#this ask makes me want to JUST do the episode reactions I've wanted to do all this time lol

[thegirlwhorideslikeasamurai]

The beauty of accidental marriage proposals

Yuuri very likely didn't intend to propse to Viktor at the airport but his heart knew what it (and he) truly desired and twisted his words into a proposal—or rather something akin to a proposal that resulted in a spontaneous engagement.

Let's unpack this.

Yuuri returns from the Rostelecom Cup with his mind full of things that he wants to tell Viktor. While we don't learn the details, his inner monologue in the previous scene gives us a good idea of the things he's mulling over.

Yuuri has convinced himself that Viktor will abandon him after the Grand Prix Final. Thus, that competition is his final chance to win gold and he's determined to fulfil the promise he made in his speech in ep. 5 and win that medal. But even if doesn't win gold, there is one thing that he feels he needs to do after seeing skaters and skating fans react to Viktor becoming a coach at two consecutive competitions.

Regardless of how much Yuuri has profited from Viktor's support, he is very conscious about the fact that Viktor belongs to the ice. Or at least that is what his anxious brain has convinced him of. In this sense, giving up his own career so that Viktor can resume his own is an act of love and the only possible solution for them to stay together (in Yuuri's brain).

We never learn about the end of Yuuri's contemplation, but the subtext of the next scene implies that breaking up with Viktor is not an option. Or if it was an option, it was off the table once he was back in Viktor's arms.

Since Yuuri has anxiety, it's safe to assume that he has been overthinking his talk with Viktor over and over during the flight, going through all kinds of scenarios based on Viktor's imagined reaction. After hours on the plane, his brain must have been on the verge of exploding, casting poor Yuuri into a state of total overwhelm. If you have anxiety, you can possibly relate.

However, the moment that he spots Viktor, his mind goes blank and instinct takes over as he runs into Viktor's arms and instead of whatever speech he has prepared, he just blurts out the following line:

僕も考えてた。引退まで 僕のこと—　お願いします！ "I've been thinking, too. Please take care of me until I retire!"

The English translation is a bit messed up here. In the original, Yuuri never uses the word coach in that line. "Please take care of me" is Japanese proposal language. The translators probably didn't recognise this nuance and sadly, the nuance is still lost in the Bluray version.

But that's why Viktor recognises the proposal in Yuuri's words.

However, based on the details given and the illogical ways anxious brains work, Yuuri intended to inform Viktor about his retirement plans and to voice his desire to make the most of the little time he thinks they have left. But that's not what his heart wants. And since episode 5 we know what that is:

初めて自分から繋ぎとめたいと思った人、それがヴィクトルです

A more accurate translation of that line is "The first person I want to tie myself to and never let go is Viktor" because 繋ぎとめたい means wanting to tie someone / something to you and never let it go (see this translation error masterpost).

Of course, Yuuri doesn't want his relationship with Viktor to end and no matter if his anxiety his skyrocketing in the face of the GPF looming ahead, that desire has taken root in his heart and brain. However, his anxiety stops him from proposing actually and turns his addition "until I retire" into a gentle prodding to find out whether he and Viktor are on the same page.

And of coruse, they are.

And it's all Yuuri has wished for. He's been anxious the whole time. Until Viktor recognises the proposal and response with a yes in the same fashion that Yuuri has asked.

To wrap all of this up:

Absence nurtures desire and in this case, the time apart has shown Yuuri and Viktor how much they want to be by each other's side. Because he missed Viktor so desperately, Yuuri's heart wins over his anxiety for once and enables him to tell Viktor his deepest desire. By recognising said desire, Viktor is able to accept the proposal and the two boys are now officially engaged. And that's yet another beautiful aspect about this show.

Unfortunately Viktor didn't really catch the part about the retirement, which will result in him thinking that Yuuri wants to break up when Yuuri announces his retirement plans in Barcelona. On the other hand, knowing that Viktor wants to stay by his side forever is a huge relief for Yuuri and allows him to enter the GPF without any emotional baggage.

Bonus: look at that cute tiny smile right between Viktor recognising the proposal and the second hug.

For further readings related to this please check out:

Japanese dating culture in YOI

Unwrapping "Let's end this"

On Yuuri's top-secret love life

If you enjoyed this meta you might like to check out my YOI canon works on AO3 or just support me by reblogging this post.

[ailendolin]

Live Reaction to TRoP 2x06

I have a feeling there will be no Elrond in this episode and my inner Durin is already crying over it

but my boy Arondir is here so that is good

probably not for the orcs, though

yep, told you so. Don't mess with Arondir. The way he sheathed his sword at the end? Absolute badass

oh that's Eregion on the map. Let's see if Arondir will make it there since no one else ever seems to manage to

I don't suppose that's a good sign there's a (admittedly cute) mouse in the forge

oh Celebrimbor is deteriorating so quickly. I just want to give him a hug and yeet Annatar off that tower

is this the episode where he will throw the hammer at Annatar? Ngl I am looking forward to that

the gentle music when Annatar is pretending to be understanding is making me so emotional because Calebrimbor needs comfort so badly and Annatar knows exactly what chords to play to make him think he is getting it

oh Valar, he is so tired. Someone get him out of there and please let him rest. Fuck, this episode is going to break my heart, isn't it?

I am LOVING the elves in uniform! Look at them! The way the colours blend together on their armour is so pretty

Malendol my beloved! Please join Camnir, Vorohil and Rían in my little collection of favourite minor characters who we will probably never see again (or, Valar forbid, see getting killed off)

omg he is so pretty and his voice! Aaaaah!

(this has nothing to with the episode but I am already seeing myself shipping him with Camnir for no other reason than that I love them both. This is not good. I need to stop getting attached to one-off characters)

Mirdania, I'm sorry, but you are grating on my nerves a little here

I'm loving the foreboding music when Annatar takes her hand

did you see the banners in the background? I want one of them and am once again asking Amazon: where the merch?

ah it's time for the Adar & Galadriel dinner scene. I didn't watch the clip that was released but I know people were screaming about it so this is going to be interesting

lol I see Adar is pulling no punches here and calling Galadriel out on her obsession with Sauron immediately. Good for him. Elrond would like you

Sauron promised her an army? Gal, love, he wanted to make you his queen

"Children." Nooooo what? Adar only ever wanted to be a dad. I'm crying

but oh this is so clever of him when he says Sauron's lies which must be extinguished becuase one thing I've loved about the show's portrayal of Sauron in season 1 is that he didn't lie to Galadriel. She was the one who constantly put words in his mouth

yes let the exes unionise!

oh he's got the stabby crown!

"The fate of that city now rests on your ability to put aside your pride." Yep, Eregion is doomed

Elendil! Everyone's adopted dad's not having a good time right now

clever, Pharazon. But Elendil will never renounce Miriel

YES, I told you he wouldn't! Fuck you, Pharazon, that man loves his queen and will never serve you

Lol. "Snoring? Who's snoring?" Tom, I love you, but you are not good at giving pep talks

Poppy and Merimac :)

omg that's a long time to decide on a name. What were his parents thinking?

I repeat: Poppy and Merimac :) That kiss was so sweet

and look, Tom, Poppy is great at pep talks. That's how you do it

okay we're going staff finding. Is it ridiculous that for a moment I thought he might get his staff from the Stoor tree?

omg you're not throwing the Gandalf quote in there without warning, are you? My poor heart can't take all these emotions. It's such a beautiful quote and I guess this is one more argument in favour of the "The Stranger is Gandalf" theory?

Khazad-Dûm my beloved

look at all that gold. I'm getting Erebor flashbacks (flashforwards?) here, and not in a good way

Annatar, get the fuck away from Durin, I swear. Where the hell is Elrond? He would feed you to the Balrog in a heartbeat

"More precious?" Do not use that fucking word

oh, the answer is no? That's a surprise. I bet there's a catch

noooo, not the fucking Balrog in the flames. He's going to wake him up, I know it. Just look at his smug, little face

ah, there's the catch. Poor Durin

"No, you belong to it." Truer words have never been spoken

I see Durin is faring as well as Elrond when it comes to convincing loved ones that the rings are dangerous. They are truly besties even in that

oh no, he's crying. My heart. He's stuck in such an awful situation and I am so glad he and Disa are uniting over it instead of letting it drive them apart as well

those trumpets sound gorgeous

ah, Earien is beginning to learn that actions have consequences. Good. Her relationship to her father is so complicated. It feels as if they're always talking at each other, not to each other. And yet you can see how much they love each other in every painful interactions

Forehead touch! This is not a drill!

YES DISA! Show them! Oh I love her so much. Her secret weapon is bats! I wrote my PhD about bats and they have a very special place in my heart so go, Disa, I am rooting for you and your bats!

"I love you." The moment we were all Durin

of course MIriel is going to face judgement in Elendil's place. Those two love each other so much without ever saying those words and I'm so here for it

she is cradling his face. I can't

and have I mentioned how fucking brave she is? Imagine facing that sea monster and not even being able to see it coming?

damn but this is shot absolutely beautifully

please let her gain a new pet sea monster that is going to swallow Pharazon and Kemen for breakfast

fuck yes, "Hail Tar-Miriel, Queen of the Sea!"

i love the cracking reality effect of the Palantir

so Adar knows Elrond has Nenya now. That's going to have consequences, isn't it? Will he try to capture Elrond to get the ring so he can defeat Sauron?

okay, Adar came prepared. Good for him. Bad for Celebrimbor and Eregion

Glûg my beloved! I have missed you! Please don't get yourself killed in the siege

oh that call to war is epic

Malendol! Aaaaaah another glimpse of him! I am so smitten it's ridiculous

aaaaand the Siege of Eregion is on

aw no, don't destroy your sketches, Celebrimbor

omg Annatar is such a little shit. "How fares your progress?" That smile, I can't

ooooh fuck, Celebrimbor fighting back? Physically? YES!

oh no, it's a vision. This is so fucking cruel. Look how relieved he is that his people are well. This is also a reminder to us viewers how much life will be lost in the coming episodes. That this was a place of happiness, once

fuck, there's the hammer

and mithril ore? Are you kidding me?

the oath. And the thing is, he is right. It will be all about the rings

and there's that word again. Precious. It is haunting the narrative and I love that it is being used for all the rings because they are all, one way or another, a product of Sauron's mind

"Best Feanor himself." Celebrimbor, why don't you use that hammer and smack Sauron back to Mordor? Please?

and the illusion stops. The fact that Celebrimbor doesn't even know what time of day it is ... my heart hurts

also the fact that the last peaceful moment of Eregion we saw was a lie? That the last moment it gleamed in sunlight was nothing but a cruel trick?

*insert gif of Theoden* So it begins

the end credit music is making me sad. Who gave Bear McCreary the right?

seriously though, Charlie E deserves all the awards. His Celebrimbor is so heart-breakingly kind and so heart-breakingly flawed at the same time and I just want to wrap him up in a blanket and hug him

two more episodes. Valar give us strength for what is to come

[lightfeltmemories]

dungeon meshi | delicious in dungeon; reactions to reader having a crush on them / having a crush on reader

dungeon meshi various x gender neutral reader

note: hey everyone, please be mindful that this is the very first time writing for these characters, i have watched every available episode but i am still reading the manga (though i do have a general idea about the setting and the characters backstories and personalities) so if any characters are ooc to you my apologies, don't be harsh im new here lol. sorry some of them are shorter than others i kind of ran out of ideas when it came to certain characters :p let me know in the comments or reblogs or more preferably in my ask box if you want me to do any other character.

characters: laois, falin, chilchuck, marcille, senshi, namari, shuro, izutsumi (i'm adding her here because feels weird leaving her out when i've added former members of the party, also this is purely sfw so nothing weird will be aimed towards her.)

trigger warnings: nothing out of the ordinary but just read the manga or watch the anime before reading this.

if you like this and my other fanfics, please be considerate to reblog my work, it not only helps reach a broader audience but it also motivates me to make more content like this!

laois touden

reader's crush: when laois finds out that you have a crush on him, his reaction is.. well, how do we put it this way? is he flattered? yes and no, he doesn't see himself as ugly but also doesn't look at himself as the most handsome guy in the world, but someone straight up having a crush on him is kind of new, he doesn't really care much for relationships at the very moment but has thought about settling down with someone he likes, will it be you?

laois' crush: when it comes to having a crush, he tries to be his normal self around you, but sometimes can't help but be a little nervous especially when the two of you are alone, sooner or later he comes to the conclusion of realizing the he indeed, likes you, but confessing is the hard part, he's never thought much about rejection, it is a normal part of life after all, but when it comes to you? it's an entirely different ball game.

falin touden

reader's crush: falin already has someone chasing after her; shuro, theres a 50/50 chance of her reaction to reader's crush being the same as shuro's, but could there be a different reaction this time?

falin's reaction: surprisingly less shy than her brother, when she comes to this conclusion she'll build up the right time to actually confess, not wanting to rush things, just watch out for shuro i guess.

chilchuck tims

reader's crush: chilchuck learning about reader's crush is a bit sad, though he's no stranger to romance as he not only had a wife but also three whole kids, he's not really good with emotions so he's kind of scared you'll leave him just like his wife did, so, if reader confesses, there's gonna be a high chance that you'll be rejected, just give it some time.

chilchuck's crush: this weird feeling in his chest whenever he see's you will confuse him at first.. there's no way he has a crush on you?? after his wife leaving him he didn't really have any interest in romance, he might as well just focus on his work at the moment, one of these days he'll bring up the courage to confess, just not right now.

marcille donato

reader's crush: she can't really decide on whether she'll return the feelings or not, definitely flattered is what i'll say.

marcille's crush: she's similar to falin, she'll build up a better relationship with you for the right time to confess, she tries to make it seem as if she's not into you but it's quite obvious to the other party members.

senshi of izganda

reader's crush: out of everyone, he'll definitely be the most flattered, someone having a crush on him wasn't something he put much thought into, not to mention romance kind of isn't his thing, nor does he think he have the time for a significant other.

senshi's crush: i don't think this is the very first time he's ever had feelings for someone, but it's definitely a special feeling, he's not nervous of confessing his feelings at all actually, and he's not that sensitive to rejection.

namari

reader's crush: namari wouldn't really know how to react, honestly, she's never given the idea of someone having a crush on her much thought, she won't care much about rejecting the reader, at least she's honest.

namari's crush: her crush will be a bit hard to spot but when it comes to you, there will be a notable soft spot, she treats you like everyone else and isn't afraid to scold you if you do something wrong.

shuro | toshiro nakamoto

reader's crush: in an au where he still has feelings for falin, he immediately rejects you, telling you boldly that his heart is for falin and falin alone, but lets go to an au where he either loses interest in her or doesn't like her at all; definitely flattered, someone liking him (back) isn't unheard of but it is... nice?

shuro's crush: just look at what he does with falin, he will propose to you at some point, of course when time goes by and he starts to fall for you harder and harder, until he just can't contain it anymore.

izutsumi

reader's crush: very, very strange, someone having a crush on her is.. almost unheard of, or she doesn't pay much attention, anywho, she doesn't know... how to react? she knows what to do if she doesn't return the feelings but... someone liking her is just weird lmao.

izutsumi's crush: she won't make it obvious.... or try to at least, she accepts affection from you much more than she does from the others and sticks by your side more.

[haedalkoo]

The car conversation and grammar: "When I was busy, you were free but you never called me."

After rewatching the episodes a few times (I just couldn't get enough of them) and reading the opinions floating around, I wanted to add my two cents to the car conversation discourse. This post is mostly about language and interpretations. Keep in mind I'm not 100% fluent in Korean, but I understand the language to a significant degree.

Let's get started!

It's time to put on my Korean-is-an-awfully-ambiguous-language cap. Buckle up.

The conversation starts with Jimin saying they haven't gone somewhere in a long time. I would say it's not that they haven't hung out, but that they haven't traveled together or gone out like that. This is just my interpretation, though. JK tells him, "we were supposed to get a drink" (as in, meet up and go for a drink 만나서 (meet and) 술 한잔 하자 (go get a drink)). Then, Jimin says "원래 그런 거 아니겠니" which loosely translates to "isn't that how it's supposed to be originally?" as in, that's what happens, you talk about doing this or that together and it never ends up happening. Like the travel show, if JM hadn't flown to JK. Like the times he tells Tae to meet up but never happens. Life gets in the way.

But this is the interesting part. Jimin's reply to me comes off a little defensive (in a joking manner), as if saying, "don't blame me for not meeting up (it's not like I didn't want to, I couldn't)." but JK keeps pushing him. He says:

"형 바쁠 땐 / 내가 겁나 한가한데 / 안 찾고. 나 바쁠 땐 / 형 한가한데 / 안 찾고."

This sentence is a grammatical nightmare. He isn't using any particles, which help indicate who's the subject or object of the sentence. So you can only guess based in context. I've marked Jimin (hyung) in orange, JK refering to himself ("me") in purple, and "didn't come looking for" in pink. 찾다 (jatda) means to search for, look for.

Many K-armys have been pointing the same thing out, and I agree. The repetition of 안 찾고, to me, feels like he's making the same point in different situations.

When you were busy, I was so freaking (겁나) free

When I was busy, you were free

And in neither of these cases you came looking for me.

That's why Jimin jumps in immediately to defend himself in a whiny tone.

아니지 찾았지! That's not true, I did go looking for you! (The ending 지 indicates a reiteration, something both the speaker and recipient know as true.)

He took that personally LOL. But this makes so much sense in retrospective, think of all of those 2023 lives were JK was asking JM to come over, to do a live together, and JM's response was always "I'm busy" "Hyung needs to go" "You/I have a schedule." Jungkook was lonely without him. Jimin probably felt bad and did as much as he could to see him ("I did reach out!") - to the point he flew fourteen hours to spend quality time with JK. HOWEVER, this is just an interpretation. The lack of clear pronouns and particles makes this really hard to translate, which is why the show translator interpreted it as "when you were busy and I was free, I didn't call you." Both interpretations are valid, but giving their reactions and context, I feel like this one makes the most sense to me.

If we go with my interpretation, after that, I feel like Jimin tries to ease the conversation/justify himself by saying how him and Tae don't meet up either even if they videocall often. As if saying "I'm not pushing you aside, I'm really not meeting up with anyone else either". This makes Jungkook laugh, but he still wonders lightly "I don't think we would be seeing each other (either) if it weren't for this (trip/shoot)." I want to reiterate how lighthearted this comment is, he's simply wondering (but still teasing a little.)

But again, Jimin feels the need to defend himself "yah, that's why I (hyung) came here!" (again, he uses a grammar that highlights the information being said is something the two of them know, something obvious.) To me this felt very whiny/cute, like, "stop saying I didn't make time to see you! I'm literally right here!!" and I think JK gets the hint that if he keeps pushing JM might get upset, so he smoothes things over by repeating over and over again, "that's right, you came, you came."

