#this became long lol sorry

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[lesbiandarvey]

SUITS -> 3x16 “No Way Out”

[simmonsized]

A Day in the Life of Private Michael J Caboose, Post-Restoration.

It's three days late, but this is my comic for #makeaterriblecomicday. I became possessed by the idea, and could not stop until it was complete. I haven't drawn rvb in a really long time, but I had a lot of fun!

[cuubism]

actor hob, and pretentious asshole film director dream

[ this got so long and so weird and specific i'm so sorry ]

so hob is an everyman actor. a good actor, charismatic, funny, fan favorite, but not the type that gets cast in highbrow art films. mostly he does like romcoms, mid-budget action movies, feel-good family films, etc etc. and he's totally cool with that, he's good at what he does, and people enjoy those films, anyway. he might be getting a bit bored though, a bit stagnant. might be thinking it's time for some reinvention. and there might be a certain director whose ridiculous and nonsensical but dreamy films he's particularly enamored with...

dream makes REALLY pretentious art films. the types that get studied in graduate level film classes and have fifty different academic papers with fifty different theses trying to puzzle them out. dream is a master of themes and images and subtle construction. he is also a COMPLETE asshole and impossible to work with, an auteur in the most stereotypical way possible, he writes and directs, he micromanages all his projects, he asserts his vision and god help anyone who goes against it. nobody can handle him, nobody can STAND him, and the only reason he still gets funding for these projects is because they win awards, so many awards, and the studios want to ride on the coattails of those awards. but it's getting to the point where even his most ride-or-die producers are ready to give up.

right off the back of dream's most recent bafta, a rather naive Big Exec approaches him to direct the next installment of his Big Superhero Franchise. dream is immediately like fuck off with that bullshit but the exec pleads with him that the franchise is flagging and they really need something new to spice it up. plus the pay will be enough for dream to finance like 10 of his own ridiculous art films without having to rely on producers for money. and dream really is about to get cut off for being a complete insufferable asshole so he takes the gig. it kind of feels like prison though.

anyway, he gets to work trying to make this shitty boring film at least marginally less shitty and boring. he doesn't have a lot of leeway -- a lot of the story is locked in, half the cast is set from prior installments etc. dream immediately regrets taking this job, he'd rather die in actual prison than work on this mindnumbing piece of trash. it feels like it's taking an eternity and who could possibly stand an eternity of this???

well. enter hob, whose agent managed to snag him a 2nd-lead sort of role in this thing. it's not QUITE the reinvention he was going for but the pay and exposure are really good -- and even if they weren't, the moment hob saw that dream was attached he was immediately on board.

cue dream tearing his fucking hair out and basically being a complete menace and diva on set -- no that wasn't good, yes we have to do a 57th take, oh my god this dialogue is horrible give me that shitty script i'm writing my own thing, what do you mean the plot is linear???, wait there are how many cgi aliens????? i'm going to kill myself -- and Hob, pretty much Just Happy To Be There as always, takes one look at this beautiful dramatic emo asshole and is like oh. yes. i don't know what i'm saying yes to, but i'm saying yes. just immediately enamored with this bitch against all logic, he's like i've seen all your films i know how your mind works you brilliant nihilistic mess of a person. i'm on board. let's go.

first scene that hob's in dream is once again ranting about the atrocious script, which he did not write and is hardly allowed to change -- or, every change he makes is too weird and the studio keeps nixing it. everyone keeps sighing and being like oh my god can we please just shoot i wanna go home, meanwhile hob's like alright then. let's workshop it. and dream's just like. what. you aren't just gonna tell me to shut up? and hob's like no, youre right, this script is trash, but i know you're just going to write something really weird and psychedelic that they won't let you shoot. and dream's like you dare to speak to me that way??? and hob just puts his hands on his hips and is like listen, i actually know more about this sort of general audience family film thing than you do, mister arthouse, so are you going to work with me or not? and dream's just like what... is happening... because usually people who try to 'handle' him either just cave to his every demand like wimps, or just fight him on everything to 'prove' that they're in control, and hob is just kind of... not doing either of those? anyway dream doesn't know what to do with him.

so they workshop it. turns out hob actually DOES know how these sort of general audience all-follow-the-same-three-act-structure films work and how to improve things within those confines, and also he understands what like, normal people like, you know, casual feel good movies, not everything has to be a mindbender, jesus. so they bounce ideas off each other for like 3 hours until they finally get something that's okay enough that dream no longer wants to fling himself into the sun. meanwhile everyone on set is staring at them like 👀. then dream is like come back to my trailer we are rewriting the other 116 pages of this script right NOW. what else is hob supposed to do but follow.

then hob becomes the designated Dream Handler on set. dream starts using him as his barometer for what 'normal people' would like because he does not understand that at all. ("hob, will 'people' accept this?" "well considering youre spinning the camera around on a string i'm gonna go out on a limb and say no"). dream becomes kind of obsessed with him because his life is so like, normal, and he's okay with it?? he doesn't find existence to be an insufferable prison from which there is no escape?? and hob is like aw i know you're such a tortured artistic soul *pats him on the head*. plus, hob is actually a good actor, and he's able to put a lot of heart into even this mediocre big budget film, and kind of forces dream to confront the idea that there's more than one good type of story. that different stories serve different purposes and a straightforward happy story is okay, actually.

