#think i captured it pretty well :3

[the-woild-is-y-erster]

sometimes i feel like theres no purpose to my life, like i wasnt put on this earth for any particular reason other than to bear pain, and then i remember im an artist and i have the power to draw davey jacobs :)))

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[creatureesque]

i love them i love them i love them

[sysig]

Getting up to trouble is his speciality (Patreon)

[windor-truffle]

my free time is about to evaporate again ;_; so naturally i drew myself THREE separate scenes from Two Hearts Could Be One since i don;t know when i'll get another chance to make graces art for a while

[raptorrobot]

violent sun is back in business and better than ever baby !!!! get ready for a new and improved icarus with this introductory chapter <3

[jackredfieldwasmyjacob]

i'm so proud of this playlist... my favourite child if i say so myself

[orcelito]

The fascinating thing about my limited planning records for writing is that I will go back to something after months of not thinking about it, & I have to try to parse what I meant through the barest hints of notes recording the different themes of the planned chapters

Ft "bad effects" and "bad effects pt 2", which were nearly all of what I have written for chapters 4 and 5 of Summer Nights lmfao

[doravinta]

waiting for the bus

[ccrv-7]

im a True Girl at heart (sarcasm) and i looooove buying clothes but i HATE buying clothes. so much. its so disgustingly expensive. save me student discounts save meeeee

[arolesbianism]

It's so fun imagining your ocs as ds mod characters... I want Sier to go to the constant and immediately fall over and die because they can't listen to music

[sysig]

Xenofashionista (Patreon)

[planetpiastri]

pairing: lando norris x fem!australian!reader [no faceclaim] summary: honestly, you kind of expected this part-time gig to just be four days of pure chaos that gave you an excuse to see an f1 race up close. then some guy in the fanzone complimented your shoes, and the rest is history. notes: requested by anon!! this has been sitting in my drafts for aaaaages, sorry love <3 y'all are so brave for putting up with me while i try and remember how tf to write these uhhh yeah this one took a turn hope u like it anyway LMFAO

liked by oscarpiastri, ynusername, and 13,024 others

ausgp Arriving in style! The lads looked great at the Melbourne Walk today 🤩🤩

view all 1,654 comments

username1 lewis and zhou are absolutely slaying!! and oscar is also there

ynusername oscar i love you but you gotta step up your game mate, i wanna wear your merch so bad but it is UGLY!!

landonorris excuse me ausgp i think my fit was deserving of recognition in this post :(

ausgp Can't compete with the hometown hero 🤷‍♂️ landonorris but daniel isn't in this either ? oscarpiastri You're funny.

landonorris

liked by mclaren, ausgp, and 811,364 others

landonorris he shoots, he scores! thanks for such a warm welcome melbourne :)

view all 7,023 comments

oscarpiastri You and I have different definitions of scoring I think

landonorris ever heard of playing the long game? oscarpiastri Nurse he's out again

username2 where's the worker with the shoes i think they're indirecting her

username3 GET THIS MAN THE SHOE LADY'S DIGITS

maxfewtrell Now that's just uncalled for

ausgp Love to see the spirit 😉

username4 aww lando always looks so happy in melbourne, he loves it here :'))

ynusername oh wtf

liked by ausgp, yourfriend, and others

ynusername busy busy busy day, absolutely buggered, but very excited for tomorrow 😁 (also peep The Shoes on the last slide)

view all 89 comments

yourfriend i mean... he's right, they are sick shoes

ynusername you're just saying that cos you made me buy them yourfriend well yes!

username5 omg are u the girl who was working the fanzone today??

ynusername i was one of them!

username6 ok if this is the shoe lady i don't blame lando for staring she's so pretty omg

yourfriend "the shoe lady" ynusername i've been titled?????

ynusername

liked by yourfriend, landonorris, and others

ynusername weirdest work day ever (included today's shoes bc apparently it's a thing now)

view all 112 comments

yourfriend that wrap was good as hell tho

ynusername deffo the most exciting part of lunch

username7 wait who is this girl and why does lando follow her?

username8 go to lovestruckln on twitter, she has a whole thread about it!

landonorris ...weird in a good way, right?

