#this changed and defined a new era for me

[glossdebut]

PRICE OF FAME | MYG ★ 01

✧ PAIRING: yoongi x fem!reader

✧ SERIES SUMMARY: You were about ready to give up, your career nowhere near what you dreamed it’d be when you started at eighteen, bright-eyed and naive. Reality for you these past few years has consisted of pouting at a camera, ignoring whispers of your name at company events, and ensuring that the stupid, tiny designer purses they keep forcing on you can at least carry a flask. But now, you’re helping a friend in need. For the first time in a long time, it feels like you’re doing something worthwhile with your life. Too bad Min Yoongi, the newest thorn in your side, seems insistent on stopping you.

✧ SERIES TAGS: enemies to lovers, slow burn, angst, smut, fake/pretend relationship (not main couple), rockstar!yoongi, model!reader, guitarist yoongi, singer jungkook, bassist taehyung, drummer jimin, manager namjoon, yoongi & maknae line are in a rock band, reader & seokjin are best friends, yoongi & hoseok are best friends (sope duo ftw), yoongi has a tongue piercing, reader is a brat

✧ CHAPTER WARNINGS: recreational drinking, yoongi is an asshole (see series masterlist for series warnings)

✧ CHAPTER WORDCOUNT: 6.1k words

✧ AUTHOR’S NOTE: NEW ERA NEW ERA NEW ERA! whew!!! i’m excited for this one! this is going to be a loooong ride, so buckle up and enjoy! please note the slow burn tag on this one, because i’m not joking around with it. trust me, it’s going to hurt me just as much as it hurts you.

a HUGE thank you to tanni @yooniivrse for continuing to beta read for me <3 your commentary never fails to make me laugh and your edits save my life.

P.S. everything i know about the korean music industry is informed by my years as a kpop fan. i don’t know much about the rock scene there, so expect inaccuracies galore going forward. i do my due diligence where i can, but that can only help so much.

CH. 01: ALL YOU PEOPLE ARE VAMPIRES!

You aren’t entirely sure when you stopped feeling at home in places like this. There has to be some kind of defining event, some kind of indicator of The Before and The After, but every time you try and figure it out you come up short.

In The Before, not all that long ago, you would be scrounging for the bus fare rattling around in your pockets to get to a place like this as soon as you punched out from your shift at the Speedy Mart.

During your short stint in college, your friends didn’t understand your obsession. Music venues, to them, were fun for a weekend’s night out. The thrill of flashing a fake ID, of flirting with the musicians after their set, of getting said musicians to buy them drinks—it was a satisfying rebellion, a fun story to tell people at school and hide from their parents.

But you were there every day, even after classes and graveyard shifts under fluorescent lights, always racing to the nearest show without even changing out of your polo. It was never a rebellion to you. The lights, the thumping bass, the secondhand smoke—it made every nerve ending in your body light up.

You were born in this smoke, as far as you’re concerned.

Maybe it’s different now because it’s work to be here. But what isn’t work, these days? Your life is micromanaged down to the minutiae—the meals you eat, the products you use in your hair, your goddamn piss breaks. There’s no clocking out for you, no gasp of relief that comes after. Such is life for one of Seoul’s many playthings.

Even in the dead of winter, your stylist, Hyerin, has you in a dress that begs to be pulled down every five minutes like clockwork. 

You learned a long time ago to bite your tongue on matters like this. The brands you work for pay you for the exposure you give them, after all. The chill that settles in your bones from the ten steps you take from your paid car to the venue door will be well worth it next time you count the zeroes in your bank account. At least, that’s what Hyerin told you as she pushed you out of the car and into the cold.

Wasteland looks the same as it did the very first night you ever stepped foot inside. Same red, glowing guitar sign above the entrance. Same shitty overpriced drinks. Same sticky floors. It’s nice that some things never change even when you do.

You’ve never been on the balcony, though. You’ve gotta hand it to Jeongguk—he’s really pulling out all the stops. To your knowledge, the balcony is normally reserved for VIPs. Close friends and family of the band, other celebrities, lucky and well-connected fans. Significant others. You suppose you fall under more than one of those categories now.

The crowd gathered on this side of the stage buzzes incessantly around you, waiting for the set to start. The excitement is palpable, and you understand why. It’s the very last show of Burn The Stage’s very first world tour following the release of their third studio album, and they’re ending it here: in Seoul. At Wasteland no less, the venue that housed the show that got them signed in the first place. Of course people are excited.

If you were the same person you were in The Before, you would be, too. 

Instead, as the stage lights go down and the crowd roars around you, you down the rest of your drink and pray it’ll do its job and calm your fidgeting. For a split second, the thought that maybe you shouldn’t be drunk tonight passes through your brain, but it disappears as quickly as it comes. Your hopes of making a good first impression were squandered as soon as Hyerin zipped up your dress. 

Besides, it’s not as if Jeongguk picked you for your shining reputation. More like the opposite.

With a flash of lights and a cacophony of sound, Burn The Stage launches into their first song on the setlist. The crowd roars around you, but you’re not here as a fan, so you try to remember everything Jeongguk taught you in preparation for tonight.

If you weren’t already close, most everything there is to learn about Jeon Jeongguk himself could easily be found with a simple Naver search.

Not only is Jeongguk the lead vocalist and rhythm guitarist of Burn The Stage, but he’s also the de facto face of the band, and he couldn’t be better suited for the job. He’s beautiful. Like, seriously beautiful. Well-built and knows it, sings songs about love and sex and anger with the sweetest voice known to man, covered in tattoos and piercings that eommas everywhere pretend to disapprove of when they’re actually ogling just as much as their daughters. He’s a teenage girl’s wet dream, and with that comes hordes of them using the deductive skills of the NIS to figure out the last time he took a shit. Very little in his life is a secret, whether he likes it or not.

The rest of the band, in turn, gets the luxury of a little bit of mystery.

Park Jimin, the drummer, and Kim Taehyung, the bassist. Jeongguk’s best friends in the world. You’ve met them both in passing before, at industry events here and there, and they both seemed nice enough. 

Jimin has a bit of a reputation for being temperamental, angry, but the way Jeongguk describes him paints him as something gentle. Childhood friends who’ve known each other since scraped knees and runny noses. 

It’s public knowledge that Jimin wanted to be a dancer, before this—that when he was in college, he suffered an injury that ended his dancing career before it even started. One moment he was one of the most promising ballet students in Seoul, and the next he was retired at nineteen. He doesn’t like to talk about it, but every time the band is interviewed the question is inevitably asked. Do you have any regrets? You’ve watched the videos, seen the way he shakes with anger even as he answers with a saccharine smile. You have a feeling getting along with Jimin won’t pose any challenges for you. You know a thing or two about regrets.

Taehyung is a bit harder to figure out, but not in any way that sparks concern. He’s just an interesting guy that way. 

He was the last to join the band, the first to answer a ‘BASS PLAYER NEEDED’ ad posted around the city. Apparently, he was so good that they didn’t feel the need to call anyone else.

He lives in his own world, does his own thing. Posts very artistic photo dumps on his Instagram with concerningly cryptic captions. He’s quiet when he’s around people he doesn’t know, but when he’s put in a room with Jimin and Jeongguk he becomes the loudest person there. He’s kind, caring, always seems to know the right thing to say even if it’s delivered in the strangest manner possible.

Jimin and Taehyung won’t cause any problems for you. Jeongguk assured you that they’d be easy to win over, that as long as Jeongguk likes you, you’re in with them. 

The real wild card is the guitarist. Min Yoongi.

According to Jeongguk, Burn The Stage wouldn’t even exist if it weren’t for Yoongi. When the band formed, they were just dumb kids with a shared dream, but Yoongi was the one to set it all in motion. 

When they didn’t have anywhere to practice, Yoongi convinced the ajumma he worked for to let him cram as much equipment as he could fit into a tiny noraebang room. When venues wouldn’t book them without the guarantee that they would draw a crowd, Yoongi burned hundreds of CDs and stood on the streets of Hongdae begging people to listen. When shady entertainment companies started offering them laughable contracts, Yoongi found Namjoon and somehow convinced him to manage them for dirt cheap. When they finally got an offer worth taking, Yoongi made them mull it over for as long as they possibly could. Weigh the pros and cons and decide if it was what they really wanted.

If Jeongguk is the face of the band, Yoongi is the heart. Unfortunately for you, this particular heart is very well-guarded.

Yoongi takes his privacy seriously. He refuses to answer interview questions he deems too personal, he doesn’t use social media. When asked why, his answer is always that he wants the music to speak for him. 

Because that’s another thing: every single song that Burn The Stage has ever released has been penned by Yoongi. To his credit, it’s kind of what they’re known for. His lyrics have a raw honesty to them that’s gotten the band into trouble more than once. 

You finally tune into the show that’s unfolded below you, the words spilling from Jeongguk’s lips loud and clear in your ears now that you’re paying attention.

​​Well, I ain't got no dollar signs in my eyes That might be a surprise but it's true Said, "I'm not like you and I don't want your advice Or your praise or to move in the ways you do and I never will" 'Cause all you people are vampires And all your stories are stale And though you pretend to stand by us I know you're certain we'll fail

It’s rock music. It’s polarizing, controversial, edgy. Biting the hand that feeds them—especially in the eyes of the executives lining the band’s pockets, you’re sure. And yet everyone eats it up. 

Still, Yoongi wouldn’t get away with half of it if he wasn’t attractive, you’re sure of it.

Because he is. Attractive. They all are, and he’s no exception. He checks all of the boxes annoyingly well. The long hair, the signature smirk, the little silver barbell on a tongue that he seems all too happy to flash at a moment’s notice. Too bad he seems like one of those pretentious, tortured artist types that take themselves way too seriously. That’s never done it for you.

Jeongguk is the one singing Yoongi’s words, and he might as well be Korea’s sweetheart—if it weren’t for all the tattoos. He conveys the message of Yoongi’s songs exactly as intended, but he doesn’t have to act like an egotistical gatekeeper to do it.

Maybe it’s a preference on your part. You’ve always had a thing for sweetness.

★ ★ ★

After the concert, you’re ushered off of the balcony by one of the band’s security guards. It’s the same guy who escorted you up when you arrived, and you note to yourself that he’s very polite. Eunwoo, according to his nametag.

It tracks, given Burn The Stage’s reputation for making sure the women at their concerts feel comfortable in the crowd. You’ve heard stories about them stopping mid-song to have handsy men kicked out, and it’s nice to know their commitment extends to the people they employ for themselves.

Eunwoo offers you his hand palm-up as you descend down the balcony stairs, and you take it with a grateful smile. You’re feeling wobbly in these shoes, and the drinks you’ve downed since your arrival aren’t helping matters. Even with the assistance, you still feel like a baby giraffe as you step down, but thanks to Eunwoo, you don’t eat shit.

Eunwoo dutifully guides you backstage, to a grimy, graffitied hallway housing the dressing rooms for Wasteland’s talent of the night. Jeongguk waits outside of one of them, guzzling down a bottle of water as a female staff member dabs sweat off of his forehead with a pristine white towel. She’s only there for a moment before slipping back through the dressing room door. Finally noticing your approach, Jeongguk turns his head and grins at you, and you feel your nerves ebb away instantly. He’s good at that.

As you get closer to Jeongguk, you turn to smile and nod at Eunwoo in thanks. He smiles back politely, wordlessly falling back to give you some privacy.

“Daaaamn, YN-ah,” Jeongguk says, whistling lowly as you reach him. “You’re going to cause a bloodbath in there.” He nods his head towards the dressing room door, and you roll your eyes despite the heat building in your cheeks.

“I know, I know,” you say, smoothing your hands over your dress. “It’s not exactly a meet-the-family outfit, but I didn’t have a choice.”

“Nah, it’s cool. You look hot,” he says, grabbing your hand and making you do a spin, forcing a surprised laugh out of you as you try not to trip over yourself. Jeongguk keeps you steady, though, with a hand on your shoulder. “You good?”

“Yeah,” you say, although you’re sure your face gives away how terrified you are of what awaits you on the other side of the door. “Maybe you should’ve picked an actress for this, though.”

“I trust you,” he says softly, squeezing your shoulder. “It’s not too late to back out, though. I’ll understand…”

You believe him, of course. Those doe eyes don’t lie, and even so, he’s already told you over and over how bad he feels for asking this of you. But you don’t want to back out. Jeongguk has given you so much since you’ve met—it’s only right to try and repay him for it.

“I want to do this,” you assure him, reaching up to squeeze his hand on your shoulder. “I’m just worried I won’t be able to pull it off.”

“You will,” Jeongguk says, smiling down at you warmly. “Don’t sweat it too much, okay? We’ve got this. It’s not like I have to pretend to like you.”

Right. You wish Jeongguk’s words did what they were meant to and instilled some kind of confidence in you, but what they actually do is make your chest ache uncomfortably. Pull yourself together, you think. Now’s not the time.

You smile good-naturedly, hoping Jeongguk doesn’t notice the way it doesn’t quite meet your eyes. “Let’s get this over with,” you mumble.

“That’s the spirit!” he laughs, sliding the hand on your shoulder around to the other one so his arm is slung around you. You hate the way your heart flutters, despite the fact that you’d prepared for this. Dumb bitch.

Jeongguk cracks the dressing room door open just enough to ensure that all of the men inside are decent, and then he’s guiding you inside, your hands flying down to smooth your dress over again, just in case. 

The dressing room is bustling with more people than you expected, people you recognize from the balcony and staff alike. There’s a fast-paced rock song playing over a bluetooth speaker, almost loud enough to drown out the chatter. 

Everyone seems to be in celebration mode after the last show of the tour. There’s a large sheet cake on a cart in the middle of the room emblazoned with the band members’ faces in frosting, plastic champagne flutes littered around the room in varying states of fullness. Judging by the bottle in his hand and the way staff members wipe at his face fussily, it seems like Taehyung took the liberty of pouring champagne over his head to cool off.

You’re used to having lots of eyes on you—it comes with the job—but something about the way Jeongguk’s bandmates immediately stop what they’re doing and take notice of your presence startles you, puts you on edge.

“Jeonggukie! You missed the cake,” Jimin calls, standing up from where he sat on the couch. He holds out a slice of the sheet cake to Jeongguk, tilting his head at you as he approaches. “Where do I know you from?”

Jeongguk removes his arm from your shoulders to take the plate, snorting at the image of his decapitated cake-head staring up at him. “Hyungs,” he says, grabbing a plastic fork and digging into the slice. “This is YLN YN.”

“Oh, we’ve met before! The model, right?” Taehyung pipes up from where he’s still being wiped down, and you nod politely. “I saw your Innisfree campaign last month. I couldn’t remember whether your skin was really that nice in person.”

You watch as he extricates himself from the staff, ignoring their protests as he walks away from them.

Taehyung gets close to you, close enough to inspect your pores like he clearly intends to, and you fight the urge to instantly recoil. Jeongguk seems too busy stuffing his face with cake to interfere, and you want to make a good first impression. So much for your personal bubble.

“It is,” he says, nodding sagely to himself.

“Th-thank you?” you stammer. Beside you, Jeongguk finally tunes back in.

“Jeez, hyung,” he says around a mouthful of cake. He chews for a moment, swallowing thickly before continuing. “Let her breathe.”

“Sorry,” Taehyung says sheepishly, backing out of your personal space, and you let go of a breath you hadn’t realized you’d been holding, shaking your head.

“It’s fine,” you say, mustering a polite smile. 

You note that despite his initial (albeit subtle) acknowledgement of your existence when you walked in the door, Yoongi now seems entirely disinterested in interacting with you. He hasn’t moved from where he’s planted on the couch, focused intently on strumming his guitar. How he can even hear what he’s playing over the noise is beyond you. It’s not even plugged into an amp. 

You’d be a little annoyed that he hasn’t even bothered to greet you, but you reason that he must be pretty worn out from all of the fanfare surrounding the show tonight. Introvert recognizes introvert. You try not to take it personally.

“Do you know Jeongguk-ah well?” Jimin asks, drawing your attention back to him. His eyes bounce between you and his bandmate. He seems to be putting the pieces together, so you glance at Jeongguk, wordlessly passing the question his way.

Thankfully, Jeongguk seems to get the hint. He tosses his plate in the nearest trash can before sliding over to you again, his arm slipping around your waist easily, betraying nothing.

“Hyungs,” he starts, glancing at you and nodding once. Let the show begin. “YN-ah is actually, um… my girlfriend.”

Out of the corner of your eye, you see Yoongi sit up. That got his attention, it seems. 

A hush falls over the room, even the eyes of the staff members within earshot widening in response to Jeongguk’s announcement. Oh shit, you think. Please let this go well.

“Since when?” Taehyung asks, curiosity piqued. Thankfully, though, he doesn’t seem upset by the new information. At least, not as far as you can tell.

“Well, um,” Jeongguk starts, tonguing nervously at his lip ring. He pulls you closer so you’re practically curled against his chest now, and you silently pray that the way you’re looking at him reads as sweet and not like you’re about to jump out of your skin. “It’s actually been a few months now… Since right before the tour, actually.”

“Right before the tour?” Jimin asks, his brow furrowing in obvious confusion. “So you’ve been doing long distance?”

Jeongguk glances at you, a soft smile pulling at the corners of his mouth. “Yeah, it was bad timing on my part,” he says, his eyes fixed on yours. Damn. If he didn’t have such great pipes, you’d say he should’ve gone into acting. He’s male lead material. “I just couldn’t leave without telling her how I felt.”

You wish that you could do or say literally anything useful instead of just clinging to Jeongguk’s side like a barnacle. This is supposed to be a joint effort, but you feel frozen in place, unable to find your voice. It’s a good thing Jeongguk seems to be pulling it off all on his own.

“So cute,” Taehyung coos, bumping his shoulder against Jimin’s conspiratorially. “Our Jeonggukie’s all grown up and in love.”

“He’s always been a romantic,” Jimin joins in, miming at wiping fake tears as if he’s a proud parent. He reaches out and grabs your hands, startling you. “Please take care of him.”

“Hyuuuungs,” Jeongguk whines, tearing his arm away from you to whack Jimin and Taehyung on their heads simultaneously. “You’re going to scare her away!”

“Doubtful,” Yoongi says from where he’s still seated on the couch. Oh, so he does speak. It’s the first time you’ve heard his voice all night. It’s low, raspier in person than in the videos you’ve seen online. His words are directed at Jeongguk, but when you turn your head to look at him you find that his gaze is fixed on you. Your pulse spikes at the discovery. “I don’t think anything could scare her away from you, Guk-ah.”

The words themselves are innocuous, even supportive, but something about the way he says them makes your gut twist. Nobody else seems put off by it, but you can tell something’s not right. You have to say something, to open your mouth and speak. You have to pull this off, for Jeongguk.

“I’m not going anywhere,” you say, forcing a smile. You manage to tear your gaze away from Yoongi, looking back at Jeongguk. He’s grinning down at you, and it’s real, even if the pretense of it isn’t. Your smile becomes a little less forced in return.

★ ★ ★

Jimin and Taehyung are insistent that you stick around and celebrate for a while, so you do. You end up enjoying yourself, despite the weird moment with Yoongi. 

Jimin and Taehyung are fun to be around, just like Jeongguk said they would be, although conversation between the three of them becomes a little hard for you to follow sometimes. They just talk so fast. 

They ask you questions about your job, your friends, your family. They also tease Jeongguk relentlessly in front of you and seem all too thrilled to find out that you’re their noona. You find it surprising how easily you open up to them, but it just… happens. Just like it did with Jeongguk when you first met.

You relax enough to convince yourself that your perceived pointed nature of Yoongi’s words earlier was all in your head. Surely, he couldn’t have a problem with you when he doesn’t even know you. Jeongguk told you himself that Yoongi’s a quiet guy. Maybe that was his own way of telling you he approves of you. He hasn’t said or done anything since to make you think otherwise. Granted, he hasn’t said or done anything, period.

Once he arrives, you meet Namjoon, Burn The Stage’s manager. Jeongguk told you a little bit about him, but it was mostly just thinly-veiled thirsting. Now you see why.

He clarifies right off the bat that he already knows who you are, which saves you the anxiety of having to go through the whole routine again, and then he apologizes for being late.

“I was talking to reporters. I wanted the guys to be able to celebrate without having to do any interviews,” he explains as he shakes your hand with a dimpled smile. Damn. Yeah, you don’t blame Jeongguk one bit.

After a while, the champagne catches up with you and you have to excuse yourself to the bathroom.

The staff member that was dabbing Jeongguk’s sweat earlier—Minji, you learn—directs you out of the dressing room and to the nearest women’s bathroom further down the hallway. 

You try to make it as quick as possible, much tipsier than you thought and all the more unstable in these shoes because of it. After one last check of your hair and makeup in the mirror, you make your exit, focusing down at your feet as you go.

Unfortunately, you run headfirst into someone’s chest in the process. Hands come up to grab your elbows, steadying you before you fall flat on your face. For a second, you think maybe Minji had been waiting to escort you back to the dressing room, but these are not a woman’s hands holding you up. Wait a second, you think. You definitely saw these ring-clad fingers displayed on a huge screen earlier. Strumming at a guitar, perhaps?

In a moment of amazing mental clarity on your part considering the state you’re in, you realize that these are Min Yoongi’s hands, and your head snaps up to look up at him.

“Yoongi-ssi! I’m so sorry!” You quickly right yourself to the best of your ability, pressing your hand to the wall next to you for support.

Once he’s sure you can hold yourself up without his help, Yoongi instantly retracts his hands, crossing his arms over his chest. “I should’ve been looking where I was going,” you add, doing your best to bow in apology without losing your balance again.

Yoongi tilts his head at you as if he’s assessing you, his gaze inscrutable. Man, for a lyricist this guy isn’t big on words. You’re just about to politely say goodbye and head back to the dressing room when he finally speaks.

“I’ve spent the past hour trying to figure out what your angle could possibly be, but I’m coming up short.”

Um. What?

“Huh?” you manage, blinking at Yoongi like he’s suddenly grown a second head.

“It’s not like your career’s in any trouble. Nobody thinks you're Korea’s angel or anything, but your shit reputation hasn’t stopped you from getting brand deals,” Yoongi continues, scoffing to himself. “Are you just bored? Is this what you do to amuse yourself?”

