#this is a long post i am sorry

[bluedalahorse]

Hello @simonsapelsin! I’m ready to respond to the comment you left yesterday.

Within the parameters of canon—most likely no, but maybe? It would have to be backed up by a lot of plot and character developments in order for it to work.

This ended up being way too long, so more thoughts on sargust + thoughts on the potential created by AUs and canon divergences + thoughts on the idea of “healthy” relationships behind the cut…

So obviously season 2 ended in a really, really bad place for sargust. August refuses to embrace accountability and doubles down on his harmful behavior. Our last shot of Sara is her calling the police to report him, and in that moment she’s completely alone. They have that painful conversation about August buying Rousseau. That’s… that’s a lot for them to overcome, and season 3 doesn’t have enough episodes to get us there fully, unless the writing team are very, very clever and efficient.

There’s a popular fan interpretation of sargust that says that Sara and August both project identities onto one another and don’t see one another’s real selves. I understand and agree with that interpretation up to a point, but I don’t know if I necessarily agree with it 100%. In my mind they do see real things about one another (August sees Sara’s ambition and desire for independence, Sara sees August’s emotional vulnerability and need for help. And they do connect with one another in ways that others haven’t been able to connect with them. What August and Sara fail to predict about one another is the other’s choices. Sara assumed August would choose to be honest and August assumed Sara would choose to be queen. But I think the care they showed for one another earlier in the season was real, and the way they could hold space for one another was real. That’s really a meta I could write for another time, but a lot of it hinges on this line, which is not a line I am even remotely normal about:

(Note: I’ll probably write this meta eventually. The fact that these characters create a sort of home with one another! Also lol @ August looking like he is stoned out of his mind.)

So what would it look like for sargust to get a Second Chance Romance within the parameters of canon? I mean, first of all, they’d both have to mature independently for a while and work through a lot of the trauma they’re carrying. 

For Sara, I want her to get away from home and have some distance from the place she grew up so she can put her childhood in perspective. Therapy would help. (I want that for Simon, too!) I’d also like to see Sara find some neurodivergent friends/community—I mean, we do tend to find one another and run in packs! And then some sort of career or life path that makes her happy. Maybe with horses, sure, but it’d also be interesting to see Sara keep horses as a beloved hobby while also finding a different career she’s passionate about.

For August, accountability and rehabilitation and understanding of the harm he did is incredibly important for his personal growth. Whether he faces that through the legal system or through some other process is something we have yet to see in the show. Then comes the long work of restitution and atonement, as well as the steps August needs to take to grapple with his various personal traumas. Like, please get this boy a place to process his grief over his father, treatment for his disordered eating, and rehab for his addiction to pills.

Now, Sara and August wouldn’t have to be 100% healed and self-actualized when they run across one another as adults—I don’t know if there’d be a story if they were, and this sort of stuff is lifelong work! But further along the paths above that I described—that could still be a good story.

Beyond growth and maturity, I think we’d have to see some sort of change in how August and Simon relate to one another, happening primarily on Simon’s terms because he was the one wronged, and that would need to be an important part of the story. This feels crucial. Now that Sara’s aware how much she hurt her brother, I don’t imagine she’d enter a relationship with August even if August is a super chill, okay person now. So I actually think a good Second Chance Romance story would have to heavily involve Simon in one way or another. But a fic where August and Simon interact more honestly with one another, and August has to face up to Simon’s personhood? That would definitely hold my attention. (I am kind of hoping they get more extended interaction in season 3, really. They have some sneaky but fascinating parallels as characters and I like watching the way Omar and Malte play off one another.)

Outside of canon… one thing I have considered is the potential to write a version of sargust in AUs that’s more tailored toward happy endings. Which doesn’t quite relate to your question but I do want to talk about it. As of now, AUs/Canon Divergence fics are a perfect place to make sargust actually work out. This fandom has a lot of imagination for AUs and canon divergences. And it’s no surprise—Young Royals is a rich, nuanced text that can be explored from many angles, so it only makes sense that we’d want to create a thousand alternate universe scenarios where canon could have gone differently. In my mind, if people can write “Erik lives” AUs, then “sargust is successful because August learns over time to be less shitty” AUs are also fair game.