username9 your lack of rizz is astounding lando username10 bro STAND UP ynusername weird in an interesting way landonorris i'll take that

landonorris

liked by ynusername, ausgp, and 1,011,023 others

landonorris melb, you have my ❤️

view all 8,327 comments

username11 SHOE GIRLLLLLL

username12 i hope they never hard launch and he just keeps posting pics of cool sneakers

georgerussell63 You're welcome

charles_leclerc You did it, you crazy son of a bitch ausgp Where's our credit?? georgerussell63 You put the pieces in play, I moved them into checkmate ynusername you threw a shoe at me. calm down. ausgp He what???

username13 bro's collecting aussies like infinity stones

danielricciardo ?? oscarpiastri No ynusername :// landonorris 😁😁

ynusername you're cool ig 🙄

landonorris your swag style and utter disdain for me has captured my heart ynusername oh my god stop i'm blushing

tagging: @thearchieves @sheridamn @nikfigueiredo @charlig123456789 @ilove-tswizzle @aandreea2005 @sideboobrry @vellicora @eire-the-egg @marymustdie @cocote1410 @taygrls @koalapastries @vroomvroommuppett @nichmeddar @d3kstar @333kiki @ririyulife @resident-swiftie @zimm04 @jupiter-je-taime @ever_bizzare @clemswrld @hollieeelol @leireggsworld @ironmaiden1313 @lunar-racing @lightninginab0ttle @maddie-naps @bwddermilch @pnkwhskyprncss @landossainz @chaotic_version

request: hiya! i love how funny your smau’s are and i’m begging for an aussie!reader x Lando one. maybe she works for the AusGP and they met in Melbourne? idk -anon

[supercutszns]

Hi!! Just had to drop in and say I LOVED your Luke fic and I can’t wait for more. I would love protective Luke with hurt/comfort, if that sounds interesting at all. Thanks for sharing your writing!!! 🌸

fighting chance; luke castellan

wc + pairing: 4.2k, luke castellan x daughter of ares! reader

synopsis: when an enemy takes advantage of your kindness during capture the flag, luke intervenes with a sword in hand.

warnings: a creepy boy👎, threats/harm to reader, she’s going through it, blood/injuries (nothing major), angry ANGRY luke, violence, lots of fluff/reassurance at the end<3

notes: thank you SO much for your kind words & your request!! hurt/comfort is my bread and butter my favourite fic genre of all time i think. & protective luke is just a bonus bc he’s already crazy so it can go as far as i want🤭 i’m not exactly sure what this turned into but if i fix it any more i'm going to go insane so hope you like it!

You’re not much of a fighter.

That alone is a normal thing to admit—plenty of people don’t like violence, the frisson of a challenge, the bruises that come with them. It’s nothing to be ashamed of.

Unless you’re a child of Ares.

People at camp often ridicule your gentle nature when they see you with your half-siblings. They’re all gritted teeth and sharp edges, born warriors that take up all the space they can get. You, on the other hand, are lousy with weapons and even lousier with your fists. You’re quiet, attentive. While your siblings charge into battle without second thought you stay back, flitting around to adjust armour, change out weapons, oversee the terrain. Planning isn’t Ares’ style so you’re pretty much useless but nobody wants to admit it. You’re usually mistaken as a child of Hephaestus or Athena.

Unfortunately, you are a child of Ares, through and through—just in none of the ways that matter.

There are rare times your father’s influence peeks through. Not with bursts of rage or fists flying, but with thoughts. And sometimes those thoughts turn into words. Well, not sometimes. One time. This one.

The evening before the camp’s Capture the Flag game, every cabin gathered around the bonfire past dinner. To burn offerings, to chat, or in Luke Castellan’s case, to admire.

He watches you laugh with Clarisse from a distance. The Ares cabin leader always had a certain fondness for you. When Luke first started dating you he had to ask Clarisse for her blessing beforehand just to be sure she wouldn’t kill him. He’d do it a million times over just for the moment you look back, your face warming when you catch his stare. He rolls his eyes at you to lessen his smile, but he’s not sure it works. You giggle and turn back to your friend.

He’s always loved your softness; your capacity to defend and not attack. Your body rejects any skill you could possibly develop for violence. Believe him, he’s tried to teach you sword fighting, but the last time he gave you a lesson you nearly impaled yourself thirty seconds in. He loves your wit and your tenderness, your proficiency at preventing conflict, your refusal to argue. But a selfish part of him loves the fact that he’s your protector even more.

