#things that the killers are not allowed to do

[vigilskeep]

Do we know enough about how Crow succession and talonship works to believe it would be possible for Viago to take the seat of first talon either through some sort of non-violent coup in the absence of an heir to house Dellamorte or through marrying his kid (rook) off to Lucanis? Asking because I really don't know and would love to write something in that direction...and you seem a crow enthusiast...also love your blog

THEORETICALLY. yes.

we haven’t seen the talons shift directly, but they do shift, with regularity. house arainai was first talon in living memory and then fell slowly downwards to their current point where they’re struggling in and out of eight talon like a drowning man who keeps finding his way to air for just enough breath

the eight talons system, if you’ll allow me the tangent, is a really fascinating choice of fantasy hierarchy because it is such a clear hierarchy. among a bunch of ambitious killers whose prime goal is notoriety. you can only hold each position here if everyone below you is too afraid to do anything about it. what an anxiety trip it must be to decide whether to push someone down just one rung or to try to destroy them entirely; do you want to leave your rival with more opportunity or more motivation? but crow power is also all about theatre, all about perception—you are first or fifth or seventh talon primarily because everyone agrees that you are—so making a failed gambit for a higher talon has got to be incredibly damaging. which is a risky setup. it discourages attempts, but when someone does make an attempt, they will not be fucking around

anyway ignore all that we’re talking about soft takeovers today. okay so house dellamorte has a dying core family, theoretically. we’re making the assumption that no surviving young children from any branch of the family are mentioned because none exist. we have two heirs, neither very acceptable (my apologies to caterina’s delusions), both men in their 30s with (again, assumed) no children, and neither making much progress in that regard. (arguably dependent on player choice when it comes to lucanis, but since he can fall in love with and express his undying devotion to any kind of rook, we can at least say he’s not making that much effort.) within a generation the core family may die out. but that is a LONG TIME to wait. you still have to deal with the current ones, they’re pretty robust

lucanis is the current first talon as of the end of veilguard. can he be convinced to give this up and hand first talon over to someone better suited? i do believe it. mostly because i need to believe, for my mental health, that we can get him out of there. but he also now has a fairly bulky support system full of people who love him and will notice how bad this is going to be and convince him he deserves things like a life he doesn’t hate

as always your main problem is caterina. caterina is not going to allow a takeover, soft or otherwise, while she is still alive. caterina didn’t give up first talon when they murdered her children. there’s probably an emotional plot in here where she can be made to accept what she’s done to her family, far too late, but with time left to save just one by letting him go. on the other hand, i’ve also been experimenting with plots in my mind where she tries to quietly get rid of viago or romanced rook for having too much influence, with the added benefit on hopefully being able to steel & refocus lucanis on defending the house against whoever she frames. or plots where she blames lucanis trying to leave and not being the boy she remembers on his, you know, demonic possession, and attempts to forcibly remove or destroy spite. so. there’s potential ups and downs, here.

i don’t know how helpful rook de riva/lucanis is. most of your problem here is that everything that sets this ending up by giving the de rivas more power, and by giving any rook more power over lucanis, is something that in my mind would crank caterina’s wariness all the way up. house de riva surely has to move up from fifth already after the events of the game and look more like a contender, and i don’t think even caterina’s delusions about lucanis’ suitability for first talon could make her blind to the effect rook can obviously have. i definitely think she would delay on a marriage and have the power to do that

i think it’s worth saying that rook de riva at any point bringing up to lucanis the idea of handing things over to viago would be a hell of a conversation. i know lucanis never remotely suspects rook of any agenda and trusts them completely, and i know i agree with rook here, but you’ve GOT to see how “i love you and having power is bad for you and what you should do is hand it all over to my talon” sounds. i truly could not blame him for a bit of doubt here especially if caterina was around to suggest it

sorry this is a completely messy and disconnected response. i don’t even know if i had a point. you might have to wait for caterina to actually die? is that my point? i can see rook de riva/lucanis being helpful to ease a transition of power to house de riva then. i also think it’s worth pointing out that teia might be the better contender for all this out of the two lovebirds. what quietly makes teia probably the most dangerous talon in the crows, if she ever chose to be, is that everyone likes her. i’m not joking or trying to handwave crow politics, it’s a form of soft power and the result of her cultivated skill that nobody ever suspects teia of anything. even caterina treats her gently, and literally a talon who tried to murder all the others in tevinter nights was delaying murdering her because she was his favourite. if anyone can handle a gentler transition like what we’re talking about, maybe it’s more likely to be teia

[leavemetrappedinacage]

EVERYTHING WAS A MISTAKE — i. cheater.

⤷ summary: Leaving home isn't hard, coming back to home is, you're determined to find your sister, but Gojo has many things to say to you.

⤷ pairing: yandere!satoru gojo x fem!vampire!reader.

⤷ warnings: angst, abuse (physical assault), a bit of gore, blood, abusive behavior, it's implied that Gojo has assaulted reader other times in the past, gaslighting, mentions of cheating, mentions of death, psychological violence (Gojo is manipulating the reader into thinking that everything is her fault), spoilers (JJK0).

⤷ more information about story: here.

⤷ notes: this chapter is a bit hard to read (it was hard to write too), if you are in an abusive relationship or have just come out of one reading it may cause triggers, so please stay safe. 🤍 (I forgot to post the chapter yesterday, sorry. 😭)

⤷ word count: 2867.

Human lives are bubbles floating on the surface of the water, fleeting, but the life of a vampire is perennial, like the Pinus longaeva, which will last for millennia if it is not uprooted. You let go of Satoru's clothes, to whom you were clinging tightly until recently. The words he said to you seem like a bad joke, but the part of you that knows him knows that he wouldn't lie about such a serious matter. A million possibilities run through your head and none of them seem right. Your older sister is the current head of the clan, she succeeded your mother after her death, she is also married to Satoru's older brother and is therefore part of the Gojo clan by marriage, no one in their right mind would harm her, unless they wanted to provoke a war that they would never win.