The thing with writing an AU or canon divergence is that August’s complex brand of shittiness does not have to be inevitable or eternal. We’ve got creative freedom, baby! We can write any kind of arc for him that we want to and nudge him in all kinds of directions, and set him and Sara up for success! To me, part of the spirit of Young Royals is embracing the idea that everyone has choices, and that they are capable of growth that allows them to make better choices. I mean, sure, it’d be weird to find a version of August on page #1 of a fanfic who’s suddenly like, quoting bell hooks and pushing for an inclusive socialist utopia. I don’t know if I’d suspend my disbelief for that. But I also really struggle to suspend my disbelief for AU versions of August where he’s like… a straightforward flat villain solely out to cause trouble, which is something I have seen out there in the wild and clicked the “back” button over. I crave the nuance. The texture. The literary crunch of it all!

And I don’t think August has to be the center of a fic for that to happen, even. Like I think there’s ways to have him and Sara as a story’s Beta Couple or Gamma Couple and we’re rooting for them and you know what? It’s an AU where some of the characters are fae or 1980s punks or rival scholars of Cold War history so events are happening differently anyway. I’m sure there are ways to write August in character as his shitty self and have him eventually grow and change, without having August also ruin his chances with Sara because he does something that fucks Simon over so completely, you know?

Now, I know there’s fic writers out there who never under any circumstances want to write August’s character and can’t do so from a place of emotional safety. For some folks it is more comfortable to engage with him as a more straightforward villain. And that’s fair. Everyone should write what they feel comfortable writing! In this post, however, I’m thinking more about the people who want to include some kind of nuanced arc for August in their story, but also feel like no one will be interested in it, or like they’ll actually lose readers and engagement if they do write about him, even as a secondary character. Every once in a while I’ll see another fan allude to a really cool fic idea that involves August in some way or takes him in an interesting direction, and then they’ll be like, “oh, but why bother writing it, no one will read it anyway.” And… that makes me incredibly sad! Because I would happily read those fics. I know some other people who would happily read those fics! But I think we’ve normalized the idea that that’s just not how things are “done” in the Young Royals fandom. Which makes it very hard for people to take that risk. I think we’re missing out on some cool stories as a result, that could really be satisfying to read.

One final thought… I notice some fandoms use the word “healthy”  when describing their OTPs/favorite pairings. I hope you’re okay with me unpacking that a bit? This is less a response to your comment in particular and more a response to fandom at large.

Honestly, “healthy” is a word that’s starting to feel pretty loaded for me, and can kind of rub me the wrong way. It seems that generally what people mean by it—when they apply it to a pairing—is that the pairing is good at communicating, respects one another’s boundaries, responds to one another’s needs, processes trauma, etc. And I do appreciate in a story when characters can do these things, to an extent.

But putting it under this umbrella label of “healthy” …well. Okay. “Healthy” is a word that society has added a moral dimension to, and it often gets weaponized against people with disabilities and mental illnesses and other chronic conditions. And health is not an indicator of personal worth. Holding people IRL to a standard of “healthy” kinda feels like you’re saying “it’s okay if you have these diagnoses, as long as you manage them in such a way that it seems like they don’t affect you or the people around you.” (And as someone who’s just recently begun managing a chronic condition, who’s struggling with how to tell my family members because of the way they’re going to moralize about my diet or my stress levels, and also struggling with the shit I’ve internalized over the years… well. I’m thinking about how we use the word “healthy” a lot.)

