#things not to write

[callipraxia]

Continuing from the conversation in the reblogs of the link below the keep-reading, since while the broad subject of "let's ramble about mental illness and substance abuse metaphors in this kids' show!" is still the same, I'm on to talking about a different character (Specifically, Fiddleford)/realized belatedly that the OP might appreciate this.

So, Fiddleford and his memory gun.

It is, as usual, impossible to be 100% sure of much about the Portal era, considering that Ford's view of reality seems to have already started becoming distorted by the time he began writing Journal 3, and it is true that Fiddleford's signs of trauma after, say, the gremlobin incident, or his nerves when he realized what the probability of failure was, were actually pretty reasonable responses to the things that he was going through. However, Ford does act as though he's always been a bit concerned about Fiddleford's nerves, and when everything is taken into account, it seems more probable than not that the man does/did suffer from some form of anxiety disorder, probably in the OCD 'family.' Once I accept this premise, his story rapidly becomes a solid metaphor about the dangers of self-medicating.

Yes, yes, I know. The moral of the story is to deal with your problems...but nevertheless: the memory gun works as a metaphor for drugs and compulsions and how they don't really solve your problems, and it works especially well, I think, as a metaphor for alcohol and/or sedatives (Ativan, Valium, etc.). When used judiciously and with deliberate goals and limits, these things can be highly useful, or at least do more good than harm (alcohol is an antiseptic, for a lot of history it has been safer to drink than the average water supply, and it at least used to sometimes be 'prescribed' to people with certain heart problems who couldn't afford expensive medications, nerve pills are actual medicine, and as for the gun, we have the canon examples of the end of 'A Tale of Two Stans' and the finale). If you start to feel you need a drink after work every day to keep coping with your job, though, or needing a nightcap just to go to sleep...that can go real bad, and that's if you aren't developing this habit on top of OCD and/or one of its sister disorders. Fiddleford does appear to have such a disorder, and while he already had some ritualistic behavior (his Cubik's Cube, his alleged superstitions around graves, his tendency toward trichotillomania, the amount he checks and rechecks his work), he really loses control of himself when he gets access to the memory gun.

I suspect, between the temptation to instant relief it presented him every minute of every day and the secretive nature of it (no doctor supervising him, nobody frowning disapprovingly into his trash can, etc.) that memory gunning himself at the slightest inconvenience became both addictive drug and compulsion for him at some point, to the point that he was eventually frying his brain for even such a minor stressor as cutting himself shaving - or rather, for such seemingly minor stressors, since to him...who knows what that looked like? Anxiety Brain is wonderful at forming objectively sketchy connections that spiral into long chains of increasingly frantic 'reasoning.' From an outside viewer's perspective: it's a scratch, big deal. A path I could imagine Fiddleford's brain going along might run more like: "I cut myself shaving - why are my hands so shaky, why did that happen - were my hands even shaking, or was I just not paying attention? I can't do anything right! I can't even shave right, never mind raise a kid right! Which reminds me that I haven't seen my son in six months, I might as well have been cheating on my wife, I'm a terrible husband, a terrible father, just a terrible man, why didn't I do something before things got so out of control?? I could have stopped all of this, but now my Friend is out of his mind, he might end the world any day now, I don't know if my wife would have me back at this point if I even had the guts to go home and beg, and now I have this cult to run - but how can I run a cult when I can't even be man enough to face my own family? And it's slipping out of my control, I never meant things to go this far - They're all gonna turn on me, Stanford and Ivan and Emma-May are all gonna team up and murder me, oh God, it all makes sense now - !").

And then the gun made all that noise just...stop. He could sleep. He could run a cult. He could do things other than worry about Ford blowing up the planet any day now, or what was going on at home, or if the things he saw in the gremlobin's eyes could really happen. As soon as it started, he could just...make it all go away, as often as he wanted, at the click of a button. And by the time the side effects started becoming obvious, and he was losing his ability to speak properly and tearing his hair out without even remembering he'd done it and stealing clothes off scarecrows, well...thinking about those side effects, wondering if this thing he feels he cannot live without anymore could be responsible for them, was almost as distressing as thinking about all those motor accidents. Which, naturally, meant it was time for another mind wipe/drink....

So, there, started a couple of days ago and then delayed until I found this tab again though it is, you have it, @gravi-mania - the tale of how one could, if so inclined, warp the backstory of Gravity Falls into a story about bright young things whose lives fall apart courtesy of one of them getting too many uppers and the other getting too many downers. Make the framing device "Stan finally got out of prison after thirty years and went to visit his brother in the state hospital, where Ford laid eyes on him and immediately started yelling about portals and the end of the world and Stan doesn't even know what; as a result, Stan decides to stick around long enough to narrate the whole sorry tale, Prince of Tides-style, to the new doctor Ford seems to think is their nephew," and you could even get some super-depressing sober commentary on society and the justice system in there, too, along with at least very slightly lowering the research load, since sticking to that point of view would limit the scope of things to what he could see/what he knows about rather than going too deep into everyone else's heads and happenings. Though tbh, I suspect going with "yeah, let's just...not" is still the wisest possible course of action all around. really.

[going2hell4everythingbutbeingbi]

I firmly believe that some stories can never be translated into a different medium and that's okay

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

Instagram Tiktok

[roach-works]

speculative fiction writers i am going to give you a really urgent piece of advice: don't say numbers. don't give your readers any numbers. how heavy is the sword? lots. how old is that city? plenty. how big is the fort? massive. how fast is the spaceship? not very, it's secondhand.

the minute you say a number your readers can check your math and you cannot do math better than your most autistic critic. i guarantee. don't let your readers do any math. when did something happen? awhile ago. how many bullets can that gun fire? trick question, it shoots lasers, and it shoots em HARD.

you are lying to people for fun. if you let them do math at you the lie collapses and it's no fun anymore.

[roboticnebula]

Pros of re-reading your own fic

a good time;

Has exactly the tropes you like and the characterization you want to read;

Gratification: yes you did finish a thing and yes you did do good;

just a very fun time all around.

Cons of re-reading your own fic:

Is that another TYpO

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[so-many-ocs]

[on the verge of having a complete breakdown] i need to make some kind of list or perhaps sort things into categories

[vinceaddams]

People who try to copy historical writing styles don't say enough weird stuff in them. I'm listening to a 1909 story about a ghost car right now, and the narrator just said he honked the car horn a bunch of times, but the way he phrased it was "I wrought a wild concerto on the hooter".

[snowstories]

My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.

Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?

What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?

Worry less about whether a character would do something, and more about how they'd sound while doing it.

[daughterofchaosstuff]

done healing my inner child. next up is my inner teen. her highness demands a sword.

[creativepromptsforwriting]

Imagine you're opening AO3 and search for a fic. Imagine you're finding one that fits all your criterias. Imagine it has the perfect length. Imagine getting lost in the story and feeling almost high when it's over. Imagine looking up the author and they have written. so. many. more. fics. exactly. like. that. Imagine.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[writeouswriter]

The point of fiction is actually to put that guy in a situation™️, and he might try to tell you the point is to then get him out of the situation, WRONG, second situation

[hayatheauthor]

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

Instagram Tiktok

[nondelphic]

“you’re a writer, can you explain your process?” yes. first, i panic. then i procrastinate. then, in a fit of productivity at 3 a.m., i create chaos.