It's a response to the previous "you weren't looking for me." You did come looking for me. You found me. We're okay now.

Finally.

[eloise-t-g]

i think for me, the watcher situation comes down to this:

it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.

however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.

this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).

i think this could have gone a lot better if they:

Hadn't hyped up this video for a week.

Hadn't announced the worth it successor just beforehand.

Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.

Hadn't made it $6/month (more in a lot of countries given exchange rates).

Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.

my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:

Put the ghost file debriefs on there.

Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).

Put episode commentaries there.

Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.

Put one/two episodes of each show, per season on there (and ONLY there).

Put the episodes up there a few days early.

Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).

Record the live, in-person shows and put those VODs up there.

EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.

EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.

(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).

the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.

this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.

final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.

at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.

tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.

(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).

[jinnie-ret]

skz and 9th member reader doing one of the period pain simulator things and reader being completely fine while the boys are Suffering. them realising how bad the period pains are and how the reader just gets on with schedules and dance practice and gym while in immense pain and the boys are just like :00

period pains

stray kids x ninth member!reader (platonic)

genre: fluff

content warnings: none

word count: 0.9k (exactly!)

summary: you're keen to see the boys reactions to what you go through every month.

I hope you enjoyed this! If you did be sure to comment or reblog! And let me know if you'd like to be added to my taglist!

Asks are shut!

MAIN MASTERLIST

You didn't mean to make such a dramatic exit when you ran out of the practice room to the toilets, but a girl's gotta go, especially when she's on her period. You didn't want to risk bleeding through your grey joggers that you wore.

Just as you exited the toilets, you had a worried Felix waiting for you.

"Y/Nnie, are you ok? Are you sick?" he frowned, a crease between his brows as he hoped you were not feeling under the weather.

"I'm fine, I'm fine, it's just, you know girl things," you tried to hint, yet he didn't seem to get it straight away, which surprised you, considering he had two sisters.

"Girl things?" he wondered out loud.

"Gosh do I have to spell it out? I've just got some cramps at the moment, I'm on my period," you sighed and rolled your eyes at him, jokingly of course.

"Ohhhhhh..."

"Yeah, now come on, let's get back to practice," you started walking, not turning around to see if he followed or not.

"You sure you're up for it? You can take a break if you need!" Felix wrapped an arm around your shoulder as you walked back into the practice room.

"Felix, I love you, but, I'll be fine haha, I've done this plenty of times before. If I really need to, then of course, I'll take a break, ok?" you couldn't help but smile at his caring attitude towards you.

"Oh, is it that time?" Chan asked as soon as you walked in, overhearing part of your conversation.

"Haha, yes, what gave it away?" you laughed in disbelief at how he could have possibly known.

"The emergency crisps in your bag kinda said it all," Chan lightly chuckled.

Oh.

Makes sense.

"Y/N, do you need painkillers? A hot water bottle?!" Han came up to you, treating you like you were a fragile doll.

"I've taken some painkillers already, it's fine, let's just continue with practice, yeah?" you patted his head to calm him down. What was it with these boys?

"Are you sure you can manage?" Hyunjin warily asked.

"I'm sure. You guys don't need to baby me, let's just continue," you laughed as you shook your head, getting back into position. You didn't miss their obvious glances at you, and whilst a part of you felt warm, another part was wondering how bad they truly thought periods were.

It didn't take long for your queries to be answered. In a special episode of SKZ Code, the boys were all simultaneously being hooked up to period pain simulator machines, which you were keen to see their reactions to.

"I bet I won't even flinch," Changbin smirked as he folded his arms.

"Surely it can't be that bad?" Jeongin thought out loud.

"If you don't think it's that bad, why do you always baby me when I'm on my period, hmmm?" you raised a brow at them. It made quite the moment for the episode, stays thinking you looked very cool in this moment with your blunt attitude.

"Well, you know, it's because..." Seungmin trailed off.

"We see how emotional you can get sometimes but you're an emotional person anyways," Lee Know shrugged.

"Then I bet Chan will be crying by the end of this," you teased your sensitive leader.

"Hey! I have a sister, I know that this will be painful, trust me," Chan held up his hands.

"I think I'll be fine," Han nodded confidently.

"Interesting..." you simply commented back, before the staff pressed the on buttons on the patches that were placed upon their abdomens and you could see the discomfort on their faces straight away.

"This isn't too bad..." Hyunjin's nose scrunched slightly.

"Oh, they're just going easy on you," you said smugly, before the intensity was raised and they started groaning, some of them (Felix, Changbin, Jeongin) started curling into themselves from the pain.

"I don't think I can go on like this," Han dramatically whined as he thrashed about suddenly and whacked Lee Know in the face.

"Yah! Just because you have a low pain tolerance!" Lee Know mumbled grumpily through gritted teeth.

"This feels a bit sadistic, Y/Nnie," Seungmin winced as he watched you smirk.

"Well this is right up your street then," you laughed at him.

"I don't know how girls do this," Changbin whimpered from the ground. Even with his jutdwae he couldn't contain or control his emotions.

"Isn't that enough yet?" Chan looked pleadingly towards the staff who finally turned off the machines, causing all members to relax and sigh in relief.

"Not as easy as you think, is it?" you sat comfortably, one leg crossed over the other.

"I'm so glad I don't have to go through that, let alone do it every month," Jeongin said as his body went lax across a sofa.

"Think how I felt, mine started when I was 12," you revealed, something you would never have needed to but you thought it would be interesting to see their reactions to it considering the situation you were in right now.

"12?! When I was 12 I had barely began auditioning for JYP..." Chan gasped.

"And now look at you, you're an old man," Seungmin casually commented after, leaving all of you in hysterics.

It was a perfect ending to an unexpected segment of a SKZ Code episode, and stays loved it.

tagged: @skz-streamer @sakufilms @hannahhbahng @backintomykpopphaseagain @kiraisastay @han-jiquokka

[queers-gambit]

Not So Heavenly Surprise

prompt: you share exciting news with your husband but don't receive the reaction you thought you'd get. and then, the Outbreak.

pairing: Joel Miller x female!wife!reader only height mentioned: you're shorter than Joel

fandom masterlist: HBO's The Last of Us

word count: 7.2k+

warnings: angst, angst, angst, slutty angst club, cursing, character death, major major major spoilers, death of a child, descriptive language - we talk about death and dead bodies!!! canon-level violence! NOT edited!!! (will get around to it) this work is super NOT FOR MINORS ❗️season one, episode one spoilers

September 02nd, 2002 one year before Outbreak Day

"You're going to have to tell him," you sighed to your reflection, trying to amp up the bravery. "He's gonna notice, you don't want him questioning anything, now do you? No, nope, no way, you don't. Okay, so, that's it - you're gonna tell him when he gets home. No big deal."

There was a knock at the door, Sarah calling, "Are you okay in there?"

"Girl!" You laughed, reaching for the knob and opening it to see her. "Ever heard of this thing called 'privacy'?"

"Not in this house," She smirked. "Can I get in? Wash my face?"

"Oh, yeah, totally," you moved out of her way, continuing with your nightly routine.

"So, who were you talking to?"

"Myself," you mused. "It helps me work out big decisions."

"Oh, so, you're finally gonna tell Dad you're pregnant?"

"What!?" You yelped, dropping the jar of night cream and groaning when it dolloped out from the fall - landing on your foot. "What the hell, Sarah?"

"What? You're surprised I figured it out?" She teased. "I found the pregnancy test."

"What? You were digging in the trash?"

"Well, if you must know, I dropped the toothpaste in there and found it when I was fishing it out..."

"Sarah," you sighed.

"You know he's going to be really happy, right?" She smiled at you, massaging her cheeks to curate foam from her face wash.

"Maybe," you sighed, stooping to clean your mess. "But I've been trying to figure out what to say."

"What's to say? Just tell him," she giggled. "C'mon, you guys have been married 8 years now! Isn't this, like, what was supposed to happen?"

"Well, yeah, but - "

"But nothing," Sarah laughed. "You're getting all nervous for nothing. It's just Dad, he loves you. He's going to be happy, I promise."

You sighed, nodding slowly, "All right, well, I'll try to tell him tonight."

"There is no try, only do."

"You did not just quote Star Wars to me!"

"Well, is Yoda wrong?"

You whined a little, "No..."

"So, get it done," she smiled. "This is really exciting."

"Yeah?"

"Yeah," she smiled, "I've always wanted to be a big sister."

"You'd kick ass as one," you agreed.

"Think how upset and flustered Dad will be when I teach Baby to curse!"

"Sarah, you teach the kid any curse words and I'll wash your own mouth with soap," you teasingly warned with a pointed finger. "I'm a little nervous, I think," you admitted.

"Why? Daddy loves you, he'll be really happy," Sarah defended. "Maybe a little shocked, but he'll be over the moon with joy."

"You think?"

"I know," she nodded. "Tell him tonight!"

"Tell who, what?" Tommy asked, appearing in the doorway to make you both shriek.

"What happened!?" You heard Joel, but then, everything was drowned out as you and Sarah started yelling at Tommy for scaring the shit outta you both. Joel appeared in time to see his little brother throw his hands up in defense, laughing at the two of you.

"Not cool, man!" You barked, shaking your head. "Didn't hear y'all come in, the hell's wrong wit'chu?"

"Y'all didn't lock the front door, again," Tommy smirked. "I came up real quick and quiet."

"Jackass," you muttered, wiping your hands on a towel before exiting the room. "Hi, baby," you muttered to Joel, pausing to rock onto your toes and plant a kiss to your husband's lips.

"Hi, honey," he mused, arm anchoring your waist. "What's with the screamin'?"

"Your brother's an ass," you pouted, giving your best exaggerated bottom lip.

"You had it comin', darlin'," Tommy teased. "Told you to lock up, huh?"

"Why're you even here? Why are you always! Here!?" You whined lightly. "Go home!"

"I'm staying the night," he mocked gently.

"You better not clean my fridge out," you warned him with slitted eyes. "I just went to the shop."

"You get them cookies you like?" Tommy perked a brother, watching your eyes widen a small fraction. "YOU DID!" Tommy laughed, turning, and bolting down the stairs - making you yelp and start yelling after him, following closely.

Joel and Sarah could be heard laughing from upstairs.

It was close to midnight by the time you and Joel finally settled for bed. Sarah's homework was done, whole family fed, Tommy was nursing a bonked head with a small ice pack, and you and Joel were turning your bed down.

"Hey, uh," you cleared your throat as you both got in the sheets, "so, I was wonderin' somethin'."

"What's that, sugar?"

"What do you think of when you consider the future?"

Joel paused, then shrugged, "We go to Nashville with Sarah this summer."

"No, baby, I mean the future - like, years from now."

Joel chuckled, "Uh, I don't know, baby, I just think of you and Sarah and Tommy... There's not many others left 'round."

"That's all?"

"I don't know, I think sometimes when Sarah goes off to college, that girl's goin' on a scholarship, you know? So, you and I could maybe take some time for a vacation. Finally take you on that honeymoon I promised."

You hummed, settling against his chest, "Where we goin'?"

"You know I'd take you wherever you wanted," he sighed, "but maybe we could afford... I don't know, trip to... Vegas?"

"So we can renew our vows with Elvis?"

"Why not?" He chuckled, squeezing your hip. "Might be fun, right?"

"You just wanna see the strippers."

"Can you blame me?"

You laughed and smacked his chest, "Easy, mister, you're on thin ice."

Joel laughed lightly, "You know I'm teasin', darlin'. C'mon, anywhere we could, where would you go?"

"Oh, the Maldives, without a doubt.," You smirked. "But how about we keep it simple? Go to, say, Paris?"

Joel snickered, "That's simple?"

"City of Love for our honeymoon? Baby, I'd say that's more cliché than anything. Besides, don't you wanna kiss me at the top of the Eiffel Tower?"

"'Course, sugar, but the food there?"

"Oh, like you've ever been!" You laughed, looking up at him. "Don't talk shit when you don't know."

"Hmm," he considered, "solid advice, sweetheart."

He reached out to caress the side of your cheek, making you sigh, "One thing's missin' though..."

"What's that?" Joel smirked.

"We'd have to find a babysitter."

"Sarah will be older than - "

"No, no, baby, not talkin' 'bout Sarah."

"Who, then?" He chuckled. "Tommy? Though he likes proving us wrong, he can take care of himself."

"No, I'm talking about a babysitter for us."

"Lost me again, sweetheart."

You stared at him for a moment, then admitted, "I'm pregnant. So, we'd need to find a sitter 'cause we'd have a little one by then." However, Joel just stared down at you, brows slowly furrowing as he processed your words. "Joel?" You wondered when he didn't answer, but instead, looked off past you. "Honey, you still with me?"

"I heard you," he grit, making you instantly sit up and off of him.

"Joel?"

He sighed deeply, "Why'd you have to do that?"

"I'm sorry?"

Joel sat up and swung his legs from bed, making you feel instantly smaller than you actually were. "Why'd you have to go and do that? Huh? Get pregnant?"

"Joel - "

"No, what the hell's this!?" He demanded, looking far too upset than you ever considered. "You're pregnant? You're really pregnant?"

"Yes - "

"God fuckin' damn it!" Joel swatted at a lamp, knocking it over, and waking the entire house - not that either Tommy or Sarah were asleep yet. "You can't seriously be pregnant!" Joel barked at you, and if he could, you knew he'd be gnashing his teeth.

"Why is this such a shock?" You asked. "This is what happens when you're married - "

"You were supposed to be on birth control!"

"It's only so much effective when you're cumming in me like some sex doll!" You snapped back, aware of your loudness.

"Don't turn this on me!"

"I'm not! Fuck's sake, I'm happy about this!" You stood from the bed, too. "I'm happy we're havin' a baby! Why're you reacting this way?"

"We can't afford a baby right now!" Joel looked enraged now. "We don't got the space - fuckin' Tommy crashes the couch! Where we puttin' a whole baby, huh? Where we puttin' a kid? How're we gonna afford more groceries? More schoolin'? You didn't think this through, now, did you!?"

"Fuck's sake, Joel, do I need to give you a sex-ed course? Explain how you're just as much in this as I am? I didn't do this to myself, we both took risks - but I didn't think this was gonna be an issue! I thought you'd want this!"

"When have I ever said I wanted another kid? Huh? Don't put words in my mouth, woman! I got Sarah, ain't no kid better than that! Why would I even want to bother? Knowing our situation!? You think you're ready to be a mom? All you do is work, and it makes you a pretty shaky stepmother! Neither of us are in a place to just stop and take care of a kid, we're in too deep with our current bills!"

You felt too stunned to speak, every defense you had lowering in pure sadness as tears collected in your eyes. "You serious, right now?"

"Completely," he sighed, hands to his hips.

"So, you... You don't want this baby?"

Joel's jaw flexed. "Not right now, no."

"Okay," you sighed.

"I can't take care of another kid," he shook his head. "Look, why can't Sarah be enough? You've known her her whole life."

"Why is it so wrong to wonder what it's like to be pregnant? To have my own child? Since you have Sarah."

"We have Sarah," he snapped.

"No... We don't, since I'm only a shaky stepmother."

"I didn't mean it like that."

"No? How'd you mean it?" You wondered sarcastically. "Maybe that I won't be a good mother? That you don't want a kid with me, is it? Whatever, Joel, look, there's no compromise here. You don't want this baby, but I do... So, this it is."

"What is? To what?"

"Us," you sighed, gesturing between you. "If you really don't want this baby, then I don't see how we can still participate in a marriage."

"The fuck - "

"I won't stay where I'm not wanted."

"I want you, just not the baby!"

"So, understand this. Because I'm growing that baby currently, you simply don't want me. So, it's all right, now. I'll get my shit and get out, figure out what to do movin' forward, and I'll have the divorce papers sent - "

"Like hell, you are!" Joel raged.

"How're we gonna fix this then!?"

"Fuckin' Christ, woman, you really know how to piss me off! This ain't my issue - this is your problem. But we ain't gettin' a divorce, so, you better figure it out."

You scoffed, "Who the hell even are you?"

"Come again?"

You gestured at him, "This is not who I married."

"Neither are you. When we got married, you said Sarah was more than enough - "

"You know what? Feelin's change!"

Joel scoffed, "Yeah, fuckin' tell me 'bout it."

"Wow," you sighed, turning for the closet, muttering, "wow, wow, wow, wow, WOW!"

"Fuck!" Joel snapped. "C'mon, doll, don't do this."

He watched you pack a suitcase frantically, the fight continuing to wage farther into the night. Back and forth, you two went round after round after round, trying to make the other understand and see reason. To Joel, it was a matter of financials and space. To you? It was everything else.

By 3 am, you had finally packed your necessary belongings into two bags - a suitcase and purse - before you were charging down the stairs with Joel still hollering after you. Tommy was in the living room, pacing, and Sarah was laid on the couch, eyes red and swollen as she clutched a pillow to her chest. You came to a halt when you saw them both, Joel still sneering but silencing himself when he saw what you stared at.

Just like that, he understood his brother and daughter had heard every word he shouted at you, and never had he felt such shame. You swallowed harshly, nodding at Tommy before looking to Sarah. With a wobbling smile, you managed to garble, "I'm sorry."

"Mama, wait!" Sarah gasped, shooting off the couch as you fled for the front door; Tommy catching her around her waist. "No! No! Daddy, go get her! Don't go! Mama! Please! What's happening? Why won't you go after her!?"

But to Tommy's shock and horror, Joel silently descended the stairs to push the front door closed and locked it - bolting them inside and his wife outside. "Joel," Tommy shook his head, confusing marring his features. "The hell happened?"

But Joel only sighed, turned, and headed up the stairs again. Not a moment later, his bedroom door closed - making Tommy release Sarah. She rushed to the door but stopped, only staring out, and Tommy understood she could no longer see your car.

"Hey, Sarah?" Tommy called softly. "You can stay home from school tomorrow. All right?"

She only nodded silently, taking a seat at the front door and just watching. He frowned, wanting to shoo her off to bed, but understood that her child-like mind could only understand so much. She wanted to wait for you to come home, she wanted to see you coming... However, the following morning, Joel found his daughter slumped against the front door and his brother on the stairs from watching her.

His heart had plummeted to his feet when he saw them, more so when he understood you weren't home. The house already felt colder.

September 26th, 2003 Outbreak Day

Your daughter was barely a few months old by the time "it" happened. After leaving Joel, you went home to your parents and they were gracious enough to welcome you and the babe growing in your womb.

They made up your childhood bedroom into a nursery and let you transform their home office into a spare bedroom as your little brother was living in the guest room and older sister in the basement. It was an incredibly tiny room, but it worked for now; and your little girl was a ray of sunshine that you barely noticed how miserable you truly felt.