Uh oh. He knows. He knows for sure, and even worse, he thinks that you’re the mastermind.

“I seriously have no idea what you’re talking about,” you say, forcing your voice to remain level. You don’t even try to defend your reputation. It’s not like he’s wrong. 

“Right,” Yoongi says, leaning in a little closer, like he’s about to tell you a secret. “Well, a word of advice. If you want people to buy that you’re really in love with Jeongguk, you could try to look less like you’re going to throw up when he touches you.”

FUCK. You thought you pulled it off. You thought you pulled it off, and now here’s Jeongguk’s goddamn hero telling you point-blank that you didn’t. You wrack your brain trying to think of anything you could possibly say to defend yourself, to get this guy off your ass, because this cannot be your fault. You’d never forgive yourself.

“I—”

“Or,” Yoongi starts, cutting you off. “You could just cut the bullshit and leave Jeongguk alone.” He pauses, rubbing his chin as if he’s pretending to think about it and then nodding once. “Yeah, let’s go with that one.”

Jesus Christ he’s a piece of work. You feel your fists clench at your sides, your nails digging painfully into your palms. You just got your nails done, and there’s a strong possibility you’ll draw blood, but it’s all you can do not to strangle this asshole right here and leave Burn The Stage without a guitarist.

“Yoongi-ssi,” you say, your words dripping with fake politeness. Fuck this guy, actually. “I don’t know what I’ve done to give you such a bad impression of me, but I assure you that Jeongguk and I are very much in love.”

“How many times do I have to tell you I don’t buy it?” Yoongi asks, voice tinged with impatience. “You may have everyone else in that room fooled, but not me, and if you hurt Jeongguk I can guarantee it won’t end well for you.”

“You don’t know anything about me,” you snap. “Again, I don’t know what the fuck I’ve done to make you think so poorly of me, but I meant what I said in there. I’m not going anywhere.”

You need to remove yourself from this interaction right now before you do something stupid like burst into tears. You take the opportunity to push past Yoongi before he gets a chance to say anything else, making sure to essentially shoulder check him in the process because again, fuck this guy.

You stalk down the hallway, feeling much more sober now. It’s as if all of the alcohol got forcibly drained from your system in the face of total fucking disaster, and you’re honestly thankful for it, because the last thing you need is this asshole seeing you actually fall.

For a moment, you’re fooled into thinking you’d successfully ended the conversation, but of course he needs the last word.

“I know more about you than you think, dollface.”

Dollface? The fuck?

You chance a glance behind you and you immediately regret it. Yoongi leans against the wall where you left him, an amused smirk spread over his face, and the sight immediately fills you with dread, a type of primal panic you haven’t felt in four years flooding your senses.

He doesn’t… He couldn’t know about that. There’s no possible way. Jeongguk doesn’t even know about that. Nobody does, because you’ve done everything in your meager power to keep it that way.

You whip your head back around to face front, your heels clacking on the crusty linoleum beneath them as you continue down the hallway. Don’t look back, you think. He doesn’t know. 

You’re thankful that you brought your bag with you to the bathroom, because you’re very much not in the mood for a party now. Once you’re safely outside, you call your car and send a text to Jeongguk explaining your sudden escape. You felt sick, you tell him. 

It’s not like it’s a lie. 

Yoongi loves being on stage.

Over the past few years, there’s been a noticeable change in his demeanor. He’s become passive, apathetic to the normal day-to-day that comes with being a celebrity. Nothing really wows him anymore.

He remembers the way he reacted to the accommodations the band received when they first got signed. He was way too scared to ask for things at first, but the label gave it all to him anyway.

For instance, Yoongi’s always been particular about his stationery. The first time he filled a notebook after getting signed, he didn’t even think to consider it a company expense. Why would he? He was fully capable of buying his own shit, even if he had to save up for it. Sure, every time he had to write a lyric down on the back of a receipt his eye would twitch, but it wasn’t anything he hadn’t done before.

But the label guys noticed. Before he even had a chance to buy his next batch of notebooks and pens, he was sat down in a spacious meeting room and asked point-blank what he needed. When Yoongi gave them specifics—Leuchtturm 1917 unlined hardcover pocket journals and a fuckton of Uni-Ball Jetstream Premier pens—they didn’t even bat an eye. When he—rightfully—warned them that he might strangle someone if he’s handed a gel pen instead of a ballpoint, they just assured him that wouldn’t happen.

Ever since then, there’s been an endless supply of exactly what he needs, always within reach. He’s still grateful for that, of course, because he goes through those fuckers fast. But it’s just a fact of his life now. It’s not special to get his fucking Leuchtturms anymore, not when he could douse his entire supply with gasoline and burn it on a whim and still have a fresh one in his hand within mere minutes.

And it’s not just journals and pens.

Namjoon is the band’s representative. Yoongi picked him personally long before there was any contract, or even hope for one, and if everything were to go to shit tomorrow, Namjoon would still be there. But after the single from their second album charted on the Billboard Hot 100, a label-equivalent to Namjoon was hired, as if anybody could ever be equivalent to Namjoon. Park Hyunseok. Park Hyunseok, whose sole duty is to buzz around Yoongi and his bandmates like a pesky fly and “make sure they’re happy.” They quite literally want for nothing.

Yoongi remembers when his skin used to buzz with the emotions simmering just under the surface. He was fiery in his youth, pissed off and ready to prove a point. He felt everything strongly, fully.

Not so much these days. Anger is only marketable for so long, or so he’s been told.

For the past year, Yoongi’s felt numb to the world. And he’s dealt with it, of course. That’s what he does. The album did great, the tour sold out, the boys are happy. That’s really all that matters. He just doesn’t know how he’s going to write another fucking album if he’s got nothing to write about anymore.

Still, he loves being on stage. There’s nothing like it. It never gets old, never gets boring. He still hasn’t gotten used to the feeling of stepping onstage and feeling a crowd scream his name, scream his lyrics right back at him. Lyrics to songs that he wrote in his shoebox apartment when he was eighteen and it felt like nobody gave a fuck about him. Funny how things change.

Nobody can take that feeling away from him, even if they’ve taken all the other ones.

It’s been a good night. It feels good to be back in Seoul after being away for months, feels even better to be on this particular stage again. Yoongi always feels keyed up after a good show, itching to do something with all of the energy thrumming through his body, and tonight is no different. He’s almost giddy with the opportunity to celebrate this tour with his bandmates and Namjoon and then go home and crash. Home. Fuck, it’s a good night. He has a hot date with his king size bed.

But then you.

It’s been years since you’ve even been a thought in Yoongi’s brain, and he liked it that way. Unfortunately, it’s apparently true what they say: all good things must come to an end.

Yoongi sees right through you. He's met so many of your type in his life that even if he hadn’t met you before he would’ve been able to sniff you out the second you walked backstage. Users. Social climbers. The bored and braindead looking for their next toy. The exact kind of person he’s been trying to protect Jeongguk from this whole time, and now you’re on his arm. 

And whatever, a hookup is one thing. Yoongi frankly doesn’t give a fuck where Jeongguk decides to stick his dick. The less he knows the better on that front. But a relationship? No, it isn’t real. Yoongi knows that much. Maybe it is for Jeongguk, but not for you. He's never even heard Jeongguk, hopeless romantic extraordinaire, talk about you.

Jeongguk introduces you as his girlfriend, and suddenly it’s like Yoongi’s watching a car crash in slow motion. He prays that he’s not alone, that Jimin and Taehyung have caught on to your piss-poor acting skills—seriously, you look like you’re about to pass out—but it looks like Yoongi’s entirely alone on this one. You have them wrapped around your little finger with minimal effort. He has a feeling that comes as naturally to you as breathing.

Of course, Yoongi has the added displeasure of having met you before, way back when. When you had the chance to be somebody, before you pissed it away, to what? To pout in front of a camera for a living? He thought he’d run out of ways to be wrong about you four years ago, but clearly you just can’t help yourself.

And of course you don’t remember him. Why would you?

Yoongi knows Jeongguk better than anybody. He also knows that thing people say about teenagers is true. If you tell them not to do something, they’ll only want to do it more. Jeongguk may be a grown man now, but he’s stubborn as fuck, and he never grew out of that. If he goes to Jeongguk and flat-out tells him that his girlfriend is a piece of human garbage, Jeongguk will only date her harder.

He tries to control the infection at the source by confronting you directly, but it’s clear the fire that he thought you lacked is, in fact, there, if only to piss Yoongi off.

“I’m not going anywhere,” you say.

Okay.

If that’s how you want to play, Yoongi can fucking play. He’s going to make you wish you’d left Jeongguk alone when he gave you the chance.

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[madriguero]

One of David Wojnarowicz’s best-known pieces, Untitled (One Day This Kid...) (1990) is a photo-text collage with a portrait of the artist as an innocent child. Surrounding this anodyne, yearbook-style image is a field of text that gathers like a storm cloud, narrating a traumatic future in which this child will be persecuted—by the government, by the church, by society at large—for his sexuality. The repetition of the phrase “one day” gives the work a prophetic and propulsive cadence; it simmers with the visceral anger that defined so much of Wojnarowicz’s work as an artist and impassioned activist.

In 1991, the Brush Art Gallery at St. Lawrence University, in Canton, New York, staged the exhibition From Desire... A Queer Diary, curated by Nan Goldin. The show, which was part of a festival of gay and lesbian art, included works by David Armstrong, Greer Lankton, Zoe Leonard, Robert Mapplethorpe, Mark Morrisroe, and Wojnarowicz, among numerous others. Arriving amid the ’8os-era culture wars,

From Desire sparked controversy on campus. School fraternities reportedly attempted to prevent students from seeing the show, bullying those who attended and fulfilling the prediction of toxic intolerance that Wojnarowicz conjures in One Day This Kid.

Despite being autobiographical, Wojnarowicz’s collage is inclusive, inviting identification by others marked by homophobia or trauma, or those who feel invisible in a moment of stifling social conservatism. For the From Desire invitation, Wojnarowicz adapted One Day This Kid, changing the pronouns from he to she, and swapping in a young Nan Goldin in place of himself. “This card was an invitation to a queer art show that David helped me curate in 1991, another of our censored shows! It has pride of place in my home,” Goldin says. “I’m honored that David asked me to represent the girl. We were ugly, bucktoothed kids. But look what a beauty he grew into.”

from Object Lessons by The Editors, Aperture Magazine, Summer 2020

[okiedokrie]

Meet Me In Amsterdam

Summary: "Minghao finds himself under a mentorship program from one of the most brilliant artist in the contemporary circle, where he meets Y/N and bond with their journey through art, overcoming traumas, and hopeless romanticism of the life and love around them. But all things come to an end at some point, the mentorship program ends, and they both go back to their lives. But they do meet again to finish what they started; 'if there is a next time, meet me in Amsterdam.'"

Characters/Pairing: Artist!Minghao x Artist!Fem!Reader

Genre: smut, some angst, fluff

AU/Trope Info: Non-idol AU!, idiots to lovers

Word Count: 10.8k

Warnings: Religious themes, implication of past sexual assault, homophobia mention, some cursing, food mentions, smut warnings under the cut

Rating: 18+

A/N: this is for the @svthub 2024 world tour collab! Thanks to @whipped-for-kpop-fics and @hobeemin for beta-reading!

Smut Warnings: oral (f receiving), sex in a church, unprotected sex, implied creampie

The air in Minghao's studio is dizzying. A broken exhaust and paint fumes don't really mix, and his open windows could only do so much. He sighed, pinching the bridge of his nose in frustration. Touching grass may solve his problem, but he doesn't feel like dealing with the morning dew on the grass.

He quickly closed his windows before packing all his belongings in his commuting bag, opting to rush to a recent exhibit that opened. Minghao knew very little about the artist, but a change of scenery might help quell his throbbing headache. 

Minghao took this opportunity to space out during the commute to the gallery, popping on his headphones and trying to ignore the touchy couples in the train car with him. He wonders what it'll feel like to find his person like them; Minghao only craves the warmth of another's arms.

He wonders what it'll feel like to fall for someone, to be comfortable with vulnerability and the trusting bond between two lovers. Ever the hopeless romantic, he'd love to love and be loved.

He snapped out of his thoughts when the intercom buzzed to life, announcing the arrival at Minghao’s stop. Adjusting the strap of his messenger bag, he pushed his way through the busy crowd to head out of the station. The walk to the gallery was calm and relatively quiet. This part of the city mostly had walking paths rather than roads, so it was really only bustling with people and the occasional bicycle. 

Arriving at the gallery, the pieces were gorgeous, as expected. This artist was well known in the contemporary circle, so it's no surprise that the gallery is almost busier than the outside. Minghao felt drawn to one piece in particular, the warm tones, swirling and melting into one another, blending into a flame-like flow; it was stationary yet moving.

He hears a chuckle behind him, only to see an older man, about mid-forties, smiling at him. “I see you enjoy this piece; you have great taste. What's your name, boy?” 

Minghao is a little flustered, but he introduces himself nonetheless. The man before him introduced himself as the artist and noticed Minghao's paint-stained hands before asking if he was an artist himself. Minghao confirmed the older man’s speculations, offering to show some of his work as photos on his phone. The older man was impressed by Minghao’s talent and potential, and he then mentioned that he had an apprenticeship program open, but it was in Amsterdam. 

Minghao agreed a little too enthusiastically, seeing as this man quite literally defined an era of art in a way nobody else has.

It was only a few weeks after that interaction, but Minghao found himself on a flight to Amsterdam.

Taking in the city's air, Minghao feels a sense of dread washing over him, and the hustle and bustle of a new city scares him a bit. Being alone in a foreign land wasn't why his nerves were all over the place; no, it was the fact that he felt this opportunity wasn't meant to be his.

Sure, his mentor got the opportunity to see his work before he accepted the offer, but still, he feels this mentorship program would've been more suited to someone more fitting.

Nonetheless, Minghao is here now. And he swears he'll make the most of the time he spends here.

Taking one of the many old trains out of the airport, the rumbling train rails helped ground him a little; the sound was new and familiar at the same time. He thought back to his small studio back home, wondering how well it'd hold up in the year he'd be gone.

Minghao is snapped out of his daydreams when the train arrives at his station. He lugs his luggage to what will be his living quarters for the rest of his time here. Wiping his palms over his sweats, he finally takes the time to haul his bags over the stairs to the small apartment that was provided to him. His mentor mentioned that he has a roommate, another artist in the program, so he doesn't let his stuff get too comfortable in the main room.

Instead, he randomly picks one of the rooms, hoping his roommate doesn't mind. If they did, it's not as if he's opposed to switching. 

He hums a simple melody while setting his bags to the side, still catching up to the jetlag and too tired to put anything away. He inspects the room, noting that it is a little dusty. He has to settle his sheets and wipe everything down before he can get too comfortable.

He thinks that heading out for brunch is a good idea, guessing that his roommate would most likely want to get situated in peace. He gets his wallet and phone and heads out to find somewhere to eat.

The streets weren't too busy. It was midday and the middle of the week, and most likely, people were still at their jobs. Still, they were full of people to the point that Minghao felt the pressure of needing to always be on the move. He constantly tried to go with the flow of the crowds while trying to find an establishment he could eat at, preferably something to quell his growing homesickness.

He stumbles across what seems to be a small business with very familiar-looking signs. Bingo! It's a Chinese restaurant! He thanks whatever force managed to lead him here before he enters the restaurant. The distinct smell of the classic spice mix calms his nerves, and his posture relaxes significantly. 

The man at the counter doesn't look up from his paper, pointing at a booth near the back where Minghao could set his stuff before ordering. The curt behavior of the man doesn't phase him; in fact, it comforts him. He sets his bag down before standing at the counter, reading over the signs that were both in Mandarin and English. He starts ordering his food in Mandarin, finally getting the man at the counter to notice him. He nods in understanding, taking his order diligently before yelling his order at the cook at the back.

He pays, nods at the man again, and gets situated at his table. Getting comfortable with the smell of the food cooking and the chatter of the people around him. He fiddles with his phone a little, mindlessly scrolling through Instagram to see what his friends are up to. Mingyu got another modeling gig, Jungkook with his new single, and Dokyeom got to play Orpheus in Hadestown. 

Soon enough, he doesn't realize how much time has passed, only noticing that his food was ready when the waitress hurriedly slides his food onto the table and takes his table number. Mumbling thanks, which he believes she ignores, Minghao starts to eat his food.

This is so good, actually; I need to post this to my story.

Minghao took a picture of his food. The digital camera shutter almost distracted him from the sound of someone bumping into the table next to him. 

“Oh! Sorry, sorry!” A feminine voice said, frantically apologizing to the patron at said table, holding her hip. She desperately tried to wipe up anything that was spilled, apologizing profusely. Minghao got up from his table and offered to help her, wiping up the mess with her like the gentleman he was. Once the table was free from any spills, she apologized again to the person at the table and Minghao for troubling him.

“It’s fine; accidents happen all the time. Just be more mindful next time.” He says calmly, returning to his booth before a smaller hand grabs his arm. 

“Uh, I can't find a place to sit. Would you mind sharing a table with me?” she asked shyly but politely. Minghao shakes his head no. Offering her a polite smile as they walk back to their now shared table, she leaves her items in his care before going to order her food.

Minghao finally gets to enjoy the food he ordered. The decadent aroma was mouth-watering, and most importantly, it reminded him of home. It helps warm him up, literally and figuratively. He chews slowly, savoring the flavors of his food as usual. He'd always been a slow eater, slow enough for the lady he shares a table with to get her food and finish eating with him.

They both get up from their table with a curt nod of acknowledgment. Thinking this would be the last time they'd ever interact, Minghao didn't bother introducing himself. And neither does she. 

Yet, Minghao can't seem to shake the feeling of disappointment once he leaves her.

Minghao finally arrives at his apartment, ready to settle down after a long day of exploring the city and taking photos of places that inspire him. He closes the door, running a hand through his hair to look around the living room. 

He nearly dropped his camera when he saw the girl from the restaurant staring back at him, and he almost dropped the tray of paints from the shock.

“What are you doing here?!” She asked, surprised and on alert. Minghao could only guess what emotions she was going through at that moment. A random man she met once is suddenly in her apartment. Oh dear.

Minghao starts to feel panic settle into him, too. Both of them look like deer in headlights, trying to make sense of the situation. 

“Oh- uh- fuck, I live here!” Minghao says frantically, holding both his hands up in a show of innocence, showing his copy of the keys to their apartment.

Her posture immediately relaxed a little, “Oh uh, so, you're my roommate? I'm Y/n, by the way.” She says, still a little weary of him. He doesn't blame her; he did come in unannounced.

“It's nice to meet you again, I mean. I'm Minghao. Let's try to get along for this mentorship program, yeah?” He says, scratching the back of his head. “I'm gonna go head to bed; I'm exhausted from all the traveling, so uh, yeah.”

Minghao hoped his exit wasn't too awkward. Maybe it was, but he was too tired to deal with the intricacies of small talk. He changed his sheets quickly, throwing the old sheets into the wash before doing his nightly routine. He crashed into his new, cool sheets and drifted off into dreamland. 

It was the next morning, and the warmth of the sunlight was seeping in through the cracks between the curtains. He blinks away the sleep from his eyes, rubbing his face into his palms. He sits up and shakes his head to fight off the rest of his fatigue. He was always a morning person, but the jetlag is making it a bit too difficult for him to uphold that. 

His morning routine was simple: shower, get dressed, make-up and hair, breakfast, and out. He rarely breaks from this simple pattern, which consistently makes life easier for him. So it came as a surprise to him that he didn't have to make breakfast this time since his roommate kindly left a portion for him. 

He thinks this is such a nice gesture to leave for the guy who scared her half to death yesterday. Maybe this was a sort of peace offering to make getting along easier? Either way, he won't complain—it's just another thing to make his life a little easier.

His roommate is nowhere to be seen, most likely already on his way to the studio to meet their mentor. So Minghao also leaves the apartment, making sure to lock the door on his way out. He pops his headphones on, listening to his favorite commute playlist with a lightness in his step, his messenger bag slung over his shoulder.

The train ride to the studio was calm; the morning train was much less busy than the afternoon one he took when he arrived, so he got the opportunity to sit down and enjoy the book he recently got. It was a story about two soulmates finding each other in the middle of a city that was new to both of them; he thinks that maybe he's starting to lean into the hopeless romantic stereotype that his friends would always compare him to, which, he could never beat the allegations. 

His mind drifts to his art, and he describes how the romanticization of life became a heavy inspiration for his work. Minghao loves the strokes of color on the canvas as much as he loves life, and his passion for existence weaves itself between the fibers of his canvas.

After being snapped out of his daydreams by the conductor, he feels a sense of deja vu; he finds himself in his head constantly these days. He is always such a dreamer.

The doors of the train open with a mechanical hiss, old rails squeaking under the friction. He thinks the train still needs to go through the desperately needed maintenance. Same train, same. He thought to himself, stuffing his book back into his back with a huff.

Minghao takes in the scenery around him; this part of the city is much less busy than where his apartment was, so he could finally appreciate the city's beauty without the pressure of constantly having to be on the move.

His mentor's building comes into view. It is an older building; the exterior has long since been weathered, but history still makes it gorgeous. He noticed that buildings, most of them having yet to be touched since they were first built, added a charm to an otherwise monotonous city.

He pushes in the door, noting that his only option for getting to the studio is a set of ancient, creaky wooden steps. Minghao is lightheaded from looking at the flight of stairs, so he doesn't bother counting how many floors he has to climb just to get to his mentor. 

I have to climb this every day. I don't need to bother with leg day here. He thought to himself, already making the long trek up the stairs. 

It wasn’t that long—about 5 minutes of walking time—but it felt like an eternity to him. Walking was no issue; walking upstairs? Torture. The first treadmill was a step design, so it may not be an exaggeration. 

Minghao finally reaches the top of the stairwell, pausing to catch his breath in an attempt to look presentable to his mentor and possibly his roommate. He stands by the door for a while, mentally preparing himself for the first day of the program. He arrives earlier than the agreed-upon time, so he's not in a rush to make his presence known.