The night wears on with the flickers of fire and friendly banter. One of the times Luke looks back at you, his brows wrinkle. There’s a guy talking to you. A group of them, actually, but there’s one clearly leading the pack. Some Aphrodite kid. Luke’s jaw twitches.

“Hey, princess,” the voice makes you pull away from your talk with Clarisse, but you’re confused. Luke is the only one that calls you that.

“Um, me?” You ask when you see the boy in front of you. He’s tall, chest puffed out. It’s not an endearing silhouette. “What’s up?”

“You wanna be on my team for Capture the Flag tomorrow?” He asks nonchalantly.

You laugh politely, “Sorry, but I don’t think we’re allied with Aphrodite tomorrow. That’s your cabin, isn’t it?” You feel bad that you can’t remember—his face is so … plain.

He chuckles back, but it’s a lot less nice. “No, doll, that’s not what I mean.” He steps a little too close, and even though you know Clarisse is behind you it feels like she’s a thousand miles away. “Well,” he drawls, a smirk drawn out, “you meet me in the forest after we start, and then we can … you know. Confer.”

“Confer?”

“Yeah. You get what I mean, pretty girl, don’t play dumb.”

A revulsion coats your gut. “I’d appreciate it if you didn’t call me that,” you say as firmly as you can.

“What, pretty or dumb? Why not both?”

It’s demeaning, the way he says it, and it stirs a temper in your stomach you know you inherited from your father. You’re not big on confrontation. Or embarrassment. But this weirdo is talking to you out in the open and people are starting to stare. He wouldn’t dish it out if he can’t take it, right?

“I’ll pass on your offer. I have a boyfriend and I’m actually on his team tomorrow, so I’d rather confer with him, sorry.” Your hands wring together but you do your best to quell them, imagining it’s the string of Luke’s camp necklace, threaded between your fingers. You try to look for him out of the corner of your eye.

He snickers, even though it’s common knowledge you and Luke have been together for months now. “So you are dumb, huh?” He tries to smirk and you assume is supposed to be sexy, but it’s just gross. His hand tries to slide around your waist.

“Don’t touch me, please,” you hit his hand away. Your skin is crawling and the knot inside you tightens.“Just leave me alone. People are looking, you know.”

“We could go somewhere where nobody looks,” he sneers, and the grin on his face is so sleazy that you just can’t stand it anymore.

You pray to your father for strength. And to yourself for forgiveness.

“I’m sorry, are you stupid or something? I told you, no.” You snap. “Maybe you’re the pretty dumb one, but for a child of Aphrodite it’s shocking how little the first one applies.”

His eyes are wide, and the posse he’d assembled behind him has attracted quite the view. You almost feel like crying, all these eyes on you, but you’re so sick of people thinking they can walk all over you just because you’re not like your siblings.

“What the fuck is wrong with you? I’m just trying to be nice—” He grabs your wrist as you leave but you yank it hard.

“Don’t. Touch me.” People are staring at you now, but the only one you care about is Luke, who looks equally ticked and equally proud, and all you want to do is kiss him. “Hope the only time we confer tomorrow is if somebody’s sword is at your throat.”

It’s the last thing you say to him. He starts to go after you but Luke is already at your heels. “Back off, man.” You can spot how all his muscles are already rearing themselves for a fight. You wrap a hand around his wrist, and he meets your eyes. Not now.

The altercation is lost the second the two of you leave the bonfire. Nothing matters when Luke has you in his arms, kissing you outside of your cabin, telling you how damn beautiful you looked.

You’re fixing a new Ares boy’s armour when Luke finds you. “Hey, angel,” he says, leaning down to press a kiss to your cheek. He relishes in the way your face heats up. “You ready for battle?”

You smile, “Always.” You pat the kid on the cheek and send him on his way. He gnashes his teeth and roars, joining his siblings at the front. Luke catches the longing in your expression.

“All good?” He asks gently.

It takes you a second for your eyes to meet his. “Mmhm,” you swallow. “Just hope his armour doesn’t fall off.”

Luke sighs for a moment, then wraps his arms around you. “He’ll be fine, sweetheart. Be safe, okay? Stay close.” He kisses your temple, rubbing circles on the nape of your neck.

“Yes sir,” you reply against his chest. His insides flutter.

He pulls your face up to his and kisses you, tender and wanting. “Let’s show these hooligans who’s boss,” he quips.

