#this can be interpreted as a lot of things

[niningtori]

the way we were before | oneshot

pairing: choi beomgyu x you

summary: you've been in love with beomgyu for as long as you've known him. deep down, you've always thought that he loved you, too; so when he tells you that he's engaged to another woman, you decide to break it all off after a nasty fight in which he shows you just how little you mean to him. a life-ending accident seems to put your feelings to rest, for good. just when you think it's all over, however, you awaken to a time before everything fell apart; and you're determined not to repeat the same mistakes. it's just that beomgyu can't seem to let you go.

genre: ANGST (literally so much angst it's not even funny), romance, second chancelau, rebirthlau, she falls first but he falls harder, possessive!beomgyu

warnings: mcd (and rebirth), somewhat graphic depictions of death/a corpse, suicidal thoughts, you can interpret a scene at the end as somewhat suggestive but not really

word count: 12.7k

notes: this work contains a lot of angst... and that's coming from ME. this might be too sad to the point of being corny but luckily i was born on the cob. don't be mean to me tho i'm going thru it rn. feedback also means the world 2 me <3

some things are a matter of course. for example, when you were initially paired with beomgyu for a project in your senior year of college, it was a matter of course to fall in love with him. supporting him morally and emotionally while he struggled throughout the rest of the year and well into his adult career? well, that was a matter of course, too. being with him every day, spending every spare second you had with the intention to make him happy, and giving up any concept of self-preservation in exchange for even a morsel of his affection? the answer doesn’t even need to be said. through it all, you’ve suspected that all of the intimacy that you’ve nurtured will inevitably end up with you two being together, of course. 

you haven’t done any of it for the outcome. truly, you haven't. you make him happy simply because it makes you happy just to see him shine. he’s always been such a bright, sunny boy, and it’s always been enough just to be the one who helps maintain his true personality. it absolutely kills you to see him hurting, so it isn’t unusual to drop everything, be it work or social events, just to give him advice, give him comfort, or even just give him company. while he certainly doesn't show his affection towards you as profusely as you do to him, you know he cares about you. you can see it in the way he notices the little things about you, and in the way he listens to you with full attentiveness, even when you have nothing particularly interesting to tell him. when everyone talks over you, he tells you that he wants to hear what you have to say. and that’s enough.  

with all of this in mind, you jump at his invitation to hang out at his apartment. he’s been a little distracted lately, cancelling plans together for reasons unknown. it’s been odd, to be sure, but you know he’ll tell you whatever’s been bothering him soon enough. he always does. you greet him with takeout from his favorite restaurant in tow as a surprise, and he takes it with that smile you love so damn much. he looks a little nervous, but happy, mostly, and you don’t have to wait for very long before he clears his throat and announces that he has something important to tell you.

you try not to get your hopes up, but who can blame you for feeling a hint of anticipation? maybe he’ll finally confess his feelings to you. maybe that’s why he’s been a little weird. naturally, since your mind is racing so much with romantic hypotheticals, of course it comes as a shock to you that he simply says, “i’m getting married.”

beomgyu, notorious for never even having the time nor interest to date around, is not only dating, but engaged. your jaw drops when he tells you that it all happened so quickly, he doesn’t even know how it unfolded. all he knows is that once he met her, a whirlwind romance swept him up, and just a few months have been more than enough for him to know that she’s the one. in fact, as he so fondly declares, he knew it from the very first moment he saw her at the dinner between the company you two work for and her own. the one where you were his “date”. you knew that it wasn’t a real proclamation of love or affection for him to ask you to accompany him, but you can’t say that you weren’t beaming with pride and validation at you being his natural choice. when you arrived at the dinner, you remember some of your coworkers jokingly whispering to you to just make it official already. you spent the night mostly by his side, looking up at him in admiration and love. as it turns out, the time you spent fawning over him was equally spent with him falling in love at first sight with another woman. you weren’t even apart for very long, but apparently he met her when you two broke apart to mingle. 

it’s a kick in the chest, to put it bluntly. you feel the wind being knocked out of your lungs, and you’re struggling to breathe. the first time you caught a glimpse of him, you knew that any attempts to stop yourself from falling in love with him were hopeless. his smile, his charm, his playfulness immediately had you enraptured. you’ve always, always known that he didn't have a similar experience with you, but you just assumed that he simply isn’t the type to be caught up in such childish romanticism. you've always loved him outwardly and persistently, and you've shown him that in every single way you possibly know how. you dared to hope that maybe he was just the type to quietly reciprocate. obviously, with how emphatically he’s professing his love for another woman, you were very, very wrong.

“what's the matter? aren't you happy for me?” you struggle to answer, but he continues as if he doesn’t notice. “you know, i was thinking you could be, like, my best man. i've seen people do it these days—you'd pretty much be my best woman. i really want you to do it. there's no one else i can think of to��well, actually, there's soobin, but you’re my—”

“beomgyu,” you sharply interrupt, wetness pooling in your waterlines. beomgyu may be a little emotionally slow, but he’s not stupid. you know he knows that you've had feelings for him since forever ago. while it hurts, the fact of them being unrequited isn't what really gets you; it’s the fact that he doesn’t have the decency to just tell the truth. he took advantage of your love for him, always calling for you when he needed you, without ever really doing the same for you. “what… what about us?” 

“what about us? you’re my best friend, and i want you to be part of my wedding,” he says smoothly, but you level him with a watery stare. as if realization finally dawns on him, he replies in a way you sincerely did not anticipate.

“c’mon, you know i don’t see you like that,” he chuckles with a wave of his hand, and you really would’ve rathered him say literally anything else. you’d prefer it if he had just punched you in the stomach, actually, because that would feel considerably better than this… this humiliation. you’re silent for a moment before you feel the tears you’ve been struggling to keep in cascade down your face. to his credit, he has the decency to look uncomfortable, and his playful smile drops. before he can reply, however, you speak again.

“you knew how i felt about you this whole fucking time, you were just too much of a coward to be honest with me,“ you declare. “if… if you had just told me, i would’ve understood. i-i would've—you didn't have to do it this way.”

“listen, i’m sorry that you’re hurt, but i really didn’t mean—” 

“are you really sorry that i’m hurt, or are you sorry that i showed you i’m hurt?” you cut in. “beomgyu, you don’t care about how i feel, just as long as you don’t have to be the one to deal with it.” 

“i’m—you're being unfair. i didn't want to hurt your feelings, i just wanted us to stay friends. what's so bad about that? don't you want that?” he seems genuinely puzzled, as if he can't wrap his head around why you'd ever be indignant at the fact that he stayed friends with you mainly for his own comfort.

“jesus christ, beomgyu! a real friend would never do this. you kept me around so i’d keep helping you with work, with life, with what the fuck ever. why can't you just be honest, after all this time? just don’t lie,” you spit.

“i'm not lying! you've helped me a lot, and i'm grateful for that, but you can't expect me to just owe you my feelings,” he snaps.

“that's not what this is about, and you know it,” you tremblingly reply, dignity cut right to the bone.

“seriously? that's exactly what this is about. you're the altruistic angel who does nothing wrong, and i'm just a fucking scumbag who takes advantage of you, right? well, i'm sorry, but it's not my fault that you're acting so goddamn crazy over something so stupid.” your eyes burn with an intensity so great, it feels like they're being seared out of your skull. in this moment, you realize that he will never, ever respect you enough to consider you worthy of being leveled with. he doesn't think you're even worth the time. you're his silly, lovesick best friend who's absolutely delusional to the point of being laughable for suggesting that he actually take you seriously, for once. and that revelation breaks you like nothing else.

you won’t do this anymore. you couldn’t even if you wanted to, and you don’t. 

“i never want to see you again,” you sob, and while it may seem juvenile to say, you truly mean it. before you can hear beomgyu reply, you dash out of the building and to your car. 

everything is a blur when you peel out of the parking lot and onto the road. your eyes are pouring out thick, hot tears, and you try your best to swipe them away as soon as they come, but it’s difficult when they’re seemingly endless. you don’t even attempt to hold in your sobs—they’re far too deep and frequent for that. if someone were to glance at you through their window, they’d think you were absolutely insane. and maybe you are, you don’t know. maybe you’re insane for thinking that things could’ve ever been any different. maybe you were just imagining everything that seemed like confirmation that he loved you back. maybe it was all a delusion because you wanted it so fucking badly. and maybe that’s your fault.

but did he really have to crush you like this? he knew you were in in love with him. he knew you were waiting for him. he knew what he meant to you. why couldn’t he have just been honest instead of stringing you along? to ask for him to return your feelings would’ve been too much, you've always understood that to be the case; but even to the bitter end, he’ll call you crazy before he tells you the truth. 

you try to keep yourself focused, but everything’s a blur with your eyes bleary with a film of tears. you have half a mind to just pull over and have a meltdown on the side of the road, but before you can do that, you hear your phone ringing. you pick it up in a frenzy, silently hoping that it’s beomgyu with an apology, but the number is unknown. you don’t even have time to feel disappointed before you look up and see that you’re barrelling past a red light. in a panic, you realize that you’re about to crash headfirst into another car. you swerve your steering wheel as hard as you can, seemingly avoiding danger, but the sight of a tree coming closer and closer into your vision paralyzes you with fear. you try to brake, but you’re going too quickly for it to be of any use. 

the collision is bone-shattering in the literal sense. you’d think you’d feel adrenaline alone in such a situation, but you can feel pain bursting out of every cell of your body as you still after being thrown back and forth in your seat. every organ, every bone, feels like it’s just been crushed, and not for the first time today, you’re struggling to breathe. 

as you slip out of consciousness, one immovable thought resounds in your head: i wish i'd never met him.

-

the sound of your alarm ringing pulls you out of the darkness. your eyes shoot open and you sit straight up in pure shock. while you pant—just trying to catch your breath—you grab your chest, clutching at your shirt as you feel your heart drumming erratically. did you survive? you scramble out of your bed and look in the mirror. there’s nothing on your face. no fresh wounds, bruises, no scars from what just happened. that can’t be right. you know you were torn up from the collision, and there’s no earthly way you came out of it unscathed. was it a dream? it can’t be; you can still feel the phantom of pain on every inch of you, even when there’s no indication of any material harm. you remember every second you spent before and after wrapping yourself around that tree. does that mean you’re dead? are you in the afterlife? 

that doesn’t seem right, either. you don’t know much about what the afterlife is supposed to be like, if there’s even one at all, but this feels too real and familiar. you reach for your phone, with its alarm still blaring, and as you hit snooze, you notice the date. it’s just a few months before… before everything happened. did you go back in time? is that even possible? you try to reconcile yourself with that fact for a long, long time. so long, in fact, that you don't even realize you're supposed to be heading to work until it's five minutes after you're supposed to be there. 

as if on cue, your phone rings with your boss’ contact displayed on the screen.

“hello,” he says as casually as anyone ever can. this just solidifies the idea that your accident must never have happened, because if it had, he certainly wouldn’t be greeting you as if it’s just another day. 

“h-hey,” you attempt to reply, and your voice is so choked and thick with emotion, he can hear how badly you’re struggling to speak at all. 

“is everything alright?” he asks, concern laced in his tone. that’s enough to make you break, and before you can stop it, you’re outright sobbing into the phone. 

“i’m—i just—i don’t think i can come in today.” you fumble for an excuse, but it’s difficult to think straight as you feel your mind breaking down. “i, um, i—” 

“hey, it’s okay. you can take the day off, alright? don’t worry about anything, just focus on feeling better.” his words, so comforting in nature, do nothing but make you cry even harder. it feels nice to be cared for like this. if you had the coherence to think so, you’d wonder how baffled he must be at your behavior. luckily, you’re far too gone to care. you think you end up stammering out something similar to a thank you, but you’re not quite sure. either way, the call ends, and you collapse onto your bed. you curl yourself up and tuck your knees to your chest as you grip yourself as tightly as you can. this is real. you’ve gone back. thank god, you’ve gone back. 

you cry and cry until no more tears will come out, and while you try to keep yourself awake as the hours pass by, the relief you feel coalesces with the enticing nature of your soft bed, so you can't help but drift off. it’s different from the way you drifted off mere hours ago. it’s a lot warmer and kinder, and you're so, so fucking tired, you don’t even want to fight it anymore. 

a knock on your door wakes you from your sleep. it’s a good thing, too, because you were having a nightmare. rejection, devastation, primal fear, mind-numbing pain, then total darkness repeated incessantly in your head for hours on end. you swipe away your tears, but they continue to flow as you practically drag yourself to your door. you’re so disoriented, you don’t even think to check to see who it is before opening it. what a mistake that turns out to be.

“hey! whoa—are you okay?” he asks, and who else could it be besides beomgyu? your heart pounds in your chest, and even more tears stream down your face as you let out a sob. his mouth contorts into a frown. his face, previously so endearing to you, makes you feel absolutely repulsed. you lost everything for the figure standing before you, and he has the nerve to ask you if you’re okay. a fire is ignited in your stomach, and you feel yourself on the precipice of carnal rage. while you’re trying to suppress that feeling, he speaks again. 

“i heard you called in, so i thought i’d check on you. do you have a fever?” he questions, reaching out his hand to check your forehead for abnormal warmth. without even thinking about it, you smack his hand away.

“don’t touch me,” you all but growl, but beomgyu is undeterred. 

“what’s the matter? i don’t care if you get me sick; i could use the time off,” he teases with a grin, but your face remains twisted up in pure anger. 

“get out,” you mumble between clenched teeth.

“what?” he asks, and it's unclear if that's because he's confused, or because he simply didn't hear you. either way, you don't care.

“get out,” you repeat, louder this time, but not lacking any of the previous anger. your erratic behavior is enough to finally irritate beomgyu. 

“fine, whatever. forget i even bothered,” he scoffs as he stalks out of the door. you slam it behind him before falling to the floor. this is your chance. you came back too late to avoid ever meeting him again, but it’s still good enough for you. from now on, you two will live completely separate lives spent being nothing to each other. owing nothing to each other. again, you find yourself sobbing in relief. 

-

when you return to work the next day, the first thing you do is head to your boss’ office. he looks relieved to see you for a moment before he notices the envelope in your hand. with the way his smile drops, you know he immediately knows what it is. 

“what’s that?” he asks, though the tension in the air is more than enough confirmation that he has no doubts about what the letter reads.

“my resignation,” you tell him. 

“may i ask what this is about?” he probes. no, he can’t, because even if you told him, he’d never believe you.  

“i just don’t think this position is right for me,” you deadpan, and the look on his face shows that he doesn’t really buy it.

“you’ve worked so hard for so long, and you want to give up now?” he has a point. your company is on the brink of a major deal with another company, which will result in a financial breakthrough like none other, if successful. as fate would have it, said company is the one in which beomgyu’s future wife works, and the dinner where the two of them met is the celebratory party for such success. you’d laugh at the circumstances if you could. “whatever the issue is, we can work it out. just don’t leave before we do this. we need you, and even if you want to leave after we close the deal, you’ll still be rewarded for everything you’ve done. don’t you want to see that happen?” you do. you really, really do. you’ve given so much of yourself for this opportunity, and you really want to see it work out. you guess, in a way, you already have seen it; but if you leave now, that’ll never happen. this particular project needs you to get off of its feet.

but can you really stand to see beomgyu for a second longer? have his mere presence fuck with your head? is it even worth it? you’re about to declare that it most certainly is not, but you stop yourself. the money will be good for you to start a new life. maybe you’ll move buildings, maybe even to a new city, maybe across the country, who knows? you’ll be more than comfortable with this potential payout, and then you can start a new life somewhere where you know nobody, and nobody knows you. 

“i want a new partner, at least,” you counter, and his face morphs into a grimace. he’s undoubtedly confused at your sudden aversion towards beomgyu, but he doesn't mention it to you. 

“that’ll be difficult. i need you both for this to work.” you’re about to flatout deny him, but he continues. “if you can just make it through this, i promise that you can go wherever you want to go, and i’ll even give you a bonus for your trouble. deal?” you purse your lips as you mull it over. if you can suffer through being partners with beomgyu, your move will be considerably easier. still, you’re undecided before you have an epiphany: in just a few months, beomgyu will meet his future wife and fall head over heels in love with her. all you have to do is ignore him until then, and he’ll inevitably leave you alone once he meets her. so what if beomgyu’s here? you don’t want to care about him anymore. and once everything’s settled, you’ll pack your life away and start somewhere without the bad memories. 