You hadn't seen Joel since the birth... And before that? Not since your fight. He really didn't want shit to do with your daughter, and while you always told him when your appointments were, he never showed. When you went into labor, your father was the one who called him because you only sobbed through the pain that you wanted your husband. So, Joel showed that day, but didn't go into the delivery room. He just waited outside it, listening, feeling his heart shatter again and again as you begged someone to find your husband, but no matter how your mother and father begged him to go in, he wouldn't. He couldn't.

It was only after the baby was born did he venture in.

You looked beat to hell and the sheets seemed bloodier than usual, but he didn't want to linger. He only nodded at you, hands in his pockets, "Good job... She's real beautiful."

You blinked, glancing over to where a nurse was swaddling the just-cleaned baby. "Thank you," you whispered. Then, he turned to leave, "W-Wait!" You begged, making him pause. "Don't you... I-I don't know, want to help name her?"

Joel sighed, glancing at you over his shoulder, "No, 's all right. Whatever you want, she's your daughter."

Your heart broke all over again, watching him leave. So much so, when the nurse brought your daughter over for you to hold, you broke down in horrendous sobs that the nurse actually shied away. You couldn't breathe from the pain, and it actually set off a few alarms on your hospital monitors.

Your mother watched in despair as a team of professionals had to sedate you in order to calm you down enough; holding her grandbaby and rocking her arms. She waited for days, hoping you'd ask to hold your daughter, but never did. Only when the lactation expert came in to help you nurse your daughter did you actually "willingly" hold her.

It just broke your heart to even look at her because she looked so much like Joel that it should've been illegal. Eventually, you came around and felt as if you couldn't set the baby down, but for the first few days were exhaustingly tough. Your parents were a huge help, but that didn't make it easier on you to try and process life without Joel. You loved your husband, wanted him back, but after his behavior, you couldn't fathom being within 6 feet of him again.

However, life had much different plans.

You didn't feed your baby formula, opting for breast feeding. Ironically, during your pregnancy, you had developed an intolerance to gluten and never wanted flour-products even after giving brith to your daughter. However, your father loved your mother's cookies...

It was nearly 2 am when it happened.

Your father had been the first "Infected" of the family, and only your mother was in their room with him. You heard the thumping and screams, peering out of your room only to see blood pooling from under your parent's closed bedroom door. "Get back," you hissed at your little brother, darting down the hall to your daughter's nursery.

"DADDY! NO!" You heard your brother scream a minute later, panic enveloping you as your daughter started to cry.

"No, no, no, it's okay, hey, hey, it's okay, sweetheart," you whispered, trying to shush her. There wasn't time to spare, and just as you secured your daughter to your chest with tight arms and made it from her room, your father came barreling out of your little brother's room - scaring the shit outta you. "D-Daddy?"

He snarled, neck snapping when he looked at you - but that wasn't your father. No, this creature was something else and while it was in your father's body, it wasn't your Daddy, and you weren't safe here.

"Down here! NOW!" Katie, your older sister called, making you shoot off down the stairs in a blind panic. Your father came crashing down behind you, knocking into your legs as you reached the bottom - forcing you to turn over and land on your back to protect your kid.

"OH MY GOD!" You screamed when your father bolted upright.

"STAY DOWN!"

Your sister swung her softball bat, knocking your father's head back with a sickly snap. He went down, and for a moment, it was all quiet. "What the fuck?" You panted, baby still crying.

"I don't know," Katie panted, reaching for your arms and helping you up. "I-I didn't - I didn't think," she stuttered, looking at your father, who's head was split open and spewing blood. "I-I killed him."

"Between us?" You nodded, "Think he was already dead."

"Where's Mommy? And Billy!?"

"Upstairs..."

"You don't think...?"

"Should we check?"

"What if they're alive and we just left them?" She worried, blinking back tears. "I-I don't know what to do."

"I think we need to get the fuck outta here," you admitted, looking around you two. "We aren't safe here, Katie, we should move."

Just then, there was a thud from upstairs. Your sister uttered your name in fear, and you had to steel yourself. "What do we do?" She whispered.

"Kitchen, there's only one door and the basement," you nodded, the two of you turning and hustling into the room. You looked around and found a long cerated knife, standing at the ready with one arm around your baby.

"What's gonna come for us?"

"Whatever the hell happened to Daddy," you gulped. "I still think we should run for it."

"But Mama - "

"She's probably dead!" You snapped. "But we aren't. We don't have to die if we play smart. I say, we get what we need and get the fuck out of here."

However, before she could answer, there was a snarling from outside the door. Your baby still cried, and soon, the door was bursting open with your mother's Infected body being hurled through the door. Your sister begged your name in a yell and you repeated at her that it's not really your mother - keeping the kitchen island between you three - and that she needed to swing the bat.

However, your little brother came barreling inside right after and knocked into you. It was a struggle as you had to let go of your baby to keep the 10-year-old demon off your body; hip teeth gnashing as pale tendrils came curling out of his mouth.

"NO!"

You couldn't look back at your sister, struggling to keep the suspiciously-strong boy at bay. You used your feet to kick him off you, snatch up the knife, and as he came back - snarling and screaming - you only stabbed the knife up into the underside of his jaw. Yanking free, blood and more came gushing out, and your brother when down.

When you turned, your sister was panting and leaning against a counter. Mother laid dead at her feet. "You good?" You asked.

"Yeah... You?"

"Yeah," you sniffled, moving to collect your baby from the bloody linoleum floor. "Can we get the fuck outta here now?"

"There's no more threat."

"Seriously?" You snapped. "Honey, if it happened here, it's happenin' elsewhere and we need to fucking move before we get left behind. Understand me?"

But then... There was a sickening sound from the only other door in the kitchen... The one leading to the basement...

"Katie?" You called your sister's name, "it's time to run."

"GO!" She screamed when a new body, that of your next door neighbor, came bursting through the door. You both ran, your daughter tight to your chest, and just made it outside your family home when a truck was screeching to a halt.

Joel leapt from the passenger seat, hollering your name in panic, and making you shoot off like a Roman Candle towards him. He caught you easily, holding you and your infant close to his chest as Katie came sprinting from behind you - taking cover behind Joel.

"What - "

"JOEL!" Katie screamed, pointing towards the body rushing from your home.

"Tommy!"

There came a gunshot, making you flinch into his chest as he turned you from the sight. "Get in the truck," Tommy called, Sarah opening the door from the inside to invite Katie in.

"We gotta go, darlin', it's time to go, let's go," Joel muttered to you.

"What the fuck is happenin'?"

"We don't know, but it's bad," he nodded, looking around frantically. "We need off the streets, baby, please, get in the truck."

But you paused, asking him, "You came back for me?"

"For the both of you," he sighed, caressing the top of your daughter's head - who still wailed in fear. "Please, baby, it's time to go - get in the truck." When you did, he rambled, "Thank you, thank you, thank you, all right, Tommy! Let's go!"

When everyone was in and doors shut, a new game began: Get the Hell Outta Dodge.

During the ride, Tommy and Joel filled you and Katie in with what they knew from the broadcasters that were once on the airwaves. Sarah held onto you tightly, infant child still wriggling in your lap and arms. You were trying to flee the suburbs, making for the highway, but it seemed, everyone else who hadn't been killed off had the same idea and created intense traffic.

"We're okay," you whispered to Sarah on repeat, almost in a chant. Katie frowned and slowly reached over Sarah's lap, taking hold of your daughter. You slowly let go only to latch full onto Sarah and try to comfort her with slow rocking and cooed words of encouragement. Joel knew that in your time apart, you and Sarah saw each other often - nearly on a daily basis - and could understand that you were her mother, through-and-through.

You both needed the comfort right now.

Someone to lean on.

Someone to be scared with you instead of saying "buck up."

"Take the field, Tommy!" Katie barked from the back, holding your screaming baby to her shoulder and trying to offer her warmth and comfort. However, it was impossible with the tangible panic and loud blaring of horns and cursing voices. "We can cut across and pick the road up on the west side."

"Yeah, yeah, yeah, yeah. West, West, all right. All right, hang on," he turned the wheel, everyone bracing for the sharp movement before the bumping of the terrain became wildly uneven.

Around them, other cars followed suit, and the field was soon flooded with civilian cars trying to flee. "The fuck could be happening?" Katie asked you, gulping, "You're the doctor!"

"I-I don't fucking know, Katie, please," you whispered back, gulping in nerves as Tommy drove you all over the grass.

However, when they came over the hill to catch sight of their destination, there was a flooding of lights and choppers in the air. Tommy cursed, "Shit! Fuckin' Army!"

"Isn't that good?" Sarah asked from your embrace.

"It's good for them, but that's the highway we're tryna get to," Tommy explained, coming to a halt as cars flooded past them.

"All right, keep movin'. Head north," Joel advised quietly, his mind trying to settle.

"Could be a lotta people," Tommy argued lightly.

"Well, we can't go south, we can't go east, we can't go west," Joel pointed out. "Hell else we supposed to go?"

"Tommy, fuckin' drive!" You grit, Katie joining you in on the last word.

"Tommy, c'mon!" Joel followed right after. The tires squealed as Tommy pressed on the gas while turning his wheel, making the truck turn and speed off for a distant suburban town; lights in the distance guiding you. "Yeah," Joel muttered. "Yeah, I know that place. This can work."

"Yeah, all right, fine, cool, but then what?" Katie asked. "Where are we supposed to go then?"

"I don't know. Mexico. Just far, far as we can," Joel answered uneasily. "How much gas?"

"Three-quarter tank," Tommy answered.

"Go through town," Joel advised. "Golf course by the river, straight across, we pick up the highway on the other side of the blockade, then we're out."

"I'm gonna throw up," Katie whispered, head tilted back with her eyes closed.

"If you're feelin' sick, hand me my baby," you snapped, looking at her with fear.

"No, girl, it's anxiety," she snapped back. "I'm not sick."

"How can you be sure?" Sarah wondered.

"Cause it would've hit us the same as it did our family..."

"Who'd it hit?" Tommy wondered, looking back.

"We're all that's left," you sighed, saving your sister from answering. "Daddy turned first, then Mama... Billy after... We got out."

"They bite 'chall?" Tommy asked, glancing back.

"No," you answered, looking at Katie. "You bit?"

"Nope, I beat 'em to the punch," she sighed. "Ah, fuck, my stomach."

"Throw up in my truck, darlin'," Tommy muttered, sucking his teeth.

"Throw up on my baby, Kate, and I'll beat 'cho ass," you snipped, perking a warning brow at her.

"Girl," she sighed, glancing at Sarah - who had sat off you in contemplation. "Sarah?" She whispered in wondered.

"Maybe it's everywhere," she voiced, glancing at the two of you sat on either side of her. "Maybe there's nowhere to go..."

"Well, hey, we'll just have to find somewhere safe," you nodded back at her, but furrowed your brow. "Anyone hear that?"

"Oh, shit - "

"What the fuck!?" Tommy called over Katie, glancing up towards the roof as there came a deafening sound of a plane flying far too low to the ground.

"Cover her ears!" You begged Katie, reaching for Sarah to press your hands over her ears. Your sister held your daughter's ears closed - her still screaming bloody murder - as the plane flew over the truck.

"Fuckin' hell!" She looked back, noting the sky. Sarah whipped around, too, only to spy two more planes in the sky - all flying low and at odd angles.

However, ahead of them, cop cars were speeding around the streets and cutting off any route. "Son of a bitch," Tommy cursed. "Gotta go around. Grab somethin'!"

You held onto the designated 'oh shit!' bar over your head as Sarah leaned over to hold Katie and your baby. Tommy took a sharp right into an alley, between buildings. When you all rightened, it was only to see the people on the street running around, screaming, cars zooming past them all. Tommy took a left, then another right, and joined the bustle of the street.

"All right, keep goin', keep goin'," Joel pointed ahead, but tommy blew past a stop sign. "Shit - TOMMY!"

Another car came to a screeching halt, barely missing T-boning the Tommy's truck. They moved on, only to discover people mauling each other in the street - blocking most of their path. "Oh, my God," Sarah whispered, reaching for you as your arm came around her shoulders again as Tommy came to a stall.

"Tommy, you can't stop here," Joel reminded.

"I can't drive through 'em all!"

"Are you serious?" Joel barked. "Just keep goin'!"

However, ahead came the smashing of glass and a stampede of people - all running wildly and making you assume they were Infected, too. "Ohhhhhhh, shit," Katie whimpered.

"Go, go, go, go, back, back, back, back, back, back," Joel encouraged his brother, who hastily switched gears.

"I'm trying!"

However, when you and Sarah looked back to watch the crowd and stay out of Tommy's range of sight, you saw a distant threat and tuned everything else out. "Joel!" You begged, reaching for his arm as the sight of an airborne plane turning in the sky to head back your way was far too pressing right now.

"Dad!" Sarah echoed.

"Holy shit," Katie sobbed, cradling your baby tightly and without you even noticing, put her seatbelt on.

"Move. MOVE!" Joel told Tommy.

The plane took a nosedive into the ground, exploding, and send a flurry of parts around the surrounding area. One of those areas happened to the building you were driving past, and one of the steel parts ricocheted off it and into the truck.

Everything went black.

"Baby? Baby, can you hear me? Hey, hey, hey, darlin', c'mon, open them pretty eyes for me, c'mon, baby, please."

"Fuck," you wheezed, eyes slowly opening.

"Hey, hey, hey, there you are, hey," Joel whispered, Tommy, Katie, and Sarah already out of the truck. "There you go, c'mon, you all right? You hurt?"

"No," you blinked a few times, wiggling your toes and fingers. "Fuck's sake, what happened?"

"Car accident," he nodded, "c'mon, sugar, gotta get up for me," he looked around. "We ain't safe here, c'mon, baby, that's it."

You nodded and let him pull you from the wreckage, grunting when shattered glass pressed into your skin to create long drips of blood that resembled a child's melted-crayon canvas from elementary art class. When out, Sarah kept weight off her ankle and wobbled in her stance, making you frowned, "All right?"

"Ankle," Sarah sniffled.

"We gotta get off the streets!" Tommy called from the other side of the car.

"KATIE!?"

"I got her!" She called back, and then, you could distinguish her shrill crying. You sighed with relief before Tommy was profanely screaming and Joel turned you and Sarah from the car just as an out-of-control police car came smashing into the truck.

"I got her," you told Joel, taking hold of Sarah in full as he nodded in thanks before turning for the wreckage they couldn't get around.

"Tommy!? Tommy!? Katie!? TOMMY!"

The brothers found a glimpse of each other through the flames, Tommy telling his brother, "Head to the river! We'll find a way! Get them outta here, Joel! Go!"

"Take care of my daughter," he nodded back.

"C'mon," Tommy told Katie, and the two were taking off with Tommy's gun slung over his shoulder.

Joel turned back for you and Sarah, gulping nervously at you, "Darlin', listen, I'm so sorry - "

"Joel, now's not the time," you panted. "We gotta go. Okay? We're good right now, but we gotta stay good. Let's get the fuck outta here, please. We can talk later!"

He nodded back, looking at Sarah, who refused, "We can't leave them! K-Katie has D - "

"They'll be fine," Joel insisted. "Tommy's with 'em, they'll look after each other. Can you run?"

"No," she shook her head, making Joel sigh.

"Can you?"

"I'm good," you nodded, worryingly looking at Sarah. "I can carry her - "

"'S all right, darlin'," he muttered, sweeping Sarah into his arms and making her arms latch around his neck. "You keep your eyes on me," he told his daughter. She nodded. "Okay?"

"Okay," Sarah breathed.

"Okay," Joel nodded. "And you don't look anywhere else." Sarah buried her head in her father's neck, his eyes meeting yours. "And you..." He panted, swallowing nervously. "You stay with me, you stay right with me, all right?"

"All right."

"All right," he agreed, hurrying off down the alley. You were true to your word, keeping up with him easily, but both slowing when the end of the alley only lead to a group of Infected motherfuckers feasting on the flesh of other humans.

You panicked for a moment, looking around you, and nearly missing the sound of the a distant explosion - sounding more like a crack from this distance. However, it was enough of a sound to draw the attention of at least one Infected Fucker - who looked up to stare at you, Joel, and Sarah.

Joel lead you to a building behind you - but the Fucker followed. "Joel, go, go, go," you hissed, easily taking the lead to use your body to burst through doors. Joel followed, understanding that because he was carrying Sarah, you had assumed the role of "guide" and wanted to clear his path - but it also cleared a path to be followed.

It made horrendous sounds as it chased you three, literally hauling it's body around as if it had no real control over it. The feeling inside your chest was chaotic, the tension tangible through the air as you lead Joel through the closed-diner.

The creature still followed.

Finally outside, you didn't have to restrict yourself but couldn't find it in you to leave Joel and Sarah behind. If this was the end, it was only right you fell as a family - and while deeply stupid of you, it was oddly poetic. However, as you heard the beast in pursuit just nipping at your heels, so sounded a reverberating gunshot.

It made you pause, looking back to see a headshot had taken the Infected Fucker out, and yet, no obvious sign of the shooter. Joel comforted Sarah, looking down at you - making you nod, telling him you were okay - before looking around again.

Then, a flashlight blinded you as a Humvee's lights flashed on, a voice demanding, "Don't move!"

"Joel..." You whispered, holding onto his elbow as he readjusted so he was slightly in front of you.

"My daughter's hurt!" Joel called to the military man. "Her ankle!"

"Stop right there!" He barked again.

"Okay," Joel muttered, nerves being shared as you had a bad feeling about this. "Easy now. We're not sick!"

But the solider, instead, radioed in, "I got three civilians by the river, one of 'em injured... Ankle..."

"What about Uncle Tommy and Aunt Katie?" Sarah asked her father.

"We're gonna get you somewhere safe first, with your Mama. Yeah? Then we'll come back for 'em, okay?"

"Okay."

"Okay."

"I'm sorry, repeat?" The solider asked into his comms system - earning your attention again. Joel tried to step forward, but the flashlight was right back up into your face, the man snapping, "Hey! No one told you to move!"

"Joel," you worried. "They have shoot-to-kill orders."

"What?" He whispered.

"In the event of extreme violence, similar to this, they have orders to shoot-to-kill," you told him shakily, watching the man. "I know you wanna trust 'em, but they're not our friend right now. Get ready to run..."

"Darlin' - "

"Joel," you hushed, squeezing his elbow.

The solider answered his commanding officer with three, spaced out, "Yes, sir's," before he was slowly picking up his firearm and the light was again in their eyes.

Joel realized how right his estranged wife was in that moment. "We're not sick," he tried to remind. But the man approached, making Sarah's breathing pick up as she held on tighter to Joel's neck - blindly reaching out for you. "Sir," Joel begged, "we are not sick!"