He takes his water bottle out of his bag, puts cool water in it, and helps his poor self finally calm down from his mini workout. He curses whoever designed this stairwell. A five-story building should have an elevator, and arguing that it doesn't need one feels like a hate crime.

He stops himself before arguing with fictitious architects, who are probably long gone, about how old the building looks. Anyway, he finally has a hand on the doorknob to the studio; taking a deep breath one last time, he twists the knob and pushes the door open, the old wood creaking in protest from the force of him opening it. He cringes internally, the squeak passing straight through his skull, making him want to grind his teeth in annoyance.

Still, he doesn’t show his disdain for this geriatric building on his face since his mentor and roommate both whip their heads around to see him at the doorway. Suddenly, having two sets of eyes on you doesn't help the nerves. 

He offers a polite smile, successfully fighting his grimace with a more pleasant expression. Both his mentor and roommate smile back. He noticed his mentor was a lot more relaxed than when he first met him, which makes sense. He is where he's most comfortable—in his very own studio.

Minghao feels the same about his tiny studio back home. He steps further into the bright studio, closing the door behind him. The studio's top floor and many large windows bring loads of natural light, making it feel more comfortable and inviting. Couple that with the fact that it's in a relatively quiet part of the city, and he feels as if his mentor really put thought into every detail of his permanent studio.

Minghao wonders when he will be able to get the studio of his dreams in his art career, but for now, he admires the studio. His mentor greets him and urges him to explore and get acquainted with the space. Since he'll be spending most of his time here in Amsterdam. Minghao nods, dropping his bag on the cubbies near the door and carefully walking around the studio, avoiding the items and canvases scattered around the floor. His mentor seemed to have an organized chaos mindset, seemingly not bothered by the mess or the health hazard tripping on any of these might cause.

He finds it amusing how much of his mentor he finds out about just from looking around his workspace. He has a husband, married young, it seems. He has twin girls, who he can only assume are grown now. He used to have a dog, a poodle named ‘Cloud’ despite being a black poodle. He made prints of older paintings before sending them off to an auction for fundraisers. He remembers those fundraisers very fondly, it seems. 

Minghao also finds the bathroom and takes note of its location for future use; he’s definitely going to use that. He joins his mentor and roommate by the window, then takes the time to drink their morning coffee and watch the birds. His mentor offers him coffee, but Minghao asks if he has tea. His mentor confirms that he does and points toward his pantry, which is just a wooden cubby that he appropriated to be a pantry after he got tired of getting his snacks off the floor, sighting back pains.

Minghao calmly prepares his tea, passively listening to the conversation between his mentor and roommate. They seem to get along well. Maybe his mentor has some fondness for her because she reminds him of his daughters. He could only guess, though.

Minghao finishes making his tea and finally joins them by the window. “Are you guys birdwatching?” he asks, joining in the conversation. 

“Yes! Mr. Jones was talking about how his youngest loved visiting his studio just to view the birds.” His roommate answers, his mentor confirming it. Though he does mention that she doesn’t visit as often—after all, she has a family of her own now—when she visits, she brings his grandchildren with her, which makes the old man happy. 

He adopted his twin girls pretty early in life, seeing them as inspiration for most of his work. The way his mentor talks about his family and life with so much pride makes Minghao think about his future. He wonders if he’ll ever be as proud of his life as his mentor is, but considering he’ll be learning everything this man can offer, he’s pretty confident about that, at least.

After finishing their morning drinks, his mentor started his first assignment for them, one of many he’d assign throughout the program. His mentor was a patient and calm man. His instruction and tips for injecting emotion into your piece were very cohesive; it was almost like he got it down to a science. His enthusiasm and passion for his work were truly remarkable, and getting to witness it and learn from him felt surreal. 

Minghao feels proud of having the opportunity to have him as a mentor. At the end of the day, instead of feeling exhausted, he's excited to learn more from him tomorrow. 

You and Minghao are heading home together after a long day with your mentor, walking silently through the streets; you think that maybe he just doesn't like you, seeing how he practically jumps at every accidental graze of your hands with each other.

You don't really blame him either; your first impression wasn't exactly the greatest, seeing as someone cussed you out in the middle of a Chinese restaurant. That impression was a strong one, but unfortunately, not a good one.

Minghao and you shuffle into the same train car, getting pressed together as a consequence of rush hour. You try not to think about what your roommate, who is basically still a stranger to you, feels like. He's warm, and you can definitely feel that he is in shape. You definitely try not to think about how tall he is or how handsome he is.

He's so polite, too, and very gentlemanly. He's always conscious of his movement and language around you, protecting you from being squeezed in this tiny train car without him even noticing. It was basically second nature to him.

Oh, you're never going to survive with this man for a year; you're definitely not going to stay sane with him living with you. Your mind starts reeling, cursing whatever deity thought it was funny to send over a walking wet dream of a roommate to your sex-deprived self. 

You'd hope Minghao doesn't notice how you fought for your life, trying to have decent thoughts. You felt extremely guilty for thinking of him as such, he's just minding his business, and you're acting like some horny teenager. You hope you don't offend him with how much you flinch in every interaction with him. 

The last thing you'd want is for him to think he was the problem.

Luckily for you, Minghao always seemed to be in his head most of the time, mindlessly picking at the stitching of his shirt and spacing out, it seems. At least you don't have to worry about him secretly being a mind-reader. The chances are low, but they're never zero. 

You also take this as an opportunity to start spacing out, looking out the window to watch the buildings and trees pass by quickly, enjoying the golden glow of the setting sun over the city. This scene makes you feel bittersweet, as if another day has passed. 

You wanted nothing more than to crash in your bed and sleep until the next morning, but for now, in the middle of this train car, you had to be vigilant of your surroundings. Not just because you're a newbie to this place but because you absolutely cannot get so distracted that you start to lean into your roommate like some deranged weirdo subconsciously. 

The train conductor announcing your stop seemed to snap both you and Minghao out of your daydreams. “Could I hold onto you? I don't wanna get swept up in this crowd,” you asked politely, unable to meet his eyes.

“Uh, sure, hold on.” He said, adjusting his messenger bag so it doesn't block your reach of his arm.

Minghao navigates the flowing crowd with a form of familiarity. It surprised you how well he managed to adjust to the movement of such a busy city. Then again, he could have already come from a much busier city than Amsterdam. Still, you need to learn more about him to make assumptions.

Minghao weaves the two of you through the crowds and out of the station, successfully reaching fresh air once you make it to a calmer sidewalk that was already near your apartment. You wanted to ask him so many questions. You realistically had a little over a year to do so, yet you know how quickly a year actually goes by, so you wanted to work quickly, but not too quickly, that you scare the poor man away.

Arriving at your apartment, Minghao fishes his keys out of his pocket to unlock the door, opens it, and gestures for you to enter first. You say a small ‘thank you’ before entering, taking your shoes off at the entrance and hanging up your coat.

Minghao follows you after you hear the door click behind you. The shuffling of his items as they are hung indicates that he is settling down for the day.

“Hey, Minghao?” You start, wanting to lead a conversation to eliminate the awkwardness between you and your roommate; he hums, fully turning his body to you as if to signal that he is listening. “I just wanted to know what you thought of Mr. Jones. You know, not as a mentor, but as a person.” You asked, thinking it was a safe place to start getting to know him.

He thinks about it momentarily, “I can't say right now; I've only ever known him as a leading force in the contemporary circle, but other than that? Not much. Judging from his relationship with his daughters, he seems like a good father and good husband, as he still spoke about his husband fondly and was pleasant to be around. But other than that, I don't know.” He shrugged, “Why do you ask?”

“Oh, I don't know,” You answer truthfully, “I like him a lot; he reminds me of my dad somewhat, you know, except maybe less of a religious nut.” You joke, gauging to see Minghao's reaction to it; luckily for you, Minghao finds it funny. Offering a restrained pfft- at your quip.

“Yeah, I get that; my dad was the same too. But I like him a lot less than Mr. Jones.” He said through laughter, running his hands through his hair. “I'll go take a shower; see you around, Y/n.” 

And with that, he disappears into his en-suite. 

You celebrate the tiny progress you made with your roommate, and you get to exchange words with him that aren't just common pleasantries. This motivates you to fan the spark of this new friendship, and maybe more, if you play your cards right.

It's too early to say you liked him, but he is objectively very attractive. So you can't really blame yourself for ogling at him. Respectfully, of course.

You also prepare for your night routine, opting to go through your entire skincare routine for the first time in forever after showering. You put on your best pajamas and tuck yourself into bed, dreaming of the day your hot roommate sees you how you want him to.

Kidding, not really.

Minghao has yet to learn what he's doing.

He'd been staring blankly at his canvas for what seemed like a solid 20 minutes, these inner thoughts fighting for dominance and splattering their metaphorical blood all over the pristine canvas.

He wanted to paint something so badly, but alas, getting struck with a severe art block on the second day of his mentorship felt like a sick joke from fate. His mentor watches over their shoulders, monitoring their progress. He seemed to notice Minghao's growing frustration from being stuck, “I think you should take a break, son. You should enjoy some tea by the window and clear your mind to make room for new ideas.” he said gently with a hand on Minghao’s shoulder.

Minghao agrees with him, finally setting his brush down to make his tea as usual before getting comfortable on one of the chairs by the window. He watches the trees sway in the wind, the birds playing on a random rooftop, and the clouds drifting slowly. All of these help calm his racing mind, which is preoccupied with so many things to think about that he doesn't have room to think about new ideas.

Minghao has a nasty habit of overthinking and holding onto ideas that no longer serve him a purpose. He thinks back to the first time he did this, the day he decided to become an artist. He's always known that he wanted to be an artist. He was eight at the time, telling his parents about his dreams for the future. 

Unfortunately, they disapproved of such plans. The first thought Minghao ever held onto was, “You need to aspire to get a real job, not just some useless skill that will leave you with no money.”

The second thought Minghao held onto happened at around the age of 17, just before graduating high school. He decided not to go to college, seeing that he still held out hope that he could become a great artist one day. He wanted to prioritize honing his skills, and his parents, once again, didn't approve of that.

That was the first time he ever felt fear from his parents. Before, he was only met with stern lecturing and maybe being grounded, but he never saw his dad that angry before or ever since. Since that day, Minghao has held onto the following: “If you're going to choose to throw your life away, then so be it. Just don't come crawling back here when you end up on the streets!”

Minghao doesn't want to recall the last thought he held onto; the memory is still fresh and feels like a weapon being used against him. He wished it didn't turn out that way, but it did. And there's nothing he could do to change the facts.

Minghao savors the flavors of his tea before finally trying his best to get rid of all those thoughts he holds onto. He's far away from his parents, far away from the people who could hurt him, and far away from the past.

He finally stops overthinking as soon as he sets his cup down, wiping off his palms on his pants before joining his roommate and mentor again. His head was finally free of any troubles he might've had. But he knows he's never truly free, only temporarily setting it aside to focus on his current goals.

He feels a sense of pride while he is painting this time. Strokes of vibrant color dance across the weaving of the canvas, and his brush glides smoothly and freely across it, finding a path of its own, making its mark like it was always meant to do.

In a way, it was freeing to paint without the pressure of making it look ‘good’, Minghao only had to focus on laying a color down the way it wanted to lay, and this show of emotion sparked a flame of determination in Minghao that he thought he lost so long ago.

Minghao finally sees the colors for what they are again, and in a way, he starts falling in love with creating again. His joy is evident on his face, and the controlled strokes slowly turn into free ones with every passing moment. 

He looks away from his canvas once to look at you, and he smiles the biggest smile you've ever seen on him. And you realize his smile is contagious, absolutely stunning in a way you've never felt before.

That smile was detrimental to your poor little heart, your small crush on him only worsening. You think it's a bit unfair that the universe had to dangle such a gorgeous specimen in front of you. You didn't even have an idea if he was single or not. He could have a wife and kids back home and you'd be none the wiser.

Still, you enjoy his company while you can. After all, it's not like you applied for this mentorship just to mingle. You were here to learn under a great artist, and to gain the experiences necessary to advance your career and skill.

Having a hot roommate is a nice touch, though.

“Hey Minghao?” You ask from the living room, looking up from your book to look at him in your tiny kitchen. 

“Yeah?” He replied, not looking up from the stove. It was the weekend, and Minghao offered to make dinner as you’ve been making breakfast for the past few days.

“Are you in a relationship? If you don’t mind me asking.” You asked, the question has been bugging you for a while now, ever since you realized your tiny crush. You’d feel incredibly guilty if he was in a relationship and you tried shooting your shot with him.

“No. But why do you ask?” He said simply, focusing more of his attention to not burning the food. Stir-frying the noodles with familiarity.

“Nothing, I just thought about it.” You paused, “We’re friends, right?” You finished with a question, thinking that maybe your line of questioning might be too much for someone who doesn’t even consider you more than a roommate.

“Of course. I like your company, I don’t have a reason to try and alienate you.” He said, now with more focus on you as he turned the fire of the stove down. Plating your food in one of the plates your apartment came with.

“Cool. We’re cool.” You said a little awkwardly, thinking that maybe your questioning was a bit too on the nose. Even if he wasn’t a mind-reader, he’ll surely be able to tell that you’re interested in him just from your weird line of questioning in recent days. Surely Minghao isn’t dense.

Minghao called you over to your dining room table, saying that dinner was already served. You rise from your comfortable position on the couch, making your way over to the tiny table in the space between the living room and kitchen.

“I hope you like the food, it's something I always used to make in college. It was one of the few luxuries I could afford, but it’s still very delicious,” he said, serving you a portion before taking some for himself.

“Thank you for making dinner. This looks amazing, I’m honored to try it.” You said, taking in the sight of the food that Minghao made with care. Minghao feels a sense of pride from your praise, sure, he’s not the best cook, but he’s definitely proud of the progress he made in recent years. 

Cooking was one of the first skills Minghao had to learn when he got kicked out of his parents’ place. Having focused all his energy on studying before, he only really had the time to learn how to take care of himself once he was on his own.

Watching you eat his food enthusiastically made Minghao unexpectedly happy. Sharing something he was proud of is often how he tries to get close to people, the little piece of vulnerability made him feel closer to them, like offering a piece of himself to them.

To you, this may have felt like a simple dinner, a meal between two friends in the comfort of their own home. But to Minghao, this was him accepting you into his space. Finally being comfortable enough to associate you to a dish he holds almost sacred.

The days easily turned into weeks, weeks into months, and before you knew it, it's already six months into your mentorship program. The days began to blur into each other, the most interesting thing that happened in the six months was your budding relationship with your roommate, whom you found out to be as much of a hopeless romantic as you are.

Your weekdays were spent at the studio, diligently working under your mentor and improving your art. While your weekdays were spent unwinding and spending time with your new friend. Minghao's taste in movies doesn't differ much from yours, opting to watch romantic movies with happy endings. 

It was during one of these movie nights that Minghao asked you a question, “Do you believe in true love? ‘The one’, so to speak. Someone that is a perfect fit for you as you are to them.”

You think about this question for a bit, “Yeah, I do. It's a little silly to ask for perfection, but if someone is perfect to you, I think that's pretty plausible. Though, I do think true love is more of a choice than just aimlessly searching for them, you know?” You answered carefully, eyes still glued to the tv screen.

“I see,” Minghao started, “do you have an idea what your ‘one’ might be like?” He asked, this time a little more determined to get a more pointed answer from you.

“Not necessarily, but I already have a feeling that I know them already.” You said, relaxing and leaning back onto the couch, “Or, at least I hope I do. And I hope they see me like that too.” You sighed, wishful thinking taking over you again.

Over time, your little crush on Minghao had grown into a genuine romantic interest, especially since learning that he was single a few weeks ago, you started to see him in a different light. Almost as if the confirmation of his availability gave your subconscious the green light to start thirsting over him like a horny teenager.

It also didn’t help that he got comfortable enough to walk around the house shirtless, or worse, with just a towel loosely around his hips, sitting low as he’s fresh out of the shower. This put you in a loop, almost all thoughts being occupied by him in a sick and twisted way.

Some days, you convince yourself that Minghao does this on purpose, trying to kill you in the reflection of the light from his sweet, wet abs.

“Y/n?” He said, breathless. With a whiny tone in his naturally airy voice. 

“Hao? You’re back from your run?” You ask from the kitchen. Trying not to think about how delicious his voice sounded.

“Yeah, I picked up some bread on the way back. Thought it’s go well with the soup you’re making.” He replied as he placed a paper bag of fresh bread on the counter. You turn away from the stove to check out the selection he brought back.

“Hm, you got good taste. I didn’t expect any less.” You say with a proud smile, Minghao’s chest fills with a sense of pride as well. It was always validating to hear from someone else that they trusted your judgment.

The two of you had the day off today, your mentor visiting his daughters somewhere on the other side of the country. Giving the two of you free reign to settle chores that you haven’t been keeping up with.

Minghao offers to help you set the table, but you tell him to take a shower first. Letting that sweat dry on him might make him sick. Or worse, sticky.

He laughs that off, “Oh please, I think you’d want that.” He said suggestively. 

That was a new development too. Minghao is getting bolder with his jokes. His jokes were always tasteful, never trying to push your boundaries. But sometimes you wish he did, just so you’d have the excuse to tell him how much you wanted him.

But for now, with Minghao not showing any interest in acting upon his suggestive jokes, you swallow down the urge to jump his bones. For now, at least.

Your mentor returned from his family visit the next day, with an assignment for both of you. 

Sitting in the studio as usual, your mentor explains what your assignment entails, and how it’ll most likely span the rest of your time here in Amsterdam. He took it upon himself to assign it as a final project for the two of you, finishing this would finish their apprenticeship.

“A local cathedral reached out to me looking for my services. They wanted a mural painted for the interior because it started to look a little too clean after renovations. I think this would be a good opportunity for the two of you to show me what you’ve learned. I give you half a year to finish it, and then, you’ll be done with your mentorship.” He said, voice wispy like a proud father recalling the time when his children were just small, not looking at them, all grown up, he can’t help but tear up.

You and Minghao look at each other, unable to fathom this amazing opportunity that has presented itself to you. You and Minghao eagerly accept the offer, excitedly heading out to check out the said church so you two can plan out what to do for the mural.

The people attending the church are already briefed on the situation, happily showing you around their shiny new church, happy to find new artists to commission for this project. You and Minghao take photos of the interior, wanting to plan around the implements and fixtures, to give everything a cohesive look.

You and Minghao do this for hours walking around the city to look for inspiration along the way, taking in all the sights you didn’t have the chance to take in before. The city was filled with inspiration, ideas flowed out the both of you like a river, and it was so easy to find passion for this project. With a giant canvas and free reign to paint whatever, you and Minghao felt like kids at a candy store.

But suddenly, the sky started to grumble, clouds darkening in a tell-tale way. You hadn’t anticipated the rain, so you both scramble to find shelter as the rain starts to pour. Taking shelter under the awning of an abandoned shop, you both watch as the rain pools and puddles around you. You turn to Minghao, he was a little damp but relatively dry, water dripping from his hair, soaking into his clothes. His mouth was slightly parted from panting, the unexpected run knocked the wind out of both of you.

 At that moment, Minghao looked delectable.

“Hao?”

“Yeah?”

“Can I kiss you?”

He only smiles at your question, leaning down to softly press his lips to yours. He had an arm around your waist to pull you closer to him, pressing his body to yours. You can feel the warmth of his skin radiating under his clothes, warming you up from the chill of the rain. 

You felt a little light-headed, not just from the lack of air, but because you didn’t expect a random blurt of your desire would lead to Minghao kissing you breathlessly. Not that you’re complaining, not at all, in fact, this made you want him more, softly moaning against his lips before pulling away, remembering that you’re in public. 

“Oh, wow, um.” You start, heads still spinning from the dizzying kiss Minghao had pulled you into. 

He just laughed his signature laugh, joy coursing through his veins. How could he not be happy? An amazing opportunity to advance his career, getting to spend the day in the city with someone he cares deeply for, and getting to kiss her in the rain? Oh, he’s weak in the knees.

This day was perfect, you were perfect. Minghao couldn’t ask for anything more.

You and Minghao started the mural for the cathedral, buzzing with excitement for your first big project, as well as your budding romantic relationship with him. The two of you work on opposite ends of the mural, working to meet each other halfway, and taking the time to get the details down before moving on to the next section. 

In a way, this was reminiscent of how you and Minghao are taking the steps to make this relationship work. Though unlikely that you’d meet like this, you still did, and you’d like to believe it was fate. Both of you agreed not to put a label on it just yet, just enjoying each other's company, and exploring the possibilities of this new romance.

You sneak glances at him every so often, his face scrunched in concentration, focusing on perfecting the sections of the mural he assigned himself to. And sometimes, when he looks back at you, his face instantly relaxes and glows. You love how expressive his face is, almost as if you could tell what he was thinking about at any point. It comforts you how open he is, knowing that he looks at you with genuine affection and adoration. It's fun, it's freeing to feel this way about someone who feels just as strongly.

The two of you worked on the mural until lunch when the two of you decided to take a short break, “Maybe I’ll take this opportunity to take you out on a proper date.” He said cheekily, offering his arm for you to hold.

“Oh, that’d be great. We keep passing by this one restaurant that I’ve been dying to try.” It was an open-concept place, clean and modern but it didn't give off “steak dinner” vibes, it just seemed like a nice sit-down place to have lunch or brunch, if you’re of the local housewife type.

Asking the waitress at the front for a table for two, the two of you were promptly seated at a table facing the street, offering the both of you the menu. Apparently, the menu changes seasonally, this time they offered a variety of vegan dishes, which intrigued you. You never realized vegetables could be cooked in so many different ways.

Your food was served, and the conversation between you and Minghao flowed like free orange juice refills. You both enjoy your lunch, more than you usually do, you don’t know if the food was actually good, or if the company just made it better, but either way, you don’t think you could enjoy a meal without Minghao anymore.

He’s just so charming, kind, and funny. So, so funny. The tables around you started to look at you two funny for all the giggles coming from your table specifically. The restaurant being open-air doesn’t even help to dampen the sounds of your joy, even the hustle and bustle of the street fade to the background with him. It’s just you, and Minghao, and the delicious veggies the two of you decided to have for lunch.

