#this genuinely is made out of pure spite

[hat3fulp-urfaveisproendo]

KEYMASTER FROM THE BACKROOMS IS PRO ENDO!!

[fellhellion]

Something something the spot’s goofy antics distract from how dangerous his own entitlement and resentment is

[lyssafreyguy]

God . . . imagine thinking Laios is a bad person who doesn't care about people. actual insanity.

[iocaisaint]

I don't know how to explain but one thing I'll always love about Nesta is her accomplishments and how she's seen in the eyes of canon vs how they genuinely don't register to her (like not in a humble way she genuinely just never thinks about)

like she's able to circumvent a high lords glamour through pure strength of will

she then treks on a 4 day round trip through wolf country in the dead of winter to go get her sister back, simply because it wasn't right she was taken when the family has only benefitted from that

this leads into ACOMAF where Feyre thinks about asking Rhysand if he can force Nesta's hand if she doesn't agree to host (daemati powers) and then questions if he could even do it to Nesta

We've got literal gods talking about some Nesta "you're the one the wind whispered about" in ACOWAR

her having the King off Hybern scared as a human simply because she pointed a finger at him

Then there's the king slaying obviously

Then at some point between ACOFAS & ACOSF she manages to deal with her terror of bathtubs through pure exposure therapy and no outside help

Then there's the weapons she made

Not being able to be contained by Rhys at the height of her power (+ him admitting that she scares)

Kelpie slaying, dread trove, pure death etc.

Then there's the mother imbuing her power into Nesta's friendship bracelets? This one was genuinely crazy

Her managing those 10,000 steps that were difficult for even the bat boys on nothing but strong thighs and spite!

This is one I hate but the IC just throwing her at any single man (Helion & Eris) in Pyrthian to get what they want and it working

Holding the pass for Gwyn & Em, murdering Briallyn, stopping time, making a deal with a soup pot, having a one on one with the mother and saving Nyx, Feyre and Rhys in one morning

Then HOFAS she's calling up the dread trove through universes and slaying the wyrm, getting Gwydion and going down as saviour of another universe

This entire moment>>>>>> "Rhys nodded without looking at the warrior, and focused all his fury on Nesta. To her credit, the female stood stiff-backed, chin high. Imperious and unbending. Ember couldn't help but admire her.

Rhysand’s violet-blue eyes guttered into pure darkness at the challenge in Nesta’s expression, her stance. A predator recognizing a worthy opponent—and unsheathing its talons. His hands curled at his sides, as if invisible claws were forming."

Then we get into Nesta's pov and her only desires are to go home to her man, hang out with Emerie & Gwyn, get her hands on a pegasus, read smutty books and eat chocolate cake 😭

I may not like how her story went but I'll always appreciate that this part of her stayed the same

[mistywaves98]

Something I was just scribbling in my notes but decided to post to make up for my lack of writing these days

¡Warnings!: Super self indulgent, written at 2 am so probably has a bunch of mistakes and descriptions that don't make sense, Scara is super mean here, No proper ending, Pure smut!

Scaramouche had wanted to do this for so long, to finally corrupt your innocent little mind as he reformed your insides with his cock. When your parents announced that they were going to be away for a few days, he jumped at his chance.

The next thing you knew, the side of your face was pushing smushed against the one of the many pillows strewn across your bed. The fluff was stained with your tears, sweat and drool, your cries muffled further by the material with each push of his hand holding you down. Another propped up your hips so he could drill his dick into you from a better angle.

You had no idea how perfect you looked from his view, body limp beneath him as he pounded away at your pussy. A groan resonated in his chest when he felt you clench around him again, signaling the approaching of your nth orgasm of the night. His other hand reached down to play with your swollen clit, rolling and pinching the sensitive bud between his nimble fingers, relishing the way your hips bucked into his hand subconsciously.

You knew you were about to cum too, and dread filled your mind. You genuinely felt like you couldn't handle another orgasm, and you attempted to make it known, "Please Scara—! Hnn.. N-no more! 'S too.. Ahhn...! Too much!" Scaramouche only chuckled at your whiny pleas, purposely increasing his pace just to spite you. He was determined to make you fall apart on his cock, over and over again if he could. Because you looked so fucking beautiful everytime you did.

A partly concealed scream fell from your mouth as your climax hit you like a truck. Your juices creating a creamy ring around the base of his cock as he kept up his pace. His eyes narrowed as tears fell from your eyes, replacing the ones that already dried from before. Scaramouche couldn't resist leaning down, his bare chest flush against your sweaty back as his tongue darted out to lick a wet stripe up the side of your face. He swore his cock got harder as he tasted the salty liquid on his tongue and his fingers dug into your delicate hips some more,"You taste so fucking delicious. Go on, cry some more f'me, baby. Never seen someone who looked as pretty as you when they cry.."

You might pass out if you were to endure much more of this. Your teary eyes desperately searched for something to ground yourself with and they fell on your favourite teddy bear that you slept with every night. It's beady eyes stared right back at you and you felt sorry that it had to witness you in such an unbecoming state. Scaramouche didn't even let you turn the faces of your stuffed animals to the wall when he made his intentions clear. Your hand desperately reached out to the toy and you clutched it as close as you could, attempting to find comfort within your inanimate companion.

Such luxury was only momentary when you realized your grasp was empty once more and your teddy was lying pitifully on the floor next to your bed. Your cry was followed by a sadistic laugh of his own as Scaramouche moved the hand that was holding your head down to grasp your cheeks, squeezing in a way that puckered your lips as he craned your neck painfully in his direction. "Oh, you're too adorable! Trying to distract yourself with a stupid bear? I have a better idea, why don't you take what I fucking give you like a big girl, hm? You're not five anymore, you know." His words were full of condescension and mockery, clearly intended to make you miserable.

