#this is a big departure from that
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yozi-porn · 6 months ago
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but those are just his wishful fantasies aren't they
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themachine · 1 year ago
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kg-clark-inthedark · 9 months ago
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I've been bewitched body and soul by @uncontrol-freak's corvosider au in which Corvo is a grizzled sea captain, so I made a short fan comic for ch 2. If you want to know where the seas will take them, check out their fic, Abyssal!
Higher quality version linked here because tumblr always chews up my comics
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minai28 · 1 month ago
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Watched the first bit of arcane season 2.
Did not expect Viktors path to machine herald to be quiet so... Jesus
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gummi-ships · 2 years ago
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Kingdom Hearts Birth by Sleep - The Land of Departure
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poirott · 1 year ago
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Detective vs. psychic medium
A HAUNTING IN VENICE (2023), dir. Kenneth Branagh
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werewolf-w1tch · 1 year ago
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she property on my hate till i [ ]
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mc-critical · 2 months ago
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1.10 / 1.09
#something to be said not just about how Ibrahim aims to replace his past family with his present bond with Süleiman (and Musti and Mahi#branch off of that bond) but also how Hatice fits in all of this - the one Ibrahim leans on everytime he's likely to lose SS is *her*#she isn't just the future he wants to secure in the castle but also the past he yearns for outside of it especially in that initial period#of their relationship; and not just any past but a very particular fragment of it - the next most valuable person of his past other than#his brother: his *mother*. it's no wonder him playing *his mother's* melodies with the violin marks the beginning of their story and stays#an important motif throughout. just like Ibrahim's mother Hatice is so familiar yet so out of reach (and this unreachability accumulates in#E13 - Ibrahim leaves for Parga thus returning to his past but leaving Hatice behind but *then* finding out his mother is gone too.#*both* people he wants to be close to soo much are *gone* in that moment. there's a link between them because of this. also Hatice tieing#lbrahim's mother to “heaven” as well and her “looking at their happiness from above” Ibro responds with in E14.) Hatice will distance#more and more from that role later on until lbrahim starts to outright abandon this whole 'return to the past' idea with Hatice and#search for it through Nigar instead. but yeah anyway I feel these two scenes are the perfect encapsulation of how complicated#the past is for lbrahim; he avoids remembering it because it *hurts* to remember both because why would he remember it when he already has#an established future and because deep down he resents what he's become and established as that isn't ever permanent and he's lost all else#*himself* most of all as who is a person without his roots? he wants to forget them but can't ever do it so what's left is replacing them#*all of them*; when he finds Hatice too he wants to have *both* her and Süleiman and SS marrying Hatice off directly challanges that want#up to that point he believed in the possibility of their love more than Hatice did; now? he seems as lost as she is not knowing what to do#the only way not to lose either of them is accepting Süleiman's order convincing himself that this is how it should be no matter how much#that hurts and would bury him even deeper; he can't bear it so he searches for a solution - and when he sees Rhodes sea? it hits him#it hits him how low he's actually sunk through the losses and if he can't “fully* replace the past he'll *fully* return to the past letting#*everything else* once hidden out as well. not to mention how right before he left to Parga he was brought to fear for his literal death#and then he is given more power that also brings some uncertainty with it and that likely scared him cementing his departure for Parga#directly following Piri Pasha's advice to let power go as it won't let *you* go#(btw a big contrast between S01 and S03 Ibrahim can be drawn in his relationship with Piri Pasha and his relationship with Ebusuud)#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#ibrahim pasha#(sorry for the disorganized tags but if I kept it like it was I would've exceeded the limit before I even finished 😅)#(just Ibrahim and Hatice in general are people who latch onto each other to get over their losses and ache for peace amidst their turbulent#lives and positions and that's what keeps them close and will later too)
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madsway · 2 months ago
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now that i've taken in the entire show and am about to rewatch simply because i can............... i'm so pissed that dave erickson got fired because damn........
