#this is a very messy ramble

[sugar-omi]

im reading an article about masahisa fukase, who took pictures of his wife every day she left the house. (the book is called "from window"), because i saw *this tweet and started reading replies which led to me reading the article where it explains she divorced him and how he went into a coma for 20 years, where she visited him twice every month.

and let me quote this part to you

He died in 2012, having been in a coma for 20 years following a near-fatal fall down the stairs of his favorite bar in 1992.

Yoko visited him twice a month throughout his long limbo - though, heartbreaking, he would have been unaware of her presence. "He remains part of my identity," she said, adding: "With a camera in front of his eye, he could see; not without."

it also says that he wished to control yoko, and also the world, by taking pictures. hoping to freeze time. and.. imagine this, specifically this quote and fukase's wish, with baxter.

baxter who is so helplessly in love with you. he loves you so much, that he takes every chance to capture your beauty.

he loves every picture of you.

but he's so obsessed with time. with mortality. with you.

he's missed out on so much during his younger years. pulling away from everyone who did love him, pulling away from those who reached out their hand to him.

mostly kept away from genuine, friendly people. they always knew how to pull him in, he was a sucker for kindness and genuineness. like you and your friends, or like qiu, tama, and ren.

tried to please his parents at times, mostly tried to rebel and irritate them. and succeeded, even when he wasn't trying.

so many years wasted.. hiding and running from life's simple pleasures. from friendship and companionship

that's why he keeps taking pictures of you, keeps trying to capture the world in a still state. because maybe. if it freezes for long enough. he can catch up...

but also, if you're always willing to be his muse. always a subject of his work.. then he still has control of himself. his life.

you're a constant. something that always happens without fail.

without fail, before you go to your destination, you're at the bottom of your window, posing for him. making a face. shouting at him.

even if you're upset at him.. you wait under the window while he takes that picture, a frown deep on your lips.

it's not much, but he still has something always in the palm of his hand. and that's you waiting at the bottom of the window.

but he loves you. God he loves you so much. some days you don't take pictures from through the window, he's too sick to get out of bed or he's gone ahead of you.

some days you're upset with him, or running late, and the only picture he takes is your frame running for the bus, the edges of your silhouette fuzzy and blurred.

but he still has pictures of you on your date the next night, and he has pictures of your bare form the night before yesterday.

but he's so busy looking through the camera... changing the setting, wiping his lense, and sorting his photos. that he doesn't notice when summer turns to winter. or winter into next spring. doesn't notice the new lines on your forehead or how your fingers sometimes shake when trying to open a jar

doesn't notice the gray in his hair. not the.. deep gray of his natural hair. but the light gray strikes that turn to ribbons of gray and white.

doesn't notice how dull his wedding ring is from years of wear and lack of polishing. doesn't notice how his favorite dress shoes have scratches and scuffs along the side and tip of the shoe

doesn't notice that his dinner is cold. doesn't notice that you don't hug him back when you go to sleep. doesn't notice your lipstick doesn't stain his cheek when he sleeps, or that your hoodie is too heavy and big on his shoulders.

only notices when the sunlight from the window hits your face perfectly, and he sees the age.

only when you don't smile or tease or shout at him from below the window like before.

only when you ate before him, telling him you couldn't wait for him to take pictures. when you stop talking to him so cheerily. when you stop looking at him with admiration and love, with awe whenever he holds the camera so expertly and insists on having you as his muse

he compares the photos from your youth and he sees happiness, he sees love, and life and he sees his whole world.

now, in some photos, he sees tiredness and aching, defiance. irritation. boredom, even...

your back is to the camera more than before. when you are facing it, your chin is tilted towars your book, or your eyes are closed, sleeping in your fluffy king bed. the light doesn't bounce off your ring like it used to.

the ones of you smiling, laughing at him from the other side, makes his heart thump and clench. he's racing.

but in others you look tired of the camera. your lips aren't frowned, but they aren't smiling either. and your eyes are heavy, not with lust or mischief or drowsiness. it's exhaustion, but it's the mental kind. it's the kind where you're at the end of your rope with this camera forever at the other end of your table

you don't see your husband

you see a camera. the damn camera that haunts you nightly and daily.