“okay,” you reply, and his face breaks out into a grin. 

-

beomgyu is very visibly ruffled today, which you would immediately notice if you just spared him a glance, but you do no such thing. your lack of attention towards him serves to only rile him up even further. he wants to be stubborn—act out until you apologize to him, but once he realizes you have no intention of doing so, he finally relents and approaches you.

“hey,” he says coolly, still a little annoyed, but prepared to forgive you. you look up at him blankly, and he’s unsettled by just how empty your eyes look, so he nervously asks you, “are you… are you feeling better?” you look at him as if he just spouted the most asinine question of all time, and for the first time ever, he feels small under your gaze. he shifts awkwardly on his feet before you break the silence. 

“i’m fine,” you tell him. he waits for you to ask him how he is, but the words never come. in fact, you turn away and bury your nose in your work as if he’s not standing there, waiting dumbly for you to respond as you usually would. well, whatever. you’ll have to talk to him, eventually. especially since you two are working on such a big project. 

you don’t really talk to him, though, aside from what’s absolutely necessary. for most of the day, you silently slide papers over to him without even deigning to look at him while you do it. when you do have to speak to him, your words are cold and detached, as if even speaking to him is a chore. it’s like you’re looking past him, almost. like you don’t even really see him, and he’s never felt as unsettled by a gaze in his life. 

at lunch, you quietly remain at your desk instead of joining beomgyu like you usually would, and you can't quite bring yourself to eat. you just feel sick by this entire situation, and while you know you need food to survive, you’re sure you’ll vomit if you try to eat anything. 

beomgyu, on his part, leaves you alone, though he desperately wants to try to get you to eat with him. he won’t admit it, but he’s actually afraid that you’ll reject him again. he doesn't know why, but the thought of you doing so slashes at his heart. this is a mystery to him. he shouldn’t really care if you reject him or not, since he’s been quietly rejecting you for years, but he can’t help it. still, as he watches you space out at your desk, he tries to will himself to bear the brunt of a possible denial before a coworker he recognizes approaches you.

you don’t even notice mingi walking up to you, so you jump in surprise when he greets you. you’re pretty familiar with him, but you’re not particularly close, so you’re a bit surprised by his arrival. 

“can i sit with you?” he asks, grinning as he asks it. you nod in response, and he grins even wider before he pulls up a chair and seats himself in front of you.

“are you going to eat?” he questions, and you shake your head.

“not hungry,” you reply. he frowns.

“you still need to eat. you need energy, especially since you’re working so hard.” you’re actually a little sheepish because of his words. so he’s noticed how hard you’ve been working? it feels nice to be appreciated. is he worried about you? 

“i’ll eat later,” you lie. he seems a bit reluctant, but he eventually nods. 

“make sure you eat, okay? i’ll—i’ll text you and make sure you have. is that alright?” you’re stunned for a few seconds before agreeing, and he ends up sliding you his phone so you can put your number in it.

beomgyu watches it all from his desk, and he feels a sense of loss. is it because you’re directing your attention elsewhere? that has to be it, right? it can't be any deeper than that, but somewhere nearly unreachable inside of him, he feels an unfamiliar sensation scratching at his heart, begging him to  acknowledge it. but he shakes away the thought. you’re acting really weird, but that’s okay. you love him, and you’ll get back to normal really soon.

that’s what he tells himself, but you remain as cold as ever throughout the rest of the week. you don’t look at him with those adoring eyes, and you don’t even crack a smile at his attempted jokes. he feels like he's going insane, as if he's on the brink of understanding something really important, but he can't quite make it there. 

it all comes to a head when beomgyu shows up late back from grabbing lunch. he's done this a million times before, and he's always been greeted by your insistence that his tardiness isn't a big deal. in spite of the tension between you two, he still assumes that you'll be as forgiving as ever.

“hey, sorry i'm late. i got caught up with eating and didn't realize how late it was getting,” he says casually. he searches your face for any traces of leniency, for the indulgence you used to give him, but there is none. only anger, and maybe even something like regret, though he can't quite understand the latter.

“don't be late again. we don't have time for this,” you say coldly before sticking your nose back into your computer, effectively ignoring anything else beomgyu could say to placate you.

you two work late into the night. beomgyu gets so caught up in his work, too afraid to draw your ire again, but when he realizes he hasn't heard any noise coming from you in a while, he peers over to see you staring blankly at the wall. your face seems expressionless, but your eyes are what horrifies him. dead, empty, hopeless. “a-are you okay?”

the sound of his voice does nothing to break you out of your trance, however. in fact, it seems to have triggered something in you, decimated a dam that was already leaking. your eyes still look blank as tears begin to leak out of your eyes. they fall slowly at first, then incessantly. it's hard to reconcile the steady stream with the way your face remains completely devoid of emotion. 

tentatively, he places a hand on your shoulder. suddenly, you're jolted awake, eyes now looking as composed and indifferent as ever.

“are you okay? w-what's wrong?” he asks anxiously, 

you hurriedly wipe away your tears before you say, “nothing. just thinking about something.” you redirect your attention to your work, just trying to fully shake the way you were just locked into the memory of you dying alone.

“what could you possibly be thinking about to make you look like that?” he asks concernedly, his voice unintentionally rising in frustration. your eyes harden before you turn to him.

“none of your business,” you say firmly. before he can say anything, you're packing up your things. “i'm going to call it a night and go home.”

“wait! talk to me! what's been bothering you so much lately? you've been weird for a while now, so just tell me what's going on with you. i'm here. i'm listening,” he says as gently as he can.

“you're here? you're listening?” you sneer. “i'm so honored that you finally give a fuck about how i'm feeling,” you say sarcastically. he frowns at your words.

“what are you talking about? i'm always here for you,” he says, and he looks so genuine, it makes you even angrier. he sincerely thinks he's telling the truth. so fucking clueless and selfish.

“are you? do you think offering up your ear once in a blue moon makes you an altruistic angel or something?” you know he can't understand that you're throwing his own words back in his face, because he can't even remember saying them, but you don't care. it just feels too damn vindicating to stop yourself. “beomgyu, you're only as available to me as is convenient to you. you'd never put yourself out of your way to comfort me. meanwhile, i've always been ‘here’ and ‘listening’ at your will. i don't need your pity, and i certainly don't want it.” he's stunned into silence. you're absolutely correct, he realizes with a sinking feeling. before he can formulate the words to defend himself, you pack up your things and leave the office.

-

in the following weeks, you realize that mingi is… nice. really, really nice. you’re not used to prospective romantic partners actually seeming to like you, so the feeling is foreign, but not unwelcome. do you have feelings for him outside of appreciation? well, not really. in the back of your mind, you honestly doubt that you’re even capable of having feelings for other people anymore, but you try not to think about it too much. if you seriously search for an answer, you fear you won’t like what you find.

mingi is diligent, though, and you like that about him. now that you’ve made it clear that you’re not involved with beomgyu (and never want to be), he’s pulling out all the stops to charm you. lunches you would previously spend with beomgyu are now spent laughing with mingi. in the same way, downtime at work, which would normally entail catching up with beomgyu and maybe helping with a few of his assignments, are now reserved for chats with mingi. as beomgyu watches you two giggle with your heads together, he wonders what you two could possibly be talking about to ever be that funny. his jaw ticks in irritation at the scene. most notably, though, is the fact that instead of spending your off days with him, you flatout reject him with no explanation. not even with a perfunctory “sorry”. he doesn't have to wonder what you’ve been doing when he hears your coworkers gossiping about how you're always hanging out with mingi. 

beomgyu feels you slipping away, and it brings a sense of panic he’s never known before. but why? he shouldn't care about your romantic endeavors. granted, you haven’t had one during the entire time that you've known him, but it’s only natural that he supports you as your best friend. best friend. does that term even apply to him anymore? he wants to insist that it does, but as the weeks turn into months, your disgust for him becomes clearer and clearer. as he sits across from you and mingi at an after-work dinner with your department, he watches as mingi flirtatiously whispers into your ear. when some of your coworkers tease the two of you about it, he realizes with sickening certainty that he doesn't just want to be your best friend, he wants to be the one who sits next to you. he wants to be the one your coworkers joke about being your boyfriend, and he wants them to be right about it. the time you two have spent apart has shown him that he can't imagine anyone else occupying the space beside you. with an overwhelming sense of clarity, beomgyu realizes that this feeling, so deep and all-consuming, is love.

how could he not love you? regardless of everything you've done for him, you're still so perfect to him, for him. he finds himself appreciating things he previously took for granted. you're beautiful, caring, funny, and smart. he loves your smile, your laugh, your company. he loves the way you look when you're focused, the way you look so innocent when you sleep. you're the first person he wants to tell any time something happens, good or bad. you're the face he wants to wake up to in the morning. you're the only person he trusts to be his partner for the rest of his life. and now, it's clear that he can't just let you go without a fight.

as everyone begins to leave the restaurant one by one, he follows you out into the parking lot, determined to make his feelings known. even if you don't reciprocate them anymore, he's willing to put in the effort to make you love him again. and even if you don't… even if you can't… the desire to simply be next to you supersedes the need to be loved back. 

you don't realize that beomgyu is trailing after you until you get to your car. he calls out your name as you're about to pull the door handle. with a sigh, you turn around.

“what is it?” you ask flatly.

“are you serious about mingi?” he asks firmly, but he already knows that you are not. the way you look at mingi is laughable compared to the way you looked at beomgyu before your sudden change in behavior.

“yep,” you say.

“no, you're not. i can tell,” he argues with conviction.

“oh, and you know me so fucking well, huh?” you snark.

“i do,” he tells you, stepping closer. “i know you, and i know you don't really like him. not really.” damn. he caught you.

“just because i don’t like him now, doesn't mean i can’t like him later,” you insist.

“so what? you’re just going to string him along while hoping you’ll like him someday? are you just going to spend the rest of your life never really caring about anyone? you can't live like that.” his words leave no room for argument, but you’ll be damned before you don't at least try.

“you’re right, i shouldn’t lead him on, but what’s it matter to you? even if it doesn't work out with him, maybe i’ll meet somebody who i can tolerate, and who can tolerate me. i don’t think i need anything more than that.” beomgyu flinches at your bizarre words, but he's already reconciled with the idea that even if you don't want him anymore, he'll still take whatever you want to give him with a smile on his face.

“then what about me? i… i can be that person.” he's so nervous, you can tell that it took all of his courage to say that. but who cares? 

“you can’t,” you argue.

“why not?” 

“that would mean i’d have to be able to tolerate you, and i don’t want to do that.” not anymore.

“why are you acting like this? you’re acting like i’m so fucking horrible, but you used to lo—” he stops himself, but you both know he was going to bring up the love you had for him. “i just want to know what changed.”

“i did. i changed.”

“but why? i mean, i didn’t realize it before, and i know i wasn’t always the best, but i’ve always had feelings for y—” 

“don’t even bother finishing that sentence. you don't like me at all,” you sneer, “you just don’t like seeing me move on.” this makes him pause, and even you don’t have the heart to pretend like you can’t see the hurt in his eyes.

“why can’t you ever just believe me?” he asks quietly. “i’m telling you i love you, but you don’t even care. i’m saying that it’s okay if you don’t feel the same way, but you’re acting like… like i'm disgusting to you.” he looks like he's about to cry, and it makes you all the more frustrated.

“you don’t understand,” you reply in between clenched teeth. 

“then help me understand. i just want to know why. i just want to know how to fix it. how can i bring you back?” 

“you can't. look, i’m—” and you’re about to apologize, but you just can’t make yourself do it. “you’ll get it really, really soon. you won’t even remember feeling this way, i can promise you that, and you’ll forget all about me.”

“what are you talking about?” he says exasperatedly. beomgyu may not have always been the best of friends towards you, but he can recognize when you’re holding yourself back. “what aren't you telling me?” you purse your lips in response. 

“nothing. there's no point in saying anything, because you wouldn't understand even if you tried. you wouldn't remember—fuck, never mind. just let it go, beomgyu. i have.” but he can't just let it go. this whole fucking thing as an enigma to him. but your words are… odd. what do you mean he wouldn't remember? there's nothing to remember, no matter how much he tries. before he can respond, you get into your car and drive away.

-

“c’mon, you know i don’t see you like that,” beomgyu tells you, forcing an awkward laugh. your expression immediately crumbles, and he begins to shift uncomfortably when he realizes that he must’ve said the wrong thing. your silence is deafening, ringing in his ears, but he still tries to maintain a smile. maybe you’ll lighten up. maybe you’ll go back to the way you were before. maybe you’ll even crack at smile at this ridiculous situation when you realize that he’s right in his assumption that you’re just being emotional. your feelings for him can only go so deep, right? you can go back to being friends after this, just the way he likes it. 

his smile is wiped clean off of his face when your eyes redden and well up in pure, unadulterated hurt. hurt he’s never seen before. he fumbles for the right words, but before he can find them, you break the suffocating silence. 

“you knew how i felt about you this whole fucking time, you were just too much of a coward to be honest with me. if… if you had just told me, i would’ve understood. i-i would've—you didn't have to do it this way.” any delusions beomgyu has that you’ll just let this go are promptly flushed away at your biting tone. jesus christ. you’re right, and he knows it. he flounders for a response, but nothing he can possibly say could really be enough. 

he spends the duration of the argument mainly trying to defend himself. honestly? he doesn't want to remember everything you two say, but he knows he's being nasty in an effort to keep himself from reconciling with the fact that he is, indeed, a coward. he knows he’s never been the greatest friend to you, though he’s always justified it by recalling the times where he did do thoughtful things for you. when you tell him that your resentment isn’t about the fact that he doesn't feel the same way, but because of the fact that he won’t own up to his actions, he feels a stab to his pride. before he can stop himself, he lashes out. 

“seriously? that's exactly what this is about. you're the altruistic angel who does nothing wrong, and i'm just a fucking scumbag who takes advantage of you, right? well, i'm sorry, but it's not my fault that you're acting so goddamn crazy over something so stupid.” he regrets the words as soon as as he says them. every syllable seems so vile as they leave his lips, but he can't stop himself. when he sees you crack at his words, he really wishes he had just kept his fucking mouth shut. 

“i never want to see you again,” you choke out between sobs, and he feels a piercing pain shoot through his body, all the way down to his bones. you don’t mean that. there’s no way you mean that. you care about him. you love him, and even if he doesn't feel quite the same way, he loves you, too. but one look at your resolute face is enough to tell him that you mean it. he wills himself to say something—anything—but you rush out of the door before he can quite muster up the courage to speak.

he stands in a stunned silence for longer than he could ever rightfully justify, but a call from an unfamiliar number eventually pulls him out of his daze. usually, he’d reject it and chalk it up to spam, but something tells him that he should—needs to—answer it. with shaky hands, he accepts the call. 

“h-hello?”

the response mostly sounds rather clinical in nature, really. there’s a perfunctory greeting before the monotone voice detachedly states that there’s been an accident, and he will need to come to the coroner’s office to accurately identify the corpse, which had been declared deceased at the scene. as it turns out, he was your first emergency contact. 

“we are deeply, deeply sorry.” the final words are the only ones that seem to hold any hint of an emotion in them, but beomgyu is too preoccupied to hear it. in a daze, he gets in his car and makes his way to the coroner’s office. hoping, praying, needing for this to be a bad dream. as he comes to find out, it is not. 

-

beomgyu’s head whips up in horror, and he’s panting like mad in between whimpers. tears incessantly pour out of his eyes, wetting his flushed cheeks. was it all a dream? there’s no way; it was too real to be a dream. he was there—he lived it. no, no, no…

“beomgyu?” a voice says, somewhat breaking him out of his panic. his bleary eyes snap up to the doorway to see you standing there, your eyebrows knit with concern and confusion. you two have been working late again, awkwardly alone together once more after his confession. you saw that he had fallen asleep, but he looked so tired, you couldn't bring yourself to wake him up. “are… are you okay?” he's absolutely frozen as you tentatively approach him, pausing a bit uncertainly before approaching him to get a closer look. he grabs you and tugs you towards him, wrapping his arms around you in an almost bruising grip. he nuzzles his wet face into the crook of your neck, inhaling your familiar scent in between shudders. 