Sobs mixed with pathetic whimpers keened from your sore throat as you were cruelly reminded of his dick splitting your walls apart. Your hands found purchase within your pillow instead as you desperately wished this would be over soon. Scaramouche watched your dainty form with a smirk on his face. Your incoherent babbling was cute, as was the way your eyes rolled to the back of your head from the undeniable pleasure he was forcing on you.

Oh, how Scaramouche delighted in seeing you become nothing but a dumbed down doll used for nothing but his pleasure. Don't get him wrong, he loves you, but he loves breaking you more. He makes a mental note in his mind to do this more often.

[lina-lovebug]

New Years Kiss

Orm Marius x fem! reader

_

Orm Marius couldn't admit he liked you.

As the son of King Orvax, he was prideful, cunning, malicious and stubborn. He always knew he'd have to fight for his throne, and because of that reality, he's spiteful.

But he's also Atlannas' son. He never spent much time thinking of how they both cared to the brink of it hurting them, or how his love was displayed in actions whilst hers was in encouraging her son to do better with his newfound freedom. In looks, he is his mothers son, but his pride held onto him steadfast.

"(Y/N) is coming."

"(Y/N)?"

Arthur mused, "oh now someone's paying attention."

Orm said nothing but rolled his eyes. His elder brother, Arthur, had a habit of teasing him. Sure, he had grown used to it and had his own retorts, but it had only gotten worse since Arthur figured out that Orm has a crush.

On a human.

"She's hosting, so you better not fuck this up."

Orm sneered, "what are you talking about?"

"New Years Kiss, little bro!" He went to mess up his hair, but Orm dodged him, "when the clock strikes midnight, humans have a tradition of sharing a kiss," Mera explained to him whilst feeding Jr..

"I don't know why you're telling me this because I have no intentions of courting her-"

"When you sound like that, you don't," Arthur cut in, his voice loud even from the kitchen.

Orm is Atlantean, (Y/N) is human.

Logically, it would never work out.

So why even try?

But even as Orm would remind himself of such a glaring difference, the thought would vanish the moment he saw her. He had seen hundreds of Atlantean women in his time, even mermaids, but somehow they were dull in his eyes compared to her. She wasn't just different because she's human, but she genuinely cared about everyone around her. He first claimed she was strange for giving her food to the homeless, or how she was odd for asking the barista how her day was.

Because it's a pure act of innocence that he hadn't seen in a long time.

And its what drew him in even further.

Despite his claims, Orm still found himself picking off any piece of lint or fur on his clothing and made sure he smelt just like that candle she loved so much.

And a dash of that cologne that Arthur wears.

"Oh, he just keeps growing! Jr, I thought we talked about this. You need to stay cute forever," (Y/N) loved seeing Jr.. Her face lit up in joy anytime she saw the little prince, and Orm felt a pang of jealousy.

Then realized.

He's jealous of a toddler.

"Help yourself! The potato skins are almost done," You had done the most to avoid Orms intense gaze but with those eyes? It was nearly impossible.

"Orm, how was your Christmas?" You asked, a tad bit nervous as he came inside and took his shoes off. He was always respectful of your home.

"Arthur gave me a fish."

"Did you name it?"

He looked at you for a moment, ". . .his name is Triton."

His deadpan voice with that line made you smile, and you brought out a small box from your back.

"What's this?" He asked carefully, watching it in your hand.

"Well since I couldn't make it for Christmas, I thought you could have it today," you explained, a small feeling bubbling in your stomach. You saw it and immediately thought of him, but never saw Orm wear jewelry a day in his life.

"It's for me?" He felt his heart skip a beat as he took it carefully and unwrapped it. It was a small box and went it opened up, his pupils dilated at the gift inside.

"I know how it feels to not be able to go home," you explained as he pulled it out of the box, admiring it, "so I thought you'd like something that reminds you of it."

It's a ring with carefully carved ocean waves along the side. You could relate to Orm in that way - being exiled. Well, it wasn't exactly exile, but it was always one way or the highway with your parents.

Choosing your own happiness came with a cost.

"And it's stainless steel, so it won't tarnish in the water," I added nervously.

"It's beautiful," he finally spoke up, slipping it on his right hand. He met your gaze with a nervous smile, "you didn't have to-"

"(Y/N), I think the potato skins are burning!"

"Fuck!" You shouted, running to the kitchen. Orm admired the ring for a bit longer, enjoying the warmth it brought it him before joining the others.

The evening was quite eventful, to say the least.

Arthur ate half of the food all whilst sharing pictures of Jr., and then Mera had started to feel ill. You apologized if something was overcooked or undercooked, but Mera insisted she had been feeling off all day.

Leaving you and Orm.

Alone.

He sat on the couch like a stuff board, suddenly hyperaware of his own breathing and kept glancing at you across the couch.

"I-"

"What-"

You chuckled, "sorry. You first."

Orm said softly, "it is nothing of importance. Please."

"Want to see the fireworks? It's almost midnight," Orm hadn't heard much of them before being banished to the surface. Only that they were loud and he refused to go outside.

But for you?

He'd say yes.

Since it was cold outside, you grabbed a blanket from the couch and wrapped it around you before slipping on shark slippers.

"I'm sorry if this has been a rough New Years Eve. I'm usually a better cook than tonight," you apologized, "I've just been feeling weird lately."

"Is it a human sickness?" Orm questioned, still keeping a small distance from you, for fear his heart might burst from his chest.

You blushed lightly, taking a small step closer to him, "something like that."

"Well. . .I hope you feel better."

Dense as always.

You took the initiative to step closer to him, your hands keeping themselves on the railing of your porch. The wood creaked lightly, and Orm wanted nothing more than to hold your hands.

"Humans get cold easily, correct?" He knew this but wanted to sound dumber for this.

"Yeah, why?" You asked, looking up at him.

He said nothing else but gathered your hands in his, cupping them together. You faced him but looked down, completely sure your face was scarlet.