But just like you had said, the orders were shoot-to-kill, and the rapid gunfire sounded in the knight - only barely masked by Sarah's high-pitched scream. You felt a searing burn in your thigh, all three of you toppling over down the short hill you were heading towards; all three rolling away from one another.

When you came to a halt, you seethed in pain, holding your thigh, but hearing a much worse sound. Sarah hyperventilating. You looked up as the solider leered over Joel, army-crawling towards her just as a gunshot sounded. However, when you weren't struck, you kept going, and reached your stepdaughter.

"Baby?" You whispered.

"Mama," she begged. "Mama, Mama," she repeated, barely able to swallow her saliva - much less her fear. "Hurts," she grunted, soon losing the ability to form words.

Tommy had seen the scene and rushed forward to shoot the solider, leaving Katie at his side with your infant daughter still in arm. "I got'cha, hey, hey, hey, I"m here," you whispered, literally whipping your shirt off to press into her stomach. "JOEL!" You cried, looking over your shoulder to spy him on the ground.

He quickly scrambled to Sarah's other side, taking in the situation, and looking at you with absolute devastation. You cried as you held pressure, but you knew, from the entry wounds, Sarah didn't stand a chance. Her aorta artery had been hit and shredded by a bullet, only giving her moments left in this life.

Watching Joel was possibly harder than watching him walk away from you in the birthing room. He was desperate, trying to save his daughter but only being able to hold her as she grunted and sobbed in pain; bleeding out in her father's arms. Joel begged you to help but you couldn't, unable to form words, so, he turned to his brother and screamed at him - and your sister - to help him.

But in that moment he had looked away, Sarah's life had left them. "Joel," you whimpered, making him look down and realize what happened. He sobbed, drawing her in tightly; rocking helplessly on the ground as he couldn't fathom what had just happened.

However, amongst his mourning, there came a sound you never wanted to hear again. Whipping around, you caught sight of your sister starting to twitch and leapt to your feet; limping in hurried motions to snatch your screaming baby from her tightening grip.

"Katie," you begged in a sob, backing up towards Tommy, "oh, God, no... No, please."

But the bite on her forearm had turned a sickly black-and-blue, alerting she had been bit at some point and never voiced it. Before your very eyes, she turned from your dear, sweet older sister into a blood-thirsty monster. Yellowed and dead eyes, snarling and uncontrollable twitching, limbs that turned up in odd angles as the infection took over completely.

When done, you sister gave a shriek before you pleaded, "Tommy!"

He took aim and fired once, putting Katie out of her misery; sending her corpse crumbling to the ground. You panted, tears in your eyes as you couldn't process this night, but then... The unexpected.

"Oh, God, no," you gasped, wrenching your daughter from your chest as she started wriggling uncontrollably. "No, no, no, no, no, no," you sobbed, dropping to your knees and laying her down. Quickly opening her baby blanket, you noted the adult-sized bite on her whole shin, sobbing harshly. "Delilah! No, not my baby, no, no, oh, fuck, no, c'mon, not you, too. Not you, too, Delilah, please, my angel, oh, fuck, no, God damn it!"

"Darlin'," Tommy stuttered from behind you. He looked up in fear, finding his brother's confused gaze and calling, "J-Joel!"

"Delilah, please, fuck, h-how do I fix this!?" You begged. "No, fuck, God damn it! Why can't I help my daughters!?" You snarled at Tommy, sobbing until your chest hurt. "Why!? Why can't I save them!?"

"Doll," he whispered, his older brother slowly letting go of Sarah to lay her down, shut her eyes, and rest her arms over her stomach before turning for you.

"Not her, too, please," you begged. "That's everyone, please, no, please, th-this can't - please, this can't be happening! How do I help, Delilah, baby, please?" You still begged, looking at her bite. "I-I can - I don't know what to do! Wo-Would amputation work? Oh, fuck, no, no, it's - no, please!"

Joel stumbled to his feet, nearing you, but pausing as he could only stare as his infant daughter, whom he had only just seen, twitched and convulsed as the infection proved too great for her little body. It also wasn't lost to his that you had name her after his own mother, long since departed from this world and who would never meet her granddaughter.

"Oh, my God," Joel whispered, slowly nearing you as you sobbed over your daughter; hands hovering all over as you weren't sure where to touch her.

"Please!" You begged nobody, sobbing uselessly as Delilah came to a slow but jarring halt. "Oh, my God," you squeaked, leaning back in shock. "Oh... Oh, my fuckin' God, no... Not our kids, c'mon, no, God, please, fuck - this has to be some fucked-up nightmare. Right?" You looked desperately at Joel. "This... This isn't real, right? This isn't really happening? Please, Joel, you have to fucking tell me this isn't real - this can't be real."

"I'm sorry," Joel wheezed, slowly reaching for you.

"This didn't happen," you shook your head. "O-Our daughters - what the fuck just happened?"

Tommy slowly took the seat on your other side, Joel easily tugging you into his embrace as your sobs wracked your whole being. There were no words to be shared, only the grief of two parents who had just lost everything. Sarah's blood stained both your skin, Delilah laid perfectly still in her baby blanket right in front of you, and Tommy, who felt his gun weighed more than himself after failing to protect those he loved most in this world.

Joel, who lost his daughters but kept his brother.

And you... Who lost your husband a year ago and both your daughters, your mother, father, little brother, and older sister all in a single night. You, who would carry this night of great loss with you, for life. You, who felt confused on how "moving forward" was ever possible. You, who would eventually lose feeling in your head and heart that would result in years of violent turmoil.

You, who would eventually find a path to redemption, but for tonight, you, who grieved loudly and openly in the bloody arms of your estranged husband.

requesting rules and masterlist

TLOU masterlist

[jazminetoad]

Okay, I know there's like this whole debate and theorizing about what is going on with Alastor in episode 5

After rewatching the scenes, listening to the rap battle multiple times, watching analysis videos, reaction videos, theory videos, and reading people's thoughts on Tumblr, I've come to a conclusion

Alastor felt threatened by Lucifer because he thought Charlie was looking for powerful assistance from her dad, and if that was the case, it would mean Alastor would be replaced

I mean it doesn't help Lucifer gave that intention at the start of the song, quite literally dissing Alastor, blatantly saying Why do you need this guy when you have me now?

Lucifer shows off his power to Charlie, stating how much of a help he can be, and that Alastor isn't needed

This pisses off Alastor

People who theorized Alastor is pissed because he's no longer the most powerful person in the room, they're on the right track

Alastor saw Charlie's advertisement for the hotel on the news (people seem to forget that when pointing how he just shows up after Charlie calls her mom), then he came to help Charlie out, being there since day 1 of Charlie announcing it to her people.

His reasons of why he is helping are all over the place, but he is a powerful entity there to assist Charlie regardless

Lucifer showing up by Charlie's invitation irritates him because the way it looks to him, Charlie is seeking someone powerful to help her, it is an insult to Alastor because he is powerful and Charlie seems to forget that fact

So Alastor decides to remind Charlie of his presence and how he is here to help her

"Who's been here since day one? Who's been faithful as a nun? Who makes you chuckle with an old-timey bun? Your executive producer~"

"I'm your guy, your day-to-day, your chum, your steadfast hotelier. Remember when I fixed that clog today?"

These lyrics is Alastor showing he has been dedicated to helping Charlie, proving his worth, he wants to show Charlie is he a valuable asset to her team, yet he realizes that labeling himself as just an employee isn't enough since an employee is easy to throw away, therefore he pushes further. He states he's happy to have connection with her, calling her a daughter and how he cares for her like one, labelling himself as a dad

Alastor does this because if Charlie is seeking assistancest from Lucifer 'cause he is her dad (wanting familiar support), painting himself as a father figure opens the door for Charlie to acknowledge him and go to him for support, thus being irreplaceable

Alastor even brings up the rest of the hotel cast to state they have been a better family toward Charlie than her own father, coloring Lucifer as someone not only useless but worthless as well

However, Alastor dropped his beef with Lucifer when it is made known to him that Charlie is requesting her dad to set up a meeting with heaven, she is not asking for her dad to help the hotel or to work for the hotel, meaning Alastor's position is not threatened (Hence why he never interrupted the second song of the episode)

[reiderwriter]

hii! could you write smut where spence and reader are bestfriends and one day shes in his car and he snaps and is like “I LOVE YOU” and like they have sex in the car (like with sub spence) and can you include spence getting bj THANKYOUUU

A/N: Car love confessions always remind me of the electric love tiktok "I kissed my best friend" trend that I was OBSESSED with two years ago, and my GOD was this a full-circle moment for me.

Warnings: sub!Spencer, semi-public sex, slight voyeurism, oral sex (m recieving), slight cum play, car sex (bj only), like this was slightly self-indulgent and I had to post it right after I finished writing...

The air outside was cold, but the car had been running for an hour now as you listened to Spencer Reid talk about his day. Whether your cheeks were flushed from the heat coming from the fans or from his subtle attentions, you couldn't discern. 

Spencer, your best friend of nine years, who had been around the country saving lives and facing the most horrendous criminals in the world, was currently sat in the passenger seat of your car excitedly mumbling about Star Trek. 

“I can't believe you decided to watch it, and you did it without me,” he smiled at you, his body angled to face you just ever so slightly. 

He'd started by filling you in on the case he'd just returned from, then moved onto books he'd read recently (a conversation you could absolutely contribute to, being a college librarian yourself, and the source of many of his books). 

And then he'd asked you about your day, and you'd spilled about watching a few episodes of classic Star Trek, and all of his joy and knowledge had bubbled up to his lips without even a thought of pushing it down at all. 

“I've been hounding you for several years, and you decide on a whim to watch it today?” He'd meant for the question to come out with an annoyed tone, but he couldn't hold back the smile passing over his lips as you laughed at him. 

“Spencer, it's a TV show. We can watch it again together. In fact, why don't we do just that? Drive to mine, and we can sit through as many episodes of Star Trek as your heart desires.” 

“I wanted to see your initial reactions, though. I wanted to tell you all the behind the scenes knowledge only true trekkies know about.” 

You laughed loudly at this, especially as you saw the pout on his lips as he mumbled the word “trekkies.” 

“Hey, stop laughing,” he said, but his chest was heaving with a chuckle of his own. And for the life of you, you couldn't. He was sitting there pouting because he wanted to see how much you'd enjoy his favorite TV show, and by god, did he look adorable. 

“I'm sorry, Spence, I-” you tried to cover your mouth, but found your hands were both needed to hold your stomach instead as the laughs that wracked your body veered on painful. 

“Y/N, really!” He said, fully grinning now, pout abandoned. But you didn't stop.

Nothing in the air changed or paused at that second, as his head swooped closer to you, but your body instantly reacted to his closeness. 

It was as if all the hairs on your body stood on end as he tipped up your chin and quickly stole away all the oxygen in your body. 

Before your mind could react, your hands were already tangled in his hair, making sure he couldn't pull away. But you felt him smiling into the kiss, and you knew he wouldn't ever want to pull away now that you'd accepted him. 

With empty lungs, you finally had to separate, and to your surprise, a giggle still flittered from your lips. This time, you did clap a hand over your lips, though. 

“You're laughing still? I just kissed you to shut you up, and you're still laughing.” He said, tucking the few strands of hair behind your ear but still refusing to move too far away. 

“You should've seen your face. You were pouting and adorable and-” 

“I love you.” 

Your heart, that had previously been beating remarkably fast after his kiss (and likely from the fit of laughter preceding it), stopped at his words. 

You'd heard people describing butterflies in their stomach before, but this was more intense. It was more like your heart was a pinball that had just been launched back into the machine and was bouncing around in your ribcage hitting objects and trying desperately not to detach from your chest and jump into his arms. 

“I love you, Y/N.” He smiled, and it was sweet and simple, and even if you were not simple people and life had never been particularly sweet to you, you allowed your happiness to soar as you leaned back in and pressed your lips against his. 

Maybe it was the nine years of waiting (though had you been asked, you'd have been totally oblivious to your quite obvious feelings for the man). Maybe it was again the heat in the car. Maybe it was perhaps the two weeks in which you'd not seen him that led you to venture a step further than you usually would. 

But within seconds of tangling your tongue with his in his mouth, sending him reciprocated confessions with each passing breath, you somehow found the energy to pull yourself up and onto his lap. 

“Y/N, we're in a car-” his protests were weak as you suckled your way down his neck. 

“It's dark outside, and I love you.” His hands gripped possessively on your hips as you continued to shower him in affection. 

“What if someone sees us?” He whimpered as you loosened his tie, discarding it so you could pop his buttons open and trail more kisses across his beautiful collarbone. 

“Then I hope they understand enough to walk away and leave us alone to love each other.” 

You'd managed to get all of his buttons undone and sat squirming in his lap as your fingers brushed across his pert nipples. His head was thrown back to allow you access to the part of his neck that, when you'd run your tongue along it, had him gripping your ass and rubbing your core along the now obvious tent in his pants. 

“Y/N, please….” He panted, and you again returned your lips to his face, brushing over his eyes, his nose, his jaw, and his lips. You were blind and discovering your whole new world through your lips, mapping his features inch by inch. 

His whimpers grew louder, more urgent. He was almost becoming whiny, and that pout from earlier shadowed across his face again, so delightful that you'd immediately wanted to kiss it away from him. 

Dry humping in the passenger seat wasn't going to be enough  you decided, and reluctantly drew away from him quickly. 

“Y/N, what-” He weakly gripped the material of your pants, his quiet protests from earlier forgotten as he begged for your touch to return. 

“Trust me, I love you,” you winked at him again, marvelling in his flush, the hand he wiped across his face to hide his quiet joy. 

You shimmied yourself down so your face was hovering just above his cock, straining through his pants. You slowly undid the buttons and let his cock spring up, wrapping a firm hand around it when it was fully released. 

His hand came down to cover yours, even as the other covered his flushed cheeks and eyes in embarrassment. 

“Spencer, let me see your face. I want you to look at me, please, Spencer.” You cooed at him as you quietly removed your hand from under his, instead moving it to his so you could control his movements. 

You let your breaths hit his cock as you controlled his hand, helping him to slowly jerk off as he gave into the pleasures you were so desperate to gift him. 

“Spencer, please, for me. Show me your fucked out face, I want to see it so bad.” 

With each slow stroke, his body seemed to grow heavier with lust until the hand on his face eventually fell, and you could lock eyes with him once again. 

You smiled brightly at him and, without missing a beat, took him into your mouth. 

The angle was awkward, but you only needed to see that shock and just in his eyes briefly, so you manoeuvred your head into a better position and began fresh. 

You held his hand, holding his cock, and sunk your lips down as far as they'd go, before lifting slowly off. You did it again, and heard the hiss from his lips as he enjoyed the pressure. 

You sped up slightly and felt his discarded hand land on your hair. It wasn't domineering or controlling, but more comforting, as he tugged your hair behind your ear, eventually bundling it up into a gentle pony tail to keep it out of the way of your task. 

“Y/N, I love you so much,” he whimpered and moaned, and you squeezed his hand in response, intensifying the pressure on his cock while also responding to his confession. 

You were going to show him just how deeply you loved him by giving him as much pleasure as you could muster. 

“Pull off, Y/N, please, I'm going to-” He bit his lip, biting off the sentence, almost as if he were afraid of speaking the vulgar words into existence. You could feel his muscles going taut underneath your hands, though, knowing exactly how close he was to losing all control and giving into passion. 

And you certainly weren't pulling away. 

Instead, you pushed your head down once again, going further than you'd managed thus far, nose tickled by his pubic hairs as he shot his load down your throat. 

You gagged, of course you gagged, and he let out a guttural moan, sensitivity apparent in each of his twitches and ragged breaths. 

You made sure to keep as much of him inside your mouth and rose off his cock, looking up at him again through eyes half-lidded with lust. You made sure he was watching as you smiled and swallowed a mouthful of his cum, making sure to lick your lips after and watching his throat bob as he processed the entire scenario. 

You again climbed into his lap, but this time, you just pressed your head to his bare chest, wrapped your arms around his neck, and listened to the thrum of his heart. 

“I love you, Y/N,” he said again. You hummed a response and waited for him to say it  again and again. Hopefully, for the rest of your lives. 

[wenellyb]

How I feel about Buddie...

You guys have been warned, this is a long post.

I've always liked 911 and was a casual viewer but never got involved in the fandom or anything. Of course I knew about Buddie, but I personally never saw it. Buck and Eddie have always acted like best friends and do stuff best friends do. I have never seen any scene that could be interpreted as romantic, except maybe for the "you want to go for the title" scene. But to me it wasn't enough to ship them, especially since it was the only scenes in their hundreds of scenes together that could be seen as romantic.

That being said, I've always thought the ship was cute, and I understand it because who doesn't like a good friends to lovers storyline?

I just never got involved in the fandom because their behavior reminded me of the Stucky and Destiel fandom, which were chaotic experiences for me. Some people just don't know how to handle non canon ships and act entitled, complain to the showrunners and harrass the cast. I've always tried to avoid fandoms like that, but wasn't against the idea of Buddie as a ship.

The 911 Lone Star crossover episode for me was the confirmation that Buck was into men. To me, it was obvious they confirmed he was into men but hadn't set up a storyline yet. So naturally I thought... if they set up a storyline it will be with Eddie. There was no doubt it my mind.

So fast forward, a few years, I wasn't really watching season 7 and then I see all the fuss from Buddie shippers I follow, and it makes me watch the sneak peek video from 7x04 and I'm like....For sure Buck is being jealous right? (it was the scene where Eddie interrupted Tommy giving Buck a tour)

So I decided to watch the episode convinced this was going to be the episode where they confirmed Buddie, but I was also very cautious because Buddie shippers had cried wolf too many times before.

So I was careful, but I was also convinced that this was it: "Buck was going to get jealous of Eddie hanging out with Tommy and then confess his feelings or the other way around".

And that's actually what was happening until the end of the episode, we saw Buck get jealous, and most of us assumed he was being jealous about Eddie.

We didn't figure out until the end of the episode that it was all about Tommy.

And that's the beauty of that episode because you think you're watching something when in fact you're watching something else and when you rewatch some scenes you understand it, and that plot twist was written so beautifully.

So we have Buck and Tommy have a heart to heart in Buck's kitchen and they kiss. And what a kiss... the kiss itself was Nice but the look Buck gave Tommy after the kiss was breathtaking.

From that moment on, I was rooting for them.

But I still had Buddie at the back of my mind because I was thinking, what if this is all temporary and they're planning to break them up to set up a buddie storyline? So I shipped it but didn't want to get my hopes up.

This feeling got bigger when I started watching 7x05 and I saw the way their first date ended. I thought... this is it, we might not see Tommy again, what a shame. But then Buck talked to Maddie about his date and confessed it was with Tommy. And Maddie asked: "so tell me about the hot pilot", and I thought this isn't how they'd talk about a character we never see again. But I didn't know for sure.