“beomgyu, are you sick? did you have a bad dream?” you ask. his heart would flutter at your concern, concern you haven’t shown him for so long, in any other context; but as it is, he’s far too distraught to appreciate it. 

“i… i remember,” he croaks, trying to get even closer to you, as if doing so is the only way to keep you safe. you’d like to break out of his embrace, but he’s so distraught while you’re so off-guard, you don’t do it just yet. 

“remember what? something about the project? we can—” 

“no. i’m—i remember… i remember losing you.” he can’t quite bring himself to be any clearer, but you seem to understand him, anyway. you stiffen in his arms before prying him off of you. he fumbles for you, just to touch you again, but you push him away. you exert very little force, but it’s firm and unrelenting. 

“oh,” you reply, looking a little lost, but mostly just cold. he's basically wailing now, but he tries his best to answer.

“i’m so, so fucking sorry. i didn’t—” 

“what, you didn’t mean to? you’re sorry? maybe so, but  does it matter?” you cut in, almost snarling. now that he remembers, all of the feelings, all of the resentment you’ve kept bottled up come tumbling out of your mouth. “what's the point in telling me this now, after everything? you’re not sorry, beomgyu. you only care because i’m—because i was gone. i don’t want to hear about your regrets; they’re worthless to me.” he recoils as if you just punched him. his eyes turn even redder than they were before, too, and he’s silent at your words. 

he wants to tell you that you’re wrong, because he really is sorry, but can he truthfully say that he’d realize his feelings if you didn’t… go? he can’t. for all he knows, he’d have rejected you forever. he's so ashamed, he'd rather die than feel this way. even so, he wants to attempt to explain himself; you deserve that much. before he can reply, however, you rise and stalk towards the doorway. it’s reminiscent of the way you left when everything happened, and he desperately tries to follow you, grabbing your arm before you can make it out the door. 

“don’t touch me. don’t you ever touch me,” you seethe, ripping yourself out of his grip as if the mere feeling of his hands on you burns through your skin, and he staggers backwards. he keeps his arm somewhat outstretched, though. just in case you change your mind.

“don’t leave like this. i-i don’t want you to get hurt.” not again.

“what’s it matter to you?” you sneer. “you didn’t care before, so i won’t waste my life on you ever again.” his eyes widen in terror, and tears fall even more profusely than they already were. you begin to leave, but to your regret—and to his anguish, the angriest part of you forces you to turn around and face him again.

“do you want to know what my last thought was?” you ask, face mostly blank besides the slight traces of disdain in your eyes, and he’s too terrified to move or even speak at all. he knows whatever you say will be something that breaks him, so he tries to shrink himself to be as small as possible; subconsciously praying that doing so will make him disappear in the face of your anger. still, your eyes remain locked on his face—narrowing in on him regardless of his efforts. “it was of you, actually. i was wishing i’d never met you.” he visibly flinches as he gasps sharply, feeling like you just knocked the air out of his lungs. he feels like he can’t breathe. it would have felt better if you had just ripped his heart out of his chest, because as it is, it’s aching so badly, he wishes you had. 

his lips tremble, and he looks like he’s just heard the worst news of his life. and he has. you hate him that much? you regret all of the time you had together to the point of wishing it had never happened? he’s never, ever regretted a moment he’s spent with you, but he guesses your company has always been better than his. how could it not be? you’ve always given him more than he could ever reasonably ask for, and even if you hadn’t, you’re still a much better person than he is. better to the extent of making him realize just how unworthy he is.

he lets you leave, but his anxiety makes him frantically pace about the room. he tugs at his hair, willing himself to calm down, but he just can’t. after a few minutes, he texts you and asks if you made it home. to his relief, it says that you’ve read the message, so he knows you must be okay. still, you don’t respond. 

-

the deal is tied up exceptionally smoothly; you’ve done it before, after all, so that comes as no surprise. on the night of the celebratory dinner, you take mingi as your date. you’ve already told him that you don’t see things panning out, but he actually takes it really well. maybe telling him that you’re planning on moving helped smooth things over. still, he insists that you accompany him to the dinner, just as friends. you oblige. 

it’s mostly the same as you remember. you spend the night mixing with your coworkers for the last time, and it’s bittersweet. they don’t know that this will be the last time you see them, as your two weeks before resignation have already passed in secret, and you’ll spend the next few weeks just packing and finding a new place to stay far, far away from here. it’s freeing, in a way. 

at some point, your manager announces that he’ll be making a toast, and the room quiets as everyone’s attention is placed on him. 

“firstly, i���d like to celebrate the success of this collaboration. everyone has worked hard to make everything come to fruition. secondly, i’d like to recognize two of the people who made this possible.” he specially thanks you and beomgyu, which is normal, but the unexpected happens when he voices his regret that you’ll be resigning. 

your coworkers look at you in shock, but one person in particular is especially stunned. beomgyu. your manager probably thanks employees of the other company, too, but he doesn’t hear it. other voices, other people, are drowned out by the buzzing in his ears. you’re leaving, and it's all because of him. 

he tries to drown his feelings in alcohol, stomach burning with every round, but the regret never seems to numb. the room seems to be spinning, and he looks visibly ill. eventually, a familiar figure takes a seat next to him. ah. his previous fiancée.

“hey,” she says, somewhat coyly. he doesn't respond. “wow, are you okay? you look a little green. how are you getting home?” again, he doesn't respond. she actually appears to be embarrassed, but she tries one more time. 

“i actually—i came over here because you're really… cute. if you don't have a way home, i can take you. i won't try anything on you, but i can't just let you go home alone. and maybe, you know, when you're sober, we can—”

“beat it,” he snaps. he knows it’s not her fault, and that she hasn’t done anything, but he still can’t help his resentment, even when it should all be directed towards himself. but his recognition of his unfairness isn’t enough for him to care. she blinks in surprise and embarrassment, rising from her seat in defeat. 

beomgyu continues to drink until he’s on the verge of passing out, putting his face in his hands. he draws attention from everyone, but he doesn’t have the mind to care. people try to approach him, but he flatly rejects everyone who attempts to offer their help in order to ensure that he gets home safely. 

“should you… should you take him home?” mingi asks. it’s obvious who he’s referring to.

“it’s not my problem,” you reply, a bit more curtly than you intended. 

“you’re right, it’s not. but you’re the only one he’ll listen to, and i think you know that.” mingi argues. you sigh. he’s right. as much as you want to blame beomgyu for everything, you’ve come to realize that after the conversation—more like confrontation—you two had, you’re not angry anymore. it was hard to see in the moment, but you’ve begun to question your merciless stance towards him. isn’t it partially your fault that things turned out the way they did? he didn't make you check your phone that day, so isn’t it unfair to completely blame him for everything? 

with this in mind, you approach him. he initially bats you away, assuming you’re just another one of his coworkers, but your voice pulls him out of his drunken stupor.

“c’mon. i’ll take you home.” his head whips up in surprise, and he almost thinks you’re joking, but your face is completely serious.

“o-okay,” he replies, sounding extremely docile. you don’t respond, but you begin to walk ahead of him as you head to the exit. he’s having a hard time even following you as he clumsily staggers through the crowd, following you like a lost puppy. hesitantly, he reaches out for your hand, though the fear of you telling him not to touch you remains. you turn back to see his fingers hesitantly outstretched to your hand, and with a look of resignation, you let him grab it as you lead him out.

the ride to his home is a silent one. beomgyu rests his head upon the cold window as he stares at the scenery outside. he doesn’t really take anything in, far too dazed to appreciate the view, but he looks, anyway. 

when you enter his apartment, begrudgingly letting him lean on you for support, you take him to his bedroom. he plops down onto his bed in an unnaturally clumsy manner. 

“th-thanks for taking me home,” he says meekly. 

“mm,” you reply, no inflection of emotion in your tone, getting ready to leave and head to your apartment. 

“w-wait! can you… can you stay here tonight?” you look at him doubtfully, but before you can resolutely deny him, he begins to retch. with widened eyes, you pull him up and drag him to his bathroom. he hunches over the toilet and lets everything go. he’s trembling after he’s finished, and you clean him up as best as you can. he melts into your touch as you gently wipe his face. you’re not soothing him with your words like you would’ve a few months ago, but your care, no matter how unwilling you seem to give it, is something he revels in. he brushes his teeth, but he keeps his eyes on your pensive reflection in the mirror. after he's finished, you speak.

“i’ll stay,” you tell him. 

“w-what?” he questions, eyes watery.

“i’ll stay for tonight. i’ll take the couch. i just don’t want to leave you when you’re feeling like this. it’s dangerous.” 

“n-no! you can stay in the guest room.” 

“i need to be able to hear you if something happens,” you argue. 

“th-then i’ll sleep on the couch. i don’t want you to—” 

“beomgyu, you need to properly rest. if you don’t sleep in your room, i’ll leave.” his face crumbles before he acquiesces with a strained nod.

“good,” you say with a ghost of a smile at his blind obedience, but he's too drunk to notice it. if he had, he would’ve clung to it like a man drowning. 

“thank you,” he solemnly whispers.  

“goodnight, beomgyu.”

“goodnight,” he says, and you rifle through his drawer for some clothes before heading to his living room and changing. you pull out spare blankets from his linen closet before sliding onto his couch.

you sleep rather peacefully, but beomgyu has no such luck. instead, he's pulled into a dream—one he comes to realize is a memory.

-

when beomgyu arrives at the coroner’s office, there is a moment, albeit brief, that he sickly hopes that it’s literally anyone else in the world, but when he sees you—body mangled nearly beyond recognition—he realizes that there is no such mercy. apparently, you didn't even die on impact, but by the time somebody reached you, you were already gone. he doesn't want to imagine how you must've felt, being alone in your last moments, but he feels like he should. against the warnings of the coroner and surrounding police officers, he demands for your face to be uncovered. he can surely identify you based on frame and clothing alone, but for reasons he doesn’t dare to dwell on, he feels like he just has to see. he just has to be sure. he just has to know what he did to you. 

and he does come to know it. to his eternal regret, he begins to know it at that moment, and consequently, every moment after. as it turns out, they suspect that you were looking at your phone before you swerved off of the road. he doesn’t know how, but he’s instinctively sure that it’s because you were waiting on his call. one  resounding thought thrums incessantly in his head: it’s all his fault, all his fault, all his fault.

your face is bloody, barely even showing any of the underlying skin, and marred from shattered glass. he swallows thickly as he reaches out to touch you, running his hands over the gashes on your face as softly as he can as to avoid hurting you, and he can’t help but wonder if it’s at all possible for him to tend to your wounds. he would go over single one, softly patching you up back to normal; but you're already cold to the touch, and though you definitely can’t feel anything, his mind imagines how much it must hurt to have him caress the gaping wounds on your face. he snatches back his hand, as if his touch is poison to you. 

“s-sorry, i’m really sorry!” he panickedly exclaims. “i-i won’t—i didn’t mean to hurt you.” he’s unsure if he means that in the current physical or the previous emotional sense, but does that really matter? he already has. besides, you can’t feel anything anymore. all of your muscles are relaxed, leaving you devoid of any expression as your eyes hollowly stare up at the ceiling. for a moment, he wishes the hurt he saw in them a mere hour ago was still there. anything would be better than the current blankness of your features. 

the blankness remains, however, even after all of the makeup and superficial repairs done to make you look like you’re only peacefully asleep. to him, you just look dead, no matter how badly he wishes the former were the case. as much as he wants to speak at your funeral, he does not. he doesn't deserve the dignity to speak, much less to properly mourn you. not after what he said to you. not when everything that's happened is all his fault.

the breakup with his girlfriend—or fiancée—is more bothersome than he can handle. in between her pleas and attempts to reason, all he can do is coolly recite the constant refrain: “i’m sorry, i just don’t want to be with you.” she tells him he’s just grieving, that he’ll get over it with time, and she wants to support him while he does it; but he montonously repeats his words as if they're the only ones he knows. in her anger and desperation, she tells him he’s making a mistake, and that he’s just feeling guilty because of your unrequited love, which ultimately proves itself to be the categorically worst thing to say. he finally explodes, telling her that she was the mistake, that he doesn't know what he ever saw in her that even closely compares to you, and he'd take every moment with her back if he could. she's the biggest regret of his life, which previously felt like it had only just begun, but now feels like it stretches far beyond what he can tolerate. 

in the days, weeks, months that follow, he struggles to understand how something so unjust could occur. it doesn't make sense. really, it just doesn't make sense. eventually, even his initially patient friends grow weary of his neurotic harping upon how unfair it is, how sudden and wrong it all is. he should be punished. you shouldn’t have had to be the one to suffer, but you were. what kind of justice is that? what kind of universe allows something so cruel to happen right under its nose?

when everyone finally tells him that it’s time to move on and let go, he resorts to speaking to the only person who can’t argue back. you. he visits you every day, bringing you gifts on christmas and your birthday, and even just when he sees something he think you'd like. in a way, they’re almost like sacrifices to you to atone for what he did. his contrition. he spends many of his visits by raving like a man gone mad at a stone slab. he likes to think that you’re agreeing with him, that you see the unfairness for what it is. he’s realized that he loves you, has always loved you, but he was too self-absorbed to notice. as hypocritical as it is, he’s only noticed after you… left, and he’s more disgusted by himself than he ever thought possible. still, he thinks you deserve to know. you deserve for him to be brave and tell the truth, but who cares? what’s the use of only recognizing it after everything he’s done? 

he apologizes to you while crying about how much he misses you. he tries to tell you about other things, too. about the things he thinks you would’ve liked to hear. about current events he decides you’d find funny or interesting, about life updates on your friends that you’d want to know, about how a new album has been released by an artist you really liked, and that he can't quite bring himself to listen to it yet. he’ll definitely listen, though, someday. he’ll give you his opinions after describing each track in great detail, once he’s able to bear it, that is. you always look(ed) forward to their releases, so it’s the least he can do to repay his debt to you. 

but if you owe someone a debt as deep as their life, how can you repay that debt when they’re no longer here to collect it? if he really thinks about it, there are a lot of things he owes you. he owes you the years you spent caring about him when he couldn’t be bothered to reciprocate a fraction of the same courtesy. he owes you every thoughtful action, every encouraging word you wasted on him. he owes you the time you dedicated to make sure he always felt seen, felt understood, felt loved. yes, he owes you a lot of things—too many to properly account for, actually. and now, he even owes you your life. his debt is so heavy, he crumbles under it every day, squirming pathetically beneath the crushing weight of it all like an insect. the worst part is: he owes you more than you ever asked him for. all you wanted in return was honesty, but it appears that even that was too much to ask from him.

he wishes you were here to punish him, to scorn him for being such a fucking bastard. yell at him, hit him, kill him. anything would be fine—he’d tolerate it all—just as long as you were still here. he’d be perfectly content with your hatred, he’d revel in it, even; but he supposes that he doesn’t even deserve that much. as it is, your silence is the most punishment he can receive, but that doesn't feel like it's even close to enough. he finds himself praying for mercy, for some bizarre, cosmic event to put him out of his misery once and for all. he indulges in the idea that if he plays his cards right, if he begs and pleads enough, he’ll find you again. such a notion is initially enough to placate him, but it is to his horror when he realizes that he’s more afraid of that than anything else. what if he finds you, and you tell him, “i never want to see you again,” just like before? such a terrifying outcome is enough to keep him from snuffing out his own light with his own two hands for good. he’d rather live as if he were dead than hear those words again.

so he does. he lives like that for years, decades, until death mercifully takes him. he lives quietly and utterly alone. no wife, no children, and hardly any friends. if your life was robbed from you by his actions, then it’s only right that he lives as if his own were robbed from him, too. it’s the least he can do to atone for what he’s done. what keeps him up at night, though, is the possibility that it’s just not enough. if you do meet him again, what will you say? will you still tell him that you don't want to see him? that the lifetime he spent regretting everything he's ever done pales in comparison to the price you paid for caring about him? as the darkness overcomes him, however, he realizes that you deigning to say anything at all to him is better than your unbearable silence. his final thought before he's swallowed whole is: please, just let me see you one more time.