Lunch was over before you realized it. Minghao flags down the waitress, asking for the bill and paying for it himself, much to your protests. Yet, those fall on deaf ears as he winks at you. Offering his arm for you to take again before walking back to the cathedral to continue working on your mural.

The two of you continue to act like love-struck fools, much to the church staff’s chagrin, but it's not like either of you cared, you enjoy his company, and you, his. You haven’t brought up the kiss from before, but you wanted to, mainly to ask him for another one. 

Minghao really wasn’t the type for much skinship, but it’s not as if he’s opposed to it. If you asked, he’d comply. He’s willing to do many things for you, or with you. Minghao thinks it’s too early to call it love, definitely, but it’s really really close to it.

He adores you to no end, no words could describe how much you became an important part of his life in just a few short months. And getting to work with you on this? He almost couldn’t believe it.

Growing up, he always thought love like this only happened in movies or books. But he’s living it right now. He’s living in Europe, doing what he loves the most, and finding an unexpected light in his life. Maybe life does have things worth worrying about. 

Still, ever present in Minghao’s thoughts, is the sinking feeling of anxiety. It’s ugly, rearing its head whenever it can. The last time he felt this strongly about something, it nearly broke him. Minghap always felt too hard, nothing is ever ‘just’ happy or ‘just’ sad for him. His loyalty and devotion is both a blessing and a curse. 

And yet, he still believes in love.

He’s a hopeless romantic, even if it’s scary, even if it’ll hurt, he still holds onto hope that he could get away with it. Making a religion of your lips, worshiping the false god that is your adoration for each other.

It’s ironic to think like that in the middle of a cathedral he thinks, yet, he’s not guilty, not after what the church has done to him, to his once level-headed father.

It was another day of working on the mural, this time, you and Minghao worked until the late hours of the night, until all the church staff bid both of you goodnight, leaving you two to work in the dim light of the chandelier.

“Hey, have I ever told you that this is the first time I went inside a church since I was seventeen?” Minghao started, concentrating on his section of the mural, painting the rosy cheeks of a cherub.

“Huh? No, you haven’t. Why did you stop going to church? If you don’t mind me asking.” You said, a little startled from being broken out of your concentration.

“It’s simple really, my values didn’t align with the church anymore. And, I may have been  in love with a man at the time.” He joked, chuckling at the end of his sentence as if he was reminiscing about something humorous. 

You nod, “You know, I haven’t been in a church for about as long.” you say, setting your brush down to continue speaking, taking a short break to avoid cramping your hand. “I didn’t like how I was basically brainwashed all my life to devote my time and soul to the church, I didn’t feel a connection to religion anymore, not after what my group told me after what that priest did to me.”

Minghao’s expression softened, shoulders dropping with his grip on the brush relaxing. “That’s terrible, I’m sorry that happened to you.” He said, also resting his brush. He walked towards you, offering a hand to help you get off the floor. You take his hand, muttering thanks, and you follow him to the back of the church, in the pews nearest to the altar.

“You know, sometimes I feel as if some unknown force led us to meet each other.” Minghao started, “Think about it, how is it that we’re the only two people in the mentorship program, and how have we managed to fit together so perfectly? I think,” Minghao pauses to lick his lips, “if it were anyone else, I wouldn’t have felt this way about them.” 

“I know that confession was a little misplaced, especially after what you just told me. But I just wanted to give you context for my offer,” He said, taking your hand, the warmth of his palm radiating to yours, warming it up, “I want to give your power back to you, I like you a lot, too much really. Ever since that first day, you made me breakfast. And I’d do anything to take that pain away from you.”

“Minghao…” You said, “I like you a lot too. I’m flattered by your confession, and so moved by your offer. But I can’t seem to figure out what your offer is supposed to mean.” 

“You were attacked at a church, violently, as if your body wasn’t yours for a time. I want to override those memories with ours, make it your choice. To have an outlet for your anger.”

You openly gape at him, not believing his offer. He wanted to…?

“Minghao, I want you.” 

It felt cathartic to say that, especially in a place you’d never think to say that. It was satisfying as if a weight had been lifted from you, the burden of memory weighing on your chest being removed, like the first time you could breathe freely again.

Mingahao gently cups your cheek, stroking the flushed skin with the pad of his thumb, slowly turning your head to face him, his lips hovering over yours, “I want you too.” He said before locking lips with you. 

Your hands immediately find their place at the back of his neck, fingers threading to the soft ends of his hair, pressing him closer to you, the warmth of his body radiating through his clothes. Your skin felt hot, like desire was just boiling under your skin, blooming on the surface as a flush of red. Minghao crowds you, kissing you with want, with need. He kissed you, letting his hands do what his lips wanted to, his faith turning into despair. The tragedy of not having a taste of your skin yet, swirls in his gut, manifesting in desperation. He kissed you with urgency, as if this was the only chance to have you like this, his greed taking over his thoughts as it filled his mind with images of you in the most depraved positions, your usually clean image tainted with evidence of his lust.

After all, Minghao is just a man, a man who now finds religion in your lips.

He reluctantly parts from you, surprising you with his strength but lifting you suddenly, walking the short way to the altar. His plans dawn on you as soon as you feel the cool marble under you, eyes rolling to the back of your head as you lock your lips with his again, moaning pathetically and the feeling of his palms snaking their way under your shirt, squeezing and kneading the flesh, taking handfuls of it as he needed it.

He parts from your lips with a whine, panting for air like just running a marathon. He only parts from you for a second, only for his mouth to connect with your jaw, placing open-mouthed kisses on it. Goosebumps litter your skin, his simple touch leaves you shivering in a way you didn’t think was possible. Your legs part and Minghao takes his place between them, now sucking and biting marks into your skin, maroon blooms all over your collarbones, as you pull him impossibly close, bodies flush together perfectly as if it was always meant to be.

You paw at his jacket, wanting to feel him without the barriers of fabric between the two of you. He frantically shrugged his jacket off, and pulled his shirt over his head without being prompted, using his weight to press you down into the marble altar. Takes his time to unbutton your shirt, kissing the skin with every button he undoes.

Warmth ripples under your skin like drops hitting the surface of a still body, each kiss sending a spark of heat directly to your core. Simple, but powerful. The way Minghao delicately worships your skin made a sense of serenity wash over you like a wave, crashing over your restless state.

Minghao rises to meet your lips, again, swallowing the sound of your moans, nipping at your lips. His hard cock presses into your core through his pants, layers of fabric between the places where you needed each other the most. Desperation turns into slight relief from the pressure of your bodies pressing together. 

He takes his time to strip you of your effects, taking time to peel it off of you with care. This is the first time he's seen you in such a compromising position, yet you don't feel pressured or nervous at all. The way he looks at you, it's as if you hung the stars in the sky one by one, just for you to take them in your eyes, a galaxy of secrets waiting to be uncovered; and you're willing to let him explore.

Minghao falls to his knees, fingers pressing into the flesh of your thighs. He presses kisses on your kneecap, slowly inching his way to your core, lips brushing against your skin, making you shiver. You watch as his head of hair reaches the apex of your thighs, placing a kiss on your pelvis, right above where you need him.

He looks up at you briefly, eyes locking with yours as if asking for permission to just dive right in. You nod, giving him the silent permission to do so. He smiles, his eyes fluttering shut as his mouth connects with your core, lips wrapping around your throbbing clit.

Your back arches from the marble, hands frantically searching for his head, threading your fingers through his hair to get a grip on anything. The way the wet muscle that was his tongue guided the swirl of hot desire in your stomach made you dizzy, his eyes shut tightly, and small whimpers left his lips, making you feel the vibrations.

He ate you like a starved man, “Oh, fuck, please-! Keep going!” The frantic pace of his mouth and tongue got more desperate with your praise, your encouragement made him press his face closer to your core, his jose bumping your clit, making him breathe in deep, taking in your scent.

His eyes flutter open at the smell, eyes rolling to the back of his head, and a pathetic, high-pitched whine leaves his lips. His tongue pressed against the spongey spot in your walls, immediately this sends a shiver down your spine, your moans turning into desperate whines, grinding on his mouth.

And Minghao just stops to take it, exaggerating his moans to help you over the edge.

A knot starts to form in your core, only a mixture of pleas of his name leaves your lips as you topple over the edge, reaching your high. Your orgasm was blinding, a hot, white pleasure ripped through you, your body shaking from the impact of such a powerful climax.

Minghao groans as he savors the flavor of your release, drinking it like a sacred Ambrosia. He delicately licks at your folds, careful not to bump into your sensitive clit.

After being satisfied with cleaning you up, Minghao starts to unbuckle his belt, his pants hanging low on his hips. He finally takes his cock out of his boxer briefs, the tip is red and bulbous, angry and leaking. His mouth parts with a moan, licking his plump lips, finally getting the friction he so desperately wanted.

He gets on top of you, his warmth radiating off of him in waves. He brings a hand up to brush your hair away from your face, soaking up every detail, committing the look in your eyes to memory. He looks at you with adoration, eyes clouded with lust yet still shines with the respect he has for you as a person.

In his eyes you were perfect, especially with that fucked-out look on your face, panting and shaking under him.

He kisses you again, this time with less desperation. You could taste yourself on his lips, highlighting your desire for more. He finally guides his cock to your entrance, the tip of it bumping into your clit, a gasp falling from your lips.

You look up at Minghao, a halo of many colors forming around his head, the cross-shaped stained glass behind him glowing brightly in the full moonlight. If it wasn't for the depraved things he's done to you, you'd think that he looked angelic.

Finally, he slowly pushed his cock into you, a shaky breath leaving his lips, taking every ounce of self-control to not start frantically thrusting into you, letting you take the time to adjust to his size. Minghao was bigger than you thought he'd be, the sheer size of his cock stretching you deliciously. 

He pressed your foreheads together, your breathing synchronized. You open your hand on his chest, pressing your palm over his heart, you can feel the steady beating of it, and you can feel him breathe with you. The silence only amplified the feeling of being connected, a kind of vulnerability that you’ve never felt with anyone else before.

You savor his warmth, his closeness to you, before asking him to move. He nods wordlessly, not trusting his voice at the moment. He was buried to the hilt, but he slowly started to pull back until only his head stayed inside you, only to push back in, a wet, lewd squelch of your juices mixing with his echo and rung in your ears.

He started to pick up his pace, intertwining your hands together to gain leverage. “Fuck, you feel so good babe, so warm. So perfect for me.” He said lowly, mind emptying all thoughts except for the feeling of you around him. He can't get enough of you, your image infecting his mind, making a home in every crevice. 

Both of you were very vocal about how good it felt, pleasure rising to a pressure that made both of you light-headed, your grip on his hand tightening with every pointed thrust to the spot where you needed him the most.

His lips meet your neck again, more maroon marks blooming over your skin, marking you with evidence of him. He separated from the skin with a wet pop, his nose brushing against your cheek, his hair tickling the skin, “Please, I need you to cum around my cock. Don't make me beg for it, please, oh- please-” he whimpered in your ear, breathless from the force he was using. 

He turns to kiss you again, both of you swallowing each other's whines and moans as your desperation grows stronger. 

Soon, the coil in your stomach starts to tighten again, you can't hear much over the ringing in your ears, but you do hear the wet slapping of skin together, and the ragged breathing coming from the man above you. You barely registered your own orgasm, you felt like you weren't in your body, like your soul was floating in the space where you felt neither pain nor pleasure. 

Tears ran down your face, your body shaking like a leaf. Minghao watched as your juices squirted out of you, coating his cock and legs with your release. This violently sends him into his own orgasm, barely catching himself with the altar as the force of it knocks the wind out of him, his knees shaking, barely able to hold his weight up.

He almost collapsed into you with how much his body couldn't handle the sensations, his hips never ceasing even with both of your oversensitivity.

He finally stops, both of you winded from the intensity of your sex. He kisses you with finality that night, right at the altar with the light of the cross over you.

It's been months since you and Minghao started the mural, and also started hooking up. The first time you slept with him was certainly not the last. You were sure you desecrated every inch of this sacred space, as well as every corner of your shared apartment. 

But, all good things come to an end. 

Today was the day you finally added the finishing touches to the mural, marking the end of your program, and the end of your time in Amsterdam. 

Your mentor was pleased with how it turned out, he was proud of how far the both of you have gotten in your skills. And decided to throw a party in his studio to celebrate the completion of your final project. 

You and Minghao skirt around the idea of what will happen next after the program ends, enjoying the company of your mentor and the few friends you've made in Amsterdam. 

It was after the party that things finally started to feel grim, each item you packed into your suitcase felt like heavy weights or a nail in the coffin of your relationship with Minghao.

You couldn't fathom going back to reality, back to your lonely apartment without the anticipation of waking up and making breakfast for him. 

You realized too late that you loved him.

“What happens to us now?” His question surprised you, you didn't think he was thinking about this as hard as you were. 

“Well, we go back to where we came from. Go on with our lives, I guess.” You reply, too cowardly to admit what you truly felt, as it'll only hurt more.

“That's it?” He asked incredulously, “You don't want to even try to make this work?” His tone wasn't one of anger or disappointment, Minghao had always been an expressive person, but this was something worse. Hurt.

“Minghao I-” You start, but he cuts you off,

“Well, you know what? Okay. It's okay- just… if there's ever a next time. Meet me in Amsterdam. Please, at least, try for me?”

You nod, your breathing becoming shaky as tears begin to well in your eyes. You hug him tightly, almost as if it'll be the last time you ever see him.

But no, there will be a next time. No matter how long it'll take.

You let the tears fall when the plane finally took off. 

It's been several years since your time in Amsterdam, your experience there marked you in more ways than one. 

Your art career found success after the mural you worked on with him received critical acclaim. Opening galleries and exhibits all around the world, people enjoy the art you made greatly. 

You find yourself in the place where it all started, Amsterdam. 

“So, there really is a next time, huh?” You said, your voice was calmer than you expected it to be, especially with being overcome with such intense emotions.

Minghao smiles at you, wordlessly coming in to hug you.

“I'm not letting you go, not this time.”

[raven-at-the-writing-desk]

WHAT

[Other May 2024 JP server news!]

MY THOUGHTS EXACTLY 😭 After 4 long years… TWST has finally given us the elusive bare Rook arms and his Savanaclaw era design???????

Look at how well-defined his arms are, the Magical Archives was NOT lying about his secretly buff physique… The curly hair??? Freckles???? Ripped T-shirt sleeves???? Even the brows are noticeably different… THE GASP I GASPED WHEN I LAID EYES ON THIS DUDE OTL It’s suuuuch a drastic change???? Vil described Rook’s Savanaclaw days so… well. A little TOO well… (I laughed a little upon realizing Rook always wore some iteration of a hat; in this context, it feels more cowboy-ish.)

ALSO I THOUGHT BRO WAS CARESSING VIL’S DORM UNIFORM WHEN I FIRST SAW THIS CARD (then I looked closer and realized it seems to be Rook’s bed). The floor pattern does not look like Rook’s room though…? Did he just. Yoink some Pomefiore fabric and hide out in a rando’s room to admire it??? THAT’S AN EVEN SCARIER THOUGHT…

I feel like this is a fever dream that I can’t wake up from 🤡 This right here, officer… This is what my sleep paralysis demon looks like… He T-poses in the corner of my bedroom and watches me sleep while whispering “omelette du fromage” 💀

I didn’t think we’d be dream-hopping to every individual student’s dream to pull them out of it because that feels like such a time sink (and book 7 is already so long), but… why the sudden limited Rook banner drop to go with a book 7 update???? Are we actually going to be waking everyone up one by one…? Well then that also opens up the possibility of a book 8 since there’s no way TWST could cram all this dream hopping AND cleanly resolve all the other lingering questions (Grim’s origins, Ace’s UM, Crowley’s motives, why was Yuu brought to Twisted Wonderland, etc.)????

How fitting that it’s the enigmatic Rook Hunt to send us all spiraling and questioning everything JUST BY SHOWING UP IN NEW (old?) THREADS…

[ham1lton]

another day, another drama.

pairing: lando norris x fellow driver’s sister!reader.

summary: the one where you think o/s is hiding something from you, so with the help of your boyfriend and his friends, you try to figure it out. too bad you find more than you bargained for.

author’s note: part of the nepo sister universe. i fear we might be coming to the end of the nsu soon…. also there is a poll at the end, help a struggling writer out and vote pls mwah.

— part one | part two (coming soon).

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liked by oldersistersbff, yourbff and 287,737 others.

yourusername: just saw these pics of my bf and burst into tears. fuck f1 for taking my bf and my sister away from me….

oscarpiastri: ur welcome ☺️

-> yourusername: SICK SICK MAN!!!! 😒😒

user1: not u acting like a war widow 😭

-> yourusername: my husband (boyfriend) has been taken as a prisoner of war (forced to do his job) thousands of miles away (no this part is actually real).

user9: i’m new to this. are they lovers?

-> user8: worse.

*liked by oscarpiastri.*

formula1: we apologise yourusername! but you’ll see him soon we promise! :)

-> yourusername: RETURN MY BF IMMEDIATELY….

-> user5: girl what about your sister??

-> yourusername: she’ll be fine 😘

user6: girl um did u see ur sister’s newest interview???

-> yourusername: no??!! BRB!

————————————————————————

liked by zendaya, simonebiles and 3,288,728 others.

vogue: the paddock’s princess came to talk to us about being our newest cover girl, winning her most recent championship, going viral, her love life and what her favourite smoothie combination is.

user3: shes so cute 🥺🥺

user1: o/s has been notoriously single since her breakup with paul like five years ago… why is she giggling and smiling when asked about a man???

-> user2: no i noticed that… omg is she seeing someone?

user7: face card never declines!

user4: when gav told her that she’d won and the first thing she did when she left the car was hug him and cry??? she’s so cute. i’m so glad i live in the y/n domination era.

-> user5: the edits with that video are sick… o/s is keeping the tiktok editors in business.

-> user9: have you seen the ones about her and lando to the song lacy??? INSANE…

-> user5: DM ME RN

user31: her saying she doesn’t ever want to be defined by her wins and rather by who she is a person. we love a charitable queen!

yourusername: love life… hmmm….

-> user4: oh no….. she’s plotting 😭

————————————————————————

————————————————————————

liked by oldersistersbff, user72 and 2,833,617 others.

oldersister: family reunion.

yourusername: no credits for the pics??

-> oldersister: no. you take enough credit from my card.

-> yourusername: … fair.

user1: she’s deadass married wth.

-> user6: family reunion out of nowhere? talking about her love life suddenly after years of not even having one? photographed with two separate men?? shopping with o/s/bff in a bridal boutique and cordoning off the area?? it’s adding up sis ur not even delusional for this one….

user9: WHO’S UR MAN @/oldersister

user5: stop with the married jokes y’all…. i can’t lose my queen to some MAN….

user3: are you planning on changing ur surname from l/n.

-> oldersister: never.

-> user16: oh so you do see these comments…

————————————————————————

————————————————————————

SPYING TRANSCRIPT - THURSDAY, 6PM.

- written by LANDO NORRIS, for his boss Y/N L/N.

LANDO NORRIS - i think she’s dating carlos. i’m putting my cards out there.

OSCAR PIASTRI - put your cards back. no way that’d happen. i think she’s dating someone else. look at these photos. that guy isn’t carlos.

DANIEL RICCARDO - just tell y/n she’s dating me and we can all go to sleep. i mean look at my incredible good looks, it would be sacrilegious to not want me.

PIASTRI - if she was gonna go for the hottest driver on the grid she’d go for lewis or charles.

CHARLES LECLERC - oh thank you oscar! very nice.

NORRIS - you’re moving away from the point. wait… is someone knocking on the door?

(everyone looks at each other concerned)

RICCIARDO - oh i ordered pizza. i forgot. my bad!

LECLERC - how about her dating another athlete? someone who understands this life but won’t affect her position here.

NORRIS - smart… what athlete has she been seen with recently?

PIASTRI - according to social media, simone biles?

NORRIS - isn’t she married? nah, who else.

RICCIARDO - she was telling me the other day that she went to the psg game. i asked her why and she said she had a friend who played for them.

LECLERC - kylian mbappé? that makes a lot of sense actually….

NORRIS - do you feel a kin to him? i mean, you’re both frenchmen after all.

(OSCAR PIASTRI would like the transcript to include the following: — after this, charles hit lando. i laughed.)

PIASTRI - it could be that this is all a big misunderstanding. she could have been shopping for a bridesmaid dress. why would she get married and not tell her sister who she’s incredibly close to? that makes no sense to me.

RICCIARDO - anyways….

NORRIS - what about leonardo dicaprio!

LECLERC - she is under 25….

————————————————————————

————————————————————————

taglist: @23victoria @luckyladycreator2 @mxdi0 @booksandflowrs @charlesleclercsonlywife @casperlikej @nichmeddar @decafmickey @evie-119 @ironmaiden1313 @d3kstar @blupblupfish @demvnsriot @raevyng @namgification (don’t see yourself or wanna be removed? send an ask!)

— don’t wanna miss an update? join my taglist!

[genderlessghoul]

Hiiiiii my darlings, we all know I love love love to talk about the ghouls, my babies, so today I wanna take a look at the different ghoul costumes and talk about the evolution of their costumes.

Opus Eponymous :

The first ghoul costumes, I really like what they did with them despite the fact they probably had a very limited budget to work with (which shows in Primo's costume ngl). They're pretty simple and they will set the example for the next few eras. The masks are nothing complicated but I do like that they have some structure despite being completely blank. I like the shape of the capelet a lot, it reminds me of gothic architecture. The arm "wraps" add some nice shapes in the design and I really like the leather on the bottom of the robe and on the capelet. They're of course wearing grucifix necklaces, as they will up to Meliora.

Infestissumam :

We still have a robe, like the Opus design. The rope as a belt has been replaced by a wide fabric belt and the capelet design was changed for a much simpler one. We get the introduction to the elemental symbols, which are stitched on the waist sash. Each ghoul's respective element is highlighted by a lighter colour. The masks are now starting to get more inteicate designs, this version being inspired by the last mascarade costume of king Gustav iii.

