#this art made me feel bad about myself <3< /div> Explore tagged Tumblr posts

[narfin-frood]

Silly question but how do you art?

Or more like, how is your process to draw? Your lines and posing are so loose and show the feeling of a character so well, like, how do you make your art so real with only a few lines is what most amaze me. Anyway I hope I'm not bothering you and that makes sense, thanks for reading!<3

you're not a bother, don't worry! i'm not sure if there's an appropriately concise answer to a question like this, but i'll try to explain my process for poses a bit, and if there's anything else specific you'd like to know about my process, feel free to ask, and i'll try to answer!

for posing, i find it's very helpful to start by thinking about what situation the character is in. you don't need a location or a background or anything (unless you're being #serious about it). for this, i chose "picking up something way too heavy" (cont. under cut, wall of text ahead)

keeping it very simple is key!!! do not worry about details!!! i am very bad at this. i love to add a little detail or two, like his eyes or his little expression, but i have to catch myself before i get too into it, otherwise i'll forget the point of what i was doing and/or get bored. use just enough strokes to get the point across, and stop there (for now).

i draw fast and loose, with long strokes, which also happens to help with the problem that happens if you start with any specific part of the body. it's important to start with... everything at once, or else you won't be able to see what needs to be changed or fixed until it's too late and you've already decided on where you want the head and the left arm to be!

to display effort & strain without just contorting the character's face, you gotta think about just how heavy the object is, how one would go about grabbing it comfortably, and whether your character is smart enough to lift with their legs.

wander is great (read: BEST CHARACTER DESIGN EVAR. i love him kisskisskiss) because he's not grounded in any sort of reality until necessary, and his limbs have no bones, but he still has specific proportions and volumes to refer back to if you get carried away with the wackiness. posing a character made up of several noodles of varying widths is very simple, because you can do basically whatever you want to push and pull and make it as clear (and/or as funny) as possible.

start with your line of action, in this case the long line connecting his neck and his left foot. think about where the floor is, so you can make the feet of your character and whatever else is touching it coexist in the same reality. think about clarity: big, simple shapes are your friends, and if you're not getting the gist of the pose through the silhouette alone, try again! there's NO shame in hiding the first layer and doing a couple more sketches until you land on something you really like. Don't polish a turd, especially if you yourself think it's a turd. it'll make you feel like you're wasting time, and drawing is about having fun and experimenting, so if it's getting boring or frustrating, it's time to try something else.

wander and other characters with no bones and no rules are great for posing because you can do things like make their arms bend the wrong way just to play with the clarity of the pose. this:

un-breaks the arms and makes a little more sense for somebody with elbows, but some clarity in the action is lost when the arms don't curve upward and away from the very heavy object he's straining to pick up.

grounding your characters is both more complex and easier than it sounds, and it unfortunately requires you to think about perspective (i know. i know. i know it sucks and it's confusing. i hated it for a very long time but once it clicks, you'll have it in your brain forever)

fudging a perspective grid is fairly easy, just draw several parallel lines and have them get closer to each other as they recede into the distance, and then do it again in the opposite direction. you can use the transform tool in whatever program you use most to fudge this for even less effort, by just getting a png of a grid and fucking with it

now that you've got your floor, think about those feet. the grid makes it fairly easy to envision how a shoe would look sitting on that floor:

this is also where having an understanding of volumes comes in handy, because things farther in the distance will in fact look smaller, but it's up to you to figure out just how much smaller it would be in comparison to the other identical thing with the same volume that's closer to the camera. usually it's almost negligible, but it becomes easy to spot if it's a little off.

and here's the pose i settled on! i made his noodle arms more extreme for extra XD factor and i put him on his tippy toes for that extra bit of height!

a lot of the principles i'm talking about in this post i mainly pick up from consciously watching my favorite cartoons (and live action shows) and if i really, really like the way something is done, or if i see something that i've never really registered before, i'll screencap it or i'll pause or i'll just keep thinking about it until i draw again.

this is called "building a visual library" and it's the #1 easiest and most important way to practice. it requires no drawing, unless you want it to. look at lots of art by artists you love, and if you see something and you think to yourself, hey, this looks really good, by all means, absorb it.

art is great and it's really fun and there's literally nothing wrong with taking inspiration where you can find it!! seriously!!! absorb your favorite parts of every art style you find cool and fun and put it into your own! you're the only person who can draw the way you draw, and while replicating an art style is fairly easy (or it can be, depending), matching it perfectly is Literally impossible, so don't worry about being derivative. Nobody will notice, and if they do, it's okay to say you're inspired by them! encouraged, even!

my own art style, like everybody else's, is a frankenstein's monster containing all of the things i've loved before!!! and i think thats beautiful and if anybody tries to tell you you've gotta be 100% original and have "your very own style", they're a filthy liar and they're definitely (consciously or not) already taking inspiration and reference from the things they themselves find cool and awesome.

