#this happened irl by the way.

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[ohgreat-moretapes]

Not sure if this would help you, but something that helps with my visual hallucinations is using my phone camera to check if something is real or not!

...

What does it mean when it makes them worse...?

-Tim

[obsob]

making and weaving and loving! like we have done for millennia!!

[umbrify]

fWhip: “Here you go.”

Jimmy: “Thank you very much. I am in your debt.”

fWhip: “I know.”

Jimmy: “Always. Forever.”

fWhip: “I know.”

Jimmy: “I’ve always been in your debt.”

[fWhip doesn’t reply, but does look at Jimmy as Jimmy looks back at him. Jimmy starts walking away, and fWhip catches up to him.]

fWhip: “Okay— Jimmy,”

Jimmy: “Yeah?”

fWhip: “You can repay the debt by helping us find good English pub food when we’re out in the UK.”

[Jimmy claps in excitement]

Jimmy: “I got you bud!”

fWhip: “I— I heard that there’s… there’s English pub food, and then there’s good English pub food, so y’know,”

Jimmy: “Oh, there’s always better, yeah yeah yeah yeah, there’s some— there’s some not so nice ones, and some nice ones,”

fWhip: “Yeah yeah yeah,”

Jimmy: “We’ll make sure it happens, hundred percent. Don’t you worry.”

fWhip: “Yeah, yeah, that’s fair, that’s fair, okay, good, got that settled.”

Jimmy: “We will do it.”

Hey? Hey?? These two drive me so insane?? The softness in Jimmy’s voice when he says he’s always been in fWhip’s debt??? Oh my god.

[valtsv]

once again leaving my house for hours at a time because my weirdly obsessively attached new roommate is making me irritable and on edge. the worst thing is i don't think he's even intentionally trying to push every button that makes me want to be as far away from someone as possible, he's just lonely and lacks boundaries which makes his way of trying to initiate social interaction like oil and water to mine.

[anopuff]

Hi everyone, my INPRNT shop has had a long-overdue update, and most of the FE and Persona art (and some other fandoms!) I made in the past 2-3 years are available. Please check it out if you're interested!

✨ https://www.inprnt.com/gallery/anocurry

You can use the code LLGGVQ until 12 Nov to get a 15% discount if your order is $30 or more. The code stacks with any promotion INPRNT is holding! Thank you for looking :D

[remma-demma]

Thinking about people not liking what happened at the end of dawntrail like… hmm.

Did you not remember the stuff with the Yok Huy. Nobody is gone if you remember them. The phrase that’s been with us for nearly the entire game, “For those we have lost….” Emet Selch entrusting us not only with the legacy of humanity in general but specifically with the memories of the Ancients and Elpis.

Just because people are gone doesn’t mean they aren’t still with us.

But the people of Neo-Alexandria are kept from that. They can’t remember anyone they’ve lost because their memories were stolen and locked away in an eternal purgatory, unable to move on or be reincarnated. The quest where you go to the graves in Heritage Found was a big moment where I was like. Huh. This fucking sucks actually.

The endless are just computer simulations, and they exist because Sphene can’t bear to let them go. Can’t even let her living citizens mourn or carry on legacies.

And that’s not even mentioning the fact that she needs the souls of innocent *living* people to power this all.

I think it’s a really good metaphor for the digital age, becoming disconnected from our irl communities, uploading your entire life on social media. Profiles of loved ones who have passed on. AI chat bots providing temporary comfort but no real human connection. All of that technology requiring enough energy to slowly but surely contribute to the destruction of our planet.

It all seems pretty clear to me as an allegory but like, I guess some people just didn’t make that connection? Or maybe they just don’t think about all the AI stuff in the same way I do.

[imskipping]

camping out the billford tag on ao3 waiting for the most toxic and unhealthy billford fics to pop up like bring on the old man yaoi

[peachyutdr]

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D

[jojo-schmo]

My job is burning around me and I’m only seen as an expendable cog in a giant corporate machine, but at least I have Helpy to lend a brightly colored hand!!! <3

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[guardian-angle22]

Colson Baker (aka Machine Gun Kelly) | December 2021

[jq37]

Just to throw my two cents on the Rat Grinder discourse: They weren't worth the Intrepid Heroes' time. We didn't get the full picture of what's going on with the Grinders until the last quarter of the season. Before that they were just this other clique that hate the main characters, so in-character why would the Bad Kids bother giving them so much attention when they've got so much of their own crap going on. Kristens quest to get Cassandra back and her presidential campaign, Gorgugs courseload, Riz's million and one plates that he's been spinning all season, Adaines financial problems, Figs curse and her doubts about what she wants to do with her life. Fabian's the only one who might have had the time, but he had to be Maximum Legend. There genuinely was no time or even an incentive on the IH's side to develop the Rat Grinders characters.

