#this film is just. god. it means so much to me

[genericpuff]

Do you have any entry level recommendations for someone looking to learn a bit more about Greek mythology? I’d love to read up on it but I’m not sure how to find reputable sources and avoid Americanisation.

I mean, at the risk of sounding crass, you're likely going to run into Americanization no matter what you do because America itself was built on many cultures, especially that of Greek philosophy and storytelling.

Buuut if you mean you wanna read some actual Greek myth content that AREN'T modern American spins on classic tales, Emily Wilson is a popular choice for many people dipping their toes into translated mythology as her translations are both simplistic and concise in their language choices as well as fun in their structure to read both internally and orally (iirc her translations are done in iambic pentameter which is very familiar to anyone who's ever read Shakespeare). I've been working through her translation of The Odyssey, it's been pretty enjoyable :)

I've also heard great things about both Lattimore and Fitzgerald, the latter of whom I will be reading next after I finish Wilson's translation. That said, I haven't read either of their works yet, so take my recommendation of them with grains of salt! (I hope you enjoy them though if you check 'em out! If you beat me to it, let me know how they went!)

OH also, I know it's sorta the opposite of what you're likely looking for as it's VERY influenced by modern contexts, but thanks to another anon I recently got into Destripando la Historia which is a super fun animated Youtube series that retells the stories of various different gods from different mythologies. If you're into stuff of the goofy anime variety, you might enjoy them, it's a Spanish series but you can turn on captions to read the translations! It's super beginner-friendly, it covers a lot of different stories and myths without getting into so much detail that it's overwhelming (but gives you a good kickoff point to start with!) and the songs and animations slap, Afrodita is one of my favorites haha

Overall the biggest advice I can give you if you're trying to avoid fanfiction-y / "Americanized" retellings is just to cross-reference. If you find a retelling you really like but aren't completely sure of its legitimacy as a functional retelling, keep reading, watching, and learning more. It's a skill like any other, and the more you read, the more you'll be able to pick out what's a legitimate retelling from studied scholars vs. what's fanfiction that you don't need to take too accurately or seriously LMAO

And honestly, nothing wrong with the fanfiction stuff! Mythology, in its very nature, changes over time, it's an inevitability and many of the myths we still draw from today are often derivative in and of themselves from even older versions that pre-existed them (see: Ovid).

it's okay if your introduction to Greek myth is through derivative fanfic, stuff like Disney's Hercules and even Lore Olympus ARE fun to consume for a lot of people and make for a good entry point into learning more about the myths!

What's frustrating - and what I tend to criticize the most here - is when the fanfiction gets advertised / sold as legitimate retellings; when the fanfiction grossly misrepresents the actual mythology and yet tries to claim it as legitimate anyways which results in fanbases that are running around with completely false information claiming it as fact. If you can give the team behind Hercules credit for one thing, their rendition may not be completely accurate, BUT the folks who made it never bragged about how much smarter they were than other people about Greek myth or call themselves "folklorists" when they didn't even have any formal education/training/etc. in it cough like another creator we know cough 💀 If we want to make a comparison between LO and a Disney film in terms of how it grossly misrepresents the themes and cultural contexts of the original stories it was drawing from... Disney's Pocahontas does exactly that 💅

So if you want to avoid any "grossly" Americanized versions of Greek myth that are borderline disrespectful to the stories they're drawing from... yeah, that's usually a pretty indicative red flag LMAO

But outside of those very specific scenarios, just have fun with it, there really is no "right or wrong" way to engage with the mythology if you're simply just wanting to learn more, the beauty of it being mythology is that it's very diverse in its mediums and thus you don't have to be restricted to learning about it exclusively through academic translations or lectures. Of course, there are cultural intersections with these myths that shouldn't be ignored, we always have to treat it with care when engaging with it so that we aren't overwriting another culture's traditions or beliefs - but if you're simply wanting to learn about and entertain yourself with some amazing stories that have quite literally stood the test of time, do so however you see fit :)

[macaroonff]

The photobooth- Park Sunghoon

Where two strangers, in their desperation and vulnerability, take a picture together. One to create a lasting memory, the other to remove the old one.