ANYWAY. wall of text over.

TLDR: draw quickly, use long strokes (try not to pet your lines), have a specific situation to put your character in, get familiar with volumes and proportions, and have fun!!!

[animalsalvationassociation]

I’ll always protect you . . .

[ DO NOT REPOST, ALL ART & CONCEPTS WERE MADE BY ME ]

Digital Illustration Time: 14hrs 54min

Y.N. & Fae (Ref)

lore lore LoRe LORE LORE LORE LO—!!!

Lol, hi! 👋 So really quick I just wanted to say, this post took so much love, time, & energy. You guys have no idea the amount of work I have been putting in for Y.N. & Fae’s backstory, it’s crazy.

Now I’m not saying that to make anyone uncomfortable, to feel bad, or anything like that. Genuinely I had so much fun with this it’s not even funny. But with that I’ve also put so much of myself into these pictures (including the sketches, we don’t talk about Fae’s face in the last one it was a mistake and I hate it but we’re moving on)

ANYWAYS, what I’m trying to say is . . . This is my love letter. To everyone who’s been supporting me through the journey of this blog. I didn’t realize it until looking it up, but we officially hit our first year mark on November 5th and I couldn’t have done it without all of you.

Thank you my darlings, you have all brought me so much joy, and don’t worry we’re not even close to done! This is only the beginning! So please stay tuned these next couple weeks, I’m trying to have a bunch of posts lined up for the blog and if all goes well it’s gonna be great! (Although please give me some grace as it is the holiday season)

Have a wonderful day and I’ll see you in the next post!

( I love giving my characters panic attacks :3 )

-

Also guys, be mature please. I’ll probably show a good amount of PDA (because I’m touch starved) between Fae and Y.N., we're not gonna make it weird okay?

1. They're besties 2. They're going to have an extremely close sibling-like bond and I don't want to mess with that — Y.N. is literally representing you the audience, and Fae is my art/octosona. (Aka she me) 3. . . . Let’s be honest here I’m probably gonna make up an Oc to ship myself with anyways it’s what I do.

Much love, gn 💙

[ This is a Octonauts AU, in no way is this canon to the OG storyline. ]

[sergle]

I just had a really funny thought that i will obv never act on but like. yk how if you draw more varied body types, you might get people in your dms or comments saying that this art made them appreciate their body. what if we started doing the opposite at artists who only draw thin bodies. “Just want to let you know I have one of your prints and it makes me hate my body ♥”

[im-smart-i-swear]

unable to let go

something something both of these fuckers have spent so long depending on each other that they cant function w/o the other guy despite Tashi's continously worsening mental state and unhealthy clinginess and Soup's desire to explore the world and meet new people...

like the thing about soup is that she had never really been a person who does well stuck in one place for too long, but also tashi is her brother. theyve been through hell and back together and she feels immense guilt for even considering having a life outside of their little family, and also she has NOT worked through her gladiator trauma AT ALL and has been just holding everything in and trying to be a perfect caring figure despite all the anger and frustration she experiences on a daily basis...

(tashi is dealing with that too, but hes never been as good as her at hiding it, and also he has the tendency to make this stuff everyones problem - thus sidelining soups problems by accident. i think soup is kind of what tashi desperately WANTS to be, in a way. on the outside shes the 'stoic selfless caregiver' and i think tashi is jealous of that, so much so that he sometimes forgets that soup is just as much a person with her own problems and desires and flaws as everyone else)

soup is frustrated by how shes been having to take more and more responsibilities as time goes on (bc of tashis Whole Thing and buddys fear of assuming any kind of leadership position) and a part of her loathes this life and she wants to leave. i think her and zoras relationship plays a big role in her feeling on the matter bc shes NOT part of the family, shes someone new and diffrent and thats enticing... also over the years soup had built up this calm easygoing persona that zora can see through, zora is very aware of soups violent past and she is not sfraid of it, giving soup a safe space to express those more negative feelings freely for the first time in YEARS

Its very hand in unlovable hand coded but they very much love each other still and thats kinda the problem

Also putting some notes on their younger selves here bc this feels relevant to how these two ended up

[musical-chick-13]

Regarding the previous post, I think the way I approach trying to evaluate a piece of art is asking "Do I think the positive things I get out of it outweigh the parts of it that I don't like?" And when I call something a "guilty pleasure" song/show/book/piece of media/etc. it's really more in the sense of, "Given who I am as a person, the flaws I've found in this should be complete dealbreakers for me, but somehow they aren't, and it makes me feel like I'm having an identity crisis."