#i just think that s4 would have been insane.#i presume frank still would have wanted off the show and so naturally that chasm dave built between maddie and nick would've been... yea#idk- i think it would've been good tv. maybe. he doesn't talk too much on it but he says enough to give an impression.#i'm also inherently biased because he also said madison was the one character he saw making it all the way to the series finale#which ultimately. she does. but the story would have been much different for her. she would've felt More Madison#additionally.. of course there are characters born from the switch of writers that i'm glad we got and may otherwise have not got but....#i'd pay a pretty penny to have been able to see what dave had in store for the characters we had with us at the end of s3.#and to see what he would have done with 3b had he not wanted to wrap up certain loose ends of his creation before his departure.#the first 3 seasons of fear are the best ones. imo. for so many reasons. which i think had a lot to do with dave.#he separated ftwd from twd in big ways that i'm not going to get into but so much got jammed in s4-s8 that. it felt like the new writers#were mostly trying to pay homage to twd than to the characters and the story lines that made fear what it was. y'know.#the entire tone seemed to shift in the show. they subjected it to all the crazy time jumps. etc etc etc. which works in some ways on twd bu#they didn't do the same service to ftwd.#maybe that's just me.#dave Got the vision.#and i think it would've been really beautiful to get to see him ride it out (even if for another season or two)
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revvethasmythh · 2 months ago
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The score for Veilguard is actually so cool, because obviously it's a departure from the originating themes that were loosely shared between DAO and DA2, but it really stands against the sweeping orchestrals and pounding drums that drove you in Inquisition (perhaps more than the story itself was driving anything). In comparison, Veilguard leans much more toward synths, electric instruments, and there's even a track with western inspired strings and a harmonica (and it SLAPS). It's varied and reads as more modern, but also carries with it this cacophonous sense of apocalypse as well as, perhaps, presenting an idea that this world is moving on and forward, that I think fits very well thematically and musically
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-OUR FOUNDER-
⚙ THE CHAIRMAN ⚙ OF COGS INCORPORATED EST. 2003 ---------------------------------
So I've never talked about this on here before, but Toontown was one of my absolute FAVORITE games as a kid (despite never having membership so being locked out of 99% of the actual game jlkjfsakj) Like it was absolutely formative for me, I drew the cogs a bajillion times and they inspired a ton of my own stuff later on (and still absolutely do) Then the game closed and Rewritten came out so I could actually play the whole game for the first time (haven't gotten anywhere close to getting to the end though) To this day I have an on again off again interest where once or twice a year I'll suddenly get absolutely smitten with it again haha
So, if you're also into Toontown, you'll obviously be familiar with the mysterious, unseen overarching villain The Chairman This is my own take on his design that I came up with a few years back ^^
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We don't have much to go off of from the original game for what the Chairman might've been like, so I had a couple of different inspirations
Obviously the giant head in the Sellbot Factory, since those old Chairman pics with that head pasted onto a cog body were absolutely what I was most exposed to as a kid, but it's also not a 1:1 lift
In some of my earliest sketches trying to come up with the ideal design I tried making him look like he had the giant robot from the old installer video underneath his suit, so he had like lanky, cartoonish proportions, toonier hands, etc It looked really bad though and I couldn't do what I wanted with the head since it would've had to fit over the shorter, wider robot head, so I just ended up scrapping it (i do take some inspiration from the video for my vision of Toontown's story, but i've just scrapped the robot entirely) Oh I also gave him the eyes from the Field Office since I thought that could be neat, but it looked out of place so I simplified them to what he has now (they're still stylistically similar to the eyes on regular cog buildings, so i don't think i'm really losing any of the meaning behind them at least)
By far the biggest inspiration was when the FY11 plans got released
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Holy FUDGE did this blow my mind when I saw it for the first time All those years as a kid of the Chairman not even being ACKNOWLEDGED except by the CEO's final words and a couple odd references in obscure magazines and whatever Desperately speculating and grasping onto all those tiny pieces of some mysterious, horrifically evil entity behind everything And then this??? This awesome, ominous silhouette?? Plans for something huge??? Seeing it is what drove me to go and draw him in the first place, it still gives me chills just looking at it
So yeah, I wanted mine to have that same aura of cold evil, that striking silhouette, while also having a bit more character to him Like most cogs are frozen in the same screwed up scowl, where there's not much room for expression If I could, like, make an actual model for him, I'd want him to have the same sort of capacity for different expressions as the toons have (even some you wouldn't expect from the head of the cogs)
He's ruthless, calculating, doing everything he can to maximize the profits and efficiency of Cogs Inc and expand their operations to the entirety of Toontown, with no regard for ethical business practices or the wishes of the people he plans to subjugate (But does it work? Is he happy?)