(and that the problem is the corporatization of the storytelling, not the story itself)

anyway the movie ends up being pretty good, dream still kind of hates it because he wasn't given full artistic license but he has to grudgingly admit that it has at least some merit. after the premiere hob is like (cheekily) so you gonna direct the sequel? and dream is like i did not write that to have a sequel. and hob's like it has a cliffhanger? and dream's like so???? and hob's like well theyre definitely gonna make a sequel. and dream's like i hate this planet. also no i'm not going to make the sequel. i'm going to fuck off to the woods and make a movie about teeth. do you want to star in it? and hob's like you're so fucking weird i'm obsessed with you i'm going to kiss you now.

so yeah, that.

[ndostairlyrium]

I see your Harmony-like long haired Cullens and such disrespect for curls aches my soul, so let me correct that preposterous trend with a last minute sketch, giving this man the fusilli hair he really deserves. Why do you hate curls so much fandom, why? I’m jesting of course lol but also please embrace the grungey-like metalhead curls it’s super fun to draw/model them I swear!

[lej222]

Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. The day before Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence. The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world. Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

[thefloatingwriter]

hi!! i hope you don't mind me dropping in but i read your marvel headcanons and then read your fic with marvel's sister (and loved it!!!) and i was wondering if you had any thoughts on his sister/the rest of his family after he died and during the rebellion?

thank you so much for this ask omg??? i love talking about the sanfords so much you have no idea. also i’m so glad you enjoyed reading my thoughts on marvel. he’s such a blank slate of a character that i feel like people just skip over him even though you could really do anything with him. also also thank you so much for reading the fic about marvel and marvel’s sister (here for anyone who hasn’t read it!) i’m so glad you enjoyed it!!

okay now into the actual hcs lol.

(little note: this includes all of members of the sanford family alive during the rebellion, not the 75th. amethyst lives through the 75th, but does not live to see the rebellion. just a btw so no one gets confused!)

brilliant sanford —

brill and marvel were not close. he always agreed with what his mother said about training and marvel never felt safe talking to him.

that said, he was affected when he died. after all, marvel was his son. he had raised him.

but brill had never second guessed the system he grew up within (“kiss the capitol’s ass or die” basically). he didn't magically start thinking the games were immoral. his brother had died in the games and he still didn’t think the games were horrible and unjust. his son being killed did not make him have a sudden change in perspective.

brill basically had a whole “there will be no talk of treason under my roof” talk with his wife and daughter and pearl was like “your roof? this is my house”. so yeah, lots of fighting and arguments over meals in the Sanford’s home during the period after the 74th games ending to the victory tour.

he doesn't side with the rebels during the rebellion. he doesn’t side with the capitol loyalists either, though, which is bigger than him just siding with the rebels honestly. the sanfords were big capitol supporters during the Dark Days. brill had grown up learning about it. he knew what was expected of him. he just didn’t do it.

he never publicly sided with either side, but brill gave his life to save his wife and daughter from a capitol bomb. in a way, that was him choosing his side. and it wasn’t the capitol.

bonus hc for brilliant: he used to watch his brother’s games. not the actual games, but the interviews and the clips of the reapings. he can’t bring himself to watch the actual games. he never has. amethyst convinced the capitol officials wanting brill’s opinions on his brother that brill was deathly ill. in truth, it wasn’t all that far off; he refused to go out anywhere and was bedridden for weeks. maybe he did have some rebellious thoughts during that time. he never admitted to them.

pearl nelson —

pearl nelson has been pissed for years. her son’s death is really just the final straw for her.

she doesn’t speak to amethyst for months after it. if she has to, she tells brill to tell amethyst for her. brill finds it ridiculous but pearl looks about one ill timed comment away from killing someone, so he does it anyway.

important member in the rebellion in One, especially relating to the civilian aspect of it. she has been smuggling information and rebel plans since the late 40s, when she was still a teenager.

she’s less active in the public speaking and publishing aspect of panem’s history restoration but she does occasionally speak out, usually anytime anyone even tries to say something bad about her dad.

she never expected to live to see a free panem. she had hoped, but hoping and experiencing it are two very different things. there’s quite a lot more healing and therapy than she had expected too.