[mortellanarts]

2023 go bye bye

[impostorsshow]

Sometimes you just listen to a TikTok audio and get the need to make a post about a self destructive cycle your in only to never acknowledge the post again yknow

The song is Don't Smoke by Mitski, specifically the TikTok version is the Audiotree Live version

[yououghtaknow]

ben platt was so right when he said (to paraphrase) your heart can break so much that it breaks open and lets love in. that's 2023 to me baby.

[lesbovalentine]

i have to be honest guys i can't be humble anymore i am good at what i do know and i know this. i'm not saying every drawing i make turns out incredible or even that i have a single drawing i wouldn't change SOMETHING in but i'm, like, good at it. i'm pretty good at analyzing media too tbh. pretty good at making amvs. i've got a good singing voice even if i'm not a technically good singer i like my voice itself and i like the act of singing. i like drawing and i am good at it. okay thats all

[mrburnsnuclearpussy]

I haven’t been actively lately because I only just got internet and phone access where I’m staying rn and I finally have my new sim card in so I can have WIFI HALLELUJAH (I’m only supposed to have 1 hour phone time a day but no one needs to know heheheh)

Anyway I just wanted to say that I nearly died and I will still die and stand for Carson because he is amazing and a good person and season 6 isn’t in character but even if it was what happened to Thomas CLEARLY wasn’t even Carson’s fault and if you say it was then you SUCK and you’re WRONG!!! 😌 CARSON IS MY LIFE AMD MY WORLD AND THATS JUST SOMETHING FHAR YOU HAVE TO ACCEPT ABOUT ME!!!!!!!!!

[insert-game]

wow what a rough week… *checks the 달력 (i can’t fucking spell calander calender calendar the first time in english)* (it’s only tuesday)

[higherhell]

Popping on to say sorry for the extended absence once again and that I'm not sure when I'll be back in full capacity. To paraphrase that one old newspaper clipping about life being one damned thing after another being an understatement, The Damned Things Are Overlapping, quite a lot right now. Miss you all and I hope to catch up at some point but I don't know when exactly. One would hope soon, but everything feels like shaky ground right now, so no promises. Love you though 💜

[comicaurora]

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.

[tsukasageorge]

Guy who will make a 1k word post about how she is not drawing (he is making a 1k word post about not drawing instead of drawing)

[art]

Creator Spotlight: @jdebbiel

Deb JJ Lee is a non-binary Korean artist based in Brooklyn, NY. They have appeared in the New Yorker, New York Times, NPR, Google, Radiolab, and more. Their award-winning graphic memoir, IN LIMBO, about mental illness and difficult relationships with trauma, released in March 2023 from First Second.

Below is our interview with Deb!

Have you ever had an art block? If so, how did you overcome it?

That implies I am over my art block, but I’m still in it! I think about Kiki’s Delivery Service a lot and how she had to stop doing a thing, and that you can’t really force it, and you have to let it come back to you. It’s a pretty humbling moment, realizing there is more to life than just drawing. I’ve been trying to consume other content like reading or watching movies—anything that is not drawing-related—and to trust that it will come back to me. I think not being afraid to do the small pieces before committing to the big pieces is helpful. Because big pieces are what I am known for, I dig myself into a deeper hole, thinking that each piece has to be bigger than the last one. So yeah! Relaxing and doing the small things before overcommitting to a big piece is the best way to go about it for me.

Which 3 famous artists (dead or alive) would you invite to your dinner party?

I feel like these are all artists that I have second-degree connections with! Jillian Tamaki, Victo Ngai, and Tillie Walden would be my picks!

What are your file name conventions?

…What file name conventions? I mean, I don’t have specific file name conventions, but I actually have a public Google Drive archive! But I usually put “djjl_whatever-the-title-is_final,” and I would always know it’s the final and legit version.

What is a recent creative project that you are proud of?