Maybe they were setting up a Buck x Eddie storyline....

I changed my mind when I saw Buck's coming out scene to Eddie, the scene was beautiful and at that point I still was thinking Buddie was a possibility. But one line made me think that Buddie wasn't happening: "I can't stop thinking about him".

No writer would put a line like that and have Oliver say it like that with that look, if they were thinking Buck and Eddie would have a romantic scene in the future. And if you do write that, you would get a jealous reaction from the other character, not a "You should call Tommy".

And then I was conforted in my feelings when the writers doubled down and had Buck invite Tommy to Maddie's wedding. Buck could have just apologized and asked Tommy on antoher date, but no, he invited him to his sister's wedding.

There has been absolutely no hint of a romantic relationship between Buck and Eddie throughout the season. There has never been a sign of jealousy from Buck or Eddie's side when they were dating Tommy, Marisol. If they had been setting up that storyline, the writers would put some hints here and there. Instead, they shared meaningful scenes like best friends do.

I never had anything againdt Buddie as a ship, I was even open to it, but all the times I thought Buddie was going to happen, it was because of the fandom, not because of something I saw in the saw...To me Buddie is and will stay a fanon ship.

TL:DR: I don't hate the ship, I find it cute but the behavior of some shippers has made me want to stay away from the fandom. And when I thought Buddie might be happening, the writers showed us they had long term plans for Bucktommy.

[akirathedramaqueen]

Octavia's and Blitzø's potential relationship development

I believe that the show, despite Octavia openly hating Blitzø, gives us some hints that they have much more in common than it seems. I’ve noticed a couple of moments where Blitzø and Octavia are… pretty much in sync, if that makes sense.

Here are those moments I’ve noticed… maybe stretched in some places, but! Hear me out!

1. Here, they don’t hear each other, but both are repulsed by Stolas’s obnoxious language and express the same reaction. It’s funny that Stolas is the one calling them out.

[Blitzø]: WHAT [Octavia]: THE [Blitzø]: FUCK [Octavia]: DAD?! S1EP2, Loo Loo Land, 4:52

2. They also share a distaste for Stolas’s behavior throughout the episode, albeit in slightly different ways. In fact, this serves as a great demonstration of how deaf and blind Stolas is to obvious social cues at the beginning of the series—he doesn’t stop even when directly asked to do so on multiple occasions.

Blitzø is disgusted by Stolas’s awkward, overly sexual advances and demeaning language towards him and his work.

[Stolas]: You are so cute when you are serious! S1EP2, Loo Loo Land, 6:06

Octavia is taken aback by essentially the same. However, she blames both of them, understandably failing to recognize that Blitzø is just as uncomfortable as she is. From her perspective, Blitzø is a homewrecker who contributed to destroying her parents' marriage.

[Stolas]: You know, it's quite thrilling to see you on the job, Blitzy.[Blitzø]: Save it, bitch, I am working. [Octavia]: You both need to get a room. S1EP2, Loo Loo Land, 8:20

3. They share the hate for the same clown!

[Blitzø and Octavia]: I hate that fucking clown. S1EP2, Loo Loo Land, 8:50

4. They seem to have similar tastes in music! The song My World Is Burning Down Around Me, which Octavia plays to tune out Stella’s screaming, is also heard in Blitzø’s van when he comes to pick up Loona in the Queen Bee episode, although it’s only instrumental. Here, have a look. If, for some reason, the service with the timeframes isn’t working, I’ll also provide the timings in writing so you can check it yourself on YouTube.

Octavia turns on the song, and for a while, we can hear the lyrics before it fades into the background as the scene shifts to Stella yelling at Stolas and later to Stolas’s conversation with Octavia. S1EP2, Loo Loo Land, 2:52 - 3:50

The song’s instrumental version can be heard when Blitzø’s van arrives, and the background noise at Queen Bee’s club is different, so there’s no chance for misinterpretation. It is the music Blitzø’s was listening to. S1EP8, Queen Bee, 8:20 - 9:14

5. Haha, they freak out in the same way in the Seeing Stars episode! I know it’s probably just a stylistic choice to transition from Octavia’s initial experience with LA to Blitzø having to contact Stolas and explain what happened. However, I might be indulging in a bit of wishful thinking, suggesting that this similarity in their stress responses could have some deeper meaning.

S2EP2, Seeing Stars, 4:42

So-o... What am I trying to say with all these points I've made?

Like the kind of delulu who yells, "Ghostfuckers, save us!" (we know Viv, we know how trying to put our hopes up ends, haha), I draw a complete unhinged card and I am going to make a very bold claim:

I think that once Stolas and Blitzø finally get their shit and themselves back together, and Octavia realizes there’s much more to the story than, “Oh, it’s just horny dad cheated on my mum with a red lizard dickhead and my dad ruined my family,” Octavia could actually bond with Blitzø quite nicely, and he would make a good second dad to her! Well, don’t get me wrong. She might never want to take it to that level. Also, we don’t know how things will turn out, nor do we know her relationship with her mum, Stella.

But I do believe that their parallels were thrown in for a reason. Despite the circumstances, they can, and maybe will, be on much better terms than they currently are.

Go on, call me delusional and leave me be in my complete denial corner. <3 I admit I do tend to forget the current state of the Stolitz relationship in the series, as in my world, where I’m prioritizing my time working on that fic, they are finally together. I am bitter-sweetly excited that @tealvenetianmask and I are slowly but surely getting close to finishing it. :)

(Yes, yes, it was shameless self-promotion—sue me for the unlawful use of a speculatory-analytical post space to promote our version of Stolitz working hard to sort out their issues post Apology Tour and having some silly and horny fun along the way.)

[starry-bi-sky]

Just so you know, I've reread your answer to my ask about how you'd rewrite "Double Cross My Heart" in your Danyal Al Ghul au several times over. And I'll just say, your whole breakdown and revision of that trainwreck of a Sam centered episode is the very reason why when it comes to the phandom, both alone and in dpxdc crossovers I tend to lean more towards fanon Sam instead of canon.

Because the people that like her yet acknowledge her glaring flaws do a far better job of bringing her to task when she's being unreasonable or hypocritical in a way that's fair than the supposedly professional storyboard writers.

Anyway, you mentioned that you don't like amethyst ocean and prefer gray ghost. Same here. (though I also like pink astronaut) Since then, I can't stop imagining Danyal/Danny with the "Damian experiencing his first crush" headcanon applied to him. The idea of him treating Valerie with suspicion under the assumption she somehow poisoned or hit him with some kind of hidden anti ghost tech that affects both his human and ghost side, when in reality it's simply him developing feelings for her is just absolute hilarity. To me if no one else.

FIRST OFF YOU ARE SO SWEET <33 the fact that you've read my post about Double Cross My Heart SEVERAL TIMES means I'm now morally obligated to die for you. I'll admit! I was a bit harsh on Sam a little in my original response, because I was irritated by some depictions of her in fanon painting her as someone who could do no wrong and had the only braincell in the group. So I was kinda picking on her a little bit. Would I change a thing? No, I love her character, I just love dissecting her flaws even more.

AND ALSO YOU'RE SO RIGHT ABOUT THE DANYAL THING. That's so cute and so funny, effective immediately it is now canon🧑‍⚖️ . He fought Red Huntress earlier that day and she got a lucky good hit on him, and it's literally that one Marina reaction image where the first panel she looks shocked, the next she looks into it. At least part of it. That's literally what happened, and the next time Danny runs into Valerie at school his heart flutters.

Danny puts up this whole conspiracy board because Valerie smiled at him and his heart went all flippy-floppy and what is this FEELING. He shows it to Sam and Tucker and they both are doing that hands folded prayer-style pressed against their mouths in concern thing, and they don't know whether they should laugh or cry.

Because on one hand: oh my GOD, Danny. But on the OTHER: on my god, Danny. He's never gonna live this one down but that's because if they don't tease him about it, they're gonna get all mopey and sad about it. Just another reminder of their best friend's tragic, mysterious background.

aaa. There are some headcanons I wanna go over (like how when they go on a date, Danny and Valerie have this cute heart to heart where Danny admits that he's not used to being open with people, but he wants to try to be with Valerie because she makes him really happy. He's so shy and almost flustered, and Valerie is so charmed by this side of Danyal Fenton that she's not used to.) but I REALLY wanna think about this in terms of episodic because it was super fun doing it last time, and I really enjoyed it.

If you remember (and you prolly do since you mentioned you read the last ask you sent me several times) I said in the Gregory post that I deleted a (frankly good chunk) of writing that included how i would change the Valerie episodes leading up to the Gregory one, but I deleted it because it was kinda irrelevant to the ask, and admittedly I was getting myself all twisted in knots about it.

But I kinda wanna do that now.

So. If you don't mind I am. Gonna do that. And luckily for me! I found the website I can do. that for free, and have it pulled up! It's the same one I used for the last post to chart out the gregory episode.

So, Shades of Gray! I lowkey want this episode to be like, subtly hinting at the idea that Valerie might develop a crush on Danny first. But ultimately it gets the two of them properly introduced and established with each other, and Red Huntress going.

The episode starts out with Danny being chased by Dash because he got a bad grade in a spelling, obviously if he tried that with Danyal he's gonna get his shit wiped. So! Change! It's Danny heading to his next class, he's texting Sam and Tucker, expertly maneuvering around people in a combination of teen-texting-habit and assassin training awareness. Kinda aware of what's around him, but also not and just trusting instinct.

We meet Valerie when she's showing off a (frankly unflattering) purple polo shirt that costs, AND I QUOTE: "$579, and worth every one of my dad's pennies." to Paulina and Kwan. Girl, this shirt is a few shades off from that NEON "error, image not found" magenta. It looks incredibly unflattering on her considering it's neon-y-ness and the orange skirt and headband she's wearing. Sweetheart, get your damn money back, or at least pick a different pair of pants.

I'm telling you this because I can't resist changing the design. So instead of. that.

She is INSTEAD wearing like, this cute, ruffled, soft pastel purple crop top and some cute jean shorts. Her hair is in like, passion twist braids with little gold cuffs in them. She looks SO cute guys, so cute.

Of course maybe they made it look ugly on purpose because in the show she gets coffee dumped on her 30 seconds later from Danny crashing into Paulina while running from Dash.

I've thought of three different ways this could go, and can't pick which so I'm just gonna write them out and see which one I'm drawn to more.

Kwan, Paulina, and Valerie are standing in the hallway. Not next to a corner but close to one. Danny turns the corner, does not run into them. He briefly looks up from his phone when he hears, they kinda stare at each other, and Danny idly, disinterestedly looks at Valeria, then compliments her with a single; "Nice shirt." Pretty anticlimatic ngl, but it startles the trio a little bit because Danny doesn't often talk to other people outside his circle unless he's in some kind of group project or has to. So for him to compliment Valerie unprompted is startling. This could or could not end with one of them snarkily saying "thanks its worth more than your entire wardrobe" which Danny would take offense to because, lets not kid ourselves, Danyal and Damian Al Ghul were raised as pseudo-princes in the League. Without missing a beat he shoots back: "at least i have a personality beyond being rich." and then disappears down the hallway.

The trio begin walking down the hallway, crash into Danny. HE gets coffee splattered all over him and he immediately reels back, instinctively reverting back to his mother tongue and hissing out arabian curses as coffee drips down the front of his red hoodie and shirt. It's even in his hair. Thankfully the coffee is not as hot as it started out, but it's still uncomfortably warm. He wipes the drink from his eyes, flicks it onto the ground, and hisses out; "watch where you're going!". The trio? Kinda unsure of how to react at first; Danny is unpopular, but not unpopular enough to be worth bullying -- besides, everyone knows he wouldn't tolerate it. But then I think Paulina finds her tongue and says "what did you say?". Danny turns to her and says; "I said; watch where you're going. Need me to say it in Spanish? Mira por donde vas!" He flicks off his hoodie, grumbling in arabic about how he's going to smell like coffee all day, and stalks off. I'm pretty partial to this idea.

Valerie still gets coffee dumped on her. But instead of sic'ing Kwan on him (because she knows that won't work), she just says a few choice words to Danny and stalks off with Paulina and Kwan to go find somewhere to clean off the coffee. Danny approaches her later and gives her a list of cleaning stuff that can get coffee stains out of her shirt. And when she tells him it's made of like, this super specific fabric that needs this really specific stuff to clean, Danny raises his eyebrow at her and says that he knows, and it is a list of stuff that can clean out the stain without damaging the shirt. He says he's not an idiot, and he knows how to recognize X-Fabric when he sees it. Just because I'm fond of pseudo-prince Al Ghul here being a bit of a snob and has an extensive care and hygiene routine. He uses this moisturizer or cologne that makes him smell faintly like sandalwood and vanilla because that is my favorite scent. Tucker jokingly handed him a 13-in-1 once while they were doing a quick supply run with Sam, and Danny literally dropped it like it burned him.

I'm really partial to two and three. So i'm going to get a second opinion. [...] Second one wins! Thank you, Naviii~ <3.

Danny could just intangible the stuff off him, but that would raise questions and also I want him to go the rest of the day stained with coffee. So it stays, and he's in a sour mood for a good chunk of the day. He runs into Cujo when he disappears down an empty hallway, and gets even more irritated when his ghost sense goes off - but hey! If it's Skulker, he can at least pulverize the dude and let off some steam. But nope! It's a puppy!

And Danyal Al Ghul, local ex-member of the world's most deadliest "we speak for the trees, the trees say fuck you" group of environmentalists ever, immediately feels his troubles melt away, and he croons at Cujo. "Oh hello, habibi. Who do you belong to?" And drops down to the ground to let Cujo sniff his hand. Cujo does so, and then starts vying for his attention, and Danny is grinning very wide and very genuinely and is more than happy to give it. "You are a much better surprise than that wretched poacher. Do you have a name, pretty thing?"

Cujo has a collar on, so Danny touches it, lifts the tag, and sees the Axion labs "A" symbol on it. He hums, narrows his eyes, and murmurs "Where have I seen this before?" But before he can flip it around, Cujo then turns monstrous. We cut to the title screen!

I want to say, the next scene is in Axion labs. The way that Damon (Val's dad), Valerie, those two guards, and his boss reacts, it heavily implies that the existence of ghosts have not reached the whole of Amity Park, and that the city itself is still largely unaware of their existence. Considering that Damon's security system doesn't allocate for ghosts, and when Danny crashes at their feet, Valerie literally asks him; "What are you!?" and she seems surprised when tucker later tells her its ghosts, and is even unaware that Danny's parents are ghost hunters.

When Valerie gets coated in dog ecto-slobber, Danny does grin a little under his little half-face balaclava. Because yes, karma! He is petty, and he can't help but flip to his feet and snarkily, smugly say; "I know what I'm not," and as he says this, he leans forward and plucks some of it out of her hair, "Covered in dog slobber." and then he flicks it away.

Before Valerie can retort, Cujo breaks into the lab, and Danyal mutters curses and bounds after him. The lab gets destroyed as per canon, and Damon gets fired.

The garage sale scene happens pretty normally, when Valerie says her little "oh great, word has already oozed down to the bottom of the social grapevine." Danny's response is snarkier than in canon.

"And here Tucker was just offering some simple help to you, you looked like you needed it." He says icily, and Tucker pipes up and says "we all just want to help!" because I don't fully see Danyal being that generous especially to someone being rude to his friends.

Sam dryly says "I don't." and Danny just stays silent, neither confirming nor denying anything. He just raises an eyebrow and turns his eyes to Tucker, who is laughing nervously.

"Well, Danny hasn't said no. So most of us want to help! That's two thirds." And he gestures awkwardly to Danny, who is wearing a red muscle tee hoodie, showing that he's rather lean. "And Danny's the strongest between the three of us, so he could be a big help! There could get a lot more work done."

Valerie is not convinced, as in canon. Although for my Gray Ghost heart she does check out Danny a little bit -- but quickly shakes it off because she's still very deeply entrenched in the status quo. "Thanks, but I'll pass."

Before Danny's ghost sense goes off, I do want him to wander around the yard sale for a moment just to see what's to offer -- collector of trinkets and pretty things, he is. Projecting, I am. Slightly GNC Danny ftw, it is. There's a table of jewelry up for sale that he's drawn over to -- and almost immediately disappointed by. It's pretty, and extravagant and very obviously expensive, that's for sure, but that's not the problem. Valerie sees him looking and marches over to him, still upset that he and his friends are still there.

"Put that down, that stuff is worth more than your own wardrobe." She snaps at him, and tries to snatch an expensive, luxury sapphire necklace from his hands, and is immediately met with an icy glare from Danny as he yanks it away from her fingers.

"Who says I can't afford it?" He says -- and he can't, not really, not with the allowance he gets from the Fentons and not with their funds. However, despite their limited contact, Danny still does meet with his beloved mother. One word from him to her, and she'd ensure he got a hundred of the very same necklace. "You? You can't either, Gray. Not anymore."

Valerie looks embarrassed and furious, but Danny continues, and tosses the necklace to her. She fumbles, but manages to catch it. "I don't want this junk anyways. It's gaudy and too western. I look better in gold."

Now his ghost sense goes off, and he turns away from Valerie. He doesn't run off immediately, lingers long enough to see who the ghost is and what the danger is. And when the ground begins to shake, he grabs onto the table and reaches out on protective instinct to hold onto Valerie before she can fall over.

As you can tell, this is for my gray ghost heart. Although valerie's clothes do still get destroyed by the street water, unfortunately. And Cujo shrinks down to size by the time Valerie makes it over to her dresser to try and grab it.

Danny audibly mutters, "Its that dog again." and hurries over to scruff the thing before it can wander off. Cujo is wagging his tail and immediately, enthusiastically licks his face once he's got him up to eye level. Danny cracks a little smile, "Hello habibi, you're a little troublemaker, aren't you?"

"you know this dog?" Valerie demands, and stomps over as Danny gets Cujo settled into his arms. Sam and Tucker hurry over as well, looking mildly frazzled.

Danny scoffs at her; "Don't be ridiculous. I met him a few days ago-- wait;" and he pauses to check to see if Cujo is a boy, "--ah, yep. Him. -- I met him a few days ago in the hallway after Sanchez dumped her coffee all over me. He was rather friendly, but he ran off before I could see who he belonged to."

Sam leans over to look at Cujo, and wiggles her finger at him; "He's kinda cute, and he likes you."

Dannny has a moment where he wants to boast, of course he does, I'm fantastic with animals. But instead he keeps mum. His smile just kinda softens proudly, and he hoists Cujo into his arms a little better.

The moment is shattered by Valerie, who points accusingly at Cujo. "Whatever it is, get it out of here before it ruins anymore of my stuff!"