she starts a tiny garden off of her house after the war, since her first one had been bombed. the tiny garden quickly grows much, much larger as more people move and relocate and add plants and flowers and trees to the garden as they go. after pearl passes away, the garden is renamed to “Nelson Park” and each bench in the park has a plaque honoring a war hero during the rebellion. the fountain in the middle of the park is surrounded by twelve plaques for each victor from One.

bonus hc for pearl: she’s the only one of the sanford extended family to never go to the Academy. argent refused to send her, and pearl never showed any interest in winning the hunger games either.

paris sanford —

she had to go on the run after the 75th for obvious reasons (she had known about the rebel plan and had been involved in it as one of One’s mentors).

she also had to smuggle herself on a train out of the capitol by hiding in a fruit crate to Six and running into the freezing cold forest directly off of the district. everyone’s convinced she’s dead. she’s not.

she knows peacekeepers are on her trail and has to hide her footsteps and never stay in the same place for more than a few hours at most. she sometimes ventures back into Six and hides in bars on the edge of the border just to throw them off. it’s also a good way of figuring out what’s going on with the rebellion. it’s how she figures out who is in Thirteen and who is in capitol custody.

it’s also how she meets delta lincoln, the mother of james lincoln, Six’s first victor. she’s in her seventies now, but she helps the rebellion in anyway she can. through her, paris is able to continue helping the rebellion from afar.

she’s one of my favorites and i always like to imagine she’s one of the few Coin didn’t calculate in the victor’s purge (or deliberately left out) and she did survive. but that’s just my opinion lol.

bonus hc for paris: she was never supposed to go into the games. paris was amazing in all subjects at the Academy except for any kind of combat. she excelled in educational classes; sword fighting… not so much. because of this, she was supposed to be drawn out after she turned fifteen. it didn’t work out, as paris was reaped, by “coincidence”, and One’s designated volunteer that year got the memo that she wasn’t supposed to volunteer for paris. no one expected her to come back, and yet.

harrison sanford —

harrison never agreed with sending marvel to the Academy early. he genuinely fought amethyst on it, but amy is about as movable as mount everest when she sets her mind on something. unfortunately for both of them, harrison would rather die than back down from anyone. they have a lot of arguments.

harrison sides with the rebels. he’s executed by peacekeepers in One’s square. his last words were as follows: “i know what side by grandson would have been on. it’s not the capitol’s.”

bonus hc for harrison: his wife’s name was arabela alderidge. she passed away during the 60s (lot of victors from One were dying in the 60s ngl lol).

sapphire sanford —

after pearl, sapphire is probably the closest to punching someone in the face if they say one more thing about her brother.

she refuses to go to the Academy after his death. paris starts homeschooling her (since a sanford going to public school would probably cause deaths in One).

sapphire and marvel were close. like really close. their large age differences just made sapphire think that her brother was the coolest person to ever exist when she was younger and that admiration never really went away, especially because she never went through the bitchy teenager phase with him.

paris had to go on the run after the 75th, so pearl and sapphire held the rebellion in One strong with the miners and various rebellious nobles.

she survives the rebellion along with her mother. she never stops talking about marvel during the rebuilding process and after that. she makes sure that no one in the entire country of panem will ever forget the name of the boy they killed. she talks about what he was like on talk shows and writes books and articles about what growing up being taught how honorable going into the hunger games was and how that affected her in the long run.

bonus hc for sapphire: she’s the only biological sanford born during the hunger games era who didn’t complete the test at the Academy at twelve since she wasn’t attending classes at the time.

reasons for lack of some characters:

alister sanford dies during the 46th hunger games (won by emmelyn “lyme” gray of D2). amethyst is devastated, especially because it’s the same year hermes died, but she’s one of those people that just ignores all of their pain and puts all of their energy into something else to help keep their mind off of it to the point that it’s unhealthy. in this case, it was the Academy.

bonus hc for alister: he’s one of the few career victors who has never worked or trained anyone at the academy. it isn’t his thing. never was.

amethyst hansen dies right after katniss blows up the 75th hunger games. like, literally right after. harrison went to her house to talk to her about katniss literally blowing up the arena and she’s just dead. and he’s like “damn now i need someone else to talk to.”

bonus hc for amethyst: she doesn’t mentor tributes. ever. she doesn’t have the patience needed for it. she’s much better at training them because at least than she can yell at them.

sylvia sanford dies during the fall of the 72nd (won by cassandra mcpearson of D2).

bonus hc for sylvia: zircon was her only successful tribute, and he sees her as a sort of mother figure to him. she sees him as a son after her adopted daughter died in the 50th.

again thank you so much for this ask omg??? i love absolutely any excuse to talk about the sanfords.