In the past, after you broke one of the clan's three taboos, your sister came to understand your side of the story, and although you confessed your sins out of your own mouth without showing remorse, she knew you well enough to know that you would never commit a crime of this proportion unless it was truly necessary, you were hot-headed, not a serial killer. However, there was a limit to her influence, your sister had to withdraw from the investigation not long after, the other investigators claimed there was a conflict of interest and personal motivations on her part because you belong to the same lineage, although you knew very well why they wouldn't allow her to investigate, you comforted her by saying it was all a mistake.

You accepted the death sentence so that her and her family's reputation wouldn't be tarnished by her crimes, but when you found out what they would do with your corpse after your death, you had no choice but to run away. You escaped from prison and left everything behind, so you would never see your family again and would forever be an outcast, but you knew that Gabi, your beloved sister, still had hope.

You fall to the ground on your knees, your heart breaks into a million pieces that you may never be able to put back together, the tears flow endlessly, but you don't make a sound. Your sister once told you: "One day, I will die, and you will be the last member of our family. And when that day comes, you'll miss me so bad when I'm gone, Y/N!" She said it laughing, you didn't care because she was the head of the clan, and just like your mother, she would die of old age with three children or more, but now those words blowing in the wind have taken on a new meaning, as if she knew deep down that it would happen. You put your hand on your chest and lean forward until your face touches the carpet, you open your mouth to scream, there's no strength left in you to do so, only a bitter taste of defeat in your mouth.

Satoru gets down on his knees in front of you and hugs you, you don't pull back because it's the only comfort you can have right now, you cling to him like you're clinging to your last thread of hope, you allow yourself to cry because it's the only thing you can do right now. He's never seen you react like this, you never cry, you didn't shed a single tear at your own mother's funeral, you were like a beacon in the middle of a stormy night, strong and resilient, no one has ever been able to shake you, so seeing you so vulnerable makes him feel he needs to protect you. He lifts your face with both hands and wipes the snot off with the sleeve of his shirt, you're a wreck, but you muster the strength to get up. Now with a clear head, you know you have to solve this problem, no matter what.

"I'm going to kill them all." You mutter, the glow you're carrying fades and gives way to a gloomy aura, you turn away from Satoru, you're planning how to kill these people, there are too many of them and only one of you, but you've been in a similar situation before, so you think it won't be a big problem. "Thanks for warning me, but I don't want you to meddle this time, it's a matter of fa-"

Satoru suddenly interrupts you. You don't have time to associate what happened right away, it was so fast, only then do you realize that he's hit you, you touch your cheek and it's hot and tingling, your ear is ringing as if a bell is inside your head, and it feels like one of your eyes has popped out of your skull because you're not seeing well. You're so bewildered that he has to hold you so that you don't fall to the ground again.

"I don't know what the hell you're thinking, but stop. Now." He gently grabs your face and presses down on your right eye with his thumb in order to put it back in place, and you stand there as if you were a doll being carefully repaired. "You're a hothead, aren't you? God! Are you thinking of killing someone else? I hope not, I don't want to have to do it again." He scolds you, he doesn't like the idea of having to hit you, but you always cross the line, it's so annoying. "If you make a single slip-up, everyone's efforts will be for nothing, your sister's life is at stake and we still don't know the intentions behind the kidnapping, so. Stop. Acting. Impulsively." He spoke slowly and nodded, waiting for you to agree. "Answer me."

"But-"

"Answer." Somehow his aura seemed to pressure you, it's always like this, he says he doesn't want to hit you, but if you keep doing things the way you want, he'll hit you again and again until you stop, you shrug and he sighs. "Y/N... answer me, I won't do it again, so be a good girl and say you won't do anything."

"I won't act on impulse, I promise."

"Yes, yes. I knew you were still a good girl." His tone of voice has changed, the pressure on his shoulders is also gone, he pushes back a lock of hair and kisses your forehead, it's almost as if he's someone else. "I'd love to spend some time with you here, but we have to go now."

"Now?" You hear a pop, Gloria and the children are still waiting for you, you can't leave without saying goodbye, you look around the room for the bread basket and find it completely ruined, you let out a breath of air through your nose. "I couldn't go and see any of you anyway."

"Who are you talking about?" Satoru grabs you from behind and buries his face in your neck, you're tense and stiff, it would be bad if he found out about Gloria, he's not the kind of person who tolerates jealousy. But fortunately he doesn't seem to know, he sees the basket of bread on the floor and remembers the children you greeted earlier. "I didn't know you liked children so much."

"Oh, yes, of course?! So you were stalking me at that time too?" He replies with a 'mhmm', you roll your eyes. "You're awful." You let out a dry, mirthless laugh. "Oh, I never had a chance, did I?"

"I'm glad you know your place." He's so overbearing and arrogant, yet if you had only half the power he has, you'd act like it too. "I'll help the children later if you behave yourself on the journey back."

"Really?" Your shoulders relax, you lean in to look at him, he nods in agreement and you're relieved, but everything has a price...

"But you'll owe me one." He whispers unassumingly. "Two, actually." He holds up two fingers, you choke. "Or have you forgotten that I'm going to have to take you in secret?"

"I thought you were going to give me up! I even thought I would need Suguru's help."

"Of course not!" He shouts, irritated, an icy chill shakes your body, you lower your head and he continues shouting. "What kind of monster do you think I am? I would never hurt you, Y/N. I... I... forget it." He pushes you away and massages his temples, then stops abruptly and runs his hand over his face as if he's just remembered something. "Oh, one more thing, Suguru is dead."

"WHAT?"