Meliora :

We can still very much see the influence of the Infest design in Meliora's, despite the loss of the hood and capelet. The top went from a full robe to a mid-thigh jacket but kept the belt sash. The elemental symbols are no longer stitched on it, replaced by a logo that I think is meant to be a mix of all of them, but I could be wrong. The elements are still found on the costume as a patch on the right side of the chest. We have new metal masks, full faces with horns and without any mouths.

Prequelle :

A true departure from the previous costumes we had seen so far, the only element still remaining being the masks, which are almost the same as Meliora except for the cut-out mouth. We also have a different mask design for the ghoulettes. The cut of the jacket is more reminiscent of Terzo's uniform than it is of the previous ghouls, which is also inspired by king Gustav iii. It also matches most of Copia's outfits during that era. Despite not looking much like the previous version, it was (and still is) a huge hit with the fans.

Impera :

Forget everything you thought you knew about the ghouls, Impera throws it out the window. The shape of the masks that defined two eras is completely gone, replaced by steampunk inspired helmets. The robes or long coats are now military style jackets. The tight Prequelle pants replaced by Jodhpurs. Every metallic piece that was once silver are now bronze. I've talked to great lengths about the Impera costumes and why I love them so much. Them being so different is a big reason why.

[transmutationisms]

hello! im just finishing up my read of structures of scientific revolutions, which has genuinely been very useful and shifted my understanding of science in a way being around people doing scientific research all day really didn't! i don't have a liberal arts education so i would love to get a sense of (a) what else of the philosophy / history of science canon is worth reading in the original (b) standard review papers or introductory textbooks and (c) critiques of the canon. i understand this is a big ask ofc, so feel free to point me to good depts / syllabi from good courses. thanks :)

yessss such a fun question >:) so, the thing that was so great about 'the structure of scientific revolutions', which i'm sure you've picked up on, is that kuhn pushed historians and philosophers of science to challenge the positivist model of science as a linearly progressive search to 'accumulate knowledge'. the idea of a 'paradigm shift' was itself a paradigm shift at the time; it was an early example of a language for talking about radical change in science without giving into the assumption that change necessarily = 'progress' (defined by national interests, mathematisation, and so forth). this is still an approach that's foundational to history and philosophy of science; it's now taken as so axiomatic that few academics even bother to gloss or defend it in monographs (which raises its own issue with public communication, lol).

where kuhn falls apart more (and this was typical for a philosopher of his era, training, and academic milieu) is in the fact that he never developed any kind of rigorous sociological analysis of science (despite alluding to such a thing being necessary) and you probably also noticed that he makes a few major leaps that indicate he's not fully committed to thinking through the relationship between science and politics. so for example, we might ask, can a paradigm shift ever occur for a reason other than a discovered 'anomaly' that the previous paradigm can't account for? for instance, how do political investments in science and scientific theories affect what's accepted as 'normal science' in a kuhnian sense? are there historical or present cases where a paradigm didn't change even though it persistently failed to explain certain empirical observations or data? what about the opposite, where a paradigm did change, but it wasn't necessarily or exclusively because the new paradigm was a 'better' explanation scientifically? how do we determine what makes an explanation 'better', anyway, especially given that kuhn himself was very much invested in moving beyond the naïve realist position? and on the more sociological side, we can raise issues like: say you're a scientist and you legitimately have discovered an 'anomaly'. how do you communicate that to other scientists? what mechanisms of knowledge production and publication enable you to circulate that information and to be taken seriously? what modes of communication must you use and what credentials or interpersonal connections must you have? what factors cause theories and discoveries to be taken more or less seriously, or adopted more or less quickly, besides just their 'scientific utility' (again, assuming we can even define such a thing)?

again, this is not to shit on kuhn, but to point out that both history and philosophy of science have had a lot of avenues to explore since his work. note that there are a few major disciplinary distinctions here, each with many sub-schools of thought. a 'science and technology studies' or STS program tends to be a mix of sociological and philosophical analysis of science, often with an emphasis on 'technoscience' and much less on historical analysis. a philosophy of science department will be anchored more firmly in the philosophical approach, so you'll find a lot of methodological critique, and a lot of scholarship that seeks to tackle current aporias in science using various philosophical frameworks. a history of science program is fundamentally just a sub-discipline of history, and scholarship in this area asks about the development of science over time, how various forms of thinking came into and out of favour, and so forth. often a department will do both history and philosophy of science (HPS). historians of medicine, technology, and mathematics will sometimes (for arcane scholastic reasons varying by field, training, and country) be anchored in departments of medicine / technology / mathematics, rather than with other faculty of histsci / HPS. but, increasingly in the anglosphere you'll see departments that cover history of science, technology, and mathematics (HSTM) together. obviously, all of these distinctions say more about professional qualifications and university bureaucracy than they do about the actual subject matter; in actuality, a good history of science should virtually always include attention to some philosophical and sociological dimensions, and vice versa.

anyway—reading recs:

there are two general reference texts i would recommend here if you just want to get some compilations of major / 'canonical' works in this field. both are edited volumes, so you can skip around in them as much as you want. both are also very limited in focus to, again, a very particular 'western canon' defined largely by trends in anglo academia over the past half-century or so.

philosophy of science: the central issues (1998 [2013], ed. martin curd & j. a. cover). this is an anthology of older readings in philsci. it's a good introduction to many of the methodological questions and problems that the field has grown around; most of these readings have little to no historical grounding and aren't pretending otherwise.

the cambridge history of science (8 vols., 2008–2020, gen. eds. david c. lindberg & ron numbers). no one reads this entire set because it's long as shit. however, each volume has its own temporal / topical focus, and the essays function as a crash-course in historical methodology in addition to whatever value you derive from the case studies in their own right. i like these vols much more than the curd & cover, but if you really want to dig into the philosophical issues and not the histories, curd & cover might be more fun.

besides those, here are some readings in histsci / philsci that i'd recommend if you're interested. for consistency i ordered these by publication date, but bolded a few i would recommend as actual starting points lol. again some of these focus on specific historical cases, but are also useful imo methodologically, regardless of how much you care about the specific topic being discussed.

Robert M. Young. 1969. "Malthus and the Evolutionists: The Common Context of Biological and Social Theory." Past & Present 43: 109–145.

David Bloor. 1976 [1991]. Knowledge and Social Imagery. Chicago: University of Chicago Press (here is a really useful extract that covers the main points of this text).

Ian Hacking. 1983. Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge University Press.

Steven Shapin. 1988. “Understanding the Merton Thesis.” Isis 79 (4): 594–605.

Steven Shapin and Simon Schaffer. 1989. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton, NJ: Princeton University Press.

Mario Biagioli. 1993. Galileo, Courtier: The Practice of Science in the Culture of Absolutism. Chicago: University of Chicago Press.

Bruno Latour. 1993. The Pasteurization of France. Translated by Alan Sheridan and John Law. Cambridge, MA: Harvard University Press.

Margaret W. Rossiter. 1993. “The Matthew Matilda Effect in Science.” Social Studies of Science 23 (2): 325–41.

Andrew Pickering. 1995. The Mangle of Practice. Chicago: University of Chicago Press.

Porter, Theodore M. Trust in Numbers: The Pursuit of Objectivity in Science and Public Life. Princeton University Press, 1996.

Peter Galison. 1997. “Trading Zone: Coordinating Action and Belief.” In The Science Studies Reader, edited by Mario Biagioli, 137–60. New York: Routledge.

Crosbie Smith. 1998. The Science of Energy: A Cultural History of Energy Physics in Victorian Britain. Chicago: University of Chicago Press.

Chambers, David Wade, and Richard Gillespie. “Locality in the History of Science: Colonial Science, Technoscience, and Indigenous Knowledge.” Osiris 15 (2000): 221–40.

Kuriyama, Shigehisa. The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine. Zone Books, 2002.

Timothy Mitchell. 2002. Rule of Experts: Egypt, Techno-Politics, Modernity. Berkeley: University of California Press.

James A. Secord. 2003. Victorian Sensation: The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation. Chicago: University Of Chicago Press.

Sheila Jasanoff. 2006. “Biotechnology and Empire: The Global Power of Seeds and Science.” Osiris 21 (1): 273–92.

Murphy, Michelle. Sick Building Syndrome and the Problem of Uncertainty: Environmental Politics, Technoscience, and Women Workers. Duke University Press, 2006.

Kapil Raj. 2007. Relocating Modern Science: Circulation and the Construction of Knowledge in South Asia and Europe, 1650–1900. New York: Palgrave Macmillan.

Schiebinger, Londa L. Plants and Empire: Colonial Bioprospecting in the Atlantic World. Harvard University Press, 2007.

Galison, Peter. “Ten Problems in History and Philosophy of Science.” Isis 99, no. 1 (2008): 111–24.

Daston, Lorraine, and Peter Galison. Objectivity. Zone Books, 2010.

Dipesh Chakrabarty. 2011. “The Muddle of Modernity.” American Historical Review 116 (3): 663–75.

Forman, Paul. “On the Historical Forms of Knowledge Production and Curation: Modernity Entailed Disciplinarity, Postmodernity Entails Antidisciplinarity.” Osiris 27, no. 1 (2012): 56–97.

Ashworth, William J. 2014. "The British Industrial Revolution and the the Ideological Revolution: Science, Neoliberalism, and History." History of Science 52 (2): 178–199.

Mavhunga, Clapperton. 2014. Transient Workspaces: Technologies of Everyday Innovation in Zimbabwe. Cambridge, MA: MIT Press.

Lynn Nyhart. 2016. “Historiography of the History of Science.” In A Companion to the History of Science, edited by Bernard Lightman, 7–22. Chichester, UK: Wiley Blackwell.

Rana Hogarth. 2017. Medicalizing Blackness: Making Racial Difference in the Atlantic World, 1780–1840. Chapel Hill: University of North Carolina Press.

Suman Seth. 2018. Difference and Disease: Medicine, Race, and the Eighteenth-Century British Empire. Cambridge, UK: Cambridge University Press.

Aro Velmet. 2020. Pasteur's Empire: Bacteriology and Politics in France, its Colonies, and the World. Oxford: Oxford University Press.

i would also say, as a general rule, these books are generally all so well-known that there are very good book reviews and review essays on them, which you can find through jstor / your library's database. these can be invaluable both because your reading list would otherwise just mushroom out forever, and because a good review can help you decide whether you even need / want to sit down with the book itself in the first place. literally zero shame in reading an academic text secondhand via reviews.

[depressedraisin]

notes on "mr. snarl"

hello, hello, hello welcome to the mr. snarl is high camp discourse. i've been readin' and thinkin' and drivin' myself nuts over this, so i'll be blabberin' on for a good minute. bear with me.

before we dive into any discussion of camp, we ofcourse need to understand what camp is in the first place. camp as an idea is nearly impossible to neatly put down in a few words or a sentence. it has no definition as of such. camp is loud. camp is ostentatious. camp is exaggerated. camp is 'too much'. camp is gay. camp is ironic. camp is cheeky. drag is camp. marlene dietrich is camp. baroque art is camp. cher is camp. mommie dearest (1981) is camp. the rocky horror picture show (1975) is camp. dostoevsky is camp.

the girlies who get camp get it, those who don't, don't.

however we do have susan sontag's 1964 seminal essay 'notes on "camp"' from where most of our contemporary ideas and understanding of 'camp' comes from. in her essay, sontag noted 58 points on what camp is or might be. for our purposes in this post, we'll go by those. because it is the camp bible of course. and i am a pretentious bitch.

now before we get to the meat of the matter, a quick detour to discuss the many faces of alex turner.

alex's personas have now come to as closely associated to his image as an artist and public figure as blonde wigs are with dolly parton, i suppose. it even has its own section in alex's wiki page. he is one those performers to whom the "eras" concept can truly and perfectly apply. he is a different man on stage with every new album, each 'era' is unique from the other and distinctly defined. a new 'era' for alex is not only a change of a haircut or a new pallette, it is a total revamping of his mannerisms and performance style and public image. be it mr. schwarz (the car era), mark (tbhc era) or oliver tate sr. (early sias era), each one of his personas is another way in which he represents the themes of that album. understanding a persona is integral to understanding the album.

and alex admits to as such. each Performer is a fractured reflection of his own self, and of the album.

but. but. i do not think that he has always made use of the Performer, or atleast, tried to make perceivable distinctions between them. in the first three-four years of his career- during WPSIATWIN and FWN, he presented as just Some Guy. just another normal bloke from sheffield. which, you could argue, was the persona that fit the context of those albums, but i would say that he was probably not putting that much thought into it at the time. it isn't until TAOTU that we see alex using his on-stage fashion to project a certain kind of image that ties in with the music he's playing. (do i think it's miles' handiwork? yes.). the lil suits and ties and beatles-mop cuts, y'know.

the first distinct Performer appears during the Humbug era. the soft-spoken, brooding, fawn-mannered poet who is probably hiding a bagful of secrets and hang-ups behind those layers of brown curls- let's call her him aly. then we have the bright-eyed, puppy-smiled, deep-voiced loverboy of the early SIAS era. i propose to call him oliver tate sr. (after the guy from submarine (2010) obviously). then mr. snarl- we'll get to him later. the loud and theatrical and slutty and deliciously gay EYCTE era persona. then the melancholic space poet mark of TBH&C and finally the suave auteur of The Car- mr. schwarz.

mr. snarl is the one who has garnered the most fascination and endured the most in popular imagination. dare i say, AM-era alex turner is a lowkey late 2010s pop culture icon. it is very easy to understand why- the quiff, the leather jackets, the perpetual sunglasses, the biker boots, the LA drawl tinging his sheffield accent, the devil-may-care wantoness. the girlies on tiktok and pinterest aren't obsessed with him for nothing.

so, what makes mr. snarl camp? what am i yapping on about?

let's get back to sontag.

camp is artificial. camp is ironic. mr. snarl is too. he is a character. he is a mask. *cue the bourne identity and body paint*. 'artificial' does not imply fake or dishonest. we should be careful not to be quick in putting any value judgement onto this artificiality- the aritifice is a quality of camp. you can't appreciate camp, if you snigger at the artificial.

2. camp is character. mr. snarl is a character if there ever was one. extremely defined, visually and behaviourally- you see a performance and can immediately recognise the moment mr. snarl is peeking through. he is also very intensely one thing- very intensely masculine, very intensely rockabilly, very intensely rock god. he is 'instant character' as sontag puts it, which is why perhaps he so immediately and so firmly gripped our collective imagination.

3. camp is exaggerated. camp is style. do i even need to elaborate on this? Ben Beaumont-Thomas of The Guardian said it much better than i could- alex ironically "played with the role" of being a rockstar but simultaneously "can't help but be a real rock star." so, to put it in sontagian terms, he is not a rockstar but a "rock star"

the 2014 brit awards speech is the peak of this ironic, exaggerated performance i think. (i'm still waiting for someone to do a drag performance based on it).

4. but to me, what makes mr. snarl camp is his performance of gender. now let's get one thing clear- camp is not effeminate or queer behaviour. it is the "spirit of extravagance", so any kind of extravagant and ironic presentation of gender can be under the purview of camp.

this performance of gender is not the david bowie or marc bolan or brian molko kind, no. this performance of gender is much subtle, much more nuanced- he wasn't playing around with rigid definitions of gender or crossing gender lines. he wasn't trying to say something with it necessarily. i doubt even, if it was a purposeful thing that he was thinking of back then.

but mr. snarl is a performance of gender. it is a performance of masculinity. and the thing that makes it so very interesting is that it was a cis, straight man doing it.

[if y'all are interested, another interesting example is dolly parton + her persona + her performance of exaggerated femininity. for more on that i'll point you towards be kind rewind's video essay on her.]

mr. snarl was an image of a very certain kind of masculinity. 1950s, elvis presley, rockabilly, greasers, james dean- these are some of the pop culture touchstones that come to mind when we think of mr. snarl. he is also decidedly american. a "fictional character from america" as alex later put it. was this whole persona thing an effort to conquer america then? perhaps...but eh. there is no way i can conclusively say that. it certainly helped that cause. AM the album was very us-american in essence-- it drew from hiphop and r&b after all. the soundscape of the arctic monkeys was very much rooted in its northern british indie roots, and AM was the first one that was clearly not. and mr. snarl was just a visual reflection of that. [for more on how the arctic monkeys conquered the us]

mr. snarl was a certain kind of masculine in a way alex turner personas haven't been previously or since. he has always presented as conventionally masculine. even the humbug persona- him being my girlfriend notwithstanding- is not much different from the aesthetics of say, ray davies or mick jagger or george harrison back in the 60s and 70s. the slightly effeminate dramaticism of eycte is not exactly gender-bending as such.

but mr. snarl was hypermasculine. masculinity has had an interesting place in his lyrics up until they- they are both critical ('brianstorm' 'a certain romance') and fascinated ('jeweller's hand' 'catapult') of more aggressive masculine characteristics. (he does use a lot of very sexual but not necessarily erotic language to describe said masculinity- but that's another can of worms.) mr. snarl was in a way, alex being those characters from those songs he was writing about. mr. snarl also very aggressively straight. straight with a capital s. his songs in AM still had the self-abasing and submissive undertones to the narrator that love songs from humbug and sias, but much toned down. he was out there shouting out his girlfriend on stage. and who can forget the "ladiessssssss!" moment. he had models hanging off him in photoshoots.

you probably saw these photos and thought- "what the fuck?!" with a cackle. that is exactly what makes mr. snarl camp. the irony, the ridiculousness of it all.

5. i don't think alex was trying to be or do camp. camp is best when it is not intentional. i can even confidently wager alex would not take it as a compliment if i showed him this essay. a lot of very "serious" people look down upon camp as something lowbrow and tacky and unserious. but it isn't. i would go ahead and classify mr. snarl under naive camp- he is trying to be straightlaced and serious, but failing grandly, which makes it deliciously camp.

so. mr. snarl was an exaggerated representation of masculinity. in a sense, mr. snarl was basically drag. alex turner being "Alex Turner".

[dresshistorynerd]

European history is not white

Someone commented this to a post I reblogged, which message is basically "we shouldn't venerate the Dead White Man HistoryTM and we should elevate other history too, but we still need to learn Dead White Man HistoryTM to understand the world today". It's basically a response to the attitude you sometimes come across in the internet that sees learning about those Dead White MenTM as not worth our time. And this person, who seems to be following this blog because they responded to my reblog, takes it as a personal attack against all white Europeans. For some reason. Well I take these comments as a personal attack against historical understanding.

Firstly, the post clearly didn't say you shouldn't venerate any European history, because not all European history is Dead White Man HistoryTM. Obviously this person thinks European history is white, which is not true, but surely, surely, they know it's not all men? Secondly, what is "west culture"? When did it start? There is not one western culture, not one European culture. The first concept of some shared Europeanness was the Christendom in Middle Ages, but it was not exactly the same as we think of Europe today, because it did not include the pagan areas, but it included a lot of Levant and parts of Central Asia, where there were large Christian areas. And Europe was not "very white" nor was the Christendom. The more modern concept of West was cooked in tandem with race and whiteness during colonial era and Enlightenment, around 17th to 18th centuries. And Europe was certainly not very white then. The western world also includes a lot of colonized areas, so that's obviously not white history. Thirdly, implying that asking white people to apologize for European history (which no one did ask) is as ridiculous as asking black people for African history is... a choice. Black people do exist in a lot of other places than Africa, which white people should be the ones apologizing for, and really white people also have a lot to answer for about African history. Lastly, if you think the quote "anyone who thinks those dead white guys are aspirational is a white supremacist" means you as an European are demanded to apologize for your existence, maybe - as we say in Finland - that dog yelps, which the stick clanks. (I'm sorry I think I'm the funniest person in the world when I poorly translate Finnish sayings into English.)

The thing is, there is no point in European history, when Europe was white, for three reasons. 1) Whiteness was invented in 17th century and is an arbitrary concept that has changed it's meaning through time. 2) Whichever standard you use, historical or current, Europe still has never been all or overwhelmingly white, because whiteness is defined as the in-group of colonialists, and there has always been the internal Other too. In fact the racial hierarchy requires an internal Other. 3) People have always moved around a lot. The Eurasian steppe and the Mediterranean Sea have always been very important routes of migration and trade. I've been meaning to make a post proving exactly that to people like this, since as I've gathered my collection of primary images of clothing, I've also gathered quite a lot of European primary images showing non-white people, so I will use this opportunity to write that post.

So let's start from the beginning. Were the original inhabitants of Europe white? Of course not. The original humans had dark skin so obviously first Europeans had dark skin. Whenever new DNA evidence of dark skinned early Europeans come out (like this study), the inevitable right-wing backlash that follows is so interesting to me. Like what did you think? Do you still believe the racist 17th century theories that white people and people of colour are literally different species? I'm sure these people will implode when they learn that studies (e.g. this) suggest in fact only 10 000 years ago Europeans had dark skin, and even just 5 000 years ago, when Egypt (an many others) was already doing it's civilization thing, Europeans had brown skin (another source). According to the widely accepted theory, around that time 5 000 years ago the Proto-Indo-European language developed in the Pontic-Caspian steppe, which extends from Eastern Europe to Central Asia. These Proto-Indo-Europeans first migrated to Anatolia and then to Europe and Asia. Were they white? Well, they were probably not light skinned (probably had brown skin like the other people living in Europe around that time), the Asian branch of Indo-European peoples (Persians, most Afghans, Bengalis, most Indians, etc.) are certainly not considered white today and a lot of the people today living in that area are Turkic and Mongolic people, who are also not considered white. I think this highlights how nonsensical the concept of race is, but I don't think Proto-Indo-Europeans would have been considered white with any standard.

Around Bronze Age light skin became common among the people in Europe, while in East Asia it had become wide spread earlier. This does not however mark the point when "Europe became white". During the Bronze Age there was a lot of migration back and forth in the Eurasian steppe, and the early civilizations around Mediterranean did a lot of trade between Europe, Africa and Asia, which always means also people settling in different places to establish trading posts and intermarrying. There were several imperial powers that also stretched to multiple continents, like the briefly lived Macedonian Empire that stretched from Greece to Himalayas and Phoenicians from Levant, who didn't built an empire but settled in North Africa, Sicily and Iberia. In Iron Age the Carthaginian Empire, descendants of Phoenician settlers in current Tunisia, build an Empire that spanned most of the western Mediterranean coast. Their army occupying that area included among others Italic people, Gauls, Britons, Greeks and Amazigh people.