of course, there are ones where you smile. you're not entirely miserable.

but instead of seeing his beloved muse, his darling spouse. his hearts treasure.

he sees his treasure on display. in their pretty glass case in the middle of the showroom. he sees a ballerina trapped in her music box, forever spinning to the same tune.

he sees Mona Lisa looking at him through her frame, smiling and revered.

he tries to pull you from that painting. putting on his scuffed dress shoes and that same brown suit from your first date, he sets himself on the other end of you. not the camera.

he can't help but think of how the low lighting of the restaurant would suck to take pictures in right now. that he needs his setup, and he wonders if they'd be willing to let him bring all that to capture the moment here...

but you're twinkling. like you're afraid to sparkle but too enthused not to.

he swallows around the urge to capture time claws at his throat. it's beating down the door to his chest and he's trying to keep it from his aching heart.

he does try.

but when you run ahead to see the ducks on the lake, floating on top of the pearly lake, he can't help that his phone camera finds your form

it's not nearly as good as a real camera. it's pixelated and fuzzy. he has to step closer to get more details

but it's worth it, the way your face is bright and the way the wind blows is unusually perfect, shards of light slip through the cracks of thick leaves overhead

and when you turn your head, wanting him to see the family of ducks on the water, you don't mind the phone in his hand.

if you step into the frame for a moment, return to the stage of your music box, it's okay. because today was beautiful. it was so beautiful.

you sat in bed with him, the only thing between you two, the thin bedsheets and the breakfast tray. and the sand is still between your toes, and your feet are terribly dry from dipping into the sea.

baxter retracing the steps of your second meeting, plus a few extra stops to new establishments youve been waiting to enter, new mueseums and front row to your favorite theater show.

and his hand solid in yours, his eyes stuck on you like glue... so it's okay to let him pet your cheek and kiss you in the middle of this park.

because your heart is beating again with excitement, and you're thrilled with how much you had fun today.

and the next time, when he plans a sudden getaway trip for you two.

it's okay if he points the camera at you. because when you're bored, or teasing, or angry at him. you snatch it from his hands and now you're staring back at pictures of his porcelain face. with the filter on, you notice a new beauty mark under his eye easily, but you never needed it to know. but he did.

and you tuck the only picture he let you keep of his irritated face into your nightstand once you're home, you stick it under the one of him shielding his eyes from the sun and when you open thay drawer, the only thing you see is the top of his head and the birds in the sky.

there's thrills. there's always been moments of thrills. that's why youre in the frame, that's why you're his muse.

but when the day is dull. and most days are dull. some days, a couple more than you'll admit, you are tired of the camera.

some days, you want to smash that camera. smash the camera and bang your fists against his chest, slap his cheeks until he sees without the lenses.

but then he grabs the camera, and he parts your knee for you. tucks that hair behind your ear. folds the cuff of your jeans the way he wants. clasps his jewelry on your neck or wrist

and then you pick up the frame, and immortalize the moment, because even though your heart aches. and aches greatly. you love how he looks at you. how he captures your every move as if you haven't done it a hundred times before...

[kkoct-ik]

painty doodle from earlier this evening

[turtleblogatlast]

[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]

I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.

The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.

The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.

What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.

And it is fatal, we see as much in the movie.

Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.

And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.

To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.

Leo learned that gambling with his life as the betting chip is always the best move to make in the end.

And to make matters worse…this thinking is what works.

These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!

Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)

But still, he’s grown to accept the gamble of his life as a viable answer to their problems.

Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.

[anewp0tat0]

it doesn't feel real to me fellas. but I don't have time to sit by and chat and unload unfortunately so I'll just drop this and be on my way, cya kind folks very soon ✌️

not professional but I liked how his eye looked goddang it. I knew I was screwing myself but I did it anyway

[galactic-rhea]

The thing is,,,,abuse doesn't have anything to do with intelligence or lack of confidence, though yes, a person with low self-esteem is an easier target for abusers, however that's what not I'm talking about.