[good-wine-and-cheese]

Gambling Apocalypse Tenma AU

As I rewatch Kaiji I inevitably end up wanting to combine show I like with other show I like and stuffing fav characters into show. So here we are.

This was uh going to be a short summary type thing but I accidentally wrote a novella about it sorry

This AU starts off with a much more depressive Tenma. After Tobio's death, rather than immediately pour his grief into developing a robot version of his son, he recedes into himself, psychologically paralyzed, likely turning to alcohol to drown out his anguish.

His mental state is taken as an opportunity within the Ministry of Science to have him ejected from his position; Tenma was never the most well-liked director, and there were those with ambition to usurp him that would jump at the chance. Not that he especially cares in his state.

He's eventually dragged out of his stagnation by Ochanomizu - who, inadvertently, becomes the very catalyst pushing Tenma to develop a robot replacement to his child. This was not what he meant by encouraging Tenma to fill the void left by his son.

...But, well, he is no longer the director of the Ministry of Science. His access to limitless government funds and resources for "scientific research" has been cut off, and this is a project he cannot finance on his own. He can't ask Ochanomizu for help, but...interestingly...a representative of a certain shady organization known as the Teiai Corporation reaches out to him, offering to finance and support his project. A sane and well-minded Tenma might think better of it, but grieving and desperate, Tenma accepts their offer and is able to create a robot in the image of his beloved Tobio. For a while, there's joy in his life.

But the bill, as ever, comes due: Tenma must pay up, and the very resources that had been at his disposal will certainly ensure that he will, or else. Of course, he doesn't have the money; instead, he is given a choice. He can relinquish the robot Tobio in order to wipe out his debt - the child is a sophisticated and powerful robot, after all - or he can participate in a certain illicit event hosted by the Teiai Corporation.

It's nothing major...just a four-hour gambling cruise with a collection of desperate, damned souls that were also swept into debt with Teiai. The conditions are simple: Those who choose to participate are given a chance to clear their debts wholesale should they win. And should they lose...?

Well...no one really knows what happens to the losers seized by Teiai. It's said that they labour away their debts under Teiai's watchful eye and are freed once their work has covered their debts, though it's rumoured that most perish before they reclaim freedom.

There's only one answer Tenma can give, of course; he's not willing to lose Tobio again.

Thus is Tenma's debut into the Gambling Apocalypse, where he must become cutthroat in order to survive; if he wants to see his son again, he must make choices that will doom the hapless to miserable servitude, with a nonzero chance it ends in their death.

He survives the cruise, but of course, it was hardly enough to clear his debt; the cruise was never going to be the end of it. Teiai doesn't let go of its victims that easily. He will be called on again: this is a weight that hangs over him, all while he returns to his son Tobio. The same hands that have pushed innocents into hell must now be the hands that can embrace his child.

He wants to protect Tobio from the truth and enjoy what peaceful moments he's allowed with his son, but it's difficult. It's difficult to be the parent of a child who cannot understand the danger that looms ahead; this "happy" home is not to last. Tenma angers quickly and easily. He turns that anger onto Tobio.

As Teiai's games become more and more vicious and unrelenting, as his conscience holds onto the last vestiges of thread that remain, Tenma even threatens, once, to give the boy in: it would all end, then; the debt would be clear and no longer would he have to endure Tobio's childish annoyances, his ungratefulness.

The next time that Tenma is beckoned, Tobio takes matters into his own hands. He does understand, now; and he would have, if only Tenma had bothered to explain sooner. If it's a debt that needs clearing, he will work. He will help his father clear his debts however he can. Of course, it's difficult to find work as a child; but a circus troupe finds amusement in the idea of a child robot, and takes him in. He is whisked into a certainly unpleasant working situation, but he remembers his father, and what he must be enduring. Tobio, also, will endure.

When Tenma returns, Tobio is gone.

All that held Tenma back from becoming something monstrous has disappeared. All that kept him going has disappeared. When he is called upon by Teiai, there is no knowing what sort of person might come out the other end; whether a monster clawing his way to freedom regardless of what actions he must take, or a desolate husk surrendering defeat.

There is still a light, however dim: Found by Professor Ochanomizu and rescued from the circus, Tobio - now Atom - is able to shed light on the situation which Tenma took great pains to keep hidden from his old friend. With time running out, Ochanomizu and Atom must do what they can to save Tenma - from Teiai, and from himself.

