#this is about a mural

[jewlsiverse]

Do you ever have something good? And it’s the only thing that gets you out of bed. You get really excited about that thing. It’s special and joyous and hopeful. You tell everyone about that thing. You celebrate it, make plans around it. And then it’s ripped away from you? By circumstance or fate or something. And you’re left wondering what you did wrong? If it was because you hoped too much, or because you killed that bug, or because you thought mean things about someone else in your head? And you just have to keep going?

[an-established-butt-dent]

Soooooo after the new details that have been revealed about Veilguard, how do we all imagine a Solavellan reunion is going down? Trapped in the fade together? Lighthouse makeout sessions? A very sad mural dedicated to his Vhenan? My brain is infested with new headcanons.

[sokkalore]

some new art from the russian edition of TGCF

[calllynx]

Ancients and Iterators

Text (if you can't read it):

Panel 1: "Not that anyone has asked, but..." Panel 2: "If you were wondering about the scale of iterators in comparison to us ancients," Panel 3: "We call them "puppets"" "As in-" Panel 4: "Hand Puppets."

[hamletthedane]

Coworker: You know, you were talking about that book the other day at lunch, and I kinda wanted to read it.

Me: What book?

Coworker: The Hobbit.

Me: You’ve never read the Hobbit?!?!? Did you get it??

Coworker: I started last night and I’m already almost to the end…..I’m starting to feel strangely sad thinking about all the time I wasted being “too cool” to read for pleasure when I was younger. I wish I had known about this book when I was a teenager - it would have changed my life, I think. There’s just something about this story that I really love. It’s, like, comforting??

Me, trying not to get emotional: Yeah…the Hobbit really does that to you.

[mossattack]

"a plate, a fork and knife, and a drinking chalice are at the end of a massive table...both a funny and sad look at solas' isolated existence"

[faivsz]

|| cal's journey i tried to incorporate the pivotal moments for cal during fallen order's story into this piece such as how his journey started to its closing

[wikitpowers]

CASSIE GAVE US A SNEAK PEAK OF SOBH!!! <3

NO BC ACTUALLY WDYM WE’LL HAVE THAT HEARTBREAKING KITTY ART FROM THAT SCENE PRINTED SO NICELY????? I WILL CRY????????

[exocynraku]

MURAL COMPLETE!

[fisheito]

found a baby yaku amidst the Sketchbook-glitch-corruption wreckage..... wondering if he flipped skin tones between black and red and everything in between until he saw his to-be-grandparents (and started mimicking THEIR skin tone....... )

[toxooz]

finesheddd i cant do the gym one atm bc school done been started up but i might be able to in the future either way i had hella fun🦅📚

[pinkrose787]

I know that the episode "Timmy's Secret Wish" is quite controversial in the Fairly Oddparent's fandom, but I quite like how it addressed something that a lot of cartoons downright ignore. And that's the progression of time in regards to the characters ages.

In a lot of cartoons, time can pass, but the characters' ages never truly change. And this can create some weird situations. For instance, in the Simpsons, the characters Apu and Manjula have kids, then those kids turn into toddlers. All while the rest of the characters maintain their same age.

But "Timmy's Secret Wish" actually decided to give a reason for this. And that's "Timmy secretly wished for everyone to stop aging fifty years ago."

Which gives an explanation as to why Timmy has experienced so many different summers, Christmases, Halloweens, and Birthdays all while staying ten years old.

And I don't really know about the rest of the show, because that episode came around the time that I lost interest, so they might have done some stuff so invalidate this idk. But as someone who is obsessed with figuring out timelines in shows, I do appreciate having an explanation for timeline inconsistencies.

[hastalavistabyebye]

Canon mandalorian art and the Murals of Sundari

There's a very interesting thing about canon mandalorian art. Outside of Sabine's graffitis and armor paint, the only canon mando figurative art (that I have found) are the statue of Tarre Vizla -which go perfectly in star wars' long tradition of dead historical figures' statues, especially for Jedi- and the three murals of Mandalore. I said figurative because there is also the Memorial Shrine on Sundari that was bombed by death watch during the clone wars that is definitely not figurative. But that's another subject.

Of those two exemples of mandalorian sculptures that we know of, we have an old, historical, imposing rendition of a past Mand'alor (and in both medium and subject, what I personally headcanon as the favored type of art by Mandalorians) and a series of murals depicting one of the victories of the Mandalorians over the Jedi, during one of their war. And that mural is the only major art we see in Sundari, the New Mandalorians' Capital.

And that's what I'm going to talk about.

Those three murals have obviously been inspired by Picasso's Guernica. I'm absolutely not a Picasso specialist nor do I wish to be (he was an asshole first category, thank you very much but ew). But. What I do know is that Guernica was commanded to Picasso to illustrate the city Guernica's bombing and denounce fascism, and later on was a symbol of the horror of the war (especially the world war 2 which started two years after the realisation of this imposing painting). The blatant difference with Guernica in those murals is that the violence isn't denounced at all. It's highlighted. The Mandalorians Crusaders have halos, they're bigger, standing, orderly, majestic. Opposed to that are the Jedi, distorted, chaotic, small, at the feet of the Mandalorians. This is obvious propaganda in favor of the victors of the battle. (Of the battle only because it's the Jedi who won that war.)