“You’ll show them. I’ll hide in the woods until some idiot comes along and tries to ambush you.”

Your dulcet tone has him wrapped around your finger, and you don’t even know it. “You’ve always got my back,” he croons, kissing your brow.

“And you’ve always got our flag.”

You kiss him again and he lets you slip out of his arms no matter how badly he wants to keep you there forever. He watches you vanish into the trees, and his heart goes with you.

He gears up with his team and the horn sounds. Game on.

There’s yelling, sweat, adrenaline, and Luke embraces it all like a man starved. This is his chance to be ruthless, to let all his untapped rage cycle through him. This is why he’s unstoppable. This is why he’s the best.

Clarisse is unusually cooperative today, but competent as always, and whenever someone’s weapon breaks or they lose their team she just barks at them to go find you. You, the smartest person in Ares, who can mend a weapon with nothing but blades of grass and determination. Luke is pretty sure your cabin would be lost without you. He wonders if you know.

The groove of the game has fully enthralled him. He’s alert, his wrist nimble, his sword a living, breathing part of him. There’s almost nothing that can take him out of his victory path until he hears one of the younger campers tell Clarisse he can’t find you anymore.

Whatever nincompoop he’s dealing with is left groaning on the floor. “What?” He barks, hand flexing around his sword. “Where is she?”

“Probably just moved,” Clarisse grunts as she kicks back an opposing camper. “She knows where everything is. Maybe she’s—oof—safer.”

“But how am I supposed to fix my spear?” The kid frowns.

Luke runs his tongue along the roof of his mouth, dry and laden with salt. He told you to stay close. Where would you go? “I’ll find her,” he decides, already sheathing his sword to walk towards the trees.

“Luke—”

“I’ll find her!”

He barely pays attention to the calamity going on around him. With a flick of his wrist he knows he can take out any person he wants. The second he gets to the trees, where the air is cooler, it’s startling how much quieter it is. No wonder this is your preferred hiding spot.

He thanks the quiet a thousand times over because if it had been any louder he wouldn’t have heard you scream.

It’s so short it’s almost indiscernible, but he knows it’s you based on how his body movies before his brain does. It snaps something in him, the adrenaline transformed into something acerbic, determined.

“Don’t fucking scream again.” A cluster of boys are stationed around you. You’re leaning back in the dirt. You barely feel the earth sticking to your skin. Just your heart jostling madly, your fingertips shaking in the ground beside you. “Okay, I won’t, just put the sword down—”

The snarling Aphrodite boy from last night takes a swing at you, and you scramble back just enough to avoid it. “No can do, doll.” His face is twisted with rage. The lackeys he had when you told him off are there too, cornering you against a cluster of trees like you’re some caged animal. There’s a dagger clenched in one of your dirt-ridden fists but you know it won’t do you any good. You can’t fight; you don’t have it in you. But these boys do. And they’re angry.

“Tell me where the flag is,” he orders. The tip of his blade comes under your chin, fogging up with the labours of your breath, your head pressed against the trunk of a tree.

You stutter, “You’re not—You’re not supposed to threaten like this—”

“You embarrassed me in front of all those people yesterday,” he cuts you off. “Thinking you’re so fucking smart. I didn’t even say anything that big a deal but you run your mouth to the entire camp and make me look like the idiot. I thought you were nice.”

The words are laced with poison. You know from the wild look in his eyes that this isn’t about the flag at all.

Tears sting your eyes and the sword grazes your throat. Of course this is happening to you. The one time you feel your father’s rage, when you exemplify the thing you’re told to be, you are punished.

You are never going to be the right kind of daughter.

“I didn’t mean to hurt you,” you try to say it evenly, but your breath is so ragged it’s barely audible. “I’m sorry, I shouldn’t have said all that.” You mean it, but they won’t care.

The boy’s face looks pleased at your tears. It makes you inexorably ashamed. “Some fucking Ares kid,” he snorts. “Can’t even fight, can you? Can’t even pretend to.” His sword leaves your throat and travels up to your quivering jaw. You’re wordless, white-knuckling the dagger at your side, praying that Luke is somewhere nearby.

“No wonder they stash you back here. You’re useless.” His eyes scan every part of you, and the idea of him knowing what you look like forever is so revolting it makes you want to vanish. “Too bad you’re alone, though. Nobody’s gonna know I was here because nobody’s gonna hear you.”