-----

UHHH and that's a wrap!!!! I couldn't quite decide which way Tenma would go after hitting Rock Bottom in this AU, and tbh it would really depend on the kind of mental state he's in at the time. On the one hand I like the narrative of Ochanomizu and Tobio racing to prevent Tenma from crossing a line (actual outright murder probably) - or having to pull him back into humanity (and yknow, his ensuing penance)

But on the other hand having him get sent to Teiai Evil Hell Prison would be interesting because a) there's a lot of narrative potential having Tenma faced with what Teiai is doing with the people that lose the games and b) need him to decimate the foreman at chinchirorin Kaiji style

Tenma's whole character is definitely a much different guy in this AU, he starts off pretty sympathetic, the guy you wanna root for, he just ends up having an inverse character arc where he gets worse instead of better. His conflict with "Tobio" is also kind of reversed, less about being unsatisfied with Tobio as a son and more not being able to handle the fact that he probably has intense PTSD now and isnt capable of coping with it in a way conducive to being a parent (or like, coping at all)

Anyway that's gambling apocalypse tenma!!!

[forzafinally]

What was it that made you a Charles fan last year?

Hey! So my first exposure to F1 was through a few friends here who were very much into F1 and big Lewis fans. I didn't really know anything about Charles till I watched DTS in August I think because I was curious about what the whole hype was about.

The last season they had shown on DTS back then was 2022 and as sensationalised as the whole thing might have been, I was actively rooting for Charles to win the WDC while watching the show. I really liked his passion towards racing and the whole mythos surrounding Ferrari as a team. It seemed like something that was genuinely worth rooting for.

So then I checked the results of the latest race around that time which was Monza. I was hoping that Ferrari has finally got their shit together. As they were in contention for the WDC last year, I assumed that they would have learnt from their mistakes and built a car that was able to challenge Red Bull as they obviously had the technology and skills to build a car that was fast. Charles had come P4 iirc and I was like maybe that isn't so bad after all. But then I checked the results of the rest of the season and well, we all know how that went lol.

Singapore 23 was the first F1 race that I ever watched and I think that a Ferrari win gave me slightly unrealistic expectations about how competitive they could be. However, that race was also a Ferrari strategy disasterclass and I was just sitting there wondering how the hell Charles was staying with a team that couldn't handle two drivers being competitive at the same time.

Over the rest of the season I watched Charles drag the SF-23 to the front row multiple times and that was something that was impressive to me. Yes he wasn't able to match the Red Bulls in racepace. But even coming P1 in qualy is something that isn't easy. I can't imagine Max not wanting to start P1 even if he knows he has better race pace and can make up the positions later in the race. And it wasn't like Carlos was able to get the same results from the car.

Multiple people say that Max is what makes the difference as a driver in Red Bull, it's not just the car. Similarly it is Charles who was making the difference in Ferrari and not Carlos. The funny thing is that he was getting absolutely slaughtered for it by the media which is just?????? Any other driver was being hailed as a miracle for being able to challenge Max at all but when it was Charles it was somewhat taken to be a foregone conclusion. The bias was astounding.

Las Vegas as a race genuinely impressed me not just because Charles came P2 but his attitude throughout the entire race. Despite the fact that Max had won the championship at that time he still wanted to win the race and I don't think it was just wishful thinking on his part - he genuinely believed that he could win it. Looking at other driver's interviews throughout the season, I always got a sense of inevitability. That no matter what they do it's going to be Max who wins. Also if Max would overtake them once over the race it was over. Not many people would think they could challenge him again. But in Vegas, Charles kept trying multiple times and it was that tenacity that impressed me. He didn't settle for P3. He overtook Max just before he pitted the first time and overtook Checo on pure race pace on the last corner and that is something that showed me that he was a driver worth rooting for because he's not afraid to take that extra risk.

Also, in one of the end of the season interviews a reporter asked him how it felt to finish ahead of his teammate and his answer was that none of it mattered if he wasn't finishing first in the WDC. Now that's what a winning mentality is. I don't know how anyone can say that he's not serious about being a world champion when he keeps saying things like that.

Also, Charles also seemed to be a genuine team player with how he was trying his best to help get Ferrari P2 in constructors last year. To me it did showcase a fair amount of maturity and growth and being selfless enough to look out for the team instead of just himself as an individual.

Also all the fan interactions that I would see on social media were overwhelmingly positive which is a huge green flag in my books because at the end of the day not all celebrities are kind to their fans. But Charles always seemed to make an active effort to be polite and kind and just not take that love for granted if you know what I mean? Lastly, it's obvious that his fellow drivers respect him so much. He's someone who is considered to be both a safe and fast racer which isn't something that you see a lot.

Ultimately, he's a tiofoso and a Ferrari driver who wants to win the championship and I think that's something that's worth supporting. I also don't think he's just blindly loyal to the team and it's all just emotion. He has been firm enough to put his foot down where it actually matters like getting Fred at TP and classy enough to not be messy in the media. 26 is not old enough to even consider him being washed. Ferrari has given him one of the longest contracts ever for a reason. And I personally don't think he has reached his full potential as a driver yet. I can't wait to see what happens when he does. So yes the season as a whole wasn't the best for Charles but I see great potential in him and I intend to stick around to see him live up to it :)

[spinnysocks]

spinny!! I’m curious, what got you into the lion guard?

