#this is a 1 time thing

[virblaze]

sorry for not posting anyways wow 3 years

[plasmafruitpancakes]

I forgot to mention that the hair will look like newsea's shaine hair when the sim quality is not ultra high, my bad. I've added low poly meshes to the high, medium, and low settings for those interested.

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[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[kensatou]

i'll let phie-san say it:

[unknown-cold]

FINALLY SOMEONE SAID IT!!

Even if most people are just joking, it bothers me when other people actually think it's all due to a failed relationship when the problem is actually bigger than that. Vi getting to this point isn't because she broke up with Caitlyn. She has bigger, more difficult things going on than just a failed relationship. Adding to that the most painful factor for Vi is when she fights Jinx, which is one of the factors that really affects her. She went from being protective of her sister to "hurting" her sister. (Even though her sister Jinx brought this on herself, but anyway)

"Losing Caitlyn was the last straw, as they say"

Caitlyn was the one who got Vi out of prison, She got her out of the worst place Vi had ever been in. And Caitlyn was the last person Vi could trust and now she's gone.

I mean you can see she wasn't that miserable when she was in prison because she said herself, "The only thing that kept me going, was the thought of getting back to you." Now her sister is gone and Caitlyn is gone, the only two people left in her life. It's only natural that she would come to this point after literally losing everything.

Vi now has no hope no purpose and no one left after all the people she's lost along the way. It's really hard for Vi.

[strifezz]

Redrawing that official art of em ^_^

[rhaenella]

[cj-the-random-artist]

This was supposed to be lighthearted and I think it reads that way??? Idk but it was fun to make

(For context: the two followers getting married are Pana (the dog) and Julon (the deer (???)) and their kid is Fianna, and I know you can't officiate follower marriages in game but if we could that would be fun but really I just needed a context that would raise this topic of conversation lol)

Again. It's not a perfect comic and I was kind of rushing at the end but dang I enjoyed making it. I hope y'all like it and may good things happen for y'all today :D

[sameboot]

Simon petrikov coping FAIL compilation

[parasitoidism]

80s anime dubbing is truly a lost art form

[idolomantises]

It's kind of a shame that the "anti-filler" mentality has reached a point where a lot of writers (and fans) assume that if a show isnt constantly moving the plot forward and establishing lore, its basically filler and wasting space. Personally I think its good, if not necessary for a show to slow down and just have characters hang out, or deal with smaller conflicts.

It feels like a lot of stories just want to rush to the emotional scenes with barely any build up to really make it feel earned and satisfying. I've seen fans pester creators to rush the story along and reach the next big set piece rather than take the time to really know and appreciate the characters.

Why should I care about the emotional stakes in episode 2 when I barely know a character's likes and dislikes? how they handle conflict, their approach to relationships both platonic and romantic. etc,

[pucksandpower]

“Talk dirty to me, baby.”

“Remember how Max Verstappen went from P17 to P1 and won the São Paulo Grand Prix?”

“Mmm, yeah. Just like that.”

[egophiliac]

time for skeleman

with the lack of any other info yet, all I can focus on are those Charles Lloyd-looking sunglasses. they are absolutely sending me. I feel like we're gonna fall through a tree or whatever and this stitched-up boney gentleman is gonna pop out from behind a gravestone and start serenading us with some smooth jazz on the saxophone.

or should I say...the saxoBONE???????

[hairmetal666]

"I'm going to marry you one day, Steve Harrington," he declares to all and sundry (Steve and Robin) in Family Video.

Steve laughs, ducks his head, hair a bountiful cascade that doesn't move an inch. He's blushing but it's not, like, a reaction to the sentiment of marriage. Steve knows Eddie is just like that, flirtatious and over-the-top and incapable of not speaking his thoughts as soon as they enter his head.

Robin roles her eyes, goes back to flipping through her magazine, something about cinema, and Eddie swipes his just rented movies off the counter.

"You think I'm joking," he twists so he's facing them, walking backwards to the door. "But I swear it, oh, beloved purveyor of movies and deleter of late fees."

"Yeah, yeah." Steve's face is pinker than before and Eddie recognizes and immediately forces himself to forget how cute it is. "But get out of here before I change my mind."

And Eddie, he loves to push his luck and also has very little filter between his brain and his mouth, so he says, "aw, don't be that way, Stevie, you love me."

Robin looks up, then, mouth a pursed twist as she tries not to laugh. "Gross, Eddie." She throws a Sour Patch at him. "Keep all that mushy stuff to when you two are alone."

It's his turn to blush, fierce and raging, and Steve whirls, squeaking, to whack Robin with a Twizzler.

Eddie points at her. "Rude, Buckley. You know I love you too."

"Again, gross." She sticks out her tongue, tinged blue from the Sour Patch.

"We really need to work on your ability to accept affection," Steve tells her.

She scowls, kicks him, makes Eddie laugh.

"I think that's my cue to leave, children." He says. He, quite literally, bows out of the store, just missing the barrage of candy thrown his way.