Genre: Strangers to lovers (kinda)

Pairing: Non-idol Park Sunghoon x gn!reader

Content warnings: Mentions of a breakup, mentions of enlistment, none imo

Word Count: 1.2k approximately

In his mind, what he would do next was stupid, extremely stupid. Park Sunghoon stood solemnly in front of this hole-in-the-wall photobooth he travelled past on the way to uni. He wasn't sure what exactly led him here- whether it was his desperate need to capture a memory, or whether he was driven by pure insanity. He knew a few things had changed since the last time he stopped by. His hair was shaved short, military style as was required of him. There was an increasing sense of foreboding of the future. His heart had never felt this heavy before. Not even when he almost didn't get into the university of his choice. He was about to enlist- only that it didn't help that he'd be leaving in a week. He felt short on time, as the announcement barely gave him enough to physically or mentally prepare himself. His friends had suggested taking a cool polaroid picture for the sake of memories. For a keepsake for the man he was to become, and as a memory of the boy he would leave behind. His heavy feet therefore brought him here,to a last-minute decision after hours of contemplation. He draws the curtains of the tiny photobooth and hesitantly sits on the bench. Unfortunately for him, and to add to his embarrassment, he fails to notice the other person seated right beside him.

"Excuse me?" you squeak, surprised by the appearance of the man next to you.

Sunghoon is pulled out of his thoughts, and he finally acknowledges your presence. "Oh-" he can barely apologise as the click of the automatic booth interrupts you. He notices that he is captured in the second of the four films. Before he is able to process what happened, another click prints the third film. He jumps out of the booth in a second as you're left bewildered there. The bewilderment enthusiastically captured by the last film. As you look at your ruined pictures, Sunghoon find the need to apologise desperately for interrupting you. He peaks his head back in to the booth, in an attempt at apologising. Instead what he sees are teardrops falling down your cheeks, the films balled up in your fists.

"Oh my god, I'm so sorry, i really didn't mean to interrupt you," he rambles, "I didn't reali-" before he could finish you push past him, exiting the booth. Before you're able to get up again, you're wrist is tugged on by him.

"Let me pay for you, please. It's my fault, please don't cry" he begs. You're too scared to say a word. It really wasn't that deep for you, or it shouldn't have been. it was just a set of photos that you could take again. Unfortunately for you, you'd put too much meaning into this set of pictures. It was after you saw your ex post a set of pictures with his new girlfriend, in the exact same poses he'd once taken with you did you feel the rage erupting from within. You'd come here to re-write or erase whatever that poor memory was. You'd just have to do it alone. It wasn't this stranger's fault for your outburst. In fact you were happy he disturbed your gloomy little photoshoot.

"I-," you look up to meet the stranger's eyes, his eyes ridden with concern. In that small moment of surprise, you didn't really realise how handsome he was. It led you to an idea, a pathetic and selfish idea, but one that'd make you feel better.

"In that case, can you take another set with me. I don't want to do this alone," you request, your voice small as you begin to fidget with your hands.

"W...Why?" Sunghoon asks taken aback. Were you also scared of taking a picture alone like him? Did you also find it pathetic to take pictures alone in a world where mainly couples come here? Why come here alone if you didn't want to do it alone?

"I want to make my ex jealous," you say bluntly. You don't look at him, afraid of judgement at your request. Instead, you hear a small chuckle.

"Sure, I don't mind," you hear the kind boy say. " I might need the company too right now."