"I killed Suguru, he committed some crimes, but nothing compares to the fact that he hid you from me." Satoru lets out an infamous chuckle, you can't believe what he's just told you, but given the circumstances, you know he's not lying, the only person who knew your whereabouts was Suguru. "You remember when you abandoned me, don't you? Didn't you think about me? How I might feel?"

"You weren't the only one I left behind, and-" You start to speak, but he signals you to shut up and stop making excuses he doesn't want to hear.

"But as far as I know you haven't abandoned Suguru, have you?" You feel the air get heavy and Satoru's shadow covers you, he seems much bigger than you or you're feeling too small, you don't know, you go back and grope the tree, there's nowhere to run, you close your eyes and wait, maybe for the next slap or something worse. "He told me everything before he died... so we have a lot to talk about, Y/N."

Mistrust is like a deadly poison that eats away at you from the inside, it makes love grow cold, but it also gives birth to a weed called resentment. There's no fixing something that's been broken, when you put the pieces back together, the cracks and scars of the breakage will be there forever, it will break again if you fill it with water. There is no way to mend the heart of someone who has already been betrayed or abandoned.

Satoru look at you with a fake smile, the corners of his mouth are twitching, a bad sign, there's no escape for a change, there's only the two of you on this deserted house, even if there was someone here no one would come to save you, there's no place you can use to hide, but there's no way and no reason to hide when the Six Eyes are looking for you. You open your mouth, but give and accept that there is no other option but to stay quiet, he seems satisfied with your decision, the smile on his face widens.

"Satoru..."

"You cheated on me." He repeats with tears in his eyes.

"WAIT, WHAT? I never cheated on you." You choke, you don't know if he's making it up or Suguru said something that made him get it all wrong. "I don't think this is the time or the moment to talk about it."

"But I do." He retorts. "You disappeared for ten years, Y/N. DAMNED. TEN. YEARS!" He puts a lot of emphasis on that. "You didn't try to contact me during that time, you didn't even make an effort to make me try to understand your side, but..." He paused dramatically. "There was enough space for Suguru to continue in your life. Do you know how painful it was to find out from him that you'd been in contact and seeing each other for all those years?" He frowns and laughs like a maniac. "What about me, Y/N? I was alone in the dark for ten years. I had no news of you, I didn't know where you were, how you were or if you were even alive, but he knew because he told me before he died." He scratches the back of his neck and bites his lower lip. "You didn't even bother to break up with me."

"You turned your back on me first! You spent weeks ignoring me before everything happened and-"

"Because YOU were hiding things from ME!" He shouts and points at you accusingly. "I never knew your side because you didn't trust me enough to open up to me, your own boyfriend." He uses both hands to point at himself, the veins in his neck and forehead bulging, he's furious. "But Suguru knew, because you told him everything, didn't you? You even asked for help to escape."

You choke, you don't know if Suguru revealed all the details to him, but your mind goes blank like a blank canvas for lack of arguments, you can't retort, because what he's saying is the truth, at no point did you consider the possibility of trying to contact him, you didn't explain why you killed all those people in the first place, you just accepted the fact that he hated you and decided to walk away without saying a word. Who told you he hated you? Did he really think you were a monster? The fine line between what was true and what wasn't was so thin that you couldn't tell the difference anymore.

"I forgave you for killing those people and for running away, but this..." He points at you and for a portrait of you and Suguru on the bedside table, then makes a cutting sign with his hands, shaking his head frantically. "I'll never forgive that. Never."

"I'm sorry."

"It's too late to say you're sorry." Satoru reaches into his pocket and pulls out a black blindfold. "You never really loved me, did you? You loved him, I was just... an idiot. That's the truth. I was just a substitute for him."

You see the tears streaming down his face, he brushes them away with the back of his hand as if he doesn't want you to see him cry, you feel your stomach lurch, you don't have the courage to approach him, it's bad enough to know that everything that happened in the past was a big misunderstanding, to be abandoned and in a way betrayed, you can't measure his pain. And although you have your share of the blame for his suffering, he has to understand that you were on the run, many came after you to kill you, familiar faces, you have a lot of traumas to carry, and you don't want or need to carry the weight of this ill-fated relationship, but you can't help it.

"I expected a little loyalty from you. But you're one of them." Satoru refers to the fame of vampires and their multiple partners, but you're not like the others, you really only loved him, but he's so blinded by hatred that he can't see. You love him so much that you trusted him with your life. "You... you cheating bitch, I did everything for you, I... I even tried to forgive you for it, but then you started thinking about going after him? HAHAHA, I'm really stupid."

"I'm not a cheater. I've NEVER cheated on you." A lump forms in your throat, you can barely defend yourself against these unfounded accusations, based on jealousy and paranoia, you sniffle and wipe away tears that wanted to escape from your eyes. "I swear, I never did that, I-" 'love you' You continue the sentence mentally.

You endured everything in silence for fear of sharing the burden with someone else, because you are afraid to lose everyone, but you also believe that if you had been honest from the beginning, he would have understood you, and maybe your sister wouldn't have had to go through what you're going through now, but now it's too late to be honest.

"You just used me and are still using me for your own gain, you just want to ensure your sister's safety and leave. Like everyone else... I'm just a tool for you."

"That's not true, stop it."

The truth hurts, and he's telling the truth, from the beginning you thought of him as a tool to find your sister, but not everything is true, you also want to spend time with him, since finding him again has ignited something inside you, but you don't have the strength to go against him. You take a step forward and he moves away, you reach out to touch him and he rejects you, it's so painful that you'd rather he hit you, you grab his hand and he's so cold, so distant, as if an abyss were separating you. You open your mouth to beg for forgiveness once again, but you feel a stinging pain in your head and heart, a buzzing in your ears makes you dizzy and makes you scream hysterically, your nose and ears began to bleed non-stop.

"Y/N?" Satoru's voice becomes distant and his image blurs. "Y/N?! Are you all right?"

"I... I... I feel... so... sorry... I... will... tell you... everything..." Your vision suddenly darkens.