EHEHEE YAY I LOVE ASKS LIKE THIS!! don't mind me rambling about how i got into it :3

i watched the lion guard originally as a young teen! my memories are foggy, so i can't say how much i liked it, but i do remember ono being my favourite and that i watched enough to remember a lot of the episodes when i revisited it a few years later. i rewatched it out of childhood nostalgia and curiosity - i wanna say around 2020 maybe? - and developed a hyperfixation on it, specifically on janja! back then, i kinda only cared about his character and a few others such as timon, pumbaa, scar and kiburi, though janja was the character who i was actually interested in. i had even bought a lion king notebook to write a snippet of an au i had for him, i still have it lmaoo

because of how my hyperfixations work, i get obsessed over one fandom for a while until it switches to another. for instance, most of last year i hyperfixated on the madagascar movies - those periods of hyperfixating would last anywhere from hours to months until shifting to, for example, the lion guard. it also wasn't my main fandom at the time, madagascar was. that changed in november last year, when i found that there was a LOT of cool lion guard content on here (especially @devilsrecreation's outlanders posts!). i began to interact a little bit which made me hyperfixate on it even more. i made my first lion guard post in december, and that's where my posting and very long hyperfixation on it began!! since then i've had like a landslide of constant thoughts about this silly show, and i've picked up a lot of new favourite characters along the way (such as kiburi and his float, beshte, goigoi, dogo, literally all of the outlanders...). i've barely shifted hyperfixations since then and the show has very swiftly become a favourite media of mine! :3

so, i guess seeing content being made AND making my own has made me hyperfixate on it endlessly (/pos btw). i've specifically hyperfixated on the outlanders as you can probably tell lol. essentially, ✨the power of hyperfixations✨ lead me to being on and posting on this site, but the show has always been for me since i was a teen c:

[receding-tides]

I'm gonna make a new pinned post sometime I think bcs while I like my squid story links I think they can just be like. a thing it links to lol I post art and stuff more than writing

[tigergendermoved2tigergender]

Remembering the toxic hellscape that was 2015-2019ish SU fandom and just how much hate the show got is really insane when you rewatch the show after it's been a while. Like the show is good what the hell were any of these people talking about

[the-girl-with-too-many-ideas]

Does anyone else get the feeling that at their core, all of mxtx's works are about cycles of abuses.

[dimdiamond]

❤️ for tintin if you're still doing the unpopular opinions ask game

OH RIGHT THIS GAME! OF COURSE! THANK YOU 💕

❤: Which character do you think is the most egregiously mischaracterized by the fandom?

*deep sigh* The most huh? What if I said Tintin himself? Look, I'm not against fanon interpretations and just going against canon because that's what you like and want to do. However, it gets really annoying when people take some interpretations as canon when it's actually not canon or, even if it is, not in the entirety of canon. And I think a big reason this happens with Tintin is because of the animated series, you know the classic one. Let me elaborate.

For many fans the cartoon series was their first approach to The Adventures of Tintin and for many of them it was a childhood favorite. This alone creates a bias, realizing it or not, especially if you haven't read the comics, the original material. Don't get me wrong, I love the cartoon and it's the most faithful adaptation we have of the comics but that doesn't mean it is faithful. Many scenes were cut, violence and alcoholism were limited to the point of changing scenes entirely (I'm looking at you Crab with the golden claws), heck even the official order of the episodes doesn't match the original publication order. There are many reasons for these decisions to have been made and it doesn't mean they're wrong, they just worked for this kind of media and for their target audience at that time (90s cartoons had many limitations regarding what it could be shown, including violence, but that's how we got artists getting creative with how to depict violent themes in a nonviolent way). Yet I have seen fans taking the ideas of this cartoon as if they are the original ones.

Tintin isn't a goody shoes. Tintin is very kind and caring but also chaotic and with his own values and ethics. He doesn't curse out loud and he represses many of his feelings and anger but he is also very patient and understanding. And most of all HE HAS CHARACTER DEVELOPMENT! Tintin from the first albums and Tintin in the last ones isn't the same guy! I understand people liking his character more in the first adventures but you can't characterize him the same in the later albums. And it's not only because decades passed during the serialization and Herge as an artist and writer changed. It's also showcased in the story, Tintin slowly gets stable companions, friends he shares his adventures and even his life and slowly he becomes mellower and yet more open and honest, he likes his peaceful life and doesn't chase adventure unless it comes to him. How can you have Tintin after Picaros behaving like prior meeting Haddock? As if his previous adventures didn't happen and affect him?