You're curious by what his last statement means,but choose to follow him into the booth quietly. He drops some change into the booth, and then looks at you before he presses the button. You nod and move closer to him, knees grazing gently. The both of you seem awkward but try to smile nonetheless. A click disperses the silence briefly, before he puts his shaking hands on yours. "I'm actually enlisting next week," he announces randomly. You look at him in surprise. "I don't know what to say," you can barely reply, when he brings his arms around your shoulder, just in time before the next picture. "Yeah, this is probably my last picture before I leave," he turns to you, smiling at your surprised face. "Good luck," your eyes soften as you pose for the next one, putting out a "V" awkwardly. He follows you, a somewhat shy smile gracing his lips. "Let's do a silly one" he offers to which you nod enthusiastically. You stick out your tongue, a little shy as he winks at the camera, the set of pictures coming out after the last click. The two of you examine the set of pictures, the two of you looking somewhat confused

"I like it," he says. "You look cute in this one," he hands you the last two pictures. You smile, earnestly. Compared to what you expected, you looked happy. Happy enough for you to forget why you'd come here. You realised neither of you had budged an inch, and you didn't feel like leaving.

"I... thought I'd achieve some sort of petty revenge if I could look happier in these pictures than the ones my ex took with his girlfriend."

Sunghoon raises an eyebrow, partly curious, partly in pity. His fingers gently rub against your palm. "In the thirty minutes I know you, I can say with confidence that you're too beautiful for the guy you're worried about. Don't fret it."

His words paint your smile wider as they sink into your soul. "Well, in the thirty minutes that I know you, I think you're so brave and kind that I wish we'd met sooner," you confess.

His smile now mirrors yours as he finally holds out his hand for a handshake. "I'm Sunghoon, by the way," he introduces.

You shake his warm hand, your palms tingling as they meet. "I'm y/n." you reply. After what seemed like an eternity, the both of you finally get out of the cramped booth, the chilly evening wind caressing your face. Sunghoon graciously waits for you to leave first, his eyes following you until your back fades into the city. The encounter felt bittersweet, more sweet than bitter as part of his solemn heart dissipated with the wind. He examines the first polaroid set left with him, where your initials are scribbled hastily at the back. He places it in his pocket, with the realisation that he had a new person, a new memory to bury into his wallet.

[randomfandomblabdom]

I think part of what's making the conversations around the casting choices in the live action HTTYD so annoying to me is that for me, it has nothing to do with any of the supposedly controversial casting and more to do with the fact the movie seems to be cherry-picking what it wants to carry directly from animation to live action.

We have to wait to see more but as of right now, it looks like a near shot-for-shot remake. I know the director, Dean Deblois, said it wouldn't be but he was also on record of saying he would never make a live action remake and called them lazy several years ago but here we are so forgive me if I don't completely take his word on that. They did their damnedest to make poor Gerard Butler look as much like animated Stoick as humanly possible even if it means it looks like he just walked out of a Spirit Halloween store. Hiccup looks pretty much identical to his animated counterpart including that late 2000s haircut. It appears that they tried their best to replicate set pieces and props from the animated film. They obviously didn't mess with Toothless's design in very obvious ways because he's so iconic that god knows that would've caused absolute chaos...etc.

But then you have characters who don't look a thing like their animated counterparts - not just regarding race but smaller details like hair color or their costumes - in a movie that already looks to be a direct remake of the animated film where other aspects of said animated film are being perfectly replicated (or at least they tried very hard to replicate them).

If they had decided to do something completely different with this live action adaptation and change up every character in some way, this would be a completely different conversation and frankly, none of it would matter but because they seem to be cherry-picking what is and is not a direct remake/replication from the animated film, suddenly the conversation needs to exist because if they're being so particular about Stoick and Hiccup and hell, even Tuffnut looks like a pretty accurate replication then you can't help but ask... well, then why isn't Fishlegs blonde? Why isn't Astrid blonde? Why is Snotlout dressed in bright fucking orange? Why didn't they cast actual identical twins?

They're picking and choosing and it's adding fuel to a fire that was completely avoidable if they'd just picked one side or the other. They could've gone the historical route, they could've said to hell with it and made it all completely different, or they could've made it exactly the same... instead, they've created this confusing mosh pit that frankly shouldn't even exist that is unfortunately going to spark this so-called nitpicking whether people like it or not because you cannot argue that hair color or costumes don't matter when so much of the rest of the film already looks identical to the animation.