Your eyes get wide, and something in your mind rumbles through you like an engine. An urge buried in your blood.

Your dagger tears into his leg just as his sword dashes your arm. The pain is sharp, stinging, but the boy winces and you know you hurt him too. It gives you just enough time to roll out of the way as he lurches forward. “The fuck is wrong with you?” He swears.

Blood drips onto your shorts, splotched with tears. You know you can’t go anywhere because his friends are here and you’re almost certain you’ll be maimed, but you tried. At least you tried.

The Aphrodite boy picks his sword back up, stalks towards you, and then freezes.

Because Luke has just spotted you. And he’s spotted the boy that has you on the ground.

And he’s the best fucking swordsman Camp Half-Blood has seen in three hundred years.

“If you don’t get away from her right now I’m putting this through your skull.” He emerges from the foliage, his sword raised, sweat dripping down his face. You have never seen anyone look angrier. He has never felt angrier.

The boy blanches, and Luke sees how easily his lapdog friends shrink in his presence. Good.

“Woah, easy,” the boy holds his hands up in mock surrender and tries to flash a smile but it’s just fucking pathetic. His arms are shaking and his throat bobs about a million times. “We’re just playing the game.”

“Like hell you are,” Luke spits. “You gang up on my girlfriend and you expect me to believe this is fair play? Want me to tie you all together and push one of you off a cliff to keep the spirit going?”

“Didn’t know she was yours,” the boy tries to shrug but again, it’s a miserable attempt that only makes Luke feel stronger.

“Not that it matters but yes, you do,” Luke chuckles thickly. “I beat your ass in sword training last week. You know exactly who I am. And I’m sure you know who you are, so it’s obvious you’re playing out of your league here.”

Out of the corner of his eye he sees you still cowering, blood dribbling down your arm. He wants to tear the world apart. “Apologize and maybe I don’t send you to the infirmary.”

“We just want the flag, man,” the boy swallows.

“And I want your head on a stick. Want to see who gets what first?”

It’s too provocative an insult for a moron like this to ignore, so soon Luke has the pleasure of disarming five bitter boys that have clearly never been good at a single thing in their life. He tears through them like sheets of paper, knocking them to the dirt, ripping their clothes. He thinks of you, just you, your honest heart and patient hands, and it’s enough to fuel him for a millennia.

The last boy, the leader, is at Luke’s mercy, and he has none to give. The flat of Luke’s blade is pressed horizontally against the boy’s neck, an angering similarity to the position he had you in earlier. “If you ever do this again, I’m going to kill you.”

“You’re—fucking—crazy—” The boy wheezes, the length of the blade squeezing his throat against a tree trunk. “I’ll—I‘ll tell Chiron.”

Luke has to bite the inside of his cheek to keep him from doing something he regrets. “Oh yeah? You want me to tell Chiron how you harassed and terrorised a girl in the middle of the forest all in the name of play? Want me to tell him what you said to her last night at the campfire? Because I’m sure it won’t take much for him to get rid of your ugly face as it is, and I’m a camp counsellor.”

He knows it’s not the most morally correct use of his title. He knows he might be stepping over the line. But he also knows you’re always being ignored or trampled over and he’s tired of pretending like he doesn’t give a damn. He’s tired of people trying to force you into something you’re not. Of you crying in his bed at night because they’re trying to drag a violence out of you that isn’t there. Always in the name of fucking play.

Luke takes the sword off the boy’s neck and shoves him backwards. His calf is bleeding, not a deep wound, but a wound nonetheless, and Luke is full of pride when he realizes you did that. The boy’s bad leg makes him wobble and fall at the force of the push. Luke enjoys watching the scramble. “I—I was just trying to be nice, it’s not my fault she took it the wrong way!” The boy flails his hands in the air, rising to his feet again, and Luke shoves him down twice as hard. A piece of his shirt tears off in Luke’s hand.

“You’ve gotta stop talking or I really am going to kill you,” he seethes. “Don’t touch her ever again. Go.”

Luke is sure he looks homicidal right now because the guy finally tumbles his way down the hill. His body fades into the distance, swallowed up by shrubbery and sweat.