And what the cartoon depiction of Tintin does is to take his softer and calmer traits of his character and show them during all his adventures, regardless of how he acted at each adventure. This works for making an iconic and stable hero of a cartoon but it's not like that in the comics. The movie does the opposite but I see more fans accusing it of mischaracterization although this wilder side is also part of Tintin.

So in summary, my annoyance comes when I see Tintin characterized the same throughout all his adventures although this isn't how he is in the comics and I think this is because of the effect the cartoon had on the fans. In my opinion, Tintin's character is hard to grasp and get because he's the two ends of a spectrum at the same time, calm but violent, patient but impatient (his limits are known to himself only, you can try to kill him and not yell at you but you try to kill yourself and he'll make you regret it), selfless to the point of not caring about himself but selfish enough to do what he wants and believes is right etc.

He's such a fascinating character with many layers and it makes me sad when I see people read him as one dimensional character with no space for changes and development. However every person can have their own interpretation and such and I'm not the fandom police here so go have your fun!

[mobius-m-mobius]

Hello there!

I have to ask cause it's everywhere and apparently my husband and I didn't see it!

Aziraphale & Crowley were obvious to us as a couple but we didn't see this with Loki & Mobius (please people don't be mad 🙃). I saw a great love and a bond that will last forever but not the way we witnessed in Good Omens. To me it was more of a family thing. Like Mobius has two sons. Could be the representation of Thor and Loki. I don't know. I was so surprised when I saw all this on Tumblr. I want to rewatch the show now to see if I really missed all the signs.

Hi there! 😊 Thank you for the ask and please don't worry for wondering, part of the joy in a watching experience is being able to see something in a completely new light. I hope you've come to the right place as Lokius and Aziraphale/Crowley are the only romantic pairings that have stood out to me in ages but now for fairly different reasons so I'll do my best to explain why in my own personal view Lokius is a slow burn for the ages above and beyond all other love stories to me and I'd absolutely recommend rewatching Loki, especially season 2, with the mindset that the tropes of every good romance are present in *every* interaction Loki and Mobius have.

(adding a read more here as I feel this is about to get almost horrifically long if you'd like to know even some of the signs lol)

Right from the start we see Mobius recounting being a fan of Loki's most mischievous acts on the timeline, pushing the question of just why he's focused on ruling and nothing else, really getting under his skin in a way no one ever has before?? And in that there's something even better and deeper than love at first sight; intrigue. Loki's furious at being held by the TVA but can't help being drawn back to what an enigma Mobius is to brush off his insults and offer salvation in the face of knowing every good or bad thing Loki's ever done and believing in him anyway.

Cue the tentative partnership and rapport they both get far too comfortable in which you see when Mobius indulges in letting Loki ruin the mission at the renaissance fair and later tries to backtrack in reassuring Ravonna he's got things under control, then again when Loki realizes Mobius has been reading him too well and defaults to leaning in to "fix" his perfectly tied tie, a callback to when Mobius pointed out Loki has a tendency to try and seduce people in more powerful positions who could help him. You actually see Mobius lean in for a moment before realizing himself and pulling back, but contrary to everyone else Loki's tried this with he doesn't give in or get angry, he laughs and once again points out what Loki's up to, trying to find a way to get to the Timekeepers.

That entire sequence is the tipping point for me when they officially enter romantic territory, as Loki's visibly thrown and surprised by the way Mobius reacts and scrambles after him, finally taking things seriously enough to do real work and is rewarded not only with trust he's never been given so freely before but a now mutual fascination you see during their conversation in the cafeteria (a highlight of the series for me ) when Loki can't help but try and learn more about the person who knows him so well already by asking genuinely about Mobius and his jet ski magazine. Blew me away because any previous version of Loki would've never taken the time or interest in something so ridiculous (in his eyes), but this Loki shyly takes in the way Mobius beams and opens up, because how could you not fall a little when such a simple pleasure makes someone happy?

Then when they research Roxxcart they flirt again, Mobius praising Loki and teasing he might take his job before what we refer to as the Roxxcart grocery store divorce and for good reason 😂 When Loki's captured back to the TVA, Mobius isn't just hurt, he's clearly jealous and *extremely* so because he thought *they* had been building something only to now think Loki played him all along and during Loki's next interrogation Mobius loses his temper in a way he never has before, making scathing comments about Loki stabbing him in the back and siding with his "girlfriend" which should kind of speak for itself there 😅 Then their mutual assurance of trust before Mobius is pruned and the hug in the void being initiated by Loki is huge as well when this is the first time he's shared EVER that with someone and you see the crushing despair when Mobius later no longer remembers.