The last thing you hear is Satoru's voice shouting your name.

[aonemanarmy]

The look of surprise in Vincent's eyes didn't escape Sephiroth's notice, although he didn't understand why the gunman would react in that particular manner. Emotions had always been a difficult thing for the madman to comprehend beyond their most rudimentary form, which left all forms of expression he might've expressed largely flat and off-putting. It was unnecessary though, because from as far back as he could remember he'd always been told that emotions were things meant for humans, not things.

Not him.

Perhaps that was why he lacked the capacity to understand Vincent's line of reasoning. Sephiroth knew Shinra and what they were capable of and while he was intelligent enough to realize not every paper pusher or bean counter might've committed atrocities directly, the metaphorical blood was still on their hands because at the end of the day they had a choice. None of Shinra's countless employees were forced to do the corporation's bidding, but they had chosen to do so of their own volition and they could've resigned at any time. They didn't though, and that was what made them different.

So it was laughable that the ex-Turk would suggest they didn't have a choice. There were other jobs to be done in the world not related to the company, but they had taken the easy way out at every turn heedless of who or what may have suffered because of it. Sephiroth wasn't the slightest bit surprised as it was in human nature to avoid hardship, but it was nonetheless disappointing.

“Here I had thought that Shinra employees chose to sign their own contracts.” He said dryly, his expression remaining as immovable as stone as he spoke. “I had not thought that Shinra forced them to work while compensating them with paychecks out of the kindness of their heart. It is really quite touching the stark difference then between the two of us.”

Sephiroth had never been given a choice. If he had been ordered to do a task then he did that task regardless if he wanted to or not and if he refused all that awaited him was further pain and suffering with no compensation whatsoever even when he complied. He had been caged like a beast, allowed nothing of his own that the company didn't grant him and which they would gleefully take away should he disobey. As such, he didn't have a single item to his name that they didn't own, not even his own freedom...until now.

“As a Turk I had thought that killing was part of your position, so what difference does it make? Do you think yourself merciful sparing other killers who would hold no hesitation in doing the same thing to you?”

While not a part of the Turks Sephiroth knew of the department and what Shinra used them for. They were corporate muscle, used for all of the underhanded and less than palatable jobs that needed to be done. In that vein it wasn't uncommon for their organization to delve into everything from bodyguard work, blackmail, and threats to extreme causes involving beatings, torture, and even assassinations. The Turks were criminals in everything but name and they hid it all behind the veneer of pressed suits and corporate smiles.

It disgusted him.

“Besides, I had thought after all that has been said and done that you already had plenty of blood on your hands. So what does any more matter?”

The not so subtle jab made at him didn't even sway Sephiroth in the slightest. It wasn't the first time that humans had thought themselves to be above him and it certainly wouldn't be the last. The difference was that he knew that he was different and he had never lied to himself about that fact or tried to dress it up as anything else than what it was. Thanks to Jenova he now knew that he was the rightful inheritor of the Planet, its savior, and he would fulfill that destiny whether the humans fought the inevitable or not.

“I am aware of what your kind think of me.” There was no emotion in his voice as he held the ex-Turk's gaze, his own unwavering as it bore into Vincent. “You like to think that you are better, when in reality I am the monster that you have created.”

'After all, where were you back then?'

'Where were you when I needed you most?'

'You were never there.'

'Now like all the rest of them you blame me for it all.'

The accusatory thoughts flowed unbidden through his maddened mind, their words like jagged glass that ripped and tore at what small shreds of sanity Sephiroth had left. It was an avenue of thought he usually avoided just for that reason, even if he wasn't consciously aware of that fact. All because it opened up an old wound that had never truly healed, one that stemmed all the way back from the young and broken boy that he had been all those long years ago and that still cried out for mercy in the depths of his fractured psyche.

Sephiroth shrugged, a smile tugging at the corner of his lips as he lifted his gaze skyward, noticing the break in the clouds. “Where were your fears back all those years ago? Why did you not end me back then when it would actually have counted?”

The night wore on, and as the two made there way up the mountains through the snow, morning had begun to break, eventually casting a light glow over the land. However, it didn't give off its usual warmth. Even the sun's warmth was in competition with the impending terror that was wading through the snow and towards the Whirling Maze. Even the planet itself seemed to tremble the closer Sephiroth and Vincent approached their destination. It seemed all but certain the planet would meet its demise. Vincent could feel the planet's pulse grow stronger, tugging at his chest as if begging him not to move further. But if he were to spare the lives of those he cared about, he had no choice but to follow the planet's most feared enemy, knowing he was also now an accomplice.

All the while, neither of them spoke a word even though both were hyper aware of one another's presence. One was tirelessly hastening towards his goal with reckless abandon, while the other was feeling the weight of every footstep getting heavier, and more blood stained the closer their destination became. Vincent's mind was trying to puzzle the pieces together, contemplating what all would befall Cloud and the others once they did meet up.

No matter how one could spin it, the fact that Vincent was now serving as a protector of Cloud's and the planet's worst enemy, not to mention his friend's murderer... it spelled betrayal on a level that would have put Cait Sith aka Reeve to shame. If the entire party turned against him, so be it. Perhaps it would be better in the long run for their sake. Vincent had sworn to never get close to anyone again. But here he was worrying about the bond he had with his friends, especially Cloud-- the fragility of life, friendship, and forgiveness. If things went exactly the way Sephiroth and Jenova intended, Vincent would lose them all, including Lucrecia. Even if they managed to defeat Sephiroth and Jenova, the planet was already on the verge of death. Sephiroth was merely enabling and hastening the inevitable. And once the planet had had enough, he would still be left alone, and Lucrecia's spirit would be lost to the abyss along with every other soul Vincent had ever cared about. So why was he going through with this...?