"Guess I should have worn gloves," you muttered.

"I like it better this way," Orm confessed, meeting your gaze in your own shock.

It's now or never, he thought.

"I hated your kind," what a fucking way to start, "and what you did to the ocean. I wanted to blame all of you, for surely no one was innocent. . .but I have never seen something so pure in their efforts. You are shameless with your kindness, and it used to befuddle me. Why would anyone do things without expectations? Nothing to return back?"

"Orm," you breathed out. Surely he wasn't going to say it? Surely the fucking Prince of Atlantis didn't fall for a land dweller?

"You're incredible," He confessed, a small smile teasing at his lips, "You're the best of your people, and. . .and I. . ." He felt like words couldn't describe what he felt.

So he led with action, and kissed you.

His lips were nothing like you'd imagined. They were soft, and supple against your own, which you were lucky enough to remember your strawberry chapstick today. You leaned further into the kiss, and one hand came up to cradle your cheek. He wanted to continue on, memorize your lips against his - the very euphoria it brought him.

But a loud bang separated you both.

The fireworks started, bright reds, greens, blues - all lighting up the sky. You leaned your head against his chest with a laugh, "that scared the shit out of me."

His arms wrapped around your frame, ensuring your warmth as the colors in the sky danced in his eyes.

"I was your New Years kiss," He said absent-mindedly, and you looked up at him.

"Did Arthur tell you to plan this?"

He chuckled, "oh no. He may be older but he's not that smart."

"You're so mean," you playfully smacked his chest.

"But never to you," He planted a loving kiss on your forehead, silently thanking his brother for having Mera fake her illness so that he could do this.

I'm a fucking dumbass. I wrote this but passed out at 1am 🤦‍♀️

[exilethegame]

For pure angst and evil purposes, how easy would it be to make ROs cry?

Alright, here's them rated hardest to make cry to easiest-- and keep note, this is specifically in the context of someone trying to hurt their feelings (and them knowing). Because the order would change in so many ways for so many different things (who cries most under stress, who cries most if someone they care for is hurt, etc, etc)

Hardest to easiest: Sabir, Jost, Nikke + Syfyn, Amilia, Vethna

Freedom (is their own thing)

Sabir: Sabir, in general, is a vulnerable person. He likes being honest when he's not in "politician mode", likes sharing his feelings, feels comfort in openly showing his emotions which includes crying. But if for whatever reason someone starts really trying to hurt his feelings, that man can just... shut them off. I mean really turn off his emotions. It's honestly unsettling, and probably very disturbing. You won't be able to make him cry. Like... you just won't.

That being said, there are some people I don't think Sabir could ever muster the strength to do that to. It's not that he's not capable of it, it's that he'd rather be open and allow himself to be hurt by the person he loves than ever shut them out. (Looks at evil MCs nervously...)

Jost: Jost is pretty similar to Sabir, except she's always on the emotional defensive. She doesn't let people in ever, and because of that, it's hard to get a sad reaction from her. That being said, Jost is like... hilariously easy to piss off but that can go from being funny to being really upsetting to witness real quick. Because of that, I think it's possible, if you keep pressing hard enough, to make Jost cry from anger and rage. But you'd have to keep her cornered, cause she'd try to make a run for it before that could happen.

Nikke + Syfyn: They're tied! They both have pretty strong brave faces, but at their core, they're both such loyal and dedicated people that their strong face would crack, inevitably. Seeing someone they care for lash out at them, use their weaknesses against them, would be enough to make them start breaking down. But it wouldn't be soft crying. It'd be angry, defensive, confused. And they'd both probably storm off at the end and retreat into themselves. The only difference is Syfyn is terrible at holding a grudge and keeping a cold shoulder (MC snapping is a *cough* exception), and Nikke is a little too good at it.

Amilia: Amilia, honestly, is probably equal to Nikke + Syfyn in terms of how much you'd have to throw at her to make her actually start crying, but she's a lot more vulnerable. She won't hide the fact she's becoming upset, she'll beg for the other person to just stop, and when they don't... she'd just start crying. Not ugly crying, not breaking down, but she'd make no attempt to hide her tears as she sniffles. I think Amilia is comfortable in that sadness in a way the others aren't, and she has no problem being blunt in that sadness-- asking the other person if they're happy they made her hurt (and genuinely asking, not just saying it to spite them). It's hard to explain... maybe I'll get the chance to write it... in game... (*looks at camera dramatically*)

Vethna: Don't. Please don't. If someone close to Vethna, at this point, just straight up turned on them and started throwing shit at their face in a fight to purposely hurt them and was just outwardly downright malicious, Vethna wouldn't even put up a fight. They'd probably try to look indignant, nonchalant, and unfazed, throwing a witty, sharp retort your way... but that would probably last a total of ten seconds before they just start crying. I get this image in my head of Vethna almost seeming child-like when they cry-- pouted lips, huffing breaths, avoiding the other person's gaze. I think Vethna has too many "sore spots" in their self-worth and confidence to be able to handle something like that with any sort of grace. But the worst part is I think that leaves them very susceptible to manipulation. Vethna craves approval from the people around them, so it would be easy to use their vulnerability against them.

Freedom: Okay, Freedom is just hovering all around because emotions are so wonderfully bizarre and strange to/for them. I don't think you could make Freedom cry if you were just like... "I'm gonna be a dick because I'm annoyed or angry" and started insulting them. They'd just look at you with a raised brow and vaguely amused expression. But if someone was close to them, and genuinely upset by something Freedom did, and that person was hurt and fighting back tears and lashing out as a response... then I believe that would make Freedom cry. MC + Freedom are very innately connected, and I think feeling the weight of those emotions on them if they're close would be enough to make Freedom start crying... and then become incredibly confused by it. They're definitely a pretty crier though-- like, their face is all stone-still and then their tears run down all dramatically...