Iron Age also of course saw the rise of the Roman Republic, and later empire, but it was preceded by Etruscans, who populated Tuscan, and possibly preceded the Indo-European presence. However, weather through trade and migration with other Mediterraneans or the continuing presence of darker skin tones of the early Europeans, their art quite often depicts darker skin tones too, like seen below in first two images. Roman Empire at it's height spanned from Babylonia to the British Isles. They recruited soldiers from all provinces and intentionally used stationed them in different areas so they wouldn't be too sympathetic to possible rebels or neighboring enemies. Historical sources mention black Nubian soldiers in British Isles for example. They also built a lot of infrastructure around the empire to ensure protection and easy transportation through trade routes inside the empire. During this time Jewish groups also migrated from Levant to both North-Africa and Europe. Rome even had non-European emperors, like Septimius Severus who originated from Levant and was Punic (descendants of Phoenicians) from his father's side, and who was depicted with darker skin (third picture below). Various ethnicities with differing skin tones are represented all over Roman art, like in the fourth picture below from hunting lodge in Sicily.

Eurasian steppe continued to be important source of migration and trade between Europe and Asia. Scythians, Iranic nomadic people, were important for facilitating the trade between East Asia and Europe through the silk road during the Iron Age. They controlled large parts of Eastern Europe ruling over Slavic people and later assimilating to the various Slavic groups after loosing their political standing. Other Iranic steppe nomads, connected to Scythian culture also populated the Eurasian steppe during and after Scythia. During the Migration Period, which happened around and after the time of Western Rome, even more different groups migrated to Europe through the steppe. Huns arrived from east to the Volga region by mid-4th century, and they likely came from the eastern parts of the steppe from Mongolian area. Their origins are unclear and they were either Mongolic, Turkic or Iranic origin, possibly some mix of them. Primary descriptions of them suggests facial features common in East Asia. They were possibly the nomadic steppe people known as Xiongnu in China, which was significant in East and Central Asia from 3rd century BCE to 2nd century CE until they moved towards west. Between 4th and 6th centuries they dominated Eastern and Central Europe and raided Roman Empire contributing to the fall of Western Rome.

After disintegration of the Hun Empire, the Huns assimilated likely to the Turkic arrivals of the second wave of the Migration Period. Turkic people originate likely in southern Siberia and in later Migration period they controlled much of the Eurasian steppe and migrated to Eastern Europe too. A Turkic Avar Khagenate (nation led by a khan) controlled much of Eastern Europe from 6th to 8th century until they were assimilated to the conquering Franks and Bulgars (another Turkic people). The Bulgars established the Bulgarian Empire, which lasted from 7th to 11th in the Balkans. The Bulgars eventually adopted the language and culture of the local Southern Slavic people. The second wave of Migration Period also saw the Moor conquest of Iberia and Sicily. Moors were not a single ethnic group but Arab and various Amazigh Muslims. Their presence in the Iberian peninsula lasted from 8th to 15th century and they controlled Sicily from 9th to 11th century until the Norman conquest. During the Norman rule though, the various religious and ethnic groups (which also included Greeks and Italic people) continued to live in relative harmony and the North-African Muslim presence continued till 13th century. Let's be clear that the Northern Europe was also not white. Vikings also got their hands into the second wave migration action and traveled widely to east and west. Viking crews were not exclusively Scandinavians, but recruited along their travels various other people, as DNA evidence proves. They also traded with Byzantium (when they weren't raiding it) and Turkic people, intermarried and bought slaves, some of which were not white or European. A Muslim traveler even wrote one of the most important accounts of Vikings when encountering them in Volga.

By this point it should already be clear that Medieval Europe was neither white, but there's more. Romani people, who originate from India and speak Indo-Aryan language, arrived around 12th century to Balkans. They continued to migrate through Europe, by 14th century they were in Italy, by 15th century in Germany and by 16h century in Britain and Sweden. Another wave of Romani migration from Persia through North-Africa, arrived in Europe around 15th century. Then there's the Mongol Empire. In 13th century they ruled very briefly a massive portion of the whole Eurasian continent, including the Eastern Europe. After reaching it's largest extent, it quickly disintegrated. The Eurasian Steppe became the Golden Horde, but lost most of the Eastern-Europe, except Pontic-Caspian Steppe. They ruled over Slavs, Circissians, Turkic groups and Finno-Ugric groups till early 15th century. The Mongolian rulers assimilated to the Turkic people, who had been the previous rulers in most of the steppe. These Turkic people of the Golden Horde came to be known as Tatars. Golden Horde eventually split into several Tatar khagenates in 15th century, when the khagenates, except the Crimean Khagenate, were conquered by the Tsardom of Moscovy. Crimean Khagenate was annexed by the Russian Empire in 1783. Crusades were a movement from Europe to Levant, but they also meant intermarriage in the the Crusader kingdoms especially between the European and Levant Christians, and some movement back and froth between these kingdoms and Europe, trade and a lot of movement back after the Crusader kingdoms were defeated in 13th century. Generally too trade across the Mediterranean sea was extensive and led to migration and intermarriage.

And here's some example of people of colour in Medieval European art, shown as part of the majority white European societies. First is from a 15th century French manuscript depicting Burgundy court with dark skin courtier and lady in waiting. Second one is from a Flemish manuscript from 15th century of courtiers, including a black courtier, going for a hunt. Third is a 15th century Venetian gondolier with dark skin.

In Renaissance Era Europe was only increasing it's trade and therefore had even more connections outside Europe. The first picture below is Lisbon, which had strong trade relationship with Africa, depicted in late 16th century. People with darker skin tones were part all classes. Second image is an Italian portrait of probably a seamstress from 16th century. Third one is a portrait of one of the personal guards of the Holy Roman Emperor. Fourth image is a portrait of Alessandro de' Medici, duke of Florence, who was noted for his brown complexion, and the modern scholarly theory is that his mother was a (likely brown) Italian peasant woman.

Colonialism begun in the Renaissance Era, but the wide spread colonial extraction and slavery really got going in the 17th century. Racial hierarchy was developed initially to justify the trans-Atlantic slave trade specifically. That's why the early racial essentialism was mostly focused on establishing differences between white Europeans and black Africans. Whiteness was the default, many theories believed humans were originally white and non-whites "degenerated" either through their lives (some believed dark skin was basically a tan or a desease and that everyone was born white) or through history. Originally white people included West-Asians, some Central-Asians, some North-Africans and even sometimes Indigenous Americans in addition to Europeans. The category of white inevitably shrank as more justifications for atrocities of the ever expanding colonial exploitation were required. The colonial exploitation facilitated development of capitalism and the industrial revolution, which led to extreme class inequality and worsening poverty in the European colonial powers. This eventually became an issue for the beneficiaries of colonialism as worker movements and socialism were suddenly very appealing to the working class.

So what did the ruling classes do? Shrink whiteness and give white working classes and middle classes justifications to oppress others. Jews and Roma people had long been common scapegoats and targets of oppression. Their oppression was updated to the modern era and racial categories were built for that purpose. The colonial powers had practiced in their own neighborhoods before starting their colonial projects in earnest and many of those European proto-colonies were developed to the modern colonial model and justified the same way. In 19th century, when racial pseudoscience was reaching it's peak, Slavs, others in Balkan, the Irish (more broadly Celts), Sámi (who had lost their white card very early), Finns, Southern Italians, the Spanish, the Southern French and Greeks all were considered at least not fully white. The Southern Europeans and many Slavs were not even colonized (at least in the modern sense, though with some cases like Greeks it's more complicated than that), but they looked too much and were culturally too similar to other non-white Mediterraneans, and they were generally quite poor. In many of these cases, like Italians, the French and Slavs, it was primarily others belonging in the same group, who were making them into second class citizens. All this is to highlight how very malleable the concept of race is and that it's not at all easy to define the race of historical people.

However, even if we would go with the racial categories of today, Europe was still far from being all white in this period. You had Roma, who certainly are not included in whiteness today, and European Jews, whose whiteness is very conditional, descendants of Moors in Southern Europe and Tatars and Turks in Eastern Europe and Turkey, which today is often not thought of as part of Europe, but historically certainly was. And then colonialism brought even more people into Europe forcibly, in search of work because their home was destroyed or for diplomatic and business reasons. There were then even more people of colour, but they were more segregated from the white society. Black slaves and servants are very much represented in European art from 17th century onward, but these were not the only roles non-white people in Europe were in, which I will use these examples to show. First is a Flemish portrait of Congo's Emissary, Dom Miguel de Castro, 1643. Second is a 1650 portrait of a Moorish Spanish man Juan de Pareja, who was enslaved by the artist as artisanal assistant, but was freed and became a successful artist himself. Third is a 1768 portrait of Ignatius Sancho, a British-African writer and abolitionist, who had escaped slavery as a 20-year-old. Fourth painting is from 1778 of Dido Elizabeth Belle, a British gentlewoman born to a slave mother who was recognized as a legitimate daughter by her father, and her cousin. The fifth portrait is of an unknown woman by (probably) a Swiss painter from late 18th century. Sixth is a 1760s Italian portrait of a young black man.

In late 18th century England abolished slavery in British Isles first, then in early 19th century in the whole British Empire, thanks to the continuous campaign of free Black people and some white allies, notably Quakers. Around the same time slavery was abolished in France (briefly till Napoleon got to power) after the French revolution. This meant there were a lot more free black people in Europe after that. In 18th century the Europeans, British especially, were colonizing Asia as much they could, which meant that in 19th century there started to also be a lot more Asian, especially Indian people in Europe. First picture below is of Thomas Alexander Dumas, who was son of a black slave woman and a white noble French man and became a general in the French revolutionary army. His son was one of the most well-known French authors, Alexander Dumas, who wrote The Count of Monte Cristo and The Three Musketeers. Second portrait is of Jean-Baptiste Belley, a Senegalese former slave, who became French revolutionary politician. Third portrait is from 1810 of Dean Mahomed, an Indian-British entrepreneur, who established the first Indian restaurant in London. Forth is Arab-Javanese Romantic painter Saleh Syarif Bustaman, who spend years in Europe. Fifth is a 1862 photo of Sara Forbes Bonnetta, originally named Aina, princess of Edbago clan of Yoruba, who was captured into slavery as a child, but later freed and made Queen Victoria's ward and goddaughter. She married a Nigerian businessman, naval officer and statesman, James Pinson Labulo Davies (sixth picture).

So any guesses on at what point was that "very white Europe" when the "west culture" begun? It kinda seems to me that it never actually existed.

[simplydnp]

hey there!

I kind of consider you the resident dnp expert (at least in dnp culture) so I wanted your opinion on a question that's been building for a while now.

What are the boundaries for dnp now?

There are so many things that I feel have changed even in the last four years: writing smutty rpf was Gross and Weird, along with art along that line, speculating about their relationship was ABSOLUTELY a no-go, all things that I see happening on Tumblr now. And I'm not saying that's a bad thing!! I'm just acknowledging things have changed over time. They're different people now and so are we, and the "we know you know" era is lots of fun.

I was browsing reddit today (bad idea, do not recommend) and came across a post from a new Phannie asking if DnP were in a relationship. And while I agree that we cannot say for absolute certain that they are, the responses had a VERY different vibe than on here, emphasizing how bad the speculation was (true) and essentially saying "don't even think about that, just enjoy their content." (or something to that extent.)

Which... is very different from this here website in which we joke about them being horney for each other constantly lmao.

Being a very rules-driven person, I like expectations to be made abundantly clear for pretty much everything. So that's why I want to ask: Is there a line here? Are we crossing that line? How defined is that line? (All of this, of course, I recognize is your opinion and yours alone, and if this is posted I encourage anyone else to share their two-cents in a respectful way.)

Obviously, trying to find out where they live/things like that is very clearly crossing a boundary. But is there some sort of limit or boundary I (and tbh the rest of the phandom), in your opinion, should be keeping in mind?

thanks xx

hi!

'resident expert' is a hefty title, i'm just here trying my best!

'what are the boundaries for dnp now?' is really a great question. cause the thing is, we used to know. there used to be a fairly well-defined and mostly agreed upon line, and ever since the dapg revival in particular, the line keeps moving.

i'll be honest, i never really saw phanfic as rpf, even though it is. my stance on phanfic is the same as dnps: it's a beautiful expression of art and creativity and is so, so important. they've always been pro-fic (even though we subjected them to some absolutely horrific crack fics), so i don't think 'smutty' fic has ever been gross or too far. they've given their blessing, and, as the conversation has been in fandom communities the last few years, rpf isn't 'for' the people in them, it's for the fans. so i digress.

art is much the same way. they love art! they even included art of them kissing in a tumblr tag video back in the day, so to say that's not allowed especially after they're out is kind of crazy to me.

i think the line with stuff like that was showing it directly to dnp--tagging them in explicit stuff, that kind of thing. but creating it? go for it! it's always been a green light. (i think fans have previously overpoliced this and we lost a lot of great fic, art, and community members over it)

browsing reddit is always a Choice. i've never participated on dnp reddit before but i am aware that it is an entirely different space than here. something that's important, i think (and i think you think this too as you're asking about them), is to respect the fandom rules of the place you partcipate in. tumblr is generally one of the most phan-positive places on the internet, especially publicly facing. we make a lot of relationship jokes, particularly because we run on the assumption it's already true, based on what they've both said publicly (mostly dan).

i won't comment on reddit specifically just because i'm not a part of the community there, but the speculation about dnp online was a Lot for a long time. but the worst part of it was the stalking, the digging into personal lives, the contacting family members--that is what was bad. dnp have always had a connection--and, honestly, they kind of love flexing it and kind of always have. they absolutely play into things now, but they certainly did even way before coming out too. i think a certain level of speculation was to be expected, especially in that era of online fandom. but it wasn't just the 'teenage girls' who cared, the media did too, and so did many others.

i think one of the biggest differences now is 1 the awareness of 'our' past and trying to make up for it, and 2 the broader societal conversations about parasocial relationships.

you see this reflected on the snippets ive seen from dnp reddit and dnp twitter. they tend to be Very 'cautious' about the words they say, often undercutting perfectly reasonable statements with 'but whatever their relationship is'. on one hand, they don't want to cross a line, and i can respect that. on the other hand... it's 2024 babes. they just put out merch of them holding hands. dan's directly, intentionally, and explicitly called phil a bottom on dapg. they reacted to all of the pinofs, made jokes about 'theyre touching', and even joked about the tackle being 'wrestling 👀'. dan posted half-naked catboy pics and showed us phil was taking them. the 'watch your step babygirl' tweet & their reactions to it. phil is credited in WAD. they're making threesome jokes about themselves as a unit. i could go on and on.

to me, there's a few things that have 'moved the line' for us, so to speak.

1 - DAPG returning. for the last few years they specifically were not a duo (for projects) anymore. (and no, not because they hated each other). they just weren't. they wanted to focus on their goals and projects. they didn't have to resurrect dapg, but they chose to. marketing and money aside, they knew that if this went over well, it would well and truly revive the 'dan and phil' brand again. it would be specifically returning to being a duo in the public eye. (however they've also fully embraced this in all aspects, including merch, videos, and general attitude)

2 - pinof reacts. even though they'd been out since 2019, we hadn't had regular joint content from them since before that, therefore, while they had become more comfortable with themselves and their 'outness', we hadn't (in terms of them making explicit gay jokes together). so i really think dnp had to de-fang a lot of the 'theyre touching' of it all, because we didn't really know where we stood on it anymore. i think they succeeded, too. we couldn't be here, with the content of the last 3 months, without them tackling it head on (well, as head on as they're want to do).

3 - dapc. genuinely another big shift. they did this for the real fans. purely a passion project, and a specific choice in doing the handhold. they know what we're like. and this wasn't a brief, unplanned, unscripted moment. it's a specifically blocked out scene. they know it's opening a door, and they chose to. this is doubled by the fucking iconic merch selling, and furthered by phil's twitter likes of arguably romantic phanart, and then dan's full straddle like.

even throughout the current 6 months of revival, the line has moved. i don't know where it will settle. dnp keep moving it, in my opinion, and, genuinely, i don't think it's going to leave much to the imagination. as you say, obviously not the stalking or the contacting, but beyond that? especially here on tumblr? i wouldn't get too worried. obviously people will have their opinions, but as long as you're generally respectful and recognize that humans will see your posts and humans interact with them, i think you're good.

my rule of thumb is anything they intentionally put on the table, we can joke about or at the same level. but in terms of art/fic? go off, live your dreams. dan and phil would want you to.

[totallyjustabunchofhocuspocus]

i'm amazed by the energy that antibucktommy people bring to this show like one of the most beloved characters and one of the biggest storylines in the very first season wasn't bobby and the fact that he murdered 148 people including his wife and children and is trying to rebuild his life. it's almost like this show has been saying since the beginning that people can grow and be better and maybe we should give them the space to do that.

anyway buck and tommy were really cute this episode. and there's something so teenage giddiness about them hiding behind a couch for a fake surprise party and flirting that just makes me so happy for the sheer queerness of the experience for buck

This is honestly why I stopped interacting with a lot of segments of fandom over the summer and started curating my fyp and tumblr follows a little more intensely. All of the characters have done horrible things (some more recently than others), things that are usually regarded as unforgivable. Bobby's story is the big one, but Hen's cheating storyline, Athena's many and varied abuses of power as a cop, Chim's really pretty sus relationship with Tatiana, Eddie's fight club era and his treatment of the women he gets into relationships with, Buck manipulating Taylor (like, kind of a lot)...like they've all done terrible things and we have watched them come back from it and learn and grow and change, and love them for it.

I think a lot of it stems from the fact that the horrible things they did were not done to our faves (I'd argue the fandom didn't know Karen well enough during the cheating storyline to not feel inclined to forgive Hen for it) and the fact that the racism and sexism displayed by Tommy at first are such lightning rod issues anyway (as well they should be). And, yes, let's be real, the majority of it is what I'll kindly call disappointment that we got Bi!Buck after all this time, but not Buddie. And that's fair (to an extent...there's NO excuse for the kind of harrassment we saw over the last few months).

But the vitriol displayed towards BuckTommy and the people that ship them is just really outsized in my opinion. The show is going out of their way to show us that Tommy is good to Buck (and friends with Eddie), and that they are enjoying each other. Whether or not it leads to Buddie, don't we WANT Buck to have a good relationship for his first as a queer man? Everyone talks about representation being SO important--we have an extremely masculine characater (who has canonically been presented as a playboy/heartthrob type) discovering a new facet of his sexuality when he's nearly in his mid-thirties, and exploring that facet with a love interest that is EQUALLY as masculine. This storyline is important! It's breaking a lot of new ground and doing it in a really nicely done way.

And in regards to Tommy...I dunno, maybe it's because I've grown up in an environment that pretty much BREEDS men like BeginsEra!Tommy. Yes, they have a choice not to be the way they are--but unless you live in it, it's hard to understand how hard making that choice, or even recognizing that you DO have a choice, really is. I think it's also important to show a character who didn't remain a piece of trash human, and was able to accept that they were wrong and CHANGE. If the only way you can ever be defined is by what you were at your very worst, what is even the fucking point of changing? No one owes you forgiveness, even after you do the work to change...but nor do you deserve to be punished forever.

I dunno, I just wanna enjoy my weewoo show and I'm tired of people harshing my buzz (heh, see what I did there?) I still ship Buddie. I ship BuckTommy. Most of all I ship Buck/Happiness and I am eager to see if he finally gets some that lasts.

[imagopirateversion]

It’s a Pirate Life for Me!

Why I am an adult who still believes in the pirate philosophy and is not willing to change.

An essay by: a person who really hopes future employers will never find this, but will still put their name at the end of it.

Painting credits: Pirate Boarding, Andrey Serebryakov

Can One Still Call Themselves A Pirate in the Twenty-First Century?

There are two answers to that question, and both of them are "yes".

Pirates do actually exist today: there were around 120 incidents of maritime piracy and armed robbery against ships reported in 2023 and around 115 in 2022 (source x). So yes, one can define themselves a pirate in the twenty-first century in a very literal sense; which is not what I'm trying to do here, of course.

While the world has changed and piracy has (almost) ceased to exist, thanks to stories, legends and media, the idea of piracy has become completely detached from the practice. This has led to a concept of "piracy" that has very little to do with sailing, stealing, and killing, and a lot more to do with what most things become over time: philosophy.

What no longer exists in practice in our era (and sometimes what never existed at all) has become a way of living: think about cowboys, goths, hippies, punks and so on. All these things are much more than aesthetics: each one has its own vision, its own practices, its own style, its own way of living; in other words, its own philosophy.

This text is about pirate philosophy and its origins.

First Things First: Why Did People Become Pirates?

Piracy did not appear out of nowhere in 1600; it's ancient and we have proofs of it existing as a practice since ancient Egypt (read more here). We automatically think of the seventeenth and eighteenth centuries when we talk about piracy because that period is known as the Golden Age of Piracy. Precisely between 1650 and 1730, there were thousands of active pirates, some of them infamously notorious, as Henry Morgan, Captain Kidd, Calico Jack, Bartholomew Roberts and, of course, Blackbeard himself. But why did that happen? Well, the answer is complex but can be easily summed up in a single word: money. The world was changing, and as Lord Cutler Beckett explains so brilliantly in Pirates of the Caribbean: Dead Man's Chest: currency was becoming the currency of the country, especially in England. Ruthless landowners forced small farmers to leave their lands, while smaller tradesmen were challenged by larger businesses. Everyone wanted more, and those who couldn't adapt to the new world's rules became unemployed and were forced to move to urban areas to look for work or poor relief. The cities became overpopulated and soon there weren't funds left: distressed people had no hope of making a better life (source x). For this people, piracy was nothing more than a way out: it was either submit to the new society and starve to death, or rebel and survive. What would you have done?

What Kind of People Became Pirates?