I still think it's fucked up that these teenagers got taken advantage of by adults they trusted, but we didn't learn any of that until we only had two roleplay episodes left. Too little too late to even try anything diplomatic even if they didn't spend all their time after the Last Stand in hiding.

And a thing about Ivy that no one is roasting her about and really should: An elven archer? Really? Wow, never seen that before.

Yeah totally. Like, from a meta level, I see where the players themselves could have been more curious about the Rat Grinders. There are obvious plot threads that could have been teased out there (though, in fairness to the cast, the adult manipulation aspect didn't become clear until way later in the season--the rivalry and foil aspects were more obvious). This final confrontation could look really different if they'd played that all the way out all season.

But in character? The Bad Kids really didn't have a good reason to waste time on the Rat Grinders. They came into this school year already burnt out from their Night Yorb quest and wanting a break. But they don't get that because they immediately are beset by problems they have to deal with--Kristen's god is on death's door from neglect and she's on the brink of expulsion, Riz is running himself ragged trying to boost his resume for college, Fig is having a whole ass existential crisis, Adaine is struggling with money issues she doesn't want to talk about, Gorgug is taking FOUR YEARS of school at the same time, and Fabian is multiclassing and dealing with his empty house/not having parental support (or Cathilda's support) for the first time. They are dealing with SO MUCH high stakes, personal stuff before the plot even kicks in. And, mechanics-wise, this is represented with the downtime system that means that any time they spend on the RG's is time they can't spend on something that matters more to them. IMO, not prioritizing your haters is actually pretty mature. Like, they weren't proactively using their free time to bully them or anything (except for arguably Fig). They were snippy with them when they crossed their paths and that was it. As opposed to the Rat Grinders who literally had to be told by Jace to stop antagonizing the Bad Kids (though they must have been pretty ineffectual at it because the Bad Kids hardly noticed, which I bet stung considering they were so obsessed).

And also, it's not like they didn't try at all with the Rat Grinders. Early Insight checks on Kipperlilly just got, "This is a polished steel orb of a personality" which doesn't sound very worth interacting with in a sympathetic way if at all and then the next big thing they learn is that she had hated Riz since Freshman Year and that she wants Riz and Kristen dead. And that's AFTER we saw her smile and kill her party cleric. In their position I'm not spending further time trying to empathize with this person, I have made my judgement and it's up to the Jawbones of the world to find if there's something in there to be rehabilitated.

And that's not the only case. Adaine straight up saved Ruben from disintegration during the Frosty Folk battle when she easily could have saved the spell slot, but that didn't soften him towards the Bad Kids any. Adaine also was really keen to Scry on the Rat Grinders to find out what was happening at their meetings. But, in scene at least, she was never able to do that so we never got a scene of them, huddled together, clearly unsure about the path they're on but not feeling like they can walk it back or say no to the authority figures in their lives. She didn't get anything humanizing that would cause her to rethink their position on them the way that she did with Aelwyn for instance. So why would they think they're anything but gleeful co-conspirators?

Hell, the one RG Adaine was even slightly curious about was Oisin and now we know that he was feigning interest in her which, man, can you imagine how much worse that would have felt if she'd actually taken the bait and pursued him beyond just thinking he was cute? Of course, it's possible that her interacting with him more along with some good charm rolls could have changed the narrative in some way but we can only go off of what we know to be true in canon and those facts are (1) He tried to get closer to Adaine while actively planning the downfall of her and her friends, (2) he (along with Ivy) was mean to Buddy behind his back while tricking him into a plan that would force him to go against his religious beliefs, and (3) he called his KVX related dragon ancestors to try to kill the Bad Kids and endanger the entire student body population. Three strikes, you're out. If I'm a Bad Kid I'm not super interested in whatever else is going on with him. And again, literally all of Adaine's friends (except Riz) gave her help to do an Insight check on him during their confrontation in the hallway so she was looking for something there worth engaging with, but she didn't get much.