Annnd before Danny can do just that, Cujo begins wiggling to get out of his arms and run around. He manages to, with his ghostly strength drag Danny across the lawn before yanking himself out of his arms and knocking them both onto the sidewalk -- scraping Danny's arm in the process -- and running around.

Rather than his leg, Cujo bites Danny's arm -- and has a strong enough grip on it that he unintentionally pierces flesh and causes him to start bleeding -- and begins dragging him. But before they can reach the moving van, Danny gets his fingers wrapped around Cujo's collar, finds some purchase -- even if it means his bare arm is being dragged against the sidewalk, and yanks hard on Cujo's collar with a harsh; "HEEL."

Cujo immediately stops, and sits. Danny honestly wasn't expecting that to work immediately, but it does! And with Cujo still, he keeps one firm hand on the collar and uses his other arm -- which is now painfully road rash'd and bleeding -- to help sit up.

Sam and tucker and Valerie rush over to help. "Oh my god, Danny, are you okay?" only for Danny to hold his bad arm up to stop them from getting closer, and whirling on Cujo to scold him. He's upset enough that he reverts back to Arabic, but Cujo seems to get the point across and wilts.

Danny feels bad, but can't show Cujo any affection unless he wants to accidentally reinforce the behavior. He points to his side, and Cujo obediently goes to sit but his feet. Now he turns to the other three.

"To answer your question." He looks down to his arm and very gently brushes his fingers against the road rash, brushing out the little pebbles stuck in his skin. it stings like a bitch, and he faintly grimaces. Then he inspects the dog bite on his wrist "I'll be fine."

Even Valerie looks worried; "That looks really bad, Fenton. I think you should go to the hospital--"

"No." Danny immediately cuts her off, "No hospital. Mr. and Mrs. Fenton keep a first aid kit at home, I'll just use that."

"And what about the dog?"

"I'll figure something out."

And then they scoot off.

Cafeteria scene goes as canon, nothing much to change there other than the fact that when Valerie sees Danny, his arm is all bandaged up and he's wearing a batman merch t-shirt rather than a muscle tee, she feels a little guilty. A small part of her kinda wants to ask how he is, but the larger part that's still big on the status quo and is still humiliated by being shunned by her friends, just wants to go eat in peace. So she doesn't say anything.

(although i am thinking that if she runs into him again later after the cafeteria scene, she asks him what he did with the ghost dog, and he lies and says Phantom swooped in and took Cujo from him.)

The park scene goes relatively the same as well, at least in the beginning. But instead of Sam and Phantom being all "he's an untrained dog" they're instead all "let's see what training he does have. Maybe it can be refined."

"You're good with animals Danny, and you're the only ghost in the area. You handle it." and then she tosses the dog obedience book at him and wanders off.

Danny doesn't need the dog obedience book, so he tucks it into a pocket dimension in his cape and whistles for Cujo. There's that whole tumble down the hill, that whole chase scene happens.

I do wanna say, I actually really like how inexperienced Valerie is here. Idk maybe it's because I haven't watched a tv show in a long while, but it's nice to see that she's not immediately good at it. She wobbles on the hoverboard, two out of the three disks she threw at Danny missed, and the third only hit him by chance. She's amateurish, and I really appreciate that.

"Let me guess, first day on the job, isn't it?" and he still gets cut by the third disk like in canon. He's not impressed or convinced when she says she's going to take him down -- it's one quick once over that tells him enough.

Wobbly feet, unsteady balance on the board. -- Her first time using it, she's unconfident and doesn't trust her own tech, as if she didn't even make it herself. She's unused to the board.

Improper trigger discipline, and shaky hands on her gun. She's holding it with one hand and far away from her like she's afraid of it going off, despite the fact that she's the one on the other end of it.

Tense all the way up to her shoulders, her voice is full of false bravado. She has no idea what she's doing. Danny's thoroughly unimpressed. At least the Drs. Fenton and Walker (maddie got her doctorate with her maiden name) trust their tech wholeheartedly and treat them as an extension of themself, just as Danny does with his blades. Just as this new ghost hunter does not.

And, of course, the way she goes flying off her board the moment she fires her bazooka. Although Cujo does still come to the rescue, although like in canon, he grabs Danny by the foot. Danny manages to recollect himself though and hoist himself over Cujo's back like he's riding a horse.

This is the biggest scene change and possibly my favorite change. The fakeout makeout scene. Now, let me preface this by saying that I love the fakeout makeout concept. I think it's hilarious, and I think it's even funnier if Danny is actually rather down with the concept because the assassin-undercover part of his brain thinks it's a simple-in-a-clever way in order to brush off suspicion. I think Sam and Tucker both are very down to kiss their very attractive best friend, and whenever it comes up there have been arguments over whose turn it is to kiss Danny.

BUT. I have an image in mind for this scene, so I want Danny to be alone for this. So Cujo takes him to a cluster of trees and bushes where Sam isn't at, and Danny sends him off with a ball as per canon, but rather than get tackled by Sam, he dives up into a tree and transforms back to Al Ghul before Valerie can reach him.

He is reading the Dog Obedience book, and scares the absolute shit out of Valerie. And it's never a bad day to hurt Danny, so little miss firstie over here fires into the trees, and juuuust about skims Danny's arm. The same one that has the road rash and dog bite on it, that he's forcibly prevented himself from rapidly healing because that would arouse suspicion.

"ماذا بحق الجحيم كان ذلك!؟" ("What the hell was that!?")

Valerie knows that voice, and instantly turns ashen. "Oh no." She flies up the tree and finds Danyal sitting snug amongst the larger limbs, the dog obedience book in his lap, and he's hunched slightly and holding onto his burned arm tightly.

"Oh my god, I-- I am so sorry--" she doesn't have the time to be upset (or snarky or mean) about why he's there, considering she just shot him. Danny snaps his head up and glowers furiously at her.

"Wh- why did you do that!?" He stammers over himself, trying to find his english. Part of it is an act, part of it is genuine anger because she could've killed him with that thing. He loathes incompetence, and she has it in buckets. "Watch where you're aiming that, Trigger Finger, you could've killed me!"

Valerie is all flustered and mortified, can't even find it to get angry back. "i- I am so sorry, Fenton. I thought you were something else--"

"Something else!?" Danny yells, "So you blindly shoot?! What is wrong with you!? Don't you know any trigger discipline!?"

Iiit's. a mess? Valerie offers him a lift to the hospital, or at least out of the tree, and Danny snarls at her not to touch him, and that he's not going anywhere with her on that hunk of sheet metal. He tosses the book at her and says to make herself useful and hold that while he gets down. Valerie feels really guilty -- too guilty to protest or be mad about how angry he is with her.

When he gets down from the tree he takes the book back from her, and then asks her how she even knows his name anyways. They've never met before. "Actually, now that I think about it," he narrows his eyes at her, "you sound like someone I know."

And then he reaches for her mask.

Valerie flies back, stammering over herself and briefly forgets to feel guilty in order to feel panicked and indignant, and then just goes "What are you doing!? You're crazy, we've never met before!" And then flies off.

And, before I continue, I will say right now. Danny, as himself, forever and always from then on refers to Red Huntress (or Scarlett Hunt, as I'm thinking of as an alternative) as "Trigger" or "Trigger Finger" respectively. Whenever they run into each other as Scarlett and Danny, he always calls her Trigger and asks if she's killed anyone yet. Valerie feels really bad from then on about hitting him, because where she hit him ends up scarring.

When she's gone, Danny mutters to himself that that sounded like Valerie, and goes ghost to go find Sam and tell her what happened.

Hallway scene stays the same, and -- actually, I was gonna make fun of the fact that Valerie didn't know the Fentons were ghost hunters when it's the whole reason the family is ostracized. But you know what? I can believe it. Kids will follow the crowds' lead. Witch hunts and all that.

"So, Tucker tells me your parents are ghost hunters!"

"Yeah? What else has he told you?"

Before Cujo shows up, they do actually manage to hold some kind of conversation. However, Danny uses the time to go: "Look, if you're planning on getting into ghost hunting, try not being like the hack I met yesterday."

Valerie laughs nervously, "Ah-hah, no of course not! But uh, hack?"

Danny scowls, and twists towards her with his arms crossed -- he's wearing a red hoodie today, and a band tee. -- "Yeah! I met some chick yesterday while at the park, and Little Miss Trigger Finger shot me." He says, "Your weapon should be like an extension of yourself, not something you just use! Trigger Finger was flailing that gun in her hands like it was a ribbon, and incompetence like that will get someone killed. Your weapon -- whether it be a blade or a firearm or a blunt object -- should be as easy to move as curling your fingers, and just as easy to trust. It should not be a stranger, but a part of you. A weapon must know how to use itself if it wants to be of any use to anyone else."

Sam cuts him off with a high pitched, nervous giggle, and wraps her fingers lightly around his shoulders and tugs him back, sliding her arms around the front of his chest like an anchor. "Danny." she hisses at him quietly, and Danny snaps his jaw shut and looks away.

Tucker also laughs uneasily, "Sorry," he says, leaning around Valerie to get her attention, "Dan here uh, gets really passionate about improper weapon handling. It's one of his quirks."

Danny looks away and mutters something under his breath in arabic.

(You know this already, but Sam and Tucker still don't know about Danny's past. But they've heard him talk about weapon mishandling enough times -- and have seen him fight -- to know that the way he talks is more than just theory. He has personal experience with weapons, and has unintentionally before referred to himself as one. But whenever they ask about it, he clams up and denies any sort of involvement.)

Valerie doesn't really know what to say to that, but Danny seems to know a lot about proper weapon discipline. So she might try her chances with getting to know more about it from him later, if she can catch him. She also silently makes note to get herself acquainted to her own tools like Danny was implying.

And then Cujo shows up, and things happen as canon. Oh but wait Tucker lands on Valerie while she's trying to figure out how to open the thermos, and I want to say that she hears him say "I can help you. valerie!" before he lands on her. So her confronting him after she gets out of the basketball hoop, and practically beegs him not to tell Danny about being the same girl who shot him. She really does think his help could be valuable in the long run because of his knowledge on ghosts and weapons.

Lovestruck Tuck of course, agrees. Not without some tentative hemming and going; "I don't know Val, Danny's really clever. He'll figure it out eventually if you don't do something to hide your voice, it's pretty recognizable."

For this episode, her voice stays the same but in the future she'll be working on a voice mod, and until then refuses to speak around Danny if she knows he's present. If she has to talk, then she forcibly tries deepening it.

Anyways things proceed as canon, Danny overhears the boss with Damon say "I know we should've never gotten rid of those guard dogs."

He mutters to himself "Guard dogs? Wait..." and he holds up Cujo, peering at his collar, and finally realizing where he recognizes the symbol on the tag. Immediately his expression darkens, "Oh fuck no, they did not."

Things go as canon, although Danny sneaks in not only to find what Cujo is looking for, but to hack in and get records of their guard dogs to confirm his theory and to steal them -- plus confirmation of termination of said dogs. So he can blackmail the shit out of Axion Labs later. He stays invisible and uses his league training to sneak around, and actually gets the guard dog records and confirmation before he runs into Valerie and they fight. Danny purposely keeps his distance and focuses more on dodging.

"you're a pretty lousy shot" Valerie says when he blasts above her a metal support beam above her.

Danny retorts sharply, "I could say the same." And although she can't see it, he bares his fangs at her. "Or have you forgotten about what you did to the ghost hunters' boy a few days ago?"

(He can be VERY petty)

Which, of course, infuriates and embarrasses Val. Things remain as is, Danny finds the squeaky toy, he tells Valerie he doesn't own the dog -- although he also says that he belongs to the very same Lab that fired her dad -- she refuses his apology, Tucker pretends to get caught by the Axion security lab. Etc etc.

Danny later reveals that he also stole the records about the guard dogs and how Axion Lab wrongfully euthanized all of them in favor of a security system they didn't even end up using, and was planning on anonymously releasing it online so that Axion could face the consequences for their abuse. Tucker has to beg him not to, because then that would reveal that someone else had gotten into the lab that night and would put Valerie's dad in hot water again.

Danny... reluctantly agrees. For now. But he'll be holding onto it, and keeping his eye on Axion Labs. This sort of cruelty will not go unpunished forever, he'll make sure of it.

ending goes as ending does. They go to the dumpty humpty concert, they speculate where Valerie got her suit. Etc etc. At the lunch table I think Valerie stops by Tucker and co's table to talk to Tucker -- they seemed to end on a good note that night -- and she asks Danny how his arm is.

Danny eyes her quietly, and turns his head away. "It'll heal, so long as Trigger Finger stays away from me." and he does see Valerie wilt a little, and kinda feels bad. But also, she fucking shot him. He's lowkey less angry about that tho and more angry about her total weapon incompetence

-------

When its just Tucker -- and ykw, Sam too, who Valerie would know knows she's Red since she was yk, right there next to Tucker when he fell on Valerie -- and Valerie, he tries to reassure her about Danny's apparently grudge against Scarlett Hunt.

"Aw, chin up Val, I'm sure Danny will come around to your alter ego eventually! He just.. needs some time to heal! Literally, because you... shot him."

and when Valerie realizes Sam knows too, Sam points her pen at her and goes: "The only reason I haven't told Danny is because Tucker is also my best friend," she leans into Valerie's space; "But so help me Moses, if you shoot Danny again, I will not hesitate to tell him. And i will, in a heartbeat."

She leans back, crossing her arms; "So you better learn to control your finger, Trigger."

-

Danny having beef with Red Huntress in his civilian form was not actually in the original cards for this episode, but it came to me as I was writing and I could not pass it up. I think it'd be hilarious and also like, a real point of idk conflict for Valerie. Just one more reason she wants to be abetter ghost hunter because otherwise she'll hurt people -- shooting Danny left a mark on her, and she feels really really guilty about it. Especially after finding out it scarred.

And also it's like, objectively hilarious? It's like the Love Square from MLB but its more like a Hate Square instead. Granted Val and Danny don't hate each other but my point still stands! It's there if you squint.

Every single time Danny runs into Scarlett he calls her Trigger and asks her how her aim is, and whether she knows how to use that weapon of hers. Valerie is both very frustrated by his unwillingness to forgive her and very ashamed by the fact that she's frustrated by it. He has every right to be mad at her, she could've seriously hurt him -- and she did -- but still, his animosity is grating sometimes.

Danny does eventually get over her shooting him in his civilian form -- considering she shoots him all the time as a ghost. But what he refuses to get over is the fact that it happened at all and her lack of proper discipline before she decided to jump into the fray.

No no no, that he is still burning furious about. Tucker wasn't kidding when he said that Danny was passionate about proper weapon handling. The fact that Valerie didn't even acquaint herself with her weapons and learn how to use them properly before deciding to hunt down Cujo and Phantom is the thing that keeps his burning "hatred" against Scarlett as Fenton going.

Idk if it's ever actually confirmed that Valerie and Tucker are dating, its kinda implied that they started. But I'm gonna say that they were only in a talking stage (one that Valerie only initiated for her own needs) and after this episode it doesn't go anywhere, but they remain kinda friends. That way, Valerie can show up a few more times prior to Flirting With Disaster and lowkey hang with the gang without Tucker and Valerie actually dating.

So i was actually going to share a few more headcanons too with Gray Ghost, and delve into the "Flirting with Disaster" episode, but this got... really long, and took me all evening to write (curse adhd) so I am. not going to go into that jadlfh. Plus I have to think more about them and come up with more cute headcanons.

Like how Danny calls her affectionate petnames when they're dating/sorta-dating the moment he settles into the relationship and becomes comfortable with it. One morning when he walked into a class that they shared, he smiled at her all warm and fondly said "Good morning, beloved."

And normally that might sound too strong in the fledgling beginning of a relationship, but Danny somehow manages to make it sound super natural and not at all too-much-too-soon.

Literally everyone's jaw dropped in that room. They've never seen Danny act that way, and Valerie somehow manages to invent a new shade of maroon on her dark skin. She does this cute little giggle-snort and waves her hand at him bashfully. Danny looks very endeared.

Paulina turns to Dash and angrily demands to know why he doesn't call her any cute petnames that aren't babe.

Oh and before I forget: As Phantom, Danny calls Scarlett Hunt either "Scar" or "Little Red Riding Hood" (or some variant). It pisses her off, which he does really like doing. Also, compared to how he fights ghosts, he goes remarkably easy on her. He doesn't even unsheathe his sword for her -- which she does eventually notice and gets angry about. She thinks he's doing it to look down on her.

When it's not. She is Squishy Fragile Living Human In A Meat Shell. He is Immortal Ghost With Powers. And A Sword. And A Decade Of Assassin Training. He could kill her a dozen different ways if he didn't hold back like he is, and he doesn't want her dead.

okay okay that's all I've got for now BUT, as a bonus, while I was making those three different scenes for the coffee splash scene, I stopped midway because I got art bunnies for danny for the first time in forever, and went ahead and drew him. So!! Things in Threes Danyal doodle be Upon Ye!

[wen-kexing-apologist]

ngl i am waiting for you to write about physical touch and HANDS in last twilight *insert manifestation circle.gif here*

Not gonna lie, as much as I have been enjoying Last Twilight, I haven't felt all that inspired to write about it, but it has been making me feel all warm and fuzzy now that people are reaching out and asking for my thoughts. Turns out people actually seem to enjoy my horrendously long posts!

Alright, I will talk about physical touch and hands in Last Twilight, but before I get too far in to it, I just want to say, I love the use of physical touch in shows, but I will dare to claim the use of physical touch seems particularly important, and especially complicated in Last Twilight, compared to most of the other shows I've written about. Why?

Because Day is blind, and Mhok is his caretaker, and if you are remotely aware of disability, the autonomy of disabled people, the privacy of disabled people, the survival of disabled people are often disrupted by abled bodied people. I saw a post somewhere, sorry I can't find it, where someone mentioned the rates of abuse of disabled people by their caretakers and how that might weigh in to Day's reaction to touching a shirtless Mhok in Episode 2.

So.

With Day's blindness, grief, and intentional isolation, as well as his family's anxiety, how much control has Day really had over his own life in the last year? As @bengiyo said in Episode 1, "Day's brashness in the interview when he asks Mhok if he's hot sounds like a gay man knowing that he is about to be touched a lot by a stranger" [not a direct quote, apologies].