Piracy soon became the best choice for many people. Not only for unemployed men who couldn't find a better way to survive, but also for those who, for various reasons, couldn't fit in. people who couldn't conform to societal norms weren't just discriminated against or isolated, they were often killed. That's why, even though piracy wasn't an easy life at all, many people preferred it. So, who were the pirates?

Sailors usually didn't make enough money to survive, and the discipline was extremely strict. Many of them ended up starving, getting sick, and dying. It's not surprising that many chose to become criminals and sail as pirates (source x).

Teenagers, often orphans with no money or future. Young men might have to endure seven-year apprenticeships before they could make an independent living, while piracy offered them a way to earn money quickly (source x).

Rebellious against the oppressive conditions imposed by their governments, specially from the Navy.

People discriminated because of their race. Black people in particular often had no social opportunities all, but could find acceptance within pirate crews, where camaraderie transcended racial or ethnic differences.

People with a religious belief that was considered heretical or nonconformist by the mainstream society could often find themselves persecuted. Pirate crews comprised members from diverse religious backgrounds and were generally more tolerant of religious differences.

People with a criminal background, who were offered an opportunity to start anew and be part of a community, two things that the civilized society couldn't give them.

Queer people, particularly homosexual men. Homosexuality was a crime at the time, often viewed as negatively as piracy, if not worse. Piracy was a male-dominated world; although for a long time media tried to portray pirates as "turning" gay due to the absence of women among them, the truth is that many gay men were pirates because they were gay. Homosexuality was so common among pirates that they had something very similar to same-sex marriage. It was called "matelotage": a legal civil union that bound two sailors together in an informal partnership, uniting one's fortune and future to the other's, and was respected by ship captains and pirate crews (source x).

Women. The majority of pirates were men, but not all of them. In a world that was not at all kind to young girls and women in general, it was not uncommon for them to disguise themselves as men or marry a pirate in order to become one. There have been notorious women pirates, some of them captains, such as Zheng Yi Sao or Huang Bamei (source x).

In short, outcasts. Individuals rejected by society, unable to find their place, and unwilling to conform to strict societal rules.

The Adventurers

There were a few people, a minority of course, who willingly chose piracy even though they had a normal, conforming, and even wealthy life. It's the case of Stede Bonnet, The Gentleman Pirate; he was born into a wealthy English family and inherited the family estate after his father's death in 1694. Despite his lack of sailing experience, Bonnet decided he should turn to piracy in the spring of 1717. He bought a sailing vessel, the Revenge, and travelled with his paid crew, capturing other vessels and burning other Barbadian ships. His story, apart from giving us one of the best pirate stories in the history of media, is significant because it provides evidence that piracy wasn't just about necessity; it was about identity. Piracy had become a way of life long before it was romanticized by the media.

The Pirate Life

What was it about pirate life that was so tempting for so many people? Life on a ship wasn't easy at all; the work was tough, the food was poor, and anyone could die at any moment, whether due to illness, sinking, or murder. Nevertheless, there was something that made it all worthwhile: freedom. People who have had no possibilities nor future in society found in piracy the opportunity to live by their own rules. Civilization's norms had no reason to exist in an uncivilized society; no master telling you what to do, no morality, no societal standards, no need to impress or perform. If you wanted something, you simply had to find a way to get it. That meant you could possibly starve to death, but it also meant that you had a chance of getting everything you had ever desired, and eating and drinking until you died, and in the civilized society you didn't have that chance. You could choose to sail and never touch land again; you could choose to marry or not to marry, to have a family or not to have one, to sleep with whomever you wanted to, to practice your religion. You could change your name and be who you wanted to be. Pirate life was the realization of that question most of us have asked ourselves at least once: 'What if I disappear tomorrow and start all over again somewhere else?'.

Piracy in the Modern World

In our eastern, civilized, technological, capitalist society, we don't need to be part of a crew and sail to be pirates. Piracy as a practice was defeated thanks to pirate hunting in the eighteenth century, but you can't kill an idea, can you? Ideas not only persist, they evolve and adapt to the changes they're forced to face. When we say "pirate" in today's world, we mean a lot of different things:

Sea Pirate: a person who attacks and robs ships at sea;

Software Pirate: a person who appropriates or reproduces the work of another for profit without permission, usually in contravention of patent or copyright;

In Italy, we have a way to describe people who ignore the Traffic Laws, 'pirata della strada', literally 'pirate of the street';

In sexual slang, the word 'pirate' is used to define someone who sleeps around, who constantly looks for casual sex.

The term 'ass pirate' has been used as a slur to describe homosexual men.

In short, the term in today's society is used to describe someone who breaks the rules, whether they are actual laws or societal standards.

If we consider everything piracy represents as a concept, as an idea, in modern society, and put it together, we can sum it up in three words:

Freedom, Anarchy, Resistance.

Freedom

'Freedom' is such an abstract concept it is almost impossible to define. It's widely discussed in philosophy, particularly the question: is it possible to be truly free? As soon as we built a society, in order to gain benefits, we had to partially sacrifice our freedom. We can't freely steal from our neighbors, but in doing so, we ensure our neighbors won't steal from us (at least, we hope). It's a simple concept. However, there's a line beyond which the benefits we gain aren't worth the sacrifices we make to obtain them. This has occurred repeatedly throughout history; it happened in the Golden Age of Piracy, and it was the reason why most of people chose to abandon civilization and sail as pirates, and it continues to happen every day. Whenever a social construct, or sometimes even a law, prevents you from simply existing as a person; whenever your future is dictated by your social status; whenever you're denied free time, enjoyment, rest, and happiness because you have to work ten hours a day just to be paid the minimum wage, if you're lucky enough to live in a country that has one. That isn't a freedom you willingly gave away to have a benefit. It's a freedom someone took from you before you were even born, before you could think and understand that just because everyone acts like it's the normal way of living, it doesn't mean it has to be that way.

Anarchy

It is true that, at least concerning crews, pirate society had a sort of hierarchy, in which the Captain of the ship was at the top. However, it is also true that this hierarchy could collapse at any given moment, considering the possibility of a mutiny, and that, in general, pirate society was anarchic. There has been research on the functioning of pirate society, particularly regarding its potential application in a hypothetical modern society where the value of human life and individual needs are more considered than they were during that era. Most of the work in that sense has been done by Peter Lamborn Wilson in his 1995 book 'Pirate Utopias: Moorish Corsairs & European Renegadoes'. He provides a definition of what he calls 'Pirate Utopias', that are described as "Early forms of autonomous proto-anarchist societies in that they operated beyond the reach of governments and embraced unrestricted freedom" (source x). I highly recommend reading his work and all the other research that followed it if you want to go into detail, because that's not what I'm going to do here (for now).

That being said, this is my personal take on the matter:

In our days, the discussion about Anarchy as a political belief is often ridiculed and reduced to a mere "if there were no rules, people would kill each other". That statement is true; people would. What is usually misunderstood and not taken into consideration is that people who profess to believe in Anarchy do not mean we should abolish every existing law overnight and see what happens. With 'Anarchy,' we mean a hypothetical society in which individuals are free to do as they please, and they willingly choose not to kill, steal, and hurt others because they have no interest in doing so. This hypothetical society is, of course, unachievable; it's what is called a utopia.

Most political beliefs are based on utopias (or dystopias, depending on your vision of them), because a society that strictly adheres to a pure political system is impossible to achieve. There cannot be a perfect socialist society, nor a perfect communist one, nor a perfect capitalist one, and of course, there cannot be a perfect anarchist society. What we can do, though, is aspire to one—or, to use a naval metaphor, we can set the course towards it. We can make decisions, take actions, and build societies around a specific vision.

The western society, for example, tends to a capitalistic system; in brief, money is what our society revolves around. The more money you possess, the more power you wield; your ultimate goal in life must be to gain money so that you can afford basic necessities: food, housing, healthcare and so on. Everything is privatized, leading to the rich getting richer and the poor getting poorer, being exploited by people whose only purpose is to become even more rich. Consequently, you are forced to wake up every morning at 6 am to work ten-hour shifts for minimum wage. Don't like it? You're free not to live in the capitalist society. You'll probably starve to death, end up living on the street, be marginalized, isolated, persecuted, but still. You're "free" to do it. Of course, this is not a "perfect" capitalist society, it can't be; not until Democracy exists, not until Resistance exists. Still, our society tends towards it.

'Anarchy' doesn't mean we should live in a society with no rules; it simply means we should strive towards it and build a society that is as similar as possible to that utopia, prioritizing the freedom of the individual, but without causing collapse.

Resistance

Most pirates were hardly educated enough to even understand all of that as a concept, of course. They didn't fight for a political idea, most of them fought to survive. Even though it wasn't a utopian society, they still had a shared belief: dissent. Being an outcast means to be disillusioned in how 'mainstream' society works, and we know most of them were, considering their social background. Piracy was, in its own way, a movement of resistance.

Times have changed, and we don't have to engage in naval battles to resist. As society evolved, resistance as a practice evolved with it, and hence Western society has become less and less violent, as have the harmless but powerful acts of resistance.

Every time you protest, you are resisting. Every time you talk back, you expose a normalized injustice, you rebel towards an unfair authority, you say 'no', you go against what's expected from you, you are unapologetically yourself, you refuse to adapt, you decide to ignore or bypass a senseless law, you are resisting. Every time you prioritize your free time over money, you challenge beauty standards, you don't accept a 'that's how it was always done' as a justification. Even when you have fun harder than how you're supposed to, when you rejoice louder than how's considered appropriate, every time you dance like no one is watching you, you are, somehow, resisting.

Piracy in Media

Much of our perception of things we haven't directly experienced is filtered and conditioned by media. Even when we study historical periods like the Medieval Age or the Roman Empire, a part of our understanding will always be influenced by the media we've consumed about them. This is because media is often how we were introduced to these subjects: you can get very passionate about Indiana Jones, and so get interested in studying the pyramids and ancient Egypt, only to find out pyramids are nothing like it was portrayed in the movies. Nevertheless, you got interested in studying them in the first place because of Indiana Jones, so as much as you understand and accept that that isn't the truth behind ancient Egypt, you can also accept that Indiana Jones is part of your vision of it, and that cannot change. I know Pirates of the Caribbean isn't historically accurate, as much as Our Flag Means Death and Monkey Island aren't; still, I cannot deny that they have a role in creating a general vision of Pirate Philosophy in the modern world.

There are, in my opinion, three main aspects that come out from the combination of what we know about Piracy as a historical reality and as it's portrayed by media, and those are Hedonism, Nomadism and Camaraderie.

Hedonism

Hedonism is defined as 'the prioritization of pleasure in one's lifestyle, actions, or thoughts'. It's a recurring theme in the portrayal of pirate society; from songs, to movies where Tortuga is depicted as a place where people drink, eat, have sex and fight as they please, to legends that speak of treasures to be found so one can live a life of excess.

The reason for this is related to what we already know about the history of pirates, particularly the society they escaped from. The society of the seventeenth century was extremely strict, both morally and legislatively. Sex outside of marriage was out of the question, and many things that we consider normal today were seen as affronts to decency, often punishable. To be considered a respectable man or woman, one had to follow certain rules. Additionally, many pirates came from backgrounds of extreme poverty, making them prone to indulging in every kind of pleasure when they could.

Hedonism isn't just a perpetual search for pleasure; it's actually an ethical philosophy that is grounded in pleasure (defined as the avoidance of pain as much as possible) as the only intrinsic value and therefore the only reasonable expression of ethical good. This philosophy of life can be easily connected to the anarchist society that we described earlier; a society that doesn't have rules and in which you don't have a 'place' or need to 'contribute,' since your only purpose as an individual is to pursue pleasure.

I personally believe in Hedonism as an ethical philosophy, particularly Psychological Hedonism, as much as my research of pleasure doesn't prevail on someone else's.

Nomadism

One of the things that fascinated me the most about the Pirate Life as portrayed in media, was the idea of embarking on a journey that would never end. Our society is a stationary one, and I actually think there's nothing wrong with that. My perspective on this matter has nothing to do with morality, ideology, or politics. Being stationary is good; the human species would have never evolved if it didn't stop and build the world as we know it. This is simply a personal preference and stems from my absolute intolerance and repulsion at the idea of being born and dying in the same place. I've always yearned to explore, to see as much of the world as I could. The concept of 'borders' has always bothered me; I firmly believe in cultural exchanges and in learning about how other human beings live in different parts of the world. Of course, I acknowledge that without nations, traditions, and populations that are local and bound to their territories, there wouldn't even be cultures to discover or different societies to explore. So, this is about me, not a hypothetical, utopian society. I'm the one who always wanted to travel without ever stopping; I've never felt like I belonged in any one place or that there's a good enough reason to settle in a single nation and miss out on all that there is to see out there.

Camaraderie

Pirates encompassed men and women with all different kinds of backgrounds, nationalities, beliefs, ideologies and identities. While we speak in absolutes, in a society with no moral or legislative boundaries, factors such as who you were, where you came from, who you slept with, or what you believed in simply didn't matter. You were a pirate, and that was enough.

The official definition of camaraderie is:

"A feeling of friendliness towards people that you work or share an experience with".

In this case, we could even say "towards people that you share a lifestyle with". Being realistic, in a historically accurate pirate society, it's plausible that hate towards differences and minorities still existed, considering the strict and mentally bigoted society most pirates came from. However, we're talking about individuals who chose to leave that society, probably because of its strict and mentally bigoted nature. It's reasonable to assert that this particular kind of hate was at least less prevalent in the pirate society than outside of it.

Piracy in media undoubtedly plays a significant role in romanticizing the sense of brotherhood and companionship felt among pirates; we saw Pirate Codes, Brethren Courts, battles in the name of a common ideal, epic friendships and romances, songs that speak of a union strong enough to beat death itself and slogan such as "Long Live Piracy!".

What attracts me the most about it is that camaraderie as a concept exists in basically all societies or communities with a shared aim or belief. However, there are always rules that need to be followed, and the risk of being excluded and losing the privilege of deserving such camaraderie is always present. The idea of fidelity toward one's society, community, or even nation is essential for its survival, ensuring that those in power maintain control over their adherents, citizens, or believers. The pirate society is the only one I've stumbled across that doesn't need it. The feeling of brotherhood within these people doesn't need any kind of loyalty, proper rules or the fear of losing privileges to make sure that the community keeps existing. That's because the pirate society is made up of people who have already betrayed, renounced, and lost all of their privileges to be there. All they have is that sense of brotherhood and friendship. They exist in a reality in which none of them belongs anywhere and that, somehow, becomes a sense of belonging; one that doesn't need to be continuously shown or respected, simply because it's the only thing that keeps them there.

I believe that is the only reality in which camaraderie and freedom can coexist in a society, and I think it's one of the most beautiful and powerful concepts I've ever seen portrayed.

Conclusions

We finally arrived at the end of this... yeah, let's call it 'essay'. It was more than two weeks ago when I wrote the first word. It was meant to be brief and simply a way to put in words an intimate belief. I wasn't sure if I wanted to post it, mostly because I rarely share such deep thoughts with people around me; though, I'm trying to change that. As all human beings I strive to find belonging and as a true pirate, I never found anywhere to do so. So, to find but one person who reads this until the end and finds themselves to agree with my view, it would make me immeasurably happy.

Thank you if you made it this far, even if you don't agree with a single word I've written, because you dedicated part of your time to me, and I appreciate it.

If you find syntactic errors, please consider that english isn't my first language and also that grammar is a made up concept anyway.

Don't forget to be free, to resist, to pursue pleasure as much as you can, to explore and to show camaraderie not because you have to, but for the sake of it.

Fair winds t' ye!

Imago

[4dkellysworld]

The state of self-communion

Hellooooo, haven't been here for a while. Hope everyone's doing well :) I've just been doing my own thing away from Tumblr and haven't felt like there was much to post. I do enjoy reading Reddit posts though across a variety of spiritual subreddits and sometimes I come across some gems of wisdom. It also supports my belief that all paths can lead to Home (Self) because the same truths pop up in so many different subs from people doing different things (some with barely any actual spiritual study or sadhana).

Anyway, I found this part of a Reddit post (from the Neville Goddard subreddit actually) to be really beautiful (highlighted my fave parts) because it emphasizes Oneness (which isn't something I actually see much when it comes to manifesting-centric content) and shows what it looks like in practice to treat others as if they were yourself, as if there is no separation between you and everyone/everything else, as if the world is just a projection of your mind. I like how he calls it Self-communion when he talks of communicating with another person too and treating it as if he is talking to another aspect of himself.

The first most apparent proof I have received during my early era of this understanding, was still when I was in a shitty state of consciousness, so I was met with my own creation. It was a man that stumbled upon me and a cousin out in the street, it was a hostile interaction, I won't specify what. I had no other choice but to apply what I believed in, that if all is myself, and he is only my expression of my own state of consciousness, if the attitude I undertake towards him was as if he was a pleasant gentleman (despite him clearly coming to harm me outta no where), if I dare to live FROM MYSELF from my perception and attitude towards the stranger that approached as if he was a lovely gentleman, he would be so. So I was forced to apply it, and to completely put aside all my physical reactions and all that nonsense that the physical man invented and called instincts, and I was willing unto death, to believe that I was communing with a pleasant gentleman, I do not even remember what words came out of me, but I wore the state of love, of self communion, I knew I was talking to myself in another garment called Another Man, and he was pacified immediately. He broke down and we hugged and parted ways without further speech. I knew what I did, my cousin was clueless. In another case history as well, when a family relative I have neglected to frame his ideal image in my imagination, and it came surfacing (as everything neglected eventually does), I made the bold decision to carry an attitude towards him that he would be the coolest gent there is, and despite physical evidence from the first time, I applied my new standard good attitude towards this person, him being the way he still was, it did not take long for him to change in his attitude so quickly, because my attitude defined his reality and attitude in this physical world. So he was changed, and also pacified on the spot when aggressive speech took place. All my states created the vile and created the perfection.

Here is the original Reddit post though beware the formatting, spelling and sentence structure makes it quite difficult to read lol, I just skimmed it until I found this case studies which I thought were worth reading and sharing.

Anyway, hope that inspired/sparked some love within :)

[think-like-a-poet]

Continue the Legacy

Verstappen Daughter x Leclerc Son

Master list here

Max Verstappen is a known driver who has written pages in the history books. Being the youngest person to ever drive in Formula 1 he got lots of opinions on him from the start. He proves them all wrong in the following years winning races in Mercedes dominance. Sharing podiums with earlier winners and champions and winning his first one in 2021. In 2023 he had a dominance year with almost all of the races except for three. He went on to win two more championships in 2024 and 2028. However, the 2028 season marked a significant change for the Dutch driver, as he announced his retirement from racing at the end of the year. The news came as a surprise to many fans, as Verstappen had become synonymous with the sport. He cited his desire to focus on his family and spend quality time with his new-born daughter as the reason for his decision. He still races in his spare time and on the sim. In 2032 he became his daughter's manager in her karting career.

Charles Leclerc is Ferrari's golden boy. Since he signed with them in 2019 he hasn't changed his team. He has endured more bad luck than any of them and put the famous Ferrari curse to his name. With luck on his side he won his first Championship in 2025, beating the reiniging Dutch man. The following year he also won the championship in the last round against his teammate. In 2027 he lost the Championship to the Mclaren driver, Lando Norris, who had been dominant all year long. In 2029 he scored his third and last victory. After an illustrious career, Leclerc announced his retirement from racing at the end of the 2030 season, citing his desire to spend more time with his family. He left the sport behind to focus on his wife, two children, and beloved dogs, bringing an end to an era marked by both triumph and tragedy. He also became the Manger to his son, leaving his legacy to him to continue.

As Jules and Sofie's competitive spirits clashed, their fathers witnessed moments of intense rivalry between their kids. The tension culminated in a heated crash during a karting competition, leaving the two young competitors at odds with each other. The same emotions that had once fueled their own fathers' arguments now seemed to be at play.

Follow the life of Jules and Sofie in this story, with their love being destined from the beginning.

Cast

Jules Saint Mleux Leclerc

23 July 2027

"To be fair, I already knew that."

Sofie Piquet Verstappen

16 January 2028

"Your opinion of me, doesn't define who I am."

Eloise Saint Mleux Leclerc

11 November 2029

"You have to do it now, otherwise it would be too late."

[bluwavez]

˗ ˋ 🌊    ARTIFICAL DRIP    ﹕   THE TENTH MINI ALBUM    !

ARTIFICIAL DRIP is the TENTH mini album by the fictional South Korean boy group DeepDive. The album was released on July 21st, 2024. The release caused quite a stir for their revealing concept teasers and the raunchy track names. With a total of five tracks, DeepDive would promote SERVE IT and POPSICLE for a total of seven weeks. They would have three special stages for the b-side "ILY2BBY".

The mini album is completely self-produced, though the boys admit that most of the songs have been collecting dust in the vault for years. "I made Sloppy in 2018," Dowon told the crowd during their premier showcase, "Its original name was 'That's Right' and the lyrics were about something else. Finn wrote the new lyrics." The crowd would then cheer and hoot loudly for the proactive lyrics, causing Finn to shrug innocently.

"I think we made 'ILY2BBY' in, like, 2016? 2017? It was one of our first songs together," Noah explained with a puzzled look. Finn looked equally confused but nodded along. "We polished it a little for this album, but other than that...We didn't change anything. I'm kind of impressed we made that at such a young age, but at the same time, no shit, we made that as teenagers." While the crowd laughed with Noah, Finn chuckled into his microphone.

TITLE TRACK ... TRACK OO1. SERVE IT

TRACK OO2. POPSICLE

TRACK OO3. SLOPPY

TRACK OO4. ILY2BBY

TRACK OO5. KISS IT BETTER

"It shocked me," Kiwoo laughs, "I didn't think any of these songs would see the light of day. I don't really get in the studio anymore, so it was interesting to see those songs I worked on so long ago on the album."

Sirens were a bit miffed when it was revealed these weren't new songs, claiming that this album was not only exploitive but also a cash grab by Mydol. Despite knowing this was a cash grab by Mydol, Sirens would still stream and mass-buy this mini-album, resulting in 18 million albums sold by the end of their promotional period.

YOU CAN GET YOUR ARTIFICAL DRIP PHOTOCARDS HERE!