-

beomgyu awakens in a cold sweat, panting heavily as he struggles to understand where he is. is he still alive? that can’t be right—he clearly felt himself slipping away. but what if he can’t die? what if that’s his punishment? the thought alone is enough to elicit a guttural, “no, no, no!” out of him as he realizes that his nightmare is not yet over, and may very well never be. tears pour down his face as he wails like a child.

“beomgyu?” you say as you walk through the doorway, looking somewhat sleepy and disheveled in clothes he subconsciously registers as his own. when he looks at you, he's relieved, but the regret he feels is what overwhelms him.

“oh, god. i'm—it's all my fault.”

“what?” you ask, still a bit disoriented from just waking up, seeing as how it's still the middle of the night.

“it's all my fault. it's all my fucking fault. i did that to you.” suddenly, you realize what he’s saying, and your heart clenches at his words.

“beomgyu, no. i was distracted. i didn’t see—”

“you were distracted because of me. you thought i was calling you, i just know it. you were there because of me. because i’m a fucking coward who couldn't just tell you the truth.” you don’t know what to say. did he really blame himself for everything? even after all of this time? before you can answer, he speaks again.

“i saw—you just looked so small. i've never—i didn't even think anyone could bleed that much. you were so cold, a-and your face was—” 

“hey, hey, hey, stop it,” you say firmly, but gently, “you're not—” 

“they said you died at the scene, all… all alone. and i know i was the one who did that. if i had just listened to you, if i had just been honest with you, you would've been alright. but i called you crazy. i said you were being stupid. w-why did i say that? what did i do it for?” 

“look at me,” you say firmly, which makes his unfocused eyes zero in on you. “listen, listen to me. it's not your fault, okay? i used to feel like it was, but now i understand that you were scared. i know you couldn't control how you felt about her, and you were right about you not owing me your feelings. you could've been honest, but that doesn't mean you killed me.” 

“no, i did it. i did it. i did that to you. if i had just—”

“gyu,” you sigh, and his heart can’t help but stutter at the nickname you haven’t called him in months. “i’m telling you it’s not your fault. i used to blame it all on you, and i was wrong for doing that. but you get it now, right? you're supposed to be with her. you love her.”

“no, no, no! i don't. i really don't,” he desperately exclaims, trying to convince you in the only way he knows how.

“maybe not yet,” you concede, “but you will. once you get to know her, you'll want to spend the rest of your life with her. that's how it's supposed to be, just like before.”

“there is no before,” he cuts in pleadingly. “i lived and died alone, just like i deserved. i just—i love you so much, i couldn't stand to let you go.” you frown at his words—they make you actually feel guilty. even so, you guess that it's time to let the purgatory you find yourselves in go. besides, maybe he needs an apology to finally put it all to rest. 

“i'm sorry that—” his heart drops to his stomach. please don’t say it. he’s begging you not to say it. not to someone as unworthy and filthy as him.

“don't. please, please, don't apologize to m—”

“—i made you feel that way. even when i hated you, i never wanted you to live like that; but you can't mistake guilt for… something else. maybe this is another chance to get it right. you can be with her guilt-free, and i can live without regrets.”

“no, i-i didn’t break up with her because of guilt! i did it because i realized that if it’s not you, i don’t want it to be anyone else. it can’t be anyone else.” 

“you don’t know that,” you sigh. “you think you feel that way, but you’re just sad that things ended how they did.” 

“you’re wrong!” he exclaims. “i didn’t realize it—i was too stupid to realize it. and i know it’s disgusting of me, but i only… i only understood it after i lost you. i-i’m sorry i didn’t realize it before, but please don’t tell me how i feel. i spent every day wishing i would just fucking die so i could see you again. i just couldn’t stand living without you. that’s not normal—that’s not how friends feel, no matter how guilty they are. i just wanted to die.” you purse your lips at his words as you feel dread pooling in your stomach. at least when you died, you didn’t suffer for long, but he suffered for the rest of his life. in the same way, you didn’t want him to hurt himself, no matter how angry you were. 

beomgyu has begun to hyperventilate, but he doesn’t take his eyes off of you—too afraid that you’ll disappear if he does. he’s probably having a panic attack as tears stream down his face, and he ruthlessly tugs at his hair in pure distress. all he can do is repeat that it's all his fault and how sorry he is, and any lingering resentment you may feel dissipates like smoke at his absolutely shattered state. it seems like he really can't live without you, so are you sure you can abandon him like this? you don't think so. although it may not be right, you still think that it's worth a shot. you don't think he has the capacity to hurt you ever again, and you realize that even after everything, you don't think you can love somebody the way that you love him. so, you're willing to let him try again.

“hey, hey. stop it,” you coax, seating yourself on his bed. but he can’t stop it, he physically can’t. he’s whimpering now, like a wild beast with a mortal wound. you don’t hesitate to take him into your arms, holding him tightly as you shush him. “shh, it’s okay, i’m here. don’t cry. i’m here, and i won’t leave again. i promise. just breathe, in… then out. that’s it, just like that. good job.” 

eventually, his breath begins to even out, though his body is still racked with shudders. you’re here. you’re okay. you promised that you won’t leave him, and you always keep your word when it comes to him. he finally feels like he can breathe, and even though he’s in so much pain, he still wishes this moment will never end. he wishes he could stay in your arms forever, never letting you leave his side. always staying where he can reach you.

“better?” you ask, pulling away to get a good look at him, but he shakily grips your sleeve in sheer desperation. he just has to be touching you, somehow. he forces himself to nod.

“good,” you say, eyes soft and lips slightly upturned in relief. he almost loses it again at the sight of your smile, no matter how small. he never thought he’d see it directed towards him again in this life or the next. “do you want to start over?” 

“s-start over?” he asks. he doesn't dare to let himself hope that you mean what he thinks you mean. 

“start over,” you nod. “we can try again, okay?” 

“oh, p-please,” he begs. he’s so pathetic. he doesn’t deserve your mercy, but he supposes he’s too selfish to reject it. you look at him for a long, long time with soft eyes. you’re not angry anymore—he’s suffered more than enough, and you finally believe that he loves you just as much as you love him, and maybe even a little more than that.

“you promise you won't hurt me again?”

“i promise. i swear to god—” 

without a second thought, you gently cup his face in your hands, which makes his words catch in his throat. his eyes widen as you lean in while pulling him towards you. when your lips meet, he’s electrified to his bones. he melts into the kiss, whimpering slightly at the feeling of your lips against his. when you break apart, you rest his forehead on his own, closing your eyes as he stares at you before he does the same. he clutches the hand you have on his face and grazes his thumb over it as he lets out a contented sigh. nobody has ever made him feel this way before, and if he could go back to the first day he met you, he’d tie you to him immediately. 

“thank you, thank you so much,” he whispers. with a smile, you press your lips against his again. he falls into the feeling just as easily as the first time, and you push him down before continuing to go even deeper. before completely giving in. 

you spend the night loving and being loved in a way that you never thought you could. you feel cherished to a degree you previously considered impossible. beomgyu reveres you as if you’re his god, and he shows you as much with how loving and gentle he is. when you’re finished, panting heavily against each other, he holds his hand against your cheek as he stares at you in awe.

“i missed you so much. i love you so much. i promise that nobody will ever love you as much as i do. i promise that nobody will ever treat you as well as i will. just don’t leave me, okay?” and when the time comes, even if you do leave first, he’ll be sure to follow you. he won't let you be alone ever again. but he definitely can’t tell you that, or else you’d yell at him for not caring about his life enough.

“okay,” you tell him with a sleepy smile, and he beams before kissing your forehead and letting you drift off. he stares at your peaceful face, resolving to always give you what you want, no matter what it costs him. even if it kills him, he'll gladly do whatever it takes to ensure that you're happier with him than you could ever be with anyone else. he'll prove to you how much he loves you, and he'll pay back the debt he owes you a million times over. you'll see. he’ll marry you, start a new life with you, and chain himself to you forever; which may sound selfish, but he’ll make up for his willfulness by being everything you could ever want and need. and finally, before he joins you to sleep, he thanks the universe for having mercy on him—for letting him see you again.

notes pt. 2: ... so? LMAOOOOO i hope this was worth the wait bc this work was so hard for me to get through it was making me so sad to write it. anyway, love yew. please don't be mean to me tho like if u don't like it just close your eyes n scroll 🙏

permanent taglists: (sfw only) @defnotleee @yaoizee @tubatukimoa ([n]sfw/sfw) @lonelybutterflytae @cherrycolaberry @everythingvirgoes @midwinterblizzard @sooberryworld @20-cms @hyueika @boba-beom @vicurious28 @blossommi @lickingan0rchid @katsukis1wife @binniebakery @notevenheretbh1 @shymexican @that1sadgrl @archoive @paegesoobin @buttercreamerie @ifwtxt @softesyoongi @serenityism00 @fairfootedflekk @kyanmeai @definitelynotherr @hyunj00 @taehyunluvrs @m00gyu @denleave1088 @hwanghyunjinismybae @bmo-bri @todorokiskitten @choikanghuening @naoristerling

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[drdemonprince]

Regarding the online left and moral OCD, how is that not cancel culture? In all seriousness? I know it's a somewhat loaded term and used as a catch all for a lot of irrelevant shit, but isn't that exactly the same system of values that leads people to send hate mobs after each other in the name of "accountability"?

"cancel culture" refers, in a pretty flawed way IMO, to one tactic that people use, not to the wider cultural phenomenon being critiqued here.

like yes, people make public call outs, and they do that for a variety of reasons that cant all be summed up easily -- everything from bringing attention to an exploitative employer or abusive boss to attempting to get an incredibly vulnerable poor trans woman kicked out of housing.

I do not think it's helpful to equate all of those things.

I'm firmly of the position that public callouts rarely work or bring anything but terror to the accuser, so they're rarely worth doing, but there is a HUGE difference between a group of Black trans people making a post calling out the security of the local queer community center for being racist and, like, a mob of anonymous strangers deciding they all hate a mentally ill trans person because of one weird post they made and pressuring others to socially ostracize that person.

like. a callout/cancellation is just a tactic, it kinda sucks and doesnt work mostly, and it can and has also ruined people's lives.

but that's just one part of the larger issue we are talking about here.

we're not just talking about calling people out and cutting them off, we're also talking about performing immense guilt regarding any small human behavior or feeling that has not been morally optimized, splitting hairs over the ethicality of choices so granular as to be meaningless, correcting other people on minute language differences, imposing western/united states oppression frameworks onto completely different cultures and situations, interpreting all vague statements in the worst possible faith, holding a person responsible for any conceivable negative interpretation or unacknowledged caveat to anything they say, demanding the performance of negative emotions such as grief and exhaustion and rage, pathologizing positive emotions such as joy and pleasure, denying individuals any right set boundaries over how they spend their time, convincing people that any moment not spent consuming upsetting information is an abdication of duty, immense focus upon individual effort with little regard for collective power or systemic change, victim blaming, self obsession, self loathing, associating a person's appearance or mannerisms or sexual proclivities with their goodness as a person, a permanent suspicion of the "other," a lack of faith in humanity, and on and on.

so i think it's a lot more complicated and deep than just people making incendiary call out posts online. but then, i did write a book on all this.

[wickjump]

i really dont like cream because i think it literally messes up cross’ entire development as a character and would not be healthy for him. i am so sorry cream loving mutuals but this is on the MIND.

i just. primarily don’t like cream because cross always falls under power imbalances. he needs an equal in his life rather than someone he will deem as above him, someone whose aura canonically directly affects him and influences how he feels about dream. he would canonically struggle to dislike dream despite how he wants to because dream’s aura literally shoves comfort down his throat, even if dream doesn’t intend that. there is an old comic about exactly that. dream’s aura is not what ‘made’ cross love him, but it would influence how cross feels about him and would urge him to stay if he ever wanted to leave.

but honestly the thing that drives me crazy the most is how in SO MANY (as in, like, most nowadays) interpretations dream is shown as cross’ knight in shining armor, his angel, his savior. someone cross reveres. dream is his ethereal lover and cross is someone who cannot compare, in his mind.

but what cross needs is an equal, and characters like dream (or nightmare) have such a big power imbalance between them and him. dream is the guardian of positivity, he will outlive cross for likely hundreds of years and cross is aware of this, and the mindset that he’s only a temporary lover would mess him up a bit too. and again i really really hate seeing cross reduced to dream’s anything. dream’s soldier, especially dream’s dog (note that i love dogboy cross but combined with the power imbalance and how cross often is shown to view dream as someone above him it feels yucky to have cross be dream’s dog)

cross’ entire story is about him becoming his own separate person! being with equals and not surrendering to those with more power over him and instead fighting back!! this is also why i like ships like crepic and kross and recently whatever color x cross is called a lot better. because they’re equals to him. and he sees them as equals, too.

cream is. fine to ship. its just not my thing. crossmare also isnt because of the same reason. in a bad sanses setting he would view nightmare as his superior, hell, he even calls nightmare ‘boss’ in these kinds of settings a lot of the time when with a romantic relationship established between them. nightmare owns him. even in a fanon setting where nightmare doesn’t beat the shit out of everyone, nightmare still holds cross’ life in his hands. cross has nothing in return.

in aus where nightmare and dream are made to be equals (such as modern aus) i can see ships with them! the pet peeve isn’t as present. still don’t like cream thoguh im sorry as a cross obsessor it’s just not something i think he would be healthy in,, he’s gotta have an equal not someone he views as above him which he always will because that’s how he was raised and trained to be his whole life.

him fighting to be free from that cycle only to just fall back in the position of being under someone again, REGARDLESS of how comforting or good they make him feel while he is, isn’t healthy for him. they can be excused as fine because dream is loving and kind to him and cross is very receptive to it, and it does help him with some things, but cross can’t handle constantly being around that. i hate that this is always ignored. i hate that cross being reduced to something someone owns, dream’s dog, Dream’s soldier, Dream’s, is just constantly a thing that people are totally chill with. no matter how much Dream could insist they’re equal, Dream isn’t, case closed. he is immortal and cross isn’t. if Dream lives for thousands of years there’s a likely chance he’ll enter another relationship a while after cross dies. cross would be aware of this. cross would be aware that the multiverse reveres dream and would feel a duty to feel the same. dream is a guardian, and cross can’t even fully free himself from his father’s control.

idk i just think cross should not be in relationships with people who have power over him, at least not as much as dream/nm do. it makes me sad because i like cross a lot and him being in relationships with people above him, no matter how nice they are or how reassuring they are, is not something he would ever be able to healthily handle or accept. he was raised to have an inferiority complex about himself and he will continue to have that unless he is surrounded by equals who support him in fixing that and don’t fuel it, even without wanting to.

but honestly tho overall ship what u like. hell if i care these guys ain’t real. u do u man. plus a lot of cream art is cute. it’s just a pet peeve of mine :’)

[raven-at-the-writing-desk]

I know that Yuu is gender neutral in the game for many reasons so it makes me wonder if Yuu was a girl in Conan would that change the dialogues and the way the characters interact with her?

Like not a major change to the main story or turning the game into otome but some small ones like in some characters interaction with Leona when stepping on his tail he won't want to beat us (because of the respect woman thing lol) in book one or Deuce being shy in the beginning of their friendship.