I did an illustration for the whiskey brand Johnnie Walker. It’s so wild because I only had four days to finish it, and it usually takes me a week and a half if I rush. And honestly, it’s probably one of my best pieces from this year, which is funny. It was for the Mid-Autumn festival, so I made it as Korean as possible.

How has technology changed the way you approach your work?

I only use my iPad to draw everything now, and if I want to pretend that I have a steady workstation, I’ll use my Cintiq. I still am not as comfortable on the Cintiq as I am on Procreate, but it’s still pretty solid and nice. That’s the good part about technology. The bad part about technology is how AI art has been messing things up for me. I’m currently in a lawsuit about AI art as a class rep. Some of my stuff got turned into AI art late last year, so I have to give a deposition at some point. 

What is a convention experience that has stuck with you?

Honestly, they’re all good! I feel like Lightbox Expo has been really nice because it’s truly been a convention for artists. I feel like that’s where most of my audience is, and they’re all around because their purpose is to be better at art. That’s where a lot of original artists do well because they’re getting art they’re inspired by, not so much fanart. I like the Lightbox Expo because it encompasses the pure love of art very well. 

Top tips on setting up an Artist Alley booth?

Use a Y axis, not just your X axis! Take advantage of it! Branding is also something to think about. It is definitely something I’m getting better at. Having an assistant is also very important. I’ve also heard that 8.5x11 to 12x18 inches is usually a good size for prints, but I also provide postcard-sized prints because sometimes people don’t want to commit to a larger size. 

Who on Tumblr inspires you and why?

You know this is so funny. I’ve been following @alicexz for over a decade on Tumblr and other platforms. I’ve followed her work since high school, and we’ve only recently become peers. I found her, and we met for the first time in real life, and she recognized me. And then I found all my drawings from when I was in my Alice phase, back in high school, and I was like, “Yo, this is when I was trying to be you so badly!” and she was cracking up and was like “Wow, this is so good!” It was such a sweet moment. I wanted to take a picture of her holding my drawing up. It’s really nice because now we’re peers.

Thank you so much for stopping by and sharing, Deb! Be sure to check out their Tumblr blog over at @jdebbiel.

[u3pxx]

💛🕊️ Five times Aziraphale gave Crowley a gift plus one time Crowley gave a gift in return.

DID YOU KNOW THAT @contritecactite, once again, wrote a VERY GOOD fic about my bad omens spouses??? and it's so wonderfully GOOD???!?!?!!

anywhooo, a very big special thanks again to elle for writing this! it's been just a real treat talking to them and the klapollomb gomens s2 support group about bad omens 🥺 i'm really, really thankful that y'all decided to indulge me and my freakingg swap au wheezes <33

i'm gonna cut myself off here and ramble more under keep reading :0]

like these drawings? they're prints, here! | like what i do? support me on ko-fi!

seeing this get written was an experience! one of the things keeping me alive during prelim exams LOL if i remember correctly, this kind of started bc i was curious if bomens zira would actually have, i guess, a real demon equivalent the way shax (stork), beelzebub (fly), and furfur (deer) do. so i looked up the words 'crow demon' and whaddya know!

a crow demon!! and what's that? "cause Love"?

what a perfect fit for demon!aziraphale! and really, i was only messing around the first time i had the idea of "haha lol wouldn't it be funny if demon aziraphale was a crow", and then bam! all of it started to, surprisingly, fit well together pfttt (special thanks to bepo for being the one to piece it all together wheezes <33) (also, just really thank you all for bouncing ideas with me, it really does make me happy dfgdhjd <3333)

and then elle wrote a little snippet at first (IIRC) and then he just feakign!!!!!!! WOAGH!!!!!!! just, tasty delicious words, a fic that made me kick my feet like i was a schoolgirl while reading the whole thing ASKSKS <333

i'm really happy with all the spot art i drew for this! wanted it to look very uhhh, i wouldn't say storybook, but watercolor illustrations were definitely a huge inspiration! i wanted them to feel as nice and cozy as YOU would feel while reading elle's fic <3

i do gotta thank elle again for making these two fem-presenting when they were at the dowlings' bc then i get to draw butch gardener crowley. do you know how much that means to me? do you know do you do y do you know how m how much that how m b butches butches butches .

and a little bonus, one where crowley did not want to pose for the painting PFTT

i am once again putting the link here if you've scrolled this far down without reading it yet, go! go! go!!! IT'S SO GOOD!!!! <3333