[azulaaaaaaah]

atla/tlok characters that i think did *it* (but i just can’t prove it)

this is the most unserious post i’ve ever made. (AND I WANT TO PREFACE BY SAYING BY *IT* I MEAN KISSING)

Sozin and Roku

and history will say that they were just great friends…

this is the only one where ill legitimately die on this hill

like i’m 90% sure roku just showed Aang their friendship in the flashbacks to prevent awkwardly explaining to a 12 year old monk that he was romantically and/or physically involved with the person who committed a g*nocide against his people

LIKE CMON WHY IN THE WORLD WAS SOZIN SO PRESSED IN THE BACKGROUND OF ROKU’S WEDDING ??? AND FOR NO REASON?? WHY WAS THEIR FRIENDSHIP SO INTENSE?

sozin i feel loved roku (to an obsessive level) and roku literally dgaf. king shit

Wan and Raava

genuinely what the fuck was going on between these two. like i don’t even have any words

canonically at the very least it was a domestic partnership

S2 korra doesn’t make sense at the best of times. imagine trying to explain the intensity of this pair’s devotion to each other, to someone who hasn’t seen the show- all the while knowing raava is a disembodied spirit practically older than time

she’s the embodiment of everything good and light in the universe and he’s just wan. (and he’s wanough <3)

‘do you think we’re soulmates in every life?’

‘bet’

‘wait that’s not what i-‘

Cabbage Merchant and his cabbages (or at least a cabbage)

yeah i’m not touching this one with a 10 foot pole

Every member of the red lotus squad

ah yes it’s my favourite evil polycule

amidst plans to kidnap children and topple monarchies what else is there to do except… kiss.

let’s be real there’s something so inherently romantic about being apart of an elite, vaguely murderous anarchist squad

they all share one exact bed. it’s canon

(p’li somehow big spoons all of them)

The S2 Nomads

these dudes are the textbook definition of anti-monogamy

like they’re obsessed with love so i fully believe that they think ‘it should be spread amongst others’ or some shit

oh to be a travelling communist nomad in a band, wandering the wilds with my wife, and our several partners

they’re somehow the opposite of the red lotus and yet the same. they all share a single bed/sleep area

The dangerous ladies (but all separately)

i don’t ship any of these particularly and yet can still admit that it’s canon

ty-lee and azula have kissed bc azula probably made up a dumb excuse like ‘oh i don’t want my first kiss with a guy to be… erm… bad’

mai and ty-lee have kissed because they both probably have genuine, vaguely deep rooted romantic feelings for each other

mai and azula have kissed to purely spite zuko (and yknow what ty-lee too)

HOWEVER A KEY ASPECT TO THIS DYNAMIC: azula is completely unaware about the ty-lee and mai thing. it’s uh… better off that way.

Hakoda and Bato

i ship this about 50% but like… it’s got to have happened once right? considering all that down time they spent together on a boat away from the repercussions of water tribe society…

also considering they were leaders i doubt the other warriors were in a position to ever call them out on it

like cmoooooooon what’s a little kiss between the homies every now and again?

hakoda is where sokka gets his rizz/flagrant bisexuality from and i can’t change that guys

[starreyblueberry]

Timmy Turners fate in the new series is one of the most anticipated/theorized aspects of the new show right now. We have multiple easter eggs towards him being a possible character in the new show, and due to the creator saying that Timmys kids could possibly be Cosmo and Wandas next godkids, I don't think Timmy has kids yet (aka the channel chaser ending might be on its way, but not happened just yet.) He is arguably going to either be a huge hit or miss, everyone has different ideas, fates, what he should be, what would be the best conclusion to his character. The lines between real genuine trauma and gags in the old show are blurry, as well as core aspects of his personality. It’s so hard to actually write him as an adult for the new show purely cause what exactly are you going to take from the show that MATTERS. Will you take the lovingness of his parents from season one? or the neglectful spiteful parents they become from season 4. Will you take the horrible grades as him actuallly being bad at school, or crocker failing him on purpose. Will chole even be his best friend? Or is it back to AJ and Chester? Or will his only friends be cosmo and wanda?

We’re Cosmo and Wanda parents to Timmy, or just godparents.

Its already proven that timmys magic somewhat stayed (aka Peris existence, Dale being a millionare, hell even dimsdale/fairy world being intact) If they will acklowdge that? The school mascot being Timmy turner adjacent, past fairy’s seeming to have remembered Timmy (The tooth fairy having a little card of Timmy, Jorgen hanging out w cosmo and Wanda more CAUSE of Timmy’s adventures etc). He’s somehow a crutal part of almost every piece of the show and he’s not even there. I fully believe they’re gonna explain why a lot of Timmy’s wishes have stayed (in my opinion so many of his changes have made the world in general a better place, and he has saved the universe so often undoing his shit would kinda change the whole fabric of space and time, thus making his magic stay, memories are more… iffy.)

I know a huge thing is also the family dynamic, the fact Timmy is their favourite, hell the HALL OF TIMMY!!! The fact they keep a picture of his room in their house, the fact that they reference him sometimes within conversations with hazel. Never actually spoken his name but implied that’s their Timmy (aside from one time) That the reason the world is right now the reason this problem or circumstance or blessing is happening is because of Timmy Turner.

The amount of pure power Timmy has over the show is something crazy, and I do trust the new writers to give us an ending that will satisfy us. He’s been so connected to many people’s childhoods, showing found family at its core. He’s snarky, loud, smart, kind, and more. People want to see him happy, people want to see him with his family. Who you count as his family is up to you. It’s already been semi-confirmed it’s gonna be connected to the channel chasers ending since most of the general audience has said they wished the show ended during that time ( I have my own opions about it but I digress.) It would be super cool if they did their own take, aka any unconventional Timmy future that we haven’t seen as a concept in the OG show. I know many people are rooting for too remember, for them to be united, and I really wish it happens. We also have to remember this is hazels story too, and we’ll be seeing the end of Timmy’s story rather then the middle of it. A special about him would be amazing though, especially if he’s either the hero, or the villain. Idk!!One day I’ll make a full post about every possible future Timmy and my preferences towards which ones, but for now I’ll stick with my analysis of the OG show.