Hmm... For the most part, I honestly don't really think so? Cater still calls Yuu cute, Azul is still pretty polite, etc. Rook still waxes poetic and creepily recites your sizes, etc. regardless of gender. At best, maybe some of those traits would be exaggerated a little more or expanded on to suit the scenario?? Like maybe Ace would initially tease fem!Yuu about being at an all-boys school or something, isn't she bothered by it? But I really doubt that anyone would be tripping over themselves to protect or befriend fem!Yuu or anything, especially when most at NRC are primarily concerned with their own interests. Most of the characters aren't noted to treat women particularly differently than other genders. We also don't get to see the NRC students interacting with girls around their age either, so it's hard to discern how they'd be with them. I think even the "Deuce being shy in the beginning of the friendship" headcanon comes from a perspective colored by writings in fandom; Deuce in canon doesn't really seem to demonstrate major issues interacting with girls, at least not that I can recall. At best, he expresses surprise when Grim mistakes Epel for a girl and fails to romance the Ghost Bride (he freezes up and his mind blanks; it’s difficult to say this is how he’d act around most women or if he just acts this way due to the demands of the situation). I think if we eliminated romantic interest altogether--because, to be clear, one girl in a cast of mainly guys is NOT always meant to be romantic or a harem--most of the cast would be their usual selves, if not maybe a little more polite due to how they’ve been socialized to see women as the “fairer” sex. For example, Riddle, Epel, and Jade underestimate Sally, though this isn’t clear if it’s gender-based or because they sympathize with her poor home life. They may also be instances of the guys not really knowing how to deal with girls? For example, Trey fails to help Sally up after she has fallen (which Sebek chastises him for); Trey later admits that he doesn't know many women beyond his mother and sister who is 4 years younger than him. Because of this, he says it may be that he was subconsciously nervous to interact with her.

The exception to this, many would point out, is Leona, who comes from a country in which women are respected. The strange thing is, whenever this point is mentioned, I always see people speaking about it in relation to Leona and Leona only, even though Ruggie and Rook also come from the Sunset Savanna (so technically those latter two would also theoretically be respectful to women). Now, there's a lot of discussion in the fandom about just how far Leona's "feminism" (a term used by fandom, never said in official materials) stretches. The most extreme of takes paint Leona as a misandrist who actively hates on or mistreats men while upholding women as superiors. And that... Well, I don't agree with this interpretation whatsoever. Yes, Leona no doubt respects women and is more likely to listen to them if they ask him to do something (for example, attending a party for a female painting in Cater's School Uniform vignette or taking a picture of himself in his robes for his sister-in-law in his own Ceremonial Robes vignettes). However, he won't just keel over and do whatever is asked of him simply because it is coming from a woman (think back to Ghost Marriage; he was still pretty pissed off when Eliza slapped him), and nor is he shown to disparage his own gender.

Rather than putting women on a pedestal, I think it would be more accurate to say that Leona doesn't underestimate women or think lesser of them because of their gender. (If you're interested my detailed breakdown of "feminist" Leona, check out this analysis.) For example, while his classmates worry for Sally's wellbeing in Lost in the Book with Nightmare Before Christmas, Leona lauds Sally's cunning and ability to save herself. We also get a pretty good look of this in the Episode of Savanaclaw manga, which features a female Yuu. (And before anyone says, "Yuuka could be hiding the fact she's a girl!", take a look at these panels. She is clearly not making an effort to hide her chest and given her nonchalant personality + ability to physically defend herself, Yuuka has no in-universe reason to be hiding her gender. The other students probably don’t bring up that she’s a girl because she’s already been around at NRC for roughly a month at this point and have likely acclimated to her presence. Besides, people don’t normally bring up “well, that’s a girl” out of the blue in everyday conversations.)

Riddle seems to treat Yuuka the same as the gender-neutral Yuu in the game; he still adjusts her tie for her without any flourishes, flinching, etc.

If you read the Episode of Savanaclaw altogether, pretty much all of the characters treat Yuuka like another fellow student and not "oh, this is a woman and a woman has to be treated differently".

Leona stops Savanaclaw mobs from beating up Yuuka and co., but this isn't significant because he does the same for gender-neutral Yuu in the game. It's not "I stopped the guys from hurting a woman" behavior. And get this: Leona still challenges Yuuka and co. to a magift/spelldrive game and he STILL kicks their asses and expects them to get up for more. He doesn't give even Yuuka special treatment or leniency because she is a woman. He wants her to play him again, the same as the other students (who are all guys). It is Jack who has to intervene and stop his dorm leader from bullying Yuuka and co.—but again, this isn’t a change from the game, as Jack always steps in anyway.

Yuuka recognizes Leona as "the garden caretaker" from back when she accidentally stepped on his tail. Unfortunately, we don't get to see if Leona attempted to attack her from this instance. It could be that the manga excluded it because he didn't try or it could be that he did (if the magift/spelldrive demands were of any indication) and the manga just didn't have time to show it in full. Buuut we should also note that Leona makes exceptions to his own... "moral code" when it is convenient for him. For example, he tells his students to not pick on outsiders but then still wails on us through sport. When Yuu steps on his tail in the garden, he says, "Well, can't say it'd be much fun to hurt someone so helpless," but then adds, "Still gonna do it, though."

My point is, this is the closest we'll get to "how would the boys treat a fem!Yuu", and that's what I'll leave you with.

[crazysodomite]

i never know how to phrase this right bc i dont want to seem like one of those people who thinks Sexuality Is Evil. i don't have any problem with sexuality at all. please dpnt assume😭

that being said, i feel like some people overcompensate for sexuality being shamed by making everything sexual... idk how to phrase it better to not sound weird like that but its like this: society says nudity is inherently sexual, and thus disgusting. and people overcompensate for it by going "yes, nudity is inherently sexual, but that's good, because it's Hot and Sexy" instead of just being "nudity isn't inherently sexual, its just neutral" and something being or not being sexual isn't a reflection on its moral quality. going to a sauna isn't inherently sexual, it can be, which doesn't make it good or bad, but it just a neutral action at the same level as being in a room of people who aren't naked in a sauna.

in the same fashion people think sexualizing someone = good and signals respect. i respect you as a person because i think you're Hot and i say sexual things about you uninvited because sexuality = good and finding someone sexy is respecting them and flattering to them.

in the same fashion people see art and say "this is obviously sexual, which is fine, because sexuality is good" while ignoring the author's intent/wishes. my drawing of a nude figure isn't inherently sexual, seeing it that way is fine, but i don't enjoy that interpretation pushed onto me.

i might get flak for this but i don't even think there are clearly defined borders of what is and isn't sexual and trying to define it isn't productive. something that is Inherently Sexual to you might not be sexual at all to another person. and seeing something and going: clearly the author intended this to be sexual because i see it that way 🧐isn't appreciated. im an adult and saying sexual things to me unprompted is still inappropriate, that's to say nothing of Not fucking checking age in bio before commenting on someone's post.....

sexuality isn't bad in any way but seeing certain things or displays of affection or nudity as inherently sexual presents A lot of Issues, even if you think sexuality is Good

[brazenautomaton]

...those are not the only accessible sources? the reports on the scandal are public, you can read them.

from here:

Issues of ethnicity related to child sexual exploitation have been discussed in other reports, including the Home Affairs Select Committee report, and the report of the Children’s Commissioner. Within the Council, we found no evidence of children’s social care staff being influenced by concerns about the ethnic origins of suspected perpetrators when dealing with individual child protection cases, including CSE. In the broader organisational context, however, there was a widespread perception that messages conveyed by some senior people in the Council and also the Police, were to 'downplay' the ethnic dimensions of CSE. Unsurprisingly, frontline staff appeared to be confused as to what they were supposed to say and do and what would be interpreted as 'racist'. From a political perspective, the approach of avoiding public discussion of the issues was ill judged.

Several people interviewed expressed the general view that ethnic considerations had influenced the policy response of the Council and the Police, rather than in individual cases. One example was given by the Risky Business project Manager (1997- 2012) who reported that she was told not to refer to the ethnic origins of perpetrators when carrying out training. Other staff in children’s social care said that when writing reports on CSE cases, they were advised by their managers to be cautious about referring to the ethnicity of the perpetrators.

the individual people reporting crimes were not failing to report because the criminals were Pakistani, but the actual government structure was making it clear to its members Not To Talk About It. according to the investigation of that structure itself.

also, it goes on to describe how another aggravating factor was the (clearly race-focused) desire to address this only through the local Pakistani Muslim community leaders and not through, like, law enforcement. this is a Very Bad Idea for numerous reasons, because those guys have even more reasons to want to cover up the crimes!

this report has extremely confusing formatting (it's interspersed with quotes that are not separated off nearly enough) but also agrees that the racial dimension was a major factor with the Rotherham council, people were afraid of being branded racist, things had to go through ethnically Pakistani members instead of normal law enforcement channels, and law enforcement was diverted for fear of seeming racist:

“We’d be at [community] meetings talking about community issues. When there we discussed targeting taxi drivers and the Pakistani heritage community in relation to CSE, we were even discussing particular families we had concerns about. These members would push back. Neither believed the extent of the problem that we were trying to communicate… They were saying to us ‘it will cause a lot of community tension if they are targeted specifically’… We wanted their support…” A police officer

like come on you put an emdash between the quote and the attribution

Rotherham’s suppression of these uncomfortable issues and its fear of being branded racist has done a disservice to the Pakistani heritage community as well as the wider community. It has prevented discussion and effective action to tackle the problem. This has allowed perpetrators to remain at large, has let victims down, and perversely, has allowed the far right to try and exploit the situation. These may have been unintended consequences but the impact remains the same and reaches into the present day.

these aren't random nazis, this is the independent inquiry report into the Rotherham Council and its followup commissioned by the Secretary of State. the idea that fear of appearing racist was a major factor here is not a fringe thing only being spoken of by nazis, it's pretty goddamn confirmed by the people who did the actual investigating

The Council’s culture is unhealthy: bullying, sexism, suppression and misplaced ‘political correctness’ have cemented its failures. The Council is currently incapable of tackling its weaknesses, without a sustained intervention.

this isn't a fringe thing

Interviews with staff and Members of RMBC highlighted a pervading culture of sexism, bullying and silencing debate. The issue of race is contentious, with staff and Members lacking the confidence to tackle difficult issues for fear of being seen as racist or upsetting community cohesion. By failing to take action against the Pakistani heritage male perpetrators of CSE in the borough, the Council has inadvertently fuelled the far right and allowed racial tensions to grow. It has done a great disservice to the Pakistani heritage community and the good people of Rotherham as a result

this is pretty fucking major. people who are clearly progressive themselves and oppose racism, after doing an in-depth investigation, going "yeah these people did in fact let a child abuse gang go uncontested for decades due to the fear of appearing racist."

Regarding Rotherham, since it's come up again...

If I had a daughter, and a group of men doused her in petrol and threatened to set her on fire, then what would matter to me is making sure that never happened again.

This is what is moral and right. Children are small and weak. Stopping such a thing is what a parent owes their child.

If that requires changing the ideology of the entire country, then my life's work must be changing the ideology of the entire country. This is simply the work that has been entrusted to me. Whether it succeeds or not, I must attempt it.

There are people right now asking others to refrain from criticism in order to protect the reputation of the Labour government.

My contempt for such people is off the charts. But I can now see the empty space. Many of them are morally underdeveloped. What it means is that they consider Labour their tribe, and they are obediently protecting the tribe.

[blackcatsnest]

Solas and his many magic artifacts

This is research NO.2 for my fanfic, if you interest, you can find my fanfic here. Since I’m writing about the story of Solas’s lyrium dagger, I’ve been revisiting details about elven artifacts Solas used from past games. It’s been 4-5 years since I last played them (before DATV), so I’ve forgotten a lot. Summarizing my findings has been pretty interesting, starting with the history of the lyrium dagger itself.

Lyrium Dagger

Here’s a direct quote from the Wiki: "When the elves were losing the war, Mythal had Solas craft a Lyrium Dagger which Fen'Harel used to sever the Titans' connection to the Fade, rendering them Tranquil."

Death of a Titan

Notably, the Death of a Titan mural doesn’t feature the dagger. Perhaps the mural depicts the moment a Titan was killed rather than when it was Tranquilized. We’ll revisit this mural later.

Now, you have to admit, the dagger is an incredibly powerful artifact. Someone as wise as Solas would surely think of countless ways to secure it. Yet, after he left for rebellion, the other Evanuris somehow acquired the dagger and used it to murder Mythal when she confronted them.

Here’s another Wiki quote: "Solas recovered the Lyrium Dagger from Elgar’nan and from it extracted a fragment of Mythal that had lain hidden within its depths. For unleashing the Blight onto the world and murdering Mythal, Solas imprisoned the Evanuris in the Fade and used their lives to sustain the Veil by connecting their blood to his Lyrium Dagger."

This weapon is incredible. It can Tranquilize Titans, kill Evanuris, and even trap or bind their life forces. How could Solas, the Dread Wolf, be so careless as to let it fall into enemy hands? Surely, he would have taken it with him during the rebellion—or at the very least entrusted it to Mythal for safekeeping. Did the Evanuris steal it? Did someone outsmart Solas? There’s definitely a story here! (In my fanfic, I kept it simple and just assumed he abandoned the dagger.)

Regardless, Solas ultimately recovered the dagger, likely through some cunning plan. Felassan’s notes confirm this.

On a slightly unrelated note, Mythal never support Solas’s rebellion. No wonder he avoids seeing her fragments. Sure, he was overwhelmed by regret, but that same regret didn’t stop him from visiting Lavellan repeatedly in the dream. He must be disappointed at Mythal to the core. On the other hand, Lavellan never stopped to reach him.

Now, back to the dagger. Felassan’s notes clearly implied that Solas intended to use it to imprison the gods, but the ritual required additional artifacts.

Creat the Veil

Binding the gods

Take a look at these two murals. The fandom has already thoroughly analyzed details of murals since Trespasser, so I’ll focus only on the artifacts. It seems like the artifact used to create the Veil and the one used to bind the gods might be different. Aren’t they part of the same ritual? I’m confused.

The orb and the square artifact have similar star patterns in their centers. One could argue they’re the same artifact, but I’m not convinced. Also where’s the dagger in all this?

It’s likely a complex ritual involving multiple steps:

Use the dagger to draw the blood of the Evanuris, binding their power to the would-be Veil. (Again it would be an epic story to tell!)

Use the square artifact to weaken them (?)

Use the orb to banish them to the Black City and seal it with the Veil.

Steps 2 and 3 might overlap depending on interpretation.

Another possibility is that the square artifact was only used to seal the Blight (note the black tendrils). If so, it wasn’t part of the actual ritual but placed in the mural’s center to show its importance in containing the Blight along with the gods.

(Also, Solas still has his beautiful long hair in the murals. Did the ritual make him lose it all? Poor thing.)

In conclusion, the ritual likely involved at least two artifacts, though the mural doesn’t give us all the details. The lyrium dagger remains an enigmatic and central piece of the creation of Veil.

After the ritual: "Somehow the Lyrium Dagger was transformed into a Lyrium idol and kept in a Primeval Thaig. The Lyrium idol changed hands several times in the Dragon Age, bringing madness wherever it went."

Dear Solas, you lost the dagger again?! Do you have zero safety protocols for rituals? You’d make a terrible lab researcher. And how on Thedas did this dagger-turned-idol end up in the Deep Roads?

If the dagger (and the orb) had been securely placed beside Solas while he was sleeping, none of this would’ve happened. So, my guess is it got left at the ritual site. Did scavengers or darkspawn stumble across the site—possibly Skyhold—and think, “Wow, what a pretty dagger/idol! Let’s take it home for Christmas decoration!” Lucky for us, they didn’t accidentally rip the Veil while transporting it.

Now, speaking of Solas post-ritual: how did he even make it to a safe place to sleep? I haven’t read The Masked Empire yet, so I’m not sure if Felassan found him and carried him to safety. Or maybe Solas, half-asleep and utterly drained, stumbled into some random ruins. Just imagine him, doing his best to stay awake while searching for a cozy corner.

Anyway, the next chapter in the dagger’s story unfolds in DA II. Hawke and Varric stumbled upon it during their Deep Roads expedition—though by this point, the Lyrium Dagger had been transformed into the Lyrium Idol. It then Meredith into a creepy crystal statue.

The story didn’t end there, though. Comic books published after Dragon Age: Inquisition, along with Dragon Age: Tevinter Nights, shed more light on how Solas eventually reacquired the idol.

Orb of Fen'Harel

I won’t go into great detail about the Orb because DAI is centered around it, and countless theories have already been written on the topic.

I can’t help but be amused at how skilled Solas is at creating artifacts. That definitely outshines June, the so-called god of craft.