The second he’s gone Luke tosses his sword and armour and gets back to you. “Shit,” he mutters, kneeling down. You’re still shaking, your head in your arms, and all his hatred morphs into a love so desperate it terrifies him. “Angel, come here. Let me see.” He lifts your face with his hands and scans you rapidly. “Did he hurt you anywhere else? Anywhere?”

“Just my arm,” you whimper. “My arm.”

He knows it’s not the cut that’s hurting you; it’s long, but thin, and it’s not bleeding too thickly. He takes the cloth from the Aphrodite boy’s shirt and wraps it around your arm, knotting it at the end. “All right, that should be better.”

You look at him with watery eyes, and he knows all you need is for him to hold you. He folds you in his arms and leans against a stump. You can’t get close to him fast enough. The tip of your nose buries itself in his neck and he feels the dampness of your cheeks on his skin. “It’s okay, sweetheart, you’re safe,” he soothes, pressing a kiss to your hair. “I’m so sorry.”

Guilt swaths over him for a brief moment; he wonders if he shouldn’t have done all that, if he should’ve been more sensible. Then your lips form a ‘thank you’ against his skin and all is forgotten.

You feel so small. The shock is still running its course, so all you can do is cry it out. Your hands still shake when you thread your fingers through Luke’s necklace to steady them. He soothes you the best he can, running his hand along your spine, all the sharpness of his voice softened just for you. “You’re all right, angel. I’m not going anywhere.”

You stay like that for a while. The sounds of the forest return to you; leaves in the wind, birds chirping, Luke’s breath tickling your hair. You crane your head up to nuzzle your nose against the faint stubble of his jaw. “My hero,” you murmur, and feel his skin shift as he smiles.

“Couldn’t have done it without you. Saw the cut you gave him on his leg.” He kisses your temple. “I hope it gets infected.”

You giggle weakly no matter how you try smothering it in his chest. “Gods, you’re awful.”

“He deserves it! I probably should have killed him!”

“You came pretty close, didn’t you?” You mumble. Luke’s expression is wary, but you smile to yourself and it dispels everything. “I was hoping you’d come.”

“Good. Serves them right, messing with you like that. Fucking idiots.” He kisses your face again for good measure, “You sure they didn’t get you anywhere else, princess?”

You nod but you know you look wounded. You nudge into the crook of Luke’s neck again. “They … you know, it’s just … the usual stuff.” Every word weighs a pound as it comes out. Your heart feels sore.

Luke tenses again instantly. “What usual stuff?”

“Um, just—” The shame gets caught in your throat. “They all think I’m useless, Luke. Why can’t I do this right?”

You start to cry again, but he just holds you closer. Sometimes it surprises you how much patience he has. He prides himself as the harsher one between the two of you, but you don’t know who he’s fooling with the way he always knows how to comfort people.

“I don’t know what to do,” you continue, blinking back tears, “I’m not—I’m just not good at this, I don’t know why I’m in Ares, I don’t know why I can’t … be that. Why is he my father? I’m no good at being angry. I want to be angry.”

Luke’s quiet for a moment. Nothing changes except his hand rubbing circles on the nape of your neck again. Then he sighs deeply and says, “You don’t owe your father a damn thing. You don’t owe anyone anything.” He’s resolute, firm, a sharp contrast to his gentle kiss on your hairline. “You’re the smartest, most generous person I know. You need those people in battle. You’ll lose if you don’t.”

The warmth of his skin prompts you to look up at him. He looks different so often, the way he can shift between so tough and so gentle. Sometimes, like now, he’s caught in the middle, the remains of a furious sweat hardening his face, but his eyes are nothing but tender. You think it’s how you like him best.

“Besides, we’re not our parents, right? Who cares about Ares anyway?” Luke shrugs.

“Luke! Don’t say that!” your tears turn into a giggle. “The Gods might punish you!”

“I’ll handle it. There’s enough fight in me for the both of us.”

“Okay, tough guy,” you mutter with a weak smile.

You’re still sniffling. He runs his thumbs across your cheeks, and his gaze softens. “You’re an Ares kid because you are a fighter, angel. You just fight a hell of a lot smarter than the rest of us. Best one I know. Well, other than me.”

It makes you smile. “So second-best?”

“Tied for first.”

He kisses you with that stupid roguish smile. It’s salty with tears and sweat, but it mends your heart anyway. There is nowhere in the world you’d feel safer.