All I know is that Timmy changed Cosmo, Wandas, and Peris life almost more then any other Godkid, and I like to think the show respects the impact he had. Not only as their godkid, but as their first kid to consider true family.

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[aetherialpiplup108]

Edit: Erased mention of the show from this post even if it was originally criticism because in hindsight, I want to avoid mentioning it at all due to the boycott.

What makes the Broken Trio (Annabeth, Thalia, and Luke) so impactful is that their bond is in stark contrast to the individual relationships the three share with their real families. Annabeth went thoroughly neglected by her father and absentee mother. The same for Luke, saddled with a mother who was tragically unavailable whether she wanted to be or not, and a father who never stepped in. And for Thalia, she never knew where she stood with her mother. Did Beryl love her daughter for her, or did she love her because she was proof of Zeus' favor. Did she truly care about Thalia--because from a little girl's perspective, she surely couldn't have cared about Jason all that much, trading his life to Hera in order to save her own--or did she just see her as a bargaining chip for immortality? And is that what love is? Later on, the same sentiment would apply to Zeus as well. Did he save her because he cared for her or because he thought she could be brought back to control the prophecy in his name?

All three of these kids were given nothing but conditional love. They all suffered under the weight of their desires to prove themselves to their parents whether out of spite (Luke, and Thalia to an extent) or love (Annabeth), because that was the only way they'd get the gods' attention, let alone their affection.

That's why it's so so important that when they came across each other and decided to form their own family, they chose to break this pattern. Luke stuck with Thalia knowing she was a magnet for danger with a huge target on her back. Thalia ignored Hal and Zoë's warnings, trusting Luke solely off who he had shown himself to be. And both of them looked at Annabeth, knowing she would slow them down--she was seven, how could she not--and decided to bring her along anyway because she deserved better and if her family wouldn't step up, they would.

These weren't rational decisions because family isn't meant to be rational and they're not Athena. They don't want to be. And we see this emotionality reflected in their choices throughout. Ever logical, strategic Annabeth believes in Luke even when she shouldn't because a long time back, he chose her when he didn't need to. There's a million different interpretations of Luke because, let's face it, his character was messy and inconsistent in canon, but what ultimately sets him apart from the gods or titans is a genuine care for his family, even if he stomps all over it at times. For Thalia, even after Luke poisoned her tree, she maintained faith in him right until the last moment on the mountain. Her breaking point was when he hurt Annabeth, leading her to purge all the good parts of Luke from her memory, forcing herself to only think about the betrayal so she could do what she believed was necessary to protect Annabeth. Not that I don't think she made the right call, but I do think this was far more of an emotional reaction than a purely practical one, which is further emphasized by how Percy (the neutral party, the outsider to this family) had to look at Luke empathetically and from both sides to make his final choice (@ruegarding has a fantastic meta on this that you should definitely check out).

Anyway, the point is: unlike the gods, these three did not perpetuate conditional love towards each other. It's essential that they saw each other, hurt and lonely, and chose to care, which is why it hurts so much when that found family breaks, and why it's the central piece that resolves everything in the end.

[butwhatifidothis]

I think the main thing that makes Edelstans' version of Edelgard so annoying is that she ultimately has every ounce of agency stripped out of her, by people who insist that they're "making her grow" into a character they already made her out to be from the start. We get told that Edelgard has this amazing character arc, and then are presented with a Mary Sue with no discernable flaws and/or who makes no substantial mistakes.

This Edelgard is perfect out the box, no discolorations or tears to be seen. She just has a bit of dust, but the doll itself is flawless. And that is, in the end, what ruins her. She’s not prideful and arrogant, she’s not stubborn and narrow-minded, she’s not manipulative and deceitful, she’s not violent and abrasive, she’s not nationalistic and imperialistic, but nor is she fearless and confident, she’s not ambitious and resolute - she has none of her character flaws or boons, because they make her too full of agency. They drive her to choose to do anything; they're not forces outside of her control that make her do things that she would just never, ever do were the WORLD not so broken and flawed.

The few "flaws" Edelstans begrudgingly allow her are only meant to further endear her to the player. She’s childish, but only because she’s oh so traumatized and that should be accepted as who she is and not something to grow out of (nor something that is truly wrong of her to be even in her 20's). She’s self-unaware, but only because the world made her unsure of who she really is, which is a perfect little angel. The only "mistakes" she makes are because others failed her; Byleth and the Black Eagles fail Edelgard in the Holy Tomb, that wasn't her fault, they didn't ensure her that they could be trusted, for example.

Claude and Rhea have flaws - real flaws, that aren't "they just don't wove themselves enuff." Dimitri makes mistakes - real mistakes, that aren't "he twusted the wrong people and got hurt fwom them." They are allowed to misstep and stumble, to steer off of a purely good path due to actions that they chose to make, they get to grow as characters. But any imperfection found in the Edelstan Edelgard is only due to her environment, not her own nature. Narratively, she never does any wrong; anything bad she ever does is really someone else's fault.

She’s just a little flower plucked of all her thorns, safe and easy to pick up and admire, weak, meek and too innocent and pure for this dirty dirty world, coveted by all for her perfection and beauty.

Which is just so... boring? And annoying? That literally no matter what happens to her or what she herself does, it's never a result of Edelgard doing something but something being done to Edelgard? UNLESS it's a purely good action, then suddenly she has all the agency in the world and should be responsible for it? It's so clear that this Edelgard is one that is sanitized of any pesky little flaw that could make people dislike her or like her in the "wrong" way (because liking villains for being villains Is Wrong), and that is ironically the exact reason why she's so insufferable.