At this time, the snow had all but vanished, being exchanged for some more harsh winds that threatened to cast off any and all over the depths of the canyon. No sane individual would cross such a dangerous path. The essence of death was growing stronger from within the caverns of the Maze, indicating to Vincent that several had made this place their resting place. He could already tell it would soon become a tomb for countless hooded figures, should they dare to venture further in pursuit of Sephiroth.

Vincent's thoughts were diverted once he heard Sephiroth's voice, guiding his attention to the large edifices and winding path before them. Though he had never ventured into this place before, Sephiroth’s words told him everything he needed to know when it came to how close their destination was. The sinking feeling was more keen than ever.

Vincent watched as Sephiroth turned towards him, crimson and mako colors clashing in a brief moment of mild confusion. The question wasn't exactly surprising. But the genuine curiosity got Vincent's attention more than the question itself. Why did Sephiroth care? Was this just a ploy to pull out any weakness from the gunslinger? Or was Sephiroth actually curious about what made Vincent a sympathizer instead of a cold-blooded murderer?

For a moment, Vincent stared at Sephiroth, a hint of surprise in his eyes before he decided to answer. "Not all who bear the mark of Shinra are mindless killers. Humans aren't that simple." Vincent began, looking off the side to look at the canyons around them, or perhaps he was sparing himself Sephiroth's gaze. "Sometimes... they don't have a choice when it comes to committing atrocities. Just like when you didn't have a choice to become what you are today." Perhaps Sephiroth could understand that much, but even then, Vincent knew it would have been ludicrace to hope for Sephiroth to have any sympathy for humans at this point.

"If I didn't spare them, then it would be easier to take the lives of many more." In essence, he would become numb to killing. He furrowed his brow and shut his eyes for a moment, keeping some thoughts to himself, the wind tossing his hair and cloak in a chilling breeze.

A moment later, he lifted his head and allowed their eyes to join once again, a slight hint of determination in his gaze. "...and should I fail to quell the beast inside, I would become no different... than you."

[mikuni14]

15 Day BL Challenge - Day 4

Day 4: Fave Ship Dynamic

Since I can't choose one favorite dynamic, I'll allow myself to write a few:

EQUALITY in a relationship will always be my top priority, which I understand as a situation where no one is exploited, or led like a child in the relationship, or dominated, even if one of them is naturally dominant. To make it more complicated, I actually like relationships in which one is clearly more dominant, for example stronger physically, or in the hierarchy, is richer, has power, BUT NOT OVER THEIR LOVED ONE, is actually even dependent on him. The point is that both have the same power over each other, are equally dependent on each other, both support each other to the best of their abilities, no one gives more or less. It is ideal when the seamingly "weaker" one has even a slight advantage in the relationship, to make it more fair. A good example of this relationship is Hannibal or Nagron 😋 There are many BL series with equal characters, most of them will appear below (but I'll start with a gif of these guys, equal in everything, and that widening of Zhou Zi Shu's eyes at the sight of Wen Ke Xing is one of the best things in BLs I've ever seen 💖)

most often, equality in a relationship goes hand in hand with my second favorite dynamic: when both are mature. I LOVE it when a couple is made up of adults, mature people who know who they are, know that they are interested in each other and the only obstacles in their relationship are external. From BL series, these are: Laws of Attraction, Manner of Death, Jun & Jun (excellent examples 10/10) as well as The Untamed, Word of Honor, KinnPorsche, 4 Minutes, Our Dating Sim, To Sir, With Love. This equality and maturity can just as well appear in series with young characters as in The On1y One

my other favorite dynamic also goes hand in hand with equality: when both are smart, they are professionals in what they do, like in The Sign, Laws of Attraction, The On1y One, Be Loved In House: I Do, Jun & Jun (see the gif above) and of course The Untamed and Word of Honor (I can't help but mention Beyond Evil, The Devil Judge, Killer and Healer, not BLs we all know better 😎)

when both are good at communication, I love it when characters TALK to each other, even when they argue, as long as they COMMUNICATE

the best and the rarest: when they trust each other and believe in each other, that the other person will handle the truth, the problems, that they will help, that TOGETHER THEY WILL DEAL with whatever life throws at them, when they talk about what's going on in their lives including the bad stuff, no noble sacrifice and keeping the loved one in the dark "for their own good". It's very possible that in all the BLs I've watched there was a couple who was honest with each other from the beginning until the end, but I can't remember one now... (Beyond Evil, Love in Translation started doing it by the end)

but I also like it when someone in the couple is unhinged, crazy, like Sahashi in Cosmetic Playlover, or a himbo like Sprite in Twins, or a golden retriever type but a real one like in Sing My Crush, especially when the other one is a bit grumpy and gloomy, like in those series, I love it!

I also like calm, stoic, solid types, at the same time totally whipped for their loved ones 🥰 such as the characters played by Noh in Nitiman and Oh! My Sunshine Night. Special mention should be made of someone similar to this type, but also noble and old-fashioned in a charming way, like San from Century of Love, and the guys from To Sir, With Love

[deadbyoffering]

25 more things that the killers (mainly The Legion) Are not allowed to do

See the first 25 things that the killers are not allowed to do

First

26. Mr. Carter is not allowed to hold a petition on banning animatronics. Just because you didn’t like your fortune from Zoltar doesn’t mean you have the power to get rid of them.

27. Mr. Spencer’s chain hooks are not to be use as hook hangers or to hang laundry.

28. Mr. Ojomo bell’s is not to be used as a dinner bell, but it can be used as a fire alarm or to be summoned for a meeting.