Bringing this back to the realm of fandoms (because, oof, TMI there blue!) holding a fictional character or pairing to the standard of “healthy” can kind of create some uncomfortable fandom dynamics—at least it can for me, personally. When I see fans take pride in the fact that they ship a “healthy” pairing, to the point where they frequently talk about how “healthy” their pairing is, it’s almost impossible for me not to read such comments as using a moralizing tone that implicitly puts others down for having “unhealthy” ships. Sometimes—generally I haven’t seen this as much in YR fandom—there are even people who will straight up write you off if they perceive your ship as “unhealthy” or “toxic.” And then suddenly all ships are either deemed healthy or unhealthy, and healthy ships are retroactively interpreted as doing everything right, while unhealthy ships can never do anything right, and there’s no hope for them. And that is… a bleak and boring landscape for shipping, if you ask me.

I want to read romances where writers are informed about how trauma can affect relationships and how one can learn to survive it, yes. But I feel iffy about the idea of a perfectly “healthy” romances for sargust or wilmon, seeing as they’re all characters with trauma and mental health struggles, and all of them have days that are Not So Good. They could all mature into adults who’ve learned from their past, but like, Wilhelm might still have panic attacks because anxiety is like that sometimes and it’s not a moral failing. August could go through rehab and be in a much better place and harm others less, and still might struggle with intense emotional disregulation or thoughts related to disordered eating, you know? I’d like reading trauma-informed stories where sargust can mature and heal. But they still might have bad days because that’s what being human is.

In addition, I also like tragic sargust where things just don’t work out between them and everything falls apart, because as I’ve said elsewhere on this blog, I’m a slut for tragedy.

So. Idk. I talk about all these things and all these possibilities in hopes that maybe someone in the fandom will get inspired by them. We’ll see if it does that! Ahaha. It’s worth a try.

ADDENDUM, since I didn’t talk about my own fic ideas here:

Heart and Homeland is an AU fic, and it’s tragic sargust for sure. And I’m proud of it, despite the part where their relationship is tragic! And I tried to work in little glimmers where you see how their relationship could have worked.

Now, my next fic idea, shared with @heliza24, is one set in a canon divergence universe where Sara goes to campus to look for Simon, on the night that Everything Is Fake But Wilhelm’s Love For Simon Is Real. As Sara walks around campus, trying to find her brother, she bumps into August, who is still high from the party and is just sort of… emotionally all over the place? In my head I think Sara and August actually trip over one another and he gets a skinned knee or something, so they have to break into some part of school late at night to get band-aids from a first aid kit, and they end up in a weird, late-night conversation and August actually ends up talking to Sara about his grief for Erik. Thus, he’s never at the window to film the video, and some weird door opens up in his brain about actually having someone he can open up to. He doesn’t change overnight, but his character—and everyone else’s characters—are butterfly effected in a totally different direction. That’s all I’m going to say for now! But gosh, I really hope I get the time and energy to write it.

[inquisitor-apologist]

Ok I’m being so brave about it but a couple of days ago I saw this post claiming that the Jedi saying ‘this weapon [your lightsaber] is your life’ is emblematic of ‘the Jedi’s failure as peacekeepers’ (not an exact quote but pretty close) because why would a weapon be the life of a peacekeeper?

And like. The Jedi are a culture. They’re a religion.

You know that, right? You know that many cultures, including generally peaceful ones, have sacred weapons, right? You know that the bond between a Jedi and their crystal(s) is an extremely sacred thing that requires the consent of both parties and is integral to their way of life, right?

You know that lightsabers are not intended to be only for killing, right? That the first thing Luke learns to do with his lightsaber is to shield and defend? You know that a culture having sacred weapons doesn’t mean that they view killing as sacred, right?

Not trying to start shit, I don’t even remember who said it, but ugh

[emberglowfox]

Keeper -- a short comic about an angel meeting a robotic lighthouse keeper that doesn't know the world has already ended. Made in about 18 hours for a 24-hour 24-page* black and white comic challenge (that I arrived late to, ha.)

*the actual submission does not include the cover, which was created after the fact for this post.

This was a really great learning experience as someone who's... never really made a completed comic. I ended up really attached to the story by the end of the project (possibly due to all-nighter deliriousness lol) and ultimately am very proud of what I made.There are some things I'd still like to change, particularly text placement, but in keeping with the spirit of the challenge I've elected to leave it as is.

