JOSIEE what are your top 5 best / worst keanu movies?
i have literally seen his entire filmography at this point .. and objectively.. he doesn't have a lot of great movies. but i still love them 😞 so i'll just rate based on how i liked them.
top 5 favorites :D
hardball (2005) !!!
absolutely underrated— my all-time favorite keanu reeves movie. this is peak dilfism keanu right here. and i love the 'found family' trope which i think this counts for. he's kinda morally grey / or an anti-hero here, but he's so sweet to the kids and i fuckin' loveee diane lane <3
speed (1994)
i fuckin' love this movie. 90s himbo keanu + loml sandra bullock. my favorite action flick from him, i've seen it at least 10+ times at this point. i also love movies that take place in one day or setting (bottle movies i think idk).
a walk in the clouds (1995)
MY GODDDD this is one of my favorite romances of all time. he's my puppy eyed babygirl in this movie. he needs to be in more romances!! paul sutton's so sweet and charming in this movie, i was actually kicking my feet.
constantine (2005) / john wick (2014)
i mean.. c'mon who's surprised? i love these movies.
river's edge (1986)
one of his most underrated films. it gave me very 'possibly in michigan' vibes which is my favorite short film. babyface keanu + angsty teenager is my cup of tea.
top 5 least-favorite :ᗡ
my own private idaho (1991)
... i'm so sorry y'all. i just did not like this movie 😞 i couldn't finish it, it was boring. the whole time i just wanted to put mike out his misery and beat scott with a bag of oranges.
knock knock (2015)
i hated the cheating husband trope. i hated the weird trope of "older man who can't resist barely legal girls". i hated the weird.. pedophilia trope. i hate this movie. throw it in a dumpster, light it on fire, then bleach my eyes. this movie literally was a testament to how much i love keanu because he really had my ass wasting 2 hours watching an eli roth movie.
matrix reloaded + revolutions (2003).
i have to be so honest with y'all— i literally hate the matrix movies. or at least movies 2 and 3. the world building just hurts my head, and no matter how many times i watch it— i just don't understand the lore. neo is the loml tho, don't get me wrong :3
dangerous liasions (1988)
i could hardly call this a keanu movie, because he's in it for all of 5 minutes LMAO. but i just generally didn't like the movie with or without keanu. boring.
siberia (2018)
this movie was so balls oh my god. literally if you had john wick, and removed every likeable quality about him. so in the end you just get a cheating loser— who sucks at his job too!!!! boo!! lucas hill they will never make me like you!!!!
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
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One of the many, many reasons I love Blade Runner is that it doesn't have this Big Epic Final Fight you've come to expect from literally any action film ever.
There's just Deckart and Roy - all others are dead, or not here - and it's just them and one was supposed to kill the other and has become the hunted.
Our main hero protagonist is at the end, he's beaten down, he's at the brink of death, he can barely still walk and is just fleeing as far as he can, as long as he can, and he won't be able to go on much longer and there's really only so far he can run before he's inevitably caught. There's no last minute saviour, no sudden burst of strength, no last attempt to fight. He's terrified. He's running, limping, for just a few seconds more.
And the antagonist - the one who was supposed to be killed, the one who was supposed to be sub-human and is living his life as a slave, in fear - he's going mad. He barely ever had anything, and he lost the few others he had - the only ones who understood when the world was against them. He has only minutes to live, minutes that not even his creator - his god, almost - could drag out, a human god who died by his bare hands. There's nothing left to lose and nothing left to do, but there's the person who hunted him down like a machine or an animal that's one rogue, the one supposed to kill him, entirely at his mercy.
And then they're on that roof, and I don't know what Roy might think, but I know Deckart was done with his life. I know he was convinced he'd die right here - that both of them would die on this roof in the rain.
And when Roy pulls him up? There has to be an explanation. Surely he'll kill him now. What else could he possibly want?
But Roy isn't out for revenge anymore. For as little as he's lived, he's seen so incredibly much. And he knows there isn't anything to be done. He'll die, he'll be forgotten, just another rogue replicant - like moments in time, like tears in rain.
"Time to die." No sadness, no anger, nothing. There's nothing more to it, not anymore. It's a fact.
It's when he's free for the first time.
He's no longer living in fear. He died on his own terms. He's as free as he could ever be, in the only way that was ever even a possibility. And as he dies, as he no longer lives as a slave, that white dove flies away through the rain - a symbol of freedom, finally let go.
And Deckart is left alone on that roof, bleeding, his hand broken, exhausted, still not quite away from the brink of death he's been limping along for the last, what, minutes? (How long was it? Can't have been long. But it sure felt endless.)
There's no winner. No one has been defeated, either. There's just one who died, as he was always meant to, and one who lived, but his world might be in shambles.
What is life worth when you're just waiting for death? Is it freedom when you can never settle down? Could there ever be a different ending?
Also I'm going absolutely insane over the white dove which is a symbol for freedom btw like DAMN!!!!!!! IMPLICATIONS!!! AHHHHHHHHHHH!!!!!
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ideas: i didn't really think of him being underwater but they deserve to have drama by crying there too so i just think you could say something about the composition being denser than water or w/e. proteins
i'm always like good thing he didn't try to exit asap via swimming in ciao alberto But What If He Did lol. just swim Somewhere else along the coast, maybe panic about [money??] & whether somehow this ruins school for luca, whether he can get in touch w/o it being On Sight b/w him & all marcovaldos, consider just kind of trying out other places, traveling after all...fascinating considering the other povs on the issue like: now there's the paguros to sympathize w/a kid vanishing, luca however in a somewhat more novel position there, giulia's throwback to alberto being a bit perplexing lmao, kind of thinking the best massimo could do is have a prewritten letter for luca to give to alberto If Possible, conveying something like i know you didn't set my livelihood on fire on purpose but even if you did i'd want you to stay. and luca in a position to do all of "maybe give the island fun facts so someone can check if he's there" & "wait & hope alberto can/does get in touch" & "have a lot of feelings"....not even the context of what this drawing is about necessarily, just tacking it on here anyways. ahead of time i went "heh now i Know they're gonna have it get little Real here b/c it's really about alberto wanting the security of feeling he can 'earn' a sustained relationship" then the short cleared & i was lying completely dead on the pavement
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Okay but t b h this writer’s strike scares me more than the possibility of byler not being endgame and that’s the truth. I have zero doubts of the direction of the show…but getting there messily because Netflix outsources scripts to non-union writers to get it made (or even moves forward with incomplete scripts) terrifies me.
Like. Anyone who lived through 2007 TV knows my fears lmao. I can’t imagine being given everything I want but have the way we get there be shit (even a little) because some scrooge-like media executives decided Matt, Ross, Kate Trefry, Paul Dichter, and Caitlin Schneiderhan don’t deserve paychecks and protections. I’d start actual riots.
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