “I think B won’t have anything against you using his rouge gallery, will he?” Man knew his oldest son well enough to recognize his ‘don’t you dare to disagree’ tone. He was confused but there wasn’t any harm so he nodded with affirmative hum.

“Thank you, Father”

Boy practically inhaled rest of his food and rushed outside. Despite all his training and all his efforts, they clearly saw his excitement. Tim pinched himself and returned to staring at his mug.

“Cass, have you seen what I’ve seen or am I overreacting?” Dick asked, barely restraining his enthusiasm. Girl nodded eagerly, shoving more crumbs into her mouth. Young man cheered, throwing his hands up.

“What have I missed?” Tim mumbled, frowning a little.

“BABY BAT HAS A CRUSH!”

Cass nodded again with wide smile.

Oh.

Oh no.

Who were they? What did he know about them? Was Protocol 3r0s started? Did someone run a background check already? What could they do if they somehow hurt Damian? Was this person a risk to their identities? Oh gods, oh no.

He probably will have to do The Talk™.

He always dreaded having The Talk, with any of his kids. He felt The Talk with Damian would be even worse. Understandably so.

“Also sleep in at least three da-”

“Fuck off, dick.”

“Was this insult or-”

His children remained obvious to how much work it meant, cheering and sassing each other like they often did.

*-*-*

Damian did not know how it was possible but he lowered his guard enough to get caught.

"What are you doing?" Brown choked out after they stared at each other for a long moment.

"It does not concern you–"

"You're rummaging through my wardrobe, not many things concern me more and also, that's frickin creepy don't do it to anyone outside of the family"

She did have a point however he was not convinced it would be the correct approach if he shared his plan. Father's wards (even unofficial like Brown) tended to make assumptions and overreact based on these conjectures. Dani wasn't easy to scare off but he didn't want to check if his family would manage. They often did things thought to be impossible.

He tried to get away but the blonde stood fiercely in a door, leaving the window as the only way out. He wasn't this desperate. Yet.

Girl looked more and more angry at his silence. He had to give her some answers.

Now that he actually considered it, she could be a useful asset. She was far better versed in women's fashion and if he phrased it correctly, he wouldn't even need to bribe her. Question was, how should he phrase it?

"I have an acquaintance- I have a friend," he corrected himself "from the animal shelter I volunteer at. She mentioned wanting to try out more 'girlish style' and asked for my opinion. I wanted to see if you had any clothes that would fit her. She is smaller than me so I thought that whatever I take, it wouldn't be missed." 

Brown grinned with an unsettling gleam in her eyes. He suddenly regretted opening his mouth if not coming to this room in the first place. 

"Say no more, I have a plan Demon Child"

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent

—

Tw: vivisection mention (not in detail), bad Fenton parents

Will be crossposted to AO3 eventually

(Pt. 2 here) (Pt. 3 here)

(Masterlist/subscription post)

—

It was a dark, cold, miserable night, and Scarecrow, Jonathan Crane, wanted nothing more than to be home, covered in blankets with the heater set to max as he worked on his most recent strain of fear toxin.

Instead he was at the docks, standing in as backup for the Penguin as he made a deal with some sleaze-bag smugglers. Something about some sort of body armor for his hired help. Crane hadn’t really paid much attention to the Penguin’s words, only caring enough to show up because of the reward.

But honestly, he couldn’t care less about the money at this point.

He was cold, and miserable, and his leg hurt something fierce (he’d had chronic pains ever since being mauled by Killer Croc some time ago), and he was so, so close to a breakthrough with his new toxin, and he really couldn’t stand the Penguin anyways. The only thing keeping him there was his reputation as a rogue.

Just as Crane was deciding that the whole ordeal wasn’t worth it, he heard the sound of a chase a few blocks down. With a deep, heavy sigh, he moved from the wall he had been leaning against, looming in the alleyway as he waited for the potential threat to reveal itself.

A few moments later, a boy came careening into the alleyway, sliding to a stop when he noticed the Scarecrow, his eyes growing impossibly wide. Beneath the mask, Jonathan grinned.

The boy swore, loudly, glancing between Scarecrow and the exit of the alleyway. As the echoing sound of footsteps grew closer, he chose to face the way he came, turning his back to Scarecrow.

What an idiotic way to get killed. Either the boy was a complete and utter fool, or there was something out there worse (to him, at least) than the Scarecrow.

Jonathan Crane tilted his head slowly, considering. He could just cut his losses and leave, Penguin be damned, or he could stay and see what had the boy so spooked.