[oidheadh-con-culainn]

okay i've finished rewatching pride now i will stop having feelings all over your dash

[ratatatastic]

Guess Who? Global Series Panthers edition.

my favourite dynamic for dumb games that don't particularly matter is sore loser who's trying not to be a sore loser and man who acts like winning means he gets the keys to the city rather than just a participation sticker

[ct-multifandom]

I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.

It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.

By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.

Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.

[seeminglyseph]

I know everyone hates M Knight Shyamalan's The Village, and "oooh it's modern day all along" seems like a lame twist, but consider:

A) wool cloaks fuck and that's always a cool look and I won't apologize for the fact that I definitely just wanted to wear cloaks instead of coats even though I live somewhere that experiences winters in Hardcore Mode and that was not viable

And B) the concept that your parents decided for you that you had to live in a dangerous and reductive environment and raised you on fear and punishment and secrecy because they hated the way society was developing and didn't want you to have access or choice was like. Extremely real fore as someone raised Catholic with multiple friends raised either Jehovah's Witness or Mormon. Like, obviously, it was extremely exaggerated as a 2000s horror-thriller type movie, but like.

It's no Lady in the Water. I honestly haven't seen The Village in a bit, but in concept, I think it does make sense as a cult movie. It's just that too much is like... "oooo it's a twist!" Rather than, like... "damn, the adults of this movie have a cult compound that they have used to isolate, indoctrinate, and control their children, literally creating and becoming monsters that haunt and torment them to keep them in line to maintain a way of life in line with their own moral values"

And like. If you look at it through the lens of like. The emotional impact of how much betrayal goes on within the film in the families and the cult and for the children who had no choice to be there and no information, like. That's much more impactful than simply "it was modern day all along"

It's "your parents have been lying to you all along, and all of your pain and fear has served no greater purpose. Half of these rules were not to keep you safe. They were to make you obey, and you have no way of knowing which are which. The people you trust have deeply and intentionally fractured your relationship with reality as a way to keep you contained and docile and under control. You have been betrayed on the most fundamental level by the people who were supposed to raise you and guard you and keep you safe."

And that's like. That's good horror that sticks in the back of your brain forever? Idk. Maybe my imaginary Village is better than the real Village but like. I think it's a better movie than it gets credit for.

And I want more excuses to wear wool cloaks, like damn.

[shima-draws]

Rewatching HTTYD 2 and RTTE made me realize how badly they fucked everyone over in HTTYD 3. Like. Did they just look at all their character development and go “Yeah, we can flush this down the drain”, or

[stephantom]

I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?

There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).

Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).

Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.

There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.

There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.

And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.

They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.

What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.

Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.

Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).

I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”

[faaun]

ok let's catch up quickly

[araneitela]

Me staring at test results: It makes so much sense for her, but if I don't specify or elaborate, then we end up with the fanon take. Ugh, how do I easily explain that if you look at the word 'sex' through a much more old-fashioned lens instead of the modern one, that you'll get a vastly different picture of it?

/takes angycat.png typing to my tags

[imabiscuitinthousandworlds]

One of the many, many reasons I love Blade Runner is that it doesn't have this Big Epic Final Fight you've come to expect from literally any action film ever.

There's just Deckart and Roy - all others are dead, or not here - and it's just them and one was supposed to kill the other and has become the hunted.

Our main hero protagonist is at the end, he's beaten down, he's at the brink of death, he can barely still walk and is just fleeing as far as he can, as long as he can, and he won't be able to go on much longer and there's really only so far he can run before he's inevitably caught. There's no last minute saviour, no sudden burst of strength, no last attempt to fight. He's terrified. He's running, limping, for just a few seconds more.