[roachsauce]

Part of a recent doodle I think is cute

[scattered-winter]

finally made rwby meme slides. after like a literal fucking decade

[keirahknightley]

Costume appreciation series: Barbie (2023) dir Greta Gerwig

Costume Design by Jacqueline Durran

[winter-seance]

Most of David Tennant's Filmography, 1988-2023

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[monobmp]

Thought about that tid bit of Bill mentioning that he can delete memories

[nagitosstolenhand]

i don't like the growing opinion that people are being 'too hard' on deku for his failing to save shigaraki.

i've seen quite a few people complaining that a lot of the bnha-critical crowd are being too mean to deku for getting tomura killed, arguing that it isn't really his fault, and that hes a 16 year old child soldier who's been failed by almost every adult in his life, why should we be putting all of this on his shoulders? hes just a kid after all?

and the truth is, they're right. deku IS a 16 year old boy whos had the fate of the world thrust on his shoulders. but the story itself just plainly refuses to acknowledge this.

the narrative doesn't acknowledge how fucked up having a school that trains literal children how to be combo cop-celebrities is. it only tentatively acknowledges the fact that a universe having combo cop-celebrities is fucked up, and even then the only people who ever point this out are antagonists, who are portrayed and treated in-universe as untrustworthy. the narrative doesn't care how fucked up dekus circumstances are. the narrative treats deku like hes a fucking messiah here to touch the hearts of the evil depressed villains with his magical empathetic heart of gold before they get blown up or just sent to fucking superhell for daring to challenge the status quote.

deku isn't a person. he's barely even a fucking character at this point. he's a plot device, and a mouth piece for the objectively shitty themes bnha is trying to spout. the themes that tell you that if you're mistreated by society and want to do something about it, you're a villain. that disrupting the status quote and refusing to repent to some random teenage boy spouting empty platitudes at you means you deserve to get sent to fucking superhell. the themes that portray people fighting for civil change as mass murdering supervillains. the themes that look the audience dead in the eye and can call deku the greatest hero to ever live.

deku, who barely spared a second thought to lady nagant telling him the truth about the hero commission. who spouts meaningless platitudes about heroism and morality at nagant, and aoyama, and toga and shigaraki, when even the thought that he should question the world around him comes up. who's constantly talked about as this truly kind, empathetic person, but hasn't spared an empathetic thought to literally anyone who is classified as a villain. who listened to every authority figure around him except the ones who asked him to question his worldview. who saw la bravas tears, shigarakis various breakdowns, himikos plead for understanding, chisakis catatonic state, lady nagants truth, and barley batted a fucking eye. deku, who killed tomura shigaraki.

people don't criticize deku for failing shigaraki because they just hate deku. people criticize deku because of what he represents. because hes a mouthpiece for the atrocious morals and themes of this ideologically rotten manga. because any character he had was chopped up to bits in favor of the incomplete husk we have now. people criticize deku because hes the main character of my hero academia. theres nothing more damning then that.

[zeldalizzy]

The Wild Children! Merida and Wild would get into soooo much trouble together, since they have such similar personalities. They both love adventuring, exploring, archery, and horseback riding! Queen Elinor and Twilight/Time would probably just vent about their crazy 'children' together.

I feel like out of all the boys, Wild would definitely be the most likely to get someone he knows cursed by accident. Also, he's ridden bears before (BOTW lol), and so when Merida tells him about all of her adventures, he'd probably get so excited like, OH MY GOODNESS YOU TOO?!

Also, if you don't understand what Merida is saying, she is basically just challenging Wild to hit an arrow into a far away tree 😂

I finally finished my exams!! 🥳 Can't wait to see what the poll results are so I can hopefully start on the next piece soon! Hope you all are doing well! 🩵

P.S. lol when I was writing this all I could think about was this:

[klbzplb]

Life Series X The Normal Album

[insufferablewarden]

I want to talk about this take from my main blog because I want to double down on it.