Eventually, unfortunately enough, his curiosity won out. He shifted, bringing a hand to his side where he kept several canisters of fear toxin.

Crane had to bite back a groan when the boy’s pursuers entered the alleyway.

It was those damned idiots in white suits.

They had been tailing him for weeks now. They were easy enough to fight, but they were annoyingly persistent, and always seemed to have a way to find him. (Not to mention, the Riddler had strong opinions on their outfits, and if he had to hear the white-suit-in-Gotham rant one more time he was going to throttle him.)

Led by the men in white was a woman in a teal hazmat suit. Jonathan had seen her around, too, though less frequently than the others. He had honestly assumed that she was just a new C-tier rogue and avoided her like the plague.

Her eyes went wide as saucers when she saw Jonathan standing a few feet from the boy. No one moved a muscle.

“Danny,” the woman spoke softly. The boy, Danny, flinched, glancing between her and Scarecrow, “come on, we can talk about this. Your father and I only want to help you.”

He was running from his mother?

Scarecrow paused after that revelation, choosing to fully take in the boy’s appearance.

He was lean, almost gaunt, and wearing clothes several sizes too big for him, probably stolen. His entire body shook, from fear and cold both, and he clutched his stomach with one hand. At first, Scarecrow assumed that it was due to being out of breath, but as he looked closer he could see blood staining the dark fabric of the boy’s shirt.

He was injured, underweight, and running from his parents.

Something that felt a lot like rage swelled in Jonathan’s heart.

“Danny, you don’t get it! We’re so close now. We can fix you, and then we can go home, and everything can go back to normal,” she said, smiling in a way that was clearly supposed to be reassuring. She took a few steps forward, the men behind her clearly readying their weapons.

The boy backed away from his mother, inadvertently coming closer to Scarecrow.

He glanced up at Crane again, his blue eyes shining in fear, but not of him.

Sickening. Sickening.

In one fluid motion, Jonathan grabbed the boy by the wrist, pulling him behind him, and threw a large canister of fear gas into the group who had been chasing him.

The liquid in the container turned to gas as soon as it broke open, billowing out and filling half of the alleyway with a thick yellow smog.

The boy gasped, pulling his shirt over his face in a pathetic attempt to filter out the toxin. It would have to do, though, Scarecrow thought, rushing forward to force the boy’s aggressors to breathe in the gas.

The fight that the men put up was pitiful. The few individuals who didn’t breathe in the toxin immediately were clearly unused to fighting hand-to-hand, and dropped like flies in Scarecrow’s wake.

Just as the men began to spasm and shout in their terror, as if on cue, the familiar wail of police sirens reached the Scarecrow’s ears.

He heaved a heavy, irritated sigh, fingers twitching for a cigarette. He was trying to quit as of late, but he felt that after today, he might deserve one.

Though now was not the time to be thinking of cigarettes.

Jonathan approached the boy, mindful of any signs he might run off.

The boy didn’t seem to notice his approach in the slightest, just staring at the woman in the jumpsuit as she writhed on the ground.

Right. That would most likely be traumatic for a child to see, wouldn’t it?

Scarecrow moved in front of the boy, blocking his line of sight. The boy looked up at him now, his face completely blank.

“The police are on their way,” Scarecrow spoke, his voice low. The boy didn’t acknowledge him in any way.

“You don’t want to be here when they arrive, do you?”

After several moments pause, the boy shook his head slowly. He looked numb.

Dissociation, most likely.

“You’ll come with me, then.”

It was a statement, not a question, but he waited for the boy’s response regardless. As soon as he nodded in agreement, Jonathan lifted him up, carrying him out of the cold, miserable alleyway.

Scarecrow paused briefly to warn the Penguin of the incoming officers through the comm he had been given, and then he was off, weaving through the streets and alleyways towards his getaway car.

…

The drive back to his safe house was quiet. The boy didn’t look over at him once, instead opting to stare out ahead of him.

…

Luckily, they were able to make it back without detection. Jonathan ushered the boy into his small apartment, sitting him down on the dingy couch that had come with the lease.

“Wait here, alright?” Jonathan said, the boy nodding once in response.

With that, he retreated into the small kitchen, looking for some sort of warm beverage.

It was nearly three in the morning now, so coffee was out of the question. He was completely out of the hot chocolate he had bought for whenever Eddie or Harley came over for a visit, so that was out too.

He supposed the only option was his chamomile tea. Did teenagers like tea? He supposed it didn’t really matter, the kid was on the run from his parents in the house of a Gotham rogue. Surely he had bigger things to worry about.