Like, it's almost kinda hard to explain why having a character choose to be an asshole is so much more engaging to watch than having a character be entirely reactive UNTIL they can get Good Noodle Stars because.... yeah? Of course? Because there's more meat to bite into whenever a character makes a choice - whether kind or spiteful, whether good or bad - over someone else forcing a character to do something.

"Edelgard believes in imperialism because she has been raised in and agrees with a culture that believes itself to be the rightful 'owner' of the continent due to it being the progenitor country, and she genuinely believes Fodlan would be better if back under this 'glorious' reign of Adrestia, even despite her being around those outside of Adrestia for almost a year" says so much about her AND Adrestia. "Edelgard DOESN'T believe in imperialism, it's just that everyone else is doing so badly that they FORCE her to kill them or otherwise get rid of them" says things about the ones DOING things badly, MAYBE, but all it says about Edelgard is that she Doesn't Like Bad Things. Or, oh so much deeper, it says she likes *gasp* Good Things! How brave, how stunning! And before you can try to say "Well maybe Edelgard went to violence so quickly because she views fear and control to be the best way to force a society into being 'good' over trying to convince people peacefully," the Edelstan Edelgard is already packaged with "Edelgard went to war first because literally everyone MADE her go to war because THEY wouldn't let anything else work."

"Edelgard tried to assassinate Dimitri and Claude at the very beginning of the game because she wanted to make her eventual war go way easier" turns into the infamous "Edelgard was just trying to scare THE TEACHER away to get JERITZA installed in their place, and CLAUDE ruined it by running away; she wasn't ACTUALLY trying to hurt anyone." "Edelgard let Remire be massacred because - like she literally said she would - she was willing to sacrifice her people's lives in service of her higher cause" turns into one of "TWS forced her to be compliant" or "Edelgard definitely didn't know anything because she would have stopped it had she known." "Edelgard directly assisted in Flayn's kidnapping because TWS having more tools to work with means she gets more weapons to fight with" turns into "She was forced to do that." "Edelgard helped hide Kronya among the student populace even as she kidnapped students and mutated them into Demonic Beasts because it will help in giving her Demonic Beasts to work with in the war" turns into, you guessed it, "Edelgard was forced to do that." "Edelgard sent her army and Demonic Beasts onto either her direct Black Eagle classmates or otherwise innocent students to stop them from stopping her from getting Crest Stones to use in her upcoming war"? Oh, a surprise! "She HAD to do that, because OTHER PEOPLE were going to take the Crest Stones if she didn't!"

She was forced to, she wasn't hurting/trying to hurt anyone, she didn't do anything wrong - if her actions lead to people getting hurt and/or killed, those are the exclusive reasons allowed as to why she did it. These reasons being excuses to alleviate her of any accountability, not genuine explanations that still demand her to take accountability.

Meanwhile, Rhea distorted history to keep her and her family safe - which in verse is said to be something she was still wrong to do, and which in verse she ADMITS was wrong of her to do. Dimitri was absolutely willing to torture Randolph because he viewed the guy as less than human and felt him getting such inhumane treatment was justice - which he directly takes accountability for to Randolph's remaining family. Claude weaseled up to Byleth because he felt he could use them for his own ambitions - which he owns up to and grows out of doing. Regardless of context explaining why they did this or that, they did this and that. They own their actions and are responsible for them, no one else. And, you know, because they own their actions, they can, uh. Grow from said actions? Look back on what they did and go "huh, shouldn't have done that, I will choose to not choose to do those actions again"?

Like I'm sorry but you can't choose to not get fucked by literally the entire damn world and that's what makes Edelsue so fucking boring and uninteresting and annoying. All of that meticulous planning Edelgard did for years to enact this war, in this interpretation, boils down to "she didn't do shit, everyone else did, she was just forced to be the fall guy." Any action that isn't squeaky clean in moral whiteness has nothing to do with her agency and that sucks ass

[altocat]

Who among the Firsts that has better table manners and who doesn't (or forgets when the food is delicious) but constantly needs to be practicing before going to a fancy dinner or event?

Angeal: He does his best. And I do mean his BEST. It's hard to take the country boy out of the soldier though. For all his hard work and convictions of honor, Angeal occasionally forgets himself. He practices all night every week to make sure he's on point...only to mess up during the moment of truth.

Zack: Genuinely doesn't give a rat's ass about table manners. He doesn't eat like a wild animal or anything, but he also doesn't really make an effort beyond Angeal occasionally elbowing him. It is what it is. He'd honestly rather be back at his place eating hot pockets and playing video games than at a fancy dinner gala.

Genesis: Being brought up wealthy, Genesis has the most refined table manners and requires no practice at all. It comes naturally. Many of his fans have pointed out his rather elegant way of eating and holding his utensils. There's an entire tiktok compilation of him gracefully sipping wine. The only time when Genesis loses his cool is whenever he makes eye contact with Sephiroth. Then his poise and grace either devolves into aggressive competitive eating or something slightly flirtatious. And god forbid if you catch him with the latter.

Sephiroth: Sephiroth was bred and conditioned to have very good manners and practices on occasion to make sure he's got everything right. During most dinner galas or public events, he's very refined and delicate. HOWEVER, he's made it his mission in life to throw all manners out the window the SECOND Hojo shows up. The second he spots Hojo in attendance, he makes sure to go full caveman on his steak, giving no shits about how many eyes are watching him. It's pure spite. Hojo has since been excluded from such events as a result.

[flower-boi16]

Why The "Their Both Meant to Be in the Wrong!" defense doesn't work

Lately I've commonly seen this defence levidied towards the show's writing of Stolitz everytime someone critizes season 2's handling of it, and in light of the recent episode I feel the need to cover it. So let's go over why this defence simply doesn't work, shall we?