Remove Vallaslins

Interestingly, there’s no story behind the Orb’s creation—at least, not one revealed yet. But take a look at the strange ball depicted on the left side of the Remove Vallaslins mural. Its pattern is very similar to the Orb. Was it crafted specifically to remove Vallaslin?

Many lore discussions and fanfics suggest that the Orb is the same one used to create the Veil. On top of that, several discussions have pointed out that the Death of a Titan mural hints at the Orb being made from a Titan’s heart. The same star-like shapes appear in both the Orb and the Titan-related imagery.

But it’s also possible that we’re looking at two different types of Orbs. The round artifact depicted in the Remove Vallaslin mural definitely looks more similar to the original Orb than the other spherical artifacts shown in the Death of a Titan and Create the Veil murals. Could they be separate creations for distinct purposes?

Honestly, Solas, how many magical toys do you have?! Were you just stockpiling artifacts during your spare time?

The Elven artifacts for measuring the Veil

It’s not entirely clear if these artifacts were designed or created by Solas, but they are definitely related to the Veil. Solas himself says, “The wards are helping to strengthen the Veil.” If we take his words at face value, he must at least know a great deal about these artifacts and how they function.

Some theories suggest these artifacts do the opposite—that they actually weaken the Veil—and that Solas lied to manipulate us into helping him tear down the Veil. Personally, I don’t think Solas would outright lie like that (except when it comes to hiding his identity). Instead, he’s more likely to mislead with half-truths.

In Tevinter Nights, there’s a moment that sheds light on this. One of the Veil-related artifacts is described as being installed in a Venatori workshop to fortify the Veil against the pressure of demons. After the artifact is destroyed, the Veil weakens significantly, and demons are able to tear it apart and cross into the physical world. This strongly supports the idea that these artifacts do indeed strengthen the Veil, as Solas claimed.

That said, the Inquisition’s actions in activating these artifacts may not have weakened the Veil, but they did reveal a network pointing to the weakest points in the Veil. Solas, being as cunning as he is, could have used this network to map out where to begin dismantling the Veil.

In future games, I wouldn’t be surprised if some random artifact pops up, and of course, the credit (or blame) goes to the Dread Wolf again.

[blitzwhore]

wait, i don't understand, can u please if u want explain why they scrapped the "Stolitz Montage" song?

Yeah, I can explain! I actually have a lot of thoughts about these songs.

For context, at the beginning of Sinsmas, a song called Day By Day plays in the background while Blitz and Stolas run errands. Originally, a different song (untitled, so Sam Haft—the composer—unofficially called it Stolitz Montage) was going to play during these scenes, but they ended up scrapping it. I mentioned in the tags of a different post that I understood why they'd made this decision.

If you don't want to keep reading, my TL;DR is that I believe the tone and mood of Stolitz Montage doesn't fit Stolas' emotional journey in Sinsmas as well as Day By Day does.

If you do want to read my full personal analysis, keep reading below the cut!

-

(Note: I'm going to focus on the songs' lyrics, because I'm not knowledgeable enough about music to analyse the musical aspect of the songs. If anyone else wants to add their thoughts in that regard, be my guest!)

Let's start by taking a look at the lyrics of the scrapped song, Stolitz Montage:

So you're having a bad time

You're stressing and everything all seems much so

You've been having a sad time

And your family probably hates your fucking guts so

The song starts by describing Stolas' situation and emotional state in the days following the trial: he is sad and overwhelmed, everything feels like "too much", and his family probably hates him.

It's pretty clear from the get-go that they wanted a song for this montage that conveyed Stolas' struggle to adapt to life as a commoner, away from everything he's known, and having gone cold turkey on his depression meds (the lack of which is emphasised visually throughout the song).

The song is also in second person: Stolas isn't him, or me, he's you. This is something both songs have in common. It keeps the song at a slight emotional distance from Stolas. Whereas a first-person song would make the feelings too personal—would make Stolas too aware of his own struggle—and a third-person song wound be too distant, the second person allows Stolas to be only passively aware of his emotional state. He's not the one singing; he's the one being sung about. What he's feeling is being pointed out to him by an external, seemingly omniscient voice.

The song continues:

Ooooh-oh oooh ooh

I know you feel it too

You lost your way

And just can't fake it for another day

It's hard to take it

Just pretend you're gonna be okay

Here is where I think the tone of the song starts to deviate from what they wanted to convey in this montage.

At first glance, this is a continuation of the previous verses, and mostly expands on Stolas' emotional state: "it's hard to take it"; "you lost your way".

The key difference is that the lyrical voice now plays an actual role in that emotional state.

First, it states that it shares Stolas' feelings ("I know you feel it too"—implying that Stolas isn't the only one who feels this way). Thus, the lyrical voice starts shifting into an active character within the scene. And not any kind of character—one that can relate to Stolas and, more importantly, one that can offer some comfort.

Then, there's the line "just pretend you're gonna be okay". Now, I see two possible interpretations for this line. It can either be a piece of advice for Stolas (hey, I know it's hard, but just pretend), or another description of his struggle, a continuation of the previous line: "(it's hard to) just pretend you're gonna be okay". Personally, I lean slightly towards the former interpretation, especially because the lyrical voice's intention to offer comfort and advice becomes clearer in the next line of the song:

You're not okay and that's okay

This is where the focus of the song shifts fully towards a hopeful, even optimistic view of Stolas' situation.

Now, I get where they were going with this. "It's okay to not be okay" is a very powerful thing to say to someone who's struggling with mental illness and hard life circumstances, and it's one Stolas badly needs to hear.

In fact, it is a message that is conveyed to Stolas multiple times throughout the episode. By Blitz. Not through words, of course—but through actions. In the montage itself, as well as throughout the rest of the episode, Blitz constantly stands by Stolas' side, offers him company and comfort, meets him where he's at emotionally, doesn't pressure him to be okay, and (especially at the end in their apartment) gives room for Stolas' sadness and grief to exist. He hugs Stolas, puts his hands on Stolas' arms, and opens up emotionally about his own sister, and those are all ways of showing Stolas that it's okay that Stolas isn't okay.

But here's the thing. The knowledge that it's okay to not be okay is Blitz's, not Stolas'. That is Blitz's emotional state, not Stolas'. Stolas doesn't know it's okay to not be okay, and even though Blitz keeps conveying this message to him, he's not able to hear it just yet. Not this early in his descent to rock bottom.

In fact, learning that it's okay to not be okay is a journey that Stolas only begins at the end of the episode. By then, Stolas still isn't okay, but he begins to come to terms with the fact that that's alright. And he does this by allowing Blitz to sit in silence with him, to dance with him, to pry a laugh from him, to hold him without any expectations of being held back. The final scene of the episode is all about them both being okay even though Stolas isn't. We see this in the fact that Stolas lets himself stay in Blitz's arms, going as far as closing his eyes. He's there. He's finally in the moment. He's finally allowing the "not okay" feelings in his body to just be.

The Stolitz Montage song ends with:

You put one foot in front of the other

Then you take it day by day

Knowing you got nothing

You still got each other

Ooooh-oh oooh ooh

Again, most of these lines do match Stolas' emotional state. In fact, the notion of just living life one day at a time, just focusing on putting one foot in front of the other, is very representative of what a depressive episode can and does feel like.

But, in the very last line, the song shifts right back to a reassuring tone: "you still got each other".

Now, not only does the hopeful, optimistic sentiment of this line belong—once again—to Blitz's emotional state, it also goes directly against what the emotional arc of the episode aims to achieve.

Sinsmas isn't about them having each other—Sinsmas is about Stolas having Blitz.

It takes him all episode to realise this, too. At the beginning, when the montage takes place, Stolas is just going through the motions. As stated above, he's just focusing on putting one foot in front of the other—he's fully on survival mode. During the fight with Andrealphus, Stolas is shocked that Blitz came to save him, that he risked his life. That is the moment Stolas begins to truly comprehend that he can lean on Blitz. And then, after they get home, he slowly continues to learn it, as explained above. By the end of the episode, he's only just starting to allow himself to lean emotionally on Blitz.

And significantly, Blitz doesn't lean on Stolas. Because he's at a very different part of his own character arc, and he already had his opportunity to lean emotionally on those around him with Millie in Ghostfuckers, and to a lesser extent, with all his employees during their mission on Sinsmas.

Blitz has gone through enough pain, character growth, and healing to both understand exactly where Stolas is at, and be able to meet him there and be a rock for Stolas to lean on.

So the reason that line—that last line, positioned strategically to drive home its message that it's all gonna be okay—doesn't work for the montage is twofold. Firstly, because Stolas isn't ready to see that he has Blitz. Secondly, because it is now Blitz's turn to give comfort without needing to receive it in exchange.

And, if we take a look at the whole song, the reason it doesn't work for the scene is because it doesn't meet Stolas where he's at. The song says, "yes, you're sad, but—" and shifts to optimism. It doesn't fully allow Stolas to simply not be okay. To not be there yet. It doesn't fully allow his depression to just suck. The feelings of sadness and overwhelmingness are shadowed by a positivity and hope that belong to Blitz, and not Stolas.

Let's now take a look at Day By Day, and at which ideas from the original song were kept, which ones were changed, how, and why it works:

Ooh-ooh-ooh-ooh-ooh-ooh

You take it day by day

You got everything that you had thought you wanted

But you still feel so blue

And you don't know what to do

Right off the bat, the lyrics are very similar in tone to the ones at the beginning of Stolitz Montage. Once again, a lyrical voice in the second person describes Stolas' emotional state: he's blue (sad), he's taking it day by day.

But there's already a change. "You have everything you thought you wanted, but you still feel so blue".

The fact that Stolas had always wanted a life with Blitz is something the previous song doesn't touch on whatsoever. And it matters, because "what Stolas thought he wanted" is a central part of his arc in the episode. It comes back during his breakdown at the office: "and I did it for what?! These stupid, foolish fantasies?" And it comes back again when Blitz saves him from Andrealphus, and when Blitz dances with him and their eyes meet afterwards.

As stated above, this is the episode where it dawns on Stolas that he has Blitz. But he isn't there yet at the beginning of the episode, and so he still believes what he and Blitz had was just a fantasy of his. And because he's never had anything with Blitz that wasn't a fantasy, because fantasy is all he knows, he doesn't immediately know what to do with the real thing. With the domesticity, and the errands. He doesn't recognise the signs Blitz is sending his way that he's got Blitz to lean on.

These two lines are also important because they bring forth another aspect of depression that the previous song doesn't: that love doesn't cure depression, or make it magically go away. That going cold turkey on your meds and having a massive depressive episode is going to suck no matter how many good things you have in this life, because depression is a biological process, not a state of mind. Depression takes away your ability to find joy in things that used to bring you it. It takes away your feelings, your energy, your strength.

Notice that Stolas doesn't seem apathetic or hollow inside on the night of the trial and the morning after. Yes, he's had his title and power stripped, he's been physically assaulted in the street, and yes, he's worried about Octavia. Obviously, he shows signs of being dissociated, and he's exhausted. But, emotionally, he's still hanging on. He still thanks Blitz for everything, and he talks to Blitz in the morning, and smiles when Blitz offers to get him rats. Before the effects of going cold turkey on his meds start to kick in, he's grateful to be around Blitz.

It's during the montage, as the days go by, that he starts feeling blue. Because depression is very quickly taking away the joy he found in Blitz's company.

And that's why, even in the first few lines, this song conveys Stolas' state of mind so much better than the previous one. Because while the message in Stolitz Montage was "yes, you're sad, but—", the message in Day By Day is "yes, you should be happy, but."

It lets the sad win over the happy. It lets depression take Stolas down with it, it lets him feel helpless and lost. "You still feel so blue, and you don't know what to do."

The song continues:

You're sitting at the end of the rainbow, but the pain grows

And you can't help let the strain show

'Cause what else are you to do?

These lines emphasise the ideas presented in the previous ones: that Stolas should be happy, but he isn't. That the pain that has planted itself in Stolas is growing. So much so that he can't help but let it show.

Stolas' helplessness, his slow descent into misery, are given the room to exist. Everything around him seems fine, but he's not fine. And he's not told that it's okay to not be fine. Because this is Stolas' emotional state we're exploring, and for him, it's not okay to not be fine right now. He's too busy going through the motions to grant himself that kind of mercy.

The song finishes:

Keep it calm, life goes on, and on, and on

Nothing's wrong, nothing's wrong

So why do I still feel this way?

Ooh, ooh-ooh, ooh, ooh-ooh

You take it day by day

And, much like in the previous song, we get a small hint of what could be interpreted either as advice/reassurance from the lyrical voice, or as Stolas actively telling himself to pretend to be okay. "keep it calm, life goes on, nothing's wrong". In this case, though, I lean towards the latter interpretation for a very simple reason: the next line shifts to first person. "So why do I still feel this way?"

And that's the thing: once again, the hope and calm he's trying to make himself feel are immediately overpowered by his feelings of sadness. Once again, it's the sadness that wins over, and not the happiness. His depression is given room to drag him down, take him slowly towards rock bottom.

And once again, the last line—at least the last one before the chorus is repeated—is used to drive home the message of the song. But this time, the message is that, despite it all, despite having what he wanted, despite sitting at the end of the rainbow, despite trying to convince himself he's okay, he still feels sad. Because that's what depression does. No matter how many good things you have in your life, it drags you down.

And that message, in that last line, is delivered in the form of a question. "Why do I still feel this way?" This matters for two reasons. The first one is that it shows that Stolas isn't (fully) aware of what's happening to him. He obviously knows he needs his meds, he knows he should be taking them. We see him reach out for them. But he is also living his emotions, and not just experiencing them from the outside. And as the emotions take over, he loses perspective of where they come from, too caught up in how they're drowning him.

The second reason this matters is because the song and the lyrical voice don't offer Stolas answers.

In Stolitz Montage, Stolas gets an answer to his struggle: that, ultimately, [Blitz and Stolas] still got each other.

But in Day By Day, all Stolas gets are questions. What else are you to do? Why do I still feel this way?

Day By Day meets Stolas where he's at during the days leading up to Sinsmas after the trial. It allows for these questions to exist without an answer; it lets the answers come later in the episode. It lets his journey through the episode play out, allowing him to learn that he has Blitz, that he needs his meds, and that he has to be okay with the fact that things are not okay.

By the end of the episode, he can acknowledge that he made his choices and has to deal with the consequences. He starts to understand Blitz is by his side, willing to help him through this. That his relationship with Blitz might not feel like he thought it would, because he's too mentally ill and heart-broken to be there—but that they still have each other, they still love each other, and they'll be okay.

But during the montage, he's not there yet, and it wouldn't make sense for the song to be there, either.

So, yes, as cute and optimistic as Stolitz Montage is, and as glad as I am they released it anyways for us to enjoy, I believe the writers made the right decision by scrapping it for the episode.

If you read this far, thank you for your time! Please treat yourself to a glass of water for me, and feel free to share your thoughts ❤️

[bl-bracket]

Introducing the Next BL Bracket: Deserved Better!!!

There are many characters in BLs with many different fates. The question is: do they deserve them? It is time to determine which BL character most deserves a better lot in life compared to what they were given.

There are multiple ways you can interpret this prompt, and all are valid. Any character who has had to go through things that they don't deserve is able to be in the bracket! Whether that's the continual horrors they experience in the course of the show, a traumatic backstory, or a depressing ending. Any character you feel like has gone through things they did not deserve and deserve something better fits!

Another way to think of it is: to what extent could this character use a "fix-it fic"

Rules are as they always are, feel free to check the pinned post and the form if you are unsure. Also Kurosawa from Cherry Magic cannot be submitted since he just won twice in a row and thus is in a cooldown period.

Submissions Close: January 24th @ 7 PM GMT

Submit Here!!!

@tournament-announcer

[oleandequill]

You know, it drives me crazy to know that technically there’s two (at least in terms of prominence cause I think there’s also a TFA one though it doesn’t seem as talked about) canonical Shattered Glass continuities: the one made by FunPub and the IDW reboot.

Cause the thing is, those two comics have vastly different Megatrons and Optimus Primes.