Like I'm someone who doesn't like to take part in The Discourse (tm) because this is fandom, I'm here to talk about my favorite dolls and create silly scenaries with them. And it might feel a bit egregious to talk about something as delicate and serious as abuse, grooming or domestic violence but also it's the perfect playground to explore such themes and you can learn a lot by psychologically analizing a character and do your own research on the matter so you can understand abuse better, and sometimes that way you can also have a more critical view on real life, and for some of us, also come to terms with our own lives.

That said, back to my original point, it has nothing to do with intelligence. A person that falls into a cycle of abuse doesn't make them stupid, the whole deal of predators and abusers is that they know how to play their game, they know how to manipulate. A victim's mind will always try to cope with the abuse in ways that can be hard to understand sometimes in ways that will make you say 'well, that's enabling their abuser', but is not a statement on their intelligence or lack of it, abuse dynamics are extremelly complex, and victims will go through several states such a guilt, or violent outbrusts, fear, appeasing, avoidance, sometimes all sometimes just a few. And it's because no one is the same and no one's experiences will be the same, even though there are patterns you can identify sometimes.

So when someone wants to argue against a character being too smart to fall for abuse or manipulation, it's a bit sad to me. Not necessarily malicious or dangerous, or anything, again this is fandom and fandom runs rampant with whatever takes that makes all of us grimace. But because that's not how it works, if a certain dynamic isn't abusive by your pov, then it has nothing to do with the character's intelligence. It's not about being strong, or confident; that downplays how abusive dynamics come to be.

Like for example y'know I don't think padmé and anakin were abusive, I've made several posts about it, but it's not because they are too intelligent for that.

Likewise, Anakin wasn't stupid for being groomed by Palpatine; the contrary, he was quite literally a gifted child and a genius at mechanics and was good at many things, including drawing and strategies, but he fell for Palpatine's grooming because:

a) Palpatine is an evil top tier manipulator and predator who knows how to play adults, he literally knew how to play the jedi council, what was a 9 y/o going to do about it.

And b) Anakin's trauma and unattended mental illnesses made him an easier victim for grooming; he was already used to be a thing and be a servant from the moment he learned to talk.

But even if we weren't talking about someone as deeply messed up as Anakin was already, abusers and predators always will take advantage and exploit of the weaknesses and flaws on an individual, they will adapt and change their tactic according to the victim needs, that's why anyone could become a victim, it doesn't matter if your IQ is up there on the moon.

It's not about being too "stupid" to not realize there was abuse, it's a deep, complicated and terrible ensemble of thoughts and insecurities tangling around the brain in such a way that there's no a way to blame the abuser without feeling at fault, or at the very least without feeling scared of retaliation or lost, it's a power dynamic that messes up the sense of self.

[stiffyck]

Okay so au idea from a bit back. I don’t usually like arranged marriage aus because they make me uncomfortable.

But.

Scar and gem who are supposed to get married. Scar is aroace and gem is bi and already dating pearl, who’s a farmer in their kingdom.

Scar doesn’t really mind the marriage but he doesn’t want to disappoint his partner.

When they get to meet Scar admits that he’s never really fallen in love and that he doesn’t think that’s gonna change any time soon.

Gem is relieved at that because she’s already dating someone. Scar tells her that’s fine and that they can just have a purely platonic marriage and that Pearl is always welcome to join them for dinner or literally anything else.

They’re also both trans. Because of course they are

[blighted-lights]

slaughterhouse posting part 2 that isn't going to be polished at all and has been sitting in my drafts for days, but this scene is so interesting to me because i genuinely have no idea what megatron wants from ravage in this interaction- and i don't know if megatron knows, either.

megatron starts out by saying that the decepticons' loyalty isn't to him- its to the cause. ignoring how this is immediately striking me as completely, blatently wrong due to the times we see megatron rallying the decepticons around himself when other leaders fail to do the same (nevermind the fact that he started the cause in the first place), he then gets angry with ravage when ravage confirms that- yeah, actually. you're not the cause anymore. we have moved on with someone new. megatron gets so angry he stands up, he looms over ravage, he raises is voice and balls his fist- and why else would he do this if he wasn't upset that they're moving on without him?