1. Their mistakes are not equal

I already made a post about this before so I'll try to keep it brief; Stolas and Blitz's mistakes here aren't equal and the show can't act like they are. Stolas mistake was sexually abusing Blitz, trapping him in a situation where he has to agree to sleep with him or he'll lose the thing he needs for his job

Blitz' mistakes are...

Being kind of an ass to Stolas in Apology Tour

Not realizing that Stolas has genuine love for him due to being blinded by preconcieved notions he's had about him

Let's break these down, shall we?

This not on the same level as what Stolas was doing

Blitz isn't even in the wrong for this. Again I talked about this before in my post about Viv's tweet but. Blitz is not in the wrong here for not believing that Stolas loves him, after all, what reason does he even have? Stolas has done nothing but sexually abuse and constantly belittle Blitz, and even those "nice things" aren't suddenely enough to balance out those bad actions, they are far too small to actually make up for the shit Stolas did to Blitz.

None of these mistakes are remotely the same level as what Stolas did to Blitz especially when you start putting in context here. Stolas was doing what he was doing to Blitz were all purely for his own selfish pleasure while Blitz' actions were more understandable once you look at things from his perspective.

You can't pretend that Blitz and Stolas' actions are somehow the same level when they simply are not. The actions from both characters should be equally as bad when you put in the context, but here it simply isn't.

2. Stolas' mistakes are never acknowledged

I've seen a lot of people trying to say that one of Stolas' mistakes here is that he "isn't self-aware enough" to realize how he treated Blitz not as a why to excuse him but to try and deny the argument that the show is victimizing him. There are two problems with this;

There isn't any actual indication of this being case within the show, this was just something that Viv made up in a tweet she posted after the full moon aired and everyone suddenely started parrotting it around. This was suppoused to be character trait for Stolas than that should have been made more clear from the narrative.

Let's say for a sec that the narrative does make it clear that Stolas has little self-awarness; well, it still fails because the show never calls this out. The show never calls out Stolas' lack of self-awarness in these scenes, if the show really was trying to hold them both accountable then Stolas' flaws here should be properly addressed by the narrative, but they aren't. It's a similar issue to Charlie from HB's sister show; the narrative is aware of the flaws the character has but it never chooses to call out or confront these flaws because it's too busy idealizing/babying the character to do that. Stolas' flaws SHOULD be addressed by the narrative if Viv really is trying to make them both flawed, but no, only Blitz flaws are acknowledged while Stolas' aren't.

That's bad writting. 90% of the blame is put on Blitz while Stolas is solely painted as someone hurt by Blitz' actions. The only time where Stolas' actions are seen as bad is when he was SA Blitz, which is good but...since it's coming alongside moments that demonize Blitz for not seeing that Stolas loves him, it runs hollow and still comes across and victimizing Stolas here as someone hurt by Blitz in spite of holding him accountable (and also because, once again, Blitz is not in the wrong for thinking this even if he has biases). The show is still directly demonizing Blitz for being hurt by Stolas' actions here, so it runs hollow.

3. Blitz still gets all the blame

People constantly complain about antis "picking sides" when you aren't suppoused to, but I don't think you can blame people for doing that when the show itself is picking sides. The show puts all the blame onto Blitz here, painting him as the one mostly in the wrong here and an asshole for hurting Stolas' feelings.

Despite what fans try to argue, the framming of the show makes Stolitz look completely black and white; Blitz is the asshole who hurt poor Stolas' feelings and Stolas is the one who maybe made some mistakes but is mostly innocent here guys! I'm really sick of people trying to argue about this being a grey reletionship when it's not, if Viv wants it to be a grey reletionship then she's doing a shit tier job at it due to the framming of the show.

Blitz is the one who the show mostly demonizes here, he's the one who the show sees as the worst person here who needs to change, while Stolas is painted as the "bigger" person. That's not mutual toxicity. If that was what the show was aiming for then the show would call them both out on their bullshit, but it doesn't.

Conclusion

Just wanted to write this quick post because I was sick of seeing this defense over and over again when it came to this reletionship. Guys, Stolitz is suppoused to be a mutually toxic reletionship, then the show's framming is fumbling it significantly. The writting for the reletionship here is just plain bad.

[vendetta-if]

With recent superhero movies like The Flash and Across the Spider-verse dealing with things like time travel and alternate univierses. I'm curious about what would happen if similar happened and the MC wound up encountering Viktor from the Dead Man Walking AU?

Oooh that's angsty 😰 It would be filled with a tearful and heartfelt reunion. For those who haven't read it, I have made the Dead Man Walking AU side story public a while back and you can read it here (Part 1) and here (Part 2). Also, I've compiled a list of all the publicly available side stories here 😀

Viktor from the Dead Man Walking AU is really a husk of the man he once was. He has become someone who's very bitter and cynical, and he won't stop at anything to make those who took his child away from him pay in the worst way possible. The only reason he's still alive is out of pure spite; there's no way he's going to die as long as the killer is still alive.

So, yeah MC would be in for a bit of a surprise to see just how different their dad is from the one they know and remember. But Viktor would be even more surprised to see his kid all grown up now. He would definitely break down and cry while hugging MC tightly, not wanting to let go.

MC would tell him everything that has been going on in their life and for the first time in years, Viktor genuinely smiles--even though it's a wistful one. At least, he feels something other than the numbing pain, hatred, and anger. Rather than telling MC what he has been up to all these years, he would rather ask more about MC and what they like and stuff, whether they still love the same ice-cream flavour, and he would carve all those little details all his heart.

Funnily enough, meeting Viktor would end up being a good thing overall for MC and Luka and Grandpa from the current Vendetta universe. Hypocritically, Viktor would make the three of them promise to stop their foolish endeavour to avenge him, saying he never wanted or expected it from them. He would tell them to live their lives to the fullest and he would also make sure Luka knows that he's not at fault at all.