OO1. First things first, these men were never fully clothed during the entire promotional period. This era is literally defined by how often either Noah or Dowon's boobs were out, like, they were TESTING the limits of how much they could show on music shows. It was a bit ridiculous but also fitting since this album was literally talking about sucking and fucking on the beach like-

OO2. The outfits often caused a stir just because I mean look at them. For some people, it was a bit; some people used it to point out double standards, and some people just enjoyed the beachy slutness of it all. There was a little something for everyone!

OO3. Kiwoo and Jisung stayed fully clothed the whole time unless it was to wear a crop top😁 The classy men duo!

OO4. There were three music videos released in this era. Serve it, Popsicle, and Sloppy. All of which caused a stir. Sirens and netizens alike were just really shocked at how...raunchy these videos were? Except for Popsicle, which was more focused on performance and a Miami Beach concept, but the other videos? Jesus Christ-

OO5. Notably, in the Serve It music video, cameos from all of the Venus members as well as Siyeon and Laila of Lunarix. Myrah, the iconic former Allume member and soloist, was in the opening sequence. They were stacked in the hot girl department! The girls were just being "beach babes" essentially and the boys were pining over them so there wasn't a lot of contact in the Serve It music video until the end when Dowon "gets the girl" and Baebi kisses his cheek.

OO6. NOW, THE SLOPPY MUSIC VIDEO?? WE GET IT! YALL HAVE SEX! GODDAMN!

OO7. But the boys had fun! You could tell they enjoyed themselves on stage and during filming. The behind-the-scenes content seemed a lot more chill than during Tax Write-Off; tensions were high for some reason during that era, probably because a lot was riding on that comeback, but now they're having fun! They enjoy each other again!

OO8. Serve It would sweep every music show the boys got nominated for. Sirens do not play when it comes to voting, guys! They ended the promotional period with 9 wins across various different music shows. However, they did catch heat for going on The Show and absolutely demolishing the lesser-known groups nominated. They got called greedy, but Mydol is greedy, so...Accurate read!

OO9. The physical albums were quite the hot topic because they did not include the boys on the covers but instead girls. Most notably, Baebi is front and center on the "Bay Watch" Version, which confused a lot of Sirens like...She looks great, but what is she doing here? Jisung would explain that the boys actually took the pictures used on the covers and thought they fit the aesthetic of the album better than any of the photos they took of themselves. "I took the picture of Davina on the Surfs Up version. There were pictures of us on surfboards, but the pictures we took of the girls were just so...Beachy! I think the covers are nice. The girls look beautiful in them. Plus, you still get a whole photobook of us shirtless, so-" He'd then put his hand up in a stopping motion, "Calm down. Buy the albums." This would go to highlight how much creative control and input the boys have in the album-making process.

O10. Though it never got a music video, ILY2BBY got a performance video where the boys did the choreography on the beach. Every track got some kind of promotion besides Kiss It Better which Sirens were very vocal about wanting at least a dance practice but Mydol never released one. So, you know what happened? Siren's leaked it! Real EXO-L style, no one knows how the Noah fansite did it but...She did what she had to do! Great way to end the era!

[wen-kexing-apologist]

Only Friends, Boston, and Queer Culture

I wanted to talk a little bit about an observation that I made about Boston and how he acquires sex partners (i.e. who he picks up, how he picks them up, where he picks them up, and where he chooses to have sex). Now, again, we are only two episodes in so I will not presume to make a pattern of anything quite yet, and I am looking forward to seeing how my current observations shift in light of any new information coming out of future episodes. But, it was notable to me that the only times Boston has been seen actively pursuing a second sexual encounter with someone is either in public spaces or after he has had sex with them in public.

Because Boston is very sexual, we actually have a lot of data points on him already, (and will likely get many more, seeing as Boston has been in 5 out of 7 of the heavy makeout/sex scenes in the show so far). What we have seen so far is a one night stand with Drake’s character after Boston is picked up at a bar and brought back to unnamed-Drake-character’s apartment; Boston returning for a second and third sexual encounter with Nick after he and Nick fuck for the first time in the cellphone repair shop; and Boston openly flirting with and trying to tempt Top in to sex in exclusively public spaces.

Cruising 

What is Cruising and Why is it Important? 

Photograph by Steven Barker

I realize that there are many people here who may be unfamiliar with the term/concept of ‘cruising’. As a self-defined “baby gay” there are many terms that came out of the past decades’ queer culture that I was and am personally unfamiliar with. As such, I wanted to make sure everyone was on the same page with the terminology. “Cruising” is a code-word/gay slang that refers to an individual or individuals ‘walking or driving around a locality, called a cruising ground, in search of a sex partner, usually of the anonymous, casual, one time variety’ (Wikipedia). 

In her essay Respectable promiscuity: Digital cruising in an era of queer liberalism, Jody Ahlm (then PhD candidate, now Dr.) states the following: “Cruising traditionally occurs in bars, clubs, or public spaces such as parks and public restrooms where men generally signal sexual interest in another man through established non-verbal signals (Be ́rube ́, 1996; Delany, 1999; Humphreys and Rainwater, 1975; Tewksbury, 2002).”

For the sake of simplicity, cruising is a term applied to the action of (usually, but not exclusively) gay men seeking out casual sex in public spaces. 

Cruising is and was an important aspect of queer culture, for a number of different reasons. “Tearooms” or private public spaces that were adapted to accommodate gay sex (public bathrooms, for example). While a benefit of tearooms was instantaneous sex, a much more important and notable aspect of tearooms was who in the queer community was frequenting these cruising locations

Of the bar crowd in gay (homosexual) society, only a small percentage would be found in park restrooms. But this more overt, gay bar clientele constitutes a minor part of those in any American city who follow a predominantly homosexual pattern. The so-called closet queens and other types of covert deviants make up the vast majority of those who engage in homosexual acts- and these are the persons most attracted to tearoom encounters…It may be more surprising for the outside to discover that most of these [tearoom participants] are married. Indeed, 54 percent of my research subjects are married and living with their wives. (Tearoom Trade, Laud Humphreys, 1970)

In short, cruising and cruising locations are important to ensuring that men who have sex with men (MSM) who are closeted, married, or do not frequent bars, have an opportunity to engage in sex with other men. (Tradition of sex cruising at Aquatic Park to end. John Geluardi, 2001)

How Cruising has Changed Over Time 

Overall, cruising is a lot less popular now than it was in the 1960s and 1980s, in part due to the AIDs epidemic and concerns of HIV transmission (Ahlm, 2017). Ahlm’s essay argues that the AIDS epidemic “initiated a trend toward monogamy among gay men” and that apps like Grindr have shifted the landscape of sexual interest and politics towards a “contested cultural space where publicness and privateness co-exist, creating tensions for self-presentation that are structured by contemporary sexual politics.”

Sociologists have identified a shifting in cruising culture from public, in-person spaces to private, online spaces. In her research, Ahlm noted that none of her subjects who used Grinder reported engaging in public or semi-public sex or being asked to engage in public or semi-public sex by another person. So we are seeing the landscape of where and how gay men engage in sex shift ever increasingly towards private spaces. We can ask ourselves why that may be: 

Dalton (black/mixed,5 28) says,”People like to maintain a certain image of themselves, and everybody wants to appear chaste but desirable at the same time, and whatever. People will say ‘‘Oh you’re going on there and you’re trying to do that [find sex], I just talk to people and I never do anything.’’ I’m like ‘‘Sure, right’’ [sarcastic tone].” The multiplicity of intentions on Grindr allows for plausible denial of promiscuity, while the app’s reputation requires constant management of the stigma in order for that denial to be plausible. Like the majority of users, Dalton’s profile says he is on the app for ‘‘Friends, Chat, Networking.’’ However, sexual interaction is the goal of his in-person meetings, and he only chats with people he finds attractive and would potentially like to have sex with. This contradiction between stated intentions and actual use is not unique to Dalton’s Grindr use, it is the rule rather than the exception (Ahlm, 2017)

While privacy can be a valued aspect of people’s personal life experiences, shifting cruising culture to major online spaces designed specifically for gay people, and having sex with people who connect across mobile apps, is contributing to respectability politics: 

Shifting cruising to private spaces—both actual sex acts and the practices associated with finding a sexual partner in a public space, furthers the sanitation of gay physical spaces. Users can meet sexual partners without ever leaving home, and public gay spaces become sites for platonic socializing. Gay men go to the bars with their friends to hang out, not to cruise…The performance of cruising is desexualized by the plausible deniability of using a phone app and the plausible deniability of Grindr itself, as discussed earlier. It is not just public sex that is disappearing, so too is the public pursuit of sex. This is not to say that gay bars have been completely desexualized…However, as Orne (2016) shows in his ethnography of Chicago’s Boystown, they are the cultural markers that make the neighborhood a popular place for bachelorette parties ‘‘on safari’’. They are not the same as a visible collective practice of searching for and choosing a sexual partner for the night, regardless of where the sex occurs later. (Ahlm, 2017)

TL;DR: The act of looking for sex partners and engaging in public or semi-public sex as a result (“cruising”) has been steadily phasing out as a practice in gay culture, heading towards more private sexual encounters with sex partners who meet on mobile apps, ultimately resulting in a sanitized image and partial desexualization of gay spaces/bars.

Boston’s Cruising Habits 

When I was reading that Ahlm piece, I could not help but think about our very first introduction to the characters of Only Friends in Episode 1. The show opens at a gay bar, we go around listening to Mew’s descriptions of what archetypes his friends fit in to, at which point we learn that everyone in attendance at the bar that particular evening are wearing wristbands indicating their availability to be hit on. Which is making me feel like Jojo and co. (Ninew, Den, the rest of the writing crew) are placing their characters in a past gay culture, giving them an opportunity to return to roots of public cruising. Not every character will engage in such activities, but we know for a fact that Boston and Top are cruising in some capacity from the outset of the show (Boston trying to talk his way into a threesome with Bar Stranger #1, Boston getting picked up by Bar Stranger #2 [aka unnamed-Drake-character], Top striking up conversation with Mew after Mew bumps into him), and with the direct references Jojo and co. are making to Queer As Folk (UK) (1999) if the goal of Only Friends is to highlight queer culture, I would not be surprised. 

While we are only two episodes in at the time I am writing this, it was intriguing to me that Boston appears to be one of the few characters engaging in more traditional cruising culture. It is clear that most of the main characters frequent Yo’s bar, though it appears the friend group uses the space more as a place to hang out with one another, rather than a space to cruise. All except for “The Hunter”, Boston, who is seen constantly attempting to pick up, or being picked up by other queer men in a bar setting. We know that Top also frequents the bar, and we have not as of yet seen him with any other friends, so we can presume that Top spends his time at Yo’s bar cruising as well (based on the fact that he has slept with Boston and he did hit on Mew at the bar, but we don’t have any definitive evidence of that yet because we don’t know how Top and Boston met, and Top has only actively been pursuing Mew thus far). 

A trend I saw in the first two episodes when it comes to Boston that I find particularly noteworthy (aka, is a trend I want to track as the show progresses to see if that trend continues), is that Boston is only ever repeating sex with people who engaged in public sex with him in the first place. From flashbacks we see Top and Boston making out in a photobooth, an implication there that Top and Boston then fucked in the photobooth since “once was enough” for Top and Boston. The first time that Boston and Nick fuck, they do so in the aisle of the cellphone repair shop. Nick may turn off the lights, but that does not negate the fact that there is a chance that Boston and Nick may be walked in on and caught by an unassuming customer. When Boston hits on Top, it is in a public space: the bathrooms of Yo’s bar, when Boston attempts to initiate a second sexual encounter with Top, it again is in a public space: the locker room/showers at the wakeboarding place.

Public Sex, Photography, and Brewing Thoughts about Boston 

Image by @nongnaopat

While I was reading up on cruising, I came across a couple articles with quotes and observations that immediately made me think of Boston, and a question started brewing in my mind: 

Is Boston a physical manifestation of the queer hookup cultures 60s-80s? 

Boston’s Personality v. Public Sex

Again, we have only seen two episodes of Only Friends so I am not yet secure in my own interpretations of Boston. However, I was thinking about the conversations that occurred the other day about how Boston must exert control over others (@respectthepetty), and how he is ready and willing to meddle in Mew’s life by trying to seduce Top, but that there is noticeable fear and slight panic at the thought that Mew might catch him and Top together in the shower (@stuffnonsenseandotherthings).

There was something that just spoke to me so strongly about Boston’s character archetypes in relation to the conversations brought up in Chapter 6: Tearoom Trade: Tales of Public Sex of the book Marginal People in Deviant Places: Ethnography, Difference, and the Challenge to Scientific Racism by Janice M. Irvine. 

In this chapter, Irvine discusses the essay Tearoom Trade: Impersonal Sex in Public Spaces written by Laud Humphreys. Within this chapter, Irvine states “Humphreys argued that tearoom participants varied in vulnerability to risk of exposure. He noted that married men and men who did not have career autonomy were highly vulnerable to negative consequences if discovered in the tearooms.” (Note: my understanding of “tearooms” from this reading is that they are public restrooms that have been transformed to better support instant sex, i.e. a broken window for a lookout, glory holes, walls removed between stalls, etc.) While an assumption could be made that vulnerable men would not engage in public sex, that assumption does not carry through to reality. Humphreys further claims that highly vulnerable men did still engage in public sex via tearoom visits, but they employed protective strategies to mitigate any suspicion of their queerness, often a hypermoral one. 

I know “hypermoral” is not a term that anyone who has observed Boston for more than twenty seconds would really attribute to his character, but what did speak to me is what Humphreys says about the strategies employed by the highly vulnerable: 

The secret offender may well believe he is more righteous than the next man—hence his shock and outrage, his disbelieving indignation, when he is discovered and discredited…Subjected to harsh social condemnation and legal penalties, the tearoom participant was likely to turn his anger and hatred on himself or others in his group. “Worse yet,” Humphreys argued, “he may justify himself by degrading others, displacing his hostility onto outgroups in the manner of the authoritarian personality.” (Irvine, 2022)

Now which Only Friend character are we thinking of based on the quote above? 

“Hence his shock…when he is discovered…” 

“The tearoom participant was likely to turn his anger and hatred on himself or others in his group” 

“He may justify himself by degrading others”

One thing we do know about Boston is that he currently does not have career autonomy. He wants to be a photographer, but he is studying business because he may have to take over his father’s company (YouTube: Only Friends, Episode 2, Part 2/4, timestamp: 2:27). How much that pressure is really on him and how highly vulnerable Boston may be if caught engaging in gay, public sex remains to be seen, but to me it is worth noting. A research question to be asked: Why does Boston act the way he does? Is he vulnerable in some way and trying to compensate for it, or is just genuinely an asshole? Not sure, but I look forward to finding out. 

An additional similarity that immediately came to mind in my readings and their relation to Boston was a reference to Rechy and his writings about male hustlers: 

Rechy wrote about how male hustlers selling sex navigated the toilets. He cited the norms of the sexual marketplace with sociological precision: “Stand at the urinal long after youre [sic] through pissing. At the slightest indication of interest from someone in one of the cubicles, go up to him quickly before he gets any free ideas and say: ‘I’ll make it with you for twenty.’ (Irvine, 2022)

Boston is not a sex worker, he is not asking to be paid for his time, but the way he approaches Top in the bar bathroom to try to prompt a second sexual encounter does allude to the hustler culture. Top is standing at the urinal when Boston approaches

He strikes up conversation with Top who only really seems to be partially engaged, Top walks away from the urinal to wash his hands, Boston follows, placing his hands around Top’s, trying to proposition sex, appealing to their supposedly similar approaches to sex.

This is not a direct comparison to be sure, but I just wanted to mention it because it felt similar enough to be a reference. This reminded me too of the nod Jojo and Ninew had to gay male sexual culture in The Warp Effect when Alex has his shoulders massaged by a random patron propositioning sex at Jedi’s bar while he is standing at the urinals. Or to the more direct reference to cruising that Jojo and Aof put in to the character of Arm in Gay OK Bangkok, or Army in The Warp Effect (two pieces which I will continue to say are required viewings before [or at this point in conjunction with] Only Friends). 

Boston’s Interest in Photography v. Public Sex Debates

Another aspect of Boston’s character that feels relevant to previous queer culture is his interest in photography itself, because photography has its own ties to tearooms and public sex. 

In 1964, The Florida Legislative Investigative Committee “published a pamphlet that featured an explicit photograph of a man engaged in a sex act in a public restroom. The report, dubbed “the purple pamphlet,” was intended to shock readers and mobilize antigay repression.” (Irvine, 2022). 

As a warning I am about to cite a pretty big chunk of text, but it is important information: 

Photography became one of several technologies police and moral entrepreneurs used to observe and produce evidence of sexual deviance. Yet photographic surveillance could also be subverted. After the tearoom photograph was published in the 1964 Homosexuality and Citizenship brochure, conservatives attacked it as pornographic. The committee quickly removed it from the report, but the photograph was reprinted and vigorously marketed by Guild Press, a publisher of homoerotic materials. Gay pulp publishing was growing by 1964, and Guild Press, established in 1962, was no doubt gleeful to find and market this photograph. The Guild advertisement pointed out that this was the only “action photo” of a glory hole scene that had ever been in print, and as historian Thomas Waugh noted, “the glory hole photo became famous.”23 The “purple pamphlet” and its widespread dissemination was an early case of how social and religious conservatives played a significant role in making visible the sexual representation that they condemned. (Irvine, 2022)

Thinking about Boston and his interest in photography, we can notice another potential link to queer culture. Going in to Boston’s darkroom, we see a number of photographs on his wall of hot men in various stages of undress. With the preceding scene of Boston taking a photo of Nick after they fuck establishing some context, we can make some quick assumptions about who those men are to Boston and what was occurring prior to the photo being taken. 

Even within two episodes of Only Friends the camera has almost served as an additional character, bringing us in to the private-public spaces we aren’t supposed to witness. In a conversation I was having with @waitmyturtles, she made the absolutely brilliant point: “the camera of the show is messing around with what we perceive as privacy”. 

Sure Boston is making sexual advances on Top in the showers of a public locker room, but no one is supposed to know that, at least no one who could be actually, emotionally impacted by catching Top and Boston together. We see it, but we aren’t supposed to. 

But I want to move beyond the show’s actual camera to briefly touch upon the other cameras we have seen alluded to on screen so far. Kudos to whoever it was on tumblr that took the screen shots of the hook up between Neo and Drake and pointed out the web camera that was sitting at the top of the computer monitor. Now, we have absolutely no idea if that is relevant at all to future plot lines, if the web cam was on, or if any part of that sexual encounter will come back to haunt Boston. But I think it is worth mentioning the very real and easy possibility that the web cam could have been recording the room (whether it actually was or not). In this way, Boston is playing with fire around what aspects of himself and his sexuality are captured on a screen. 

When Boston and Nick hook up for the first time in the cellphone repair shop, Boston stops the make out session long enough to look around. No, not around, up. Up to the ceilings as if he is scanning the room for possible cameras. Again, we don’t know for sure if a) there are cameras there, b) if that is relevant at all to future plot lines or c) if that really was what Boston was doing. But either way, Nick catches on to Boston’s scanning of the room, and turns off the light so that they can’t be seen. 

In both of these cases, whether the cameras exist, are on, recording, or saving any information is not fully the point. The point I am trying to make here is that there are constantly opportunities to have gay sex be captured, and whether or not it is comes down sometimes to shit dumb luck.

Conclusion

gif by @maxescheibechlinichacheli

I am so fascinated by Boston’s character, just thinking about the ways he does and does not fit in to the archetypes of a highly vulnerable tearoom participant: in his interest being in photography, capturing the images of queer men post-coitus, in the way he approaches Top at the urinal trying to entice him in to sex, in the ways he engages with and thinks of other people, and I am very much looking forward to seeing if this trend continues or diverges. For instance, will we see a drastically different side of Boston if we see more of how he interacts with professors in school considering that the one time that he was really quiet and reserved was during the presentation in front of the entire class? Will Boston fall in to the “public saint/private sinner” dynamic that would root him firmly in behaviors of a highly vulnerable queer man engaging in public sex? Or will he drift away from that alignment? 

Disclaimer: I want to acknowledge that I am a Westerner and I am engaging and interpreting this show and the gay culture in this show through my own Western lens as well as the Western Gay Culture lens. However, I feel comfortable using these lenses to discuss, analyze, and identify threads of interest to follow throughout the show because: 

In 1984, the ‘Boston Bar Study’ conducted by Men of All Colors Together Boston (MACTB) cited numerous examples of widespread discrimination at gay bars in Boston against black men. Similar types of discrimination have also been cited in Los Angeles and New York (Wat, 2002). Even more troubling is that this type of behavior seems to be international as well*anywhere that gay white men come into contact with gay men of color (Ridge, Hee & Minichiello, 1999). One can only imagine how many others never make it into the new stories. Rather than isolated events attributable to racist owners of single bars, the attempt to patrol the borders of whiteness in gay-owned business establishments seems to be a systematic practice (They Don’t Want to Cruise Your Type: Gay Men of Color and Racial Politics of Exclusion, Chong-suk Han, 2007). 

In short, cruising, and discriminatory cruising practices are seen worldwide, and therefore I argue that gay culture in Thailand, while likely not identical, is similar enough to Western gay culture to apply similar frameworks, especially considering the aspects of gay culture Jojo and his co-creators have placed in their past works. 

Sources 

Ahlm, Jody (2017) Respectable promiscuity: Digital cruising in an era of queer liberalism, Sexualities, DOI: 10.1177/1363460716665783

Chong-suk Han (2007) They Don't Want To Cruise Your Type: Gay

Men of Color and the Racial Politics of Exclusion, Social Identities, 13:1, 51-67, DOI:

10.1080/13504630601163379

Humphreys, Laud (1970) Tearoom Trade. 

Irvine, Janice M. (2022) Tearoom Trade: Tales of Public Sex, Marginal People in Deviant Places, https://www.jstor.org/stable/10.3998/mpub.11519906.11

Acknowledgements

I would like to thank @bengiyo, @lurkingshan, @neuroticbookworm, @so-much-yet-to-learn, @waitmyturtles for their thought partnership, edits, and suggestions!