which would, of course, make megatron a hypocrite. he left the decepticons and refused to take any effort to rejoin them- he clearly doesn't actually want to return to the fold. but when the decepticons unite themselves and move on from him, it's different. i can abandon you, but you cannot abandon me.

i've always took this reaction as being an immediate, no thinking, gut reaction to finding out the decepticons are moving on without him. he's angry, potentially feeling betrayed by them, when he... doesn't have much of a right to feel that way. and it's not like megatron wasn't given an option to join the decepticons again if that's what he actually wanted.

he was given a choice. he turned it down. he could of turned it down for any number of reasons, but no matter the reason, the point remains that he turned it down.

going back to panel after megatron snaps, ravage clearly takes megatron's outburst as him being upset that they've moved on without him. despite the aggressive way this interaction started with ravage attacking megatron, ravage spends most of this conversation attempting to reassure megatron. megatron gets angry that galvatron took over and they're moving on without him? okay- so then he wants to come back, right? he's upset he's been replaced?

well, galvatron isn't permanent. say the word and you'll be back in charge. megatron says that the decepticons aren't loyal to him, ravage reaffirms that they were loyal to him but now they've chosen a new leader since he left, megatron gets angry that they're moving on without him, and then ravage reinforces their original loyalty to him by saying if he wants to come back, they'll follow him.

and then megatron turns it around; yes he was just angry that the decepticons were no longer loyal to him, but now that same loyalty is toxic, actually. and it is! it absolutely is toxic. but i think ravage backed him into a corner here, even unintentionally. he can't sit down and actually address why the decepticons moving on makes him angry without admitting some part of him wants to return to the cons. or at the very least he still feels possessive of them and doesn't want them to function outside of his influence. when given the option to rejoin, he responds by insulting the decepticon's (and ravage's!) sense of devotion/loyalty and then quickly changes the topic to seawing and the trial. he doesn't say a solid yes or no answer because he doesn't actually have one to give.

ravage nails it down anyways. megatron has no idea what he wants from ravage in this interaction because he doesn't know where he stands anymore, let alone what he wants for himself. before ravage was revealed to be on the lost light, megatron was captain. he even seems content to BE captain- but ravage makes it complicated. ravage is a direct reminder of who he used to be and the people he used to surround himself with. worse, people he's abandoned and hurt in order to get to where he is as captain now. megatron left the decepticons behind with no command structure, no guidance, no plan- and ravage's mere presence is a bitter reminder that even if he's run off to the autobots, he can't escape that.

he's settled into a state of stagmentation with the autobots. one he's content with, maybe- at the very least one he can live with where the guilt isn't as heavy. it is the easiest way out megatron saw for himself.

but if anyone can get him to doubt himself, well.

who else better than ravage to stir up the past?

[shaadowmilkcookie]

he

[natsmagi]