Using Guernica was an interesting and easy way to show "A War" even if the soul of it is completely reversed (which is really interesting too) but yeah, that's a smart and quick way to send a mood to the person watching those episodes of clone war, without needing to focus on the art. You see the style, you understand roughly what's the meaning of it. End of the parenthesis.

What is interesting is that this is the only figurative art I've found for the New Mandalorians. More than that, that last mural was right under the speaking balcony, above the royal platform of Sundari's palace. Satine Kryze talked about her ideals just over the graphic depiction of Jedi being decapitated. This, added to the cultural genocide the New Mandalorians were making, paint one hell of a picture.

For that last part on the New Mandalorians, @/fox-trot made an amazing explanation of it, in some of their tags once but I can't find the post again :( roughly, they were highlighting how, notably in Legends, the Mandalorians used to be a vastly diverse people, different colors of skin, different species.... But with the arrival of the New Mandalorians, not only we can't see any art but those ones, not only do they want to erase entire parts of their traditions and culture (armor doesn't mean war, you could change the warrior and blood culture without taking the armor out, cue Jedi and their weapons lightsaber), but they also are all human, white and rich. Boba and Jango Fett aren't seen as Mandalorians at all. The Wren are Death Watch so traitors and terrorists. The New Mandalorians are good and safe and refuse any way of protection, are more passive than neutral in that regard, and are a white, human elite.

That elite have hid/erased/we-can't-even-know-because-it-can-only-be-seen-in-it's-obvious-absence all of their traditional art but those murals, depicting the massacre that was one of their victorious battles in a war they ultimately lost. This is one hell of a propaganda and rewriting of History.

You can read it in many ways, two I can think of are :

-the New Mandalorians Government want to send the message "See how bloody and terrible and not-good mandalorian culture is. We need to be pacifists to not-be-like-that"

-but what it can look like is the symbolic reality of what they're doing : a cultural genocide painted in glorious light.

Anyway you want to look at it, with such a critical light of the new mandalorians or not, that those murals are the only art display in Sundari's palace still send one hell of a message.

[unapprovedtrash]

Wild Tears of The Kingdom theory but it’s been floating around in my head all day.

This is long and probably all over the place but please bare with me.

So I’m sure by now most of you have already seen the official artwork for Ganondorf and noticed that he had one of the tear shaped Gems on his forehead.

Except this one is red, you might even say it looks corrupted.

But we’ll get back to that, because I wanna talk about the hero on the tapestry in botw for a hot second.

So I know we’ve all already talked about how the hero in the tapestry isn’t Link, doesn’t even look remotely like Link, with the red hair and beard, but you know who does have red hair and a beard, oh yeah, Ganondorf.

Also, in the opening of the tapestry he isn’t called “The Hero” which is what we always call Link, he’s called “a warrior wielding the soul of a hero”

So here’s where it gets crazy, well, crazier. What if for some reason Link wasn’t around for Calamity Ganon 10,000 years ago and Hylia, (or I guess it would technically be Fi?) was forced to chose someone else to battle The Calamity. A strong warrior, like someone from the Gerudo, like maybe….Ganondorf? And perhaps the “soul of a hero” refers to the master sword.

So let’s say I’m right and Ganondorf somehow ended up being the hero from 10,000 years ago, then what happened, why does he want to destroy us now?

Well, here’s where we pick up where I left off on the tear gem because I have a second theory inside of this one. Maybe, because he wasn’t the true hero, because he wasn’t LINK, he somehow got corrupted by malace during the battle, and they ended up having to seal him away somewhere deep underground. And the reason he’s so angry now isn’t just because of his malace corrupted soul, but because they betrayed him, they forced this role upon him, this destiny he never asked for and then when he needed help instead of trying to save him they locked him away, abandoned him after everything he had sacrificed for them.

I saw a post on tumble where someone mentioned they wanted to be able to save Ganondorf, which got me wondering if we can purify his little gem thing, but yeah that’s pretty much it.

Also, in not related to this theory, but I noticed the Zelda on the tapestry seems to have a dark skin tone, which makes me wonder if this is the Zelda from 10,000 years ago.

[iamfuckingsorry]

Thinking about that mural from DE

You know which one

TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS

The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.

But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...

It's Harry's own fucking love story in a way, isn't it?

Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.

They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.

And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).

And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even

And from what we can see in the game she was the only person he's ever really, truly loved.

But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.

So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.

On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?

After life - death. After death - life again.

[justwannabecat]

Time Travel can cause many problems.

One of them, of course, is creating a paradox. If the future changes enough that the traveler never actually goes back in time, then there are several rips in reality.

That’s not the only problem that I’m presenting.

What happens when the traveler doesn’t know that it was them? When they think it’s an entirely separate entity?

What happens when Danny Fenton comes to his parents and says “I think I’m possessed by a ghost thousands of years old”?