And the antagonist - the one who was supposed to be killed, the one who was supposed to be sub-human and is living his life as a slave, in fear - he's going mad. He barely ever had anything, and he lost the few others he had - the only ones who understood when the world was against them. He has only minutes to live, minutes that not even his creator - his god, almost - could drag out, a human god who died by his bare hands. There's nothing left to lose and nothing left to do, but there's the person who hunted him down like a machine or an animal that's one rogue, the one supposed to kill him, entirely at his mercy.

And then they're on that roof, and I don't know what Roy might think, but I know Deckart was done with his life. I know he was convinced he'd die right here - that both of them would die on this roof in the rain.

And when Roy pulls him up? There has to be an explanation. Surely he'll kill him now. What else could he possibly want?

But Roy isn't out for revenge anymore. For as little as he's lived, he's seen so incredibly much. And he knows there isn't anything to be done. He'll die, he'll be forgotten, just another rogue replicant - like moments in time, like tears in rain.

"Time to die." No sadness, no anger, nothing. There's nothing more to it, not anymore. It's a fact.

It's when he's free for the first time.

He's no longer living in fear. He died on his own terms. He's as free as he could ever be, in the only way that was ever even a possibility. And as he dies, as he no longer lives as a slave, that white dove flies away through the rain - a symbol of freedom, finally let go.

And Deckart is left alone on that roof, bleeding, his hand broken, exhausted, still not quite away from the brink of death he's been limping along for the last, what, minutes? (How long was it? Can't have been long. But it sure felt endless.)

There's no winner. No one has been defeated, either. There's just one who died, as he was always meant to, and one who lived, but his world might be in shambles.

What is life worth when you're just waiting for death? Is it freedom when you can never settle down? Could there ever be a different ending?

Also I'm going absolutely insane over the white dove which is a symbol for freedom btw like DAMN!!!!!!! IMPLICATIONS!!! AHHHHHHHHHHH!!!!!

[ichthyorelationships]

ideas: i didn't really think of him being underwater but they deserve to have drama by crying there too so i just think you could say something about the composition being denser than water or w/e. proteins

i'm always like good thing he didn't try to exit asap via swimming in ciao alberto But What If He Did lol. just swim Somewhere else along the coast, maybe panic about [money??] & whether somehow this ruins school for luca, whether he can get in touch w/o it being On Sight b/w him & all marcovaldos, consider just kind of trying out other places, traveling after all...fascinating considering the other povs on the issue like: now there's the paguros to sympathize w/a kid vanishing, luca however in a somewhat more novel position there, giulia's throwback to alberto being a bit perplexing lmao, kind of thinking the best massimo could do is have a prewritten letter for luca to give to alberto If Possible, conveying something like i know you didn't set my livelihood on fire on purpose but even if you did i'd want you to stay. and luca in a position to do all of "maybe give the island fun facts so someone can check if he's there" & "wait & hope alberto can/does get in touch" & "have a lot of feelings"....not even the context of what this drawing is about necessarily, just tacking it on here anyways. ahead of time i went "heh now i Know they're gonna have it get little Real here b/c it's really about alberto wanting the security of feeling he can 'earn' a sustained relationship" then the short cleared & i was lying completely dead on the pavement

[macbethz]

Jughead riverdale is like what I would have been if I had been born a cis man and Archie riverdale is like who I pretend i would have been if I were born a cis man for sexual reasons

[fappellmoan]

ok im a really chill and normal person and i get over things and am well adjusted but take a walk with me here. just give me my time to complain when im not in the absolute fucking trenches. and yes i believe i suffered more than those in trench warfare. it was literally a lesbian situationship with a bistraight girl come on. just. magenta choppy shag with the roots coming in. camo cargo pants black t shirt with red lettering and striped long sleeve (sign someone likes music. confirmed). lip ring big black stud earrings and nails. red docs. i think lesbians should be allowed to kill one dyke baiter in their lifetime idc

[vampiremansionpoolboy-moved]

going insane over the fact that happiness and care and concern and love is underneath every interaction between newt and hermann in pacific rim