a key element and constant theme of tsumugis character is neglect and the various ways it manifests and how he was neglected by his family severely as a child in multiple cases such as parents forgetting to feed him being abandoned by his father and brother and then how this series of neglect continues throughout tsumugis life by feeling abandoned when ex-fine disbanded but because tsumugi is so caught up in making sure those he cares about (sora and natsume) get what they want and deserve in their idol careers he fails to realize he is repeating that cycle of neglect. many times we see natsume worry that tsumugi is going to leave him and switch behind, that he is going to abandon the promise they made together as kids like this is a CONSTANT fear of natsumes and i feel like tsumugi is repeating the exact same mistakes his mother made in this regard. constantly overworking herself despite being a good-for-nothing, getting into scams due to her religious and superstitious nature being taken advantage of, being an emotional wreck that crumbles under pressure yet is immensely loved and admired by tsumugi to the point where he considered following in her footsteps by being a teacher (which, again, made natsume think tsumugi was abandoning their promise to each other) even if he also pities her. and i think that, during his childhood in baby tsumugis little brain, he took his mothers displays of emotions as a negative. those feelings were hurting his mom, making her upset, so his solution was to just not feel at all, all the while he makes the exact same mistakes she made, now just while completely disconnected. everything we know about tsumugis mom apart from her being overly emotional is a direct parallel to tsumugi from making and maintaining connections and being naturally loved by others to her appearing "hopeless" with work and being incredibly misfortunate. tsumugis mom neglected him alot as a child due to being overworked, overly emotional, and going through her own kind of hell, yet tsumugi recognizes that she did her best and still expresses love for her when talking about her, even though hes aware of her many bad habits. And, again, tsumugi inadvertently mirrors the exact same mistakes his mom did in trying to make tsumugi live a happy life (constantly trying new businesses and failing, falling for scams out of desperation) when trying to make sora and natsume happy (aka being too busy with work that would benefit the unit to spend time with them). Making the mistake of thinking if he just works hard enough they can be happy, when what will make them happy is his company. a lesson his mother, who not only got abandoned by her husband but also her own SON, never got to learn. But sure yea tsumugis mom was a physically abusive alcoholic who would deliberately harm tsumugi as a child and thats why hes ok with natsume hitting him and lets not even bother tackling the role the men in tsumugis life mightve played in him being numb to physical harm because clearly its the emotionally unstable woman tsumugi has expressed love for whose solely to blame who gives a shit anymore

[unsat-and-strange]

the bandwagon has been jumped on here's a jarthur

inspired by all the incredible artists drawing these two as the kiss, I am in awe and I am also chewing on the walls

somewhat nervously tagging @potato-lord-but-not because they've been pretty much spearheading the jarthur kiss movement and also their art makes me insane /pos

closeups, sketch, and image id under the cut :)

image id: a digital drawing of John doe and Arthur lester from malevolent drawn as the kiss painting. both are on their knees, John cradles arthurs head close to kiss him on the cheek and one of arthurs hands holds johns right wrist. Arthur is a white man with shaggy brown hair and a bit of a beard, his eyes are closed and he is smiling slightly. he is wearing a collared white shirt with the sleeves rolled up and grey pants with a belt. his left hand has dark brown roots spreading across it. John is a taller figure, very dark grey except for a white mask covering his face. the mask is featureless except for a black eye hole. he has long hair in the same color as the rest of his body. there are rough shadows sketches in. the bottom of John spreads out in scribbles around both their knees and around them in the dark yellow background. there are yellow and black stars scattered across the drawing. the other two pictures are a closeup of John and Arthur and a pencil sketch of the drawing. end image id

[strawglicks]

flint fascinates me bc he comes off as rlly polite and kind

but also. not really. at all

they apologize often and it seems like they try to be nice to others, but then u look deeper and take into account different details

one of the biggest things abt flint that gets overlooked is that he likes drama .

i dont think liking drama itself is bad, why else do we have reality tv shows yk. but i think they actively indulge in it and one of the biggest things that points to this for me is how they treat the satellite investors

he seems to talk bad about them behind their backs, then can't handle the comeuppance of cosmo yelling at him.

this is further implied with cosmo saying they're "goin' around spreadin' lies", meaning flint does actively talk shit on what might be a regular basis. and flint saying "oh, no, I shouldn't have said that" implies FURTHER that they KNOW they're gonna get yelled at for it but continue to do it anyway with the hope cosmo wont find out. like hes not sorry for doing it, only sorry for getting caught.

cosmo gets HEAVILY neglected both in the community as a whole and whenever flint is brought up even though they have a really interesting and honestly hilarious dynamic (but thats for another post..)

whenever cosmo DOES get brought up in the context of he and flints relationship, people defend flint and blame cosmo for being "mean" to him. but tbh, i think cosmo has a fair point in this particular text. Flint can talk all he wants, but at the end of the day can't handle the consequences of it and lacks the confidence to put his foot down. He's a follower, not a leader (unlike cosmo, who flint looks up to canonically. WHICH NO ONE TALKS ABOUT!!!!!!!!!!!)

flint also seems to have an interesting habit of apologizing even though he actively and intentionally attacks the toons right after

which i think is interesting. i think it's just a habit of his to say sorry when he knows he's doing/has done something wrong (especially bc he doesnt like facing the consequences), even if hes not actually sorry. Considering this is the same person who claims they like setting toons on fire, i dont think any of these apologies are sincere:

speaking of not being able to handle the consequences, when flint does get defeated by toons, there's a line that sticks out.