Like we have FunPub Megatron who is a mathematician and Optronix who was a librarian that backstabbed his way to the top.

Then we have the IDW versions where Megatron is a miner/civil activist who keeps getting tossed into jail and Orion Pax who is a senator in this version.

And what fascinates me is that in the FunPub version, Optimus actually lives (though he becomes Nova Prime). Meanwhile, in the IDW version, I think he dies (?) or well his fate is much worse in comparison to FunPub!OP.

Also what’s up with both Megatrons having a fakeout death? FunPub!Megatron does get killed by Cyclonus but he comes back as Galvatron. Meanwhile IDW!Megatron gets defeated by OP and is momentarily thought to be dead (he just went into self-exile).

There’s not actually a lot of difference between the two OPs (cause honestly they both seem insane), though I guess one could interpret FunPub!OP as much more depressing cause the only reason he’s evil is cause he saw life as meaningless unless history remembers you and when he becomes Nova Prime, he’s still a little jerk but he’s tamer so I assume that was his original personality. IDW!OP just wants total power and only initially hides behind a nice facade.

The two Megatrons are vastly different though in my opinion. Cause FunPub!Megatron really was just some guy who predicted civil war and was good enough to want to stop it (this Megatron wasn’t affected by the caste system, he just genuinely saw something wrong was happening and chose to do something about it). IDW!Megatron was someone who was affected by the caste system and was trying his best to bring attention to it. FunPub!Megatron is also very nice (like not overly nice but he’s genuinely such a nice guy and this is why he’s my favorite aside from him being a nerd lmao). IDW!Megatron is a bit more jaded (which is fair cause the caste system is horrible and his “friend” is an asshole).

Even the relationship between OP and Megatron are different in both continuities. I’m pretty sure in FunPub these two never interacted before the war, where OP gets pissed that this random mathematician is opposing him. In IDW, OP and Megatron were “friends” with OP even bailing Megatron out of jail, though their “friendship” was already toxic even before the war cause Megatron seemed to really see through OP’s BS.

All this to say, there should really be a crossover between both continuities.

SGFunPub!Megs and SGIDW!OP meeting would be kinda fun and dangerous, especially if they meet each other before the civil war broke out. Megatron wouldn’t know who OP is while OP would see another version of his Megatron who he could possibly trick. Also this has the added bonus of a hilarious scenario where Megatron predicts OP is the cause of the civil war through math and that pisses off OP cause genuinely tf you mean you computed that through math. This one is more dangerous though as OP genuinely wants power and will not be swayed by whatever Megatron says.

SGIDW!Megs and SGFunPub!OP might honestly end up the happier version ngl. Cause OP clearly has an existential crisis that Megatron can probably fix by convincing him that OP can still be remembered in history by doing the right thing… such as being a civil rights activist. Like… I’m just saying maybe FunPub!OP needs therapy (and unlike IDW!OP, he actually gets a canonical redemption arc so he’s not completely lost).

.

.

.

Anyway, will I write this? Maybe (I really shouldn’t though cause I have a series and two writing requests to finish lmao). Because I am officially employed now and thus have a fixed schedule unlike the previous weeks where my schedule was erratic (which is not good for my OCD as I need a fixed schedule or I will be very upset sksksksk) as I had nothing to do but read, play video games, and exist lmao

[vxxcte]

Extremely long rant on 001 & 457:

3.3k words

—

Intro

Yesterday I finished season 2 of Squid Game. I have so much to say about In-ho’s and Gi-hun’s dynamics and writing.

Keep in mind this is my interpretation of these characters and their dynamics. I’m just yapping because I have a lot to say. Maybe this takes on a much more optimistic view than is actually the case, but I fear it makes sense to me.

I have seen two takes about 457 around pretty often:

“They’re in love.” or:

“In-ho feeds off of Gi-hun’s pain because he’s just an evil guy.”

These can both be true in a way, but when no one talks about the little details of the character writing and the relationship between these two guys, it feels like the incredible potential and writing that this duo has is being overlooked.

Note, I will be referring to this Youtube video throughout this post:

Now let’s start with what we know already. It’s pretty evident that In-ho is not totally emotionless like many people are trying to imply or interpret him as.

Here’s why.

—

Hwang In-Ho and The Traitor Archetype

There are two ways in which a character like 001 can be portrayed.

TYPE 1 : The undercover ‘friend’ who is working against the main character can be shown to the audience as the ordinary cast member, and then it will be a plot twist when the protagonist learns with the audience the truth of this character. Usually the demeanor of this undercover ‘ally’ is not shown too obviously because it might take away from the impact of the plot twist later.

TYPE 2 : or You can go down the route that Squid Game did go. We knew Frontman’s face, so it was no use trying to convince us he was a good guy. His personality was not exaggerated like some Type 1 characters can be. Characters like this are not particularly hidden from the audience’s suspicion/accusation because we already know. And in these cases, the writers do not often need to give these characters disguise-personalities. In Squid Game, we as an audience know where to look for the cracks in In-ho’s character, where the ways in which his real identity shows through.

There was that time he killed someone in front of Jung-bae. It would have been out of nowhere for a story where they hadn’t shown his identity before, but we knew exactly what was going on. So let’s look at the instances before it was shown directly to other characters.

Here are the instances where we know for sure that his real self is slipping through.

In-ho more than once asks people questions and engages with them in a manner that might not come across as too strange to them. But to the audience, those who know he is an outsider, and thus know to pay attention to the possible intent behind his every word, it stands out.

In-ho engages with the people who are truly inside the game as specimens to observe. That’s partly why he’s there, after all. For example, take the instance during the Mingle game where he questioned Geum-ja about her son’s character. He doesn’t need to hide his sort of objective, detached curiosity (which extends slightly outside Gi-hun), about these people and how they work, because no one is keeping an eye out for it.

Because of this, I believe he did not need to make any extra efforts to mask his natural personality, beyond the bare necessary minimum.

—

In-ho’s Humor

Another reason I think that him not faking his personality a good amount of the time is his humor. The jokes and the ideas for jokes that one comes up is very telling of their inner processes, their ability to make connections between things and then an insight as to what they themselves think others around them will find funny.

First the joke he made about Gi-hun’s last name, and then about Jun-hee’s child as a sixth member in the Mingle game, both display a sort of consistent sense of dad joke type of humor. It is hard to fake humor that you are not well-versed in, and even harder if you put yourself in an unfamiliar environment with little preparation, purely to observe people.

Considering the fact that In-ho is evidently still in the process of observing these people up close as people rather than players, it would have been difficult to first think of a joke that they would enjoy and then deliver it successfully.

He could have gone without. He characterized himself in the others’ eyes well enough to go without making these jokes. It’s not like he was putting on any false performance for us, the audience (as noted above), and he was only omitting certain information from the other characters. There should be nothing ulterior that motivates him to go further and come up with a new/different sense of humor.

This leads me (personally) to read these interactions as genuine. These were jokes he thought of and spoke aloud, not to fool Gi-hun and the others, but because they naturally came to his mind and he decided to share them.

And villain-type character as he is now, he is still a person.

—

In-ho and his Family

There are other moments we saw from him that were genuine.

There was the information we got from his mother and Jun-ho, how he gave his brother his kidney and how his wife died.

Then In-ho lost his composure when Thanos told him to lecture his own kid. This was not an act—It would have been entirely unnecessary if he wanted everyone to believe he was a nice guy capable of little harm. This was genuine from him, he lost control and it was reasonable and it was real.

So when he told Gi-hun about his wife and unborn child that he is supposedly now in the games for, the things we have seen so far also point to that scene being a genuine interaction from him. His expressions did not hide it either.

And if all of that is not enough, he did not kill his brother. He sent Captain Park to find Jun-ho. In-ho put his brother, who knew exactly who Frontman is now, who now has something to work with, over his whole operation—It wouldn’t be too large a reach to say this.

Hwang In-ho is Not Without Emotion

Now we’ve subverted the whole idea of In-ho being some emotionless monster that some people online want to say he is. He may lack morals but he does not lack personality/emotion.

I didn’t even get into the way he cheered in the 5-minigame rounds or the way the first thing he did when he found Gi-hun in the Games was knowingly shit-talk him to his face, but I already have this much. This is all my evidence for In-ho being very and incredibly human, my case for him having a defined personality, fake player aside.

This is almost all sourced from lines in the show, rather than just visual acting which can be interpreted multiple ways. Thus every bit of the things I talked about is likely intentional.

Justice for my queen In-ho he is a great character and I enjoy him and his writing a LOT.

—

457 Introduction

I like to call 457 toxic yaoi as much as the next guy, but it’s so more than just the visible tension/chemistry between them. It’s more than enmity, it’s more than friendship and it’s more than romance too. Why stick labels on it when it’s so much more complicated?

Although on that note, before I get into the deeper stuff I just want to point out that all this staring at each other’s lips and whatnot was probably not something the actors decided to throw in on their own, considering the ‘I don’t understand it but it’s not unpleasant’ comment about the ship from Lee Byung-hun. So was it scripted for them to be doing allat? Lord knows, we’ll find out in June (fitting).

I am not even getting into how In-ho spoke to Gi-hun without his mask on and let him hear his real voice when Gi-hun won his first set of Games. There is something that has the potential to be very intimate about that.

I am not even getting into the little storytelling bit of how Gi-hun’s stubbornness reminds In-ho of his dead wife, and then how Gi-hun that exact determination at the end.

—

Pre-Games 2024

Let’s start with the limo dialogues, when In-ho told Gi-hun he wished he would’ve led a happy life.

He has no reason to wish Gi-hun ill, especially after Gi-hun won the games and left. In-ho likely saw himself in Gi-hun even back when Gi-hun won, and genuinely did wish him the happy life that In-ho himself did not end up having.

And how many people like Gi-hun has In-ho seen? Ever?

What kind of person does Gi-hun have to be, how notable in In-ho’s eyes does he have to be, for the person that administrates the Games to show himself to the person who wants to end them?

Gi-hun survived the Games without directly causing anyone’s death. In this place that tries to bring out the worst in anyone, even when Gi-hun fucked up in the marble game, he regretted it and turned back. This already sets him apart from anyone else, and especially sets him apart from In-ho, who took the darker road and climbed up the system.

You could say, ‘But other people have regretted their actions in the Games.’ But how many people get 45.6 billion won over 455 people’s deaths, and then come back, not for money, but to prevent further death? And how many people come back and become the Front Man?

Gi-hun went back with all that money to find his mom dead, presumably in a similar way to how In-ho went back with all the money he won but his wife died anyway.

There is a system that crushes people under it, In-ho realizes somewhere down the line, and then there is a way to remove those people. Gi-hun sees it another way: change the system.

—

Friends

Both of these people came into the Games for the sake of their loved ones. One came out of the process corrupt, and one returned determined to root out the corruption.

This year, aside from In-ho, there are 454 other people in this year’s Games that he does not know or necessarily care about. And then there is Gi-hun.

He knows Gi-hun. In-ho is a previous winner, just like Gi-hun, he is returning to the game for Gi-hun just as Gi-hun returned for In-ho. In-ho sees Gi-hun as more worthy of his time than anyone else. And all of this comes dangerously close to seeing Gi-hun as an equal, someone he has attached his narrative to, more than anyone else around.

And I think this opens up the possibility that In-ho could have come to see Gi-hun as a friend in some moments. There were moments in the games where he was a little too enthusiastic about their own wins for someone who does not need to put on a fully fake persona. So surely there could have been moments where In-ho genuinely considered Gi-hun a friend, however short-lived the moments were, however foreign the concept of a friend has become to him.

This could be what In-ho’s ‘conflicted feelings’ about Gi-hun (from the video linked up top) are all about.

—

How In-ho Sees Gi-Hun

Gi-hun refuses to remain powerless. He acts for change, refuses to give himself over to the system like In-ho has. He doesn’t shut up and take the money he’s given. He keeps fighting to end the Games, for other people who are caught in it.

And this does not make sense to In-ho. We don’t know enough about him. Maybe he tried this exact same thing that Gi-hun is trying. Or maybe he never did, and became who he is without putting up a proper fight.

This is someone who, so far, has remained unbending in his goal for change. This is someone who, in a facility designed to make people prioritize their own survival, gave a man he barely knew for 3 days a magazine, while he himself was getting shot at, while ammo was short.

In-ho lies to Gi-hun about his name, but he tells him about his wife. He bares an old part of his soul to him, the part of it that lingers from back when he was like Gi-hun. He has seen immeasurable death and has caused it, but there was a time he might have wanted to stop it too, and now there is someone like that again.

In-ho bared a part of himself to the person who came here to take him down because he saw his old self in him. And in turn that person did something In-ho never would’ve done at this point in time—Gi-hun extended this seemingly-pointless goodness to him too.

I like to think In-ho was so interested in Gi-hun because he wanted to see how he himself might've become, had he only taken a different view of life.

In-ho might deep down be expecting him to fail, yes, but he roots for him, roots for a version of himself that never made it. He’s curious. Lee Byung-hun has said In-ho is conflicted about his feelings towards Gi-hun, and secretly might even root for him (see the link at the bottom of this post).

In-ho stares at Gi-hun so intently to try and understand him as best he can. He wants to know what’s going on in Gi-hun’s head, the changes someone undergoes in short periods of time in enclosed death game facilities, a new experiment in the head of someone who is returning a second time. How will Gi-hun hold up? He wants to see his future.

—

The Breaking of Gi-hun’s Resolve (or the Changing)

Gi-hun loses the plot.

He couldn’t save everyone at first like he intended, he couldn’t get out fast because they got his tracker, and his resolve weakens, and he deems it necessary to sacrifice some people for the greater good.

When Gi-hun realizes he can’t save everyone, when he trades in an unnumbered amount of people for a shot to end the whole system, and he gives in.

Maybe In-ho sees himself in that weakening of Gi-hun’s resolve. It’s possible he doesn’t like it because he genuinely wanted Gi-hun to remain unwavering, as Lee Byung-hun said In-ho rooted for him. Or maybe In-ho does like it, because he’s satisfied for the confirmation that his view was right, that his path was inevitable all along.

This could be another point of conflict for In-ho’s feelings towards Gi-hun. Maybe that’s why he decided to fake the death of Young-il right then and put a stop to that operation: Of course, it’s partly because he’s Frontman and he can’t let the Games end. But on another hand, the coup was failing anyway, even without his betrayal and return as Frontman.

This then brings to light the possibility that he decided that, because Gi-hun gave in, In-ho decided he’s seen enough from by Gi-hun’s side. It confirmed something for him, confirmed that Gi-hun’s failure was inevitable because of human nature. And that was enough observing from up-close.

But then that confirmation, Gi-hun’s reluctant admission to the need of collateral, is thrown into question again, only a couple of hours later, when In-ho meets up with Gi-hun and Jung-bae. Gi-hun gives In-ho a magazine when ammo is short, and even when In-ho asks him, “Are you sure?” Gi-hun insists.

Sure, Gi-hun traded all those lives for this opportunity, but he is willing to risk lessening his own chance for survival for the sake of his friends, too.

—

“Are you sure?”

Then there is the question: Why did In-ho ask Gi-hun if he was sure about giving him the magazine?

Why would he provide the opportunity to think again on this? It wouldn’t benefit him at all if Gi-hun were to take the magazine back—Not that Gi-hun would. Gi-hun doesn’t say things he doesn’t mean, especially not in situations like this, and this even In-ho should know.

It could be a final test of Gi-hun’s character. Or it could be that this is one of those moments where In-ho genuinely saw Gi-hun as a friend.

Lee Byung-hun has said (from the video) that In-ho’s character was a very nuanced and detailed one that he had to be very careful portraying. That look on In-ho’s face when Gi-hun gave him that magazine was not any error on the actor’s end. It did mean something to In-ho, whatever it may have meant.

—

Jung-bae, Gi-hun, In-ho, and soju

I’m gonna get into the technicalities of exactly what In-ho’s motivations were in taking this specific bit of Gi-hun’s and Jung-bae’s conversation and using it with Gi-hun later.

I don’t entirely disagree when others call it jealousy, but it feels unfitting to arrive at that conclusion with no further thought. So here’s how I see it.