Episode 1

gif from @dragonsareawesome123

The first physical touch we get between Day and Mhok is when Mhok touches Day's chin, making a comment that essentially boils down to Day having a punchable face. You can see how shocked Day is to feel Mhok's thumb on him. But the motion is quick, light, and slightly flirty (though maybe I'm reading a bit in to that last one since I know this is a BL). While Day seems taken aback, he doesn't seem uncomfortable with the touch at all, moreso, to me at least, he seems surprised that Mhok *isn't* shying away from touching Day after Day so loudly and blatantly declared his queerness and hit on Mhok.

photo from @thescrumptiousstuffs

The second physical touch we get is when Day leaves his car and winds up on the street with traffic whizzing past. Mhok pulls Day off the street when Day gets overwhelmed and Day goes crashing in to Mhok. I don't remember them staying pressed together for too long, but there is a moment where Mhok is embracing Day. Mhok's hands go to Day's hips while Day's hand rests on Mhok's chest near his collarbone. From my view, this is a decently intimate position for relative strangers, but they don't feel uncomfortable in it. Which is a great hint that Mhok and Day are going to become more to each other. Mhok does something here that I do think is important, which is to tell Day who is he, so Day knows he isn't being manhandled by a *complete* stranger. And though I suspect the biggest reason why Day ends up being driven home by Mhok is because Day wants to be away from Night, it cannot be denied that Day already has some modicum of trust in this random, crass man that burst in for an interview just the other day. Because, as we know, Mhok was really the only person who interacted with Day without falling victim to pity, inspiration porn, or infantilization.

The third physical touch I consider important is when Day's mother stops him from standing up. I've been reading @waitmyturtles PhD level thesis on Bad Buddy so filial piety and saving face is pretty present on my mind. I think it is important to acknowledge that Day does have some autonomy, but where he exercises it is very clear. He can leverage his blindness and his bad experiences with past caretakers to get what he wants out of his mother, and he can double, triple, quadruple the caretaker salary without consulting his mother. But when it comes to physical movement, he listens to his mother, but not to Night. Night tells him to stay in the car, and Day almost immediately leaves the car and goes in to the Society. Day gets out in the middle of traffic after a fight with Night, even after Night begs him to stay in the car. But that moment of challenge from Mhok where he tells Day to come get his ID himself, and Day starts to stand, everything stops dead in its tracks at the first light touch of his mother's hand on Day's chest. So, despite the moments of anger and rebellion we see from Day, he still listens to his mother.

gif from @dragonsareawesome123

And then Day moves to get his ID, and here is where I will mention a moment where there was not any touch. Which, probably could be an essay in and of itself, but I don't have the capacity at the moment, on this airplane, to comb through all the scenes and look for it. But here, this one feels important, because Day takes the ID from Mhok, but Mhok does not let go right away. Their fingers are so close, and in a lot of movies, the handing over of an item would usually involve some sort of moment where fingertips brush and a shockwave of electricity ripples through the future couple. But we don't get that here. The moment of connection, the moment that Day really knows he can trust Mhok, the moment Day decides he is going to hire Mhok has nothing to do with touch, and everything to do with sound. He hears Mhok read Chapter 21 of The Little Prince, a book that is desperately important to Day, and that is that. And I do think it is important that these little touches that we've had, and where we break from the romance tradition for touch are important. Because, I think it is totally fine for feelings to grow between Mhok and Day rather quickly, but I do not think it would have been wise to show Mhok having some sort of actual crush on Day from the beginning. If Mhok had some sort of romantic or sexually attractive feelings for Day before he started working there, that would, in my opinion, read as predatory in some sense. Especially looking ahead to Episode 2, when Mhok is shirtless in Day's room.

Because, the thing about physical touch in television is that a lot of different elements go in to selling it as romantic chemistry. One of the most important components is timing and close up. As a side note, I think timing is a huge factor in to why I did not enjoy Perth and Chimon together in Dangerous Romance (before I dropped it) because the camera just never lingered long enough on their faces or on their touches for me to believe they had feelings for each other. But, by Episode 3 of Last Twilight I can see the care and the chemistry between Mhok and Day. I can see the comfortability that Mhok and Day have from almost the very beginning of knowing each other, but I don't take much of their physical interactions to be sexually charged or romantic in Episode 1. Why would they be? These two don't know each other. By generally avoiding zooming in on just Day and Mhok's hands when they touch, by having Mhok grabbing Day's chin with his thumb quickly and lightly you aren't building to tension. Aof is merely demonstrating that physical touch between Day and Mhok is welcomed and Day is not going to be uncomfortable with having Mhok take care of him.

So we head in to Episode 2 with the understanding that there is some fundamental aspect of Mhok that Day is drawn to, and that Mhok and Day are going to get along.

Episode 2

Now, as much as I have loved the rapidly developing relationship between Mhok and Day, I do kind of wish we had had a full episode's worth of two angry, grieving people coming head to head. But, regardless, Aof handles the transition between casual touch and Something More with expert precision. Unsurprising, considering his oeuvre.

gif by @mooninaugust

So we get absolutely my favorite touch moment to date in Episode 2 with the absolutely terrible secret handshake between two blind people. I love how Mhok is witness to this moment of excitement and friendship between Day and Aon, and that we are too. Because it shows us where Mhok currently stands in Day's hierarchy of relationships. Mhok at the beginning of Episode 2 is still an acquaintance, some dude they hired because he cursed the family out and read The Little Prince during his interview process. The cut scene between Mhok saying Day might not want to see him, and Aon and Day hugging and doing their stupid loser handshake (I love them) shows Mhok and the audience that Day does have joy within him, and that Day is starting to build friendship and connection within his new (read: blind) community. We won't know until a little later in the episode how much Day has been cutting himself off from his old life, but for the time being Mhok knows his place in Day's life.

And Aon picks up on the fact that there is *something* even if it is not necessarily romantic there between Mhok and Day, again not by seeing anything physical between them because a) Mhok and Day did not touch in front of Aon and b) Aon would not have been able to see it anyway. But instead calls out the fact that Day has never talked about a single one of his caregivers before. We know now (and definitely should know already) that Mhok is different from other people Day has engaged with since he started going blind. We just haven't had time for their relationship to mature.

photo from @thatgirl4815

If I recall correctly, the first physical touch between Mhok and Day we get in Episode 2 is when Day accidentally touches Mhok's titty while searching for the eye drops. You can see Day recoil in shock a bit and he questions Mhok almost immediately as to why his shirt is off. Mhok is incredibly matter-of-fact in explaining that Day said he didn't like the smell of cigarettes, so he took his shirt off so as not to stink up Day's room (we can ignore the fact that he would still smell like cigs, but we ignore it For The Vine) and Day relaxes and makes some sort of annoyed comment. Again here, there is no romantic attraction in this rather intimate touch. I mean, this is Mhok's what? Second or third day? Mhok and Day barely know each other, Mhok is constantly fucking up the Whole Routine because he isn't communicating with Day about what Day's needs are, and here he is in his employer's room having his pec fondled. This is supposed to read as funny, and ultimately I think it does, but it doesn't read as romantic, and it definitely should not. What has Mhok done up to this point that would cause Day to have Genuine Romantic Feelings for him? Nothing.

photo from @moonchildridden

Again, the first hint that feelings may be approaching comes outside of the touch, with Mhok seeing how excited Day is to use those few precious seconds of better vision to watch his goldfish. And even moreso, it's not just the action that I think start the train rolling, but the conversation that Mhok has with Day where he asks if the goldfish is lonely. Mhok is able to con Day in to leaving his room by leveraging the health and safety of one of the few things Mhok has seen Day care about and connect with in the short time they've known each other. Day gets outside for the first time in god knows how long, to find that the jasmine is in bloom and to have a lovely conversation with Mhok about it. Mhok asks about Day's vision, how he sees, what he can see, and he tries to adapt to Day's necessary distance requirements. Day of course, has his head turned away and thus does not see Mhok coming in to Day's eyesight range, and bumps his nose against the top of Mhok's finger.

This little, accidental movement is one of my favorites of the episode, mostly because it opens up the conversation where Day asks what Mhok is doing and Mhok asks if Day wants to see his face. And this scene establishes exactly what I mean about timing as it relates to building sexual tension. Day ponders for a moment, the camera lingers on his face, the audience begins to feel like Day is caught off-guard, like maybe he does have some sort of crush on Mhok and he does want to see his face. Only for Day to break that tension right before it gets awkwardly long and tell Mhok he does not. This is closer to the shit that friends would pull. And thus we see that in a very quick period of time Mhok is becoming more important in Day's life as a waypoint. He is listening to Mhok, he has a slight bit of banter going with Mhok when they watch a movie, and even after Day fires Mhok (for the physical touches I will talk about next) Mhok's influence on Day's general day to day (haha) existence is clear in the fact that Day is sitting on the couch and trying to pick a movie entirely independently of anyone.

Things are starting to go smoothly, when Day's friends show up asking when he got back from America. Day panics at the unexpected arrival of friends who seem not to know about his condition, spills his popcorn, and falls to the floor, where he is desperately scrambling to get back on his feet and Get The Fuck Out. Mhok tries to help him up, but he's pretty quickly brushed off. This is the first time we see Day reject a touch from Mhok. Knowing what I know now about where we end up in Episode 3, I am realizing how important this entire scene (from Day tripping to Mhok getting fired) is for establishing a comparison point for change. Because the unwanted touch continues when Mhok breaks in to Day's room, also in a panic when Day is bathing.

gif by @btwinlines

We get such a juicy moment of Mhok and Day's trauma clashing with each other in a way that is unintentionally terrible all around. Day does not know about Mhok's backstory, Day does not know that by putting in his headphones and intentionally ignoring Mhok he is accidentally triggering Mhok regarding the death of his sister. Mhok knows that Day is upset, but only hears the room fall quiet, he does not know that Day is in the bathtub (read: naked) when he comes barging in. Again, to reference the post whoever it was made that talked about the rates of abuse/assault of disabled people by caregivers, this is a horrifically vunerable position that Day finds himself in. Mhok is far enough away from Day's range of vision for Day to see him immediately duck behind a wall to give Day privacy while he wraps himself in a towel. And before Day can really process what is happening, with both his emotions and Mhok's running high, Mhok is grabbing at Day's wrists to check them for cuts. A beautiful (and terrible) detail.

Personally, I do not think anyone's reaction to that situation is wrong, but it does give Day a second round of extremely uncomfortable and unwelcome touching from Mhok, when he's already escalated, and trying to process the fact that Mhok just barged in to his room while Day was naked and got a little peek. Here Day demonstrates that he does have autonomy, and that Mhok respects that autonomy with Day firing Mhok after two particularly awful physical interactions, and with Mhok not even saying a word in protest and just accepting his termination and leaving the house.

photo from @thescrumptiousstuffs

Now. Mhok isn't completely going out fighting, and Mhok I think has really started to realize that he cares for Day (even if he doesn't necessarily have feelings at this point) because of how badly he was triggered by Day falling silent. Mhok is a thoughtful person and respects Day's boundaries by sending Porjai to the house instead of going himself. Much to Day's chagrin, because the second the doorbell rings, you can see this hopeful look that maybe Mhok is going to walk through that door. Porjai hands Day the present Mhok bought him, and Mhok does hold the slippers close, but he relies heavily on his hands to feel the slippers to figure out what they are and what they look like. He knows immediately that Mhok has been paying attention and trying to get to know Day immediately because the slippers solve the problem Day has had with hitting his feet on furniture corners, and the slippers look like goldfish, one of the few things Day has seemed to care about since knowing Mhok.

Beyond the fact that I think Day already felt bad about what happened the other day and regrets firing Mhok, this really does demonstrate to Day that people still care about him, want to get to know him, and understand that adaptation is a constant in Day's new reality. But Mhok takes it further, by committing to the motherfucking bit to understand Day better.

Aside: I fucking *love* Aof for how often his stories focus on the overlooked or disenfranchised people, and I think that while it is going to be a feat for Last Twilight to become my favorite Aof piece considering how important Moonlight Chicken is to me, the backstories of Mhok and Day and the way they inform character decisions is perhaps my favorite of all of the shows I've seen of Aof's. I *love* the conversation that Mhok and Aon have where Aon says Day is scared of being looked at and judged by people, and how Mhok is like "why?" because he has spent the last year a visible criminal, trying to get a job, and being constantly rejected for exactly the reason he thinks. Mhok has spent so much time and energy over the last year trying to reintegrate himself in to society, while Day has spent so much time and energy over the last year trying to remove himself from society as completely as he can. Even if I am not sure that he believes it wholly, I do think Mhok understands that he isn't an inherently bad person because he was locked up, but that he is a victim of circumstance, and yet even reformed from his truancy past, Mhok found it impossible to get a job because people stopped caring about him as a person the second they saw his ankle monitor. Thus, Mhok knows exactly what it is like to be written off, to be abandoned, to be forgotten and I think it is for precisely those reasons that Mhok decides to spend the time and effort to understand the world that Day is living in.

The ankle monitor has served as an embarrassment for Mhok in such a way that I truly do not think Mhok is concerned about seeming like a complete and utter fool. And even so, he starts to understand the fear that Day is living with existing as a blind person in public, because Mhok is extremely used to seeing what people think of him without them having to say anything, and now he has no idea.

gif by @btwinlines

Which I think is a good segue in to the next physical touch we get, which is Day feeling Mhok's face in the marketplace after he asks Porjai to take him there. Again, the distance of the camera, the timing of the movement does not come off as romantic, at least to me. But it does come off as comfortable. I think Day is fucking with Mhok a little bit when he touches his face, and we don't actually acknowledge or get any conversation around the way Day has just demonstrated what it feels like to be touched without warning.

And YET AGAIN Aof has their bond strength not through touch, but through conversation. Because they aren't falling for each other yet, they are still learning about one another. And so they have a conversation where Mhok apologies and Mhok explains what he was trying to do and Mhok identifies what it is that makes Day so afraid of being in public. And we end Episode 2 with Mhok being re-hired as Day's caregiver. But wait!

Remember the last touch we get in Episode 1 is not a touch at all, it's Day taking his ID back from Mhok. Well, the last touch we get in Episode 2 is not a touch at all, it's Day throwing his hands to the sky on the back of Mhok's motorcycle and letting the wind hit his face. It's Day sitting on the complete opposite side of a glass tank, and using his moment of improved vision to catch a glimpse of Mhok. They aren't touching, yet we end the episode with the understanding that Day and Mhok have strengthened their relationship and are on the fast road to friendship. Personally, I feel like it is extremely responsible of Aof to not treat touching a blind person or having a blind person touch you as inherently romantic, and to have the more stomach swoopy moments come from actions and observations entirely devoid of touch. But, I'm not blind so I don't know how much something like that might actually matter to blind people who are engaging with this story.

Episode 3

IT IS TIME FOR FEELINGS!

There are so many physical touches in this episode. The first we get is Mhok unwrapping a bandage on Day's foot, with Day looking extremely at peace with the action. The second we get is Mhok kind of poking at Day and then jokingly moving to pick Day up when he refuses to start cleaning his room. Day doesn't seem like a person generally fond of man-handling, but you can tell very easily that Mhok is just fucking with Day because Day fucked with Mhok. We are witnessing friendship! Which persists throughout the entire episode. 

photo by @athousandbyeol

I like too that Mhok using the blindfold to better understand Day is not a one and done situation. Again there are a few friendly touch moments that do not at all read as romantic.Mhok steals Day’s sunglasses and is perfectly at peace with Day feeling up his face to try to see if the sunglasses Mhok is wearing are his; and when Mhok's hand envelopes Day's when they are trying to guess the shirts in Day's closet by feel alone. Day does not tense up, he doesn't suck in a breath, he doesn't really let that touch linger. He shakes it off quickly and is like "that's my hand". And again, as an aside (I hope this does not come across inappropriately but) I kinda like that Mhok is almost gamifying Day's blindness. What I mean by that is that Day and Mhok are engaging in friendly competition to see who can accurately guess the article of clothing. It seems like a great way to bring some joy and levity to helping Day get better at understanding his surroundings without the use of his vision.

I am an absolute sucker for couples in shows that have an established friendship beforehand. I don't mean friends to lovers necessarily, but too often in BLs I have noticed that romantic interests are only ever that and we don't get a lot of moments of stupidity, tomfoolery, and fun. So you better believe I was living my best life in the next physical touch scene when Day and Mhok are fighting with the dinosaur costumes on. And this is where the physical touches start to change, because we start without physical touch and end with it, where we have up until this point been ending every moment of connection and relationship progression ending without touch. 

gif by @raypakorn

For the dinosaur fight, we get the non-romantic, entirely platonic assistive touch of Mhok helping (poorly) to guide Day to the driveway (this fucker was so ready to wrestle he forgot to tell Day to mind the stairs at first lmfao). The actual point of connection starts with Mhok intentionally trying to dive out of the way of Day’s touch. And once again Mhok Day’s blindness to elevate a game between them, by clapping and then diving out of the way to try to avoid Day’s movements. But that avoidance of physical interaction very quickly devolves in to a wrestling embrace, laughing, having fun, and then settling on the ground to chat until Day hears his mother’s car and they run back inside to hide the evidence of childish glee. 

Day’s mother returns to find a very different Day from who she left, he’s out of his room, he’s eating in the dining room, he’s seeming much more confident in his ability to navigate around the house. And of course, she has to go and ruin the moment by pushing too quickly on a nerve about going back to school. Day wants to withdraw from school and he needs to go in person. 

Now. 

We have seen Day taking massive strides in his own healing process in the last few episodes because he is starting to ask for help when he needs it, and Mhok is getting better at caretaking because he is started to ask if Day wants help for certain tasks or if Day is going to do them himself, thus allowing Day to set his limitations. Knowing that Day is going in to school, he asks Mhok to help him fix up his hair, and we get the first of many more crush-level physical touches in the show. 

gif by @jimmysea

I’m not Thai, so forgive me if this is wrong, but I am pretty sure that in Thai culture the head is considered sacred and having people touch your head carries a significance that I do not think Western audiences really understand (speaking as a Western viewer). If this is indeed true, then the scene where Mhok is fixing Day’s hair gets even more intense, even when there is a clear change in Mhok’s view of Day from friendly to starting to see something more. Mhok even makes a comment about how Day is a stunner (or something) when his hair is done, and when Mhok asks Day if he likes it and Day returns the question, there is a pause that is not at all dissimilar to the pause Day had after Mhok asked him if Day wanted to know what Mhok looked like. 

But where the tension from Episode 2 when Mhok asks the question is broken in a way that makes it seem more like Day is just teasing, I don’t think Mhok’s deflection of “it’s alright” really returns the same level of dismissal. Because Mhok is starting to realize something about the way he is feeling for Day. 