Specifically the "i'll be back" feels vengeful. Like he takes the defeat personally, and doesn't want to give up because it makes him feel weak and he wants to come out on top.

something else i find interesting and almost jarring in flint's dialogue is some of their Power Trip dialogue:

this dude is incredibly power hungry. he craves confidence and the ability to be a leader, given how he looks up to cosmo and is drawn to graham, who also appears confident.

speaking of graham, i think it's important to note that earlier, when flint was talking shit abt the satellite investors, he was saying that specifically to graham, who encourages flint not to "let people walk all over him".

graham encourages flint to feel more confident, which is not inherently a bad thing. confidence is great! and its something flint deserves. but i think there's an issue with how they choose to express this "confidence" on the rare occasions they do.

shown throughout this post, flint's way of trying to be confident is being power hungry, talking shit, and fighting toons . i think it's pretty clear that flint has been walked all over in the past and present, and it's caused them to become shy and a bit of a doormat. which he clearly doesn't like (more evidence of this is the fact that he explicitly dislikes belittling.)

and on the rare occasions when they're "allowed" to be confident, they proceed to belittle OTHERS, like toons. in a lot of their dialogue, they come off as condescending towards the toons, even if it's pretty awkward.

i think Flint deserves to feel confident, but the way they go about it is unhealthy. They've clearly been treated like a doormat and is fed up with it, and it seems like they lash out as a result. I think he has a good and genuine heart, but he almost comes off as bitter due to being walked all over constantly. its rlly interesting to dive into flint's flaws and the way they act due to their desperation for confidence, something they really lack.

[foxaoxarts]

BEE KISS TOMORR- *dead* /j

If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣

(FLICKER WARNING. It's all through out so be careful!👍 )

[helluvahotmess]

might be a hot take but i think even if blitz was about to say sorry at the end of full moon it was already too late? cause stolas was very clearly not in the right emotional headspace for it to really sink in or mean anything at that point.

it was too late way before blitz realised stolas was hurt (and saying sorry in that moment wasn't gonna make stolas' emotions magically reset to neutral)

emotions were running wayyy too high that immediately talking right after the initial conflict/argument was not gonna fix it

(and to clarify not hating either character! very much on the camp of they both fucked up and they need to talk but neither are in the right headspace for that talk just yet)

[anna-scribbles]

once adrien and marinette figured out how to date each other they got too powerful and are now dating all their other friends one by one

[iloveqiyan]

orv spoilersss but i cant stop thinking abt dokja and how things ended for his 'fathers'...

his biological father was abusive toward him and his mother, and dokja accidentally killed him when he was young... his adoptive father, hades (adopted him as a grown adult, kinda makes me giggle) died for dokja's cause.. for his story... for his conclusion.. so he'd live... Dokja lost both fathers and feels responsible for both deaths.... ofc his bio dad was awful and deserved it but the conclusion is the same, dokja's adoptive father dying out of love and dokja's biological father dying because he harms them.. when hades died dokja didnt get to process his feelings, but he probably was reminded of that day he killed his father...

And a direct consequence of both deaths is his mother's pain... they never blamed him, they loved him and did all they could to protect him still. for dokja's biological mother, the hurt didnt come from losing a husband, but from having to lose a son to protect him.... to live in guilt for leaving him nehind and alone. when it was all she could do to protect him, bearing the hatred her son directed toward her, unknowing of all she did for him. and persephone's hurt being from the loss of her life partner, her husband... who protected her, and her son.

perfect contrary of what happened to kdj's biological parents. mystomach hurts my head hurts.. protecting vs harming, losing a son vs losing a husband.... yeah

[hexados-on-a-string]

ghosts can't haunt ghosts silly, must be your mistakes then !