29. Mr. Kovács or his associates are not allowed anywhere near a Renaissance Festival without supervision  ever.

30. If you open any chest during a trial, close it.

31. Killers are not allowed to suggest which survivors perk should be banned. Nerfing is enough as it is.

32. No one is allowed to pull the kill switch. Not even on your anyone birthday.

33. Movies that released before 1960s are no longer allowed to be shown during movie night. 

34. Use the restroom before a trial and not during it.

35. The Legion are not allowed to bring spray paint to tag walls anyone anything.

36. Cameras or any flash photography devices are prohibited in the trials with the exception for Mr. Johnson.

37. Maurice was found and has been returned to Mr. Hawk. The perpetrator, the Dredge, is not allowed to be within 50 meters of Maurice or Mr. Hawk property.

38. To clear up some confusion above, the Maurice seen in trials is not the real Maurice but a replica of him.

39. To clear more of the Dredge and the Maurice situation above, those who have reported that the Dredge still has Maurice in its body is just an illusion. 

40. Mr. Kovács or his associates are not allowed to be hired by the following: camping, raiding or intimidating individuals.

41. The Legion don’t have permission to let survivors to leave trials if they defeated them in break dancing, arm wrestling or can make Frank laugh with a comedy skit.

42. Miss Imai is not cosplayer who made a poor attempt as cosplaying the Predator.

43. No one is allowed to trained the crows to attack survivors if the killer is stunned during trials.

44.The Legion Anyone not is allowed to serve alcohol to survivors in the Dead Dawg Saloon or Mount Ormond Resort.

45. The Legion are no longer allowed to yell “hippy hoppy, get off my property” while wearing the Robbie The Rabbit costume. It was funny the first time, but after 48 times it became obnoxious.

46. Although we have the equipment for it, there will never be a snow boarding tournament.

47. Miss Imai’s drones are not to be tampered with. Neither it to be used as a target practice or trying to catch them with a butterfly net.

48. The water tower is not to be used as a pool or hot tub. 

49. Even though he’s the same age as his sister, Mr. Deshayes prohibited to drink alcohol.

50. No longer anybody is allowed to yell “Here’s comes the bees!,” when they see Mr. Cage.

[iamdeltas]

#agatha is just so interesting to me because she really can justify anything to herself but you still see in small moments like this how it#hurts her to do so but she does and then she just moves on because she /has/ to because she can't dwell on it#she'd be drown from the onslaught of all she's done if she allowed herself to falter on just one thing#she has to be decisive. she has to be callous. because she can't afford to stop or look back#i also don't think agatha truly wanted to bring jen into this either#i know some ppl are thinking she purposefully bound but i truly believe she didn't know or realize who was going to be effected by it#or even after who /had/ been effected by it. i think agatha wasn't actually lying when she said that she chose to leave jen alone#I do think it didn’t give her as much of a pause as sharon and alice did because the reasons she left jen alone hasn’t been for a century#I honestly think the easiest person for her to drag into this was Lilia and then Lilia also ends up being the first she shows kindness too#and honestly that scene was so good because I think she would have shown kindness to her either way because Agatha knows death#she knows grief and how the pain lingers and burrows into your very bones#so I think no matter what she probably would’ve had the same reaction#but I also just wonder if Lilia’s comment of ‘try to save Agatha’ effected her as well#because I think Agatha gets what Lilia’s deal is or at least has an idea. and while she did pause for a second. she played it off quickly#but I wonder if that did really hit her#because Agatha is a witch killer. she has this power that she can’t totally fully control that takes and takes and she’s never once been#thought in her life to be good or kind or anything like that (except by Nicky or Rio) and it’s clear when she was with Nicky they needed to#take from the witches to hide from death to allow Nicky to live and Agatha cannot take without killing#if the witches knew what she was/how her power worked/how Nicky survived they would be killed just like her mother’s coven tried to do#no one would be willing to risk teaching her to risk sheltering them if they knew#she knows that firsthand and anyone who knows anything about Agatha Harkness would rather see her dead#and then Lilia comes in. Lilia who read her immediately. who /knows/ who she is. she says to try to save /agatha/#I don’t think Agatha would allow herself to fully believe it (which is smart because that’s not actually what she was saying)#but god. I bet that stuck with her (via @roots-symphony)

I was going through the scene where the other witches arrived in Agatha's home. And I noticed something when Alice arrived:

Agatha actually didn't look happy.

Agatha didn't think Alice would arrive—she knew what she planned to do—and she didn't think they would open the Road. Agatha was more than okay that Alice wouldn't join but Alice still arrived.

And then when she was going to recruit Sharon, Agatha paused and closed her eyes.

I thought Agatha was just gathering strength because she was not as social as she presented. But now I realize Agatha was also trying to make peace with what she was about to do.

Agatha doesn't have regrets, but that doesn't mean they don't get to her sometimes. Also, she's had three years off from killing, and even though she doesn't remember that time fully, it was still a break from her usual.

This is why she was blasé about Sharon Davis's death, she knew one way or another she was dragging poor Sharon to her doom. This was the split second beat where Agatha makes peace with the idea that she could live with this choice.

[howlsofbloodhounds]

need more killer smut/nsfw that actually turns out to be killer angst because oh fuck he’s dissociating or oh fuck triggered stage switch or something like that

[silusvesuius]

weakest altmer female and strongest dunmer male

[katerinaaqu]

The phrase was undoubtedly common by the time historiographers like Pausanias were alive. One common trait between people like Pausanias or previous sources like Apollodorous is that they quote a lot on the sources they gather from local traditions and different telling. Which is why pausanias as well as Apollodorous etc always say "I heard" or "others say" etc. The adittion to the myth roughly at Augustean times (potentially further back too although we do not know for sure) were already famous at that time and already part of beloved narratives or in this case a proverb. The proverb of Diomedes Necessity could even apply to the essence that Diomedes joins the war even if he is not part of the oath of Tyndareus (unless you take Apollodorous as a source. Then things are different) or at how he had to kill members of his family in the war of Epigonoi etc. By the time Pausanias collects information this adittion was already a thing.