I truly think that Veilguard is a bad Dragon Age game.

I don’t mean to sound like a bitch, but I really hate that people feel like this is a good Dragon Age game. I hate that people use the excuse that Dragon Age reinvents itself every game in its defense. I hate that people think that this is what a Dragon Age game is. And I’ve been hearing that this is “still a Dragon Age game” even from some critical reviews.

My rebuttal, if I was being flippant, is that the vibe is simply off. It doesn’t feel right.

If I have to put my disappointment and anger into words, I would say:

No, the heart of the games has never changed. The idea that your worldview is shaped by your past and that you can be a hero or a villain depending on who tells the story has never changed. Navigating complex and sometimes race/class-based politics has never changed. The ability for you to earn approval and disapproval based on personality-defining dialogue choices and/or meaningful choices hadn’t changed. Being able to go up and talk to characters (companions most of all) to learn about who they are and how Thedas has shaped them has never changed. Companions not solely based on tropes and nebulous ideas of what makes a cute relationship used to exist. Lore reveals were handled with care and sprinkled throughout the game rather than thrown at you one after the other. Gameplay never used to insult your intelligence by handing you an explanation to everything within seconds of being presented with a problem. This series of roleplaying games used to let you roleplay even if it was just respecting what tone you wanted to use.

Or, something like that.

When people tell me that this is a good Dragon Age game, it feels like they’re comparing this legacy of games to one of those Marvel movies or remakes that doesn’t need to exist, but does because it has a built in audience and will make them money. It feels devoid of what made the old games special to me. I know that the other games aren’t perfect. Not even in all of the respects I mentioned earlier, but I felt like BioWare gave a shit? Even Dragon Age: II with all of its flaws has this beautiful cast of characters and (narratively) fleshed out city and Dragon Age: Inquisition with all of its fetch quests had some of the most complex characters, interesting quest mechanics, and this highly ambitious (if flawed) setting design. This game is so half-baked that I barely understand what it’s about or who it’s really for.

In fact, after I finished the game, it took me a few days to get over feeling negatively about the entire series. I was terrified that Veilguard had ruined this series that I’d loved for half my life for me. I felt stupid. I hate that I care so much when I’m not certain that they do. Or, being more charitable, I’m not certain that BioWare is capable of making a product with care under EA.

I don’t know. Maybe this is a Dragon Age game, but if it is, I’m not sure I want another one.

[jamnsketch]

just like the pet you couldn’t keep

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[luminique]

We talk about lighter cuddles but what about lighter hugs

he looks to be about billy’s height 6’2 so when he hugs you he puts his head/chin on top of yours 🥺

i was inspired by my classmates. they are very close as homies but it sorta sparked a thought in me.

lucy had sent out lighter for another errand and while waiting for him, you end up spending time with burnice at the bar. without realizing, a tall figure had appeared behind you but you were too busy enjoying the songs that burnice had put on to notice.

his hands find your waist, poking you gently and perhaps tried to tickle you before placing his head on top of yours. his hands then move around to give a proper back hug. he doesn’t feel as embarrassed because you’re not looking directly at him but you can tell from the way he’s hugging you, he really missed you.

burnice had already placed lighter’s usual drink on the counter but he just doesn’t budge. just soft mumblings as you’re asking him how his day went.

i just think he loves sneaking from behind with back hugs. to him, it’s a little less embarrassing for him (JUST EMBRACE IT AT THIS POINT LIGHTERRR), and he eliminates any sort of surprise FOR HIM. i think he enjoys being fully aware and he likes your reactions each time. the way you say his name every time just has him MELTING.

also the height difference has him weak. he can look over you or you’d tilt your head up to look at him and he’s just stuttering from looking at you from this angle. little tangent but getting ready in the morning with him and he places his head on yours while both of you are brushing your teeth SORRY I GOT A LITTLE DOMESTIC THERE