We get the inside of the Thai subway for the first time in maybe ever? As Mhok and Day make their way to Day’s college. And thus the not-a-date-kind-of-a-date adventure begins. Day is clinging on to Mhok’s arm as they navigate on to the subway car, at which point Mhok breaks off from Day to try to ask for a seat for Day. But Day grabs him and pulls him back, choosing instead of hold on to Mhok’s arm. Like I have been saying, Aof has been doing a really great job at differentiating the types of touches, and up until this point, the more intimate touches between Mhok and Day, such as when Day feels Mhok’s titty in his bedroom or Mhok’s face at the market, don’t read as romantic, because Day is taking in information to supplement his vision. Similarly, the moments where Day is holding on to Mhok for assistance in environmental navigation, such as when Mhok helps guide Day to his professor’s office or helps him down the stairs the physical touch is matter-of-fact on both ends. 

photo by @athousandbyeol

But here, in the subway, we get the first instance of physical touch from an environmental navigation standpoint that reads more like a man who is developing a crush rather than Day just being guided…

…but that comes from Day, not from Mhok. Which I appreciate massively from the standpoint of ensuring that Mhok as the caretaker does not appear to be taking advantage of Day. In the subway, Day could have sat down, he didn’t need to stay standing, he didn’t need to continue holding on to  Mhok. But he chooses to do that. He chooses to keep his arm linked tightly with Mhok’s, he chooses to get a little flirty with Mhok when he says as long as Mhok stays close to him, that’s all Day needs. And we get the close up of Mhok and Day’s hands when Mhok moves to tap Day’s hand gently, and the shot lingers. Because things are starting to change.

I said in a previous reblog last week when Episode 3 came out that Aof does this really interesting thing in his direction and cinematography when characters share intimate moments, in that he breaks from his standard visual format. The lighting often changes, the camera isn’t held as steady, the moments are zoomed in much closer than we are used to. We get it with Heart and Li Ming playing that spider game with their fingers the night that Li Ming sleeps over and we get it in the subway when Day stumbles slightly and swallows hard, embarrassed and avoiding eye contact while Mhok looks at Day kind of fondly. 

gif by @taeminie

So we see the spark in the subway and then watch that spark begin to catch when they end up in the dressing room together. Day and Mhok both establish that they have never been in a dressing room with another person to cut the tension and nerves a bit. Afterall, this is the first time that we’ve seen where Mhok is getting up close and personal with Day’s partially nude body, when they are both calm, collected, and not amidst a panic attack about a potential medical emergency. No one is feeling violated, no one is feeling scared, no one is having their privacy forcibly removed from them. But that makes them all that more aware of how they are feeling, physically, when they are touching and being touched. 

And we get a secondary Aof Camerawork Moment where the style of shot changes and we get that gorgeous zoom in on Mhok’s hands and Day’s chest when Mhok helps Day back in to his shirt. And isn’t it wonderful that the most sensual and intimate moment that we have seen from Mhok and Day so far is putting Day’s clothes back on? 

gif by @wanderlust-in-my-soul

Check out @btwinlines’ post about this scene.

Day and Mhok continue their day, find the Last Twilight book, and are hanging about the market where Mhok leaves Day standing against a pole while he runs to grab a drink. As a result, we get a bombardment of physical touch, the most overwhelming to date because Day is getting just absolutely shunted around, bumping elbows and shoulders with the people at the market with no idea of where he is or where he is going. And this is where we really get an understanding of how terrible physical touch can be when you don’t have any bearing of your surroundings and can’t see where people are coming from or anticipate contact. 

We got a scene in Episode 1 where we see how dangerous being blind has the potential to be, but Day isn’t being touched by anybody at that point until he is pulled off the street by Mhok. But this time while Day does have a moment where he is in more physical danger because he stumbles on to the street, he is relatively much more safe getting lost in the marketplace than when he ran out on to the street in Episode 1, cause the few cars that are present are moving slow and know to be looking out for pedestrians. Day is grabbed and directed by random strangers who are trying to help him and kind of just…drag him along until he is out of the street when he is visibly panicking and then just���left on the side of the road with an offhanded statement from strangers that he is “safe now” and they just…leave him alone and continue on their way. Even there, with a helpful touch, there is no safety or comfortability in Day’s posture, he is not calmed by hearing that he is safe. Which serves as a really great comparison point for how comfortable Day has pretty much always been with Mhok (minus the one moment of severe dysregulation after being surprised by his friends and then by Mhok when Day was buck ass naked). 

Especially when compared to the relief that just rushes through Day’s body when he and Mhok are reunited and they embrace. 

AND LIKE OKAY, CAN I GO ON A BRIEF TANGENT TO TALK ABOUT THE PINK SHIRT? 

gif by @tomystars

You know how in a lot of romances you get that moment where you get the like, love at first sight thing? Time slows down, one half of the romantic pair picks the other half of the romantic pair out of the crowd? WE GET THAT HERE, WITH THE BLIND CHARACTER BEING THE ONE WHO PICKS THE FUTURE LOVE INTEREST OUT OF THE CROWD. 

The pink shirt is brilliant, and I love how it both acts as an anchor point for Day who is able to calm down upon seeing it, and not panic or freak out when being grabbed and embraced by Mhok after having a decently traumatic experience with physical touch just minutes before while also reaffirming that Mhok is learning and internalizing the adaptations he needs to incorporate in to his own life to make Day’s daily life easier and more accessible. Mhok understands how Day’s vision functions, he remembers that Day has said he could see that shirt from Mars it’s so bright, and he provides an in for Day to maintain his autonomy by making it possible for Day to potentially see Mhok before Mhok sees Day. 

ANYWAY

@athousandbyeol

The embrace they share when Day and Mhok are reunited is not charged, is not romantic, at least not to me. But what it does show is how much care Day and Mhok have for each other, how quickly their friendship is developing, and the safe spaces these two will find in the other. Day calms so quickly the second he and Mhok are touching, as soon as he has an anchor. And he won’t let go of Mhok either. 

Aof and co have been playing well with dichotomies, here, a situation that pulls Day and Mhok physically apart ends up bringing them emotionally closer together. It is clear that Day does not blame Mhok for what happened, even if Mhok was gone much longer than anticipated, and that is affirmed by Day defending Mhok to his mother when she questions Mhok’s caretaking skills and holds his criminal record over his head. 

And, let’s not forget, this is just writing about the physical touch, this post does not discuss whether or not the lack of touch is important. I wrote a decent chunk of this in the airport without wifi, so I could only talk about physical touch from memory, I didn't rewatch anything like I normally do, so apologies if I missed stuff.

[thechekhov]

Since you've covered a pretty big bit of the manga so far, can I ask what are your opinions on it? Deeper than just the quick reactions you've shared with us so far.

What are your opinions about the manga's characters? Its pacing? The mystery element? The magic system? What areas do you think it succeeds, and what areas do you think could be better?

I understand if you're reversing judgment until you finish, but you've also read quite a bit of the story so far. Idk, I'm just curious!

Especially seeing as you're a writer yourself, so I imagine you have a different perspective on how the story functions as, well, a story!

Oh, hmmm... that's an interesting question.

As of right now I'm on chapter 35-36 so I'm about a third through the story. The first major arc (find dragon, yoink falin out of its body, etc) has kinda happened, and we're hitting some larger world arcs.

As you mentioned, I DO want to withold judgement but for now... But I will say what I think thus far, with full awareness that my mind might be changed later depending on circumstances.

Comment 1: The manga is finished! Actually, just knowing that makes me feel like it's a more cohesive storyline.

Maybe I'm boring, but I'm not a huge fan of neverending storylines in general. Naruto, Bleach, etc. They have their place in the forever-young-monster-of-the-week genre, and I know why so many manga just keep... on... publishing....... but I feel like there's a lot of merit to being able to just wrap up a story and say 'there, that's how it ends'.

Comment 2: Laios is very well developed, even at this point of the story. Senshi remains a mystery. Marcille... speedran her arc?

I think this is the closest thing I have to a criticism. While I think Laios' character is well-paced in its revelations throughout the series (the slow ramp-up from 'oh this guy is weird' to 'oh, this guy is a freak club card carrying member' to 'oh, this guy is the freak club president' was great!) Marcille is.... a little more of a mystery to me.

Now, perhaps my memory is bad. But I did find her turnaround at the end of the Red Dragon arc a bit... out of the blue?

Don't get me wrong. I think it's entirely believable. But I wish there had been more hints - or rather, more visible progress of her studies of ancient magic. I know it's been mentioned, and there WAS that chapter of her and Falin during their school years... but watching episode 2 of the show on netflix when she goes 'I feel useless, my magic doesn't help anyone :(' and then reading the manga and seeing her straight up go from 0 to 100 as she decides "we're gonna rearrange falin's bones and then I'mma raise her using this ancient technique I've been studying all along that I didn't tell you about because it was sus" is... a little bit of a turn?

Maybe it's on purpose! Maybe, when I read further about her personal journey, the pieces will fall into place more neatly. But compared to the rest of the characters, which seem relatively steady in their reveals (Laios, Chillchuck, Senshi) Marcille took a bit of a turn.

Which, again, isn't bad! It just seems contrasted to the rest of the team.

Comment 3: The magic system is more like a magic ecology.

Actually, in the beginning, I found the magic system Marcille used very vague. It was just a 'do what needs to be done' type of power with very few apparent limits or power balances aside from 'sometimes you run out of mana'. But I think at this point, I'm beginning to assume that the details of the magic are closer to the functions of an ecosystem or an organism, and therefore WHAT the magic does is kind of moot point. Marcille is just a little bacteria inside of the great intestine labyrinth of the dungeon, and she is using its energy to survive, like a sort of microfauna.

Comment 4: Man, the worldbuilding is cool. It's so cool.

I don't think I've seen another story that goes so deeply into dungeon ecosystems before this one. Not only are the people who live there fleshed out in terms of individual cultures and traditions and norms, there are also monsters that serve as a natural fauna that inhabits the halls of what OUGHT to be a mindless 'turn left and fall into a trap' setting!

There's sticking monsters into your world, and then there's 'digging out a trench 1 meter deep, pre-soaking the soil, inserting monster's roots lovingly into the spot, and then covering it with fertilizer and spritzing the leaves'. I don't doubt that there ARE other works that go into this level of detail, but the dedication and the ideas Kui-san has for this very much makes the dungeon a living part of this entire tale. :)

I'll probably have more to say later but for now.. that's about it!

[pretty-weird-ideas]

IWTV Twitter and the so-called "Fake Black Fans" Invasion

Something that I've been seeing a lot after it gained traction on Max is white fans condescendingly talking down to Black fans, some of whom have been in this fandom longer than they have, and acting as if they don't know what they are talking about because of their critique including a concept or subtext they wish to ignore. I want to repeat that this doesn't happen in the same amounts to white fans who make analyses or memes, it seems to uniquely be Black fans speaking AAVE or with Black pfps (visibly black bc of this) being bombed in the comments for having valid opinions.

I reached about the fifth tweet of white women going onto posts of Black people (particularly older women on Black Twitter) talking about IWTV and saying "You don't know what you're talking about, read the source material/finish the show" or entirely saying that "You don't understand fandom culture". Prompting those Black people to respond curtly that they, in fact, have read the source material, finished the show long before they have, and have been a fandom elder since before they even rolled into town. I witnessed someone doing BABY talk to a 30-year-old Black woman who was talking about episode 5, with "Well you see, it's not my fault you can't read". And when the woman professed anger back, she was the one blocked.

I witnessed this backhanded shit FIVE TIMES over the course of this week. With different white women doing the job of whitesplaining fandom culture and Anne Rice to random Black fans who already know unprompted with a level of passive aggressiveness and annoyance that only comes with doing it repeatedly. I must assure you (white people who are doing this) nobody asked, you can put down your task and stop pretending like you are doing something Sisyphean. You are not legally required to explain and describe IWTV poorly while getting into screaming matches with far more educated Black fans on Twitter and Tumblr.

People are acting as if there's a rising population of Black fans who are "Fake Fans" and must be stopped, lest they start up the freaky discourse. OOHHH NOOOO! Whatever are we to do then???? And therefore it is completely normal and a civic duty to blast Black fans in the comments of everything that they say about the show or the books.

I've been seeing people unironically football tackle reaction posts of the show with paragraphs worth of text that is inflammatory and backhanded. This is even more apparent when the poster is visibly black or uses AAVE. The association is that Black people who use AAVE or memes obviously are uneducated, lack media literacy, and cannot consume content the way that "White" fans do.

It is an attempt to tone police Black fans away from creating new topics of discussion or creating/expanding the fandom space with the growing watcher-base. It always has to happen in their chosen language, on their time, in the places they can reach us and yell some more. They are very discomforted when Black fans have pockets in fandom where they can't be outnumbered and they do in fact control discourse in a way that isn't productive to respectability. (As much as I am a big fan of big words and rambling, that is somewhat what is expected in this fandom as a Black person to be considered "respectable" and I'm not willing to ignore or shy away from that).

This is also hand in hand with my previous thoughts about fans' dog-whistling about media becoming accessible/mainstream and how "Others" will ruin it and outnumber them. I noticed that in the IWTV fandom, it seems like white fans believe that the "Others" is just Black Twitter in general. Not just "Twitter" but specifically Black people who don't fit into their narrow respectability politics.

I hate to tell you all this, but Black fandom culture is still fandom culture, and Black people do in fact read and write. I should not be seeing a pattern of random white fans going into the comments of Black people who mention IWTV and automatically assuming that they have no clue what they're talking about.

Like clockwork, exactly as when the show came out, racist white book fans started up the discourse of "The Black people are going to ruin fandom with their racism discourse and spit on Anne Rice!" and then when that time passed, the show reaches Max, and here they go barking again.... We really need to get a muzzle.

[utilitycaster]

Bonus:

Campaign 2 episode 92/Campaign 3 episode 92 parallels (with some assistance from 3x89)

Transcription of the text in the above images (screenshots from the Critical Role Transcript Search) below the cut:

The following is excerpts from Campaign 2, Episode 92, and Campaign 3 Episode 92 (except one from 89, noted below), interspersed. Travis is playing Fjord, Marisha is playing Beau, Laura is playing Imogen, Liam is playing Orym, and Matt plays Thoreau Lionett in the Campaign 2 excerpt and Liliana Temult in the Campaign 3 excerpt:

First image:

TRAVIS: Your histamine reactions are going again.

MARISHA: Yeah. I've been away from Zadash for a little bit, so the pollen, it's kicking a little, you know?

TRAVIS: I take it you don't fully, fully hate your dad. It's got to be hard to hear this.

Second image:

LAURA: I'm going to heard toward Orym who's at a distance and approach slowly.

LIAM: Hey.

LAURA: Hi. I'm going to put my hand on your shoulder.

LIAM: Sorry, I know how hard all that is for you.

Third image:

MARISHA: Everyone wants to make their dad proud, you know? Just hoping he could, he could show some of that.

TRAVIS: You don't know that he can't. It's been years. You've grown, you've changed. I'm sure you were even more of an unbearable shit before. I'm not saying he deserves a second chance, but he is your father, and you do have a mother, and a brother that you've never met.

MARISHA: (sniffs) I guess it's hard when... the word inevitable has been brought up several times in the past 24 hours amongst us. I feel like I've found my family with The Mighty Nein. I don't like looking at my past, because it doesn't have The Mighty Nein in it, and I think I put off the inevitable, because I'm going to-- I'm afraid it's going to be like my past.

Fourth image:

LAURA: Don't apologize. I can't begin to understand how hard it is for you.

LIAM: You know, every one of us makes our decisions with the lenses or prisms we see life through.

LAURA: Mm-hmm.

LIAM: I can't take mine down. (sobs softly) It's not even about revenge for me. (sniffles) I just try and honor what they sign up to do. (sniffles) I just try and honor what they sign up to do.

LAURA: I didn't know them, but I can't imagine they wouldn't look at you and not be proud.

LIAM: (sighs sadly)

LAURA: I think you've gone farther than anyone could ever expect you to, and you're still going.

Fifth image:

TRAVIS: I don't think one contaminates the other. You've got good, solid footing here. I mean, shit, if we want to run, we run. If we want to kick his ass, we'll kick his ass.

MARISHA: Yeah. (sniffing) I kind of want to kick his ass, and I don't want to run.

TRAVIS: Could I ask you, in your wildest dreams, and feel free to say you don't want to tell me, what would you have happen when we go there?

MARISHA: I think I've worked so hard because I scripted this day, in my inevitable future that I would go back to him, successful woman, respectable member of society, Cobalt Soul, an Expositor, the thing he threw me away to, and I embraced. And then, I would get mad at myself, because I felt like I was doing exactly what he was doing to me my entire life, scripting me to be something else. And I'm still doing it. I haven't seen him in three years, and I'm still trying to be... something. And I think what's scary is that I like this, and what I've found, and I don't think it was until Nott started talking about having to go home and go away that it truly started terrifying me. Because for the first time, I'm happy. And what if that goes away?

Sixth image:

LIAM: (sighs softly) (sniffles) So far. I'm going to miss him.

LAURA: Yeah. Yeah.

LIAM: I'm going to miss Letters.

(sniffles)

LAURA: They were-- They were alive.

LIAM: Out of any of us, he just wanted to help.

Seventh image:

TRAVIS: It could always go away. It could go away tonight. The Gentleman's debtors could come calling.

MARISHA: (chuckling) And I think I know that, and I think I say things to Nott like, "You don't have to put those stipulations on yourself" because I've convinced myself that destiny or the inevitability won't come knocking. If you ignore it, it won't exist, and that's not true.

TRAVIS: (sighs) It'll be interesting either way. Your face is leaking.

MARISHA: I hate it.

TRAVIS: I won't tell anyone.

MARISHA: Don't tell anybody.

TRAVIS: Yep. You're a good friend. You're a good trainer.

Eighth image:

LAURA: I want you to know that that for a while it may have felt that you and I were not seeing eye to eye or maybe you felt that I, I didn't have the same goal in mind that you did. But don't worry about that anymore, all right?

LIAM: I understand family.

LAURA: Yeah. Yeah.

LIAM: I want for all the world for you to have your family.

LAURA: I wanted that, too, and (chuckles) god, that back and forth is a pretty funny thing, but choices were made. If nothing else, then at least we've got a little bit of knowledge on the inside now.

LIAM: Yeah. As much we'd like to, you can't turn back the clock.

LAURA: That's right. But you've got us.

Bonus image 1:

MARISHA: Mom already fucking mentioned that life gets difficult and it's hard. So you're right. Maybe it's easy to justify the easy way out, just get rid of the problem.

MATT: "That's not what this was about. You were on the self-destructive path. We didn't know what to do. I've never been a-- no one teaches you how to be a good father. I regret choices I've made, and you don't think I don't hold myself responsible for-- I thought I was doing what was best for you, truly."

MARISHA: You did. It was probably the best thing you could've done for me. So thank you. Tell me the story again, and then I'll go.

Bonus image 2 (from 3x89):

MATT: "History is filled with evil men. But few have the courage to stand up and try and stop them. Where I'm standing, I don't think we're on the opposing sides like you think we are. We just have a different myth, that's all. That's all. Please see it in yourself to understand why I've done and given up all of this."

LAURA: Maybe it's your turn to run. And I wake up.