Yes it is possible that as it happens with other stories of people who claim to follow the Epic Cycle or the lost scripts of Nostoi etc they often confuse the local tradition to the actual myth. But even if it is indeed part of Little Iliad still the reasoning behind it could differ. But either way all of the said parts of Epic Cycle are also not fully compatible to Homer or even with each other (classic example how Little Iliad mentions Neoptolemus as the killer of Astyanax briefly while Iliou Persis mentions Odysseus. Ironically most recently the version of Iliou Persis gained popularity especially with the dislike of Odysseus as a character by post homeric sources especially Roman, but in ancient art the most frequent version is Neoptolemus and his death is implied on different ways than than throwing off the walls)

Other traditions such as the infamous scene where Odysseus throws his shield on the beach and lands on it to outsmart Protesilaus are also not that much mentioned by the sources which always speak highly on the bravery of protesilaus and even speak on how he jumps at the same time as Achilles and just happens to land first etc.

Oh I wouldn't speak on that because of Pausanias because as I said above Pausanias seems to be gathering information and not comment on them or show his preference to them. I mostly speak on Conon's adition to the story or rather the detailed description of betrayal upon betrayal between the two heroes that were known to interract very well so unless Conon was aware of some parts of Little Iliad or even before like Aithiopis etc which indicates some detrimation between the two heroes (something that other writers like Quintus didn't mention to their work of Posthomerica) then this version seems more like an added tradition fired up more by the anti-odysseus wave of the time. What is more Attic tradition was also generally against Odysseus as a persona even from classical times by writers such as Eurypedes. Even Sophocles who generally is one of the most fair writers in regards to the complexity of Odysseus oftentimes makes him almost the antihero of his work (for example Philoctetes). My estimation is that at classical times when Athens and Sparta rivalry was on their peak, Odysseus as a peraona fitted more to the aspects that Athenenas placed upon Spartans; fight and theft. An Athenean propaganda that wanted to differentiate themselves from the other city states and claim how honorable and righteous they were, wouldn't much allow space for characters like Odysseus being posed in a positive light and instead that was used as an example not to follow or as a symbol for what happens under the table in a war.

If I also dare to expand it further from Epic Cycle like Telegony Odysseus is associated with the area of Thesprotia which was an ally to Philip or Alexander and the Macedonian kingdom was not good news to the Atheneans which wouldn't help the projection of Odysseus as anti-hero. So all and all I am not surprised if especially in Roman times such proverbs with this context would be famous in Roman Athens and even combine them with local traditions and such and given how the Palladium Heist is memorized by ancient art but never in a negative light makes me more convinced that this is a later adittion that was aflame by local traditions etc.

I am not sure if the theft of the Palladium specifically fires so much controversy given how there was also the prophecy indicated that they needed it. Unless they wanted to use it to imply that "Odysseus was ready to do anything to win" the theft itself is presented by the Epic Cycle as a necessary evil. I would say Athenean anti-odysseus wave is mostly linked to Odysseus methods and their propaganda against war in general and against Sparta in particular that drove this. Odysseus was a controversial figure even in antiquity given how his methods opposed the ideal of the time of straightforward fight. Not to mention that Odysseus was also married to a spartan princess which I am sure for a fanatic patriot Athenean would be an interesting controversy hahaha 😆

Heyo!

I don't know how exactly to phrase this but I was wondering if you know anything about Odysseus trying/planing to kill Diomedes while they were stealing the Palladium. I have heard some people say that Odysseus did try to kill Diomedes while doing so but Diomedes noticed him so Odysseus stopped.

This feels so strange to me as Odysseus and Diomedes aren’t antagonistic in the Illiad and Diomedes is loved by Athena like Odysseus so betraying him, especially for hubris, seems like a good way to end up on Athena's bad side.

Also the translated summaries of Little Illiad I know don't mention it either but I know those translations can be missing out context. I suspect the Odysseus Betrayal is a "later adition" to the Epic Cycle but I am not that confident on that opinion.

Yes absolutely and I understand completely what you say. That is because the Palladium Heist betrayal story was peobably not part of the original epic cycle but rather a later adittion. More specifically through the work called Bibliotheca by Photius I, the ecumenical Patriarch of Constantinopole in 9th century seems to be mentioning in his work a Roman mythographer named Conon.

Conon lived and created during the times of Augustus. It seems that he is one of the oldest if not the oldest mythographer to ever mention this story. So the story quoted by Photius goes as such;

Basically after the revelation of Helen's Diomedes and Odysseus enter the city. Odysseus helps Diomedes on his shoulders so that he could climb but when he reaches out his hand Diomedes doesn't take him in and goes for the Palladium himself. When he comes back apparently Odysseus asks him on it and, according to Photius who quotes Conon, Diomedes "knows his cunning" and says that he didn't find it. That a spirit stole it and that he has another one. Odysseus realizes he is lying so he eventually draws his sword to kill Diomedes and take the Palladium to the Greeks himself. Apparently as he goes to stab Diomedes in the back, his sword casts a shadow by the moonlight or the glint of the weapon, Diomedes sees it and deflects him. He draws his own sword and threatens Odysseus with it wishing to "punish him for his cowardice" but eventually he decides otherwise (arguably knowing that the war needs him) and thus he drives him back to the camp while hitting him on his back with the flat of his sword. And according to Photius this is what gave the famous phrase to Greek language διομήδεια ανάγκη (Diomedes Need) which basically means "do something unpleasant out of necessity for the greater good"

So as you see the story does seem pretty bizarre. First it implies mutual distrust and rivalry between the homeric heroes for Diomedes doesn't take Odysseus in the temple, Odysseus asks him on the Palladium obviously with intention to steal it and Diomedes lying to him and of course the actual act. For starters Odysseus ready to kill Diomedes for the sakes of fame (while he literally saves his life in the Iliad) and not only that, be greedy and stupid enough to hold a sword to the moonlight. So it holds many contradictions to the entirety of Epic Cycle even Iliou Persis which also shows a more unpleasant side of Odysseus.