Fig was fully doing CIA, MKUltra, Fantasy Geneva Convention violations on Ruben to try see if she could get information or flip him. I think she did it in an objectively insane way so I'm not entirely shocked that it didn't yield the exact results she was looking for. But she never found the smoking gun (or whatever the opposite of that is) in his head that would absolve him/show the Rat Grinders were being controlled and her messing with his dreams never flared his conscience enough to make him try to break free (as far as we know) which is what I assume she was going for. If I was Ruben looking for a way out but scared of the repercussions, I might go to Adaine who saved me from certain death earlier the same year and has helped saved the world 3 times with her party and their friends in high (and low) places. Maybe that's what Fig thought might happen but it didn't so from Fig's POV? Gave him a chance. Time to start blasting. And again, at that age, if I walked in to the first day of class and the first thing this random boy does is sneer at me and flaunt his musical success, I'm popping up on his Nemesis Alert at that moment. Doubly so after he tries to trick me and my friends into doing drugs so we get expelled. I'm surprised she tried at all with him.

Fabian absolutely tried to interact with Ivy--in large part for self interested reasons of course, but that doesn't change that he did it. And she came across as callous and unkind from the jump. Their final conversation before the latest episode is the one where she talks about wearing Mazey like a sweater and then says that Fabian missed his chance with her before stalking off. That's a pretty open and shut interaction. No way 17 year old me is like, "Hmm, but why is she acting so mean? Perhaps I should examine that more closely to further understand her." Nah, I've decided she sucks.

And Kristen has tried with Buddy literally up until the last moment. She rolled an Insight check on him right before the fight started and she got a 1. She got nothing from him.

Mary Ann is actually the only Rat Grinder who hasn't done anything to make a bad impression on the Bad Kids--the only thing she did was have a really good Bloodrush tryout. So no reason to hate her specifically (and, in fact, she is also the only Rat Grinder that at least half of them are positively obsessed with), but no reason to explore her further. And Kristen still tried giving her a stuffed animal and her response was that she already had that one and that she was going to give it away. What are they supposed to do with that?

Even when they tried, they didn't get information that was worth chasing when they were so busy and had to manage their free time. Gorgug didn't even slot in downtime to talk to his bio parents when they visited. Why would he spend any time on Mary Ann to figure out her deal? Maybe if they were given more explicit opportunities to interact with them in passing. If Mary Ann was shown at Bloodrush Games. If during class time Oisin tried to interact with Adaine. If Kristen ran into Buddy and Bucky talking. If any of their forays into talking to them or looking into them yielded anything actionable or that piqued their interest--they opened the door for Brennan to give them something more than once. But they never got anything that was worth investing more of their limited time into.

(And also, they didn't learn that Porter was involved until WAY into the last quarter of the episodes. Which absolutely could have changed things since, as far as they knew the RG's were working alone to raise this god which isn't crazy for them to think because Kristen literally did that last year and it was of her own free will. If they knew early that the RG's were smaller players in Porter's plot then maybe they would have been in more of a rescue mindset--especially since Fig has always mistrusted him--but that's not information they had and by the time they got it, the RG's were in deep hiding, like you said.)

And so, coming into the last few episodes, that's who the Rat Grinders are to the Bad Kids. A group of kids who they first heard about in the context of, "they famously hate you," even though they'd never interacted before. A group of kids who they already thought sucked even before they tried to kill the entire study body an hour ago. A group of kids who are trying to doom all of Elmville to eternal rage and who are willing and ready to kill them to do it.

With that context, yeah I think their actions are pretty understandable.

(Also, lmao. Yeah, I think calling Ivy basic would probably hurt her more than most things you could say to her.)

[bisexualmcqueen]

NEW FIRESUIT IN ACTION

[earlier draft]

we've come a long way since 2017 (technically my first attempt was 2013 woah). (also, thank you to CSP. love u clip studio). i may make a comparison post for his suit design over the years bc this is at least the 4th main iteration now?

also dont mind him in the first pic hes mildly concussed. can someone make him sit down maybe

[lurakha]

FAR CRY 5 (∞)

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.