---

Three Months Later

Eddie stumbles into the Harrington house, kicking his boots off by the door. Steve's in the kitchen, fussing around the stove. His hair's askew and he's--

"Harrington, are you wearing an apron?" He ignores the kick in his chest at the sight. "You'll make a sweet little housewife one day."

"Shut-up," Steve says without any heat. "Try this."

He brandishes a spoon filled with red sauce in Eddie's direction, and Eddie--heart always on his sleeve--eagerly leans in to taste. He closes his eyes, savors, and it's good, truly. Perfect fresh acidity with just a burst of sweetness.

"It's amazing, baby," he says without thinking. He opens his eyes right in time to see Steve turning back to the sauce, blush high on his cheekbones.

"Thanks. You're making me nervous though, hovering." Steve hip checks him. "Go sit somewhere."

And Eddie does, jumps onto the island--the Harrington's are the kind of people who have an island--and chatters to Steve about his day, about his new campaign, about the new song he's trying to learn.

All the while, he's watching Steve cook, in his apron, with such care and thoughtfulness, with true command. Maybe it's the domesticity of the scene, maybe his raging crush, but he has this flash of the two of them in the future. In their kitchen, Steve cooking dinner, and Eddie's arms are wrapped around his waist, he's pressing kisses to his temple, complimenting all his hard work and--

Steve feeds him a bite of the finished pasta, and it's so good that he groans, full-throated, unembarrassed, and says--he says, "I'm going to marry you one day, Steve Harrington."

He laughs, face pink, batting Eddie's shoulder. "Go sit down, man. It's time to eat."

---

Two Months After That

Eddie's working on a new campaign when the storm rolls in, wind rocking the trailer, thunder and lightning crackling in the sky. The power doesn't go out, but only just barely, the flickers making his heart pound for reasons that have nothing to do with weather.

There's a knock on the trailer door, and he opens it to find Steve Harrington standing on the porch, hair plastered to his head, clothes soaked. Robin's bike is propped against one of the awning supports. Familiar panic snaps to life in his gut.

"God, Steve, are you okay? Did something happen? That's Robin's bike, where's the Beamer? Is it--is it Vecna? Is--" He's blabbering can't stop, so he shoves his palm against his lips.

"It's not--not Upside Down stuff." He runs a hand through his soggy hair. "Can I come in, man? I--I want to tell you something."

This snaps Eddie out of his panic, and he's moving aside, saying, "Oh my god, get in here, you're soaked. Let me get towels. Do you want a change of clothes, I can--"

Steve catches him by the elbow and he full stops at the look in those big hazel eyes, fearful and sad and he doesn't know what, but his anxiety amps back up.

"I was with Robin and we were--we were talking, you know? And I told her that I like somebody, like really like them, but it was unexpected and--and--it's a guy. He's a guy but I still like girls? Robin said--she said that I'm probably bisexual. That I like guys and girls and--and everyone, I think."

It sends shockwaves through him, and he hopes it doesn't show, doesn't think it shows, but he's having trouble processing. Steve is bi and he likes someone and--Eddie stuffs down the jealousy that claws at him, knows it's more important that he's here for his friend.

"Thank you for telling me, sweetheart." He reaches out, slow in case Steve doesn't want to be hugged, but he launches himself into Eddie's arms.

Eddie holds him tight, heedless of his wet clothes, can feel his shoulders shake, and it tears Eddie's heart in two. All he can do is hold Steve and offer comfort, jealousy be damned.

"You're so brave, honey," he says once the tears taper off.

Steve gives a wet chuckle, face still buried against Eddie's neck. "I don't know about that. I think I got snot in your hair."

"It'll wash out." He laughs. "Is now the time to welcome you to the family? Apparently, we're growing exponentially."

"Does the welcome include a cake or something? I could really use cake."

And God, Steve, is so fucking cute, so sweet, so--everything Eddie has always wanted, and he--it's an accident, or at least, thoughtless--he presses a kiss to Steve's temple. More than one.

Steve pulls back fast, and Eddie lets go immediately. "Sorry, sorry. I--that was stupid. You like someone already, and I--"

His words are cut off as Steve kisses him. Steve kisses him? His brain can't process, but he kisses back. Can't not, not with Steve. Like, he doesn't know anything, head empty, but his body is with the program.

They break apart, he's breathing hard. Steve is beautifully flushed, mouth red and swollen. "You like someone," is what Eddie says.

Steve laughs. "I like you, Munson. Fucking crazy about you."

He smiles, so big it hurts, so big it grows into a delight laugh. "I'm going to marry you one day, Steve Harrington," he says.

---

Six Years Later

They're in bed, Saturday morning, rain pattering softly on the window.

Steve places slow kisses against his naked tummy, makes him tremble, shiver with overstimulation.

"Baby," he whines. "Sweetheart."

Steve smiles up at him, something cold pressing against his ribs, then into his hand.

It's a ring, black metal, shiny and iridescent as he turns it in the light. "What--Steve?"

With one last kiss to his hip bone, Steve sits up, slips the ring onto Eddie's finger. "I'm going to marry you one day, Eddie Munson."

[helmip]

✨🌟star light, star bright🌠✨

[delicourse]

Another year, Another lesbian pride gown moment🌸

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