Jonathan made the drinks quickly, leaving the kitchen with two mugs in hand. He gave one to the boy, who looked up at him in surprise, before settling into his own seat.

It was an incredibly comfortable old leather armchair that he had gotten some years ago and stubbornly held onto ever since. He usually had one of the rogues he was at least somewhat friendly with pick it up when he entered Arkham.

Whenever Eddie and Harley were over, they would call it his old man chair, and he would tell them to leave.

The two of them sat quietly for a while, drinking their tea slowly. It was clear that the boy was leaving whatever headspace he had slipped into, becoming more alert (and uncomfortable) by the second.

“So,” Crane began, pausing before speaking more quietly when he saw the boy flinch, “you knew them.”

It was not a question.

The boy nodded, curling in on himself. He held the mug close to his chest, no doubt soothed by the warmth.

“They’ve been following me around for some time now,” Crane continued, “and you’re going to tell me why.”

The boy looked up at him, a pained expression written all over his face.

“You won’t believe me,” he murmured, curling up even further.

His clothes were soaked. Jonathan should have put down a towel before letting him sit down.

“Sure I will,” he said, ignoring the blood and water seeping into his furniture.

The landlord would not be happy.

“It’s gonna sound crazy.”

“I’ve been to Arkham.”

The boy paused, before mumbling something quietly.

“Again? I couldn’t hear you.”

“I said,” the boy huffed, quickly changing his tone when he remembered who he was talking to, “they…think you’re a ghost.”

“A ghost,” Crane repeated flatly.

“I told you it was gonna sound crazy!” The boy protested, before wrapping his arms around himself.

“Well,” Jonathan hummed, “it’s not the strangest thing I’ve heard in Gotham. Explain it to me.”

The boy paused, glancing up at his face, no doubt looking for some sign of mockery. He found none.

Then, he opened his mouth, and explained everything he could.

Ghosts, the portal to another world, the GiW, his parents. It was all incredibly far-fetched, but also far too consistent to be made up on the spot, and Crane could tell that the boy genuinely believed what he was saying.

“…but, if you don’t believe me, fine. I know it probably sounds stupid and fake,” he mumbled, looking away.

“I’ll believe you for now,” Crane said. The boy whipped his head up, staring at him in shock.

“If I do trust that what you’re saying is true, though, then why do I show up on their equipment as a ghost? I’m not dead, and never have been.”

“Um,” the boy hummed, looking somewhat nervous. Understandable, really.

“Well, have you by any chance been involved in any lab accidents recently..?”

Jonathan Crane froze, his face dropping. The boy noticed his change in demeanor, flinching slightly.

“Penguin,” he hissed out, his voice slightly inhuman. “Cobblepot, that motherfucker.”

“Wait—calm down! The angrier you get, the easier you’ll show up on the radar!”

Crane glared down at the boy, seething with rage. He once again flinched, looking away from him. With an extraordinary amount of effort, Jonathan slumped back down in his chair, breathing deeply in an effort to calm himself.

When he cracked his eyes back open, the boy was openly staring at him, curiosity written all over his face.

As soon as he noticed Crane looking back at him, he glanced away, straightening in his seat.

“Well, you’ve given me a lot to think about. In the morning, we’re going to discuss this in a lot more detail,” he said, standing up with slow movements. The boy stood as well, hands clasped together.

“For now, though, you’re going to let me take a look at that wound of yours, and then you’re going to take a shower and go to bed.”

The rest of the night went rather quickly.

The boy was rather hesitant to show him his wound, instead assuring him that it had been properly sewn up and that he was fine. Crane was having none of it, though, and gave him a once-over just in case.

It was, very clearly, the kind of cut used during an autopsy. Danny didn’t offer any information, so Crane had to assume that he was either back from the dead, or he had been vivisected. Either was possible in Gotham.

At the very least, Danny hadn’t lied about the stitches, and the wound was already beginning to heal.

With that, Danny showered quickly (he leapt out with a shriek the moment the hot water ran out), and went to bed in borrowed clothes without much complaint.

Thus, Jonathan was left with cold water for his shower, and slept on the still-damp couch so that the boy could have a bed to sleep in. Somehow, he found that he didn’t mind as much as he thought he would.

[wotchernewt]

best scarian dynamic is when grian treats every vaguely romantic interaction like 4D chess while scar is completely checked out of all of that. head empty staring dreamily eating the imaginary pieces like it's a candelit dinner while grian is doing a death note monologue.