Getting into s2, it's easier for me to sum up with the base of their s1 relationship laid out since there's no need to get into as much detail when the entire thing is pure romance start to finish.

Loki and Mobius frantically desperate to find each other when in reality they had been separated for maybe an hour? Mobius ignoring all other issues at hand and his superiors to gently hold Loki by the waist and pull him close, constantly grounding by touching his back, arms, anywhere to provide extra comfort and Loki giving him that control, Mobius spending the entire season actively trying to enjoy being on the field without limits for a change and organizing dates between the two of them all season when his focus used to primarily be on the work. He repeatedly asks Loki to go for a drink, suggests visiting the theatre, going on a hot air balloon ride, etc, while Loki stops to indulge in popcorn and pies just because small joys are important to Mobius. When Loki visits Mobius' original timeline self they spend the ENTIRE ep flirting with each other, and honestly Don having two kids is just as it seems since there were no official indications otherwise; he may share genes with Mobius but is a different person with a different life. Don can't stop bringing up how single he is, teases Loki about following him home, which Loki absolutely did but only after fixing his hair and coat to try and look as good as possible before seeing him (because again, he looks like Mobius) and getting so flustered stammering over his words he may as well have been in a 90s Hugh Grant rom com 😂😂

Don't even get me started on the finale, which has every character except Loki and Mobius basically living their ideal life while the two of them are clearly left unfulfilled and wanting, missing each other to the point Mobius leaves the TVA (which exists out of time) for a timeline that Loki can see as a tear rolls down Loki's face in the final scene because of it.

Do I think that had their characters been tied to anyone but the Disney/Marvel corporations they, like Aziraphale and Crowley, would've shared a kiss as well? Absolutely yes, but that isn't a necessity for me personally and in all honesty despite Aziraphale and Crowley having kissed I actually felt season 2 of Good Omens was a massive backtrack for their relationship compared to the quality of time they spent together in season 1 which I much preferred. Again, that's personal preference and everyone sees and interprets elements of romance differently which is completely fine and I hope this wild ramble at least gave some perspective on how I and many others view Lokius 😂💖 Happy watching, no matter how you end up viewing them, and thank you again for the ask!

[katyspersonal]

I know we don't talk and there's stuff we may not agree with. But I am truly sorry you've dealt with a lot of drama over fictional crap. And I'm sorry if my posts in the past ever contributed to that. Hope you have a better day.

Hey... That's all fine, don't worry! After all, it takes a lot of time and Insight to realise that Gehrman is a very gentle and respectful man and Godrick is an absolute gigachad kdkdkshdffhhgfds /lh /lh

But yeah, on a serious note. It was quite frustrating to find out the real motivation under all that... mess was something so pathetic, but at the same time this is what happens when people make engagement with media and fandoms a moral, political act. Not necessarily a problem, after all, I was the one who concluded that the way a fan judges fictional characters and other fans will very well reveal how cruel they are to real people who do something bad, or how much they will forgive based on personal sympathies. And my mad ravings about caring about female characters! I think the problem comes when a fan is so insecure that they have nothing else besides this defence of ideals through fandomry. If your only way to assert yourself is to be a good guy punishing the bad guys, and that mad raving loredigger discovers there is NO bad guy, what is left of you?

This is why it is crucial to have passion for nurturing rather than for undermining! I think if you speak like this, you've found this truth too? This is true that I don't know you very much (mutual-in-law thing), but to be honest.. you didn't poison my fandom experience at all? I tend to never be aware about discourse until someone basically calls me for help fhdhgsdgdfs Can't scout the fandom tag regularly!

But not only it actually was a quite long ago I saw a "negative" post from you, but also I've seen through the posts that my friends liked or reblogged from you that you've actually became very eager person to defend people's passion and interests! I think the post that particularly got stuck with me was when you resented seeing someone's light die after some Redditor asshole "well aktualy"'d a thing they were excited about creating (not exact wording but maybe you remember too)? Like... you are fine, man. At that point I realised that you were a good fan and in the end valued people's creativity and passion over personal preferences. That you never wanted to be THAT guy, even if your interpretation could not be further from someone else's. Coming to terms with what actually matters in fandomry is very mature and I am happy to see this attitude!

I am still glad that you messaged me about this though; I did not expect this, but thank you! I think I will continue getting involved in fictional discourse because my autistic senses cannot ignore factually incorrect takes with a clear insidious motive, and.. eh, sooner or later, I'll piss off the wrong guy again. Don't feel bad for me when it inevitably happens :p I've accepted the shortcomings when I decided to be the debate guy. Simply laughing at some gremlin starting a discourse with the girls in DMs and not stressing over it is only funny until I realise that newer fans could get misinformed right off the bat.