My guess is that the story is mostly linked to traditions of later years especially Roman sources and is not directly linked to the Epic Cycle. Even art of later years doesn't depict the Palladium Heist as a negative aura between the two heroes. If anything they seem to be cooperating just fine. And as I said this myth as told by Conon shows BOTH Diomedes and Odysseus as rivals and equally antagonizing and deceiving each other which doesn't usually appear to the Epic Cycle. Although of course we cannot be 100% sure given how the Epic Cycle is lost, it seems to me more like a roman legend that usually depict Greek heroes of Troy in general and Odysseus in particular, in the most negative light possible given how Odysseus is known for taking Troy, the mythical city of origin to the Romans (given how Aeneas who barely escapes with his life from Troy is the ancestor of the founders of Rome)

I hope this answers your question; to summarize it seems to me that this story of the Palladium Heist has as much connection to the Epic Cycle as Ovid has to Medusa legend; seems more like a version either created or told by Conon based on traditions of his time and the general anti-Odysseus climate.

[queenerdloser]

i just finished dark heir

[triglycercule]

killer eating food in front of horror as a way to taunt him. duuuude do you see this delectable parfait he has in his hands right now. he just put a spoonful in his mouth. horror is scratching at his own arms right now (trying not to jump this bitchass). killer can't even taste it LMAOOO another bite ‼️ imagine not being able to eat food 🤣🤣🤣 killer can't even taste it and enjoy the food but horror can't even EAT food

then horror grabs the parfait glass out of his hands and oh killer you should probably teleport away before horror does to you what undyne did to his eye

[abrahamvanhelsings]

if you would ever like to elaborate further on the mountain dog/hunting dog joplittle dynamic you mentioned in the tags of that “Blanky about to lose his leg” gifset…. inquiring minds are simply piqued 👀

hi sorry that this took me. FOREVER. i didn't have time to answer the ask at first then i did it halfway and didn't have time again and i promise you this ask has been hounding me (hah hah) since the day it appeared in my inbox but i never seemed to be able to make the time to reply to it asfjdfjfd anyway! here it is now :')

ok im basing the idea of hunting dog = jopson and mountain/working dog = little on their respective personalities, the way they seem to think and how they react to specific circumstances. and slightly on their physiques as presented in the series but that's of minor importance. ofc both of them are loyal and listen well to superiors - to one man in particular, which is fairly common among dog breeds as well (i.e. whoever trained them), so that's not necessarily distinctive, but it does ofc make them dog-coded in general. but there are many many ways in which to be dog-coded and they're very different abt it so!

why i think jopson is more hunting dog coded is bc he is extremely competent, but quietly so, not noticeable until it becomes necessary. he's very skilled at providing specific information about the crew and the general goings-on around terror to crozier, and he becomes more focused in highly tense situations - in fact these are moments where he specifically stands out for how well-suited he seems to the task. and he is not aggressive, but there is definitely a sharpness to him that he can and does direct to those who threaten him or crozier first and foremost.

and all that really does remind me of hunting dogs - a good hunting dog is extremely well-trained, knows exactly what he is supposed to do, listens to commands, and stays at his master's side. im thinking especially of pointing dogs, i.e. dogs that point a hunter in the direction of prey that they have sensed:

these are of course very precarious situations wherein a hunter relies on his dog to steer him, and if hunter or dog make a wrong sound or movement, they may alert prey to their presence. there's a a correspondence here between dogs trained for these moments of focus to jopson, who is crozier's silent aid but also excels in such tense situations, and who is decisive, swift and capable. and i think it's really funny that being 'birdy' is a wanted trait in these dog types, bc 'i've shot smaller hawks than you' the comparison literally writes itself. also, pointers/setters tend to be lean dogs, which i think coincides well with jopson's natural elegance and grace

edward on the other hand is supposed to be sturdy, good-natured and broadly dependable. he appears increasingly anxious in the series, but that is because he is shouldering a lot of responsibility throughout it all. he'll take the insults and he'll take the extra tasks and he'll do it with barely a complaint. in fact it makes me think of the fact that dogs treated badly can come to exhibit traits that are not desirable in the breed at all. imo edward in ep 1 displays what i would call the desirable traits of, say, the bernese mountain dog, but events and crozier change that very rapidly.

you can fuck up any dog if you treat it badly for long enough, and edward is an abused dog to me.

id also say that edward is generally amiable, though he will make a point when he feels it is absolutely necessary, and he does have an innate want to protect what or whom he finds important, though he is seldom if ever very aggressive about it. he has an intense feeling of responsibility for the crew and the expedition as a whole, set against his feelings of loyalty towards crozier, who he wants to please almost at any cost as well. and then of course he also has a large family.

'search and rescue work'. yeah. and then of course mountain dogs are generally of a sturdy build. obviously matthew mcnulty is no absolute unit but by god the series tried their hardest to make edward appear like a well-built countryside boy. and by god does he try to carry every burden ever on those shoulders, like a dog pulling a cart bc that's what it was trained to do and it was enjoyable once. and he seems practically immune to scurvy and fares well in the cold, which, again, very mountain dog of him.

additionally, newfoundlands (neptune!) aren't mountain dogs, but they're big, sturdy, excellent swimmers, and therefore often used for rescue, so that's also a breed i associate with ned.

[hibiscera]

Trying to figure out a base for chibi charms. -_-

With the sillies.

[astarlightmonbebe]

slightly hot take (?) but personally i felt the reactions in ep 17 were all in-character and justified... don't have the time to get into it, but it boils down to the fact that knowing something logically =/= knowing it emotionally

[sysig]

Spoiling for a fight, spoiled for choice (Patreon)

[deadbyoffering]

-the legion no one is allowed to mimic other killers accents

i think the legion said "laddie" one too many times in a horrible irish accent and got one of them got sniped

Adding to the list.