When Gi-hun and Jung-bae were talking about going out for soju, In-ho was eavesdropping. Then later, In-ho tells Gi-hun later to go out for soju together someday.

If In-ho really intended the unfulfilment of the shared plan between Gi-hun and himself to devastate, this was not an ideal or necessary move, and I’m sure he knows that. And I’ve covered earlier, to my interpretation he does not bother to act like someone he is not unnecessarily.

It would’ve been smarter if he had his own conversation about future plans with Gi-hun, instead of leeching off the soju date idea that Gi-hun already planned with Jung-bae.

In-ho probably did plan on killing Jung-bae at that point, be it eventually or through the later Games, because he does not really care about anyone besides Gi-hun enough to spare them. And maybe he intended to use Jung-bae’s, and Young-il, death as another test of Gi-hun’s character.

But In-ho/Young-il’s ‘death,’ objectively and inevitably, means less to Gi-hun than the death of his best friend. This is not to say that Gi-hun subconsciously measures the weights or grief values of these deaths, obviously. It is just to say that he has known In-ho for only a couple days and it is bound to impact him less, just like how Ali’s death did not hit him quite as hard as Sang-woo’s did.

(Admittedly, season 1 did have a lot less focus on character relationships than season 2 does, but it wasn’t so little that a lot would’ve changed in Gi-hun’s reactions either way).

This, combined with the order and intensity of events in the last episode, most likely means that Jung-bae’s death overshadows In-ho’s ‘death’ in Gi-Hun’s mind.

And this would be obvious. So what purpose does ‘You can treat me with a glass of soju when we get out’ even serve? It’s not going to affect Gi-hun in the long run as much as Jung-bae would.

Gi-hun had a much-needed conversation with his good friend and their plan to get soju was borne of reminiscence of their shared past and desire to make it out. But when In-ho brought it up, it was done in an offhand manner in a two-sentence exchange. This is impossible to happen anyway and In-ho knows it.

If he wanted Gi-hun’s full investment in a plan to go out together, maybe for the purpose of hurting/testing him with it, surely he would’ve done something more than this. He knew it wouldn’t stick as well. So then why did he say it? What purpose would this actually serve?

If, even after all this, In-ho he thought that this soju appointment would affect Gi-hun as much as Jung-bae’s might have, then I might say jealousy nurses delusion.

Or maybe it was something genuine. Maybe that moment, when Gi-hun thanked him for saving his life and In-ho said ‘You can get me a glass of soju when we get out,’ maybe that was another one of those short-lived moments in which In-ho did see Gi-hun as something like a friend.

—

Conclusion

Because of the fact that he is more genuine than one might originally guess (according to my interpretation), I would like to say that he did consider Gi-hun a friend sometimes.

And their dynamic is just so fascinating to me. Likely the first I’ve ever seen of this kind.

They’re in love, they hate each other, they’re friends, they’re opposites.

They’re the first person the other looks for upon separation, they’re trying to put a stop to the other’s plans, they’re good friends.

They’re representations of the roads the other didn’t take, they’re mirrors, they lean into each other more than necessary even when cuffed together, In-ho finds the pieces of humanity he lost in Gi-hun, they’re foils, they were friends.

I won’t be recovering for a while.

[ghost-bison]

a christopher eccleston appreciation post

i will never say this enough because i don't know enough words, nor do i think such words exist, that could even begin to summarize how much i love christopher eccleston, but... i love christopher eccleston. and, more importantly, i have a deep-rooted respect for that man.

i started doctor who as, let's be honest, a sci-fi hater, forcing myself because i was obsessed with david tennant, and i was kind of dreading the first series because of this. but i was dead wrong.

he broadened my mind, gave me so many laughs, and so many cries, and i'm not the first to say that whenever eccleston is on the screen you just can't take your eyes off him, even when he's not supposed to be the main focus of the scene.

the way he can switch from silly goose to traumatized soldier in a matter of seconds will never cease to amaze me. or how he can play with both like he's on a swing by balancing it out with sarcasm?

i think whoever doesn't give him the title role in their shows/films is either an idiot, or they know the main character just isn't always the best.

i think it's downright idiotic and shameful that he gets rejected from ever playing some shakespeare just because of his northern accent (they're just posh elitist pos). now that he's older, and that times are evolving (i mean, i hope the world of theater is vibing with this evolution, but i'm not delusional), i hope we get to see him portray a character like leontes in winter's tale cause i know he'd be absolutely perfect for the role, and who better than shakespeare (this character especially, with his nuances and highs and lows and breakdowns and breakthroughs) to match acting like his?

saw an article where eccleston talked about how the moment he really knew he wanted to be an actor was when he had to wear mascara for a play, and had enjoyed it. i think he talks about it in his autobiography too (you should read it, btw, it's frankly affordable, and he happens to be a marvelous writer as well).

eccleston knows he is mistakenly type-cast, because of his background, as macho men and tough blokes in general. he's aware that it's kind of a big part of his culture. again, he talks about it i think in the very first chapter, how for instance he used to dress up as james bond, the pinnacle of "masculinity", which i think was a disguise in the metaphorical sense of the term, to mask his delicacy and femininity (or at least, that's my interpretation of it).

in his biography, eccleston talks about the differences between him and his dad, ronnie: he was surprised, as a child, whenever his father's affection manifested as a kiss or a hug, cause that usually wasn't his father's way of doing things. he compares it to how he, in contrast, has the habit of kissing his own son, albert, and telling him he loves him.

you can find it as well in how he talks about his anorexia, his body dysmorphia and, i think we can call it that, gender dysphoria. he's from a time when those concepts didn't even exist, they weren't a thing to the public eye. my father and my step-father, both feminine men in their own way, and both around eccleston's age, both told me about the struggle that it represented, not being the stereotype of the macho tough guy, and being surrounded by boys who didn't struggle with that issue. it made my dad a junkie, my stepdad a depressive artist, and, apparently, it made eccleston an anorexic actor.

i think it takes a lot of courage for people that age (the boomer generation as we call them), especially men, from whom we expect toxic masculinity, masculinity pushed to an extreme, to be able to openly call it out and dissect it into what it is: a ridiculous standard. but to be a PUBLIC FIGURE, in his 60s, and still find the strength to express it? damn. takes guts, i think.

most of us on this website, we're babies. most of us are at most in their thirties. the millenials and the gen z, and now the gen alpha, we take that for granted. or get offended and scandalized that being able to express oneself isn't yet a basic standard.

but then, i talk to my mum, and i realize that she had to stray from her catholic, sexist education, she had to make up her own mind about things in order for me to be born a free spirit. and that's just considering my mum's a cishet.

christopher eccleston expressed in other words that he doesn't fully consider himself to be cisgendered. i have mad respect for the way he talks about it, and for even talking about it at all.

then, there's his honesty. the more interviews i watch, the more it impresses me. he knows honesty goes hand in hand with dignity. i'm sorry but i'm tired of people who are nice all the time. you never know when they're being honest, and maybe some of them are, who knows. but i'm not stupid enough to think that so many people are just pure sunshine all the time (respect for tennant for lashing out publically about transphobia, i think he passed the test).

eccleston? he knows how to be both brutally honest and yet respectful at the same time. no ukulele apology from this man and holy fuck, it feels good!

i've seen him call russel t davies out for his lack of professionalism on the set of doctor who, and then list him amongst the great writers he's worked with. which makes me want to believe eccleston's side, because, if you're always either too polite, or too full of spite about eveything, who's to say you're not the problem? i've got way less trouble believing you if you can stay unbiased about a person you're having beef with than if suddenly everything said person does turns into shit just cause you don't like them. that's just maturity and wisdom.

one last thing i love about eccleston is that he is interested in other people's lives. there's a critic by marcus berkmann in his book that perfectly expresses my point: "you know what to expect from the autobiographies of most actors, i think: anecdotes, charm, more than mild self-satisfaction and faux-modesty by the bucketload. but christopher eccleston is not most actors".

and that's it. watch him in interviews and at convention panels, where he lets his younger co-stars speak before himself, and seizes the occasion when journalists ask him questions that are meant to make him talk about himself to praise his writers and other actors instead.

read his autobiography, which is both a love letter to his dad and a big let's-be-honest about the struggles of growing up poor and his personal struggles, because he thinks raising awareness is just as important as protecting himself.

look at his instagram posts where he unabashedly disses the monarchy and stays true and loyal to his background even after getting a taste of money. and his other posts where he shares his love for acorns and spending time with his kids.

i've seen him nearly break down in shame and regret on television for having stolen a kid's crisps in primary school. and not trying to find lame excuses for his behaviour. no ukulele apology, just facts, just christopher eccleston showing us what masculinity in its purest, most beautiful form should be about

[the-air-itself-rent-asunder]

here is another depiction of solas' ritual (joplin version), from a couple pages before the previous one. in this one, we've got the blight cube at the centre rather than an artefact, an eluvian at the back, and solas stabbing one of the evanuris rather than the floor.

another notable place the artefacts appear in the joplin section is as batteries collecting energy from people dying in battle for solas to use as fuel for his ritual.

honestly, my immediate interpretation was that the joplin ritual took place in the black city. the only thing i can justify it with is that it just seems more practical than dragging around all seven (unconscious?) bodies plus the blight cube, finding a room perfectly constructed for this exact situation with seven raised beds around a central platform, and surely if the location is important to the ritual then the alternatives are skyhold or the black city.

there's art of ghilan'nain unlocking an eluvian called 'the black eluvian' which, and this is a lot of interpretation, but surely the black eluvian leads to the black city, and why would ghilan'nain want to go back there? well, for the blight cube, right?

looking at the pics in this post extra closely and um.... guys

this is joplin's version solas's ritual. first i thought oh how fun! the artifacts from inquisition were going to be relevant, heres a big one! and then i went. wait.

those headpieces look... familiar....

and then i counted the bodies around the table.

its 7, of course.

as he looks on in horror as the ritual goes wrong and it looks like... the blight interferes in some way? or just their spirits get released because rook interrupts?

so while ghilly and elgar'nan were always going to get released by solas's ritual, this literally shows solas using the evanuris bodies for the ritual. you can even see how the first is the most decayed and completely skeletal, while the 6th and 7th, edgar and ghilly, still have flesh.

so there was originally going to be some sort of explanation of what happened to the evanuris's bodies, and solas i guess was dragging them around to do blood magic on them. amazing. this is so much better than falling statues.

[will80sbyers]

hi!!💖 i am a mileven but im not here to attack. actually i have a question... why does it seem surreal to you that will can’t fall in love with anyone other than mike? i mean, the same could be for el or mike, but why do you think that will in his life can only love him? do you think thats impossible for him meet someone and learn to know them over time and fall in love with them?

well, if byler is endgame i’ll be happy anyway, cause it means that el deserves better and i accept that, but you can’t accept will going on?

i just want to understand :(

Hi, if you're truly curious the point is that it's not about what I want or don't want to accept... The point is that Stranger Things is a TV show

the TV show is being written by writers that have created storylines and put visual hints on the screen for people to interpret, what they have written into the show is in my opinion pointing towards Mike and Will being written as a slow burn love story rather than just an "unrequited love" storyline

The way they have written Will's love for Mike is as true love is written, and you can't dismiss it in a story, especially not in the last season at the last second by giving him a random boyfriend that hasn't had any real care put into their character either because it would be someone that appears for what 5 minutes? If they wanted to give him a boyfriend other than Mike they should have written him in season 4 and slowly built it up from there, but they didn't 🤷

What the people that want Will to have a last minute boyfriend or that want Will to just "get over Mike" are saying is that they are okay with bad writing for Will's storyline (because they simply don't care about Will!)

On the opposite side instead we have El with a character arc where her leaving Mike fits perfectly, so her story (hopefully they don't actually kill her like people are telling me) would be still good even if she wasn't in a relationship with Mike, actually it would be better because she would be a PROTAGONIST woman that doesn't need to end the story by being coupled up! For El, Byler would be equally positive... Instead how they have written Will's love for Mike makes it so that Will "moving on" is just not credible!

If you're interested in reading more about my reasons to ship them (outside of me finding them adorable obviously)

Have a nice day, I hope this was helpful to understand where we're coming from! 🫶

[bluiela]

Canon Facts without any biased interpretation:

SJM wrote an unnecessary and extra scene where "Night Court black" sucked the life out of Elain.

Azriel was insecure about his hand around Elain.

Elain rejected Azriel.

Azriel DIDN'T yearn or even positively thought about the almost kiss, he can easily not think about Elain and regretted the kiss.

It is only Gwyn and Az for whom the shadows dance.

Azriel unconsciously smiled thinking about Gwyn's bright eyes and smile.

Azriel buried Gwyn's image deep in his chest.

Azriel thought of Gwyn as a thing of secret, lovely beauty.

Gwyn amuses Azriel.

Gwyn surprises Azriel and gets him to admit something about him.

Gwyn made Azriel smirk, smile, laugh, snort and surprise him just after he went through an emotional turmoil.

SJM highlights extra and unnecessary gwynriel interactions in a book where a lot of scenes were cut but not them.

The only time Azriel felt calm and settled was when he was bantering with Gwyn.

Azriel did not plan for Elain any further than sexual Fantasies.

Lucien even though it hurts him chooses to ALWAYS put Elain first.

Lucien has ALWAYS RESPECTED Elain's wishes and boundaries.

It is ONLY Lucien who acknowledge and appreciated Elain for killing the King.

Azriel went from Mor to Elain in a single chapter and matter of 15 mins.

There is massive build up for Gwyn with her past, powers and growth.

Gwyn dismissed Az; he chose to stay.

Az tried to make Gwyn smile when he sensed she became sad.

[evilrwbyfan]

does anyone else think vizzy was supposed to be the other canon ship of murder drones?

lizzy is implied to be sapphic whether it was intentional or not as well, she has called V hot twice and they are obviously very close. basically any and all of lizzys on screen moments include v in some way and if they dont it was BEFORE they met, not to mention lizzy was the only one who knew v was still alive and that v made sure to keep in contact with. interesting that out of everyone v knows, she contacted lizzy first after surviving

also the very obvious fact that v has a soft spot for lizzy, when lizzy calls her a diva she doesnt get defensive like she probably would if it was uzi or someone else she just smiles and playfully scoffs to herself. also the fact v has gone out of her way to keep lizzy alive, even if she acted like it wasnt for her sake (while it would be a normal thing to keep someone alive, for these drones its not. they are very desenitized to death and they kill drones REGULARLY, there would be no reason to worry about lizzys safety unless she was attached)

lizzy was also very quick to "betray" doll, who was supposedly her best friend before v, which makes me wonder what exactly they got up to in the time that lizzy was befriending v for the plan at prom? we know they obviously got close and lizzy actually felt bad for v, which isnt something that is common for the drones. when lizzy and her friends were literally being hunted by uzi, she still took the time to be judgemental and joke and she didnt even care that her friend group were all murdered... but she was concerned enough about v to try to save her from doll, i think they developed feelings for each other very early on and its sort of like a nuzi situation where they started dating off screen but instead of getting confirmation like nuzi did its kind of up to interpretation

another thing to add to them worrying about one another, both lizzy and v are very chill and laidback whenever someone dies on screen, regardless if they know them or not. when v killed someone, lizzy immediately searched through them to steal their belongings and then continued on casually, she definitely knew that drone considering it was her classmate... its incredibly obvious that they mean something to each other and that it goes deeper than the same friendships they have with others, otherwise they wouldnt try so hard to keep each other alive. Also to note, they are physically affectionate with each other to a degree which we do not see either v or lizzy being like that with anyone else ESPECIALLY v

we also know for sure that they hangout all the time off screen and that lizzy has sort of migrated her way into the friendgroup of v, uzi, and n Just for v. that is not something lizzy wouldve done if not for v, she clearly means a lot to her and she wants to spend time with her even if both of them have a hard time being honest like that

i can imagine after the events of the series, lizzy and v live together even if they arent romantically involved. they make me feel very deeply, when i see them or think about them i get a very specific feeling in my chest i cant describe but they mean a lot to me and i would love a spinoff episode/series about what these two get up to together