I'm absolutely gonna do an analysis of the cogs as a whole at some point (as long as my interest doesn't plummet for a little while longer), there's a ton of stuff I wanna get into about my interpretation of them as villains because oh my god I love them so much
OTHER STUFF - He's not as massive as the other boss cogs, but he's still absolutely huge (iirc the highest level cogs are all canonically like 8ft?? and he's got a LOT of height on them) - He's drinking oil in the pencil drawing - I happened to watch this video where one guy talked about the way the villain in Tarzan held a glass of wine and how it left a huge impression on him, so I just arbitrarily decided to emulate it in my drawing XD - Oh yeah a big reason for the main drawing in the post was that I really felt like I was getting too attached to a single style in my digital stuff (literally just using the same default pen tool for everything, never changing the size), so I wanted to force myself to try something new - I drew the frame myself, just kinda winged it so it's. not as good as it could be but it works fine I think
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(part 1)
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aura-bug · 1 year ago
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as much as I want some ykw4 stuff to be acknowledged I also think it'd be funny if akihiro hino just scrapped the whole thing from existence. yo-kai watch 5 (or ghost craft or whatever) should be about how hinozall wrote "yo kai watch 4 shadowside + academy y" into the enma note
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moe-broey · 11 months ago
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You know Henriette is lowkey kind of anime (like the SuMo anime) Lusamine-core. To me
#a lot of people were frustrated obvs w the changes made to lusamine after og sumo and i def see it#and i DEF agree w it regarding ultra sumo. but i actually do kind of like the direction they took#w anime lusamine. like yeah it was a huge departure from the games. but given the context/genre of the anime#it didn't feel like a retcon? it felt more like they had to make adjustments to her to fit the very#slice of life comedy direction the sumo anime took. and there were still intense and emotional#story beats/arcs for the aether family too.#and i think the changes to lusamine actually complimented the changes to lillie#who's main conflict/struggle is her intense fear of touching pokemon due to trauma#so like! lillie is still traumatized! and for a slice of life comedy one big struggle is enough.#she didn't need an abusive controlling parent on top of that LMFAOOO (save that conflict for game lillie#esp cause in game her whole arc centers around that)#man i actually don't remember why gladion was a runaway in the anime though now that i think about it.#but like for the entire maybe one person who follows me and has the pokemon sumo/feh overlap interest#does this make sense????????? i feel like it does#i actually don't know if i have any followers who have that overlap. i feel like you're either here for feh/askr sibs specifically#or you had the misfortune of finding me in a brief bout of pokemon fixation and have discovered. oh#oh you BARELY post pokemon actually LMFAOOO you're just insane over some blue hair and pronouns bitch#and sharena 😇💖#fe henriette
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ratatatastic · 11 days ago
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THE SEVEN UP TABLE HAS TURNED INTO THE MONOPOLY DEAL TABLE BECAUSE OF NATHAN WORDS CANNOT DESCRIBE THE EMOTIONS IM GOING THROUGH 😭😭😭
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mashamorevvna · 24 days ago
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its really hard to be one of those people ultimately disappointed in the direction the dragon age franchise has gone, but also really disagree with some statements made by people in 'my camp' so to speak.
for instance, i don't really think bioware has ever, all things considered, focused only&exclusively on small stakes stuff; they can write very good and meaningful personal stories of a handful of characters but the backdrop is always 'hey you, player character, save the country, the world, the galaxy, the planes'. the only outlier i can think of is da2, and that's bc it was born as a dao dlc that had to be expanded for quarterly revenues at ea
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