Basically, he would tie up all emotional loose ends that his alternate self had tragically left, and yes, even with Grandpa as well. As much as they had beef, they still care for each other. I think that will help MC, Luka, and Grandpa heal once Viktor returns to his own universe.

But for Viktor, once he returns to his own universe, that encounter just makes him sadder, angrier, and more spiteful. How could one not when he has seen what he could've had, what could've been? While MC and Luka can continue with their lives, for Viktor, MC was his future and everything... There is no moving on for him, only more burning desire to avenge his kid. And once he somehow manages that... Honestly, he has not expected to go that far.

[turbulentscrawl]

Identity(V) Headcanons: Norton Campbell

I'm starting off the writing blog with some of these character analysis-esque headcanons! (Starting with Norton bc he's honestly the reason I made this blog.) They'll serve both as practice for me, and examples for any readers on how I write different characters.

Again, I am new to the IDV fandom, and I have never played the game. These headcanons are informed by ongoing lore dives sourcing the wiki, japanese twitter responses, comics, stageplay, and more! Some of these may relate to or even contradict character backstory, and some of them are just pure vibes for me. If you like it, consider shooting a request ;)

-Norton had always been a moodier guy, but the mining accident (and the lack of mental and emotional support he received after it) resulted in a much more obvious split of his temperaments. Without trying to put a name to something I’m no expert in, Norton has two distinct personality states which are both aware of and inform one another. The First is the more common state, wherein he is more level-headed, but prone to melancholy and isolation. His melancholy tends to be more intense after an episode with his Second state, wherein he is very likely to exhibit anger, mania, and cynicism. Likewise, his Second state tends to be more critical when he’s been uneventfully mellow for a good while. He tries his best to balance and regulate the two, but this particular emotional roller coaster is one he never had any say in getting on and has never had any assistance getting off.

-The First state typically lasts longer than the Second, sometimes stretching several days at a time. During the First, he’s at his most amicable and chatty. This is the best time to get to know him as a person.

-When in his Second state, which is usually triggered by something that reminds him of the accident, it’s better to give him a wide berth. Even in the case of a friend or partner who has thick skin and handles harshness well, Norton can become hypercritical of himself for being cruel to them.

-His mother died in childbirth, leaving Norton with only his father, who also worked himself to an early grave. Norton had to start working immediately to keep himself fed (and sometimes didn’t even manage that) so he has next to no education. He does not read or write especially well. He is also not particularly tech savvy and struggles with new concepts. That said, he's never been one to back down from a chance to improve himself, difficult or otherwise.

-Norton was mostly genuine in his visits to the elderly and sick. Many of them were other miners and laborers who helped him find his footing after his dad died. Their help may not have amounted to much in the long run, but they didn’t just look the other way and he understood the loneliness they felt on their deathbeds.

-The one exception to this was Benny, who Norton had also once looked upon in an appreciative light…until he learned how to read. It was then that he scoured his father’s old letters and discovered an infuriating truth: after the birth of Norton and the death of his mother, his father had been about to leave the mining industry. Benny was the one who convinced him to stick around and join the obsessive hunt for gold. It was through a mix of spite and desperation that Norton decided to swindle Benny out of his maps and take the chance at riches for himself.

-Norton does not talk about the mining accident. At all. Not even if he’s paid. Part of it is self-preservation—since he IS the one who stole and illegally ignited the explosives. The other part is that he is well and truly wrecked with guilt. Norton did not get along with most of his coworkers in those final days, was bullied and harassed by them, but he wanted to get ahead of them, not kill them.

-Because he’s been self-reliant from such a young age, he’s naturally distrustful of other people. He has trouble accepting people at face value and often rejects compliments, and other words of affection. He’s the embodiment of “actions speak louder than words.” In general, if someone wants to get closer to Norton they have to put their money (and their labor) where their mouth is and show a lot of patience. Any genuine relationship with Norton is hard-won.

-In line with the above, the best love language to give Norton is Acts of Service. Physical Affection would also work well once you reach a certain threshold in his trust. Gift-Giving is a decent third, but you would need to tread lightly here, lest he start to see the budding relationship as purely transactional. Holidays and birthdays are the best time to really go in on gifts for Norton, since he has a harder time arguing bribery with culturally dictated gifts.

-He genuinely does not find himself to be attractive. I wouldn’t go so far as to say he’s insecure, as he really doesn’t think about it much, but he’s least likely to accept compliments about his appearance. The burn scars certainly don’t help. If you do compliment his appearance, it’s better not to mention the scars at all than to try and make him feel better about them.

-He wholly, genuinely, hates the rich. Which is obvious enough, I suppose, but I think it’s more extreme than people give him credit for. And really it just comes down to unadulterated jealousy and bitterness, which are not easy feelings to overcome.

-Norton is of the opinion that all life is equal—and when he’s at his most cynical, this means he’s willing to take the balance of “an eye for an eye” into his own hands.

-His sweet tooth is limited to donuts and a few other carb-y baked goods. He prefers savory flavors, or sometimes bitter, such as in the case of his black coffee. He doesn’t eat as much as you might expect for his size, but he always eats quickly, and hunched over his food like it’ll be taken away. Old habits die hard.

-He has a terrible sleep schedule, due in part to frequent nightmares about the accident. He’s also somewhat claustrophobic and dislikes pitch-black spaces, so a window is a must in his bedroom. He prefers to have it open whenever reasonable.

-He doesn’t do well with thunderstorms, as the rumbles of thunder sound too much like the beginnings of a cave-in.

-If he has one singular strength, it’s perseverance. Hardships don’t deter him because he’s seen and overcome plenty. He’s a loyal friend as well, once completely won over. If he cares for you, you’ll never have to tackle a hurdle alone.