“I love you,” he says against your cheek. “Be as sweet as you want. If anyone has anything to say about it I’ll mess ‘em up good.” Your face warms as his voice drops to your ear, “And I know you’re an Ares kid because you’ll encourage it every time. You might not have a violent bone in your body, but you sure don’t have a problem with me using mine.”

“Diplomatically, Luke. Diplomatically.”

“Sure, sure. Whatever you want.”

You can’t help but kiss him again. You’re not entirely sure why he loves you so much, why you love him so much, but you never feel quite as secure as when you’re with him.

Cheers boom from the other side of camp. Luke’s head perks up like a dog, and you turn back to search for spots of red or blue. “Did we win?” You ask, craning your head to get a better view.

“Don’t care,” Luke says.

You look back at him. His anxious face says it all. “Yes, you do.”

“Okay yes, I do, and I need to see if those douches found our flag so I can choke them out with it.”

You laugh, standing so Luke can jog off to see the state of your team. But before he goes, he picks you up and smothers you in kisses, holding you like you’re his prize.

You are not a fighter, but your boyfriend sure is. And you’re perfectly okay with that.

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[confusionmeisss]

can you watch my boyfriend, please? - m. sturniolo

🫧 matt sturniolo x fem!reader

🫧 the “can you babysit my boyfriend” tiktok couples trend with matt!!

🫧 just fluff.

🫧 549 words.

🫧 hi lovelies!! thank u so very much for wanting to read! this trend is so cutie to me, and i initially did a chris version of this & it made me want to do one for the others (nick version) as well, so i did!! i hope you enjoy reading bc they were very fun to write!! <3

“Hi guys.” Matt looks up from his phone at the sound of your voice. “Can you watch my boyfriend, please? I just need to run into the store real quick, I’ll be back soon, I promise!” You say propping your phone up on the dashboard.

He watches as you open the car door and step out, shutting it softly after. His confused eyes follow your figure as it walks into the convenience store.

“Uhh,” he mutters out, looking into the camera. “I don’t- I’m-”

He looks down at his phone, his fingers doing a little dance across the screen. He lets out a small breath before he looks back up.

“Did you guys know that bees don’t have bones? I mean I’m pretty sure it’s well known at this point, but I just wanted to share in case you didn’t, well, y’know, know.”

A silence fills up the car for what feels like an eternity to Matt, but is only a few seconds. He looks down at his cup holder.

“Oh,” he lets out softly. “Chris left one of his Skittles Littles in here. You guys want some?” He asks, popping the top open, and pouring some into his palm. He then holds the candy container to the camera.

“Oh, did you also know that dogs can have pineapple, but only in moderation! Of course Trevor’s fatass doesn’t like pineapple,” he adds with a laugh.

Silence fills up the car once more as Matt munches on Chris’ forgotten Skittles. “He’s gonna be pissed at me when he finds out I ate his candy, but I don’t really give a fuck. I think I bought these for him actually.”

“Okay, wait, but I’m seriously running out of things to write for my Instagram captions. I think I’m just gonna abandon them or resort to using random ass emojis.”

Matt looks over at the sound of the passenger door opening, and you getting in setting a plastic bag down at your feet.

“What’d you buy?” He asks.

“Candy and cherry Arizona ice tea,” you reply with a grin, reaching for your phone. “Anyway, thanks for watching him for me, guys! I hope he was good for you.”

“‘Course I was good,” Matt mumbles out.

You chuckle. “‘Course you were, my love,” you reassure, placing a kiss on his nose, laughing at the way it scrunches up at the action. That’s the last thing the camera captures before the recording ends.

—

comments

he was a lil nervy at first, but once he warmed up he told us some fun facts. did eat his brothers candy, but told us he payed for it. 10/10 would babysit again 😊

trevor mention lesgooo 🔥🔥🔥❤️❤️❤️

i feel like chris forgetting his candy has the same effects as him forgetting his pepsi, but slightly less severe

thank u for the skittles matthew! <3

oh he was so cutie for offering us some candy 🥺

nose scrunch ahhh 🥹💓

brief mattitude there at the end i see 🤭

ur so real for the insta caption thing. it’s so tiring having to think of them

hey god it’s me again..

the anxiety/nervous keyboard finger dance, REAL

i want what they have so bad but i won’t get it, so i’ll be sleeping on the highway tonight 😁